#this is separate to the other post because it contains a lot of links

[moyokeansimblr]

Moyo's Great Big Afterglow Default Project

HOORAH! 🥳Finally I can share with you guys! There's a lot to get through here so some notes beforehand.

There are way, way too many hairs to list and people to credit. See everything that's included and who all deserves credit in the spreadsheet I made for this project!

Not every hair is replaced! I don't know much about hidden clone hairs, for example. Some of them are replaced if the default I used as a base included them but most probably are not.

I chose to hide a bunch of the OFB hats and whatnot when I was starting to get burnt out of this project. See what hairs I've hidden on the hiders tab of the spreadsheet. Hiders are not included, but there's a link to them.

There's a few defaults I'm using from loosiap, rudhira and seabens. They are not included, see those in the defaults by others tab of the spreadsheet.

I use a bunch of no/random npc hair mods so not all npc hairs are replaced. See those in the no/random npc tab of the spreadsheet.

I use custom turn ons that change the one for hats so a lot of the hat hairs are replaced with non-hat hairs. I think most of the flags in simpe are changed to non-hat too but not positive - some might still be hat flagged.

Defaults where all I did was change the texture that didn't contain extra ages include them in a separate file because I didn't want to add them to the main file and mess anything up. Defaults done by me have them included in the main file.

Nearly every default has extra ages, but a few do not.

The Notes column of the spreadsheet mostly contains notes I wrote for myself regarding the custom versions of hairs I retextured (which will all be uploaded) but some of them do apply to the default too. I'm so brain fried though so I'm leaving it in the sheet. You can generally ignore - or read them if you want!

Defaults are in their own folders, and include a pic of the hair they're replacing and a pic of what they're replaced with...if the kind people on the default database are bored.

I'd never made a default replacement for hair before this so if any of these are not made in the best, most optimal way, apologies. I was learning as I went!

PLEASE PLEASE PLEASE reach out if you notice any wonkiness. This was worked on over 3 of the most stressful months of my life so I'd not be surprised if I screwed anything up. Also if I forgot to mention anything in this post that you'd like to know, don't hesitate to ask that too!

👒Moyo's Afterglow Default Project download on SimFileShare

I hope you enjoy! 😁

@the-afterglow-archive

[the-king-of-lemons]

I know a lot of people on qsmpblr use Tumblr mobile, but if you do use browser Tumblr then I would recommend the Simple Translate extension. Because Tumblr doesn't have built in translation like Twitter, there's less fans posting in their native language, instead most people just use English.

Simple Translate is an extension that allows you to translate text that you highlight into a target language. (It uses Google Translate API, but so does Twitter so the translation quality is pretty much the same).

Firefox Extension | Chrome Extension

When you highlight text in another language, a translate icon appears, when you click on it a panel containing the translation of the text appears.

You can also change the settings of the extension so that the translation panel automatically appears when you highlight text in another language.

Here's some more examples using the official QSMP Twitter accounts, you do not need to change the settings of the extension to translate from different languages into your target language.

(All of these match the translations given when using the "translate bio" button on Twitter directly.)

You can also access a translation box using the icon in the toolbar, any text you enter can be translated to the language selected in the drop-down menu (meaning you don't need to open a new tab to use Google Translate).

Some settings explanation and other stuff under the cut. Not super important but I figured I'd add it anyways.

There is an option to use DeepL API as opposed to Google Translate (it's another translation tool, there is free access to the API with a limit of 500,000 characters/month, and a pro version for unlimited access).

Whatever the target language is set as is what text you highlight will be translated into. There is another option for a second target language, I'll explain that further down.

This option changes how you view the translation panel, the first option (default) has the icon appear when you highlight text (as seen in the first image of the post), the second option has the translation panel appear automatically when you highlight text, and the for third option the panel and icon won't automatically appear, but can still be accessed by right-clicking the highlighted text and selecting "translate selected text".

The checkbox below these options means that if the text you're highlighting is already in your target language, the translation icon and panel will not appear, it can again still be accessed by right-clicking what you've highlighted and selecting translate.

This option appears twice, in both the Web-page section (for translating selected text) and the Toolbar Popup section (for the translation box in the toolbar popup).

The web page option, when toggled on, means that when you select text that is in your target language, the translation panel will translate into the second target language that has been selected. If the checkbox for "do not display if translation is not required" is toggled on, you can only view the translation from Target -> 2nd Target by right-clicking to translate selected text.

The toolbar popup version of this option is used to automatically switch the language in the toolbar translation box when you input something in your main target. (ie. second target set to French means that when you input English text in the translation box it will switch the translation setting from "(detect language) -> English" to "English -> French").

There are also settings to change the style and size of the translation button and panel.

Side note: Mixed language messages (not containing your target language) will only translate one of the languages, you can work around this by highlighting the different languages separately.

Links again if you don't want to scroll all the way back up

Firefox Extension | Chrome Extension

[andhumanslovedstories]

Writing prompt: death wants to retire

Thanks for the prompt! This sentence is a link to a video where you can watch me write it in real time!

I thought it'd be fun to record myself writing. Partially to keep myself focused, partially because I watch a lot of people play video games for background sound and I was like, "I can do that but nerdier," and partially because I thought other people might like writing along. We can all do one big asynchronous writing sprint together. It's available for free over on the Cracked Spines patreon, which seemed like the least intimidating way to post a 45 min video of me, alone, doing a creative work. It's like a lofi ASMR video. I talk very softly. I cannot stress how asleep everyone else in the house was while I did this.

I wrote the story below in about fifty mins. I wrote most of it by hand in thirty minutes. That's the video. Then I typed up what I wrote here, did some minor edits, and then actually tried to reach any conclusion. The ** below marks where the writing originally ended. I tried to stay true to the idea of free-writing by hand, so I just put down words and powered ahead.

First there was nothing. Then there was something. Then there was Brittany. In the name of efficiency, I am skipping over a few eons between my creation and Brittany's.

She wasn't a bad person. People who believe certain people should die young wouldn't have said she deserved such a fate. No one deserves anything. I am not a matter of morality. A quick survey of any tragedy will tell you such, and there has never been any shortage of tragedy to study.

She died in her bathroom. A lot of people die in the bathroom. That sounds undignified to those who care about such things, but I personally find the concept of dying at all anywhere from anything mortifying. It has never seemed to make much a difference what room of your house sees your end. Still, we must cater (or at least, I occasionally chose to cater) to the tender sensitivities of mortals. Especially those who have just learned how mortal they are.

"Can I please just pull up my pants?" what remained of Brittany asked me. The container than had once enclosed her was slumped face-down on the tile floor. The position looked like it would feel uncomfortable if the body had the capacity to feel.

"No," I said.

"Please?"

"It's not a matter of permission. I have no power to affect the physical world. Neither do you."

Brittany bent down and passed her hand through her corpse a few times. Humans never just believe you. "What if my unfinished business leads me to become a ghost? Do I get ghost powers? Can ghost powers do anything here?"

"There is not such thing as ghosts."

For the first time since I informed her that she was dead, Brittany looked surprised. "Then what am I right now?"

"A soul."

"How is that different from a ghost?"

"The idea of a ghost is that after a person has left their body, something of them remains behind."

"Which I am, right now," she said.

"You're not. I am getting you. After this, I will take you. There can never be such a thing as a ghost because I do my job."

"Every time?" she asked.

"Always."

"What about everyone else who died at the same time I did?"

"I am talking with them as well." I paused. "Most of them have already moved on."

"Sorry that my death is slowing you down." She did not sound sorry. Humans say things like that sometimes.

"It is not. Nothing slows me. Nothing stops me. This moment between us will never be longer than a moment."

Through force of habit, Brittany tried to check her phone. Because the habit was so deeply ingrained, she succeeded. Now separate from the imposed frame of the physical world, everything she was and had right now was whatever her mind could conceive it to be. "When did I die?" she asked, looking at the clock.

"You didn't at the precise moment that we are talking. You will never get another moment."

She kept looking down at her phone, though she didn't seem to see it. "I guess that's okay," she said at last. "Who wants to see their roommate find their dead body? God, do you think she'll even be sad?"

Insomuch as I can, my form being what it is, I shrugged. I did not have experience with aftermath. By definition, by the time it arrives, I am gone. "Come," I said.

"Hmm," she replied. "What if--hear me out--what if--"

"There is nothing you can do to rearrange your corpse."

"That's not what I'm asking."

I knew that. She was making her boring request. I received it more often than a human mind can conceive, and each time the person requesting it thought they might be the exception.

"No," I said.

"C'mon."

"Compelling argument."

"I'm not saying forever!" Brittany protested. "Just--not right now. A little more time."

"You may remain in this moment for as long as you see fit," I said. "Then, you will go."

"Do you stay with me the whole time?"

"Yes."

Brittany made an expression that a less detached manifestation of the universe might have found insulting. "So I can spend forever in this exact unchanging moment in time, stuck in the bathroom where I died on the toilet, with the Angel of Death who keeps tapping their foot and checking their watch."

Reader, I possess neither feet for a watch. This is one of the many ways in which Brittany Park misrepresented the situation.

"You are dead," I reminded her.

"But I don't want to be!" She threw up her hands. They were already less hand-shaped than they'd been when we'd first started talking. She was forgetting the shape she used to inhabit. It would not be long now.

"Please," she asked.

**There is no construct in all of creation that has been pleaded to more than I. Once--when I was just formed and new to the concept of myself, when the something that came out of the nothing had just realized that everything eventually ended--begging affected me more. You cannot let such appeals hold sway. As I told Brittany, this was not a matter of permission. She was asking gravity to not pull her down to earth. If gravity felt guilt, what use did that serve anyone?

"No one escapes death but Death," I told her.

She brightened up suddenly. "Okay! Then how do I become Death?"

No time passed in the forever moment we inhabited. If time had passed, you could have said there was an inordinately long pause that followed this statement.

"I am Death," I reminded her.

"Sure," Brittany said flippantly. "But like, forever?"

She completed the dying process shortly after this conversation. It was inevitable. Liquid water does not hold its shape when the vessel that contained it breaks. When she forgot herself entirely, when she could no longer conceive of the division between that which was her and that which was everything else, I swept her gently into my coin purse. Across the world, across the universe, across a vast endlessness that ate even now at the nothingness from which everything had emerged, I performed the same function for uncountable organisms on every scale of existence. I reaped a microbe. I reaped a star. I reaped Brittany. And the work continued, unchanged, as it had been unchanged since the beginning, as I had been unchanged since the distant agony of my first death, when I decided what I did could never again be allowed to hurt so deeply.

And yet I keep hearing the question: forever? She had said it the same way she had said, "C'mon." An appeal to my reason. Asking me to admit what we both knew was obvious, what we both knew was ridiculous. Forever? I am what I am forever?

The answer is in the affirmative. Anything else would be impossible. Humans enjoy pondering the counterfactual. I have never seen any reason to concern myself with more than what is. I will forget the words in time, as I have undoubtedly forgotten others like it. If the thought seems to linger, then there has simply not been enough time. I can wait. I have forever.

[sevastiel]

Behold ye, my Protoframe oc, Darius.

(Ft @doggojin and @thatfluffyboi's Chanho n Sol, they make an delightful trio tbh)

Some extra deets (lots of notes on him be warned) post cut! :)

Separated into physical and psychological/lore.

Physical notes :

Spanish-Mediterranean, mid-to-late twenties, looms at a ridiculous 6'6" (200 cm I believe? around there.) but is normally hovering an inch or two off the ground. Thankfully, he's gotten into the habit of tucking his legs in a bit so he doesn't hit every single doorframe that he passes through. He lost his left leg from the knee down due to an unfortunate incident with a landmine, and had a prosthetic for several years before the techrot.

Darius's body is made up of connected pieces held together by sentient energy, and all of his organs have either been replaced by the techrot-sentient hybrid growths, or are no longer necessary and have been removed. He currently lacks the entirety of a regular digestive tract as we would know it, and subsists mostly on energy. However, should he require physical mass for either rebuilding/modifying himself, or creating other sentients, he can 'eat' by putting materials in his mouth, pulling his bodily pieces together, and allowing the techrot systems to dissolve things into more workable particles, or pushing things between separated segments of his body (usually his chest) and letting the sentient bits pick things apart and feed them to the rot for storage. (This takes longer and is less effective at energy conservation) Extra notes on this later when we discuss his abilities.

The connective energy between segments is manifested in string-like bundles of force, which are manipulatable and can be 'touched', though unless he's focusing on keeping his energy properly contained you will likely get a light zap, and with prolonged touch you'll likely be able to feel them hum with power. They normally have about the same tactile strength as woven spiderwebbing of the same thickness, stretching easily but ultimately severable with either enough effort or something sharp. Should you sever all the connections, the piece will just fall off. Removed pieces aren't controllable by him any longer, but are re-attachable, and although he's got a body plan that his form defaults to, every single bit of him is entirely modular except for his cranium. Removing his jaw takes some effort, as there are technically still segments of flesh (his lips, basically) holding it on, but it is possible. If he really puts his mind to it, though, he can remove a segment, and maintain the links through mental focus, or by tethering them to something that he/they can feed off of. Through this, he can make replacement limbs for others, or additional armor, given they've got the bio-energy to keep the segments active.

Bodily segments are almost entirely made of toughened armor plating, with the majority of flexibility being located on the twin pieces that make up his chest/torso, as this is also where the majority of the techrot based organs lie. Although he does need to breathe, each segment intakes oxygen individually, through the softer and more porous dark insides. He has full sensation in any piece of him that he's linked to, as the energy connections serve as a nervous system, and can 'digest' pieces if he's in desperate need of energy/materials in a pinch.

Being modular, he can, in the same way he summons other sentients, simply craft himself differing body parts whenever he so pleases. The larger the piece, the more effort/thought it takes, since it requires a greater complexity of systems for nutrient, oxygen, and waste management. Due to his own lack of knowledge, he doesn't manifest any replacements larger than his own legs, and would rather just spit out a patch and slap it onto injured areas and let the techrot do its thing. This is why his 'armor' looks less dramatic compared to actual caliban, because why the hell would he want that much weight throwing him off balance? He'll accept the techrot/sentient's desires and keep his form adjacent to it, though.

Ability wise, he's functionally pretty similar to a vampire. While he technically could subsist entirely off of regular food, it would require a lot of time and careful dieting to gather the proper resources his body needs, and his energy levels would be rather constantly low. So, instead, he just eats as much techrot as he can and prays for the best, or drinks directly from power generators when he can get away with it, or anything similar. Pure energy as a baseline keeps all his sentient systems running, and metals/proteins allow his techrot systems to keep going. Thankfully for him, he's got two boyfriends who are both quite energetic, and really don't mind his needs as much as they should.

Manifesting sentient fighters usually happens in the same way as he manifests new pieces of himself, but with the added caveat that they don't need functional internal systems for long term usage, and he can charge them up with his own power to keep them running as long as he needs. This is obviously extremely resource intensive, but if it keeps those he cares about safe, (and since it appeases the eternal need to consume and create and consume and create and consume and create) he'll do whatever he must.

Due to all of the above, he prefers particularly tight or comfortable clothing,, as it helps mitigate the changes that happen depending on his energy levels. The less he's got, the looser his pieces, and things will just fall off if he's dead tired (lol). So... Avoiding that is nice. Additionally, although he needs his chest cavity within reach for making sentients at a quick notice, he does like looking in the mirror and not seeing his own body immediately as so blatantly inhuman and monstrous. The straps he uses for his military harness are half to hold things and half to straight up just keep himself together. The mask is for keeping his eyes clear of gore while he's in the middle of shit, because that was a severe issue beforehand. Take a bite, get blinded bc there was more fluid than you expected, have to panic and try and fix that mid combat, leaving you even worse off than you were previously? No thanks.

--

Psycological notes and lore:

Before Entrati got his hands on him, he was a well respected mediator that worked on communications for the ICR, and worked directly with the Hollvanian government and its military to allow for the ICR to remain in the city.

Coming from a well off and well expecting background, from a young age he was put through his paces and taught to be the finest edition of a modern renaissance man, giving him very little time to do anything but his studies, and very little affection from anything but perfection. Even then, kinda mid. As such, he is a well mannered and well spoken fellow with a deeply repressed childish nature that only ever comes out at the worst possible times amidst the best possible company.

Having been tailor-made for communications work, he was also ensured a healthy dose in very many other skills that might come up from time to time while traveling. (Including, but not limited to, sewing (which he hates), cooking (which he has extremely low patience for), midwifery (which thank god hasn't come up yet), medical triage (unfortunately has), general electrical and mechanical knowledge (much better for him now than it was before), a few languages, and so forth. Post becoming a protoframe, much of his knowledge has degraded due to the changes required for his brain to be able to control his bio-energy, leaving him constantly irritated when faced with a challenge that he knows DAMN well how to deal with, but cant remember specifics on.

He deals with irritation and anger very expressly, not one for subtlety or sarcasm when it comes to his displeasure. This man will Not be the one making snide jabs across the table, he would instead pull you aside privately and explain quite logically the behaviors he's disliking and see if either an agreement can be reached or if another specialist should be put forth. A trait learned from his parents, no doubt, but also one that helps considerably when it comes to governmental relations and respect.

All of his emotions are generally delt with highly logically, which, when it comes to more positive or soft feelings, gets very awkward and confusing for him very fast. One might find have found him before sitting on a bench, staring up at the falling leaves. If you asked him what he was thinking about, he'd respond that he's trying to comprehend why exactly he should be feeling happy about witnessing something so mundane. He wouldn't leave, of course, he'd still watch, but there will always be a part of him that shies away from emotions as a whole. All the sweeter, imo, when he really starts feeling and letting himself feel. Love is a strange thing, isn't it?

During his time in Hollvania, he got infected through volunteer work, doing his best to actually be helpful past the eternal red-tape. He hid it for as long as he could, taking extra care to frequently wash, scrub down, and then properly bandage and ointment up the affected bits of his arms so he wouldn't risk spreading anything, but it didn't do much for him at all. He was needed to maintain good relations, often running intermediary briefing dialogues to keep both sides as up to date as possible on the ICR's doings, so duty really did pull him in half. (haha) As the rot progressed and claimed more of his body, leaving him weaker and more frequently ill, it was less and less ethically feasible for him to keep working, despite it more or less being the only thing he really knew how to do, and there being very few people who could replace him. If he wasn't doing something, if he wasn't being productive, solving problems, keeping people happy, then what was he?

And then he heard of a man with a miracle cure, our good old Doktor Friday, and the fact that it worked. Naturally, Darius paid him a visit, already having used his infected status as an excuse to let him do a bit more hands on assistance wherever he could. And Entrati indeed did give him a cure, listening and nodding along to all the reasons Darius gave as to why he would likely be a good test subject, especially if it meant that if it worked, Darius would be in an excellent position to grant Albrecht significant funding for expanding his cures to the greater populous, who needed them desperately.

Well, it sure didn't fucking do much, did it, leaving him visually better, but when word got out that the others who'd taken the cure had become super-spreaders, you bet your ass he started panicking immediately. He'd been in rooms for extended periods of time with everyone in command, just his presence might have been enough to entirely destabilize the local government, or absolutely gut the ICR. So, once more, he claimed a stomach illness to take some time off. This was a very big problem, so back he went, livid as all hell, to hunt down Entrati.

He got the whole spiel about unforeseen mutations within the techrot responding strangely, and although he didn't believe it, he already had nothing left to lose. He wasn't a soldier, sure, he had training in fencing, could handle a gun, but he couldn't help like the others could, and he could not go back to the one thing he'd been set up all his life to be. And Entrati had a bit of a twinkle in his eye when he said that there might be something that he could do, but it would take time, and multiple tests, to be able to make it all work. There was another strain Dr E was experimenting with that, as he was shown samples and heard the explanations, seemed to be able to nullify the techrot almost entirely. (It was actually just subsuming it, but visually, the two outcomes were nearly identical.)

So he said yes. Like a fucking idiot.

The initial dose laced him with the helminth strain, preparing his body, granting him strength, even though it hurt so very much, the pain leaving him borderline insensate, unable to do anything but lay there and cry as he felt his very flesh twisting and saw Entrati approach with the second dose after a few hours.

Number two was a low dose of the sentient strain, modified, following Caliban's biological approach, and the reaction between the two was violent, techrot subsumed with a rapid hunger and made to serve a new master. Darius's body quite literally began tearing at the seams, and Entrati took his time with the process, utilizing several more small injections, so he wouldn't die of pure blood loss.

When all was said and done, his twisted body was held together by a scant few threads of power, and he was very much unconscious, having fallen into a coma that would last multiple days, fed with an occasional battery set into the new cavity within his chest.

Wisely, Entrati was not there when he awoke, starving, terrified, and in great pain. All he could focus on was the hunger, that pulsating desire that screamed at him to consume, create, consume, create, consume, create, his human mind utterly overwhelmed by the twin techrot and sentient desires. It took him some time to figure out how to move again, much less walk, and the hunger only got worse by the second.

When the Hex found him, they came across a crying, shattered man, tearing into mounds of freshly killed techrot with his bare hands, stuffing wires and flesh alike into his mouth with an inhuman voracity. He was guarded by bizarre automatons, whos' origin was quickly made apparent by him reaching into that glowing gash that bisected his entire body and pulling out another, his own form splitting and reshaping as he dragged it free.

It took quite some time for him to regain his humanity. Quite some time to mediate the new desires of his reformed body with his own. The urges have not left him, but at least he's got a choice, now.

Prince of both worlds indeed.

[furiousgoldfish]

Survival skills: Cleaning, Laundry, Living space maintenance

(there's a separate post about cooking, here's a LINK)

So I will assume you're too tired and sick to clean, and in this case we're just trying to prevent actual incidents happening: do not leave food, especially food containing meat or animal products, laying around, because it will cause bacteria and maggots to occur, you don't want that in your home, dispose of them (you can flush bad food in the toilet to get rid, if you don't take out the trash every other day).

In the same vein, sadly dishes sometimes need to get done, if you don't want very odd smells of decomposing food in your kitchen, but it's like, do it once a week in winter, twice a week in summer, and you'll be okay. (High temperature decomposes food quicker). Dishes usually are the most time-consuming cleaning activity because it's something that needs to be done pretty often and it's annoying. You can do it with gloves if you don't like the sensory feeling of it. The absolute easiest way to get it done is to rinse everything as soon as you're done using it, before It gets gross, but do I do that? No. I would never. But it is recommended.

If cleaning is overwhelming, exhausting and just triggering for you, I encourage you to only do whatever is easiest, or even just doing one little area and having that clean and easy to use, without looking at the rest; we're just trying to survive here, not be perfect. No cleaning needs to be perfect, it just has to be done.

Okay, but if you want to have the actual knowledge of how to clean things easily, here's what I do:

Kitchen: I will go against rules and start with sweeping the floors, because I hate walking on messy floor, and having the floor clean already makes the room looks way better, so I don't mind sweeping it once again later. If I have cluttered all the surfaces (which does happen a lot), I will grab all of the things and put them in one spot, like on the table, or the floor, or anywhere just to have all surfaces clean. If there's something dried, grimy or awful happening on the surfaces, the best way to deal with it is to grab a sponge with some soapy detergent, run over the grime, and then leave that to soak 10-20 minutes. Once the dirty part is softened, you can run a wet sponge over it again and it comes out no problem, generally anything you need to clean and it's difficult, leaving it to soak will resolve your issue easily.

So once I've removed all of the things, soaked all the surfaces in soapy water, rinsed them with a sponge, I'll run a dry cloth over it to remove the last of the water, and the surfaces are super clean then. At this point I'll put a cloth on one surface, slowly pick up dish by dish and bring it to the sink and wash it. If the sink is full when I'm starting to wash, it's overwhelming. If I'm bringing in things in one by one, it feels easy, I'm just washing one thing. Once I've washed a dish, I put it on the cloth to dry. Once I'm done with all of the dishes, the pile of stuff I've compiled is usually almost empty, if there's something left like ingredients, decorations, or whatever else, I'll put it back where it belongs. I'll wash the sink and the stove top, when they're also completely free of stuff, and at the end sweep the floor again and wash it. And the kitchen is done!

Bathrooms usually need something acidic for cleaning, you either need a specific bathroom cleaner, or some vinegar (optionally with baking soda). This is because water leaves a lot of calcification on the surfaces, and acidic stuff melts calcium! It takes a while, so like before, it's best to put away all of the things that are stuck in the bathroom, use a sponge to cover everything in bathroom cleaner mixed with water, or just vinegar, leave it for 20 minutes to soak. After that, you should be able to rinse it off, or maybe scrub a little in some places where calcium is a bit heavy, and you should have a clean bathroom.

If you're cleaning a wooden floor, the best way to go about it, is to have a bucket of water, with some floor-cleaning product, few spoons of it mixed with water, and a cloth you can drop in it. Wooden floors can easily get water damage, so you do not want to have them wet for more than few minutes! You squeeze the water out of that cloth as good as you can, and then you can attach it to some squeegee or a broom or whatever you have, (if you don't have a floor cleaning tool) and slide it over the floor to clean it. It should take a few minutes to dry and then you have a clean floor!

If you have a very dirty floor, and it's not wood, but like tiles or something that doesn't get damaged with water, the easiest way to get it cleaned is to put very wet cloth over it, and to soak it a lot. I will not squeeze the water out at all if I'm deep-cleaning tiles, I'll let it all get super wet. Then, you rinse your cloth, squeeze it maximally so it's near dry, and start collecting the dirty water with it. This way, all of the dirt will get melted in water, the floor will be covered with dirty water, and you're collecting that dirty water and taking it away! It's better than just sliding, because sliding in a very dirty area will just mix the dirt, not remove it. You keep rinsing and squeezing your cloth to near-dryness, until you've collected all of the water in it, and then it should be clean or nearly-clean, you can still slide over it in a normal way with a cloth if you want perfect.

Cleaning in general, has no clear rules, you can do it your own way, however you want, with whatever you want. It's recommended to start at the top, clean top shells first and go down from there, do the floor last, but you don't have to listen, clean how it fits you. If you want more tips and really useful information on how to clean hard-to-clean surfaces, go see 'auriikatarina' on youtube, she's a professional cleaner and will make cleaning look both easy and satisfying.

Organizing: When you're organizing your stuff, the easiest way to make everything look neat is to stack things upright, and do it so everything in one category is put together (your books in one place, pencils in another, clothing is in the third spot, your sanitary products in another spot), and line it up so the tallest stuff is in the back, and shortest stuff at the front. In this way you can look at your stuff and immediately see everything, nothing is hidden from view. If you can find cool places in your home to store things from specific category, it will be the easiest to find each time. You want to be able to see everything without rummaging trough it, or attempting to remember where things are, it should be logical. If you can't categorize your stuff, or can't figure out how to organize it, think about how it would be organized in a store, and where would they put it – this helps figure out the logical category and way to store it.

Maintaining your living space

Things break sometimes, or get clogged, and if you watch out periodically for these things, you can prevent a lot of it! If you make sure never to let food get inside of your sink, and have the little plastic things in your bathtub that stops the big pieces from getting in your drain, you can prevent a lot of clogging. Kitchen and bathroom sink have a part underneath that can be dismantled (unscrewed) and you can see if there's any dirt or hair in it, and clear it out, to prevent potential clogging. If you can tell the water is draining very slowly in your sinks or your bathhub, there are drain unclogging products that you can buy, and just pour down your drain in order to clean it, before it gets actually clogged! I do this every time when I feel it's draining slow, and it prevented actual clogging for years now.

It's customary to clean all of the windows in your house, and wash the curtains in your washing machine, at least once a year, twice if you want to be super attentive to it, and this will actually improve the quality of air in your space. Yearly deep cleaning, when you move all the furniture and get to all of the dust, grime and spiderwebs stuck in there, will also improve the air quality, because all of that dust is constantly circulating in the air you breathe and it makes a noticeable difference to clean it.

Airing out the rooms should happen daily, even when it's winter it's good to air the space even for a few minutes, it will improve the amount of oxygen you have in your living space and prevent bad smells from happening. Sometimes you should take a clean broom or cloth and wipe the grime from your ceiling and walls, I rarely do this, but like if you see unattended spiderwebs in there, it will make a difference if you remove those (live spiders can stay, they take care of the flies).

Walls of your living space should be repainted, I think every 5-10 years? I think people have different preferences, I'm okay with walls getting slightly dirty. Usually the kitchen will be the worst because the walls absorb all the fumes from cooking. And, any place you have heating, radiators and such, it will darken the walls. This is normal and happens to everyone.

If you have mold anywhere, that needs to be tended to immediately, there's products for destroying the mold, you should not let that linger on the walls, and it means that either your place is not well protected from the outside wetness, or that you need better air circulation in that space. Do not just repaint it either, mold is poisonous and it grows, wetness and dampness helps it spread, dryness, fire, good dry air circulation kills it. If you have mold in your bathroom, like at the edges of your bathtub, you can destroy it by soaking patches of toilet paper with bleach, covering the mold with that toilet paper, and leaving it like that overnight. Some people say it works with vinegar too, but I haven't tried that. Don't spend time in bleach-soaked bathroom though! Get out of there, bleach fumes are not good for you. And don't mix any, ANY cleaning products together, especially not with bleach, you can create poisonous fumes, and they can gas you.

Carpets should be cleaned once a year, usually they're scrubbed with water and some carpet-cleaning product, in the old times we used just plain soap! There's now dry carpet cleaners too so you can try that as well if you don't feel like washing the entire thing by hand.

Laundry

So every washing machine works differently, but the basics are the same: you can pick a program and temperature, and click start. I have one dial with numbers of different programs, and it's like 'cotton, polyester, whites, quick wash, eco wash, colored' and I don't know what the difference is, I think whatever program you choose, the stuff will get washed, it's a washing machine, it will just take a different amount of time.

The basics of using it are: you put the clothing in, you close it. You open the little compartment by the top, which offers you a place to put detergent, and fabric softener. You can be okay without fabric softener. You figure out where to put the detergent, and put whatever amount you feel is necessary. You close that compartment. You click start. The washing machine starts working and tumbling your clothing around with water and detergent. It takes an hour, sometimes more. After it's done, you can easily open the door to your clothing. The clothing is wet and clean, you take it out, you put it up to dry.

What is important to know, is that if you put colored clothing in a high-temperature wash, it's likely to bleed color, and sometimes this color can attach to your other clothing, so if you accidentally put one red sock with your white stuff, and put it to wash oh a high temperature, you might color all your white stuff into pale red or pink. Which is fun and nothing to feel bad about, except if you really need all that stuff to stay white.

Colored stuff is usually washed on lower temperatures, it can even be washed cold, so from 0-60 is okay. It's recommended to wash winter stuff with other winter stuff, and light summer fabrics with other light fabrics, just because heavy fabrics will usually pull in more water and detergent, so your light fabrics might get neglected. There's different detergents for colored and white stuff, and I usually ignore that too because both can wash both stuff.

White stuff needs to be washed on higher temperatures sometimes, especially your undergarments because they take in a lot of sweat and stuff, and can get less white if you never put them in boiling temperatures. It's normal to put them on 90 degrees. However! Don't ever put super stretchy fabric on high temperatures, because if it has a lot of elastine in it, which is plastic, it can melt! I accidentally destroyed a white hat by putting it in with whites, it was no longer stretchy because all of the stretchy stuff got completely melted in hot water.

I don't have a dryer, so I cannot help you there, usually after the clothes is washed I'll put it on a clothing line, it dries the best in the sun, but will dry anywhere (except exposed to rain, you need to not put it in rain).

If your washing machine starts smelling odd, it's possible that some mold or bacteria is happening in there, and you can disinfect it and clean it by putting a lot of baking soda inside, and then pouring vinegar into the detergent slot. You put the washing machine to a quick wash, with hot water, and this should resolve the issue. Also if you leave wet clothing in there without taking it out and drying it, for more than 24 hours, it is going to develop mold for sure, and this can actually ruin your clothing (I had it happen to a few garments, they got black stains, it's not nice).

If you don't have a washing machine, you can still hand-wash your stuff. Putting it into a bucket with some warm water and detergent, rubbing it together, rinsing and squeezing the water out a few times, and then rinsing in clean water until only clean water is getting out of it – that can work just fine. Sometimes if you need just one garment clean and don't want to use the machine, it's best to just hand-wash it. If your clothes are basically clean but just a little sweaty, rinsing it a few times in water and detergent will make them nice again. If you have some hardcore stains that cannot be washed out even with a washing machine, there's products likes spot-cleaner, and bleach, to help you with that. However you can never use bleach on colored clothing, because it will make very ugly stains on it, bleach is only for pure whites!

Alright this is all I can immediately think of, I probably left some things out, and if anyone wants to add to this, or correct me or anything feel free! I hope this helped you feel less overwhelmed, and more informed about how to successfully live independently. Also if there's questions you want to ask go ahead! This knowledge can be hard to get by if nobody had ever taught you.

Also, this is not something you learn all at once, just from reading one post. You don't need to immediately absorb all of this knowledge, or know how to do it all at once. This is stuff that is learned over months and years or living alone and figuring it out, and none of it is difficult or impossible to do. There's no punishments for doing it wrong, maybe some annoying dealing with some stuff. Nobody should shame you if you don't know all of this, I knew none of it when I started living on my own. I learned it a bit of here and there, and I'm compiling it so it would be more accessible, but none of it needs to be followed directly or done perfectly, and you can ignore some of it completely.

[tuptastic]

watcher!xisuma headcanon headcanons (links to the initial post!)

Xisuma keeps forgetting he doesn't have wings anymore every time he tries to engage in any form of wing gesture or language and has to pause to think. Made worse by the fact he used to have two sets of them.

However being raised by winged folk very much means he finds comfort in wings so sometimes when he's stressed out a winged servermate will find him to cover him up and help comfort him and help him calm down

Barely anyone remembers what he used to look like before his code was reset and he took on his Admin-form. Xisuma himself doesn't remember. It's almost like the code reset to let him exist with his players really tried to get rid of all of him...

There is absolutely nowhere he can technically safely breathe. While he won't die straight away in some atmospheres, which is why he can sometimes get away with just a lower mask for his lungs, he wasn't meant to exist in his current form and the world is really just out to get him the majority of the time. Too much prolonged exposure to the air can cause him a lot of pain and glitches that are difficult to repair or that hurt.

Xisuma has a Binary Form, which is related to his code reset (he is one of a few who has this form). It's technically his actual appearance, with his player-model being cast overtop of it due to the blank-slate of the Binary Form. It is an all-white humanoid figure with three sets of eyes (Xisuma has two on his left and one on his right), beetle-like wings that hover behind their back, and a waist, neck, and elbows detached and reconnected by 'tubes' containing binary code. Xisuma's also has pointed ears, as does his player model, his facial scar, and a large scar across the chest from damage he took from the coding reset. In this form he's extremely quick, but has very low defenses and hit tolerance and can be taken down fairly easily, and is unable to wear armor in this form due to its unstable nature. It's because of this he chooses to use the cover of his player model, which, while it takes energy to maintain, keeps him safer and better protected.

Hermitcraft's first watcher, Poppy, had a world before hermitcraft that she lost to a world corruption. Because of the extreme way in which she lost her players, she chose for a long period of time to separate herself from them and not to allow herself to interact directly with them.

Almost all of Poppy's nicknames for Xisuma involve some variation of "little xyz". The most common are "little galaxy" and "little bird", though the second has become more of a fond recollection over time as he, well, no longer has wings unless he loses his player model cover.

Ex formed when Xisuma's player model reset. It was difficult for them at first to figure each other out, but the two are fairly close, even if it doesn't seem like it. They like to spend time (elytra, lmao too many wings here) flying together (even if sometimes they end up knocking each other out of the sky). Poppy is very fond of him. Her son and his weird twin brother he dragged home one day out of the trash.

hermitcraft eventually deals with conflict from a rogue watcher specifically related to Poppy and her previous world. It is incredibly rough and in the process of her trying to get rid of them a secondary world corruption almost occurs, and a LOT more. (I'd tell more about how that goes, but I want to save it for some artwork and maybe some writing (and gauge interest in seeing this event lol)

Im having a good time

[awingedllama]

replies

updated the folder with some cabinets! also, i lightened the black swatch because it was a bit voidish before

a separate object! you can dl them here

hi! that bassinet is outdated, but i fixed the link for the deco version (to use with the invisible bassinet mod). you can also download my updated one if you like

i'm open to making a thermostat! ATS4 has a bunch that are perfect for older homes though. if you don't like any of those you can always shoot me a reference pic

the ones i posted most recently are here

they're live edit objects, so you need the cheat. you can find them in sculptures. also make sure to download the 10mb one, that's the one that the others texture reference

recoloring objects to match is the bane of my existence (photoshop actions never work for me???), but i will put it on the list <3 they need more colours anyhow, i keep getting frustrated that they don't match

making cc is super intimidating when you first get into it, for sure. i broke a sweat doing my first recolor lol

i've got a post about good resources for beginners here

fortunately, with so many people in the community sharing their knowledge, it's a lot easier to get into modding/cc making than it used to be. and when you get stuck, the Sims 4 Studio forums are your friend!

also, i'm always happy to answer questions via DM if it's something you can't figure out

i will make some! i found the perfect CC for what you want, but of course it was behind an ad paywall *sigh*

edit: got past the paywall hehe

this is the cc, if you're interested ^^^ and here's a nice sensible SFS link

also, speaking of wires, here are the telephone poles for you @luvlyysimmer. batuu wires + edited telephone poles from snowy escape (added rust, changed wood texture). they're live edit objects, in sculptures category: dl folder

hi! it's CC - a custom background replacing one of the base game mattes. some of them are city living mattes recolored to be warmer, and others i found on google and edited to be transparent

you lose the magic when you zoom out though lol

my parents had the one on the left but i like the one on the right better bc it's more versatile. both make me itchy and i love them

i have a dining set like this on the list. also i promised someone awhile ago banquette seating, so i'm doing that too

i want the TS3 trim so bad in ts4 but i don't know how to make half-wall trim. i got it in S4 Studio but she's a mess in game

i know it's possible to do, as syboulette has custom trims, but i'm stuck rn. will keep you posted if i figure it out!!

[drive-pdfs-and-stuff]

Hello! This is a blog primarily focused on making animal books (mainly Xenofiction) more accessible to those who can't get them legally (or don't want to support the creators)

I've made two separate drives that contain A LOT of pdfs of said books, such as Warrior Cats, Wings of Fire, Ratha's Creature, Watership Down, Survivors and many more you can see on this list

You can ask for the links through messages or comments!

More details about this under the cut!

Why not share the drives here?

Well, the last time I saw someone do that, the links got taken down, so instead I'll be sharing them through DMs!

Also, don't be shy to ask any questions.

There are two drives, the Main Books drive, and the Mature Books drive (which is mostly still a work in progress)

Please, specify if you want access to the mature books drive, and only ask for it if you're 18 years old or older, I will be checking if you have your age/age range in bio, if you don't have it, you can also say you're an adult when asking for it. (It's not a foolproof system, I know, but It's not like I want to ask for personal details)

The main drive has books that range from Family friendly to other series with an age rating of +13 or +15.

(I usually censor slurs before uploading the PDFs, but this time around, because of my own triggers, I haven't checked the contents of them and left the books the same as they were upon release, including slurs) (just because I left them intact, does not mean I agree with the usage of said words in the context of the books, which is why I added warnings for each slur in a document inside the drive) (I've personally censored every slur I've found in the books of the main drive, however)

The mature books drive has animal books that have a lot of content not appropriate for minors, such as animals going into heat cycles, uncensored slurs and a lot of other dark topics (like SA, for example). (Just because there's animal heat scenes doesn't mean that I condone the enjoyment of said scenes, if I see someone claiming to be zoophile wanting access to the drive, they will be blocked on sight) (This is not a safe space for anyone attracted to animals in such ways)

Some gross people have already asked me for the link to the mature drive, if more people like them keep asking for it i WILL DELETE IT.

For reference, this drive has books like Ratha's Creature and One for Sorrow, Two for Joy.

ALL BOOKS IN BOTH DRIVES HAVE A DOCUMENT LISTING ALL TRIGGER AND CONTENT WARNINGS FOR EACH SERIES.

The trigger warnings were sourced from book reviews and pages focused on giving content warnings.

Here are other questions you may have:

Can I share the link once I have it?

Yes! As long as you don't share it in public internet spaces (comments, public posts, open discord servers with huge amounts of people) it should be fine. I would love to make it public, however I also don't want it to get taken down minutes after sharing, which is why I'm limiting it to private links.

Can I take the PDFs from the drive and use them on my own drive?

Of course! The entire point of this is to make these books more accessible! Take whatever you need from here!

Have a nice reading! I will keep giving out the links for as long as this post is still up (or gets taken down or something happens to me lol)

[kaiasky]

Complete-ish Guide To Settings You Might Want to Change

These instructions will be for desktop, because the settings are easier to find there. You can do the same on mobile, but it might be in different places.

Dash settings

Your dashboard is broken down into several feeds, including "Following" and "For You".

"Following" is primarily the posts of people you follow, "For You" is algorithmic.

If you just joined, "For You" is default, if you're a longtime user it's "Following". You can change this in the settings on the right

A lot of longtime users will tell you that the Following feed is where we spend most of our time. But try out all the feeds, and see what you like most.

The settings that are settings:

To start, click the settings gear under the account icon (the abstract person head).

This should take you to the General tab. Key settings:

Community Labels: By default anything NSFW is silently hidden. You can change how each subtype is handled.

Hide Additional Mature Content: If you have an iPhone disable this or it'll hide every post from you on the off-chance it contains porn.

If you're under 18 as determined by the birthdate you entered on signup, you can't change these. (If you want them on, you'll have to make a new account and lie)

Under the "Dashboard" tab, you can enable timestamps, which is mostly just nice information to have. sometimes a post is from 2010 and you can be like wow.

The next four probably have the biggest impact on your tumblr experience, so I'm gonna do a breakdown.

Best Stuff First reorders your "Following" to have popular posts at the top. Disabling it makes your feed chronological. I like it off, but up to you.

Include Stuff In Your Orbit and Based On Your Likes put various content from "For You" into "Following". Personally, I disable them to keep "Following" purely posts by people I follow, and then switch between feeds to get what I want.

Followed Tag Posts will put content from the "Your Tags" feed into your "Following" feed. Since you can go to the separate tags feed, I usually turn this off (it tends to show me a lot of duplicate posts), but up to you.

Under the "Notifications" tab you can tell Tumblr to stop sending you emails.

I'd recommend disabling all the emails--if you get a bunch of replies, Tumblr will happily send you dozens of emails, and you don't need that.

Notifications is the push-notifications in-app/in-website. The mobile app, for some reason, has a much better interface for controlling these, including the option to only get activity-notifications for mutuals. You can leave these on, or turn them off if you find the flood of notifications is distracting.

Tumblr News is a newsletter, it usually just has content from @fandom and the other staff-run recap blogs.

Conversational notifications sends you more emails.

Under the "Tumblr Labs" tab you can enable a bunch of cool beta tests.

I particularly suggest Reblog Graphs, What you Missed tab, & Popular Reblogs tab, but they're all fun to try out. A lot of these are honestly better than the For You dashboard.

For each blog you have, you can customize it's Blog Settings. Beyond things like setting an avatar or description, there's a few settings that are fun.

Custom Theme gives you your own subdomain at [blogurl].tumblr.com.

This makes your blog easier to search, and a lot of 3rd party tools depend on you enabling it. It also makes it easier to link your posts to people who don't have tumblr accounts.

You can completely customize the CSS/HTML/Javascript. you can go legitimately crazy. It's not a requirement, but if you want unlimited flexibility, go wild.

On the contrary, if you wanna run a more private blog, you can disable this and then hide your blog from search results/non-registered users.

Likes and Following are public by default. I like to turn these off so I don't have to worry about like, "what will people think if they see i'm following [...] or liking [...]". But it's also fair to keep them public if you'd like.

The other Blog Settings are important but pretty self-explanatory I think.

Finally, there's some useful tools I like:

XKit Rewritten - A bunch of scripts (like RES for Reddit). The one I really like is "mutual checker", which shows at a glance which blogs you are in mutuals with. Which is such a good feature it's included in the mobile apps by default i think.

siikr.tumblr.com - Tumblr search is bad, and google's indexing of tumblr blogs is worse. Siikr will find any post you've made on your blog. Because disk space is limited, only use it to search your blog, and if you're tech savvy consider running a local copy from source.

[tenpintsofsundrop]

Loverboy

Bratty!Virgin!Spencer Reid x (Dom)!Fem!Reader (Smut Blurb)

Concept: You try your best to make Spencer's first time a good one. Spencer can't hold himself back, and makes it an incredibly memorable night for the both of you.

Word Count: 3,100

Criminal Minds Masterlist | AO3 Link

If you want to be notified whenever I post a new fic, make sure to follow my library blog @sundropslibrary and turn on notifications there.

Please read my pinned post before interacting. (Basically, I will block you if you look like a bot.)

Please note - this fic contains Dubious Consent. The characters agreed beforehand to use contraception in the form of a condom, and then one of them foregoes the condom without asking the other for permission. The characters are safe and everything in the fic works out.

Full list of warnings and author's notes below the cut.

Warnings: mainly smut/pwp; generally under-negotiated kink; mentions of the social constructs around virginity and the social pressures that men feel based around sex; this is Spencer's first time having sex and the reader is a lot more experienced; this is not an explicit or pre-planed dom/sub relationship, but there is dom/sub undertones to their interactions; Spencer is more submissive (and bratty/defiant - before becoming compliant) and the reader is more dominant/leading; the reader calls Spencer 'baby' and 'brat'; she reader uses she/her pronouns and has a vagina; penetrative sex/penis in vagina sex; mentions of fingering (does not take place during the fic); "just the tip"; unprotected sex - the reader and Spencer agreed to use a condom beforehand but Spencer pushes in without one (the reader secretly loves it, but doesn't want to tell Spencer because she doesn't want to feed into his entitled brat attitude and this could be considered dubious consent because he broke her consent regarding using contraception); spanking - the reader spanks Spencer (very mild pain kink); something that could be considered 'premature ejaculation' (but imo it's never premature, it's right on time); creampie kink - they both enjoy Spencer cumming inside of her; mentions of Spencer crying (from overwhelming sensations, not sadness or humiliation); overstimulation (toward Spencer); Spencer fucking into his own cum; I believe that is everything.

A/N: Originally, I had this idea when I was thinking about Lessons For A Genius, but I realized that it didn't quite fit the tone of that fic, so I decided to write it separately. I hope all you Subby Spencer lovers enjoy it! (Also can you tell that 'just the tip' is my new fav trope? lmao)

...

“You ready, baby?” You cooed, gently running your hands through Spencer’s hair.

You tried to keep that same soothing, sweet voice that you had been using with him all night, trying your best to keep his nerves at bay. You knew that this was an uneasy time for him - between the social pressure of being a man who had never had sex with a woman before and wanting to ‘impress’ you and his general shyness around other people. You just wanted him to be comfortable and at ease so that he could enjoy himself. Which, of course, was generally the point of having sex. 

When Spencer had asked you to take his virginity, you felt incredibly honored. He was handsome, and despite him being ‘socially awkward’, he was charming. He had his own unique way of flirting, and he did have his choice of beautiful women that he could have fucked instead of you. There had been plenty of gorgeous women from his past, so you were surprised that he was even still a virgin in the first place. 

But when he had been explaining it to you, he had mentioned that the ‘social awkwardness’ had played a big role. The nerves. He had expected that one night, he would simply kiss a woman that he was on a date with, and things would just naturally ‘go from there’. But it never happened like that. He never had that movie romance moment where it fell into place. So instead, he had asked you. 

He told you that he found you intensely attractive, and - the part he hadn’t told you - he had been fantasizing about this for a while. He found everything about you utterly perfect. From the way your clothes hugged your curves to the way you looked dangerous suspects in the eyes and screamed at them without flinching. 

(And stowed away as a deep, dark secret, he had imagined himself in that position many times - handcuffed to an interrogation table, screamed at by you until he was begging for mercy.) (But again, that wasn’t information he was going to just volunteer to give up willingly.) 

So when Spencer laid it all out for you, fidgeting nervously and explaining that he finally wanted to know what sex felt like - you couldn’t deny him. He was too sweet, and too pretty, of course you couldn’t deny him. 

Even though it was something the two of you planned, and you would have simply invited him over to your place for the night, he insisted upon a date night out - taking you to a lavish restaurant first. He said that he wanted to act like a gentleman before taking you to bed. And it was a lovely evening, so there were no complaints on your part. 

You had taken him back to your place, and you had done your best to make him comfortable through the kissing, the groping, and showing him how to ‘satisfy’ you (again, upon his gentlemanly insistence). You were plenty turned on just by being with him, but you quickly found out that he was a swift learner with more than just books and very good with his fingers. 

Now, it was time for the ‘main event’ - at least, the part that would make him feel less much like a virgin, marking that big milestone for him. 

To give him control and make him feel more comfortable, you were on your back with your head on the pillows and he was sitting on his knees between your spread thighs. He had his body pressed pretty much flush against your naked one, savoring the feeling of your warmth. He was almost completely naked himself - save for his very Reid white briefs, barely containing his seemingly very long, hard cock. You hadn’t gotten a good look at it yet - just the outline of it through his underwear, and even tented, it seemed very impressive. 

You really wondered how no one else had snatched him up as a partner yet. 

He was hiding his face in your neck out of shyness. His nervous streak was oddly sweet, but it was something you had been trying to coax out of him all night. Even if you found it entirely adorable and endearing. 

“‘m ready.” He hummed into the skin of your neck. 

This sent pleasant vibrations through you, making you moan lightly as well. You rubbed your hands across the broad of his back, continuing to soothe him, trying to get his stiff muscles to relax. 

“Okay, baby.” You told him. “I’m gonna take these off now, is that okay?” You posed, reaching down to the waistband of his underwear. 

He nodded into your neck, but you weren’t entirely satisfied with that. 

“Please use your words.” You told him. 

It was only after the sentence left your mouth that you realized how ‘scolding’ it sounded. How condescending. 

Oddly enough, it was that tone of voice that made Spencer’s cock jolt, and made him so buttery and compliant in seconds. 

“You - you can take them off.” He muttered quietly. 

“Good.” You praised him, your voice short and firm. 

You felt yourself very specifically holding back from saying ‘good boy’ in response. 

You hooked your fingers into the waistband of his underwear and got them down over his ass. The material did get slightly hooked up in the length of his cock, and you tried to take a peek between your two bodies to get a good look at his now exposed dick. But you couldn’t see around him with the way he had his face tucked into your neck. Spencer untangled himself and clumsily got the underwear down over his knees and eventually kicked them off. 

He moaned when he jostled slightly and felt his cock nudge up against the wet heat of your pussy. You let out a hot breath at the feeling, tightly locking your hips in order to keep yourself from bucking forward and rubbing yourself across his cock. You didn’t want to overwhelm him with new sensations. And you didn’t need to tempt yourself with the idea of pushing him over onto his back, shoving his cock inside of you and riding him raw like he was nothing more than a toy for your pleasure. 

This was supposed to be about making his first time good - not about chasing your own selfish desires. 

Feeling curiosity flood him, Spencer finally pulled away from his safe haven tucked beside your head to prop himself up and get a better look. He put a hand on each side of your shoulders, looking down the length of your body to stare at the impressive heat nuzzling up against his cock between your thighs. 

He had become well acquainted with your pussy when he had fingered you, and he already knew what a gorgeous, warm, wet thing it was. But seeing your throbbing wetness right up against his cock, getting to see that natural gloss so carelessly slicking him up - it made him truly realize the wicked reality that he was going to slide his cock into that wet heat. 

He was going to fuck you. 

It was a thought that made his head spin, quite literally made him dizzy with pleasure. He felt temptation so ripe in his veins as he got up on his knees a bit more and the bright pink head of his cock naturally found your entrance, naturally kissing right up against it. He let out a moan as that heat fanned out over his cock, begging to swallow him up. He wanted to be swallowed up by you, wanted to be consumed whole. He bit his lip, knowing it would be wrong to do it without- 

“Hold on, baby, we need a condom.” You told him, trying your best to keep a firm, steady voice as you were overwhelmed with sharp jolts of pleasure.

Feeling the thickness of his cock against you - feeling him right there - it was almost too much for you. You were so tempted to roll your hips up and simply take him inside of you. You were so tempted to have him fuck you raw. 

But it was not what the two of you had agreed upon beforehand. You had to be the logical one - you had to enforce the rules. 

While you reached off to the side, to the box of condoms you had waiting on the nightstand, Spencer continued to stare at your glistening cunt with pure concentration knit over his features. 

He was biting his lip with a near bruising hard quality, his brows knit so tight that he likely could have held a quarter between them. All of it was just so tempting. Feeling the heat coming off you; so different from his hand, so different from humping into his bed desperately at night, so lively, so perfect. The feeling of your perfect wetness coating the tip of his cock. 

Something in his mind was screaming at him:

Just the tip. Just the tip. 

He could press the tip of his cock into you without a condom, just for a moment, and it would be fine. He would know what your pussy felt like on his cock without a condom. And then he would pull it out again and put the condom on and everything would be fine. 

Technically, he wasn’t breaking any rules. 

He heard the foil wrapper crinkling as you tore it apart with your teeth and his need grew even more urgent under his skin. 

Before he even fully made the decision, his hips were surging forward, and he was pushing his cock into you. He let out a throaty whimper as he felt more of that perfect heat and wetness enveloping his cock. He couldn’t have stopped at the tip if he wanted to - he likely couldn’t have stopped the movement of his hips even if someone had a gun to his head. 

He kept pushing more and more of his length inside of you with a heaving, broken groan as he fully sheathed his cock inside of you for the first time. Tears pricked the corners of his eyes as he felt your raw, wet cunt around him - no barriers, no asides. Just the perfect, unadulterated you. 

“Oh god.” Spencer moaned, bowing his head to rest in your neck again as he began to pant furiously. He was trying to keep himself from fucking into you like an animal mindlessly, just chasing his release. He was trying to simply enjoy the hot, wet, tight vice as it pulsed around his hard cock. 

“Spencer!” You scolded him harshly once again. “What the fuck?!” 

Your pussy throbbed with the fullness, only now truly feeling how big he was, and fuck - he was big. He was stretching your pussy out so good, making you clench around him desperately, unconsciously trying to memorize every single ridge and vein that you could feel. Because of course, without a condom, you could feel every single detail of him, including the underside of his cockhead bumping up against one of those incredible spots inside of you that was almost never touched by any other man. 

As much as you love it, this was bad. You had agreed to use a condom. 

You dropped the condom beside your head out of shock. This had been the last thing you had ever expected him to do. Spencer: someone who had been so timid all night. Someone who had asked permission to touch your breasts just a few hours ago. That very same someone had just pushed into you without a condom, without even asking permission. 

He had somehow morphed into a greedy brat in the span of a few minutes. And as much as that turned you on, you couldn’t encourage that kind of behavior in him, because it would turn him into an entitled monster. Every single instinct inside of you told you that you had to punish him for this, rather than spoiling him. 

He had to learn how to behave. 

“Spencer, you-!” You continued to use that sharp scolding voice, and unconsciously, it only turned him on more. 

His hips flexed forward, trying to push impossibly deeper into you, and you bit your lip, forcibly holding in a moan. 

“I’m sorry.” He whimpered into your neck, his voice entirely pathetic. “I’m sorry, I’m sorry, oh-” 

He felt your cunt clench around him, you becoming so turned on by his whimpers of ‘I’m sorry’. You couldn’t help but to love his pathetic sweet compliance. But then, feeling that wet heat tighten around him even more, he couldn’t hold back anymore. 

He pulled his hips back and fucked forward once, and then - that animal thing inside of him took over. And he began fucking you at an even pace, chasing his orgasm inside of you as though you were nothing more than a hot, wet hole for him to fuck. 

“Spencer!” You scolded in a sharp gasp, trying your hardest not to show a pleasurably reaction toward his bratty entitlement and ruthless possession of your body - something he had not yet earned. Not by far. 

“Oh, I’m not sorry!” He moaned louder, lifting his head from your shoulder to give you an utterly filthy grin.

He couldn’t bring himself to be sorry anymore. Not when it felt this good. 

It was one of the most wicked things he had ever done in your presence, and it made you very tempted to reach up and slap him across the face - wanting to slap that grin right off him. You just barely held yourself back from doing so. 

He felt like he had won. At this point, he didn’t even care if it was at your expense. Right now, he was being so truly selfish. 

He was entirely unapologetic in his movements, pounding away at your pussy like it was his own personal toy. He fucked like an entitled boy, like someone with absolutely no regard for his partner’s pleasure - and oddly enough, that only turned you on more. 

It was a dizzying feeling that was only increased by how natural he seemed to be, especially for a first-timer. He was easily keeping up the hard pace, driven only by his pure, selfish need and chasing the heat of your pussy around him, never wanting it to end. 

He hammered his hips into you evenly, becoming sloppy at points, clearly only chasing his own pleasure in a way that drove all of your instincts insane. He absolutely wasn’t performing - he wasn’t fucking you with purpose. He wasn’t trying to make you cum. He was using your body for his own selfish pleasure. He just wanted to get his dick wet like the selfish boy he was. 

There was only one thought on your mind. 

“Filthy brat!” You spat out. 

Spencer couldn’t care less if that was good or bad, even though you hurled it out beside his ear like a cruel insult. He didn’t care if it was an insult - he was still getting to fuck your perfect pussy, he was still feeling you clenching around him as you huffed in his ear. 

All he knew for certain was that you were dripping wetness around him, leaking down over his balls. You were a clenching heat that made him feel like his cock was finally home and he never wanted to leave it. He let out a victorious giggle in between moans as he continued to fuck you. Although you felt an orgasm building in your belly, you felt the overwhelming need to put him in his place. 

You weren’t going to let him get away with this behavior, even if he did have a magnificent cock.

“Dammit, Spencer!” You cursed, bitter annoyance still ripe on your lips. 

Before you could even think too much about it, you reached around his body and sharply spanked the broad of his bare ass cheek. You were desperate to find something that would get him back under your control. It wasn’t even your most powerful swat, seeing as you couldn’t get much heft from the angle of being below him. 

But the hit left a mild sting on your fingers, and caused a nice smack of skin on skin in the room. 

In a second, the sting of the hit across his ass had his hips stuttering in inconsistent waves as he flooded your insides with hot cum. 

You felt a slight wave of disappointment as your orgasm dulled inside your belly, his cock stuttering to a stop and unable to keep up the pace that was driving you there. But then you were boiling with heat once again as you felt his cum leaking out of you around the base of his cock where the two of you were joined - you couldn’t help but to enjoy the feeling. And you loved soaking in the filthy knowledge that he had cum so quickly simply from being spanked. 

He was definitely a brat who liked to be punished. Someone who needed to be put in his place by you. 

You should have been angry with him for foregoing the condom, and cumming inside of you so abruptly. But you couldn’t find much anger there as he bit your shoulder and moaned hoarsely as his orgasm pumped through him. It only lit a bitter fire in your belly, telling you that you were going to keep him, because this turned you on too damn much. 

Spencer moved to pull away as the clenching of your pussy around him became too much. But you weren’t going to let him get away that easily. 

You moved both your hands to his ass cheeks, digging your nails into the flesh there. You clung onto him hard and made a rough movement, shoving him forward until his cock fucked all the way back into you. You moaned under your breath at this and he let out a tattered gasp at the pure overstimulation. 

“You’re not done yet.” You told him, entirely demanding. “You wanted it so damn bad, brat. So go on. Keep going.” 

Spencer moaned at this. He almost wanted to argue - he was tired, that had been so much for him. 

But as he became dizzy with the feeling of hot pin pricks all over his almost numb, still somehow rock hard cock, he could find no flaws in your logic. He only wanted to say yes. He wanted to live inside your pussy forever. He realized that he never wanted to pull out if you weren’t going to make him. 

He tucked his forehead back into the crook of your neck and began fucking into you roughly once again, battering his hips between the sharp prick of your nails in his ass and the hot pool of his own cum that he had left inside of you. 

“Thank you!” He moaned out. “Thank you, thank you, oh thank you!” 

“You better fucking thank me.”

[sparkleobserver]

Hiiiii, I'm Wolf! :] I am 25, and my pronouns are he/him. I'm a trans guy and I'm autistic and ADHD. I'm not revealing much else about myself on purpose for my own privacy, but I may later on if I end up feeling more comfortable about it. This post might be subject to change! I will work on the desktop layout of this blog when I get time.

I am the second person who worked on the original iteration of Karmageddeon with Kneeby from around 2012 to 2017, Kneeby's ex boyfriend from that time. Anything bad you've heard about me is probably very exaggerated and honestly twisted to make me look like a bad person. I have grown and changed since then anyway, and any behavior in the past is not indicative of anything current about me. I may take time to answer asks or respond if something isn't urgent, as I am just a very anxious person. Please have some patience with me!

• This media will have a lot of horror themes (psychological horror, in particular). I'm not entirely sure about content like blood and gore yet or other more graphic themes, but I would like to aim for less focus on those things. I will figure it out!

Karmageddeon was Team Escapees in the past!! I thought I would be just dipping and disappearing again, but I want to take Team Escapees back, honestly. So I want to reboot it my own way. It's likely what I create is going to be closer to the original comic than Karmageddeon is, and you might even find things familiar!

So I suppose I am sticking around. I have some guidelines for interacting with me. The most important are next, and it's continued under the cut, with more info.

• If you come just to harass me or bother me about Kneeby, just be aware that I am not going to dignify your asks with an answer or response. Full stop.

• If you support Kneeby, do not interact with me. General DNI criteria apply here. If you are proship, this is not a space for you. I will block over these things.

• To elaborate, if you are proship, I do not want you to interact with this blog or the content here. You have many other spaces. I cannot control what you do in private, but if I see any indication on your blog that you are a proshipper, I will block you.

• I may not always be consistently active! I have my day-to-day life to go about, and I have other special interests and hyperfixations that may take up my attention. I am stating upfront that there may be stretches of inactivity from me.

• If you want to speak with me, message me here. If I join any Discord servers, it will be on an alternate account from my personal one, so I may not always be available immediately. I'm just a person that prefers to keep my personal life separate from the public internet due to past experiences.

• My typing may be inconsistent, I apologize! I am used to no punctuation or capitalization, but I'd like this blog to be accessible to people, so I'm not going to do that here.

I'm fully aware that I can't control what people do with characters or media I publicly post. I know that people will create whatever content they want. I am not here to police you or fight about it, because I have more to do than argue with people on the internet and I don't need that kind of stress.

It's just my personal wish that you don't engage with this media if you are proship, and that you don't create content that is incestuous, pedophilic, or anything of those sorts.

If you're going to do it anyway, I'm just asking that you don't expose people to it that don't want to see it. I don't want to see it either, so please keep it contained or whatever. Thanks!

If you've read this far, thank you! I very much appreciate it. A cookie for you. 🍪 :]

If you are looking for a link to my explanation of my experience with Kneeby, you can find it here:

https://www.tumblr.com/sparkleobserver/777696090172604416/hello-everyone-you-dont-have-to-talk-to-me-bc-i?source=share

[lesmisshippingshowdown]

Introducing: POLL STEALING

Woah! The Les Mis Shipping Showdown, introducing a whole new gameplay mechanic when the tournament's already started? Say it ain't so!

Well. It's so.

Inspired by @hbowartournament (idk if they originated this idea, but it's certainly where I saw it), starting with the Round of 16 you will have the opportunity to earn back percentage points on any given poll by creating fanworks - fic, art, gifsets, fanvids, etc - for your ship of choice and letting us know about it. A full breakdown of how this works is under the Read More at the bottom of this post, and we'll also make a separate explainer post to link in each new poll.

To give you all a head start on your creations, we will be slightly delaying the Round of 16 poll drop to the evening (GMT/UTC) of Monday 10th March. Be there or be square!

This does, of course, also mean that we will be completely ignoring the entirely democratic results of our earlier poll and keeping each poll's running time at a week to give you the most time possible to get your fanworks finished and submitted.

Q: Why? Simple! I realised while searching for visual aids for the ships in the Round of 32 that this bracket contains a lot of surprisingly niche pairs for whom there's not actually a whole lot of content. 47% of the pairings that made the bracket have fewer than 150 works on AO3! So actually, this tournament could be a great opportunity to highlight & spur on a new outpouring of love for some of those rarer pairings, some of which haven't really been in their heyday since like, 2014. I kind of was operating along these lines already when begging you guys for fanart submissions every other day, but then I figured adding the competition element makes it more fun and gives you guys more of an incentive to participate!

Q: But my ship's just been eliminated from the round of 32 :( Now I don't get to play :( Fear not. Because I have a solution.

Q: Can I submit a fanwork I've already created? Ideally, new fanwork is the dream here, but we get everyone has time constraints and we're announcing this all pretty last minute. If you want to subtly rework the WIP you've had lurking in your Google Docs for the past 6 years, or tweak an artwork you already posted on here in 2013, we'll turn a blind eye. However, in the interest of both fun and fairness, we ask that you prioritise new, or at least newly updated, work (new chapters of existing multichapter fics count!) and do not just spam the tag with your entire back catalogue of 172,000 words of [insert ship here] fanfic. You can still post your back catalogue as propaganda, but it won't count towards the steal.

(PS. We're aware that some sections of this fandom have just had big creative output fests e.g. Valvert Week, and may therefore be all out of fresh ideas for this tournament. In the interest of not overworking you guys, if you'd like to repurpose any work - for any ship - published since February 1st, 2025 as a Steal Work, you are absolutely welcome to do so. Just be sure to send us a link and let us know that this is your intention.)

Q: Is there anything I can't submit?

Once again, we politely request no AI generated art or fiction.

NSFW is absolutely fine, but please ensure it is suitably tagged so anybody who wants/needs to avoid it is able to do so.

We know that with the presence of certain ships in this bracket (*cough* turnchetta) it's completely impossible to avoid parody/troll/shitpost content, and banning it would be antithetical to the point of some of these noble ships. Plus, some of the greatest creative works in Les Mis fandom history (*cough* the Enjonine rap) have been works in this vein. So you're welcome to goof around, but please be aware that at the mods' discretion we may discount anything we deem to be especially low effort or in particularly poor taste.

Q: You said the new round of polls doesn't start until March 10th - can I start posting Steal Works before then? Be our guest! If you've got things ready to go then you can post them as soon as they're done. Just make sure they're tagged appropriately (see under the cut) so that we know they're meant for this purpose.

Q: So how does all this work? I'm glad you asked! Please see below the cut:

(once again, all scoring & rules lifted absolutely wholesale from the hbowartournament. they changed the game with this and i'm not even kidding)

Writers:

Post a fic (or new chapter) of at least 100 words to AO3. The pairing of your choice must be the primary relationship tag (and remember this poll is for romantic relationships only)

Link your fic here, tag it #lmss steal, and send us a link to the post via asks/submissions. If your piece is part of a larger, previously established fic, please include in your message the word count of the new chapter.

Earn 0.1% for every 100 words, rounded to the nearest hundred

Artists:

Post your fanart to tumblr, tag it #lmss steal, and send us a link via asks/submissions.

Earn 0.1% for a sketch, 0.3% for linework, and 0.5% for a full colour piece.

Fanvid Editors:

Post your video to tumblr, tag it #lmss steal, and send us a link via asks/submissions.

Earn 0.3% per 10 seconds for an AMV/fanvid using existing footage, and 0.5% per 10 seconds for an animatic.

Photo/Gifset Editors:

Post your photoset/gifset to tumblr, tag it #lmss steal, and send us a link via asks/submissions.

Earn 0.1% per edited photo and 0.5% per gif/collage.

Playlist Curators:

Post your fanmix - consisting of at least 8 tracks (iykyk) - to Spotify (or create a YouTube playlist if you do not have a Spotify account).

Link your playlist here, tag it #lmss steal, and send us a link via asks/submissions.

Earn 0.1% per 8 songs on the playlist, rounded to the nearest 8

Earn 0.1% per 200 words of liner notes expanding on the selected songs

If you're struck by creative urges not listed above, just drop us an ask and we can figure out what category it falls into and/or approximate percentage conversion rates if it's something totally new.

No matter what you're posting though, the same applies - make sure to tag it #lmss steal so that we know it's part of this tournament, and send us a link to your post so that we don't miss it!

[kiragecko]

You post about Mayan glyphs sometimes & seem to be familiar with them. How do you study them? I've read information here & there online & I've read Coe's Deciphering the Maya Glyphs, but I really don't know of many resources.

There are a LOT of resources online for Classical Maya, which is great! But it can be hard to sift through all that information, much of it unpredictably getting updated and superseded.

-

My favourite dictionary is probably Harri Kettunen and Christophe Helmke's Introduction to Maya Hieroglyphs. (That's a direct link to the PDF. A link to the download page in HERE. The version I was using was the 14th edition. Apparently we're up to the 19th this year, so I've updated my files.)

If you want a slightly bigger dictionary, The Updated Preliminary Classic Maya‐English, English‐Classic Maya Vocabulary of Hieroglyphic Readings, by Erik Boot, is EXCELLENT. (That's a link to the academia dot edu page.) ¹

The first only has a limited number of images of the glyphs, and the second has none at all, but they're essential for figuring out how words are spelled, and what glyphs actually exist, so you know what to look up later. The first one also gives you an intro into grammar, and is just an all around good read.

-

Actual guides to glyphs ...

The Introduction to Maya Hieroglyph above is great for syllabics and some common words.

Beginners Visual Catalog of Maya Hieroglyphics, by Alexandre Tokovinine IS a really good guide for beginners. The images are stylized in ways that don't match most actual writing, but they're clearly depicted, and the sounds associated with them are a lot more accurate than older resources.

I still use John Montgomery's online Dictionary of Maya Hieroglyphs to check for logograms that I can't easily find elsewhere. It's a LITTLE out of date, but solid.

Truthfully, though? I often need to find academic articles on individual glyphs. I'll know they exist, because one of my dictionaries will spell that word with ALL CAPS, to indicate a logogram, but actually finding out what it looks like can be a pain. I have a bunch of articles saved onto my computer, in separate folders for animals, food/plants, and everything else.

-

Glyph Dwellers is a great site for articles and recent research. You have to take what they give you, but it's always interesting!

Wayeb, Mesoweb, and FAMSI all have a lot of good resources.

Academia dot edu and other online sites are also good, once you learn how to recognize the cranks.

-

There's also a lot of finding images of various artifacts with translations. Wayeb, Mesoweb, and FAMSI all have large databases of drawings and photos that you can browse to get an idea of what the script looked like in use.

The Maya Vase Database is amazing! The Classic Maya LOVED writing on their dishes and containers! It also has downloads of all the codexes (books) that survived.

-

Hope this helps a little! But really, try out Harri Kettunen and Christophe Helmke's Introduction to Maya Hieroglyphs before anything else! It's good.

-

¹ Mr. Boot disagreed with other linguists about quite a few subtle facets of translation. Both sides had very compelling arguments, and it's often visible in different readings across dictionaries.

[canmom]

assorted TTRPG things

nugget from the tab bonfire: at some point I was reading about RPGs. some things that are old, some are new(ish). here are some links, since I think they are interesting, and some additional comments.

first-up: my own RPG posts are now archived here. that section of my site is looking a whole lot more fleshed out now.

1. ritual

in 2021, Meguey Baker wrote this one about 'ritual in game design', fitting TTRPGs into her frame of faciliating rituals for essentially therapeutic purposes, aimed at parents. since I like talking in a vaguely (vaguely) anthropological way about the analogies between TTRPGs and other activities (improv comedy, kink, wrestling), this is very relevant.

by Meguey's definition, a ritual is defined through this series of words: intentional contained conscious creative action. of course, she gives these words fairly specialised definitions. she's mostly interested in addressing TTRPGs that go into tough, bleedy places, described in books like Alice Is Missing, BFF, and Bluebeard’s Bride - of these I'm only familiar with the third but I'm kind of aware of the genre of game she's talking about. she suggests that these principles don't really apply if you're just playing to hang out and have a good time, but to my mind, just because you're less formal about it doesn't mean that's not an aspect of ritual, and the analysis is similarly applicable there, just lower-stakes.

in fact I think a whole lot of human activities are rituals (classic bryn move to grab a conceptual hammer and start seeing nails everywhere). the analogy goes the other way too, rituals are kind of like games.

I'm not entirely convinced the breakdown into jargon words really does a lot for me, but the crucial thing here is the sort of entering and exiting into a constrained social space which has its special set of rules. meguey writes these cool little coloured lists which depict the various stages of getting you into a game/ritual headspace and exiting it afterwards...

...and specialises it to the case of roleplaying games as you see. it's pretty BDSM-like isn't it? sure, that's something I'm currently interested in, I recently read The New [Topping/Bottoming] Books, but it certainly does suggest that analogy strongly for me; I think a general recognition that RPGs should have aftercare would do a lot more for the scene than a lot of the other 'safety tools' like X-cards and so on. (a weaker analogy is the principles of animation: anticipation, action, follow-through.)

this idea of ritual also strongly parallels the definition of 'play' of roger callilois:

1. it is free, or not obligatory 2. it is separate from the routine of life, occupying its own time and space 3. it is uncertain, so that the results of play cannot be pre-determined and the player's initiative is involved 4. it is unproductive in that it creates no wealth, and ends as it begins economically speaking 5. it is governed by rules that suspend ordinary laws and behaviours and that must be followed by players 6. it involves make-believe that may be set against 'real life'.[6]: 100–101 

as a set of traits which describe a somewhat fuzzy sphere of activity. meguey's account of 'ritual' focuses more on the set of steps you follow to enter and leave the ritual space, but it is describing, I think, a heavily overlapping 'thing'.

why so explicitly break down a process that most people seem to come by naturally? well, probably for the same reason that kink people do it: the more you play with [emotional] fire, the more care you must exercise to keep it contained. but it is also pretty important, I think, to pursue some degree of ritual for the middle part to actually work. you need to switch mental gears first to get yourself operating in 'game space'. same goes for a number of other 'spaces' for that matter. in RPGs we already have plenty of rituals: getting set up around the table (for offline games), general chitchat beforehand to get us feeling social with the other players, the brief summary of the previous session to mark the transition into RPG mode...

one non-obvious extension that Meguey makes, in the third excerpt above is to the actual text of RPG books, in terms of how they are presented to the reader. I think this is genuinely quite an insight - when you read a book you get into RPG space a bit and imagine playing the game, building up the fantasy of what playing it will entail (c.f. what's the book for, part 3).

though, that said - it is tricky to pursue a strict ritual structure in presentation, I think, because I think RPG books tend to be read very non-linearly. only quite short games tend to get read cover-to-cover in one sitting. otherwise you tend to skip to the part that you need. still: the manner of presentation is very important to an RPG book serving its purposes. and this is a fascinating frame for it.

I'm not sure this essay necessarily gives a new direction (as a designer or a player), but it does give an interesting angle to understand things I was already doing previously, and do them a little more deliberately.

for example, when I make a point of mentioning moments that I enjoyed in the time after an RPG session before we all part ways, that is the 'return/celebration' part of the ritual, and crucially it reassures everyone that even if they were playing an unpleasant character or there was inter-character conflict in the session, it was something I was looking for and appreciated. I do this because there have been times when I've felt a bad kind of bleed, fearing that my character was 'too much' and was detracting from the session, or that a conflict in-character reflected an OOC conflict. having an explicit affirmation helps drive away those fears.

2. rule zero in D&D

this history of 'rule zero' in D&D editions dates all the way back to 2012 (although it seems to have been updated since), but it's still very relevant to my current efforts to understand RPGs, books, and all the weird practices around them, the role of 'rulings' in OSR, etc etc.

right off the bat, I appreciate the nuances that this early paragraph expresses:

The attitude towards rulings vs. rules in the game shows up  - directly and explicitly in the rules text - implicitly in the text and detectable via textual analysis  - in the surrounding publications considered semi-canonical (Dragon magazine, nowadays forums and designer blogs), and  - the culture of gamers surrounding it.

while the rest of the post is still focused on what books say rather than what people did with those books, it's a relief when people note that there is a difference.

so, the essay traces a general evolution of ideas about what role the rules in the book are supposed to follow as D&D moved away from wargaming and passed through the hands of different publishers. how much interpolation and discretion the DM is supposed to apply to the text, how authoritative they're supposed to be at their own table compared to the non-DM players...

it's fascinating to observe how the culture of the game evolved. it's also tricky to distil the different currents down into a brief summary - I tried and realised I was just recapping the article in less detail. luckily the author wrote a summary so I can just quote that:

0e – the referee is an aribiter and fills in the gaps 1e – the DM is large and in charge, the rules are pretty good, your players are at both’s behest B/X and 2e – the DM and players are both important, the rules are super mutable 3e/early 3.5e – the rules and players and DM are leveled out in importance, meaning rulings are minimized and a negotiation with players BECMI/late 3.5e/4e – the rules are pretty fixed and players and DM are equal and subject to the rules as law; RAW is an option OSR and Pathfinder – splitting off in their own directions in reaction to 4e, OSR back to a mix of 0e and B/X flavored attitudes and Pathfinder to a hybrid of 1e/2e/3e attitudes 5e – The DM is clearly in charge and can ignore/change rules and rolls as they deem wise, with the goal of everyone having fun (as opposed to the sometimes-stated 1e goal of “keeping the players in their place”.) It reincorporated a lot of the 1e and 2e thinking into the game to an even greater degree than Pathfinder. PF2e – Effectively back to 3e positioning fairly exactly. It stepped back away from where PF1e and 5e were going and got a little less enthusiastic about GM authority, carefully scoping it to interpretation and, sometimes, changes to make things fun. Maybe a *little* more towards 5e than 3e was, but only by a hair.

anyway, there are a couple of interesting points I want to pull out of the discussion. first is this insightful comment on the broader implications of rules that grant abilities - something to discuss further in a later post...

The problem with [D&D 3.5e's claim that you can try anything and the rules only govern chances of success] from a textual interpretation standpoint is that it’s hard to not interpret the raft of “possibility” options in the 3e branch of D&D as being restriction of options. I can try to throw my opponent in a grapple – until a feat comes out that says “In a grapple, you can now throw your opponent.” Thus despite mitigating statements by the designers, their design itself passively promulgates an approach to the rules as written.

there's also an interesting line about how 'old school' the OSR actually is, answer being that it's complicated.

Some, however, consider this to be a bit of a retcon of how old school gaming actually worked. As you can see from this research, it is and it isn’t – the “rulings vs. rules” concept was very strong especially in B/X and 2e, somewhat less so in 0e/1e, and actively militated against in BECMI. Hackmaster and the Knights of the Dinner Table comic prominently parody the not uncommon rules-adherence mode of play in AD&D. As all nostalgia does, the Quick Primer picks certain elements out of the past to bring back and leaves aside some other elements.

finally, we have this comment about the (then very new) 5th edition approach to framing its rules:

It also appears to take a hint from the OSR’s formulation of “rulings, not rules” as well as the prominent fiction-first modern indie games like Apocalypse World when it describes the basic pattern of play – 1. The DM describes the environment 2. The players describe what they want to do (and the DM decides how to resolve those actions – importantly, the PCs don’t decide what rules they use) 3. The DM narrates the results

...which is somewhat true to my experience of 5e, although I think there is still a fairly significant component of 'I use this ability on my character sheet' in the game (I use this weapon, I cast this spell, I use this special ability). So the players do often decide what rules they want to invoke. Although, that is also true of Apocalypse World - something to go into another day.

mostly I think it's really helpful to have a proper sense of the space of practices represented by D&D, since popular discourse (including the game's rulebooks) way too often seems to assume there is only one way that D&D is played. this is a good stab at exploring some of the dimensions, and will definitely inform whatever is the next investigation I make into the structure of RPGs.

for another angle on D&D history, I came across this old (2016) ENWorld post tracing how Gygax got increasingly proprietary and litigious with D&D, and hostile to people putting their own spins on it.

it seems like for more on this topic of early RPG history I should be taking a look at The Elusive Shift by John Peterson, so posssibly more to come on this subject when I get round to reading that one.

3. blorb

I came across Sandra Snan's website, idiomdrottning.org, which is another one of those classic static-site treasure troves of someone's thoughts on everything for like the last decade.

like me, she came back to playing trad games like D&D after spending a while exploring the storygames milieu. She landed on a set of practices relating to the concreteness of the setting, in explicit opposition to 'no myth'-style games where anything not stated out loud is fair game to be modified for the sake of narrative.

she calls this 'blorb', and as these things tend to, it gets something like a manifesto. many other articles on this site talk about various facets of roleplaying games are written about on the site in relation to this.

'blorb' focuses on the relationship between preparation and improvisation: making a big show of referring to things on paper, and making decisions in the open, to reinforce the sort of metanarrative that there is an underlying reality even if it hasn't fully been discovered yet. it emphasises more granular simulation over abstraction.

since it's a little hard to navigate Sandra's archives, I've gathered the posts that are relevant to the subject here:

the chasm width problem (motivating, raising the issue that few games explicitly address the how of DMing)

blorb principles

realism and blorb (which discusses the other name 'klokkverk' used elsewhere in the milieu, and compares it to 'no myth') + the fictioneers talk about blorb again

radically transparent DM-ing

say the DC

antiblorb

GM-less roleplaying games

a blorb thought

the quest queue

there's probably others but these are the main ones I read

for contrast, no myth, a somewhat overlapping and somewhat very different paradigm of games that broadly sums up the norms of the Forge/'story games' tradition.

to sandra, 'blorb' is a statement of the type of roleplaying she finds vastly more satisfying to operate, and the crucial elements to make that happen.

what I find interesting about blorb is that, since its main interlocutor is the Forge/story-games tradition, it puts a fair bit of discussion into how this affects the fiction in practice. e.g. what you should prepare and what you can still improvise, and how the existence of the 'gloracle' (the combination of prepped materials and dice/rules, and rigour in consulting them) shapes our notion of 'the fiction'.

via this post, vincent baker back in 2012 defined RPGs thus:

To me, the crucial feature that makes a game an RPG is that it works by the (so-called) lumpley primple: in order to play, we have to create fictional stuff and agree that, for gameplay purposes, it's true. This is a pretty technical and inclusive definition. It includes Once Upon a Time and that game where you sit in a circle and pretend that some of you are werewolves, for instance.

something I find very interesting RPGs is the process of 'synchronisation' of the shared fiction. the idea of 'shared fiction' is something of an elaborate illusion. every player has a different version of it, with different emphases, different things that are fresh in memory, different interpretations of the images...

consider verbal descriptions of locations. my sense of what is in a scene will constantly be adjusted based on the stream of description I'm receiving from other players - the 'shared fiction' is at best something we approach asymptotically.

in an extreme example, a DM could lead with an elaborate description of the architecture, decorations, and layout of the room, before wrapping up with 'and curled around the central pillar is a mighty red dragon'. dun dun dun! suddenly, I have to recontextualise everything in the scene I was building in my head to accomodate the presence of the dragon.

the unreliability of this communications channel was a source for a vein of classic D&D humour, such as the Dread Gazebo of yore, where the communication channel breaks down leading to an inconsistency in the 'shared' fiction.

'no myth' and similar ideas come from the recognition that, until something is said out loud and enters part of the shared fiction, it can be changed freely between any possibility consistent with the 'established' facts. sort of like the wave function collapse algorithm. they take the attitude that you should do this deliberately to maximise drama and add complications, taking on more of a writer/director role. this character enters a bar, what should they encounter there? it would be fucked up if they encountered their ex, right? ergo their ex is there.

there is a degree of this in every RPG, not just your high-improv post-Forge story games. in order for some sort of consensus to be reached, parts of it must be black-boxed and unpredictable. for example, if I am inhabiting a character, I have my idea of how they will act and what they're feeling and thinking about, and that's authoritative. but that means for everyone else's characters, I have my impressions and predictions, but they're subject to being updated as soon as that player speaks.

for Sandra, this recognition that everything is getting moved around for drama undermines the substance of the world - an inescapable awareness even if the players take pains to make the established, spoken-out-loud fiction consistent.

so, additional 'authority' is central to the 'blorb' playstyle. that is, in addition to each player's authority to make up stuff within their domain (e.g. what their character does), you make a big point of deferring to some additional authorities such as pre-prepped material and dice (which Sandra calls the 'gloracle'), and making it explicit to the players that you're doing so. for example, you might talk about the random encounter tables you're using and what would change their contents, or declare the DC before every roll.

it's kind of a defensive style of DMing, in that it's entirely designed to forestall any suspicion of 'fudging' behind the scenes. the tradeoff is: more explicit discussion of game mechanics which might detract from the sort of 'atmosphere', but equally a stronger sense of inhabiting an external world where things are 'really' happening 'offscreen'.

to me, the idea of 'fudging' doesn't bother me nearly as much as it seems to bother Sandra, but I think there is some truth to the thought that if everything is subject to random tables or pure off-the-dome improv, the game can start to feel a very homogeneous. as Sandra puts it in one of her articles:

I don’t want to expand randomly as we go either, because if everything is randomly rolled as you go along, where’s the agency? South becomes the same as north becomes the same as west because wherever you go, the dice are furnishing for you, so the choice about where to go matters less.

it's probably got something to do with information theory, right? once you become familiar with the table, and you know when the table will be invoked, you've broadly found out what there is to know about that thing. there are only so many bits of information.

I was saying the other day, games are interesting because they are something to explore through interacting with them to discover all their weird nuances. players are pretty good at sniffing out how complex and varied the underlying system is. a wide set of interesting, spicy locations - and logical relations between them - has more nuances to discover than a random table with, say, 10 entries.

the problem is of course that such a prep-focused playstyle can lead to huge amounts of 'wasted' effort fleshing out elements of the gloracle which may never be activated, especially if players don't spend their time rubbing against your creation in various ways to discover its nuances. Sandra's approach is to work out what's easy to improvise on the fly (the 'wallpaper') and what is crucial to pin down in advance, and largely prepare the latter - the difference, I guess, coming down to experience. we can think of it in programming terms: a small authoritative state and things that can be derived from that.

in my experience, at least some players have become a lot more considerate of the workload of GMing. far from trying to resist 'railroading', they will often generally deliberately try to steer themselves towards whatever location a DM has prepared as a courtesy; meanwhile the GM will be able to get a sense of where the players are planning to go so they can prep between sessions. however, that is contrary to the more 'sandboxy' approach where the core appeal is 'you can do pretty much anything', which is what Sandra is trying to generate I think.

I'm too much of an improv-focused GM to really become a partisan of 'blorb' - for me, discovering improv-oriented story games after D&D was as revelatory as discovering D&D after storygames was for Sandra lol. I trust somewhat in my ability to come up with weird interesting stuff on the fly and flesh it out later, and I tend to find the moment of being in the hotseat of an RPG gets the creative juices flowing like nothing else, so it's actually quite difficult to come up with anything good during prep.

however, I think there is a lot to be said for the value of making at least certain things concrete, and communicating that to the players, and Sandra makes a good case for showing your hand. it's a way to make the shared fantasy take on certain qualities it won't have if it remains purely arbitrary improv, even if the only real functional difference is when you make something up. both because it's hard to keep track of everything in your head without some kind of aid, and because the first idea you come up with will rarely be the richest, most interesting.

so next time i run a game, I'm not going to take such a zero-prep, all-improv approach, but try and work a bit harder on 'overall consistency'.

definitely a provocative blog to encounter...

[corallapis]

‘wait, it’s all the master?’ ‘always has been’: or, So Why Do People Think the War Chief & the Master Are the Same Character, Anyway?

hello, it is i, sebastien, resident master=war chief truther. as you can imagine, i’m currently having the time of my life enjoying one of the few bright gems from the mess that was the war games in colour. i mean, of course, the master’s themes (yes, themes with an ‘s’) playing over the war chief, giving a very unsubtle nod to the wide-held belief that the two characters are one and the same.

but why, perhaps you’ve wondered, do people think that? is it just that some master-obsessed fans see a time lord villain and can’t stretch their imaginations enough to conceive of there being more than one bad guy who’s run away from gallifrey and made an enemy of the doctor? no. come on, give us some credit! i freely admit to being master-obsessed, and find the vibes very compelling, what i truly like to deal in is Cold Hard Lore, straight from the text. and, boy is there a lot of it! to summarize:

the war chief was introduced in the war games, written by malcolm hulke and terrance dicks. (dicks, of course, was also co-creator of the master, with barry letts). based on the novelizations, i firmly believe that malcom hulke intended his character, the war chief, to be the master. dicks also hinted along these same lines.

but, i hear you cry, didn’t dicks go on to write timewyrm: exodus, which shows us a future incarnation of the war chief that isn’t the master? yes, because the official editioral line for the vmas & vnas was that the war chief & the master were to be treated as two distinct characters. this caused more than one writer who personally believed them to be the same to write otherwise in a professional capacity. writers still dropped hints or left space open to link the two despite this editorial limitation.

and what about magnus, the guy who’s well-known in current fandom as the “academy era” version of the war chief? magnus was originally written as a younger incarnation of the master, not the war chief. in flashback, goth opera, and invasion of the cat-people, the character of magnus is a young master. so why did gary russell retcon the character in divided loyalties to be the war chief instead? he did so out of respect for david mcintee, who had recently written an early master story which used the koschei. despite divided loyalties’ portrayal of magnus and koschei as separate characters, it actually in large part serves to conflate the two further, due to said retconning.

in faction paradox lore, the war king is a version of the master (i don’t need to make a post on that, do i?) that was also once the war chief.

craig hinton’s rejected pda time’s champion (ultimately completed & published after his death, by chris mckeon) explicitly depicts the war chief as an incarnation of the master, as well as reasserting that magnus was the name the master used at the academy.

and now also the music choices in the war games in colour :)

of course, this list of Evidence (elucidated in detail below the cut) doesn’t mean you’re obligated to think the war chief is the master (canon, in doctor who more than most, is what you make of it), but i hope it gives you idea of the long history of the character(s) and why other people do!

the ‘70s target novelizations

the essential thing to know about the early target novelizations is that they were written to be self-contained, so that they could be enjoyed by an audience that hadn't seen the show. they weren’t written in the same order as the television serials, and as such only assumed reader knowledge of previous novelizations, not tv stories. for example, in doctor who and the doomsday weapon (aka colony in space) jo grant is shown joining unit and meeting the doctor for the first time, despite having done so three stories earlier and in completely different circumstances from a tv perspective, because that is the first novelization her character appears in. got it? good.

doctor who and the doomsday weapon (aka colony in space) is also the first novelization to feature the master, and was written by malcolm hulke in 1974. it begins with a scene that doesn’t occur in the tv story, where a senile old time lord tells his apprentice about the theft of two tardises by a pair of time lords now calling themselves the doctor & the master:

“There have been two stolen, you know.” The younger Time Lord didn’t know. “By our enemies?” he asked. “No. By Time Lords. They both became bored with this place. It was too peaceful for them, not enough happening.” The old Keeper smiled to himself, as though remembering with some glee all the fuss when two TARDISes were stolen. “One of them nowadays calls himself ‘the Doctor.’ The other says he is ‘the Master.’”

this ‘only two tardises stolen’ business is a big deal in hulke’s novelizations, as we will come to see. and, just to clarify, there's no question of this meaning the master might be being conflated with the monk here — the time meddler won't be novelized until 1988. remember, the novelizations are self-contained, and do not rely on knowledge of previous tv stories. except the older time lord continues, and a little further on says:

“There were tens of thousands of humans from the planet Earth, stranded on another planet where they thought they were re-fighting all the wars of Earth’s terrible history. The Doctor” — he interrupted himself — “I told you about him, didn’t I?” “Yes,” said the young Time Lord, now used to the old Keeper forgetting what he had already said. “You mentioned the Doctor and the Master.” “No, it wasn’t the Master,” said the old Keeper in his confused way. “The Master never does anything good for anyone. He’s thoroughly evil. Now what was I saying?”

‘wait,’ you say, ‘you just made a whole point of the novelizations being self-contained. but the war games wasn't novelized until 1979, so readers wouldn't know about it yet. why is hulke bringing it up now?’ why indeed? hulke summarizes the events and specifically brings them up in relation to the doctor & the master. the facts are presented to us: a) there were only two tardises stolen, by the doctor and the master. b) they went by different names at some point. c) this seems to have something to do with the war games. d) it maybe wasn’t exactly the master in the war games (but perhaps he was calling himself something else then?). it is quite ambiguous — the keeper's confusion leaves it open to interpretation, but the fact that this whole little scene serves as an introduction to the master (he steals the keeper's files in order to discover the doomsday weapon) is, in my mind, quite an extraordinary hint, especially when paired with hulke's novelization of the war games.

later that same year, in doctor who and the sea-devils, hulke again brings up the two stolen tardises, which we will get back to:

“But what use is your TARDIS to you while you’re stuck in here?” Jo asked. “It would be difficult for you to understand,” said the Master, “but my TARDIS is my proudest possession.” The Doctor laughed. “You don’t even own it! You stole it from the Time Lords!” “As you stole yours!” retorted the Master.

terrance dicks then wrote doctor who and the terror of the autons in 1975. additional info is added to the scene between the doctor and the time lord who comes to warn him about the master’s arrival on earth:

“As a matter of fact, I’ve come to bring you a warning. An old friend of yours has arrived on Earth.” “One of our people? Who is it?” The Time Lord pronounced a string of mellifluous syllables — one of the strange Time Lord names that are never disclosed to outsiders. Then he added, “These days he calls himself the Master.”

he uses the master’s gallifreyan name first and then provides his title. again, this suggests that the last time the doctor & the master met the latter was using a different name.

then, we’re given a description of the master, including:

Already he had been behind several Interplanetary Wars, always disappearing from the scene before he could be caught. If ever he were caught, his fate would be far worse than the Doctor’s exile. Once captured by the Time Lords, the Master’s life-stream would be thrown into reverse. Not only would he no longer exist, he would never have existed. It was the severest punishment in the Time Lords’ power.

which brings to mind the war games, certainly intended to be an interplanetary war (with the eventual aim of ruling the galaxy) even if it never really got off the ground. more significantly, though, the punishment described here is exactly what the time lords did to the war lord in the war games & what they would have done to the war chief, if he hadn’t escaped. (note even stories that don't posit the war chief as the master assume he escaped, despite his onscreen death — he is a time lord, after all.) and, speaking of that escape, the doctor asks:

“Is his TARDIS still working?” “I’m afraid so. He got away before it could be de-energised.” “Then he was luckier than I,” said the Doctor sadly. He had never really got used to his exile.

the master’s escape described here could, of course, mean some general, unseen-by-us escape from the time lords by the master, but the conversation strongly suggests that the doctor and the master were escaping from the same event: the master was ‘luckier’ than the doctor because he succeeded, while the doctor’s tardis was captured and he was forced into exile. and that happened, of course, in the war games.

which in 1979, malcolm hulke wrote the novelization for. in doctor who and the war games, a change occurs when the war chief invites the doctor to rule with him:

“Now I understand,” said the Doctor. “It’s my TARDIS that you want. But surely you have one of your own?” The War Chief smiled. “No more mine than yours is really yours! We are both thieves, Doctor. Yes, I do have a TARDIS hidden away. But are not two better than one? While I rest and enjoy the spoils of victory, you can patrol our empire. And I shall do the same for you.” “Our empire?” “We shall rule the galaxy without fear of opposition,’ the War Chief said confidently. “For we shall be the only two who can travel through both space and time.”

this invitation is, of course, very reminiscent of the master’s ‘half-share in the universe’ proposal, but much more significantly: their empire will be secure because they have the sole two stolen tardises. crucially, this is a deviation from the tv story, wherein the doctor realizes the war chief is allying with him because he doesn’t have a tardis of his own, only the failing sardits. hulke intentionally chose to amend his own story to emphasize this, and we know these two stolen tardises are the doctor's & the master's, as hulke told us in previous novelizations. thus, there's no doubt in my mind that malcolm hulke, co-creator of the war chief, intended his character to be the master.

all other master=war chief lore is building off of what was implied in the novelizations, some more explicitly, some less.

virgin books says no

in 1991, terrance dicks wrote a vna, timewyrm: exodus. in this novel, the war chief appears as a botched two-bodied regeneration after his death at the end of the war games, called dr. kriegslieter. as said in the beginning of this post, virgin’s editorial policy nixed the idea of a connection between the war chief and the master. but, reading timewyrm: exodus, there seem to be shades of him anyway. like when the doctor realizes who kriegslieter is:

And behind them, aiding them, manipulating them, giving them the time technology they needed, the Time Lord renegade who called himself the War Chief. Or, in German, der kriegslieter. “Well, he couldn’t have spelled it out for me much more plainly,” muttered the Doctor.

he really couldn't have. just like all the times the master’s alias has been an exceedingly obvious translation of his own name. and then there's also kriegslieter’s plan, which is to steal the doctor's body to use as his own (complete with sexual innuendo):

“Once I have wrested from it the secret of the TARDIS, your mind will be of no further interest to me. But your body…” “Please,” said the Doctor, looking embarrassed. “Ladies present.” “We are both Time Lords, Doctor, our brains and our bodies are compatible. Regeneration therapy is far beyond the War Lord’s scientists, but even they can manage a simple brain transplant.” Kriegslieter studied the Doctor with detached, clinical interest. “To be honest, it isn’t the body I would have chosen but it’s infinitely superior to the one I have. When all this is over Doctor, I shall be you — and you, or whatever shattered gibbering remnant of you is left, will be me. Appropriate, don’t you think? A crippled mind in a crippled body…”

this was, of course, the master’s plan in the keeper of traken (and many others since). in addition ‘we are both time lords’ is a direct echo of both the war chief in the war games and delgado in the mind of evil, the claws of axos, and colony in space.

kriegslieter also calls seven ‘my dear doctor’ throughout, which is not a quirk of speech that the war chief has been ever shown to have. i can't claim it's unique to the master, but i think there's a certain history there. (did you know ainley says it five times in one 50 min long serial?)

similar can be said about the dark path, written by david mcintee in 1997, which explores a villain origin story for the master. though early drafts of the novel mentioned the war chief as a separate character, this was cut before publication (and can be found instead in the charity anthology perfect timing). on mcintee’s tumblr, he indicated that he left the ending ambiguous in order to facilitate other incarnations between the koschei of the novel and delgado’s appearance on-screen, specifically citing edward brayshaw (the actor who portrayed the war chief) as an example. mcintee also posited, in the tags of a gifset of the war chief: ‘#depending on your point of view #the master #or not #does it matter?’ and on another, cryptically, ‘#oh if only i could tell you-’

i think it matters in some sense, or else i’d probably not be writing this post! but again, it goes to show that writers during the virgin era were aware of the connection between the two characters, whether their views on the subject aligned with the editorial line or not.

magnus, as the master

as said before, the character of magnus was introduced in the comic flashback, which appeared in the doctor who magazine winter special for 1992, edited by gary russell & written by warwick gray. it depicts seven and benny viewing a scene from the doctor’s past, where two old friends, thete and magnus, are at odds.

BENNY: Pistols at ten paces, anyone? DOCTOR: Yes… ‘Thete’ and ‘Magnus’. Funny how old nicknames can stick. They were good friends once. A long time ago.

magnus was, at the time of this comic's creation, meant to be the master. there is no connection to the war chief in this story. which is why when goth opera, written by paul cornell, is published in 1994, magnus is the name used for the young master when listing out the doctor's school friends:

“That was when I was young and wild, Doctor. My contemporaries and I grew up to take our responsibilities seriously.” “Ah…” The Doctor nodded. “Unlike my year. I begin to see.” “Yes.” Ruath warmed to her subject, sipping from the goblet. Her eyes never left the Doctor’s. “Mortimus, the Rani, that idiot Magnus. And you, Doctor. All graduates of Borusa’s Academy for scoundrels.”

and, in 1995, when gary russell wrote invasion of the cat-people, he again used magnus as a name for the young master, referencing the master running out of lives far more quickly than the doctor by the time of the deadly assassin:

Polly smiled. “I’m glad you’re completely recovered, Doctor. You had us worried, you know.” “Regeneration’s a tricky thing,” he said. “And it was my first one. Always the trickiest. They’re supposed to get better as they go on, so long as you don’t flitter them. Always used to say to my academy chum Magnus, ‘Magnus,’ I’d say, ‘Magnus, don’t throw old bodies away like you would a suit. They don’t grow on trees.’ Or something like that. Never listened though.”

then, when gary russell wrote divided loyalties in 1999, he followed mcintee’s lead in using koschei as the name for a younger master, and instead retconned magnus as a younger war chief, showing the two of them interacting during the doctor’s academy days. for someone who doesn’t think the war chief and the master are the same (and russell doesn’t), this was a strange move… surely naming the young war chief character quite literally anything else would’ve neatly severed the two, but using a name already established as the young master’s just confuses the whole thing and leaves them even more intertwined than before.

(if you’re a fan of the academy era and strongly adhere to the lore in divided loyalties and so this is a particular sticking point for you, remember that all the academy era scenes we see in the novel are actually part of a nightmare the fifth doctor is having — who’s to say he didn’t dream his best friend as two different people? he forgot which one of them killed a guy with a rock, after all…)

the war chief king

in the book of the war, the 2002 faction paradox ‘encyclopedia’ edited by lawrence miles, the entry on the war king (the master, as he was known as president of gallifrey during the war in heaven) states:

His personal assistant notes that his office is brimming with official business, but devoid of decoration. The only concession he makes to sentimentality are the components of a hypercube, twelve white squares stacked neatly on his desk. Its significance is unclear, but it’s thought to be the War King’s last remaining link with his unfortunate past.

the very first use of a hypercube was, of course, at the end of the war games, when the second doctor used it to call in the time lords. though an allusion to the war chief was not the author of that entry's original intention, the connection was made in readers’ minds and became an established part of faction paradox lore, becoming even more firmly cemented as other writers ran with it. the war king spells it out himself in the 2021 audio sabbath and the king by aristide twain:

THE WAR KING: I have failed to introduce myself. I am— ah, but as we have just seen: names have power. I do not think I shall grace you with one of my true names, Sabbath, no, not yet. Let’s see. The Deathless? Oh, let us not get ahead of ourselves just yet. Chief and Master, Minister and Magistrate, President and King… I have been many things.

twain again linked the two characters in the 2023 short story the god who came for christmas, a sequel to the 1986 fasa ttrpg adventure the legions of death. fasa portrays the war chief and the master as separate characters, but twain bridges this gap in a particularly masterful way.

time’s champion

and finally we have time’s champion, originally written in the '80s(?) by craig hinton, completed by chris mckeon in 2008 as a charity publication. first, we have mel stumbling upon a corridor of portraits in the tardis:

Her first impression was that the Doctor was at the end of a long, thin corridor. And then she realised what the corridor was. An art gallery, the length hung with paintings, from the doorway to the far distance. As she started padding silently along the corridor, she looked at the paintings, and saw they were all portraits. Portraits painted in a variety of styles, from photo-realistic to impressionist, and everything in between. And she recognised some of the subjects. […] Moving on, Mel had hoped for something a little less depressing, but it wasn’t to be. The atmosphere had changed again: it was still cold, but a sterile light was now bathing the area. Then she realised why: the sterility, the coldness — trademarks of the Time Lords. This must be the Doctor’s own people. Pride of place was given to the Master — or rather the Masters: the familiar, music-hall villain in his velvet penguin suit had been captured in all his melodramatic glory, but there was also a suave, older man, his eyes radiating a fierce, evil intelligence wrapped in charm, next to which was positioned the portrait of a young, satanically handsome man with long, sharp sideburns and a thin, beard-length moustache, whose hand vainly clutched at a strange medallion hanging around his neck, as if clinging to the only power in his possession. And then there was an image of the cadaver, that rotting corpse that Mel knew was all that remained of the Doctor’s oldest friend and oldest enemy, animated by nothing but pure malice and spite.

the description of the ‘satanically handsome man’ is obviously the war chief.

and then, the doctor remembers events from his past:

The night time vanished into the shadows of light, as new images, all familiar, threw themselves past the Doctor’s eyes: his tedious years at the Academy, his rise in the Time Lord hierarchy, his flight from Gallifrey, the early years of his exile, the planet of the War Games and his reunion with the Master, the lost years of imposed servitude to the Time Lords, all his memories and so many more impressed their way across the Doctor’s vision, even up to the moment of the present day. Then, abruptly, the vision ended. The Keeper began to speak again.

his reunion with the master occurs during the war games and precedes his exile (which is when his meeting with delgado’s master occurs).

and magnus is once again used as a name for the young master:

The Doctor and Benton managed to glimpse him as he raced past. He was young, with a curving moustache and a dark, haughty face accustomed to obedience but now shadowed and twisted by fear. He ran onwards without even pausing to acknowledge their presence. He seemed desperate to outrun something. Moments later, a group of well-armed and uniformed men rounded the corridor and also hurried past the Doctor’s party, following the fleeing man in their wake. Steadying himself against the cool stone wall at his side, the Doctor watched the squad pass, recognising them as members of the Chancellery Guard, but clothed in armour and dress from the long departed era of his days in the Academy. The Doctor paused, wondering where he had seen that face before. “Magnus?” the Doctor whispered. Benton stepped over to the Doctor. “Who was that bloke those boys were chasing after, Doc? He looked a bit like the Master.” The Doctor gazed into the distance. “That he did, and for good reason.”

for good reason indeed :)

[toooliix]

hey! alright so i may have done a thing

so for the past,,, idk 3 weeks? ive been going on a deep dive into spelling bee mostly to sedate my own curiosity of needing to know everything about what i'm interested in. as it turns out, there is a LOT of content with this musical, so i'm here to talk about my findings! note: i will be keeping this EXCLUSIVE to the original 2005 off broadway cast. as much as i'm a brown university girlie through and through, the original cast is where the content is. OKAY FIRST: youtube findings

a lot of small videos were made usually with logainne and leaf. you'll be quick to learn that they made the most off stage content. i have a public playlist with these videos, along with interviews, the original boot, and a few other things. the cast album isn't in it because that's audio only and i want visuals damnit. (plus its on spotify and easy to look up so.) the exception is 25apcsbmt12doc because its pretty underground and the purpose is to get word out about niche things.

second: myspace pages a lot of the spellers have myspace pages! this is like. a common thing!! only two were archived (leaf and logainne) and are able to be accessed! i'll talk about the others in a bit. they contain new information and i personally find them very interesting!

leaf logainne

HOWEVER: three are currently able to be accessed through modern myspace without needing an account. the format is off, but it's accessable.

barfee 25apcsb account panch third: other

there's two different things here so i'll separate them :]

3.1: r/v club

r/v club is a short film by rebecca feldman (one of the people that worked on spelling bee) that includes logainne! it can be found on her site with other short films. i believe this is the only one with her in it HOWEVER i have not checked therefore i could be wrong. it's set post-spelling bee, i believe. also jesse is in it but not as leaf.

r/v club

3.2: official site

spelling bee had a site!! and official merch!! its just a cool thing i think. it'll be mentioned again in the last section

spelling bee site

fourth and final: lost media (to my knowledge)

okay, spelling bee has.... QUITE a bit of lost media. again, this will be separated into parts.

4.1: C-R-E-P-U-S-C-U-L-E

before spelling bee was a thing, crepuscule (albiet mispronounced) was an improv play made by the farm. (same group who made r/v club) a lot of the characters were similar or the same, and it has a similar premise. however, it wasn't a musical. from what i've heard, there USED to be a boot of it, however i haven't found one of my own. i would love to be corrected.

4.2 myspace pages

remember how i was going to say this was going to come up again? hi thats now. outside of leaf and logainne, other myspace accounts were made! mitch (comfortcounselor), olive (mydictionary) + (oliveostrovsky), chip (chiptolentino), marigold (marigoldconeybear) an olive and barfee joint account (ilovemydictionary), and a leaf and logainne joint account (schwartzylogan). there's also another leaf account with the very confusing name of panchspell the issue with these is that theyre not archived, so you'll need a myspace account with a verified email to view these. in the year of our lord 2024 that's not exactly an easy find, especially since verification emails no longer send. plus, one of olive's accounts is dictionary.com now so,,,, who knows what it looks like there. most also need a connection, which makes things even MORE difficult. i hate how close but out of reach these accounts are.

4.3. spelling bee game

yeah they had a game. it's on the site, and it's eternally stuck at loading characters from my experience. here's the link anyway! game

4.4 the dirty bee

oh jesus its the dirty bee. so for context, in 2006 when the show was running, a few nights were booked for spelling bee that were meant for mature audiences and were 18 plus. it's catered towards people who have already seen the bee and want something new. it was inspired by jay (panch) and putting in words or sentences researsals that were clearly for funnies because he was bored. alas it became a derivative of the musical. all we know is what an article provides (theres more than one but the one linked gives the most info) and that chip quote unquote "finished off" at my unfortunate erection according to jose. there's rumor that chip is canonically bi in it but theres no sources so,,,, can't confirm that one.

article

(the quote is said in the reunion "stars in the house" and is found in the playlist)

conclusion:

there's genuinely so much shit in this musical i find it fascinating. this post WILL be updated with any other finds or information. PLEASE dm me or let me know if i got something wrong or if you have something to add (though do add a source, please and thank you)

ALSO: reblogs are greatly appreciated!! shoutout to the wiki, @/honkmaster69 and the people i spam in dms for helping and tolerating me <33