#this is me trying so hard to let it go

[taylorrepdetective]

She’s really something.

[lotus-pear]

god i love skk sm i wish gay ppl were real :(

[elizzsush]

The Mask | Jason Todd X Reader

Red Hood X Villain Reader

— in which you, a shy nerdy vigilante/Wayne family obsessed barista- is actually a villain that torments the Red Hood at night.

AU: Soulmate (bc I can)

Rating: Sfw

Note: Y/N is based off of Furina from Genshin bc I thought this would be fun and I saw a prompt somewhere, I think? It’s just my interpretation of it as to not step on anyone's toes!

Also, this isn't really a imagine. It's more of an Idea I was thinking of and needed to get out of my head! So that's why it's kind of not finished? Most of my stuff is WIPs anyway so this isn't really new.

_________________________________

You were a popular villain.

People loved you. Maybe not the theft and distraction you caused but hey- we all have flaws? “I will teach this city the true meaning of Justice!” You’d boldly claim standing on the stage that was Gotham city’s tallest building- scarily close to the edge. “Join me- and together we’ll cleanse this city of its evil and corrupt ways!” You’d state so boldly.

You loved for the attention, the lights- cameras and reporters. That’s why the red hood could only shake his head. Another psychopath spewing their ideology like it should be praised- like it was the absolute truth.

Spoiler alert, it wasn’t.

The world wasn’t black and white enough for an ideology to trump all the others and ‘cleanse this city’. Fuck, not this city- not even close. Gotham was just in too deep. Too much crime, too much of a drug problem or a poverty problem- too much of everything. The joker was a prime example of that. The evil of this city boiled up into one twisted person… Anyway, you were an attention seeker, classic villain profile. Does it for attention- maybe mommy or daddy didn’t give you enough love? It didn’t matter. What happened was you were breaking the law and Jason was still on Bruce’s keep an eye on list. So, he’d keep his hands off the bigger more horrible criminals.

Still sometimes, only sometimes, he'd find himself listening a little too closely to your ideals- Like you believed in the death penalty for Gotham hardest to kill roach: The joker.

So, while Red Hood was chasing you... Well, it'd started off small, you’d steal from the rich of Gotham- sometimes even Bruce Wayne himself. -Those days Jason found himself chasing after you slower, not that he’d admit that. It was a classic Robin Hood situation and Jason… didn’t know how to feel about it. On one hand you were breaking the law, in the other, power to the people. Eat the rich.

Jason knew how it felt to grow up struggling so too see you helping people? It was almost nice.

What annoyed him though was your loud, for the people persona. “I will judge all of Gotham! Batman himself can’t escape my judgment!” Okay, slow down… you were fast and agile, but Batman would be able to catch you. And if Jason really put his back into it, he could too. Still, that never stopped you from making bold claims. It garnered attention, it was bold and daring and just what the people wanted. Your ideal matched up with what so many people were fed up with the batman for.

Eventually your behavior began to escalate. He didn’t know how much longer he could keep the Bats eyes from you. “This is a cult...” He muttered while he hides away on the roof of an abandoned building you holed your followers up in for a speech.

“My loyal follower!” You’d greet them with a smile and a bow. You’d put in stage performances. Sometimes with Jason, except he never knew, and the performance was just you and him fighting on the stage. Most days, some days it seemed it was just you acting and being alive on that large stage. Others you were preaching your words to the cult your loyal followers. You were building an empire and catching the attention of other criminals.

An empire that while he agreed with, went against the bats no kill rule. The longer you stood on that stage the less safe from the bat you were.

And no matter how much he wanted to agree with you, a small part of him still wanted... something from batman. You would be an issue.

“How much longer do I have to do this…?”

Red hood was no detective, but he was raised by the greatest one. So, while he was lacking in that department compared to the rest of his family (Even if it was just by a smidge.) He still noticed how after a speech or a fight- your smile, no, your persona dropped.

It was a persona you probably garnered for attention.

but still...

So how…

…That just didn’t make sense.

“Can I have your autograph…? Please?” A civilian would ask shyly, hiding behind a Batman themed phone case with a Robin themed charm hanging from that same phone.

The worst part of it all? You didn’t ask for the Red Hoods autograph. You asked for Jason Todd’s autograph, you were a fan of the Wayne’s. Gotham's golden family. No actually, it was the way you jumped up and down eagerly when you thought he was far enough way and did a dumb victory dance.

He sighed and leaned against the alleys stone wall as he watched you leave. A sense of worry invaded his mind as he watched you in your nerdy and totally lame Superman shirt walking away. All while staring at your phone.

He was surprised you recognized him. He was never in the public spotlight- maybe here and there when he was younger. Not now, not anymore. His death and how vague it was left question. Ones people didn’t ask when he wasn’t there, dangling in front of them like bait to a fish, they’d ask why and how and while they had a cover up: One the bat, the world's greatest detective made up. It still was messy. You must be a real fan.

He wasn’t even sure if that was really you…

It had to be though, there was no mistaking it. So, with your civilian name in his head, he walked back home.

“…so… lonely…” `

[traumawhomst]

The Songbird

Yandere Adoptive Fae King Dad & Child Reader

Part One

King Solaris was in a foul mood, today marked three years since his youngest daughter left to go study with the Northern Sea Witch and he missed her terribly. While three years is not much long to a fae, for a father it seemed an eternity. His court was as it always was, laughter and screams, dancing and bleeding, the same faces, the same smells and he was bored of it all.

“Father,” said his eldest son, watching his father’s tail lash back and forth as he sat on his throne, “might I suggest that you might go for a walk? How long has it been since you’ve been in the crossroads? Surely better to patrol them then stay to stew in your restlessness?”

The King sighed heavily, his flame orange cape draped over the left side of the throne. “Your sister hasn’t written yet,” he said, eyes still on the writhing mass of his court in front of him. His hand moved from propping up his chin to covering his heart, “I should go and see her.”

“Father,” said the eldest son, struggling not to implore the sky herself, “She has not missed a single day of letters, we both know that it will come. Stop sitting like a house cat and find something to take your mind off it until it comes.”

The King sighed even more loudly because he knew his son was right, with a flick of his wrist his cape turned into an emerald green hunter’s jacket standing up. He turned to face his son, seeing the crowd in the reflection of his eyes. His son was taller than him now and it brought a great pride to him. “I leave you to watch til I return my son,” he said with a slight head bow.

His son fully bowed his head, laurel green curls falling past sharp black horns, his hand over his heart, “Thank you for the honor father,” he said.

Solaris couldn’t stop a soft smile thinking of the same boy he brought home all those years ago. He reached out ruffling his sons hair, laughing at the slightly annoyed look his son gave as he stood up height again.

“See you soon father,” said Callan, a touch more dry than before. The King laughed again, turning and completely disappearing from the court.

It had been a while since he’d been in the cross-lands where human and fae territory overlapped. The human area changed from time to time, no one knew where the crossroads would be, and when that would change. When he reached the other side, he found it to be in he same place it had been about fifty years, he counted the years in a tree nearby. It was an early summer day where all the birds and insects were singing together but they knew well enough that the King was not in a fair mood and so went silent in respect.

The King stalked forward hands in his pockets as his mind wandered over the state of the forest, feeling how much closer the humans had settled nearby. He could smell them, even this far away and it irked him more with each passing second. It was odd for the boarder to stay for so long, usually half the time it had been here. He hadn’t cursed a town in quite a while. It might be a good way to bring back respect the humans seemed prone to do.

He was brought out of his thoughts by the sound of a thin reedy but full hearted singing. He clicked his tongue out loud, listening closer to realize it was a human whelp that was singing.

A child should know better than to be loud when the forest is silent. Where is it’s guardian to keep it safe? Or do the humans think we so weak to not show our teeth?

It was an easy task, show himself and play with them a bit, see if they were smarter than their parents. Maybe he’d turn them to a songbird since they seemed to love their voice. A lesson to neglectful parents about teaching your child to walk around the forest alone, as if they owned it.

He did admit that the child did have a rather sweet voice, and he had thoughts of shaping them something into more than just a simple songbird, maybe one that could also speak and mimic. Something he could put in a glass birdcage and listen to when he was bored.

The child was bent over in the dirt, singing some old folk song, hair loosely back dirty and sweaty. Who knows when they last had a bath, the King scoffed internally. Their clothes not much better much too big, covered in a thick layer of dirt. It all only strengthened his resolve to turn them to a songbird they would be treated much better than they were currently.

He stepped into the forest clearing, the air around them both growing thick and wild, a smell of hot summer grass hung like a cloud. The King watched motionless with a smile as the hunched figure froze in place, smart child to know when they were outmatched, no grand heroics or disrespect. The child lifted their face, and the King was oddly pleased, it was cleaner than their hair and he could that the child had spent most of their life facing towards the sun. Their eyes looked the same as a fawn caught in the sight line of a wolf, but their mouth was turned into a hesitant smile.

The King cocked his head to the side at the child’s smile, before he could say a word the child spoke.

“Hello,” they said, their voice soft with a slight tremor but a distinct note of hope, “what’s your name?”

With those simple four words, the Solaris knew that this was to be his third child. A neglected songbird, but with a quick wit and curiosity that spoke of greater things than their tiny village. He wanted to scoop them up, and tell of all the great things they would see and do. But this was not his first time bringing a child of his own. So he smiled as he knelt to be closer to the eye-line. of the child.

“You, songbird, may call me, Solaris, may I know what you to call you songbird?”

When the child’s face brightened, any hesitation was gone, this child was his and he couldn’t wait to bring them home.

[copia]

THIRTY-ONE DAYS OF GHOST ⛧ DAY ONE

first song you heard — Mary On A Cross

September 1969; Papa Nihil and the beginning of the Ghost Project take to the stage at the Whiskey a Go Go club in Los Angeles, under the watchful eye of Sister Imperator. Fifty-three years later, in Tampa, Florida, Papa Emeritus the Fourth performs Mary On A Cross, unaware that he is singing the story of his parents—and that of himself.

[creative-robot]

I know The Founders Cut, generally, is the edited scrubbed over version of genloss from Showfall in-universe (as well as a not-8-hour-long-three-stream-binge-night whenever we want to watch it again) but something that struck me as odd and I haven’t seen anyone mention yet, is this warning

It shows up right at the junction where the third act starts, where it appears the Hero is breaking free of Showfall thanks to Hetch. But here’s the thing, while a LOT less than the previous acts the audience still played a significant role in this act, even when really only given two audience interaction choices. Which makes me wonder, how real is this warning, and who is it for? Obviously the audience involved knows what happens past this point, but the audience is also implied to be an integral part of the Social Experiments, which is part of why things start to tweak out when the Founder removes them in the Founder Cut as the Generation Loss generation loses.

My first thought, was that obviously this is another bait and switch, a way to draw the audiences attention, seeing something that’s secret, something that’s not “meant for them”, which is a tactic I could see Showfall using in universe to keep people’s attention and add an air of mystery to their shows.

But

Showfall is doing all their experiments and these shows with a LOT of help from their censors to show it off, displaying a fun silly show that is definitely not uber fucked up and that is 100% just slime don’t worry about it, it’s kid friendly if it’s green! And I don’t think they’d want to bet all their cards on this one experiment doing well enough to their audience to not question the sudden shift in tone that follows this warning. Which makes me wonder.

They did their test, they did their experiment, and the evidence of this last act? I think it was a one time run, they don’t want anyone seeing this, it isn’t for the audience. Act three is specifically to both test and play with their Hero, Hetch’s new lines add a level to this, never once does he call the Hero by their name, just refers to Ranboo as their Role, and he’s not exactly. Nice? About literally any of Ranboos concerns, which wouldn’t really seem conductive to making an audience trust him, especially with his monologue at the end. Ranboo has escaped before, possibly right before act 1 started, they tightened the security on his mask to be unremovably part of them, Hetch doesn’t like the Hero but they’re a fan favorite so he can’t just get rid of them.

Act three is the cumulation of Ranboo being punished for things they don’t remember, for daring to break free from Showfalls control, this is Hetch taking the Hero and essentially majorly fucking and manipulating them to take his frustration out on a fan favorite they can’t otherwise get rid of or give a smaller role like Slimecicle. which is exemplified by the fact that we now know Charlie most likely was never able to actually able to fully snap out of the control, that even in act three in panic and confusion there was at least still a part of him being influenced by Showfall.

So the first two acts are the usual show, they have their posters, they have Squiggles to introduce them, they have goofs and silliness and only a couple slip ups that’re quickly dealt with, the usual rose tinted curtains. Act three?

Do not watch the following material

[vaguely-concerned]

the fact that they've been blindly deceived

by those who preach, and pray and teach...

A Garashir thing I've been messing around with on and off for a while, featuring lyrics from the song 'Lion's Roar' by First Aid Kit! That song gives me such big post-war Cardassia Garashir feelings, they could trade off singing parts of it to each other and it would fit perfectly.

[what-am-i-doing-in-this-fandom]

Listen, I love OC x Canon as much as the next guy, maybe even MORE than the next guy ever could, but Stanley Pines would NOT date a person that looks like they're in their first year of College.

I'm sorry, but he wouldn't. MAKE YOUR OC MORE AGE APPROPRIATE RIGHT. NOW. 👇😠

[gods-perfect-idiots]

something something blood-soaked hands cradling your face something something

anyway here's the post btw

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[mushiemellows]

Hey bros, does turning the bottom half of your legs into tracked treads count as an assistive mobility device?

Sketch dump from an old unfinished series I like to call "One Piece AU in which everything is the same but we let the quadruple amputee go at his own pace for a goddam second"

He knows all the tricks. But he should have made the grade on that ramp slide a little less steep.

[canisalbus]

you say machete has to be closeted then why's he always wearing them little heels

Maybe he thinks he's a tiny bit nicer looking in them.

[etirabys]

the light, it hangs like jewelry

12x12 inches, acrylic paint and black sharpie

[pepperpixel]

Yadda yadda yadda jinx is generally seen as a loose canon, does whatever she wants type of character, totally unpredictable. When in actuality, up until the last few episodes all of her choices and actions r motivated by wanting to please someone else. Hell. Even in the last couple episodes, the very Last thing we see her doing is ENTIRELY MOTIVATED by devotion and love and grief for silco, she’s taking out her frustration at herself and the world, and also honoring his wishes and dreams. By shooting a fucking bomb at piltover, she’s ensuring his life wasn’t in vain, she’s honoring him. In that moment

Her entire, self!!! is centered around love and loyalty. Is centered around other people, She’s motivated by an insatiable urge to prove herself, to be useful to those she loves, to show that she can help them and be there for them and be WORTHY of there love. That they haven’t made a mistake in loving her. To prove that she can be as pivotal to them as they r for her. She goes to the ends of the fucking earth to do this. And it ends. Terribly.

She puts the people she loves on pedestals and supplicates at there feet, she has no motivations most of the show outside of making the people she loves happy… she yearns for connection and love and safety. For a home that will never leave her behind, or crumble under her feet, (an indestructible home, That she can’t destroy just by being her…)

Which is why.. it’s so. Interesting and intriguing. How now, she has no one on that pedestal to worship, no one to drag sacrifices and offerings to the feet of, no one to spiral around and build herself off of. She is a person so *affected* by her relationships w others, but there is no relationship now, no one is stepping up to the plate to love her. She’s too much. For anyone. The one person who seemed to have unlimited patience for her is dead, because of her. and maybe vi could still love her.. but. She’s already soured that relationship. Already broken that one too. Broken all her favorite toys that made her so happy. That were there for her. And scared all the rest away. (There is a limit to what vi can support and forgive to reconnect w her sister. And I believe terrorism is crossing that limit ghgh)

And maybe, jinx is cutting that part of herself out on purpose. To be stronger, she’s realized she just. Isn’t made for love. That she ruins it all in the end. That it just makes everything worse. Messier. More complicated. She’s better off on her own, but for what PURPOSE! Who will she be now! What choices will she make!?! Almost all of her actions in the show were for others, what is driving her now, now that she has this gaping void at the center of her being. Where love used to be… what kind of person will she become, Without a guide to follow… a sun to orbit around. it’s sad honestly ghghg-!!! like yeah it’s not healthy that she is this way but there’s no THERAPY IN ARCANE. THIS IS THE WAY SHE IS! And now. She’s alone… it’s rough. But also intriguing…!! And I honestly have no clue how she’s gonna act in season 2,,, or what sorta shit she’s gonna get up to. but I’m excited.

[irlmitsumi]

some of you will go to the ends of the EARTH trying to prove that sydcarmy has no evidence just because you can’t stand the thought of your white boy of the month finding a black woman attractive NEXT!!

[bagelvangr]

Act 2 Durge when Shadowheart