#this is one of my favorite of the reboots

[tyrantisterror]

Wife Goals: Hexadecimal

Hey fuckers. It's February, my Seasonal Affective Disorder is at its peak, and romance is on my mind whether I like it or not. So I'm going to ramble/gush about some of my favorite female characters in fiction, in a painfully honest and deeply cringe way, because fuck you that's why. We live in a post-Muncher society, you can't fucking stop me.

We're beginning with Hexadecimal from the 90's early CGI cartoon Reboot. I feel like most of tumblr's userbase was too young to watch that show. A lot of you were probably born after it aired. God I'm old. I'm so old and alone. Fuck.

Anyway, the premise of Reboot was that there was an entire world within your computer, with every program and file being people who lived inside the big city that makes up the computer itself. The city everything takes place in is called Mainframe, the main character was a security program, most of the citizens were shaped like 1's and 0's (binary code, get it?), everyone talked about things taking nanoseconds because one of the other conceits is that the people inside the computer experience time differently than humans, etc.

The villains of Reboot, at least initially, were computer viruses. One, the primary antagonist, was Megabyte, an evil overlord who wanted to take control of Mainframe by force - sort of the picture of a Lawful Evil villain, in D&D terms. The other, his sister, was Hexadecimal, the self-professed Queen of Chaos, who is more of a wicked witch (get it? Hex-adecimal!) that existed to cause mischief and mayhem for the sake of it. The Chaotic Evil to Megabyte's Lawful Evil, if you will - though as the series went on, calling Hex "evil" became more and more inaccurate.

Reboot was one of the first fully CGI cartoons, and it used the limitations of that early technology as a jumping off point to get creative with its setting and character concepts. Hexadecimal is very much a case in point for that - rigging face animations, especially on a humanoid face, is complicated and time-consuming, which is why there were very few humanoid characters in the first season of Reboot (and hence most of the case being made of 1's and 0's). For Hex, they decided to get around this by giving her a gimmick: Hexadecimal doesn't have a true face of her own, but rather dozens upon dozens of masks that she switches between with a wave of her hand. The result is that 1. the animators didn't need to work on in-between frames for her change in facial expression, saving a good bit of time and money and 2. Hexadecimal's mood changes are really, REALLY weird and unsettling to witness, selling her as some sort of supernatural monstrosity. She is magical in a dark, spooky way, even when just expressing feelings, and the result is a visual that really sticks with you - one that never would have been done if not for the limitations of that early CGI.

Of course, one of the other reasons Hexadecimal might have stuck out is that she was, uh... well, sexualized qutie a bit. Look, I'm not going to mince terms, there were some horny bastards working at Mainframe Entertainment (the company that made Reboot). These are the same animators who reportedly based Blackarachnia's design in Beast Wars after a stripper they saw while going out after work one night. In the first season of this show Hexadecimal full-figured and prone to walking in a very sultry way. When the show got dropped by ABC and picked up by another network, they put her in a full-on dominatrix outfit. Hex was always intended to be sexy.

And, like, ten-year old me didn't fully understand that when watching this show. But I do think that it was at least part of why my pre-adolescent brain because very obsessed with Hexadecimal, moreso than any of the other Reboot characters. She was interesting, for a lot of reasons, some of which I understood (funny scary monster villain lady) and some that I didn't understand but, like, vibed with intensely in ways that were formative and probably life-ruining.

Thankfully Hexadecimal was also just a very well-written character, perhaps the best in all of Reboot. Her first episode establishes the base components of her characterization that the rest of the show would build upon. Hex unleashes a computer bug using code from a paint program, which turns everyone who encounters it to stone. She specifically unleashes it by hiding it in a package and pretending to guard it, which makes her brother/rival villain, Megabyte, think it's some important mcguffin that he should steal. He does, and ends up the first victim of the medusa bug, which then spreads through all his minions, and then through all the different ways he has to sneak into the heart of Mainframe city, eventually infecting almost every citizen.

Already we establish several things about Hex: first, her schemes aren't about conquering people, but causing mayhem and havoc for the sake of it. Second, despite her chaotic nature, she's smart enough to make proper evil schemes. Third, she's a good judge of character in her way, as she figured the easiest way to get Megabyte to take the bait was to pretend she had something valuable for him to steal. Fourth, despite also being "evil," she's not on good terms with her brother/rival villain, and in fact wants to take him out first before anyone else. Fifth, holy shit she is SO much more powerful than the main bad guy, it's her first episode and she already almost won!

Almost. Of course, Bob, our hero security program, goes to Hexadecimal to try and stop her, at which point we find out Hex has something of a manic crush on Bob (as she articulates later in the series, "Oh Bob, I don't know whether to kiss you OR KILL YOU!"), and is actually willing to hear him out when he comes in doing his hero routine. Luckily, Bob is clever too, and decides to beat Hex the same way she beat Megabyte - he tells her that she should be proud of how orderly she made Mainframe. After all, with everyone turned to stone, nothing will change - it'll all be the same forever, quiet, calm, peaceful, and boring. Hexadecimal, the self-professed Queen of Chaos, immediately realizes she's made a nightmare for herself, and undoes her evil scheme with a wave of her hand before letting Bob go out of gratitude for keeping her from making a horrible mistake.

Which is the most important thing we've learned about Hexadecimal in her debut: she values freedom. Oh, she calls it chaos, yes, but Hexadecimal's biggest belief is that people should have the freedom to make their own choices, no matter how violent and destructive they may be. She's an anarchist first and foremost, and she values freedom so much that she'd gladly admit she was wrong and undo a successful scheme if someone correctly points out that said scheme goes against her ideals.

Especially if that someone is the guy she likes.

Hexadecimal is a supremely powerful villain who can't really be overpowered, but can be reached and defeated emotionally. As the show goes on, dealing with Hex increasingly becomes focused on building a relationship with her, and for most of the runtime Bob is the only person who is both brave and compassionate enough to try and give it a shot. While he doesn't share Hexadecimal's romantic feelings, he nonetheless feels there is something good buried deep beneath her mania, and that she is worth reaching out to.

And we in turn see that is is 100% correct. For all her supervillain antics, her ranting and raving, her violent outbursts and maniacal schemes, Hexadecimal is at her core an intensely lonely person, someone who craves affection but drives off almost everyone who gets close because of her psychological instability. She deeply wants people to love - she dotes on her little cat-like follower, Scuzzy, and she's also kind to nulls, creatures made from broken programs in the computer world that most people regard as vermin. And there are so many times when Hexadecimal's latest scheme is something Bob just... talks her out of.

Given the nature of serialized storytelling, Hexadecimal's vast strength did not stay insurmountable, and there were several times where she was humbled to show how great the new threat in the story was. Perhaps the most important was when Megabyte finally managed to get one over on her, literally shackling her with a control collar like she was a rabid dog and forcing her to be a living power source for his weaponry. Eventually Hex broke free (as she says, "Chaos will always triumph over order! It is the way of things!"), but at the cost of breaking herself further, which is visually represented by a crack forming on her mask. Bob, who'd been away for some time at this point (watch the show to know why), finds her and helps her fix her map - and this act of kindness, of care, of healing allows Hex to express emotions without swapping her mask for the first time, and, in the process, express herself with more self control. The children's cartoon show equivalent of finally getting this poor woman the meds she needs.

Unfortunately, most of the other characters weren't willing to forgive Hex for her past actions, and she spent the final season regarded with suspicion and coldness by all the other people of Mainframe even as she tried to turn over a new leaf. And while Bob cared about her, he didn't love her, a fact she had trouble accepting. The tragedy of this came to a head when the main threat of the fourth season, a new virus named Daemon whose plot was even more apocalyptic than anything Hex came up with in her villainous prime, unleashed a doomsday infection that could only be stopped by another virus - and even then, that virus would be sacrificing their life to pull it off. Hexadecimal willingly chooses to do it, happily even, with a smile on her face - because while she was going to die, the people she cared about would live, and perhaps think a little better of viruses like her as a result.

I think that is what made Hexadecimal stick with me more than anything - more than the cool mask, the awesome villain antics, or the 90's cartoon age-inappropriate sexy character design. Hexadecimal, more than anything else, is defined by her love for others and her desire for them to be free to live their lives as they choose. That means they can choose not to love her, not to forgive her, not to include her. They're free, that's their choice, just as it's her choice whether or not to love them in spite of it, and her choice to die for their freedom and happiness. She loved so, so deeply, and the thing that sticks with me, the thing that broke my heart as a kid and breaks it now, is that no one ever loved her back.

Yeah, she was creepy and maniacal and almost killed a bunch of people a lot of times, but she was also so full of love, and all she really needed was for it to be reciprocated! She needed people who were willing to care for her, even just a little bit - and she deserved people who cared a lot more than that, because if she was willing to do so much good for so little, imagine what good she could have done if someone loved her as much as she loved them.

Anyway, while I had many precocious crushes before Hexadecimal, I'm pretty sure she's the reason why my "type" seems to be "women who are made entirely out of Red Flags." And maybe that's ok.

...

no it's not ok why am I like this

[beanbagbuddies4life]

Stanley the Seal

Born May 4

"Calmly sleep the whole night through, As my flippers comfort you. You'll feel safe during the night, As I hold you very tight."

"Stanley the Beanie Baby features a vibrant, eye-catching design with its smooth green body and contrasting yellow belly. Its playful expression and soft, plush fabric make it an irresistible companion for children and collectors alike. This unique seal adds a splash of color and whimsy to any Beanie Baby collection." - shop.ty.com description

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[sketchy-tour]

Silly silly whiteboard doodles don't mind me. The reboot one is super recent and I'm slowly getting more used to the site yiippeee

Anyway take these. Reboot au belongs to @bloodrediscream

[legionofpotatoes]

I know the discourse well is poisoned and no one hates bioware games more than bioware fans, but I am just 🫠 having so much fun with veilguard it's unreal. It is selfishly the dragon age game I always wanted. with less emphasis on cRPG, a more focused story, curated mission based design that spotlights the high fantasy stuff, slowburn structure with companions, significantly less sidequest bloat, and a fully real-time action-oriented combat system that isn't riddled with the growing pains of previous titles. when I first played origins I imagined something almost exactly like this as my ideal version of a sequel; and it was one of those dirty, selfish thoughts that I knew was disrespectful to the then-established DNA of the thing, but I can't help but feel giddy about having it here and now. like down to the shift away from the childishly dark tone and to something more inherently flexible with a baseline aspirational quality. I hate aesthetically depressing games so much. am I not alive right here and right now already

When I say "aesthetically" there though I do mean it. I'm fully on the opposite side when it comes to tone and positions expressed in the story itself. I am just not including that in my analysis because I am not done yet - so please no spoilers! I think I am where most people consider to be the second act, and I definitely have my gripes with the narrative framework and some of the optics, but I won't put the cart before the horse and will see how it wraps things up first. Above that level, in terms of how it presents itself, of how it plays, of how it balances its core pillars - it is such a bioware-ass game and I could not be any cozier in it. So grateful it exists

[miraculouslbcnreactions]

The fandom can't make up its mind on what's supposed to be a joke and what's supposed to be serious because the show can't either half the time. It's a tonally disjointed mess that wants to have absurd over-the-top humor as well as a plot and moments of drama, romance, and angst that demand you see the characters as people and feel for what they're going through. Except you can't do that without also treating the dumb bullshit in a somewhat grounded way. Like, you're still dealing with the same characters. You can't just go "Oh, that? Let's ignore that!" the moment it's no longer convenient to you. You've opened this can of worms and now you have to sleep in it. So, every character flip-flops between two different versions of themselves depending on what the writers need in any particular scene.

This is not to say surreal humor can't be used right alongside characters you're supposed to empathize with, Teen Titans (not Go) did that and it worked. It's just that the absurdity can only come from the setting (Mad Mod, Mother Mae-Eye, pretty much anything Control Freak is in) or from designated joke characters (Date With Destiny). Teen Titans never had the main characters acting in clearly absurd ways as the butt of a joke unless those characters were brainwashed somehow, because the writers knew that would ruin any of the more grounded moments they wanted to write. The writers of Miraculous missed the memo on that one.

I don't disagree. A perfect example is Derision where the show takes all of the bad jokes about Marinette's crush and decides to take them seriously as if you can possible take them seriously without making Marinette come across as unhinged and dangerous. You can't, which brings us to the topic at hand: how do you even begin to understand these characters when the show is constantly making character-breaking choices?

My approach - and the approach I recommend others take if they're going to keep watching the show - is to focus on the characters' cores and reject anything canon does to violate those cores. I don't argue for this stance because I love the characters so much that I only want the good things to count. I take this stance because, if you don't, then the characters fall apart. There is no way to make them work as fully realized characters while embracing every choice canon has made. Miraculous has massive characterization issues that go well beyond the humor.

For example, Adrien has multiple moments of terrible behavior that are played in a serious manner such as the moment in the episode Frozer where he tries to start a fight with Ladybug in the middle of an akuma attack because she wouldn't accept a rose from him earlier:

Setup

Ladybug: I can't accept this rose from you. I told you already. I'm in love with someone else. Cat Noir: I know, M'lady. But if he weren't here, would things be different between us? Ladybug: Well, you know, I can't even begin to imagine him not being here. I'm sorry, Cat Noir. I really gotta get going, and you better do the same. (Swings her yo-yo to head back home; Cat Noir is sad, looking downwards, with one petal of the rose falling.)

Payoff

Ladyice: Cat Noir. We need to set up a trap for whoever turned the city into a giant ice rink. (throws yo-yo) Icecat: (bitterly) My feline instincts prefer to track and observe before I attack. You go your way, I'll go mine. Ladyice: Please don't tell me you're mad at me about the rose. Icecat: There may be a certain chill now between us. Ladyice: I get it, but we should really focus on saving Paris right now. Icecat: We don't always have to do everything together, after all. It's not like we're a couple. (skates away)

There's no way to argue this off as a bad joke. While Adrien has every right to feel hurt, those feelings don't excuse him acting like a pouting child in the middle of an akuma fight. It doesn't excuse him acting like this at any point! Ladybug is not a villain for telling him no. She wasn't even mean about it!

I clearly fully agree that Adrien looks awful and selfish here, but I'd still argue that it's not something that should be used to define Adrien's character if your goal is to tell the "ideal" version of Miraculous. "Ideal" being the version that canon seems to be going for based on the overall picture we can sort of make out if we back way, way, way up and look at the extremely abstract picture canon is clumsily painting.

Unless canon is going to do something monumentally stupid, Adrien is Marinette's endgame romantic interest. It's also clear that there is no plan to cut him from the team. He's going to be Chat Noir for the rest of his life or at least well into his adulthood. This means that he is supposed to be a good hero who deserves his miraculous just like he's supposed to be a charming and cute romantic lead. These are the two things I keep in mind when trying to shift through canon to figure out what writing choices I should fully embrace and what writing choices I have to either ignore or treat as true flaws that get an actual character arc. In my book, either approach is fine because most of the characters are deeply flawed at this point and you can't give them all arcs without bloating the story to nonsense levels.

My goal with this approach is never to say, "oh, that moment shouldn't count in terms of how people feel about the character." It's more, "that moment goes so hard against who this character is very clearly supposed to be that I can't take it into account if I want to tell the kind of story that Miraculous is trying (and clearly failing) to tell."

As an example, let's list off Adrien's worst behaviors. The things that make him look terrible:

He sucks at communicating his needs and feelings, leading to multiple moments where he gets mad at Ladybug for things she's totally unaware of

He has quit or considered quitting without warning multiple times and only one of those was because of something he did "wrong" (NYC Special)

He puts his feelings before the safety of Paris on multiple occasions, even going so far to purposely miss akuma fights to see what happens

He is incredibly pushy about his crush, often ignoring Ladybug's feelings on the topic by continuing to bring it up even after she asked him to stop

There have been multiple instances where he almost cataclysmed multiple people in a fit of anger

His love for Ladynette isn't strong enough to let him break free of things like akumas and nightmare dust even when he's looking her in the eyes making him a pretty crappy romantic lead

People will argue that some of this behavior makes sense for his character because of the abuse that canon has technically introduced, but that the writers seem blissfully unaware of. I don't disagree with that argument, but that doesn't change the fact that none of this is acceptable behavior for a hero and Adrien is a hero who keeps doing these things. A sad backstory doesn't give you the right to behave poorly without consequences.

At the same time, if I fully embrace these elements of canon, what I get is an Adrien salt fic where he loses his miraculous for good while Marinette finds her real true love or even just a non-salty fic where Adrien leaves for his own meatal health and gets replaced by someone who can handle being a hero right now. Canon's not writing either of those, so the only way to engage with these flaws while enjoying canon or aiming for the same end goals as canon is to say, "I guess this doesn't count" or "I guess I need to tone this way down and work through it via a character arc" or even "I guess that was just a bad joke maybe?"

That is the essence of what I mean when I call myself a writing salt, character sugar blog. It comes from looking at canon and seeing that there's simply no way to embrace the worst moments and the best at the same time. We're not dealing with a coherent plot and/or complex characters. We're dealing with a nonsense plot that will warp the characters to bizarre shapes to make random ideas work even if those idea go wildly against canon's end goals.

As an example, Glaciator and Frozer should not exist in the same universe or, at the very least, something should explain why Chat Noir randomly changed his stance on Ladybug's crush from acceptance to pushiness. As is, the pieces don't fit together. The behavior is too contradictory. Remember, this is how Glaciator ends:

Perhaps Ladybug will love me someday. I mean, like, I love her. I have to believe. In the meantime, her friendship is the best gift of all.

Where did this version of Adrien go? Why did he regress in Frozer? There's no in-universe reason. It happened because the writers weren't ready to let the love square date or grow close, but they also wanted the love square to cause drama, so Adrien ends up looking terrible just like Marinette ends up looking terrible when it's her turn to cause love square drama. Her terribleness takes a different flavor so it can be hard to realize that this is a systemic issue, but that's what it is. It's deeply frustrating, but it also clearly stems from cheap writing and not quality characterization.

This is also why my stance is that canon as a whole only supports my Doyalistic core-character analysis style of approach. The writing is too poor quality to do Watsonian analysis where you embrace the full picture and try to put it all together. The closest I'll get to Watsonian analysis is pointing out how much the writing botches a Watsonian take by showing you all the way the writing contradicts itself, twisting into a nonsense pretzel of frustration where the payoffs never satisfy! (See the season four rant for an example or anything where I talked about Chloe's supposed damnation arc.)

There are even characters where canon is such a total mess that you can Doyalistically argue for two separate takes! Gabriel is a perfect example. He is all over the place and his ending was so poorly handled that you can make strong arguments for writing him as a cold-hearted villain or a sympathetic villain without the end result feeling like it spits in the face of canon because both takes maintain his one core element: villain.

That's the big thing I keep in mind when I look at the characters and the lore and the plots and try to come up with versions that the average fan would like. I don't think that there's one true version of any of these things, but I do feel comfortable saying that there are versions that will very clearly only appeal to people who are salty about a specific thing that canon did poorly. That's not who I want to appeal to in my adaptions, so while I'm not going to argue that those takes have no backing in canon, I will argue that those takes are not supported by canon as a whole. Embracing them requires you to take the worst parts of canon at face value while ignoring what canon is clearly trying to do with the overall story.

I get the appeal of that, but it's not fun for me because that approach feels like rolling around in the mud with the pigs. I don't want to sink to canon's level! I want to have fun! That's why I talk about how to make canon into its best self, not its worst self. If you want its worst self, just go watch the actual show. I will be shocked it if disappoints you.

[theflopwonder]

Me, naively: Omg haha what if I wrote a fic abt the party at the fortress of solitude in superman/batman 26 as an excuse to do some Tim & Kon character study?

Me, after reading 4 separate comic runs from 4 different editorial teams who were OBVIOUSLY not talking to each other AT ALL to try and figure out the timeline & other logistics of this party: WHO THE FUCK FUCKED UP THIS HOUSE LIKE THIS GOOD GOD??????????

[styxbugg]

Reboot Gobo reads his postcards to Red because he’s oblivious to anyone disliking them

Og Gobo reads them to Red specifically just to spite her

[imfamou69]

Remembered this image and I knew I had to draw them.. hi mkulia nation👋👋

[yhwcomeback]

what are your favorite ninjago seasons?

Rise of the Snakes, HANDS DOWN.

I've rewatched it so many times, and I adore this season, it's so nostalgic, and easy to digest, it brings me back to when I was 12 years old searching "Lloyd gets revenge against the ninja" on youtube only to instantly get spoiled that he was the green ninja LOL. (twelve years old me really thought he was going to become a major villain and I WAS READY TO EMBRACE THAT)

altought I also rewatch Dragon Rising alot? Probably cuz it's easy to watch it and similiar to season 1, it just feels like I'm eating a snack.

I also really like Possesion and March of the oni, but that's mainly becuase of the opening? like the opening of the season is just so cool.

and I feel like seabound is one of my top favorites becuase I am AWFUL at dealing with that type of stuff so I was sobbing so hard in the end. Same with Sons of Garmadon.

[anoant]

On this episode of Ant makes a beta kid crossover line-up:

[hawksheadcanonblog]

Headcanon - The Warners all have some undiagnosed conditions with only Wakko’s hypoglycemia being officially diagnosed by a doctor, but that was only after they had to be taken to a hospital. Yakko had to self-diagnose his lactose intolerance and many suspect Dot of having some sort of issue with her immune system.

[cyniicism]

did everyone just silently agree that mkulia’s theme song is “apple cider” or what because if we did, then i might scream in joy because i love beabadoobee and i love mkulia

[josubana6]

Some Wayne's art! (he's so silly)

[rosdevw2]

the reboot is amazing when you're the one handling it honestly. it's great because you make it so, with your ideas and your art. keep going.

I'm glad you like my ideas for the show, it one of my favorite Ben 10 media! but I'll just appreciate to not be so negative on the reboot UnU

like yeah the plot may not be as interested as OG or AF, but if you like series that are just for laughs and being silly (like me) it's not really bad, I mostly love it because you can get more episodes where the tennyson fam are just doing things together and having fun, is so adorable seeing their dynamics and I love when the kids are having unapologetic fun together! Maybe you are weirded out by the animation, but the animation is not bad actually! In my opinion is the artstyle that makes it look bad, like it still a production by Man of action, they know how to produce a good show

I'll admit it more fun to watch the series when Kevin starts appearing cause it adds a new dynamic to the family and also Kevin is so well written (and so adorable!!) but tbh I love season 1 cause it where Ben actually uses all of the 10 aliens he has in a variety of situations and it was cool seeing them (and also I love greymatter personality in the show) but later on the next seasons Ben has more "physically strong aliens" and "onmitrix power ups" which I find boring, I love when Ben's aliens are diverse and each one has a unique trait to them and It whould not bother me that much if they just made Ben use more that the same 3 aliens (looking at you Humungousaur).

where I was going with this? oh yeah, not judge a reboot only cause it's not the original, like it's the same situation as the ROTTMNT and now that series is finally being appreciated! I hope this ramblings will make somebody to give it a chance :]

[surgefairy]

whenever i don’t know what to draw i always just end up making absolutely insane and dumb doodles such as these