#this is my own speculation and what I know from reading other posts

[nightwingsgypsyrep]

Ok so I’ve been umming and ahhing about making this post for a while. I’ve always kinda planned on it, but seeing these tags on a previous post of mine (no hate to this user) made me want to post something now. It’s also gone 3am. So it’s not really going to be very clean and tidy, and will probably be a bit rambling, but I can always post a ‘tidy’ version another time.

So! Tackling Dick Grayson’s Romani/GRTSB heritage (warning: it’s a long one)

So, as usual, a few disclaimers: 1) I am not American. 2) I myself fall under the GRTSB umbrella - for clarity, I am from the fairground/circus so a Showman, but my family were simply ‘gypsies’ before getting involved in that in the Victorian period, so I use gypsy/traveller/Showman for myself. I also speak Romani and grew up in the culture and on the grounds. I’m not just talking out of my arse, I promise. 3) I do not pretend to have read every comic. However, this post will be based in things which DC have published (yeah I know it gets retconned every two minutes but hey, I’m working with it), even if some of it is more speculative/Headcanony, it will all be canon-compliant/what makes sense based on my own experiences. 4) That being said, everyone who does in some way fall under the GRTSB acronym will have different experiences and opinions, and all are equally valid and should be respected. 5) I use the term ‘gypsy’ a lot. Where I am from, it is not a slur, but is used almost a catch-all phrase for GRTSB people, by us. We also see Dick use it so I’m going to. I personally don’t mind if people use it (so long as they don’t use it as an insult) but not everyone will feel that way, so it’s always better to ask individuals. 6) this post is intended as a fun exploration of a character whom I relate to based on our shared heritage (when it’s really rare to find characters like that). I’m not trying to dictate to you how you should interpret Dick’s character. You’re welcome to different opinions and interpretations - this is just one of mine! :)

So, first, what is GRTSB? Well, it’s an acronym which covers all aspects of the gypsy/traveller umbrella. It is used in British legislation. It stands for Gypsy Romani Traveller Showman (aka fairground and circus) Boater. Under British legislation, only the first three (Gypsies, Romani, and Travellers) are considered an ethnic identity, whilst Showmen and Boaters are considered a cultural identity.

This is absolutely FULL of problems and has been hotly debated for years, with different people identifying in different ways. People who share the same/very similar ethnic heritage (i.e. siblings, or cousins) can have completely different points of view on what they identify as. As such, don’t take it as gospel - it’s more of a guideline than anything. Especially since a) these groups often intermarry, meaning that someone can be multiple at once; b) if a Showman stops travelling with the fair and settles, they don’t become a non-traveller, because it’s in your blood, not just a job; c) people can trace their heritage back past a particular group - e.g. my own family (circus and fairgrounds aka Showmen) can be traced back to at least the 1600s, before fairs were really a thing - at the time, they simply identified as gypsies. They didn’t stop being gypsies just because they changed their job/founded a circus/fairground. As such, many in my family identify primarily as a gypsy or traveller, and a Showman secondarily, whilst others do the opposite, or identify as just a Showman or just a traveller/gypsy. Like I say, this classification is not perfect, and is hotly debated, especially at the present time.

So, now, onto the subject of Dick Grayson. I included the tags above mostly because of the ‘tell me you don’t know a character without telling me you don’t know a character’, because, firstly, rude. secondly, the poster makes reference to the Golden Age. And yeah, obviously DC aren’t going to make reference to Dick being a gypsy in the Golden Age - do you really expect writers in the 40s to care enough about the nuances of a character’s ethnic heritage, especially a gypsy, at a time when it was still common even in countries like England (where legal segregation wasn’t a thing) to have signs on pubs like ‘no blacks, no Irish, no dogs, no gypsies’ - btw we still get those occasionally? However, if we look at the comics which have been published in the eighty five years since Dick’s debut, we see a lot of references to Dick having Romani/GRTSB heritage. Again, I’m not well read, but in Grayson’s run, at least, we do see Dick speaking Romani and self-identifying as a gypsy (Nightwing #91 btw). So I’m sorry but it is definitely canon that Dick has at least some Romani heritage (since Romani, by culture, is not taught to non-travellers on purpose, and is thus only passed down from parent to child. Hell, even some of my cousins who are half gypsy - Diddakois - don’t know the language!), and the fact that he speaks it and IDs as a gypsy does suggest that this is something important to him and his character. I know that being a gypsy is certainly a big thing to me (with how the world treats us, you have to be proud of it and have it be important to you to make it worth it).

So now we come onto the second part of my rant: wtf is going on with Haly’s Circus.

So, an important bit of context is, what makes a gypsy a gypsy? And the answer to that, in my opinion, is a mix between culture and blood. You can’t be a gypsy (unless in circumstances like adoption) unless you have both. What I mean by that is, if you’ve got one gypsy great great great grandparent, but weren’t bought up with the culture and morals, you have gypsy heritage but are not a gypsy. However, if you are a gypsy and you decide to settle down in a house, work in an office, and never speak Romani again, you are still a gypsy. Similarly, if you suddenly decide to take on the gypsy lifestyle (maybe work on the fairgrounds or in the circus, or go travelling like the New Age lot), you are not a gypsy, because it’s not in your blood - hence why it’s an ethnicity, not a cultural thing really. As such, it is common for there to be a us vs them mentality even with those working on the ground - you have the gypsy/traveller/Showman who tends to own/run things, and then you have hired non-GRTSB staff (traditionally called chaps, but this has fell out of fashion in recent years).

Now, I make this distinction because Haly’s Circus is really odd in that regard.

Most gypsy (or Showmen - like I say, it can be both at the same time) ran circuses and fairs tend to be family affairs. For example, it might be John Doe’s Circus on the tin, but the Smith family (which Mr Doe’s sister married into) will often work with and alongside the Does in the running and operating of the events. Largely, this is on an ownership level, with various relations then owning the surrounding supporting elements (e.g. sideshows, fairground rides and joints, food kiosks). Other family members might then help ‘mind’ the stuff, or you can hire non-GRTSB staff to help.

Now to draw on my own family history: historically, in the Victorian period, etc, it was common for the gypsy family who owned the circus to also perform in it. For example, in my grandfather’s circus, my grandmother was a lion tamer and equestrian performer in parades. They did also hire non-traveller performers, but there wasn’t such a distinct line. However, by the 30s approximately, this had changed to be a more managerial role, with it being more common to have purely hired performers in the main event. The exception here was for sideshows and fairground rides - it is still common today for these to be ran/worked by GRTSB people (e.g. my grandmother did the dookering - fortune telling - and my grandfather did the boxing; today, we still run and operate the rides and kiosks).

However, we know that Haly’s circus was not like that. We honestly don’t know if Haly was a gypsy or not. Also, usually, gypsies have such big families and are surrounded by them, but we know that the Graysons died with no living family (no William Cobb does not count here) and had no relation to anyone at Haly’s. I suppose if you want a canon answer, you could point to how Haly’s was used by the Court of Owls, but it could just be Like That. This is unusual but not unheard of, but still worth pointing out I think. Alternatively, it could originate from one of the non-GRTSB started circuses which were popular around the turn of the 20th century. Since being a gypsy is really tied to your family name and, ethnically, means you have to be born into it - you can’t just start a fair and claim to be one-, even 120 years later, these families are still met with scepticism - they could marry into a 100% gypsy family in 1901, and have all of their descendants do the same, and still the older generation would look at their surname and scoff and say they’re not a real traveller because that one great grandfather 100 years ago was not a born-and-bred traveller. But honestly, I think 100 years is enough to integrate. So, to summarise, Haly’s circus is quite unusual in that it does not appear to be operated by only gypsies/Showmen, even if it still common for circuses not to be performed in by just gypsies.

Now, to answer, how Romani is Dick Grayson?

Like I say, canon does explicitly tell us that he has Romani heritage, placing him firmly within that second category of the GRTSB acronym (and he also identifies with the more general Gypsy identity). However, it’s frankly unlikely that the writers really went in depth with the whole GRTSB thing, so I think we can tentatively suggest that he might have also identified (keyword here being ‘might’ - this is more canon-compliant HC here y’all) as a Showman (called a Carney in the US) because the whole deal with being a Showman is the circus/fairground aspect (but, like I say, it is still a ‘gypsy’ identity as you must be born a Showman, you can’t just sign up, because it is based on a mutual gypsy heritage which predates fairgrounds/circuses, which means it still fits into what we know of Dick in canon. As such, Dick being a Showman is hardly canon, but it is 100% compliant with what we know of Dick in canon). As I’ve said, they are not mutually exclusive. He could ID as both or either, or just prefer the all-encompassing ‘gypsy’.

Now, we also know that Dick is not 100% gypsy (but tbh who is nowadays? I have two non-gypsy great-great grandfathers). Although Dick’s family history is limited, we know that his great grandfather William Cobb was likely not a gypsy (he could be ethnically, it’s not ruled out, he might have just settled, but let’s go for safety’s sake here and just say he’s not). Similarly, his partner was from a wealthy non-gypsy family, meaning that ethnically, their baby (John Grayson’s father) was likely not a gypsy (though could potentially have been a Diddakoi aka a half-gypsy, if we believe William Cobb to be a settled gypsy). However, since this baby still grew up amongst the circus, it is not impossible that he ended up marrying a gypsy, which would make John Grayson half gypsy - aka a Diddakoi. In fact, I would argue that it is even likely, owing to the fact that Dick speaks Romani, and the fact that Romani is only taught to other members of the family, meaning that somewhere in the Grayson family, a Romani speaker had to be introduced. Mary Grayson (formerly Lloyd), on the other hand, probably was Romani/GRTSB herself. I say this, based mostly on her closeness with the OG Richard aka Raptor from Seeley’s run, who was Romani, and the fact that it is really common in gypsy circles to mostly mix with other gypsies, meaning that it would make sense for the pair to meet based on the fact that they were both gypsies/Romani. Therefore, I would argue that even if Dick is not wholly Romani/gypsy ethnically (but, like I say, who is nowadays?), I think there is enough both blood and culturally to make a pretty good case for him IDing as such, and foregoing the need to make any distinction. (Also, especially nowadays when Diddakois are increasingly more common, it’s not even that prejudiced to be a Diddakoi. A lot of my cousins are and you don’t even think to mention it). Aka. He’s a gypsy. Nuff said.

Then, I suppose, the final thing I’ll address is the ‘whitewashing’ issue, or, what I really think is a non-issue.

Sure, a lot of ethnically Romani people are dark skinned. There is a reason why the term gypsy exists. Now, as my grandad will tell you, gypsies originated from Northern India about 2000 years ago, before moving into Europe. However, a lot can happen in 2000 years. There are a lot of people in the UK, at least, who identify as purely Romani who have very pale skin. My family has a real split: my dad’s side of the family is quite dark, and are often mistaken for being South Asian in the summer due to how dark they get when they tan. Meanwhile, he refers to my mother’s side of the family as being ‘poxy and pasty’. My mother is a full-blooded traveller btw, same as my dad (barring their singular non-gypsy great grandad they each had). You just can’t paint everybody with the same brush. Take me for example: I am pale af and take after my mum’s side of the family, but I’ve still got the stereotypical dark curly hair and blue eyes of gypsies (which my boy also shares). Genetics are weird. So whilst I am a big fan of dark skinned Romani Dick Grayson, it’s also still ok and accurate for him to be paler. This does not make him any less Romani. (Like I say, this is all based on my experiences in the UK).

SOOO… TLDR:

Dick definitely has Romani heritage. This has been canon for decades and cannot be taken away from him.

He canonically self-IDs as a ‘gypsy’ (as well as the Romani heritage), and may also be interpreted as being a Showman (even if this is more of a European term) if you want to see him that way, especially since a lot of Showman families (mine included) can trace their families back past the origin of the fairground to when they simply identified as gypsies or Romani (hence why Dick might ID as a gypsy with Romani heritage. Honestly, this is mostly in the realm of canon-compliant Headcanon now)

The GRTSB classification system is a mess y’all and everyone has a different opinion. Just roll with it and don’t get into the debates is my professional opinion.

Being Romani/a gypsy/a traveller/a Showman is something you are born into. You can’t just become one, or stop being one. So, if we presume that William Cobb had no Romani heritage/was not a settled-down Gypsy, even after he joined Haly’s he did not become one. It really is in your blood, and is tied to family.

Haly’s circus is unusual because it’s mostly not a family affair (though points for the Graysons sticking with it and inheriting their roles - that is realistic!). It’s unclear how many of the members of the circus are Romani.

Dick also has non-traveller heritage due to the William Cobb thing. His grandfather, at least, was probably not ethnically Romani (though he might have been half if we want to view William Cobb as having Romani heritage/being a settled gypsy). However, since Dick canonically has Romani heritage, IDs as a gypsy, and speaks Romani (a language which is closely guarded amongst gypsies), it had to come in somewhere. Honestly, I think we can comfortably view him as being at least 3/4 ethnically Romani/a Gypsy, but also since modern Dick Grayson was not born during prohibition, this really isn’t a problem as it’s really common for Diddakois (half gypsies) to be treated as full gypsies nowadays.

As much as I love darker skinned Dick Grayson, it’s not a requirement. A lot of the GRTSB community (especially in Western Europe/Britain/Ireland) are on the pale side. This does not take away from their identity.

So that’s my rant. It’s like 3.30am so it’s probably a complete mess but hopefully it gets down the basics, at least insofar as it relates to my experiences and understanding as a gypsy from the fairground/a circus family. People will probably have different experiences (especially since I’m in the UK). Although I have based all of this on canon, and as such it should all be canon-compliant to my knowledge (I’ve still not read all the comics!), it is also equally based on my experiences, so you may interpret it completely differently. The beauty of Dick’s character is that he has been built up over 85 years, and as such, we have to do our best to interpret what was laid down in the Golden Age by writers with no idea of what Dick’s character would grow to be. As such, canon really is a bit of a sandbox, and this is my own go at it!

If anyone has any questions/wants clarification/notices any obvious contradictions with canon since I’ve not read them all yet, please feel free to point it out! This is not intended to be a lecture/call out post/dictatorship on how you view canon, just a small exploration of my interpretation of a character whom I relate to as a Romani speaking gypsy from the fairground/circus myself.

[bekolxeram]

A whole day late to @bucktommyfluffebruary's day 1 prompt: non-sexual intimacy. Inspiration strikes suddenly, what can I say?

You can also read it on AO3.

Golden Hour

rated G | 1027 words

“Morning, team!” Buck walks into the firehouse with an extra bounce in his step, looking the most carefree he’s been for months.

“What got you so… woah,” Hen begins questioning, but stops in the middle of the sentence once she fully turns around and takes a good look of her strangely jovial co-worker.

“What’s wrong? Is there something on my face?” Buck instinctively touches his face in response to Hen’s reaction. He has a hard time deciphering her expression; She seems… surprised, astonished, but at the same time, shocked, and confounded.

“No! Not really. You seem… happier,” Hen puts on a reassuring smile, “but the bags under your eyes seem like they came straight from the Milan Fashion Week, and your hair looks like you’ve just rolled out of bed.”

The entire 118 bore witness to Buck’s post-Tommy heartbreak. Yes, he obsessively checked his phone and got addictive to baking, maybe he let his stubble grow out a day or two more than it should, but he never, ever, neglected personal hygiene or grooming. He always made sure to dress like a functioning member of the society before heading to work, what happened outside of shift was his own business.

“I used to know someone like this at school,” Chimney joins in. “His girlfriend dumped him just before summer break. Then he came back to school looking like a hobo, but at the same time, happy as the Buddha. He told me he went on a trip to discover himself.”

“But Buck was with us last shift, 48 hours ago. What life-changing destination could he have gone to in such a short amount time?” Hen furrows her brows in confusion.

“By trip, I mean an acid trip,” Chimney snickers, then he turns to face Buck in chorus with Hen, waiting for an answer.

“I can assure you, I’ve never taken any mind altering substance before coming to work. That would be irresponsible!” Buck objects, attempting to halt this dangerous speculation at once.

Just as Hen and Chimney are about to interrogate further, Eddie chimes in while slowly sipping on his coffee, “Buck and Tommy are back together without telling us.”

Gasps, then cheers fill the room.

“Wait, how? Did Tommy tell you?” Buck asks.

“No one told me anything,” Eddie takes another sip from his mug, “I can just tell, from your hair.”

“What’s wrong with my hair?”

“Oh! Yeah!” Hen’s whole face is lit up by her realization, “the hair thing, right?” She vaguely gesture at her head.

“Exactly.” Eddie snaps his fingers at Hen.

“What hair thing?” It’s now Buck’s turn to be utterly confused.

“I don’t get it either,” Chimney turns his attention to his brother-in-law. “Is Tommy bad at picking shampoo? Or hair product? Can’t you just bring your own?”

“Um… I don’t know.”

“You’ll get it once you’ve spent enough time with them,” Eddie sighs.

“I’ve spent plenty of time with them. One is my oldest friend, the other is my brother by marriage!”

“With both of them together, as a third wheel,” Eddie adds.

Chimney grimaces. “Ugh, no! Is it a sex thing?”

“It’s appropriate safe in public,” Hen clarifies, “as long as you don’t find two people of the same gender being in love inappropriate.”

“Oh, okay,” Chimney nods in understanding, “but, what about the bags under your eyes?”

“Um… Tommy and I…”

Buck’s interrupted by Eddie.

“Stop. That one’s definitely a sex thing.”

It takes Chimney another few months to figure out what the “hair thing�� actually is.

Buck and Tommy have been invited to dinner at the Han’s.

The four of them were anxious about the possible awkwardness, but Chimney and Tommy settle right back into their old buddy dynamic once the conversation starts flowing.

“I think you two fixed my brain when you showed up all sooty at the hospital. I was groggy all week, but connecting the dots that you guys had been making out? That was the first time I felt like I could finally think clearly,” Chimney recounts his experience coming down with viral encephalitis, and marrying the love of his life at a hospital.

“A hospital, what is it?” Tommy asks, barely containing his giggle.

“It’s a big building with patients, but that’s not important right now,” Chimney bursts into laughter in unison with Tommy by the time his finishes his sentence.

“Um… What’s the joke?” Maddie asks, while both Buckley siblings frown, seemingly puzzled.

“Airplane! The greatest comedy movie of all time!” Chimney exclaims.

“And the most quotable,” Tommy supplements.

“Neither of you have watched Airplane? Tommy, you didn’t introduce your man to the most influential film in your life?”

The Buckley siblings shake their head.

“Alright, we’re watching it after dinner.”

Chimney has seen Airplane! countless times before. The simple, sometimes childish humor of this classic has been his go-to for years whenever he needs a pick-me-up.

He may have the ability to recite the entire movie from start to finish, but the source of the enjoyment now comes from watching his friends and loved ones’ reaction to this comedic masterpiece, to experience the amusement and wonder anew from their fresh eyes.

“We have clearance, Clarence.”

“Roger, Roger. What’s our vector, Victor?”

Chimney turns to focus on the viewers’ reaction, instead of the screen.

Maddie’s almost crying with laughter, while shoving a few kernels of popcorn into her mouth. Popcorn with butter and pickle juice, the exact snack she’s been craving.

Buck, on the other hand, is laying his head onto Tommy’s shoulder.

And Tommy, he absentmindedly anchors his hand into Buck’s hair, and ruffles the curls around.

Chimney himself would gladly push off whoever dares to touch his carefully styled hair, but Buck’s happily leans into his boyfriend’s touch.

“Is that correct phraseology in aviation?” Buck beams at Tommy, half flirting and half genuinely asking to satisfy his curiosity.

“Yeah, more or less. That’s why it’s a classic,” Tommy gazes back at Buck softly, hand still messing up the younger man’s hair.

Buck shows his dimples, nestles his head at the crook of Tommy’s neck, and continues watching the movie.

My brother is in good hands.

Chimney tells himself silently.

[wonder-worker]

Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.

Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].

The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.

[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."

-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry", Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture

[driverlando]

✧.* BABY PIASTRI

synopsis - in which everyone speculates whether you and Oscar have had your baby or not (Oscar Piastri x Wife/Model!reader)

before you continue: pls reblog and follow if you enjoyed! my requests are open, pop in anytime <3

—

yourusername

liked by oscarpiastri, charles_leclerc and 113, 368 others

yourusername baby daddy 🤤

view all 1,598 comments

yourfan1 HAVE YOU HAD THE BABY???

↳ yourfan2 Right?!? We NEED Confirmation!!!

↳ oscarfan1 you don’t need anything. let them set their own pace

landonorris that smirk tho

↳ yourusername so hot right?

↳ landonorris the hottest

oscarfan2 the anticipation is killing me! is it a boy or a girl?

—

oscarpiastri

liked by yourusername, landonorris and 758,892 others

oscarpiastri baby mama 🥵

view all 2,456 comments

oscarfan3 she doesn’t look pregnant there 👀

↳ yourfan3 let’s not speculate on a woman’s body thanks

oscarfan4 what’s the baby’s name? 🥰

yourusername I love you!

↳ oscarpiastri I love you more 😘

↳ landonorris stop being so cute im going to throw up

yourfan5 name a prettier woman

↳ yourfan5 that’s right, you can’t

gigihadid pretty girl! 🫶

—

—

oscarpiastri

liked by yourusername, bellahadid and 924,668 others

oscarpiastri dad life 😎🐥

view all 3,456 comments

oscarfan5 babe wake up, we got confirmation on baby piastri!!

yourfan6 congratulations!! so happy for yall

charles_leclerc seems like a nice life

↳ oscarpiastri it’s the best, I recommend 😉

yourusername my sexy man ����

↳ yourfan7 y/ns ready for baby number 2 by the looks of it 😂

yourusername also THIS was your idea?

↳ oscarpiastri It did the job right? Everyone knows we’ve had the baby now 😃

↳ oscarfan7 I have a feeling y/n won’t be trusting Oscar with any future announcements anymore 😂

landonorris urm photo creds?

↳ yourusername I should’ve known you’d help him with his plan 😂

—

MODEL Y/N AND OSCAR PIASTRI ANNOUNCE BABY ARRIVAL IN HILARIOUS INSTAGRAM POST

The speculation is over! After weeks of swirling rumors and eager fan speculation, F1 sensation Oscar Piastri and supermodel Y/N have joyfully confirmed the arrival of their first child. The couple, known for their playful and private relationship, took to Instagram in true Oscar fashion with a post that left fans both laughing and overjoyed.

In a post that quickly went viral, Oscar Piastri shared a snapshot that epitomizes his unique sense of humor. The photo features Oscar reclining in an ice bath, looking every bit the doting father surrounded by a collection of bright yellow rubber ducks. The cheeky caption read, “Dad life 😎🐥”, a perfect blend of coolness and whimsy that fans have come to expect from the Australian racing star.

The image, posted late last night, immediately sparked a flurry of congratulatory messages from fans and fellow celebrities alike. Followers were quick to point out the cleverness of the reveal, with many applauding the couple’s decision to maintain their privacy while also sharing their joy in such a lighthearted manner.

Y/N, who has been relatively low-key on social media during the pregnancy, reposted the image on her own Instagram story, adding a heart emoji and the simple caption, “Our little duckling 🐥❤️”. The subtle, sweet addition was enough to melt hearts around the globe, cementing the couple’s place as one of the most adored pairs in the celebrity world.

The announcement comes after months of speculation, as eagle-eyed fans had been piecing together clues from Y/N’s and Oscar’s social media posts and public appearances. The couple, who are high school sweethearts and got married last year, have always been somewhat private about their personal lives, often dodging direct questions about their relationship in interviews. Their decision to keep the pregnancy under wraps until now has been met with a mix of curiosity and respect from the public.

The lighthearted and unconventional nature of their announcement has only endeared them further to their followers. “This is peak Oscar,” one fan commented. “Only he would announce becoming a dad with a bunch of rubber ducks. Love it!”

Fellow F1 drivers were also quick to react, with many taking to social media to congratulate their colleague. Lewis Hamilton posted a series of laughing emojis and the comment, “Mate, this is brilliant. Congrats!” Meanwhile, Sergio Pérez shared the post on his story, adding, “Welcome to the club, Oscar! So happy for you and Y/N.”

Y/N’s friends from the modeling world also chimed in with their well-wishes. Supermodel and close friend Gigi Hadid commented, “So happy for you both! Can’t wait to meet the little one 🐣❤️.” Other notable names like Kendall Jenner and Hailey Bieber also left congratulatory messages, highlighting the couple’s wide circle of supportive friends.

While details about the baby’s name and gender remain under wraps, sources close to the couple suggest that both mother and baby are healthy and doing well. It’s been reported that the couple is currently enjoying some much-needed family time away from the public eye, focusing on bonding with their new arrival.

Oscar Piastri’s journey to fatherhood marks another exciting chapter in his already impressive career. The 23-year-old has been making waves in the Formula 1 world, known for his fierce competitiveness and undeniable talent on the track. His personal life, however, has remained a refreshing blend of humor and humility, as evidenced by this recent announcement.

Y/N, who has graced the covers of countless fashion magazines and walked the runways for top designers, has also been balancing her career and personal life with grace and style. The couple’s shared values and mutual support have made them a power duo, both in their professional and personal lives.

As the news continues to spread, fans eagerly await more updates from the couple, hoping for a glimpse into their life as new parents. For now, the iconic ice bath photo with its playful rubber ducks will remain a delightful and heartwarming reminder of this special moment.

In a world often dominated by glitz and glamour, Oscar and Y/N’s announcement is a breath of fresh air, reminding everyone that sometimes, the simplest and silliest moments are the ones that matter the most.

Congratulations to the happy couple on their new adventure into parenthood!

—

[tagidearte-spam-sb]

The Daycare Attendant and Their Dialogue

A little ramble on some of the things I've noticed about their ways of speaking. This post ended up being predominantly about how they refer to one another. Most of this is speculation mixed in with my own views on them and their relationship, without discarding some other possible alternatives (for instance, although I do view them as two AIs that heavily rely on each other to function properly, I do not cast aside the interpretation that they are the same person).

(note: although I have played SB and Ruin, I did not play HW2 myself. All I know about that game has been through let's plays).

Sun is, obviously, the chattier of the two. Not only are his sentences longer, he speaks more of them in a row than Moon does - in fact, we only see Moon going on and on in Ruin (which we will discuss later).

Both of them use a lot of repetitions when speaking. From their infamous "clean up, clean up" line, to Sun's panicked "you like glitter glue? I have glitter glue!" and "light's on! Light's on! Keep the generators on!", to Moon's "hidey hide, hide away" and "bad children must be punished. Bad children must be found", "knock knock", etc. One of the first things Eclipse says is also a repetition ("warning, warning"). They appear to occasionally rhyme their words too, or at the very least use similar sounds in their sentences. This is a robot that works with young children, so it's not surprising.

On that same vein, their main insult to misbehaving children (and employees... or at least Cassie's dad) is also a repetition: "naughty, naughty" (which turns into "naughty boy" for Gregory), "rulebreaker, rulebreaker", and "bad kid, bad kid". In fact, it appears they repeat words more often when they're mad/stressed (Sun's no no nos, Moon freaking out in Ruin). Taking into account they get mad pretty easily when things don't go their way, it's not surprising we hear it so often, but it's neat.

Although both of them speak in an almost song like manner, with Sun's run on sentences flowing well between one another, Moon is the one where this is more evident due to how much shorter his lines are.

Moon is also the one who speaks in a more childish manner. Not only are his phrases shorter, he doesn't articulate them as much as Sun does, and seems to prefer shorter words and sounds, especially giggles. This makes Sun appear more developed. Key word being appear.

Sun tends to speak as if he's entertaining a crowd, doing his best to keep the attention on himself while trying to keep it fun. This is most evident in his level explanation parts in HW2, but it's also clear in SB. In Ruin, this is absent for... obvious reasons.

Both of them are somehow direct in their way of giving orders/saying what they want to do. When they can't be direct, they find workaround truths in order to conceal what they truly want to say, while keeping the main order clear (such as Sun saying the player will hurt their eyes if they work in the dark and ordering them to keep the lights on, rather than saying Moon will kill them so keep that room bright. Direct, but nicer).

Not at all important to FNAF speech lore but I think it's funny: Sun says the infamous Vanny line during the daycare intro section. "Are you having fun yet? (Are ya, are ya?)". 0.5 seconds after Gregory just stands there, which coincidentally is what Vanny does 0.5 seconds after Gregory gets into a vent (numbers exaggerated). I don't know. I just think it's funny. Replaying the daycare section after hearing Vanny yapping that line non stop gave me flashbacks.

The way they refer to each other and the pronouns they use are an entire thing, so let me separate it in two parts.

So that this post doesn't become scrolling hell on the tags, I'll keep it below the read more line:

Sun

Sun is the one who refers to himself the most. He frequently uses "I" or "me" when talking about himself, and does it way more often than Moon. Examples of this are "I have glitter glue!", "I'm stuck in a nap", "it really speaks to me", "I feel dumber just looking at it" - you get the point by now. The reason I'm going hard on this point is to contrast his way of speaking to Moon's.

When it comes to him referring to Moon, we only ever hear it twice. In HW2 he says "He'll wake up if the lights go out!". In Ruin, he says "Not me, the other me!". Besides those two voice lines, he merely alludes to Moon without ever mentioning him by name or by pronouns (such as when he says he'll turn the lights off himself, implying he'll let Moon deal with you, or when he says you can't work in the dark and instead of saying the real reason as to why, he cuts himself and goes "You'll- hurt your eyes if you work in the dark").

This is interesting for two reasons: one, we only see him directly mention his counterpart when he's in a ruined state (the HW2 voice line comes from the mask off section, when they're broken down. At least I think so); two, he simultaneously views Moon as separate from himself ("he'll wake up") and as a part of himself/another side of himself ("the other me"). You can take that as them really being the same "person", or as a reflection of their complicated body sharing situation. Take it as you will.

As far as referring to himself and Moon at the same time, he only does it in Ruin when he states "We need to be whole".

Moon

The way Moon structures his sentences means that he seldomly actually refers to himself directly. For instance, he doesn't say "I will find you" or "I will punish you", putting himself as the subject of the sentence. Instead, he puts others as the subject, wording it as "Bad children must be found" and "Bad children must be punished". This is consistent across all of his voice lines except one... Well, technically two.

To get it out of the way: there's a deleted voice line where he says "I'm putting you in time out", a line he and Sun share and which worked the same way the clean up one does - them saying the same thing, a push towards them being the same person ordeal.

The only in-game time he refers to himself directly is in Ruin. This line is also the only time he refers to both himself and Sun as a duo. This line is also the longest line of dialogue Moon has.

"(groaning noises) Naughty! Naughty! Make it stop! The light makes us hurt! Grind Grind! Grinding gears inside my head! We can't move. Error! Error!"

This line, much like Sun's, is interesting for various reasons. Even though Sun is no longer with him (being stuck in the VR world and separate from Moon, shown by how Moon can't move because the lights are on but his body can't shift into Sun, so he's completely stuck), he first refers to himself as a "us" - adding Sun into the mix. Then he refers to himself alone, "my head" instead of "ours", before going right back to a plural.

We can assume one of three things here: one, Moon refers to himself as a we more often, adding Sun into the mix, a complete opposite of his counterpart who typically speaks in singulars; or two, Sun is not as absent as he appears and in that moment he is in fact with Moon, just stuck on the passenger sit, hurting alongside him; or three, this is merely an effect of this being in the Ruin DLC where the whole point of the daycare section is to fuse Sun and Moon into the Eclipse, so the writers decided to bring the point home further. If you have more options, feel free to add them.

Side note: This voiceline also shows Moon's speaking patterns pretty well. Putting "the light" as the subject instead of "we/I", the rhyming, the repetition, the clipped sentences compared to Sun's endless ones, the noises, the scratchiness, the vague childlike mannerism... All ending with "we can't move", way more straight to the point, said right before he freezes up, which deviates from the "other subject first then me" rule due to the pain tearing through him at the moment.

Moon does not call Sun "the other me" or anything similar in any of the games. He never refers to Sun as if he too was Sun. However, we can assume his view on their situation probably mirrors Sun's - being in the same body and all -, so take it as you will.

And as for Moon referring to Sun as a separate individual... He does not refer to him as a "he". Instead, he actually mentions his counterpart by name, saying "No more Sun". Meaning he's the only one of the the two that has canonically used his other side's name. I think it's interesting how the least chatty one is the one actually calling the other by name and not the other way around. And yes, you can say it's a way of speaking and he's referring to the concept of the sun rather than saying his name, but taking into consideration Sun never utters the word moon, I'd say it's still quite a big thing.

In my headcanon land, due to the happenings at the Pizzaplex, Sun is probably too embarrassed and mortified to even mention Moon. Moon, on the other hand, has no reason to have such troubles besides hating Sun for (in his perspective) keeping him locked in a prison of light. So for me, it makes sense we never see Sun saying Moon's name, and it makes it more impactful when he actually acknowledges Moon as the other me rather than a he.

Eclipse

I lied there's three parts.

Eclipse has very few voice lines. The only one that matters here is "We need to clean this place up before we can open in the morning." This is pretty straight to the point: Eclipse, unlike Sun and Moon, doesn't use an "I". They immediately speak in the plural. They do not view themselves as just Eclipse, but rather as both Sun and Moon combined, at the same time.

As for the DCA being two AIs or one... in Ruin, Sun thanks Cassie after Eclipse is activated. It's left ambiguous. You can say Sun speaking afterwards proves they're not one and the same, "with the Sun and Moon AIs still running separately somehow", or you can assume Eclipse existing doesn't mean Sun and Moon can't keep doing their thing under safe mode, albeit in a less chaotic manner, allowing Sun's voice to come through but not making him any less Moon - he is Moon, he is Sun, and they are complicated yet very simple.

I believe in whichever version is more convenient at any given time, with a preference for "two codependent AIs" given what the games show us. Although, going by everything I collected here, the only theory I believe to just not be supported by canon at all is the one with Eclipse as a separate thing all together. Eclipse refers to themselves as a "we', not an "I". Eclipse activates when you make Sun and Moon "whole". It canonically makes no sense for Eclipse to be a third thing. (Please remember this is a post about what's in the games, the canon of FNAF. AUs and fandom or whatever, you do you).

That's it. Hope you enjoyed my rambling. Uh artblog unpaid promotion @tagidearte thank you for making it this far.

[gotta-winwin]

OT13 Reaction -- to you having a fan account

SCOUPS:

he finds it so incredibly adorable that you have a fan acc dedicated to them. he follows it from his burner acc asap, adding it to his list of accs he checks daily. is so surprised when he finds out that he's actually been following the account already, having been using it for updates on seventeen. amazed to know you're the one behind @ svtfanclub.

JEONGHAN:

teases you about it every chance he gets. he insists you're sooo obsessed with him and everything he does. you have to start second thinking everything you post about him, knowing even the smallest thing might set off a firework of omg you're sooo in love, at least hide it better. ik, ik, you can't help it. i'm irresistible. smirks when he sees you typing on your phone, fingers already itching to save the post before you've even posted it.

JOSHUA:

has a dedicated saved folder just for your posts. saves every single one to look back on later. brings them up in daily conversation randomly - you guys could be talking about what to have for dinner and he'd throw in a soooo i saw your latest post, the one with my photoshoot pictures~ turns red whenever he sees you thirsting for him online.

JUN:

singlehandedly turns your svt updates fan acc into a svt meme acc. he sends you exclusive photos of the members whenever he can, urging you to turn them into memes and to post them. cackles reading all the comments and only ever sends you good pics of himself. he refuses to be caught lacking.

HOSHI:

remember when hoshi spammed weverse with horanghae? he will 100% steal your phone and do that on your fan acc. accidentally stirs up speculation about whether or not you know hoshi or if you're trolling your followers. insists you post one photo of him a day, resulting in the acc being more of a hoshi shrine than a svt fanpage (oops.)

WONWOO:

lowkey impressed how routinely your updates are despite your busy life. he's a little embarrassed by some of your more....enthusiastic posts, but he appreciates the amount of love. ends up adding the acc to his phone so ya'll can run it together. he handles all the nomination updates and real other stuff - allowing you to spend your time posting more fun content about the members.

WOOZI:

doesn't really get the point of it. he does his best to understand the hows and whys of running a fan acc, ending up just telling you how much it means to him that you're supporting his work. gives you exclusive mini interviews about his creative process and songwriting, leaving your followers wondering where on earth you're getting these insider info.

MINGHAO:

touched when he notices you have dedicated posts to him and his art projects. scolds you whenever he sees you interacting with haters, reminding you that as much as he appreciates you defending them, violence is not the answer! he's always there to remind you whenever he feels like you need a break for social media, turning off your phone for you and proposing a day out.

DK:

cries as he scrolls through your posts, not being able to take how thoughtful and supportive you are. clings onto you the whole day after he finds out, whispering how much he loves you and how much it means to him. turns on notifications for your posts and smiles whenever he sees them.

MINGYU:

accidentally likes one of your posts thirsting over him with his main acc. panics and deletes it but it's too late - the ever-watching carats have spotted him. sends millions of followers swarming to your acc and he can only shrug when you confront him about it. claims its for media and promotion purposes. sends you exclusive gym pics and thirst traps for you to post - although some of them are too spicy so you keep them to yourself.

SEUNGKWAN:

has that iconic shocked expression when you tell him before taking out his own phone and showing you that surprise! he has one too. the two of you now sometimes coordinate your posting times and interact with each other in the comments. he will tsk with disappointment if a post doesn't met his standards. competitive ass turns it into a competition.

VERNON:

he's not surprised. you seem to know like everything about seventeen already, so it's only natural you help inform other carats! he'll send you trends he thinks you should incorporate into your acc and provides you with behind-the-scenes pics. gets you vip access to any event so you can grab those up close shoots of him and his members - nepo baby(?) at its finest.

DINO:

his ego is boosted to the max when he finds out. loves that you found a way to love him loudly despite your relationship being private. giggles to himself (although he'll never admit it) whenever you post about him and sends your posts into the svt gc for his hyungs to see.

[glossdebut]

PRICE OF FAME | MYG ★ 02

✧ PAIRING: yoongi x fem!reader

✧ SERIES SUMMARY: You were about ready to give up, your career nowhere near what you dreamed it’d be when you started at eighteen, bright-eyed and naive. Reality for you these past few years has consisted of pouting at a camera, ignoring whispers of your name at company events, and ensuring that the stupid, tiny designer purses they keep forcing on you can at least carry a flask. But now, you’re helping a friend in need. For the first time in a long time, it feels like you’re doing something worthwhile with your life. Too bad Min Yoongi, the newest thorn in your side, seems insistent on stopping you.

✧ SERIES TAGS: enemies to lovers, slow burn, angst, smut, fake/pretend relationship (not main couple), rockstar!yoongi, model!reader, guitarist yoongi, singer jungkook, bassist taehyung, drummer jimin, manager namjoon, yoongi & maknae line are in a rock band, reader & seokjin are best friends, yoongi & hoseok are best friends (sope duo ftw), yoongi has a tongue piercing, reader is a brat

✧ CHAPTER WARNINGS: aqua uses her journalism degree to write a fake article, lots of yoongi pov, MC lore drop, extremely brief descriptions of sexual acts, some questions are answered but not many, sope cameo! also seokjin cameo! do you detect a hint of hyyh yoonkook-ism? because you should! EVENTS TRANSPIRE! (see series masterlist for series warnings)

✧ CHAPTER WORDCOUNT: 5.2k words

✧ AUTHOR’S NOTE: damn i always drop early don't i? here's a pre-holiday gift for those of you who celebrate thanksgiving. thank you to tanni @yooniivrse for beta reading SO FUCKING FAST LOL <3

p.s. from here on out updates are going to be much slower. we’re getting to the Real Plot now and i have to use my brain a little bit more. plus i want to make time to write other, shorter things! so be sure to check out my other fics if waiting for this becomes unbearable lol

CH. 02: A HIT IS HARD TO RESIST

Love in the Spotlight: Is "Burn The Stage" Singer Falling for a Scandal Magnet?

It’s the love story that’s rocking Seoul—and leaving fans divided. Jeon Jeongguk, the smooth-talking, chart-topping frontman of “Burn The Stage,” has been the subject of intense speculation after rumors surfaced that he’s been secretly seeing one of South Korea’s most talked about models, YLN YN. And while Jeongguk’s millions of fans would do anything to claim him as their own, it’s YN’s wild reputation that’s making this relationship one to watch.

The dating rumors of the two surfaced online when YN was seen on the balcony at Wasteland during the final show of the Burn The Stage’s world tour. Eyewitnesses claim that after the show, the two were spotted backstage together, sharing a private moment.

While Jeongguk’s image has been polished and pristine despite his rock star persona, YN’s name is frequently linked with controversy. From a string of public feuds with fellow influencers to rumors of reckless behavior, she has garnered a reputation for attracting scandal wherever she goes—a trait at odds with what fans have seen from Jeongguk. So what could possibly draw the two together?

Some fans are already sounding the alarm, warning Jeongguk that dating someone like YN could tarnish his squeaky-clean image.

“I don’t know why Jeongguk would choose her,” one concerned fan commented on Instagram. “She’s trouble, and he’s too good for her. His image will be ruined if this is true.”

Despite the criticism, others are rallying behind the couple, suggesting that Jeongguk may be the one to help YN change her ways. “Everyone has a past,” one fan posted on X (formerly known as Twitter). “Maybe Jeongguk sees something in her that no one else does. People can grow and evolve.”

While neither Jeongguk or YN’s companies have released an official statement on the matter, YN hasn’t been shy about fueling the rumors. In a recent post on her Instagram, she shared a photo of herself wearing a Burn The Stage hoodie, captioning it, “i guess i’ve got good taste 👀” which has sent fans into overdrive speculating that she’s sending a not-so-subtle message about her relationship with Jeongguk.

“You’ve gotta be fucking kidding me,” Yoongi groans to himself. He can’t read any more of this drivel. The wooden table in front of him suddenly looks all too inviting, perfect for him to bash his skull into.

You’re everywhere, completely inescapable for the past week. Apparently, Yoongi’s bi-weekly breakfast with Hoseok is no exception. The first one they’ve been able to have since the tour, too. God forbid he wants to mindlessly scroll on his phone for a second while he waits for his friend to return, because there you are, taunting him. 

After the concert, Yoongi had been so annoyed by seeing you again. Pissed off at the circumstances. Ready to do anything in his power to extricate you from Jeongguk as fast as possible.

The past week has dulled his rage considerably. The endorphins of playing live have died, as have the potent emotions that come with them. Yoongi’s logical adult brain has set in, leaving him with only a headache.

“Woah,” Hoseok says, snorting as he slides a coffee into Yoongi’s field of vision. He slips into the booth across from him, taking a sip from his own cup with an amused look on his face. “You look much more homicidal than I left you. What could’ve possibly pissed you off in the last five minutes?”

Wordlessly, Yoongi hands Hoseok his phone, the article still displayed on the screen. Hoseok silently reads the first few paragraphs, and when he scrolls back up to look at the photo attached, his eyebrows shoot up in surprise.

“Oh?” he says, zooming in on your face. On Yoongi’s phone. The audacity. “This is the Innisfree girl, right? She’s dating Jeongguk?”

“Allegedly.”

“Is her skin really that nice in person?”

“Not the point,” Yoongi hisses, snatching his phone back from Hoseok’s grip and hastily closing the article to get your dumb face off of his phone. Dumb, poreless face.

“Okay, touchy,” Hoseok says, raising his hands in surrender. “Please explain the point.”

“I don’t trust her,” Yoongi says, tapping his foot under the table. “The relationship is bogus. She’s after something, I just can’t figure out what it is.”

“And you’re basing this on…?”

“Intuition,” Yoongi says flatly.

“Right. Because your intuition is never wrong,” Hoseok says, tone laden with sarcasm. “Need I remind you that you weren’t the biggest fan of me when we met?”

“I thought you were annoying,” Yoongi agrees. He takes a sip of his coffee to mask a smirk. “Who says I was wrong about that?”

“I’d probably be hurt if you hadn’t essentially bought us couple rings last year,” Hoseok says, waggling his eyebrows. “You want to fuck me so bad it makes you look stupid.”

“Aish, they weren’t couple rings,” Yoongi complains. “Stop saying that. The wrong person is going to hear you and think it’s true.”

“Your ears are pink!” Hoseok exclaims triumphantly, pointing at the evidence. “Your mouth says one thing, but your ears always give you away.”

“I’m going to kill you,” Yoongi grumbles, pulling his beanie down. “Stop changing the subject.”

“Right, right. Sorry, hyung, you’re just so easy to tease,” Hoseok says, not even bothering to stifle his snickering. The bastard. “Jeonggukie’s new lady love. Go. Wait, do you want to fuck her?”

“What?” Yoongi sputters, eyes widening because what the fuck? “No—what? Look, it’s not just intuition, okay? I’m right about her. And you saw what the article said—drama follows her wherever she goes. Maybe she thinks dating Jeongguk will rehabilitate her image, or something like that.”

Yoongi had been so confident that wasn’t the case, since you’ve maintained all of your brand deals even in the midst of your many scandals, but maybe he was wrong. He still doesn’t know why you’re doing this, and it’s like the closer he gets, the less he can see.

“I don’t know,” Yoongi groans, rubbing his hands over his face. “She’s also just a bitch.”

“Okay,” Hoseok concedes, crossing his arms. “If you say so. She’s a bitch who you don’t want to fuck. What are you going to do about it?”

Yoongi shrugs. “I have that dinner tomorrow night. I was thinking of talking to Jeongguk after or something.”

“And telling him that his girlfriend is the devil? I’m sure that’ll go over well.”

“I’ll figure it out,” Yoongi sighs, rubbing a hand over his face. “Jeongguk is a stubborn kid, but he knows I wouldn’t ruin something good for him. If I word it right, maybe he’ll listen.”

“You’re not wrong. For whatever reason, Jeongguk trusts your judgement.”

Yoongi glares at him. “Go fuck yourself, Hob-ah.”

“Whatever, hyung,” Hoseok says, rolling his eyes. “Let’s talk about something else, please. I haven’t seen you in months.”

Yoongi relents easily. He doesn’t really want to be talking about you either, not when it feels like an ice pick is being jammed into his temple. 

He’ll just have to figure out what to say to Jeongguk later.

★ ★ ★

“Wow,” Seokjin says around a mouthful of jjapaguri. “He really hates you, huh?”

He’s fresh out of a long shift at the hospital, but he still headed straight to your apartment at the promise of food and celebrity gossip—his two biggest weaknesses, especially when the food doesn’t have to be made by him and the celebrity is you.

“Seems like it,” you sigh, using your chopsticks to push your noodles around aimlessly. “Normally I wouldn’t care, you know? Like, get in line, asshole.”

“But you care.”

“But I care.”

“Because of Jeongguk,” Seokjin says knowingly.

You drop your chopsticks and groan, stifling the sound by covering your face with your hands.

“Yes,” you concede. “But not because of that. I just want to help him, you know? He got me through a really rough spot last year. I’d feel like shit if I agreed to do this for him and then it ended up blowing up in our faces because of me.”

“Mmm,” Seokjin hums, chewing thoughtfully. “I’m sure the fact that you’re in love with him is a big motivator, though.”

You pick up your head, glaring at him. “Love is a big word, Jin.”

A very big word, you think, picking up your glass of wine to take a long gulp. God help you.

“A fitting one, too!” he says gleefully. “Come oooon. No judgement here. He’s hot. Not as hot as me, of course, but I have to give credit where credit is due.”

“Yes, you’re a god among men,” you mumble, rolling your eyes. “I don’t love Jeongguk. Not like that, at least. Do I need to remind you of the whole reason I’m doing this in the first place?”

“Yeah, yeah, the secret girlfriend,” Seokjin says, waving a hand dismissively. “Whatever. You’re spending a lot of time with him, is all I’m saying. The tides may turn in your favor.”

Wow, and you thought you were delusional.

“Fat chance,” you deadpan, polishing off your wine. “Especially if Yoongi is as persistent as he’s making himself out to be.”

“What’s his beef with you, anyway?” Seokjin asks, snorting to himself as he picks up a piece of steak with his chopsticks. Hilarious. “I feel like he’s going a little far for it to just be protectiveness, you know?”

Right. When you’d given Seokjin the rundown via text, you’d left one pretty substantial piece of information out.

“He said, um,” you start, picking at one of your nails nervously—a habit that Hyerin would smack you on the back of the head for, if she were here. “He said that he knows… more than I think.”

Just like that, all of the humor drains from Seokjin’s expression. “Meaning…?”

“I don’t know,” you say, your voice wobbling just a bit. “I don’t know, but if it does mean that… It makes the idea of rolling over and doing what he says pretty enticing, not gonna lie.”

“Fuck that,” Seokjin says firmly, your eyes widening in response. “If he’s the type of guy to use something like that as blackmail, then he’s a piece of shit. I don’t care if he is trying to protect Jeongguk.”

“He can’t know, though,” you groan, fully resting your head on the cool marble of your kitchen countertop now. 

You’ve been wracking your brain for days now, trying to figure out if it’s even possible for Yoongi to know anything. You’re pretty confident the answer is no, but there’s no way to be one-hundred percent sure without confirmation from the man himself. And you’d honestly rather die.

“Nobody knows except the people involved and you. You’re the only one who didn’t sign an NDA, and I’m pretty confident you’ve never met Min Yoongi. Not to mention you just wouldn’t—”

“Share that information? Hell no, I wouldn’t,” Seokjin interrupts, scoffing. “Okay, well… Regardless of whether he knows anything, he honestly just sounds like a dick and I think you should kill him.”

You snort, lifting your eyes to look at him from where your head rests on the counter. “Maybe that can be plan B,” you offer.

“Fine, then what’s the plan A?” Seokjin counters, crossing his arms and raising a conspiratorial eyebrow at you.

Fantastic question, one you’ve been thinking about the answer to since you abruptly left the afterparty that night. It’s not like you can tell Jeongguk what’s going on and risk having to tell him the whole truth. You trust Jeongguk, but…

No, it’s not an option. You don’t want anyone else to know. So, if Yoongi’s going to insist on being a problem for you, you might as well return the favor. It’s only fair.

You grin, lifting your head and leaning closer to Seokjin.

“I’m going to make his life a living hell.”

★ ★ ★

Yoongi hasn’t touched a cigarette since he was twenty one years old.

He picked up the nasty habit at sixteen, when one of his friends doled out African Ice Jacks amongst the group, bragging that his hyung had bought the pack for him. As soon as the lighter was flicked on and the bittersweet taste of bubblegum and tobacco filled Yoongi’s lungs, he was hooked.

It was stupidly easy to get his hands on cigarettes before he was of legal age, even when his friend’s hyung couldn’t supply them for whatever reason. All of the adults around him smoked, including his parents. 

It felt as though cigarettes were an extension of his hand, felt wrong when he didn’t have the option to light one up. During school hours, Yoongi’s fingers would twitch on his desk as he waited for his last class to end.

He was a fucking anxious, wound-up kid. Smoking was the only thing that helped, sometimes. If he had a shit day, at least he could have a cigarette.

When the band got signed, though, things changed. Despite the fact that the majority of the population in Korea smoked, celebrities were vilified for it in the media. For whatever fucking reason. Yoongi didn’t care much what the media had to say about him, but he reasoned that it would be pretty stupid to let his dream die over Ice Jacks. So he quit.

It was hard at first, but it’s been five years now. After so much time, it’s rare that cigarettes even cross his mind, even when others smoke around him.

Sitting across the table from you now, though, Yoongi’s fingers twitch just like they had when he was in grade school staring at a clock.

He and the band started frequenting Yoojung Sikdang long before there was any real hope for fame. It was their chosen spot after every practice. The ajumma who owns it knows their names, remembers their orders by heart. Over the years, the only part of the restaurant that’s changed is their autographed photos on the wall. They’ve celebrated every single milestone here, big or small, just the five of them. Alone.

Wrapping up their first world tour should be no different. It’s their biggest milestone yet, and all Yoongi wanted was to eat ssambap with his best friends. Remind himself that none of the fame matters as long as they still have this.

But here you are. Of course. Encroaching on everything Yoongi’s built, everything he holds dear to his heart.

The only time it’s ever been more than the five of them here was the night they signed their contract, accompanied by two label executives. Even if you’re allegedly riding Jeongguk’s dick, no way are you that fucking important.

Yoongi would laugh if he wasn’t so pissed off. You are such a fucking pest. He just can’t shake you off.

“You don’t like what you ordered?” Jimin asks you, snapping Yoongi out of his thoughts.

Yoongi’s made an effort to keep to himself for the majority of the dinner. No use in ruining everyone else’s night—it’s still a special one, after all. Besides, he’s still trying to be an adult about things. You may have ruined his plan to talk to Jeongguk tonight, but it’s not like he’s going to cause a scene in front of a restaurant full of people—

“Oh, I’m just not very hungry,” you say. Yoongi’s eyes narrow.

All you’ve been doing all night is burrowing into Jeongguk’s side, barely touching your food. Lipgloss still perfectly in place. Normally, Yoongi wouldn’t care—he’s not paying for it. He wastes food on the label’s dime all the time. At Yoojung Sikdang, though?

“Why did you come, then?” 

The words come out of Yoongi’s mouth before he can stop them, sharp and pointed. He’d fully intended to keep his mouth shut, eat his food, and then go home. Maybe buy a pack on the way. But now they’re out there, and Yoongi can’t bring himself to care. Certainly not to feel bad.

For the first time since you’d walked in on Jeongguk’s arm, you make eye contact with him. On purpose this time—challenging. Yoongi’s not a little bitch, so he stares back. 

“Because Jeonggukie invited me,” you say, faux sweetness dripping from your words as you lean your head on Jeongguk’s shoulder. Eyes still fixed on Yoongi. “I figured it would be okay, since you all gave me such a warm welcome last time.”

Yeah. Yoongi’s buying that pack of cigarettes. 

“You’re always welcome to come out with us,” Taehyung coos, like he thinks you’re the cutest thing in the world. Knowing Taehyung, he probably does.

Everyone seems to be in agreement on that front, too, except Yoongi who rolls his eyes as he shoves a ssam into his mouth. Whatever.

“It’s gonna be hell getting you out of here, though,” Namjoon adds from Yoongi’s left. He leans over to glance at the crowd of people peering through the front of the restaurant, cameras at the ready, desperate to get a glimpse of you and Jeongguk. Not that you’re making it particularly hard.

“We’ve never had a crowd like that out there,” Jimin says, in awe. “I’m not surprised, though. Those articles about you two have been getting tons of clicks.”

“Ah,” you say. If Yoongi didn’t know better, he’d think you sound almost sheepish. “That, um. That might be my fault. I told my manager I was coming here. She must’ve tipped someone off.”

Of course.

“Anything for a photo-op, right?” Yoongi sneers, unable to help himself. It’s such an easy shot, after all. You’re being so transparent.

“Hyung,” Taehyung says, eyes wide as if he’s appalled. 

“I’m sorry, Yoongi-ssi,” you say, tilting your head at him. That little flash of a challenge is still in your eyes, and Yoongi doesn’t like it one bit. “Do you have a problem with me being here?”

Yoongi scoffs, sitting up. When he speaks, it’s laced with bitterness. “We just don’t normally come here with guests, that’s all. I guess I didn’t get the memo that that’d suddenly changed.”

“I invited her, hyung,” Jeongguk says. “She’s my girlfriend.” He wraps his arm around you protectively and, fuck, you’re good. You’re so good at making Yoongi look like the asshole.

“I get that, Guk-ah,” Yoongi tries, his voice considerably softer now. “But, come on… Here? And the mob outside, I mean… Do you really think that was just a harmless mistake?”

“What are you implying?” Jeongguk grits out. He’s angry now, that much is clear, and it’s Yoongi’s fault. 

You have him trapped. He’s surrounded by landmines, unable to come up with a single response that could possibly defuse them.

“Come on, guys,” Namjoon says, glancing at Yoongi pointedly. “We’re here to celebrate.”

“If Yoongi-ssi is uncomfortable that I’m here, maybe I should go,” you say, making to get up.

Jeongguk reaches for your arm, stopping you. “No,” he says. “Yoongi-hyung, you can either get over it and stay with us, or you can leave. You’re the only one who doesn’t want her here.”

Un-fucking-believable.

“Are you serious?” Yoongi scoffs, looking around at everyone. Is this really happening to him right now? This is his band!

The table is deadly silent. Everyone refuses to meet Yoongi’s eyes except you and Jeongguk, who raises a challenging eyebrow at him. It’s immediately apparent to Yoongi that he’s not winning this one. That somehow, he’s ruined the night meant to celebrate him and his friends.

Bitterly, Yoongi laughs. “Fine.”

No one protests when he pushes his chair away from the table and stands up, and that stings much more than Yoongi would like to admit.

He catches your eye as he grabs his jacket off the back of his chair, anger flaring at how pleased you look. 

“Have a nice fucking dinner,” Yoongi mutters, before turning on his heel and walking towards the door. Leaving his friends to face a crowd of photographers and fans that you called.

As he walks out into the cold, dodging the phones being shoved in his face, all he can think about is the way Jeongguk had looked at him.

★ ★ ★

You met Jeon Jeongguk a year ago, give or take a few months. You just remember it was cold.

Less than twenty-four hours after a particularly nasty breakup with a guy you didn’t love but liked enough, you were back on the clock. Zipped into something tight and expensive, wearing the best waterproof mascara money could buy.

You hated those events to begin with—the galas, end of year ceremonies for awards you were no longer viable to win. They were torture for you. But the sting of being freshly single only made things worse, so you had decided to make the most of it.

You may not have been able to win a KMA, but you were well within your rights to treat the KMAs themselves like your own personal dating pool. No better way to rid yourself of your ex like getting with someone new, you thought.

Which is where Jeongguk came in, devastatingly hot in his tailored suit. You’d ran into him on your way from the bathroom—much like you had with Yoongi, now that you think about it—and you instantly found yourself wondering what it would be like to kiss a guy with a lip ring. Jeongguk, as it turned out, was very interested in showing you. 

You were both a little drunk, but the attraction was real. Instant. 

One very handsy cab ride later, and you were in his apartment, grinding on his lap as you experienced first-hand just how little of an obstacle a lip ring can be if the man who has it knows what he’s doing.

Things were going so well—Jeongguk’s tongue exploring your mouth as you felt his cock stiffening beneath you. But it all came crashing down as soon as his hand slid under your dress.

The fact of the matter was, you’d just been dumped. Regardless of how strongly you did or didn’t feel about your ex, you’d still been dumped and it still hurt. As soon as Jeongguk really touched you, it became all too apparent that you wouldn’t be able to go through with it. Luckily, at the slightest bit of hesitance from you, Jeongguk’s hand immediately retreated from under your dress. 

He was sweet about it. Really, really sweet. Valiantly ignored his erection and offered to listen instead, which made you laugh. Comforted you even though you hadn’t thought you needed it. Let you sleep in his bed anyway. When you left the next morning, kindly offered to be your friend, because you clearly needed one.

You’ve been friends ever since. 

Not in the same way that Seokjin is your friend, of course. Seokjin is your best friend, has been since you were both kids. But Jeongguk just… He gets the industry, in a way that Seokjin never will.

Which brings you to last month.

Last month, when Jeongguk called you nervously in the middle of his tour schedule. Asked you to be his fake girlfriend in guilty, hushed whispers.

You didn’t need to know why. You were always going to say yes. 

But Jeongguk explained anyway. He explained that he has a girlfriend, a real girlfriend, who isn’t from your world. That he hasn’t been able to see her nearly as much as he’d like to because he’s terrified of the backlash she could receive from being connected to him romantically.

You read between the lines—you have nothing to lose, at this point. There isn’t a day that goes by where someone online doesn’t have something to say about you, reputable or not.

He explained that in order to maintain the lie, no one in the industry could know the truth, not even Jeongguk’s bandmates. According to him, they wouldn’t understand why he felt the need to go to such lengths. You didn’t completely agree then, but having met Yoongi now, you get it.

His girlfriend knows about you, he’d told you. She knows who you are, knows about that night last year, and that she still agreed to let him ask you this. She doesn’t see you as a threat.

It stung, a little. Of course it did. You and Jeongguk may be friends, but you’ve always felt a hint of something else there. Maybe it was the kindness he’d shown you when you met. Maybe it’s just him. But you never said anything, convinced it was one-sided.

Clearly you were right.

Still, you want to do this for him. You care about him, and just because you can’t maintain a stable relationship doesn’t mean Jeongguk doesn’t deserve a chance at one.

You think, if Yoongi knew, he’d feel the same.

★ ★ ★

Five years down the drain, Yoongi thinks. Ashes his cigarette. Oh well.

Honestly, it’s not even really about you, although Yoongi would love to pretend otherwise. If he pins it all on you, it makes his mission to get rid of you all the more noble. The label breathing down his neck. The impending deadline of an album he doesn’t know if he can write. Dongsaengs that don’t know how to stay out of trouble. If it’s all your fault, it can’t be his.

This—the smoking—was bound to happen, with or without you. You just helped the process along.

He’s perched on his windowsill, puffing his way through cigarette number two, when his phone buzzes next to him.

Namjoon doesn’t call him nearly ever. Yoongi has a way that he likes things done, and Namjoon is probably his only friend that actually respects it. Emails for work. In-person or texts for personal shit. Video calls never. Phone calls only if Yoongi needs to hear it now and there’s no other way.

Yoongi picks up.

“Joon-ah?” Cautious. He likes phone calls the least because phone calls mean trouble, like someone is in the hospital. He’s gotten that call before, more than once.

“Hyung,” Namjoon says. “Do you have a minute?”

Namjoon wouldn’t be asking that if someone was in the hospital, so Yoongi allows himself to unclench. Just a little. “Yeah, I have a minute.”

He hears rustling on the line, like Namjoon is fidgeting. But Namjoon is always fidgeting, so that could mean nothing.

“I figured, given the events of tonight, that it would be a good call to warn you ahead of time. I would’ve come by your apartment, but I’ve got meetings all morning tomorrow and it’s late. I didn’t want to wait until next time I see you though, so…” Namjoon starts, trailing off. 

Yoongi works his jaw. “Spit it out, Joon-ah,” he says, because Namjoon is shit at delivering bad news. He’s always beating around the bush, trying to soften the blow. It’s great for the kids, but it makes Yoongi feel like he’s about to have to bury his first-born or some shit. Yoongi likes clear, direct.

Namjoon knows this, so he always gets it right on the second try.

“YN is going to the Jeju house with you guys,” Namjoon says. Clear and direct, but the absolute last thing Yoongi wants to hear right now. 

“You’re fucking with me.”

“I’m not.”

“She has literally no fucking reason to be there, Joon-ah,” Yoongi grits out. The cigarette secured between his index and middle knuckles has burned down to nothing, singes his fingers. He hisses and flicks it out the window. “Is she going to help us write an album? Is that it?”

“Hyung—“

“No, she isn’t. She’s going to distract my lead singer the whole time and make the whole point of the trip fucking impossible,” he interrupts, because once he gets started he can’t stop. “Who signed off on this? Doesn’t she have a job? Isn’t there a goddamn camera that needs to be smoldered at?”

“Yoongi-hyung,” Namjoon says. He’s using his manager voice, and Yoongi shuts up instantly. 

Namjoon uses this voice on the kids all the time. Realistically, it’s not a big deal. It’s his job. But he’s never had to use it on Yoongi before.

He deserves it, though. Yoongi knows that. He knows that he’s been insufferable ever since you showed up, and he doesn’t like it either. He’d wanted to talk to Jeongguk, to have a heart-to-heart with him about it, but that’s proven impossible given that you’re always around. And Namjoon is their voice of reason.

Yoongi tries again.

“I don’t like her,” he explains, keeping his voice level. “I don’t think she has Jeongguk’s best interests at heart. I’m just trying to look out for him.”

The line stays quiet for a long moment, like Namjoon is taking special care in choosing his next words. It would make Yoongi nervous, but that’s just what Namjoon does.

“Hyung, you need to leave it alone,” he finally says.

What the fuck.

Yoongi could have foreseen plenty of responses from Namjoon. He’s been on the receiving end of Namjoon’s sage advice more than he’s proud of. Yoongi worries a lot, and Namjoon is particularly good at quieting those worries, particularly when they pertain to the kids. And they usually do. But he sure as shit wasn’t expecting to be blown off like that.

“Joon-ah, Jeongguk is gonna—“

“Jeongguk is a grown man. He’s fully entitled to make his own decisions, and you need to respect that if you don’t want to lose him.”

Lose him? Is Yoongi going insane? Is he fucking missing some integral piece of this puzzle that everyone else seems to have?

The notion of losing Jeongguk is completely absurd. How could he lose Jeongguk over something like this? Jeongguk, the college freshman with the huge eyes who followed Yoongi around like a puppy. Jeongguk who sang so softly when Yoongi asked, who beamed with pride when Yoongi told him he had something special. Jeongguk who dropped out alongside Yoongi, took a risk because he trusted his hyung to take care of him.

It was Yoongi and Jeongguk before it was anyone else, and Yoongi has never let Jeongguk down once, won’t allow himself to. This is the thing that’s going to change that? 

“What are you even talking about?”

“Just… leave this one alone, Yoongi,” Namjoon sighs. “She’s coming whether you like it or not, and you need to at least pretend to play nice.”

Yoongi doesn’t appreciate being treated like a child who’s the cause of his parent’s headache, not by Kim Namjoon. The label dickheads are one thing, but the one person Yoongi has entrusted with everything for the past five years? Before that, even? Fuck that. Namjoon doesn’t talk to him this way, and that’s not about to change because of you.

“Namjoon-ah, if you’re going to blow me off, at least put my cock in your mouth and do it right,” Yoongi spits, hanging up before he can think better of his words.

Fuck.

Yoongi hasn’t bitten Namjoon’s head off like that in a long time. It doesn’t feel good to be back in old patterns like this. Yoongi knows why he doesn’t trust you, but he doesn’t know what it is about you that makes it so—urgent. Like he’s a wild animal primed to bite. To hurt. Yoongi isn’t that guy. 

If what Namjoon said is true, if Jeongguk really is at risk of slipping through Yoongi’s fingers, he has to get his fucking act together. He has to try harder to handle this like an adult.

So, you’re coming to Jeju. Fine. Yoongi can be civil.

Even if the only way for him to be civil is not to speak to you at all.

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[pomefioredove]

Just read the whole "Yuu gets sold off by Crowley" stories and OMLLL THEYRE SO GOOD XDDD Any chance you could do more on it like if Niege won or if the parents heard about it and also decided to adopt Yuu and Grim?? Maybe the other staff adopting her too or more on Crewel's adoption please???

requests for the crewel ending are in high demand I see...

parts 1 | 2 | 3 | kalim | 'bad' ending | RSA ending

summary: a crewel ending type of post: short fic, mostly speculation characters: crewel ft. other staff additional info: platonic, reader is gender neutral, reader is yuu, definitely pre-book seven, parents being cringe

If Crewel were allowed to beat Crowley to death with one of his designer handbags, he would have.

...Unfortunately, with the adoption paperwork fees (...and a need for more designer handbags), he regrettably still needs this job.

And he'd like to keep an eye on you while you're still here, too.

The animosity between Crowley and the rest of the staff is unspoken, shared through passing glances and dry remarks at meetings, and though the matter is "settled", in Crowley's own words, no one seems keen on letting it go anytime soon.

The students who participated in the bidding war are subject to months worth of extra homework, harder exams, and worse studying hours from Crewel himself. To teach them a little responsibility, he says.

You, at least, are exempt from his radical new lesson plan. You have enough on your plate as it is.

After all, as soon as the legal proceedings are through and your identity as an autonomous human being in Twisted Wonderland is secured, the "fun" begins.

Your uniforms are tailored and rightly fit, you're given a proper meal plan, even Ramshackle is decorated with a few of Crewel's personal touches. A throw rug here and there, a fresh coat of paint, anything to cover up the rotting interior and turning it into something worthy of envy.

"...Given that Grim doesn't start shedding everywhere," Crewel had said. "Ugh, pets."

The rest of the staff are just as helpful, citing your recent experience with the bidding war as reason to take it easier on you for a while (or for the rest of the semester, really). Trein gives you less homework, Sam "accidentally" doesn't ring you up a few items...

It starts to feel more like the entirety of the staff has adopted you.

Not that you mind, of course. This is the closest thing you've had to family since... well, since coming here.

There's just the one thing, though.

"I don't know why you waste your time with those untrained pups. Honestly. The idea of their tacky shoes touching the rugs in here..." Crewel sighs. His eyes turn to you. "You know, I hear Vil Schoenheit has been looking for someone to take to his next shoot..."

Ashton chuffs. "Don't be ridiculous, they need someone who's strong enough to take care of them! Kingscholar is a real star once he gets motivated,"

"Please tell me I didn't just hear that," Crewel massages his temples. "And might I add, I'm their father, not you. I give the blessing. You're more like the unwelcome uncle crashing the family barbeque."

Grim nudges you with his elbow, muttering a quick yikes before darting out of the kitchen. You groan in embarrassment. "Guys..."

"I'm just thinking about what's best for them," Ashton says, puffing out his chest. "They're at an age where they're going to start thinking about dating, and we want them to make good choices."

"Guys,"

"Exactly. Schoenheit is a perfect gentleman, a master in my class, and has the style to back him up. Kingscholar can demonstrate occasional intelligence, but he's still another housecat," he shudders. "The shedding..."

A tired voice from the doorway interrupts their tense back-and-forth, much to your relief.

"Goodness, the two of you, at this again?" Trein scoffs, taking a seat at the table. "This conversation is highly inappropriate. You shouldn't be controlling the poor thing's romantic prospects, if they even have them. When the time comes, the choice will be theirs to make."

Crewel huffs, rolling his eyes and leaning against the table. Ashton kicks his feet. And neither utter another word.

"Good," Trein says, then clears his throat. "Ahem. But that's not to say that we can't offer our guidance. That Vanrouge did quite well on the last History of Magic exam..."

You groan.

[shezzabee]

What are your thoughts on the idea that Inho's obsession with Gihun might do with the fact that Gihun reminds him of his dead wife?

I'm biased because I absolutely eat it up. I never been the same after seeing a post here that compared Gihun's s1 smiling photo with a photo of Inho's wife smiling.

There's also the fact that in s2 ep4, Inho called his wife stubborn, and how theres no point in arguing with her once she set her mind on something (going through her pregnancy despite her being very sick).

It made me think of Gihun's dedication of finding the Recruiter/Salesman, his insistance on being put back in the game...and him not listening to Inho when being told to get on the plane.

With this in mind, Inho's "Just get on the plane. It's for your own good." can be read more that just one man telling another man with who he shares similar trauma, to get the good life he doesn't have (but it's absolutely valid!!)

It could also be Inho (without realizing it) pleading for Gihun (his wife) to listen to him (the doctors), and (this time) survive. But just like with his wife, Gihun isn't budging with his decision. He made up his mind, go argue with a wall.

(Now it doesn't mean that Inho saw his wife in Gihun in an instance. It happens slowly as Inho gets closer to him)

Hi! Thanks for the question. I think I know the post you’re referring to—my shipper brain absolutely devoured that too, not gonna lie. XD

Even beyond the shipping lens, though, everything you’ve said really resonates. It feels like the core of their dynamic, doesn’t it? In-ho is clearly drawn to something about Gi-hun’s refusal to compromise on his principles, his unshakable belief in humanity, and his conviction that things can still turn out for the better. The only other person In-ho has explicitly mentioned as being just as stubborn as Gi-hun is his late wife, which feels like a significant parallel.

Now, of course, this is all speculation, and we won’t know In-ho’s full motivations until Season 3 (hopefully) sheds some light. But I don’t think In-ho has ever truly moved on from his wife’s death. He’s still grieving, still carrying the weight of that loss. He’s angry—angry at himself for not being there when his wife and child died, angry at the world for the circumstances that led to it, and probably angry at the Games themselves for existing. (I’ll die on the hill that In-ho hates the Games, despite being their enforcer.) He’s also angry at humanity at large for failing people in need, for letting the world get to this point.

And I think there’s a part of him that’s angry at his wife, too, (don't kill me, hear me out). She was self-sacrificing to a fault, willing to risk her own life to save their unborn child. That mirrors what we see in Gi-hun, especially at the end of Season 1. In the final game, after Sang-woo is defeated, Gi-hun refuses to abandon his morals to win, even when the easier path is right in front of him. That kind of unyielding determination, that refusal to bend—even at great personal cost—has to strike a nerve with In-ho.

Since In-ho can’t confront his late wife or tell her she was wrong to risk it all, to leave him alone, he directs all that unresolved grief and anger toward Gi-hun instead. Gi-hun becomes a constant, painful reminder of everything In-ho lost—and everything he’s come to resent about the world.

So, what does In-ho do? He sets out to break Gi-hun. To tear apart everything and everyone Gi-hun cares about until all that’s left is despair. Maybe then, In-ho can finally say: “See? There’s no point. None of it means anything. You were wrong—just like she was wrong.”

It’s a cruel and calculated move, but also deeply human. If he can prove that Gi-hun’s ideals and morals are meaningless, it would, in a twisted way, justify the choices In-ho has made and the person he’s become.

In the end, it’s not just about Gi-hun or his late wife. It’s about In-ho’s own pain, his need to make sense of the senseless, and his desperate attempt to validate the path he’s taken—even if it’s at the expense of someone who still believes in the good.

[ekingston]

Hello! So sorry to bother, but have you had any updates on the Word-Stream/Speechify situation?

Just one: like I posted on Xitter and Bluesky last night, as of yesterday afternoon, the links to individual works as they were listed on WordStream are gone from both Google and Bing. Hurray, right? Surely we’re all sick of this whole debacle and there’s far more important things to worry about. If all is well that ends well, surely there’s no need to still be angry.

Well, I am. Here’s why:

When I checked on Wednesday, the links to my own work on WordStream were still listed. So rather than it taking a week after Cliff Weitzman first hid the fanwork from view, it took a little over a week from the moment he first promised privately that they would be deleted. Which, fine. Perhaps Cliff didn’t really know what he was talking about when he gave that timeframe. Or maybe he told a little white lie to create the impression that he always intended to do the right thing. It seems more likely to me, though, that Cliff still believed—even after the backlash he received—that he would get away with honoring only individual takedown requests. Or worse, that he needed just a little bit more time with the stolen material to figure out an alternative way to profit off it—preferably without us noticing, this time.

But who knows? I certainly don’t! All we can do is speculate, because publicly, Cliff Weitzman has remained completely silent on his copyright infringements. All we got was the initial justifications he and his sockpuppet accounts used in comments on the original Reddit and Tumblr posts. After those were so understandably ill-received, Cliff only ever communicated with a few individual authors who contacted him directly and repeatedly, blocking people who addressed the issue on Twitter and quietly distancing himself from WordStream by deleting a blog he’d posted to Speechify.com dated December 20th—where Cliff promoted WordStream’s platform specifically to fanfiction readers. (See my enormous timeline post for details and screenshots of said posts before they were taken down.)

And this is why I’m still angry: As long as Cliff Weitzman faces no real consequences for his actions, he won’t see a need to own up to his mistake; and as long as he’s able to delay taking responsibility, this isn’t over. This didn’t end well.

After all, wasn’t this the next-best scenario for Cliff, second only to him turning WordStream into a (for him) effortless, infinite money-making machine? He took something we provided for free and fed it to AI so he could more easily put it behind a paywall; we found out and protested; Cliff quietly erased all evidence of his crime; and we went—almost equally quietly—away.

I want to make sure you know that I continue to be genuinely amazed and intensely grateful for how quickly the news about WordStream’s copyright infringement was shared—and continues to be shared—throughout fandom, on tumblr in particular. If it hadn’t been for our collective outcry here and on Reddit, WordStream would very likely still be up in its original form, and Weitzman would be reaping the benefits (those subscription prices were steep) today.

But it’s been frustrating to see that, with the exception of mentions in articles on Substack and Fansplaining (the latter of which is a particularly awesome and thorough read on fandom’s decontextualization) and a Fanlore listing, our outrage never really spilled out beyond the safely insulated, out-of-the-way spaces that are tumblr, a handful of subreddits and bluesky. And I believe that—unfortunately—we are collectively responsible for that part, as well.

Most of us seemed content to only spread the word by circulating the same two posts on tumblr. (Have we all given up completely on every other social media platform? Am I the only remaining straggler?) And soon after Cliff Weitzman hid WordStream’s fanfiction category from view, our interest in the issue took a sharp dive even there. Are we genuinely deceived into believing the issue has been fully resolved? Do we truly fail to realize that Weitzman’s refusal to admit that what he did was wrong left the door wide open for the next greed-driven tech bro to wander through? Or is the true naivety in thinking that, as a community, we can keep this kind of attack on fandom from happening again? Has our disillusionment already gotten that bad?

However the situation spins out from here, Cliff’s actions will set a precedent. If we fail to show Cliff and his ilk that attempts to profit off fandom’s unpaid labor have consequences, their tech companies will keep trying until something eventually sticks. They might be a little smarter about it next time; obscure their sources a bit better, maybe leave the titles and the authors’ names off. Or maybe they’ll go a bolder route: maybe next time they cross the line they’ll do it boldly enough for IP holders to take notice and stop tolerating fanwork entirely.

Doesn’t that make you angry, too?

There’s this whole other mess of thoughts I would love to be able to untangle about how commercial influence is contributing to the steady erosion of fandom’s foundations, but I’m tired, and other people have said it all much more eloquently than I ever could. Seriously, go read that article on Fansplaining. Or listen to the podcast version of it. Better yet, as long as you’re wearing your noise-canceling headphones, go listen to a podfic of one of your favorite fandoms’ works, and enjoy the collaborative joy and creativity of the people who Cliff Weitzman refuses to believe exist. (In one of Speechify’s other blogs, Cliff claims there are only 272 podfics on AO3. Would you like to run that ChatGPT prompt again, Cliff?). Honestly, much like Cliff Weitzman’s infuriating denial of the fact that fandom fucking has this covered, thank you very much, there’s so. Many. More. Things for us to talk about. There’s the connotations of WordStream’s dubious ‘upload’ button, for instance, or the fact that the app scraped (and in some cases, allegedly, still lists) copyright-protected original fiction as well, or WordStream’s complete lack of contact information, which is illegal for an internationally operating app. And oh! Has anyone reported more thoroughly on Cliff’s app’s options to ‘simplify’ or ‘modernize’ uploaded works, or—my own very favorite abomination—to translate them into something Cliff calls ‘Gen-Z Language’? Much like his atrocious AI book covers, it would be hilarious, if it didn’t make steam come out of my ears.

Anyway, there it is. I highly recommend you do all of that. And then, if you aren’t familiar with it already, go do some research re: fair use and your rights as the copyright owner of your works. A good number of people commenting on this controversy expressed stunned surprise or fearful hesitation about claiming any sort of ownership of their fanfiction. The more informed we are about our rights, the more willing we will be to defend them.

Please don’t stop writing or sharing your work. If you can’t bring yourself to work on your WIPs today (trust me, I get it), post about this situation instead. Tweets, skeets, whateverthefucks—about WordStream’s theft, about how this reflects on Speechify’s already shady business practices, about how Cliff’s actions and justifications have personally affected you. You’re welcome to share or copy my posts on these platforms, but since Cliff already blocked me, I very much prefer you post your own. If you do, call Cliff Weitzman by his full name and tag or include both WordStream and Speechify to ensure Weitzman will recognize he has both a personal as well as a professional stake in handling the situation with integrity. Leave your concerns in reviews on the Speechify app. (We weren’t provided with a more appropriate place to put them, after all!) Consider calling for a Speechify boycott until Cliff accepts accountability for his actions.

Do avoid making exaggerated claims, and don’t call for physical retaliation against Cliff’s person or his property. We don’t want to give him or Speechify even the weakest of grounds to claim defamation or threats of violence. Focus on the facts: they’re incriminating enough by themselves. Show Cliff that we’re determined to keep bringing up his company’s wrongdoings in public spaces until he demonstrates that he understands why taking these freely shared fanworks and monetizing them was wrong, and takes steps to ensure it won’t happen again.

One last thing—and this is really more of a general reminder—please stop suggesting I handle this situation for you. People have come to me asking for action items. The resulting flashbacks to my days as an office assistant were extremely upsetting. In all seriousness, casting me as some sort of coordinator or driving force behind this backlash actively hurts the cause. Not only does it downplay fandom’s collective efforts, it also makes our message extremely vulnerable. It would be all too easy for Cliff to silence one singular source. Wikipedia will not maintain mentions of this controversy as long as it leads only to Easter Kingston’s attempt to summarize what happened as it was happening. You only know my name because I stumbled upon WordStream’s theft and decided to get my friends involved. I am not more knowledgeable, more skilled or more angrily invested in this issue than you are (or can, or should, be). I draw pictures and I write stories and I worry about the shift I’m seeing in fandom after having been on this ride for even a few pre-livejournal rounds.

I’m not going to stop doing any of those things. But I am going to allow myself to step away for a bit, make my wife dinner, and catch up on our shows.

I trust you’ve got it from here.

[scriptedinkbyxim]

Past the Finish Line: Into the Chicane [MV1]

Amidst the glitz and chaos of the F1 world and a very tense 2024 season, Max Verstappen and (Y/N) Sainz relationship faces a pivotal challenge. As racing pressures mount and emotions run wild, a moment of heartbreak leaves them questioning if love and ambition can coexist.

Pairings: Max Verstappen x Sainz! Female Reader

Warnings: Angst, So much Angst. Commitment Issues. Allusions to sex but nothing explicit. No happy ending.

A/N: Hi, Xim here. This is my first published fic and I hope you enjoy it. English is not my first language so apologies in advance for any mistake. This is pt. 1 of a three part mini series but can be read as a standalone.

Part 2. | Part 3.

---------------------------------------------------------------------------

How did we end up here?

It was a question without an answer, one that lingered in the silence between them, thick and suffocating like the humid Budapest air pressing against the hotel windows. The suite was bathed in golden light from the city outside, reflecting the neon glow of the Hungarian Grand Prix weekend, but inside, the atmosphere was anything but warm.

Max stood with his hands on his hips, his jaw clenched so tightly that the veins in his neck were visible. (Y/N), across from him, arms crossed over her chest, blinking back the sting of tears that she refused to let fall.

Love was supposed to be a partnership.

It was supposed to be about growing together, supporting each other, facing life’s uncertainties as a unit. But sometimes, love wasn’t enough. Sometimes, no matter how much history two people shared, no matter how deeply they had intertwined their lives, love alone couldn’t bridge the gaps that formed between them.

It had started with something small. It always did.

A simple question, an offhand comment.

She had been scrolling through her phone at the hotel, the post-race adrenaline still pulsing through her veins. The results had been disappointing, and she knew Max was frustrated—knew the weight of the season was pressing down on him more than ever.

But then she saw the article.

Verstappen Focused on Career, No Interest in Settling Down Yet.

She laughed. Not because it was funny, but because of how absurd it was. The media speculated all the time, twisting words, exaggerating things—but this? This wasn’t an exaggeration. This was him, in his own words, saying everything she had feared.

“You could’ve at least warned me before telling the world you have ‘no interest’ in a future with me,” she had said, tossing her phone onto the coffee table.

Max had barely looked up from where he was unlacing his shoes. “What are you talking about?”

She grabbed her phone again, shoving it toward him. “This.”

He skimmed the article, expression unreadable. “It’s just media nonsense.”

“Max.” She crossed her arms, pressing her lips together. “It’s your quote.”

He exhaled sharply, tossing his shoes aside before leaning back against the couch. “I told them what I’ve been saying for years. My focus is on racing. Everything else can wait.”

Her stomach twisted. “Everything else?”

He looked at her then, brows furrowed. “You know what I mean.”

Did she?

Because standing here, listening to him say it like that—like their future was something to be indefinitely postponed, something unimportant—it didn’t feel like she knew anything at all.

“Do I?” she asked, voice sharp. “Because from where I’m standing, it sounds like I’m just supposed to keep waiting while you decide if I fit into your perfect little plan.”

Max ran a hand down his face, already exasperated. “Why are you making this a big deal? You know how important this season is.”

Her hands curled into fists at her sides. “I know how important racing is to you, Max. I’ve always known.”

It was the unspoken part that stung.

But do you know how important I am?

His silence answered that question for her.

φ

AUSTRALIA, 2015

The first time she met Max, he was just a boy with sharp blue eyes and a cocky grin, standing next to her older brother in the paddock. She had been fifteen, barely old enough to understand the world she had grown up in, but something about him had intrigued her.

Carlos had been the one to introduce them, laughing when Max—seventeen and already making a name for himself—had barely glanced at her before shaking her hand with a distracted nod.

She had rolled her eyes, unimpressed, and muttered something in Spanish under her breath. Whatever it was, it had caught Max’s attention, and for the first time, he had really looked at her.

“You speak Spanish?” he had asked.

“She’s my sister,” Carlos deadpanned. “Of course she does.”

Max now had a flirty smirk. Carlos had groaned, but (Y/N) just laughed, not knowing then that this arrogant Dutch boy would become the love of her life.

φ

They had fought before. God, they had fought. Stubbornness was ingrained in both of them, but this wasn’t like before. This wasn’t an argument that would end in tangled limbs and whispered apologies in the dark. This was something breaking—cracking apart at the seams, and no matter how hard she tried, she couldn’t hold it together.

“Do you even hear yourself?” Max’s voice was sharp, edged with frustration, exhaustion, and something deeper—something that made her stomach twist painfully. “You think now is the time for this? Right now, when everything is going to shit?”

(Y/N) inhaled sharply, nails digging into her palms. “I think now is the time because I can’t keep waiting for a ‘right’ moment that never comes.”

Max scoffed, running a hand through his disheveled hair, already damp from the heat. “So what? You want me to deflect from the championship with this? With fucking marriage and kids?”

The words were a slap.

She staggered under the weight of them, blinking as if that would somehow make them disappear. He didn’t mean it, she told herself. He was angry. Stressed. But the way he was looking at her—like she was asking for something outrageous, something unreasonable—made her chest ache in a way she hadn’t felt before.

“I’ve been with you for eight years,” she whispered, voice shaking despite herself. “Through everything. I have given you everything, Max. And you act like I’m some… inconvenience?”

His lips parted slightly, but no words came out. He just stared at her, expression unreadable, and suddenly she was drowning in memories.

φ

SILVERSTONE, 2019

The energy at Silverstone was electric, the summer air thick with heat and anticipation. The race had been brutal—wheel-to-wheel battles, aggressive overtakes, and tensions running high.

(Y/N) had been in the paddock, watching the post-race interviews, still grinning from the chaos on track. Max had fought like hell against Charles, the two nearly colliding more times than she could count.

Carlos, standing beside her, let out a low whistle. “That was some proper racing.”

“Some proper reckless racing,” Lando chimed in, shaking his head with a smirk. “I swear, those two act like they have a personal vendetta.”

(Y/N) laughed, arms crossed as she watched Max approach from the media pen, Charles a few steps behind him. The Monegasque caught her eye first, giving her a knowing look. “You should keep your boyfriend in check. He drives like a lunatic.”

Max, overhearing, scoffed. “And you don’t?”

She stepped between them, rolling her eyes. “Are you two seriously arguing again? You just got out of the car.”

Charles smirked. “It’s called passion, Dolcezza.”

She shook her head but smiled, glancing at Lando, who was already pulling out his phone to film whatever chaos was about to unfold.

Then she felt Max’s arm loop around her waist, pulling her into his side. It was natural, instinctive—like muscle memory.

She looked up at him, arching a brow. “What are you doing?”

“Reminding Charles that you’re mine,” he said, smirking.

She rolled her eyes, but her heart fluttered anyway.

Lando, never missing an opportunity, pointed his phone at them. “Aww, look at you two. So cute.”

Carlos clapped Max on the back. “Alright, lover boy. Let’s go debrief before you and Charles start throwing punches.”

As the group walked off, she stayed behind for a second, looking back at the track. The adrenaline, the heat, the pure joy of racing—it was everything Max loved.

And she loved him.

Back then, she had believed that was enough.

φ

“Do you remember Silverstone?” she asked suddenly, voice thick with emotion breaking the silence.

Max blinked, caught off guard. “What?”

“2019. After the race.”

His brows furrowed. “Yeah, of course. Why?”

She let out a shaky breath. “Because back then, you wanted me by your side. You wanted a future with me. And now…” She gestured helplessly between them. “Now I don’t even know if I fit into your life anymore.”

Max stepped forward, frustration flashing in his eyes. “That’s not fair, Schatje. You know I want you with me.”

She let out a bitter laugh. “Do I? Because from where I’m standing, all I see is a man who only prioritizes me when it’s convenient.”

His jaw clenched. “That’s not true.”

“Isn’t it?” Her voice cracked. “You’ve built your entire life around racing, Max. And I’ve let you. I’ve supported you through everything, sacrificed parts of myself just to be what you needed. But when do I get to be a priority? Do you even think about a future with me anymore?”

The silence stretched between them, heavy and suffocating.

Finally, Max exhaled, shaking his head. “I can’t do this right now.”

She flinched.

Not I don’t want to lose you.

Not We can figure this out.

Just I can’t do this right now.

And that was all she needed to hear.

She looked out the window as the sun set, trying to hold on to the remaining pieces of their relationship.

φ

BARCELONA, 2016

It happened in Barcelona, after the race. It wasn’t anything grand or cinematic. No fireworks, no dramatic declarations of love—just two teenagers who had spent months circling each other, neither willing to admit what had been obvious to everyone around them.

They had been walking through the Red Bull hospitality area late at night, the paddock nearly empty. (Y/N) had teased him about his race start, and he had nudged her shoulder in response, grumbling about how she and Carlos always ganged up on him.

Then, suddenly, the air shifted.

She had looked up at him, at those sharp blue eyes, and for the first time, there had been no hesitation. No fear.

He had kissed her like he had been waiting to do it forever.

And maybe he had.

φ

Max exhaled harshly, shaking his head as if trying to take back his last words.

She let out a bitter laugh, stepping away from him, away from the suffocating weight of this argument. Her hands trembled as she wiped at her face, furious with herself for letting the tears slip free.

“I was there when you won your first race,” she said, voice quiet now, laced with pain. “I was there for your first pole, your first championship. I put my career—my life—on hold for you because I believed in us. I believed in you.”

Max flinched, just barely, but it was enough. Enough for her to see that he knew—deep down—she was right.

And yet, when he spoke again, his voice was cold. “I can’t afford distractions right now. Not with the way this season is going.”

φ

ABU DHABI, 2021

She had been in the garage, hands clasped together so tightly that her knuckles had turned white. The final lap. The final chance.

And then—Max had done it. He was an F1 World Champion.

She had barely had time to react before he was running toward her, before she was in his arms, laughter and tears mixing as he spun her around.

“You did it,” she whispered against his shoulder.

He had pulled back just enough to press his forehead against hers, grinning like a madman. “We did it Schatje.”

At that moment (Y/N) felt as if they were in heaven, as if with Max everything was possible. Nothing indicated otherwise, she was in heaven and nothing could have prepared her for the fall.

φ

Now she felt like a fool. 

His words echoed in his head like torment.

Distraction.

That was all she was to him.

She had loved Max since she was sixteen. Supported him through every win, every loss, every moment of doubt. And now, when she was finally asking for something in return, he was acting like she was asking for the impossible.

“I’m not saying we have to get married and start having kids tomorrow,” she said, voice tight. “I’m saying that after eight years, I need to know if there’s a future here. If I even matter to you beyond being someone who follows you around from race to race.”

Max exhaled harshly, shaking his head. “You know you matter to me.”

“Do I?” she challenged. “Because it doesn’t feel like it, Max. It feels like I’m just another part of your career, like I exist to be there for you but never the other way around.”

His jaw tightened. “That’s not fair.”

“Isn’t it?”

(Y/N) stared at him, her chest rising and falling with uneven breaths, and suddenly it was so clear. There was no answer to the question that had haunted her since the fight started.

How did we end up here?

She took a step back, then another, and Max didn’t move. Didn’t reach for her.

And that was it. That was all she needed to know.

“I hope you win,” she said, her voice hollow. “I really do. Because if you don’t, then you’ve lost everything for nothing.”

Then she turned and walked away, leaving behind the man she had loved for eight years and the life she had built around him.

As the door clicked shut behind her, leaving nothing but the ghost of her presence and the sharp scent of her perfume in its wake, Max remained motionless. The silence in the hotel room felt suffocating now, pressing against his ribs with the weight of unsaid things. I hope you win. The words rang in his ears, curling around his thoughts like a vice, and for the first time in his life, victory felt like a consolation prize rather than a triumph. 

He exhaled, slow and measured, running a hand through his hair as if to steady himself, but the ache in his chest remained—something raw, something unresolved. He should have stopped her. He should have said something. But all that remained was the quiet hum of the city outside and the space where she had stood, her absence louder than any of the words they had spoken. What had he just done?

φ

MONACO, 2024 – ONE WEEK LATER.

(Y/N) moved through their apartment with practiced efficiency, collecting the last of her things. The space was eerily silent without Max’s presence—no sound of him pacing while on the phone with his agent, no distant hum of the simulator running late into the night.

She had always loved this apartment. It had been their home together, the place where they had grown from teenagers in love to adults navigating life side by side. Every corner held a memory—a lazy morning spent tangled in bed, a quiet evening watching the sunset from their balcony, a passionate night lost in each other's bodies, the scent of Max’s cologne lingering in the hallway.

But now, all those memories felt like ghosts.

She moved to the dresser, opening the top drawer. His shirts were still there, neatly folded. She hesitated before picking one up, pressing the fabric between her fingers.

It smelled like him. Like home.

Her breath hitched.

She had fought for them. She had given everything.

And Max… he had let her.

She placed the shirt back, smoothing it down with trembling fingers before shutting the drawer.

There was nothing left for her here.

Her clothes were gone from the closet. The photos of them that had once decorated the walls had been packed away. It was as if she had never been there.

And maybe that was fitting.

Maybe, in the end, she had always been a ghost in his life—something present but never permanent.

She exhaled shakily, picking up her bags. The apartment door loomed before her, the final threshold between the life she had built and the unknown future waiting beyond it.

As (Y/N) stood in the doorway one last time, she hesitated—just for a second.

φ

MONACO, 2020

The apartment smelled of fresh paint and new beginnings. The floor-to-ceiling windows bathed the living room in golden afternoon light, the Mediterranean stretching endlessly beyond the balcony. (Y/N) stood in the middle of the half-unpacked chaos, a cardboard box in her hands, watching as Max struggled with assembling a bookshelf. His brows were furrowed in frustration, lips pressed into a thin line as he fumbled with the instructions.

"You know, for someone who drives at 300 kilometers per hour, you’re really bad at putting things together," she teased, biting back a laugh.

Max shot her a glare before tossing the manual aside. "I don’t need instructions," he huffed.

(Y/N) arched her brow. "That’s exactly what someone who definitely needs instructions would say."

With a sigh, Max slumped onto the floor, running a hand through his hair. "I hate this already."

She set the box down and moved to sit beside him, nudging his shoulder with hers. "Maybe if you let me help—"

He turned his head slightly, eyes softening as he looked at her. "You’re really here," he murmured, as if the reality of it was only just sinking in.

She tilted her head, amusement fading into something more tender. "Of course, I’m here. I wouldn’t be anywhere else."

The pandemic had changed everything. Racing was postponed, the world had slowed down, and in the stillness of it all, they had found themselves craving something more permanent. She had just finished her literature degree, unsure of what came next, but when Max asked her to move in, the answer had been easy.

"Are you sure about this?" he had asked her a week before, voice hesitant over the phone.

She had smiled, even though he couldn’t see it. "Max, I’ve basically lived in airports and hotel rooms with you for years. At least this way, I finally get a closet of my own. Besides, I can't spend another minute with my brother and Dad while on lockdown." She said with a laugh, Carlos protests could be heard in the Background.

Now, sitting in their new apartment, surrounded by boxes of their intertwined lives, she reached for his hand. "I think we’re going to be really happy here," she said, squeezing his fingers.

Max exhaled, leaning his forehead against hers. "Yeah," he murmured. "Me too Shatje. Me too."

And for a long time, they were.

φ

How did we end up here?

The truth was simple. She already knew.

She had loved him more than she had loved herself.

Love wasn’t always enough.

People grew, evolved, sometimes in different directions. Some fights were worth having, but others—others only proved how much two people had already lost.

Love wasn’t enough for them. No matter how much they had tried, no matter how much she had wanted to fight for them, it wasn’t enough.

And with that final thought and one last breath, she stepped forward, closing the door behind her, and walked away.

[andy-wm]

"Who's been sleeping in MY bed?" the little one asked

I had a comment on my previous post asking if Jimin & JK stayed at the same hotel in NY and I realised I had assumed Jimin stayed in JK's room. But I don't think he did and I have thoughts on this whole situation.

[[ETA a few ppl have mentioned they had to read this twice. I apologise that this post jumps around and meanders and side-tracks all over. Believe it or not i did try to organise it... unfortunately it's an accurate representation of my brain]]

It's taken a few (probably way more than necessary) hours of looking at every bloody room in the Loews-Regency NY, and going back and forth between Are You Sure, I am Still, and the AYS behind clips to work it it but I can confidently say I know exactly* what unfolded on the night Jimin arrived in NY...

*clearly a lie, since we never REALLY know anything... However by collecting all the clues** left in these 3 series I do have a lot of circumstantial evidence. Combining that with a bit of deductive reasoning and a healthy dose of speculation, I have a decent enough theory.

** This cannot be accidental. The same people would be responsible (to an extent) for all three series. They have managed not to re-use any content, except once or twice we get the same scene from different angles. And that means we have a lot of information. BH knows army well enough to know we are absolutely going to gather up the (red) threads of these series and stitch together a story.

This is what i know:

Jungkook was in a Two Bedroom Suite - he had the master bedroom.

A Grand Executive Suite was used as a dressing room (but not much else).

Jimin had a Grand Executive Suite to himself (almost).

This is what I have reasonable evidence of:

Jungkook's master bedroom in the two bedroom suite was clearly used. Clothes on a chair, two open suitcases, personal items on the nightstand etc are evidence of the space being occupied. However when we saw him packing to leave for AYS, the bed looked largely unused. A dent in one pillow (the other pillows thrown across the bed) shows someone lay down on the bed, but the comforter was undisturbed and even the blanket at the bottom of the bed was still in place.

At first i was amazed that JK's suite is shown almost without restriction. It is not treated as a private space. But then i realised we see a number of staff moving in and out of the space too. It dawned on me that even though JK has an area for his own use (the master bedroom) this is considered a work environment, much like the hotels in BV and ITS.

So it's unsuprising that when filming, the staff casually follow JK around as he does his thing, even making a point of showing spaces we wouldn't otherwise see - like the master bathroom with its great big tub. Jungkook himself invites us into the living area when he checks on reactions to the Seven MV. and in AYS we get a glimpse into the kitchen.

We don't get to see the second bedroom or bathroom so I assume a staff member - maybe JK's manager - used those.

Compare this to the way Jimin's space is treated:

Jimin's suite is treated - mostly - as a private space. It's not just careful editing. By the actions of the staff members filming him we can see they are very aware of this.

We see it at the start of AYS when the staff member wakes Jimin up. They stay in the doorway of Jimin's suite, literally not even stepping inside. We see only a glimpse of the (second) bathroom, and the footage is cut when the camera pans away. Jimin seems quite cheerful about being on camera despite his sleep swollen face and his bed hair, but nevertheless the staff member doesn't enter his room.

On both occasions when we see Jimin's suite, the staff member recording him is cautious about being his space.

That's not something we often see when BTS are on camera - especially not as overtly we saw it here. The privacy of Jimin's suite is very obviously being respected.

Packing for AYS: Jungkook vs Jimin (and the MOOD)

In the Behind clip for AYS we see both of them packing for their getaway.

Jungkook seems quite unbothered about having his packing process documented as he moves around the big suite. It crosses no boundaries for him. He hums and haws about what to take, he chats to the staff member, and he talks to the camera as he moves from room to room. He knows he's working and this is part of his job.

Jimin, on the other hand is rattled. He stuffs his clothes into the cumbersome bag with visible annoyance, not even taking the time to open the bag properly.

Now remember, Jimin is a performer. He goes out of his way to be charming and entertaining. He knows how to turn that on for the camera and in this moment he's choosing not to.

He doesn't engage with the audience.

He doesn't talk to the staff member.

He doesn't turn towards the camera.

He gives nothing.

He huffs in exasperation as he struggles with the bag, and his movements are tense and abrupt.

Prickly is the word that comes to mind, but honestly that doesn't even cover it.

When he's done packing, he snatches that bag up and marches out of the room without a second glance.

His hair covers his eyes like a shield as he walks toward the camera but the tightness in his neck and jaw betrays strong emotion.

Yeah he's not happy

He slips through the half open door and strides down the hallway.

I get the feeling that if the staff member didn't move fast enough, Jimin would run them over.

When something like this happens, my response is usually to look closer, so let's do that.

Firstly Jimin is a consummate professional. He can usually put a good face on any situation. But in this case he doesn't even seem to try. I guess whatever is bothering him is not something he can or will just brush off in that moment.

So what's actually happening here?

What is it that's pissed Jimin off to such an extent?

Let's look at it again...

They are filming him pack his bag. The staff member stands closely beside Jimin and focuses only him, his bag, and the sofa.

Let's be honest, there is absolutely nothing interesting about this scene (except the implications we are currently unpacking).

They could have made this count for a little more, maybe by panning around the room or changing the position of the camera in relation to Jimin. But they don't. Even when, by chance, there's a glimpse of what looks like takeout containers on the coffee table and some random debris on the chair behind Jimin, the staff member moves so that we only see Jimin, the bag and the sofa. That is all we're getting.

That's a clear decision and there has to be a reason for that decision.

When they leave the room, we have an abrupt cut before the camera backs out the door and down the hallway. That's another clear decision. The staff member could easily have moved behind Jimin and followed him out of the suite but this keeps them - and us - out of Jimin's personal (private) space and he remains the literal gatekeeper to that room.

Once they are out of the room Jimin lifts his head briefly, shakes his hair out of his eyes, and strides purposefully - defiantly even - on. He still doesn't interact or make eye contact. He still isn't giving them (or us) a damn thing, and even the funky upbeat muzak they've used can't alleviate the tension in this scene.

So why is Jimin in a mood?

We know Jimin was there for one night before they began filming for AYS. So all this takes place before filming for AYS began.

And that, in my mind, is the key.

Jungkook was promoting his album and he expected to be on camera. He knew the space he occupied was a filming location. Jungkook was already at work when he was packing for AYS. but Jimin was not.

Okay, but this a BIG MOOD... what else is happening?

It's not the end of the world to be asked to start your schedule a little earlier, is it? We know Jimin was already awake...

But they came into his room.

I don't believe he expected to have anyone in his private suite - anyone besides Jungkook. And I don't believe he agreed happily, based on his behaviour.

I'm 99% sure Jungkook spent the night in Jimin's suite for two reasons.

Logically it makes sense that they would choose the place they have the most privacy, and even though Jungkook had the master bedroom and a private bathroom in the bigger suite, that is a WORK LOCATION. It's not his private space.

Add to that Jungkook saying he was packed and ready to go, and only needed to brush his teeth which he would do when Jimin arrived. He even told us where he would be putting his toothbrush (future tense).

It's not hard to guess where his toothbrush was. And why.

So we have two healthy young adults who (we are told repeatedly by Jungkook) have barely seen each other. The flirting started at the restaurant, and we've already seen the evidence of a night spent in energetic passion.

And we have a closed-up room. I don't know how much air would be circulating in that room with the blinds down and the doors closed. I don't know how much air would need to circulate to remove the ...how can I put this delicately? the ripe and musky scent of celebration. I expect there was A LOT of celebration...

And we have Jimin. Jimin is MESSY. Jimin breaks mosquito nets and marks people's necks and pushes boundaries even in public. He throws his things about with not a care in the world... clothes, yes, and other things. How many of Jimin's tissues has JK picked up? You get the picture. It's a Biohazard.

Lastly, we have (or had) an expectation of privacy, of no staff, of restricted access.

Now there's a person in his private space unexpectedly. And they have a camera.

So Jimin is pissed off.

I'd be pissed off too.

He seems to be over it by the time they're filming the preamble to AYS, but he obviously felt compromised and deeply uncomfortable. I am glad he made it clear he was unhappy.

This highlights for me the importance of them having agency over their content and their personal time and space. On this occasion he must have reluctantly (and with conditions) agreed but I hope that in future his boundaries are respected.

I hope even more that ARMY (and Jikookers especially. I hold us to a higher standard) remember that their personal time and space is precious to them, and they deserve to enjoy their lives away from the public eye. Like the rest of us they should have the freedom and confidence to do what they want (no matter how messy) without the fear that someone with a camera will invade their space and record them.

Please don't go to Jungkook's house, even while he's not there. It's not a tourist attraction.

[theunsinkableship1]

DENIAL IS NOT A RIVER IN LUKOLALAND

⚠️DISCLAIMER: This is Lukolaland only. Skip if you don't believe.

Denial is a river in LUKOLALAND?

This has to be a joke, right? Some responses that I have received on my latest posts on TT and Tumblr leave me perplexed. Let me make something clear: I’m not here to convince anyone of anything. You have the right to believe whatever you want, that’s your prerogative. However, this is a Lukola space. It’s a space that exists to celebrate their connection, to nurture it from afar, because it shines brightly and is uniquely beautiful.

I don’t know them personally. I can only judge from what I’ve seen and heard, and I fully acknowledge that my perception is biased. My interpretations come from the way I read into their actions, their words, and their patterns. What I share here isn’t fact, it’s speculation based on observation. The only thing I know for sure is that I don’t know what’s really going on.

First and foremost, they are colleagues and FRIENDS. They’ve said that multiple times, and I believe them. For those who doubt their friendship, I don’t know what to tell you. That’s the foundation here. If you don’t even believe in their bond as friends, this probably isn’t the space for you.

But here’s where it gets complicated: they’re not just platonic friends. You may have missed it, but the signs are there, publicly available. You just need to pay attention. I’m not talking about outlandish theories; I’m talking about what’s right there if you’re willing to see it.

I believe they’re in love with each other. As for their current situation? I’m not certain. But the level of plausible deniability in their story doesn’t make sense to me. Maybe it does to you, but for someone who thinks in layers, patterns, double entendres, and undertones, someone who loves words and has studied communication and PR, this whole narrative is anything but straightforward.

Leaving this much space for misinterpretation is a choice. If they wanted to shut this down entirely, they could’ve done so with clarity and finality. It’s not that they can’t make themselves understood without being misconstrued, they absolutely can. But they haven’t.

It’s wise to keep a level of doubt, it maintains objectivity and prevents overreach. However, when coincidences stack up and patterns emerge, it becomes increasingly unlikely that they’re all mere misunderstandings or products of plausible deniability.

The more coincidences there are, the less likely they are to be unrelated.

On their own, one or two could easily be explained away, “just friends,” “PR,” or “fans reading too much into it.”

When similar themes arise repeatedly over months or years (e.g., their timing, shared themes, subtle nods to one another), the likelihood of them being mere coincidence diminishes.

The concept of plausible deniability hinges on actions that could be explained in multiple ways. However, the more layers of ambiguity and deniability built into their interactions, the more intentional it feels.

The subtleties of their public dynamic suggest a shared awareness of fan interpretations. They know how their actions are perceived. To repeatedly engage in behaviors that could be "misunderstood" suggests either: a) Intentional messaging within safe boundaries. b) A significant lack of care, which doesn’t align with how thoughtful and calculated they seem to be.

Take Nicola’s recent Times interview as an example. She could have ended all speculation right there,

“A lot of people really want me to marry Luke,” she says with a laugh. “We have this gorgeous friendship. We have such a love for one another and this experience that I’ll never have with someone else again. Isn’t it gorgeous that a man and woman can have that sort of relationship with one another?”

but she didn’t. Why? There must be a reason. And no, it’s not just PR. PR campaigns don’t operate on layers of plausible deniability that stretch across years, interweave with personal moments, and rely on such specific timing.

Isn’t it strange that for two people who have been so close, their social interactions have significantly decreased compared to before? Over the past two years, especially after the world tour, they appeared to have solidified a deep friendship. If the intent is to disengage fans from the idea that they might be secretly in love, wouldn’t it be wiser to interact more naturally and perhaps even acknowledge each other’s perceived partners?

From a strategic perspective, a like, a follow, or a simple interaction on social media could have gone a long way in dismantling the Lukola narrative. Such actions would feel natural for close friends, especially ones under public scrutiny. Their reluctance to adopt this approach only adds to the curiosity. Why not lean into a strategy that would be less detrimental and more effective at quelling speculation?

Perhaps they are more active on private social media accounts, but publicly, the absence of these gestures stands out. If the goal truly is to clarify their relationship and put fan theories to rest, this perceived distance feels counterproductive. The choice to refrain from such actions, at least for now, is, at the very least, curious. Could it be that there’s a reason they haven’t done so yet?

Both Luke and Nicola have had ample opportunities to firmly address and deny the Lukola narrative. While they’ve made passing comments about being friends, these have lacked the clarity and directness that would fully quash the speculation. Why leave the door ajar if they truly wanted to shut it?

Their reduced interactions seem to have coincided with the conclusion of the promotional period for Bridgerton. During promotions, they were actively engaging with each other and the fandom, fostering the image of a close bond. The sudden change afterward could indicate a deliberate decision to recalibrate public perceptions of their relationship.

The decrease in public interactions after the “papgate” could be their way of managing fallout from the incident, yet it raises questions: Why would two close friends need to distance themselves so noticeably? It suggests a calculated retreat to reduce speculation. However, this strategy seems counterproductive, as the abruptness of the change has drawn more attention. A gradual shift, paired with natural acknowledgments of their respective supposed personal lives, might have been more effective.

It’s possible they’re still VERY close privately but have chosen to limit their public interactions to avoid misinterpretation, or for privacy reasons. If so, this deliberate choice to create distance publicly could point to a deeper connection they’re trying to shield.

This brings us back to patterns. If you observe their public interactions, their timing, their word choices, the double meanings, they’re not random. These coincidences pile up to the point where it’s hard to believe they’re all meaningless. Their bond transcends the boundaries of PR, platonic friendship, or even ordinary relationships.

If you reason in layers, you’ll see it too. The amount of room they leave for interpretation is extraordinary. It’s not just about what they say, it’s about what they don’t say. It’s about the undertones, the pauses, the way they navigate questions, and even the things they choose to share (or not share) on social media. All of this seems to be deliberate. The picture is larger and more intricate than it seems on the surface.

For example: Am I truly supposed to believe that Nicola, who has a higher degree in English and a major grasp of language, would post a Scrabble board with so many elements that could be interpreted through a Lukola lens purely by coincidence? Yes, she’s an avid player of word games, but let’s examine the board itself. It reflects competent but not advanced gameplay, logical and adhering to Scrabble rules, yes, but lacking the level of complexity, strategy, and nuanced word choice you’d expect from someone of her linguistic caliber or from a player displaying their skill.

For me, this was never just about showing off her love of Scrabble. It felt intentional, like an intended message rather than a casual post. If the goal was simply to share her hobbies or an aesthetic moment, she could’ve easily posted a picture of herself playing Scrabble, perhaps with a pint of Guinness in hand. Or she could’ve showcased a more advanced board to reflect her skills or creativity. Instead, she chose this specific board with these specific words, words that align so conveniently with a narrative many of us have come to associate with Lukola.

And let’s not forget her self-awareness. Why would someone who knows how deeply her posts are analyzed by fans continue to share things that are repeatedly misconstrued? If she didn’t want the association, why add layers of ambiguity, such as the now infamous “the very demure, very mindful” quote? What was the reason?

Just two days ago, she posted a photo in her best of 2024 the phrase "if you know, you know." Let’s be honest, how many Lukola edits have we seen that riff of "when you know, you know"? If this wasn’t related to that, what exactly was the point of the “random” quote?  Is it public knowledge or is it something only some know? Nicola is anything but random on social media. She’s chronically online, she’s clever, and she’s incredibly aware of the narratives circulating around her.

These patterns, Scrabble boards, cryptic quotes, wordplay, and selective ambiguity, don’t feel accidental. They feel curated. For someone so skilled with words and communication, there’s intention behind these choices. If it were just for fun, she could have chosen countless other ways to express herself that wouldn’t leave so much room for interpretation. But she didn’t. And for me, that’s speaks volumes.

I’m mainly talking about Nicola here because there’s simply more material to analyze, her posts, interviews, and public interactions offer more clues and layers to unpack. However, Luke’s activity, or rather, his noticeable lack of activity, is equally intriguing and worth examining.

Luke has always been more reserved on social media compared to Nicola, but his recent silence or carefully curated posts stand out. He’s not just absent; he’s selectively absent. There’s a difference between being inactive and deliberately staying under the radar. For someone who previously shared glimpses of his personal life and participated more openly in fandom engagement, his current approach feels intentional.

When he does post, the content often seems neutral, leaning into professional promotion or generic life updates. Yet, the timing or lack of acknowledgment of certain things, whether related to Nicola or even his supposed personal relationships, leaves room for speculation. It’s almost as if he’s consciously avoiding feeding into narratives while simultaneously not shutting them down.

For instance, why hasn’t he addressed certain rumors head-on, as he has done in the past with other relationships? Luke has historically been upfront about his. It’s a choice.

Considering that Luke has been involved in other projects and worked with other co-stars since the end of the Bridgerton world tour, the ratio of content related to Nicola remains strikingly high. Among the limited glimpses he does share, Nicola accounts for the largest percentage of reposts and interactions. What’s even more telling is that the majority of this content is Lukola-focused, centered on his dynamic with Nicola as individuals, rather than strictly Polin-related, which would be tied to their characters and professional pairing. Yes, she is his MAIN co-star within the Bridgerton universe, but this level of engagement is noteworthy.

This isn’t to say he doesn’t appreciate or acknowledge his other co-stars; it’s just that the weight of attention, however subtle, consistently gravitates toward Nicola. Whether it’s the choice of what he reposts or the absence of comparable attention toward other colleagues, the pattern emerges loud and clear.

If we analyze this through a lens of probability and statistics, the numbers paint an even more intriguing picture. Let’s say Luke has worked with five to seven notable co-stars in other projects and in Bridgerton, if he has been tagged in or had the opportunity to engage with 100 pieces of social media content since the world tour. If Nicola accounts for, say, 60% of the interactions and reposts, despite being one of many co-stars, it defies the expectation of a more even distribution.

For context, if he were equally invested in all professional relationships, the engagement with Nicola might hover closer to 15-20%, proportional to the size of his broader network. The fact that this number is so much higher, let’s conservatively estimate at least three to four times greater raises questions. Is this simply because of their shared Bridgerton fame? Perhaps. But then why focus on individual Lukola moments, bypassing more neutral or inclusive Polin or broader cast content?

From a mathematical standpoint, the odds of this being purely coincidental diminish significantly when you layer in the context:

Nicola has the highest percentage of reposts across Luke's social media activity.

The type of content intimate, personal, or Lukola-specific reflects a curated choice, not random selection.

Even in a professional context, where Polin content would be the obvious promotional focus, the Lukola-centric moments shine through.

Given the numbers and probabilities, it seems less likely that this pattern is accidental or merely reflective of professional obligations. Instead, it suggests an intentionality that aligns with the depth and uniqueness of their connection.

Promotion for Bridgerton Season 3 has come to a halt, creating a quiet period where we can observe and compare how Luke approaches the promotion of his other projects.it could highlight how unique his dynamic with Nicola truly is.

The nature of the content he shares for other projects will be equally telling

By comparing these promotional efforts both in terms of frequency and tone to the patterns established during the Bridgerton promotional cycle, we could gain insight into whether his approach to Nicola was truly unique or simply part of his broader professional routine.

When coincidences pile up, their probability of being just coincidences shrinks dramatically. A single instance might be random, but repeated instances with similar themes, timing, and emotional undertones suggest a deeper meaning. While maintaining doubt is reasonable, the sheer volume of these moments suggests that there’s more at play than mere misunderstanding. It’s not about overreaching, it’s about acknowledging that where there’s consistent smoke, there’s likely some fire. What type of fire is there currently? I’m not sure. Are you? Probably an Eternal flame.

[the-real-couchrat]

Post ending / rescue AU / recovering Curly is everything to me, so I’m making a list of other people’s posts that feature him. (The links will connect to a reblog of them in case anything ever happens to the original post)

If anyone ever see’s posts like these ones, PLEASE tag me in a reblog!! All posts are welcome, not just art!

Please note that I don’t decide what to add to this list based on shipping, opinions on the metaphors in the game, the accuracy of burn scars, the morality of Curly, or anything else that causes discourse in the fandom. I just add any posts that I come across that include Curly recovering from his injuries in any way. Prosthetics, wheelchair, wig, crutches, It just needs to have him in better shape than when he first got injured.

No NSFW

(Also this post is edited to add new ones when I find them)

Rehabilitated Curly

Party with no Jimmy

Stand around in medbay party (Idk if this counts, but he has prosthetics so I'm saying it does)

Happy abortion!

Post-ending speculation (text)

20 years later (I AM NOT WORTHY TO LOOK UPON THIS WITH MY MERE MORTAL EYES)

ANYA’S GRADUATION DAY

Post ending

Rescue/Recovery AU

My own post! (text)

Aftermath Curly

Good ending

Best way to approach captain’s disability?

A little sketch

They care

“I wouldn’t want to frighten her”

Anya doesn’t quite overdose

They’re safe

Guys rate my fanart

WWI face prosthetics

Less fucked up Curly AU

Fix-it type AU

Silly recovering time

Curly got some gifts for his b-day

Imagine Curly survived (twitter)

Curly with a service dog

I’m not a dog and you’re not a mare

Drawing the dentalcare crew (does this count?)

The quality will not be questioned

Fix-it AU

Want to make Curly some cool new mechanical hands so he can strangle Jimmy

One can dream

He’s got a wig now

Happy ending where they all survive (devianart)

It hurt my heart (twitter)

God forbid I get sick (translated?)

This might be controversial but… (text)

Let’s get you out of the house!

Cyberpunk AU

Cartoons with breakfast

Old-school surgeries (text)

Post-ending fic prompt (text)

Post-rescue AU curlyana

Post-rescue curlyana part two

Why is this goddamn white boy so hard to draw?

Captain stop infodumping the baby

Maybe never forgive

Draw Captain Curly having a prosthetic limb

Curly from Mouthwashing (good ending)

This is how I imagine Curly post OP

whats the worse fate, whatd be better for the tulpar crew

Wip

🐈

Mouthwashing AU (Reddit)

Curly if he survives (Reddit)

My own art

I’ll give him smoochies, prosthetics, and skin grafts

Art dump time✨

Hoppin on da trendin train

The crew built curly a mechanical hand

How to give Captain Curly a voice (idk if this technically counts, but it’s a disability aid so I will)

Doodle of the Tulpar crew post-rescue!

New hyperfixation just dropped

Hi Tumblr. Funny seeing you here

Another rehabilitated Curly

Who up washing they mouth rn

Don’t use the dog buttons (text)

Haunted part one and two

Prosthetics

AU were someone saves them

Mouthwashing doodles

A New Ladder-Reader x Curly (I’ll add the original art videos when I can) (also I didnt read it. if someone did read it, please let me know if it’s SFW)

I know he always have his headphones on

More rehabilitated Curly✨

You guys like this right

Anya, what’s it like working as a medic on a spaceship?

This is how we can still get the good ending

“I’m sorry Anya”

More cringe mouthwashing art be upon thee

Curly’s happy (and recovering) ending

Writing an AU of mouthwashing where the crew survives

Most people seem to be giving him prosthetics…

Doing a bit of study

2

Ladonb Kokosa (TikTok account, LOTS of great videos )

Giving the mouthwashing characters what they deserve (TikTok)

Zest for life

How I think the Tulpar crew would make YT videos

Edit: I am no longer seeking out these posts, and new ones will only be added if I’m tagged or such

[zuzu-draws]

So after the spoilers for Chap 257 dropped, I saw some tweets clarifying the meaning of the Kanji Sukuna used in the chapter when referring to his mother, and the overall reveals in the chapter got me thinking.

I’m making this post as a way of gathering my thoughts, personal speculations and where I think all of this connects to Sukuna’s character and the information Gege has given us over the years. Nothing I say is by any means new information, but like I said, I’m just collecting my thoughts here. By the way, just a warning, this post contains SPOILERS for the JJK Manga! If you don’t like that, please don’t read this!

Something I’ve noticed is that the theme of “Hunger” and symbolism of “Cooking/Food” is heavily referenced with Sukuna throughout the Manga. Gege in a previous Fanbook has disclosed Sukuna’s favorite Hobby to be “Eating”.

This theme is again very much ingrained within Sukuna’s cursed techniques and even his Domain Expansion, the “Malevolent Shrine”. With his two main techniques being “Dismantle” and “Cleave” are cutting-type attacks. He is also able to use a Flame-Arrow, and Fire is essential for making Food. The Shrine in his Domain Expansion literally has mouths on all sides, looking eager to chew down anything in-front of them!

This symbolism also heavily influences Sukuna’s own manner of speech, and the way he speaks to other characters in the series as well. With his post-fight chat with Jogo before his death, Sukuna mentions Jogo lacking the “Hunger” to take control of his desires, preventing him from reaching the heights of Gojo Satoru. Before the Start of their fight in Shinjuku, Sukuna called Gojo a “Nameless Fish on top of his cutting board”, and that he was going to start by “Peeling off the scales”(refering to Gojo’s infinity). There’s also further symbolism that supports this by analyzing the Kanji and meaning of Sukuna’s “Malevolent Shrine” but I’m not very educated on that so I won’t be opening that point here.

What all of this points to is that Eating and Food……is extremely important to Sukuna, to the point that it literally affects him in manners innumerable.

Eating is an instinct, a necessity for the survival of every single living being.

And In the face of extreme Hunger and starvation, even those with the strongest will could lose their Humanity and revert to the basic animalistic side of their existence. (The Heian Period also had a Famine, although I believe the timing to be a bit off, but do with this info as you see fit)

In JJK Chapter 257, it is revealed to us that Sukuna and his Twin were most likely starving in the womb of their starving mother.

On the brink of starvation, Sukuna had to consume his “other self”(his twin), so that he could survive.

Btw, this tweet and this thread gives additional characterisation to Sukuna:

Link to the original thread: Link.

More context (and reactions :P):

Link to original thread: Here

This reveals to us that indeed, Sukuna was born a twin. And as we all know, “Twins” are seen with extreme scrutiny in Jujutsu Society, they’re not well liked. This too in a period where Cursed Spirits and Jujutsu Sorcery was at its peak, it is not far-fetched to assume that his Mother may not have been treated very well by the people in her surroundings, especially as she bore twins.

When Kashimo asks if Sukuna was born the Strongest or if he made himself the Strongest, this is the response Sukuna gave to him:

When you think about it, how do you think the people around them would have reacted when the woman: who was supposed to birth two twins, gave birth to a single child instead? and that child had consumed his other twin in the womb itself?

No doubt people would’ve been horrified, disgusted and even revulsed. With the woman and her newborn child.

This would’ve led to their further ostracisation in the already very close-minded society. Unable to fend for herself and her newborn child, it must’ve been difficult for Sukuna’s mother to survive. I feel like somewhere along the line, Sukuna was left alone to fend for himself at an extremely young age. To protect himself from both Curses and Society alike.

This is why I believe Sukuna knows what true starvation, weakness and hunger feels like. Both in the emotional and literal sense. He was left without another person caring about him or his well-being, in a cut-throat period where it was “Fight or be killed”.

Powerful curses roamed all across Japan, nowhere was safe. Simply be strong, or you'll die. There's no room for weakness. And initially, a kid!Sukuna was weak, as anyone would be in the beginning when they're just starting out in this world. (and maybe, he didn't have much to eat, leading to long periods of starvation? :') )

I believe it is this debilitating hunger, and feeling of weakness that eventually led to Sukuna’s current Hedonistic mindset.

He’s essentially traumatised by it, and believes that it was his own weakness that led him to experience this sheer starvation. That he deserved to feel this way because he was weak then. Perhaps, the people around him were right, that as long as they have the power and strength to overcome anything, they’re free to do as they please; And there is nothing anyone else could do about it.

I feel like the irony here is that Sukuna himself, must’ve been a “weakling” before eventually rising the ranks to become History’s Strongest Sorcerer. This is also why he values Strength so much.

Ultimately, Sukuna has decided that there was nothing more important than being strong enough to fulfill your own desires. And “eating” is one of his most important desires. It’s his favourite thing to do, the one he derives the most pleasure out of. And like an animal, whose main focus is to consume, consume and consume. He too, simply consumes.

Most morals likely have no meaning to him. He doesn’t care who he hurts, what he does, as long as he’s able to get what he wants. And this isn’t limited to eating.

This is why people referring to Sukuna as a “Natural Disaster” is so befitting of him. Because Natural Disasters also don’t care about what or who they’re destroying, they just come and go, wreaking havoc appropriate for their nature and magnitude.

I believe Sukuna himself has said lines similar in nature, when talking to Kashimo:

Now I’m not sure how Sukuna perceives or even experiences this “Love”, because I think he has a rather very warped idea of it. I do think that this definition of love is similar to the one that Gojo also understands, but I don’t think he knows what “love” truly is. I’m not sure how I could comment on this, but I do think that Sukuna’s emotionally starved, whether he realises that or not.

Because, like Kashimo himself asked Sukuna “What is the point of dividing your soul into 20 different parts and then traversing across time if you’re satisfied with this?” we do not know the answer to that yet.

But many people have speculated that “Black Box” panels in JJK manga represent a curse (either self-inflicted or put by someone) on the speaker. Like, take a look over here where Sukuna reiterates the same dialogue, except it looks like he’s trying to reassure himself:

This once again shows that Sukuna has only ever strived for himself, in the same hedonistic fashion, to a very very extreme degree. It is possible that he's been lacking something, and he himself does not realise that he’s lacking it. Maybe it was this subconscious feeling, that led to Sukuna agreeing to Kenjaku’s plan of dividing his soul into 20 different parts, and to traverse across time as a Cursed Object.

Sukuna’s an incredibly complex character, and I’m excited to see where this goes. Gege has put extra care in the way he characterizes and depicts Sukuna, and again, I’m really sad that a lot of that characterization gets lost in translation. Still, I’m going to try my best to understand and get the most accurate feel of his character as I possibly can.

If you made it this far, Thank you for reading! And if you would like, please do leave a comment in the tags or replies because I would love to read what other people think of this and just Sukuna in general. I do not see a lot of people doing critical analysis of him, and a lot of his actions are seemingly swept under the rug. I don’t like that, so hopefully this contributes to people focusing more on Sukuna and his character. (/^v^)/ <3

[accio-victuuri]

BURN AFTER READING. 🍭🍬

i have never made a post with this title before, but i have shared some cpn/speculation that deserve to be burned after reading. lol. this term is often used by cpfs for a candy or info related to the boys that may be “dangerous” — so you have to get rid of it after reading. but for my version of it, let’s describe it as something that is a level up from galaxy brain cpn. it’s the kind of cpn you will think twice or thrice before making up your mind about. 💫

we have (2) topics here and just a disclaimer that i am not confirming anything here. this content is for cpf only. don’t take it seriously!

(1) Who is An Huibo 安慧博?

fans noticed that there was a “stand in” credited for the we and life of us music videos and that is this person. think of it as a body double. it makes sense cause aside from that scene in WE, there are times that xz’s figure is against a backdrop so maybe they needed someone to do that. the clowning began when people were thinking about, what if the other xz in WE mv is actually WYB ⬇️⬇️⬇️

i can think of a couple of different reasons why this could be false but the strongest explanation for me is that xz will not allow wyb to so something like this. he is very superstitious. even if this is just acting, he will not allow them to act out a scene of betrayal. that for me is enough to shut this all down. but on the flipside, maybe wyb wanted him (xz) to play his first villain role opposite him in this music video.

now we have the reasons why fans think this is something worth looking at:

1. XZ and this An Huibo are the only 2 credited actors for both MVs. so it seems kinda special.

2. The director of this is LIN, the same one who directed WYB’s redmi advertisement. There are some CPNs both were made at the same studio. Which makes sense cause LIN has his own shooting studio. There is another separate CPN about this but the gist is we think this director is familiar with both of them. So XZ may be comfortable enough to bring WYB along and even include him in the video.

3. It may not be WYB himself, but he used that name to troll us. It’s so close, Huibo. Yibo.

4. I saw this explanation as well:

If "Anhuibo" is read according to the French transliteration as An Huibo, it would approximately read:

[ã чi bɔ]

·ã: similar to "ang";

·qi: similar to "wei" in Chinese, but lighter and soft;

·bo: similar to "wave", slightly shorter.

5. As a CPF, it’s so easy for our alarm bells to ring if you read that name. An alias of sorts for Bobo. some are saying he used this kind of jumbled name to combat the bad aura of their scene together. Since he is superstitious, this removes yibo’s name and identity as the stand in who stabbed XZ’s character. if that makes sense.

maybe we will know more when they release the behind the scenes video. that is if they show who this stand in is. let’s add this to the bjyx clowning vault in the meantime.

(2) XZ look-alike in the recent GRA

i was talking to @rainbowsky about this and my initial reaction was, cpn aside, i’m surprised at how people notice these things! which i actually should be used to considering turtle’s attention to detail, but still!

so here is the “evidence”

👀👀👀👀

like all other turtles, i’m someone who has stared at tons of photos of XZ. so i can totally understand why people would look twice at this person. i get i. i was staring at this photo for so long as well. however most of the cpfs comment on this is against this candy and they have valid reasons:

1. Why would he attend and be in the audience? XZ is someone lowkey so if he was there to accompany WYB, he will be backstage. Yes he is brave, but not like this — which seems almost careless.

2. There are names on the chair, so it’s not like anyone can just sit there casually.

3. Even if you believe in the probability, CPFs don’t wanna talk much about it cause it can be anti material. Saying XZ has to hide and can’t show his face in GRA. or why is he even there incognito when he doesn’t even have a project nominated. You all know how it goes, antis can twist the narrative. Plus we don’t want to accidentally expose them if this was true. We should not observe too much and post about it cause it will make it harder for them to do something similar in the future.

4. How did this person go unnoticed? Everyone had to get inside the security and there are cameras everywhere. He should have removed his cap and mask which — it’s impossible for someone to not notice XZ ( or is it? ). another thing is maybe he went to a diff entrance??

5. Some are washing it and saying it’s Yibo’s MUA.

Please take that last point i mentioned and carry it over to the reason why this look alike is sus. People are able to confirm that this is not WYB’s MUA because he was wearing a different cap. Even the hair and daresay the ears are not the same. and why would a MUA even be there? If WYB needs touch ups then they should do it backstage. If for some reason it has to be while the broadcast and recording was not on or was on a break, he should not sit there and act like a guest.

Yibo’s MUA, Wang Yiduo has been with him for years. He has years of experience being around celebrities and attending these events before WYB. So he knows the decorum. He will not sit there and act like a guest just because he feels like it.

I’m curious too, who is this person who can walk in— in an event filled with people that are dressed up and then come in with a mask and casual clothes. To be allowed to sit there. Who is special enough? Probably a celebrity? and that’s why some think it could be XZ. Even the staff and assistants during the event are dressed up which made this person stand out. As for the CPN explanation, it’s nice to think that XZ is so proud of Yibo’s nomination that he has to be there. He will find a way to be in the audience and witness this special moment. 💕

I think this can easily be analyzed more if we have the video but i don’t have time to rewatch the whole GRA and wait for this cut. Cause i wanna know if it’s even there, that’s how much we question things here! 🤣 It’s so sus to me that we only have the screenshots and no video when CPFs are notorious for having concrete evidence. personally, it reminds me of the SDC3 incident but this one is still pretty outrageous considering it is a public event.

take what you want with this information. and as always, when it comes to BJYX: ⬇️⬇️⬇️⬇️

sources: one/ two