#this is my third post about this one scene

[polonium-snap]

Fic rec for your bkdkbk post-canon woes

Now that MHA is over I've been satisfying my bkdkbk needs with fics like one does, so I made this fic rec of the best fanfics I've read over the past few months. Unintentionally most of them are rated E, idk why, if you want more fics, feel free to check my ao3 bookmarks, I have over 1000 bkdk fics bookmarked

DISCLAIMER: Please check the tags and warnings thoroughly before reading any of the fics here

Multichapter:

You Gave Me Purpose, Kacchan by wowschreave | Rated T | Post-canon

The first in what I call the "Post-canon holy trinity" I've already talked about this one so much but I'll do it again because this is THE post-canon fic, plus it has amazing, beautiful, wonder-who-made-this-masterpiece ART lol

promises kept by gabstar | Rated E | Post-canon | BKDK

The second instalment of the Post-canon trinity, starring co-depended BKDK which is one of my favorite flavors

Count to Infinity by socksasgloves | Rated T | Post-canon | BKDK

The completion of the holy trinity with more Post-canon goodness because it's what I crave on a cold night

The night we decided to be brave by Albipepo | Rated E | BKDKBK | Accidental parents

I love this one so much, I hated both of them for being stupid half of the time but it's so so worth it

i'm not myself when i'm without you by YunaTuna | Rated M (but I would rate it E) | Possesive BKDK

This one is so interesting and dark, I'm obsessed with possessive Deku and this hits all the right marks and more

And the world went still by Saiyasha | Rated E | BKDK | (temporary) Mayor Character Death | Established relationship

GUT-WRENCHING, this one hits so hard, I nearly died, but it thankfully has a happy ending

Kacchan vs the Internet by palavering | Rated T | Soc Med

This one is not complete but read it read it please it's so good, and the social media aspect is so peak, like I can rave for hours on how well the author uses CSS

Baby Bottles and Blushing Faces by derDschungelderRosen | Rated T

Baby Project is a classic but I adore this take on the idea so much, plus it's hilarious

keep the rain by gheemin | Rated T | Post-canon

I adore how introspective this one is, it also overwhelmed me with feels

Fake it, 'till you make it. by Princess_ofPizza | Rated M| Charades

Drinking games are always bad ideas, unless you're bkdk in which case carry on

Inhibitionless by Sonday | Rated E | Quirk shenanigans

Horny quirks are the best

You Had Me From the Start by bellbloom | Rated E| BKDK| Artist x Bartender AU

As an artist myself Artist!Izuku scratches an itch I didn't know I had

A Starving Artist's Success by StevieBanks | Rated M | BKDK | Artist x Fashion designer AU

Which is why I have two fics with artist Deku, also kind of a meet-cute

Unraveled by omicroncet | Rated M | BKDK |

Three words; sleep deprived Izuku

One-shots:

love in the making by Kacchdeku | Rated G | Post-Canon | BKDK

Third-wheel Kota is the best

Sturdy Heart by lurethegalaxy | Rated T | Post-canon| Established Relationship

Angsty but so so so good

pacemaker by passengerside | Rated T | Post-war | Canon-compliant

The pacemaker scene has me dead, ascending, AND there's art?!!

The Eight Years Between by Loriqod | Rated T | Post-canon | Established relationship

I love when fics fill in the gaps of the canon content

Embers by UglyGreenJacket | Rated T | Post-canon | angst with a happy ending | Established relationship

My poor baby Izuku needs a hug, thankfully Katsuki is there to give it to him

king of hearts by nikkiRA | Rated E | Quirk shenanigans

This quirk is so creative and cute and I love that it also includes their other classmates reactions

crepe date by isidium | Rated T | Fluff

'Cause we all think about that one crepe comment Izuku made one (1) time and so does Katsuki

chasing the rabbit by mimiwrites | Rated T | Amnesia

Even more Quirk shenanigans because those are always so fun

love is a labour (i'll slave til the end) by nikkiRA| Rated E| Omegaverse| DKBK

I love LOVE Omega! Katsuki and you can take him from my cold dead hands

Talk After Talk by beanbeanrose | Rated T | Post-war

This is just them talking but i love it so much

GG by MajestyTime | Rated T | Crack treated seriously

This one is all over the place but in a good way, it played off as a laugh but it has a very interesting what-if scenario

If I'm Being Honest by Queen_of_the_Otakus | Rated M | Truth serum (kinda)

Forced truth situations are so funny because it's never that deep but everyone still freaks out

Thanks for reading!!! Hope you guys like the fics I chose

[scary-white]

is it gay to share the awful totality of perfect knowledge with another woman?

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[iridescentmirrorsgenshin]

Alhaitham and Kaveh - not 'friends' but 'roommates'

(This is a reworked excerpt taken from my Haikaveh essay! If you're interested you can check it out here or as a pdf <3)

Due to Chinese game restrictions, explicit mentions of homosexuality or overt queer references have resulted in less implicit ways of conveying queer relationships or characters. Therefore, same-sex characters in romantic relationships are assigned the platonic status of “best friend” or “friends”.

As such, these restrictions can be used as guidelines in establishing queercoding within Genshin Impact. It is of note, however, that this rule does not mean that all characters who are canonically “friends” are in a romantic same-sex relationship. Differentiating between same-sex couples and platonic friends (who have all been assigned the label ‘friends’) can be done by identifying particular care undertaken to ‘style’ characters. This is done so by queercoding, as in, using taboos linked to queerness; references which point to romantic connotation; or omitting certain details which casts obscurity on the nature of their ‘friendship’.

Alhaitham and Kaveh’s relationship has been styled in this way, as although various titles have been given to their relationship status, there has been no definitive term supplied overall. Alhaitham tells the Traveller that the two are “roommates”, with Kaveh confirming this, although stating that they “used to be friend(s), but not anymore”.

Within Kaveh’s Character Stories, their history as “best friends” is a painful one of separation, which can be seen as akin to a break-up, and despite their lack of status as ‘friends’, the two share an intimate knowledge of the other that no other character is privy too.

Condensing their relationship down to ‘roommates’ is an oversimplification that the narrative challenges the player to question.

This is achieved through their rapport with each other, seen within Alhaitham purposefully goading Kaveh, something which he cannot be seen to do persistently with any other character, as well as Kaveh’s unique reactions to Alhaitham, which present a side to him unlike which can be observed in his interactions with others. Additionally, the two mention the other without them present, as Alhaitham mentions Kaveh unprompted twice within the Archon Quest and once within his Story Quest, and Kaveh is prone to discussing Alhaitham with those who are aware of them living together, as Collei observes: “Seems like you always include him in the conversation, even when he isn’t here…”

When the two confirm themselves to be roommates, this is immediately followed by Paimon asking Kaveh if they are friends, to which Kaveh does not give a definitive answer too. When Paimon asks Alhaitham the same question in the Archon Quest, Alhaitham evades the question, and turns it back on Paimon, who notes that “[she] doesn’t know. That’s why [she’s] asking,” to which Alhaitham then describes Kaveh as his roommate. Although, this still is an evasion of Paimon’s initial question, Alhaitham neither denies nor confirms their friendship status. The status of their relationship is constantly called into question, for the characters they interact with, and for the player.

This casts an ambiguity over their relationship which aligns with Chinese gaming regulations in regard to same-sex couples, which in turn, points to a certain ‘styling’ of relationship which differs from general platonic friendships within the game. Where both platonic friendships and same-sex relationships can only be openly dubbed as ‘friendship’, signifiers must be present in order to differentiate these platonic friendships from the non-platonic.

Obscurity of relationship status can be used to do so – where characters are not explicitly “friends”, but are evidently tied to each other in some way, more than their assigned platonic status. Here, Kaveh and Alhaitham are irrevocably connected beyond their “roommate” status, and although they are not currently described as “friends”, they used to be, “best friends” according to Kaveh’s Character Stories, which creates a gap for interpretation.

The player is encouraged to interpret the reason for the two’s parting of ways, along with the reason for their current rapport. Although Kaveh asserts that there is a mutual “disdain” between the two, Kaveh observably talks about Alhaitham enough for Tighnari to assert: “No dinner with Kaveh is complete without a few words about Alhaitham." Rather than out of disdain, it can be surmised that Kaveh talks about Alhaitham due to the fact that he cares, as he states that the reason he has so many troubles regarding his work is because he cares so much about it.

When paralleled with his troubles with Alhaitham, being that Alhaitham finds a way to “infuriate” him every time they talk, it can be inferred that Kaveh’s approach to dealing with his work is the same as to how he deals with Alhaitham.

If Kaveh’s assertation that the “disdain” between the two of them was true, then there is no basis for him to talk about Alhaitham as much as he does. This is due to his attitude in caring about something results in him verbally expounding the problem, the same behaviour he exhibits when dealing with Alhaitham. By his own reasoning, if Kaveh did not care about Alhaitham, he would not be so “infuriate[d]” by his words.

In turn, the player can see Alhaitham’s care of Kaveh manifest in his concern for Kaveh’s wellbeing within A Parade of Providence. In this sense, the rapport the two have currently which the narrative prompts the player to question can be explained. The two hold a mutual concern and care for the other, but due to elements in their past, they cannot address this, and thus it goes unspoken. The same can be said about the explicit status of their relationship, as no canon label applied to the two can truly explain their relationship, with ‘roommates’ being a clear oversimplification of their bond, and always followed up with the question of their friendship.

Alhaitham and Kaveh’s status as ‘friends’ is disrupted, not only due to the canon ending of their friendship in the past, but also in the current narrative of the game due to this refused label. Alhaitham and Kaveh do not adhere to the status of ‘friends’, either evading it (Alhaitham) or outright denying it (Kaveh), however, their bond remains central to each of their respective narratives, so much so that their differing viewpoints are integral to the other.

Alhaitham and Kaveh have been designed so that they are integral to each other, and the obscurity of their relationship acts as a signifier that their bond is not of a typical platonic friendship.

In Chinese gaming restrictions regulating platonic bonds and romantic bonds between same-sex characters as strictly ‘friendship’, Genshin Impact can be seen to subvert this in order to queercode. By creating an obscure bond between a same-sex relationship, a bond which the game constantly calls into question, a silence has been generated as to what the status of the relationship really is. The depth to Alhaitham and Kaveh’s relationship and the unspoken nature of it alludes to the queer taboo, in that its inability to be definitively labelled generates an otherness than that of an easily understood platonic bond.

[wickmitz]

what do you think mitzi’s type in men is?

hmm, this is a fun little ask! especially since her love interests, on a surface level, couldn’t be more different. we have :

zib : former long term boyfriend but not quite … they were very loose with labels, as we know from outside information and the way zib lives life in general. but despite this, whatever feelings fostered between them were intense ; enough so for him to stick around years later, resigned to a chained down lifestyle simply because he doesn’t want to leave mitzi. he’s very loyal in that sense! even if it’s not a conventional type of loyalty. we know that before bitterness seeped inbetween their bond that zib took good care of her, while also being a complete mess of a person ; someone perpetually scared whenever physical conflict is concerned and being a musically inclined man who very much treats himself as a free spirit, with a morbid philosophy and feel towards life. he’s got a major tortured artist aesthetic!! is a little gripped by melancholy and nostalgia … zib is a lot of things, and ambitious is surprisingly one of the many puzzle pieces that make up dorian zibowski.

atlas : ruthless gangster, has an eerie presence that frightens even the people closest to him. he is prone to a more quiet disposition ; never speaking and always a blot of unremarkable grey. but he is an opportunist! someone who can manage a business and take advantage of shortcuts and loopholes to become even more successful … basically he is wealthy and uses his assets well. but all of this is done with a manner of distance, leaving even those closest to him never having the full picture of who he was. it’s also worth noting that mitzi and him had eventual problems, which caused her to seperate. also perhaps has a heart of some kind, but whatever love he possesses is hidden under layers of blood and mystery.

wick : well-to-do bore, and i say this with all the love in the world for wick! but compared to previous paramours he’s rather clean and talkative … there is a constant earnestness to him that bleeds out, an honesty and a more conventional sort of kindness. he doesn’t hide behind smoke and mirrors and there’s never really a front he puts up around mitzi -- or his investors for that matter, hence why he’s treated as an ‘outsider’ so to speak. he is an alcoholic who loathes the details of his job but is more than passionate about the job itself and makes this everyone’s problem … he is a little helpless, in the sense he’d die without someone there to make sure he functions … and is, like zib, perpetually afraid of conflict. can be a little wishywashy and can come across as uncaring due to his cheeky tone … but he’s loyal and caring, with a hobby for the unusual ( bugs and rocks lol ) as well as being able to look past the gossip mill and see the actual mitzi may as he knows her, someone who’s going through a rough time and is either too kind or classy to be a brutal killer. he is hypocritical, a little snobby, and rather forward with mitzi too. kind of a flirt when he wants to be!

something that immediately stands out to me when looking at this lineup is that mitzi doesn’t enjoy a violent man. i don’t think she loathes someone who can so brutally or clinically remove others from this earth, but if she were to go for someone they’d usually be sweeter in a sense. it meshes well with her old personality and kinder heart, perhaps brings it out in her, and that sort of levity and breeziness is more enjoyable than, say, being fully aware of the dangers that lurk around every corner because the man you’re beside is prone to bringing it. she also enjoys more talkative types, someone who’s less quiet and demure and serious, and is keen on her men having a hobby they care deeply for ; some sort of long term goal to work towards doesn’t hurt either. and because of some scenes in the comic, i’m a firm believer that mitzi wants someone who can make her smile or laugh with ease, whether because they’re ridiculous by nature or genuinely funny! she has a sort of funny bone herself, enamored with gallow’s humor and darker jokes, so having someone who either a.) reacts hilariously in the face of her jokes or b.) who can return that energy with teasing or their own brand of silly is desirable. everyone could use a good laugh or two, a sense of joy injected into the bustling life they all live, and this all ties back to mitzi being more drawn towards the less stuffy types of men.

so atlas seems to be an outlier when it comes to her type in many ways, hence the later problems they apparently had in their relationship even if she did love him dearly. but, of course, atlas did have something very appealing to her that zib had failed to give, which she rather fondly recalls in the comic page vestige. whether zib likes acknowledging it or not, mitzi wasn’t as gungho about their normad life as he was … or, at the very least, when she lived another life besides that one, she realized she had a preference! and atlas gave her that path, that knowledge that she wanted something else, and seemingly for the very first time in her life … she felt like a proper lady, a feeling that clearly meant a lot to her. it wasn’t just the dresses or the wealth, it was the constant eye of atlas who could have any dame he wanted, but fancied her his wife regardless. it was having someone so respectable looking, dressed well and groomed well, being able to see her as something other than a sweating, exposed girl in a bawdy dress. atlas’s seemingly polite treatment towards mitzi was enough to garner her affections in spite of everything else, so i think she enjoys that now in others, ; folks who treat her as though she’s a woman in high society, men who don’t gawk at her or make lewd remarks immediately … she probably prefers the courting process now and the quaint dates ( that she doesn’t pay for, mind you ) that come along with it. she just -- likes mutual respect, i think. and who doesn’t? she’s been through a lot to get to where she is now, even if it’s a bad predicament, and she’d like for that to amount to something. some sort of acknowledgment, some kind of recognition.

however, it’s worth mentioning that her views on romance and all that it entails have been warped since the death of her husband. such a loss would change how anyone approaches their dating life, if they were to even have one afterwards … after all, mitzi’s whole problem is that she doesn’t want to move on from atlas and has thus completely romanticized him in her head, to the point that she earnestly believes she’ll be miserable forever without his presence. any problems she had with atlas have long since been erased by her tortured mind, leaving her with a profound misery she’s wallowing in. i think she believes herself as incapble of romantic or sexual inclinations nowdays, leading her to view the advances made towards wick as a necessary ‘evil’ for the sake of atlas may and little else -- when she genuinely does like sedgewick to a degree, and wouldn’t go on dates or kiss a man unless some part of her honestly wanted to do so. ( i also think she was attracted to wick somewhat even while married to atlas, but that’s besides the point ) so this is all a rather complicated affair! she is vulnerable and weak, is too aware of herself and the criminal underbelly squeezing in closer … add this on top of her still heavily grieving and having no one she feels she can talk to, you have someone who is rather changed. mitzi is so far removed from herself and who she truly is, or was, that there’s no doubt it’s affected her type ; now she’ll settle for anyone if they’ll just help her, and even then she’d be dispassionate if romantic entanglement of any kind was involved in that relationship. it’s not something she wants right now, and honestly, it all seems scary and daunting … besides atlas, zib was the only other man she’s ever loved enough to stay around for, so she’s never faced a loss like this before. has kept zib throughout all the turmoil and changes -- so this is, as far as we know, her first major loss where it concerns matters of the heart. it’s not shocking she’s so messed up after it, especially given how fresh it all still is. all of this rambling is to say that mitzi’s a little more stingy and cagey then she used to be about love or sex, and she has a lot of inner battles to face before she can fall for someone and be sure about it. needs to thaw, i think, and she would require patience and understanding from anyone who actually wanted to be with her. mitzi could move on with time ( i do not think she’s the type of widow who’d never date again! ) but it would take quite some time to do so. well, in a world where she’s allowed / is able to heal anyway!

while her type would probably remain the same, i could see her wanting a serious relationship more than she did prior to the death of her husband. has no energy for the loopholes, or the rationalizations, or the fickle nature that can grip someone’s heart. she has matured in a lot of ways since her band days and would take comfort in frivolous things like labels and promises of a future, together, as lovers. while what she had with zib was nice and is cherished alongside the freedom to do as she pleased while on the road with the band, i don’t think she misses it. having the stability and assurance of an actual relationship, with all the hardships that come with it, would be better suited for her. as long as she’s treated like an equal of course! i don’t think she’d be keen on her partner hiding anything from her, even if it’s meant to protect her, due to where that put mitzi when atlas was killed. she’d rather know and be disgusted, or worried, or scared than to not know about something at all until it’s too late … again. naturally patience and compassion would also be of importance, as would the usual things she loves like loyalty and a passion for something in life. and while never required, she’d be happy if the person possessed even a singular musical bone in their body! she still thinks artists, particularly musicans, are sexy after all … likes the angst and brooding that comes with it, the slight flare towards the dramatics … as long as they can handle mitzi in her pitiful entirety and do, to some degree, care deeply for her and will compromise … i think she could find some happiness wherever. bonus points if she can live comfortably for the rest of her days too, lord knows she’s tired of the constant battle of hucking and bargaining.

but yeah! mitzi’s love life is vast and complex and i definitely see her as someone who is more flexible in type than other people are. though there are similarities between her suitors if you really look! anyway, i hope i was able to briefly touch upon this subject because my shipping brain loved your question and kinda went into overdrive, alas. tldr ; her ideal type is wick sable. sorry. once wick learns an instrument the wedding is back on!! … i’m kidding lol. well, mostly <3

[alvindraperzzz]

One thing I want to see explored more in both canon and fandom is Cassie’s relationship with Diana’s mission.

Cassie is a powerhouse. She’s a fighter. She’s aggressive, and loves kicking butt and taking down villains who deserve it. She’s been that way from her earliest appearances, and it never really changed, all the way through the end of preboot. That may be fine for most superhero characters, but it’s a constant that just doesn’t really make sense for a protege and disciple of Diana of Themyscira, who has a mission, ideals, and an approach to heroism that differs from most. I can’t think of a single plot line that explores Cassie’s relationship to Amazonian ideals, and how they (should) affect her work as a hero.

What are those ideals? What is Diana’s mission?

The specifics tend to change between eras, writers, and reboots, but Diana’s mission is to bring peace and justice to man’s world. That’s pretty vague, and broad, and Diana is canonically often distracted from it by crimefighting and superhuman threats (which, fair, hard to teach peace when some megalomaniac is tearing up a city).

“The superheroes of this planet and beyond… their mission is to avenge, to protect, to police. Mine is different. My mission is to teach, to learn, to serve. Hippolyta preached, as I and all Amazons believe, that with understanding and respect all things are bearable, believable, and possible.”

In its simplest explanation, Diana’s mission is one of peace and equality. She’s an ambassador, bringing Amazonian forms of diplomacy and social structure to man’s world, and creating reform through education, opportunity, and service.

“I am trained as a warrior, Barbara, but I am trained also to think of those skills as a last resort. There is no human conflict which cannot be served better with words than with the sword.”

Her greatest tools are not her lasso or gauntlets, but reason and compassion. Violent force is her last resort; while her use of violence varies by writer, that was a recurring trait for the best WW writers.

“We have a saying, my people. Don’t kill if you can wound, don’t wound if you can subdue, don’t subdue if you can pacify, and don’t raise your hand at all until you’ve first extended it.” —Wonder Woman, Vol. 3, No. 25

Diana may utilize violence when the situation calls for it, but her objective first and foremost is peace. Before violence, no matter what they do to her or what they’ve done in the past, she reaches out. She tries reaching people through conversation, treating enemies and ordinary people alike with kindness, respect, and empathy. Love without discrimination. Redemption and transformation over punishment. 

Cassie adores Diana. She believes in her, and shares many traits. She absolutely believes in helping people, and that protecting another is worth her life. But she’s also inclined toward holding grudges, and often has a very black and white perspective on good guys and bad guys. She has compassion in spades, but has a difficult time putting herself in other people’s shoes. She was always gung-ho for a fight, but after Donna’s death, and the string of losses that follow, she grows increasingly angry and unforgiving in both her heroic and personal life.

I want Cassie to argue with Diana’s nonviolent principles. I want her to struggle with understanding and incorporating this pacifistic view, when violence is so ingrained into her own view of superheroes.

I want her to grapple with Diana’s teachings, and be at war with herself because a bad guy might deserve punishment in her eyes, but that isn’t always the right path to justice.

I want Cassie to act as a diplomat.

I want her to talk villains down, instead of punch first, ask questions later.

In that Titans storyline where she visits Alcatraz and sees the terrible conditions there, I want her to say, “What the fuck is this?” And force a prison reform.

I want her joining Diana on outreach efforts, advocating as Diana does for education and equality, and acting as her liaison.

Just. Stories about Cassie dealing with the teachings of her mentor and the Amazons, whether it’s enacting those teachings or coming into conflict with them.

[odo-apologist]

Smegtober #4: Virtual Reality

The room is sterile, perfectly white walls unbroken by any unnecessary patterns or pictures or posters, the overhead lights blinding in their pure brightness, minimalist metal chairs sleek, hard, and cold, leaving one anxious to stand up and stretch once the session is over, and the wireless suits ready to use and laid out upon tables that are free of any useless clutter. The lifeless atmosphere is even clearer now, with the space emptied of its usual occupants and quiet except for the low hum of electricity.

     It unnerved Kris the first time she was in the room alone, the only student left, but over time, she's grown used to it. It seems you can grow used to any environment if given long enough, even one that feels like it's trying to shut you out, doing its best to make you feel unwelcome.

     Besides, this is the closest Kris has come to what might be called a home.

     She grabs her suit and slips it on. Approaching one of the desks, she pulls out its chair; the squeak of its legs against the tiled floor interrupts the ambiance and echoes through the nearly silent place. Seated, Kris places the headset on and adjusts it so it rests snuggly over her eyes. She brings her hand up to a small switch on the device, near her temple, flips it–

     “Welcome home, Krissy!” Her mother's arms envelope her within a tight, warm hug. She catches a whiff of perfume: a strong scent of jasmine. As she's released from the embrace, she smells the dinner the cook has prepared; it is Christmas Eve and she's in her family home.

     Her father stands in the doorway to the dining room, a mug in hand. “Kristine,” he smiles, “How was this last term?”

      “Well, we got to talk with Shakespeare again after reading Antony and Cleopatra. We saw a recreation of its first performance in The Globe, then we even discussed its accuracy with Antony and Cleopatra themselves! I wrote about it during finals and got an ‘A’ in the course.” She beams with pride as she speaks of her paper. Miss Brody had really praised her for that one.

     “That's lovely, dear,” her mother replies. One of their maids had brought mugs for her and Kris, so she hands one to the latter. “And not at all surprising. You've always been our straight-A scholar.”

     “That's right, Krissy. We're so proud of you!”

     Kris beams brighter. The words make her feel warm in a way the short, hurried messages from home fail to do. Later, laying in bed in her dorm that's been vacated of its other residents for the holidays, this moment will ring as false as it is; she'll feel a faint shame at her indulgence. But that's then and this is now, and dinner is ready to be served. Her father will talk about his latest excavation, her mother will talk about the ads she's working on for a pharmaceutical company or a new energy drink or the most recent model of hoppers, and Kris will enjoy every moment, basking in the glow of honey-yellow candlelight.

     In the classroom, Kris unconsciously shifts in her chair.

[spiderin-space]

Fluff to cure the soul, in the face of oncoming angst….

[planetariumx]

fuuuuck dude the ending of arcane s1 gets me every time it’s so good and the music pairing augh it will always make me insane

[britneyshakespeare]

i'm very interested what ppl find to be the harder shakespeare plays and which they found to be easier. bc i was googling out of curiosity and i found a sparknotes article (link if you're curious) that ranked ten of the most commonly-read plays on difficulty and it put king lear kinda down low whereas it put julius caesar pretty high because of the politics/complicated conflicts. that kind of baffled me because julius caesar was the first tragedy i read outside of the classroom and i found it very approachable; it's one i often recommend to people trying to get into shakespeare because the plot is already familiar to most ppl and you can just enjoy the poetry and how shakespeare chooses to characterize these figures. on the other hand i read king lear a few years later in my shakespeare journey, and to be honest i still kind of have a hard time with lear. maybe i just don't connect with it on some level; i'm not sure. it's not a very tightly-organized play where the action is as centered as in the other tragedies like hamlet or macbeth. that's certainly a me thing and maybe that'll change with age. but i'm always a little surprised when i find someone's experience with the plays so much different than mine.

anyway if you're reading this feel free to reblog and tag or comment which shakespeare plays you found yourself falling into most naturally and which worlds you felt like you had to force yourself into. i'm interested in what ppl feel on this subject

[jencsi]

[stuck-in-the-ghost-zone]

HIII I KNOW. A LITTLE BIT ABOUT ANNIHILATION. PERIPHERALLY. ive seen like part of it but i do NOT remember much. except that its one of the prettiest movies ive ever seen. that being said im so eyes emoji abt ur au..... r there any specific scenes frm the movie ur thinking about?? how would the character dynamics differ from either canon?? etc etc etc!!!

GOD I FUCKING LOOOOOVE ANNIHILATION. ONE OF MY TOP 5 FAVORITE MOVIES OF ALL TIME EVER. yes yes yes yes yes OK. so this is. all encompassing crossover jrwi au which means I'm pulling characters from different campaigns. which. usually im not a huge fan of but i think i pulled it off rlly well in a limited sense here bc i have very specific reasoning behind why i put each character where. u will know at least two of them and they WILL cause you psychic damage so trust me when i say the other ones will too. putting this under a cut bc im gonna ramble

BASICALLYYYYY it's gonna follow the plot of the movie pretty closely just with slightly altered character dynamics + each of their reasons for going into the shimmer. so each person on the Current Team has lost someone on a previous expedition, and basically all of them are trying to find answers for what happened to their loved ones.

im gonna talk mainly about the ones you know because youll understand where I'm coming from the best with them but just know I am OBSESSED w the roles I have put gillion and chip in here. god I miss riptide every day .

DAKOTA COLE AS ANYA. Anya is the retired paramedic !! she's the one that. hold everything. gets killed by the fucked up bear. smile. that was just a fun little coincidence for me . ORIGINALLY I was dead set on having the pd representative be william bc im biased and I love him but after rewatching the movie I just think dakota fits in anyas place so perfectly. she's the most outgoing of the group, she's the one that initially invites Lena to join their team (also side note there is a pre-existing dynamic between dakota and chip because they've had MULTIPLE interactions in various what if crossover episodes and their dynamic is one of my favorite things ever). she's also the most aggressive. she's the first one to snap into action mode after finding the body in the pool, she's the one to take josie away from it and has a very protective stance over josie for the rest of the time after that (this is going to be relevant i am gonna talk about josie next) . once the group starts arguing about whether they want to continue further into the shimmer, anya shifts into a VERY black and white mentality, pinning ventress as The Bad Guy immediately for wanting to continue. and then when Lena shows some hesitancy over what she wants to do, anya snaps into a "youre either with me or against me" mindset. she also has this growing sense of paranoia ever since they find the tape of what appears to be the previous crew killing each other, and after she learns Lena is lying to them about her connection with Kane she goes way overboard with tying them to chairs and threatening to kill them. while i don't think dakota would necessarily go that far I DID say this to jonesy when we were rewatching the movie together so. bfu connecting two dots meme

anyway i think dakota is in the shimmer looking for william AND vyncent. parallels to the "dakota leaves for 10 months without telling them" which is why the three of them would be separated in the first place. william somehow finds out about the southern reach and his draw toward a mystery is what causes him to join the first expedition. vyncent goes with him because he can sense it's dangerous (and basically a suicide mission) and doesn't want william to go alone. I have. ideas. for what happens to them in the shimmer but they are vague at best right now and even then. dakota never finds out what happens to them before he's killed by the bear. the bear uses their voices to draw him out btw. smile. he dies protecting thr rest of the group even immediately after his paranoid breakdown.

OK THAT GOT LONG. OOPS. ONTO THE SECOND ONE

SHILO AS JOSIE. ohhhhh josie radek one of my favorite characters in media of all time. God I love her so much. anyway she's the only one of the current expedition with no previous combat training, so she's often seen by the rest of them as someone who needs to be protected. if I'm remembering correctly she's also the youngest. (in this. au. dakota would be older than shilo. feels better in my mind. none of them would be Kids they'd all be adults at this point but I'd put shilo in early 20s and dakota maybe in mid 20s. so . still young.) shilo is in the shimmer looking for his twin brother who went missing. somehow he was able to track down the southern reach and find out emizel was part of a previous expedition, and desperately wants to get him back. he's the one with the LEAST amount of knowledge going into the shimmer. he doesn't realize it's a suicide mission. he just wants his brother back. anyway when they get to the first outpost they find the remnants of the first team's base of operations, with names on a guard patrol rotation and leftover weapons and. a video camera. with a tape in a plastic bag labeled "for those who follow". josie is the one holding the camera when they watch it. the tape shows members of the previous party in the abandoned pool, one guy tied to a chair while the others cut open his abdomen to show his intestines moving around like snakes or worms. in the movie, the guy who cuts him open is Kane, Lena's husband. the rest of the party doesn't know her connection to kane, and she knows now if she tells them they won't trust her (and is proven correct by this when anya eventually finds out her connection) ANYWAY I'm going off track. sorry this is my favorite scene in the whole movie I get distracted. ANYWAY so when they see this, josie is the most immediately horrified by it because she's the only one who hasn't seen anything as gruesome as that before. for shilo. well. he gets to see the one being cut open is emizel. and then later when they get to the pool and find the body still there (again. josie is the one to find this. she's also the one who reaches down into the old dirty water and accidentally picks up the knife. which was still left in the same place they saw it be dropped in the tape) corpse plastered to the wall by all kinds of multicolored fungus and lichen, I think shilo doesn't immediately break down, he doesn't really. process it right away. I mean it's completely unrecognizable. it's not until he accidentally picks up the knife that it all clicks into place in his mind and he realizes "that thing right there used to be my fucking brother" and completely shuts down. runs out of the complex, dakota has to chase him down because they all know its dangerous to go anywhere alone, etc. after this he loses any sense of purpose, the only reason he came into the shimmer in the first place was to get emizel back and now seeing what happened I think he just gets. hopeless. which is the beginning of the end for him . i haven't decided if his exact death is the same as josies but i want it to be peaceful in the same sort of way. "imagine dying frightened and in pain and having that be the only part of you which survives... i wouldnt like that at all" "ventress wants to face it.. you want to fight it... im not sure i want either of those things...." josie radek i am in love with you. anyway. annihilation pool scene for you because I love this image more than anything

[xthecaptainssaviorx]

[cinammonelles]

Sketchbook is full so here's a little ts sketch dump :>

Bonus Xi Ping I literally don't remember drawing

[enbyjane]

the truth is (a perspective on love)

context: edit based off a personal conversation with @onlineproblems about parental love, unconditional love and the love we deserve bonus: her wise perspective:

more bonus:

[amtrak12]

Man, turning a 31 day prompt fest into a single fic with 31 short scenes is such an interesting way to write a story. Because the prompts are not designed to be told in a single story and do not revolve around proper story beats. And the limitations of the prompts and only allowing myself one scene for each of them kind of causes the story to be speed-run. Like it's very fast paced and sort of surface-level overview, and I lean into that by using present tense instead of my usual past tense. And yet the story is also much longer than it appears to be when you're writing such short individual scenes, because 31 scenes of ~500 words is still over 15,000 words! It's also difficult to judge if the scenes flow together alright or if the story is enjoyable when read in its entirety -- but that might be because I'm still in the middle of writing it rather than because of the story format.

IDK, all in all though, it's a really interesting way to tell a story.