Colin did not get a POV in Season 1. No scenes where he grapples with his feelings and the situation in a meaningful way. Colin fans notice. Calm down, you tell us. It's coming. It's not his time, yet.
Colin does not get a perspective in season 2. Few if no scenes of him bonding in meaningful ways with his family, no perspective of him conducting research. Nothing for his own personal growth. Colin fans notice. Calm down, you tell us. It's coming. It's not his time, yet.
Colin's statement at the end of S2 brings about a fandom that demonizes him. It has no context. We do not see the lead up. Colin exists through Penelope's eyes, through her feelings. Colin fans notice. It's not his time, yet. Colin doesn't get a poster. Calm down. It's coming. It's not his time, yet. The information told to us center around Penelope loving herself, her story, her growth. It's not his time yet.
Colin is not even in the teaser clip of his own season.
It's not his time yet it's not his time yet it's not his time yet
Will it ever be?
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not to be too real but since we're talking about it... we always talk about will feeling lonely which is fair, but... it is such an Ugly, isolating, and genuinely heart-wrenching feeling to be the odd one out in your family, and to watch them treat others who aren't related to you the way you wish they would treat you, to watch them perform their familial roles with them and not you.
nancy's the only person in his family that mike could talk to, the only person that has the same trauma and would understand, and yet... he can't. they don't ever talk unless it's to be snippy and bite. nancy spends more time caring about max and will than she does mike, her own little brother.
holly is too young for him to bond with like that. she's just barely a kid, one that still needs to be cared for.
his mom tries her best, but he doesn't feel comfortable being vulnerable with her. considering the fact that she did everything "right" according to society's standards and married their dad of all people, i doubt he feels comfortable showing her who he really is. he lets her hug him when he's at his lowest, but we don't see them actually connecting.
his dad is just some ghost that haunts his house. he doesn't care about mike or think highly of him at all. the only times we've seen him pay mike any attention are when he belittles his interests, mocks him, punishes him, or shuts him down by telling him to listen to his mother. the only support he gets from him is financial in nature.
meanwhile, everyone else has a family they can turn to. dustin, despite lying to his mother to keep her out of his shenanigans, seems to have a decent relationship with her. even if he doesn't, he still has steve and robin. lucas is shown to have a healthy relationship with his parents and erica. will and el have their family.
max's situation is different, but she has the backing of the party; people that love her and actively try to help her and pull her back into the world of the living. she isn't thrust into a leadership role that doesn't allow for vulnerability. she has nancy who is willing to fight monsters for her, el who literally performed a miracle for her, and lucas who has stood by her since the beginning.
and mike... well. he has will back now, sure, but... things have been different between them for a long time now, even if they're both trying their best to be how they were before. and before then, will obviously was in california, not returning his calls or reaching out, making mike feel like he'd lost him for good.
so... all that being said, it's not that surprising that mike is the way he is: riddled with abandonment issues, wanting to be needed, immediately apologizing whenever he dares to open up, inclined to give others the protection and comfort no one's ever given him, prone to jealousy and possessiveness, unable to be completely and wholly honest about what troubles him, not exactly the most open to new people, and someone with appallingly low self-esteem.
you know how they say people that are drowning don't always look like they're drowning? that's mike.
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secret husbands 100% tried to bring the turf war roleplay into the bedroom at least once by “hatefucking” as their mother spore/mayor personas
omg yeah, 100%
one of them offhandedly suggests it and they agree to try it and see what happens. it’s the “roughest” they’ve ever been with each other — all teeth and bruising kisses. the mayor doesn’t go easy on mother spore either, pushing him into the mattress and completely ruining him
mother spore always puts up a fight, whether it’s their “hatefuck” or some other scene they’re doing — but the mayor knows how to make him fold. they walk away with a significant amount of bruises, and grian is definitely limping a bit, but it’s fine
scar showers him with so much love afterward, worried that he might’ve hurt him. but grian gently reminds him that he’s perfect, and he enjoys a bit of roughness from scar
I think mother spore and the mayor were definitely one of their spicier segments of their sex life, mhm mhm. the mayor certainly tried to “fuck the mycelium out” of mother spore (read: he railed grian within an inch of his life—) a few times.
scar knows how to command grian in the bedroom, and grian knows how to get what he wants too.
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Home Again
Anakin Skywalker x OFC
enjoying a lazy summer morning with anakin, surrounded by nature, waking up in your hammock🌼
She looked towards the tree tops, where for a moment, she could breathe in all of the air’s stillness.
It was nearing the end of Summer time. A strange, in between period right before the start of the Fall season. The ocean waves were moving swiftly from the wind, the flow of current especially made bright from the rays of sun up above. Reflections of light, glistening off the surface of the water. A sailboat crossing underneath the belly of a bridge.
And all you could think about was that you had been glad to have been with him.
Happy to have been here in this place that was full of green and golden.
The morning’s strange, and overwhelming purpose being sleeping in.
It was the calm of dawn that before you knew it, would turn into midday, catching up to you, quicker than you both thought.
“Mm…”
Turning over in your hammock, he stirs himself awake, facing you there; smiling, with his eyes closed. Breathing in the purest kind of contentment, not bothering to say a word when you can’t stop yourself from kissing him. Rare and cherished moments that you both hold onto while you have each other to yourselves.
Everything changes. Things often move too fast…
“Hi…” you tell him, all bleary eyed. Waiting there beside him for the welcome feeling of his touch. The strong wrap around that comes from the heavy weight of his arms. And, the grateful sense of acceptance that you have with him everytime he pulls you in close.
“I like when you yawn and play with my hair, that’s how I know you’re home”. He says, smiling to himself. The tiny crinkles in his eyes, all at once, scrunching up.
He hates them.
You don’t. To the point where you can spot the spirit of an inner child in there somewhere, and all of his rough edges start to fall apart.
“You’re going to make me cry…”
So you curl into his chest, as being bashful would ever be the proper excuse for hiding yourself. Tired eyes veering off toward the clear blue sky again; a bittersweet feeling making its careful way there into your chest, because deep down, you really don’t want to go.
“Don’t cry. You’re my pretty lady.”
The palm of his hand graces the small of your back, gently, and his need for kissing becomes quick, yet soft. You hold hands, and he laces your fingers together. A motion that brushes and eases into a wordless state of interlocking comfort.
Your limbs do the same. His other hand, kneading at your flesh. Enjoying all of you, and his favorite parts. It’s always the slowest and most beautiful form of expression and exploration.
The brush of your noses, one swipe at a time back and forth - laughing at this kind of new, and intimate way of togetherness.
His touch begins to gradually roam, looking for the very end of your shirt. Pulling it up with a slight tug as a sign for you to take it off.
There’s no one else around, but for some reason, you don’t have a care in the world right now.
More kissing, harder now.
Loving enjoyment.
Your fingertips grazing the curve of his shoulder, then the span of his chest.
Fine hairs slipping through your meandering touch all across one another where it matters.
His thumbs graze over you, pebbling your skin. Hips gliding more and more with every shift.
Your hands, wrapping round his neck. Weaving their way through all of his lightened waves of hair.
He loves it most when you cup his face, cradling it. Mirroring you almost perfectly when you relax into his patient hands.
That by now, you know that he will take it from here.
The rest, you sense, will be as amazing as you could ever imagine.
…💌
thanks so much for reading 💫
this was a daydream that turned into fanfiction
hope you enjoyed it ! xo
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Can I just talk about how much I love the wordplay of “Suburban Legends”???
The way that an urban legend is a story that’s been passed around so far and wide and often that it’s accepted as true (folklore, if you will) or at least believable or exciting enough to keep passing on from campfire to campfire.
And then in this song it’s suburban legends because the story’s been papered over, it’s become a cliche, a poor replica of the real thing. The (cool) urban legend of this hot, epic romance for the ages everyone would talk about forever has been replaced by the (all too familiar, devoid of authenticity) suburban legend of being toyed with and losing herself in a relationship that once again leads to heartache because they can’t be genuine with each other about what they actually want. It’s not a cool story; it’s pedestrian, it’s another blip in the radar of their young lives (just like the suburbs are the epitome of boring in pop culture, cookie-cutter and bland and forgettable and soulless, compared to the magic of the city where anything could happen and everyone wants to be in). It’s not an epic love story for the ages, they won’t be spoken of far and wide, they’re on the periphery of the real thing but never quite making it.
Her mind 🤌
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rewatched arrival for the hundredth time. this movie never fails to gut punch me with its approach to determinism. louise embracing her future that she knows every moment of, despite the tremendous loss and pain it contains, with open arms. she doesn't hesitate, or ruminate on how she can try and change it. she accepts it all, the good and the bad, because what she gains is worth it, so many times over for her. she steels herself against a certain future and runs forward to meet it all, to love, learn, and lose, and trusts and leans on herself to live through it all. because that's what life is; it's the joy and the suffering. to try and isolate the joy alone is madness, futility in its purest definition.
comparing her line of thinking to a palindrome (how she named her daughter, hannah), the movie kept emphasizing, "it's the same backwards as it is forwards." it doesn't matter if you can see the end; life is the same whether you live it "forwards" (without knowledge of the future) or "backwards" (with foresight). it doesn't change the significance of your life experiences; to try and avoid certain future pain just because you have the knowledge of it is a zero sum game. you think you win because you avoided pain, but you also avoided the joy that preceded it. the metamorphosis. so you still lose if you try to win, and vice-versa.
all you can do is rush forward and take it all head-on. see this whole beautiful mess as your one most precious gift; this one life, this one chance, a laughably miniature blip on the colossus that is linear time, to experience all there is to feel before you return back to an eternity without perception. it's all worth it, because only in living a full-fledged life open to everything it has to offer does the experience of living turn out to be greater than the sum of its parts; it's in trying to beat the system (avoid pain) that we actually lose.
"if you could see your whole life from start to finish, would you change things?"
"maybe i'd say what i feel more often. i...i don't know."
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