#this is long i'm sorry LOL

[bandzboy]

i'm so worried abt soobin like the fact he wrote a handwritten letter & posted it makes me feel so sad.. he shouldn't have had to do that but i understand it was mostly for moas sake. & all i see on twt is moas downplaying it & not treating his situation as anything serious which is pissing me tf off. honestly kpop twt is just a whole shitshow in general but it still somehow leaves me in disbelief how ppl ignore things & would rather fight abt stupid shit than worry abt what's happening to their favs & the emotional & physically things they're going through. like beomgyu literally hurt his foot a few months back & even then he barely got a break???? they scream abt wanting them to have a break and rest but then ignore everything a day later like what???? srry for venting in ur asks but everything that's been happening to these idols is rlly upsetting & the fact these companies keep treating them like objects instead of humans makes me mad, the same way "their fans" try to preach they're not doing but literally treat them the way their company expects, which is like an object. also srry if none of this makes sense its 6am, i should sleep anyways gn thanks for reading all this & srry again for ranting. 😭

don't feel bad for ranting this is all very valid! also i totally forgot beomgyu hurt his foot a while ago and he didn't get proper time to rest for that either omfg but yeah, the way twt stans react to these situations always leaves me in disbelief. they are gonna try to get hit tweets out of this situation and not even do anything about it. i already see tweets on my for you tab of just that and i know for a fact these people don't care about their well being at all.

what i keep learning time and time again, is that kpop fans just want entertainment and to not talk about how bad this industry is towards idols. i feel like, as fans, we should always acknowledge that while we consume their music and see their performances and also consume content. this is a conversation that should be had in our space and should be taken seriously but i remember a while back when my moa mutuals and i were concerned about them having yet another comeback and other moas on twt were telling the moas that were concerned to not talk about it because we were "ruining the mood" and we should be "happy" for them. it's mind boggling because i can't be happy in this situation knowing they had to rehearse for a comeback while also preparing for a tour and, as much these people wanna make you believe this is normal, it's not.

now we got to an extreme situation which was a member going on hiatus and it being the leader it makes everything more complicated and hard. i knew the minute soobin did a handwritten letter and posted it that this situation was definitely very serious and i think it's finally dawning on everyone that it is very serious because beomgyu was crying on live in front of thousands of fans and i don't think this would happen unless he wasn't very affected as well. i hate how moas on twt are gonna treat this as another "cute" moment that proves how close they are and not as something severe that needs to be actually discussed as a fandom. we could absolutely fight for their rights but these people would rather not talk about it because they are so concerned about their own entertainment and interests that they end up seeing txt as just that: a source of entertainment and not humans.

as you know, i'm constantly advocating for a hybe boycott (i think it's obvious by now kdjgkd) but days ago, there was this anti boycotter moa that posted a notes app rant about how a boycott would hurt txt and even went on to call them "products" and i don't even know if they realized they did it but i feel like that was a slip and that's how they genuinely see them. these kpop twt stans talk like music executives. they are constantly bringing up stats, stream numbers and album sales like that's so god damn important. we have a member that went on hiatus recently and this is all you care about? truly just depraved. i was once again reminded how this mass streaming/mass consumption culture that is so present in kpop nowadays is destroying kpop stans view on idols to the point they don't even realize they are dehumanizing idols. it's very bleak and i just wanna do everything i can to help.

this year has been a mess for kpop. that's why most of the year i was so disconnected to it because i was not enjoying any release because there was always some sort of problem happening. there's a humongous list of bad things that happened that just outweighed the good ones and from what i've seen, a lot of people agree on this. working with zionists, kicking out idols out of groups for dating, overworking them, mistreating them, the media going on a witch hunt to tear down anybody and anyone, the hybe vs min heejin debacle that ended up involving groups that didn't need to be involved and i could go on because this is what i remember from the top of my head (lmao).

all of this to say... we should do better. we should 100% try to get these companies to us no matter what. i feel like these situations will get worse since these companies are getting more and more desperate for money since many of them have huge debts and so what will happen is that idols will get even more overworked and mistreated and we need to actually speak up and take action. boycotting is one of them, talking about it constantly is another, and mobilizing people in any way also helps. if you are not happy about these situations just do something! just do anything!

[pythonmoth]

cw: anxiety. post-traumatic stress disorder (torture). reader is traumatized. reader is a bit unreliable. military inaccuracies. hurt/comfort (I guess?).

simon x f!reader. poly tf141. father figure price.

First | Last | Next

Being home is incredibly boring, especially if you can't move much.

Your brother's been taking care of you, making sure you're eating, that you let your injuries breathe, and soon enough, the cuts on your feet allow you to move around on your own. It takes a whole month for your brother to leave you alone for longer than a few hours. It's a good thing, really, because if you want to spend hours just laying in your bed and crying in silence as you stare at the ceiling, you can. He would only come whenever you needed a ride, anyway.

Despite being able to move around and now even managing to use your sensitive fingers, you dread the idea of going outside. You have to wear sandals and loose pants, because your toes cannot, by any means, be touched by any kind of fabric yet, or else you're grimacing in pain. Feeling defenseless hasn't been a thing ever since you became part of the team. Not even your skills could take down Simon, but you could put up a fight with them all, easily; never won, but you were confident with anyone else on the street.

No doubt you could still beat them up, your skills are still there, but the idea of someone somehow restricting your movements felt like torture all over again. The idea of anyone getting a hold of you makes you want to throw up. Your mind and body betray you, making you remember those awful moments, and you don't realize you're pulling a face.

"You're spacing out".

You look up at the therapist, giving her a little nod as an apology, getting comfortable on the seat. Restless, you can't help but look around for a moment again. The office is incredibly white, clean, filled with mirrors for whatever fucked up reason, and the only thing that isn't grey or white is one of the cushions on the couch on the other side of the room. It's deep purple. It looks awful.

Seemingly realizing you won't be of much help with the question she just asked you, she gives you a smile. "How are your nails? I can see you're using your hands a lot more".

"They're healing" you reply, looking down at your fingers instead of focusing on the cushion. "I can use my hands pretty normally now, but I can't use the stove for long".

"Because of the heat". An affirmation. You've already mention it before, and you're not surprised she remembers that. Probably read it on her notes.

"It hurts, yeah".

"And how are your feet?" she asks, looking down at the way you absentmindedly drag your hands on your pants from your thighs to your calves in slow movements. You only realize what you're doing because you can hear the way her pen drags across the paper, distracting you.

"Well... I can only wear sandals. Doctor said I should be okay to move around with real shoes in three months".

"And what do you think?"

"He's the doctor. I want to believe he knows what he's doing, so I can't really question it. I do hope it heals sooner, though".

The therapist writes down on her notebook. With an uncomfortable feeling, you desperately want to know what she's writing, your eyes drifting to the movement of the pen, but you can't make out a single letter.

"So you trust the doctor, right?" she questions, moving one of her erasers to the other side of her desk. Your eyes are fixed entirely on it, on the little thud the eraser makes when she sets it down.

"He knows best, that's for sure. If he's there, must be a reason" you answer, tilting your head as she keeps moving her things around, making them fit somewhere else on her desk. The pencil goes to the left, then to the right, the eraser from top to bottom of the notebook, as if she's as antsy as you are.

"Do you apply that thought somewhere else? Like... at work? Or if you need help at a store and find an employee, maybe?"

The therapist's eyes are on you all the time, your hands, your anxious feet; your little habits coming to light with a single look. The way you bite the inside of your lower lip, the little double blink you make when she moves something in her desk yet again, even if you don't say anything.

"Of course. If they know their way around, it's only right that I ask for help, and trust that" you answer, frowning. You don't think that question is relevant at all, but she keeps writing, and writing.

"I see. Thank you. Now, you mentioned you've been texting G- Simon. Can you tell me how it makes you feel?"

You go silent for a moment, your fingertips dragging across your arm, so softly you can barely feel it. "It's better now".

During the first three months of being home, Simon would text you nearly every single day. He didn't expect a text back and you knew that, because you told him you wouldn't promise to be responsive. Simon would send you pictures of their plain meals, of Gaz sleeping on your bed, Johnny posing next to Price with their thumbs up, or terrible selfies of himself. Always without a mask.

Tuesday

11:27

"Price scolded Johnny because he had crumbs on his uniform. It was hilarious"

Saturday

03:26

"Just got back. Everyone ok"

Even Johnny would text you from time to time. It was mostly memes, awful stickers or ridiculous, random photos of Gaz mid talking, his face weird, or Price smacking Simon's head, or the entire team posing for a picture, Gaz' arm hovering to the side as if to hug your shoulders. You didn't even need to wonder why Gaz hadn't texted you; that man hated technology with a passion.

Still, you never texted back.

You didn't really pay attention to the texts, or the little voice notes, or the selfies. You didn't feel like reading them properly, always leaving them on seen or just grunting to yourself whenever you heard their distinctive tone. Why you didn't change it in the past few months, you don't know. Maybe that's a question for your therapist.

But then, the texts stop.

Monday

16:49

"Tough job"

"We leave at midnight"

23:42

"Text you when we're back"

Only, Simon doesn't text back. For days. For weeks.

You can't pretend you're not worried. It's impossible, really. You're half-tempted to call him, but you can't, you don't know how it will feel to hear his voice again. He said he'd text you and he hasn't, so he isn't back yet, and you don't want to feel vulnerable by opening up. Yet.

You go through Simon's chat, actually paying attention to whatever he sent you. You realize he sometimes sent you long texts, apologizing, accepting what he did, and even a few voice notes that you didn't notice before. They made your heart race as you listened.

"I hurt you, and I'm sorry. I love you, and you don't have to forgive me"

"Garrick told me to tell you that if you aren't eating he'll go and— shut the hell up, Johnny, I'm talking!"

"Tell her we'll go visit her by the end of the month".

That's Price's voice, you realize.

Feeling incredibly choked up, you check Johnny's chat next. You're expecting to find nothing but memes, as you've seen in passing, but when you see he sent you long, long texts, you finally let yourself cry properly.

He's been apologizing since the day you left, too afraid to face you but his texts are so poorly written you know he was in a rush, or crying, or both. His voice notes, however... they just make you break.

"I'm so sorry. I can't undo what we did. You don't owe me anything, I just... really hope you can at least tolerate me. If not, please know I'll always care for you. I love you. Goodnight".

Something inside of your chest eases, maybe moved to the point of forgiveness, even if just a moment. Your therapist has been helping you unveil whatever you missed during that day— during the torture. It's been a tough process, and she insisted you visited twice a week instead of once, but it helped. You could now understand.

Still, understanding the situation only makes your worry grow.

"Text you when we're back"

For two long weeks, there's nothing, from nobody. Only silence and fear. For the first time since you left, you're scared for them. Scared you'll have to open the door one day and it'll be Price, or maybe not even him, telling you the team is dead.

On the second week, your therapist says you can give them a call, or text them if it's more comfortable. When you say you can't, she advices you to write them letters.

"Tell them whatever you wish to say. If you're angry, write it. If you're worried, write it. There's no good or bad feelings, and it's only right to feel them. Write them for yourself, and then you can choose to give them to your team, or not".

And you did.

A whole notebook of messy writing, some tears staining the paper, and your hate slowly turned to understanding. Real understanding. Not forgiveness, not yet, but it's progress.

By the third week with no news, you just can't handle it anymore. You press call without a second thought and your heart squeezes painfully in your chest when it rings, and rings, and rings.

Hopeless, you lay in your bed, your mind working overtime as you stare at the ceiling.

A muffled dinging sound startles you awake, shifting on the bed to find your phone because that's Simon's tone. Adjusting your vision, you realize it fell from your hands to the ground when you fell asleep. You dive for it, grimacing when your sensitive fingertips brush against the carpet, but to see his name there is enough for you to endure it.

Thursday

01:22

"Safe. Couldn't text you earlier"

01:22

"You called me. Are you hurt?"

01:22

"Safe. Call me"

"Now"

His name pops up not even a moment later, his ringtone filling your ears. When you pick up, he's barely breathing, and you wonder if you're about to be told bad news.

Simon explains they were on a very tough mission, and that that was why he couldn't text you, or communicate with you at all. You could hear him shift, move around. Restless.

They got caught in enemy territory, surviving the best they could for two weeks, Simon tells you. Johnny was shot in the leg and Gaz was the one who helped him out, since Simon was too busy dragging Price, who was bleeding out because someone decided it would be fun to put a bullet through his left shoulder.

"I wasn't any better. Dr. Wilson called me a dick, and then made me lay down because I was shaking. Ridiculous" he grunts, his voice hushed on the other side of the line. "Got shot on my side, I just didn't feel it, but I was better than the other two".

He doesn't seem to expect you to speak, huffing and shuffling. You can tell he's in the clinic room, the echo incredibly familiar by now.

Of course, he doesn't tell you that the reason why he didn't text you the whole past week, is because he's been asleep, drugged out of his mind because of the pain.

"Everyone's okay. No risk. Garrick's the only one who didn't get hurt. I think—"

"I was worried, Simon. I'm glad everyone is okay".

There's silence for a long moment. Simon takes a deep breath from the other side of the phone, sighing deeply. You could hear the smile in his tone. "I wouldn't let myself get killed, luv. I'm sorry I couldn't text you before. We're safe now".

You two spend the rest of the night on the call, with you mostly staying in silence and listening. You can't believe how scared you've been for all of them, for Simon. You know it's gonna be hard to fully forgive them, if at all, but you can't help the way your body relaxes as you hear him breathing against your ear. You can't help the way your arms curl around the pillow, seeking his warmth. As before.

The call goes on for long hours. When your soft hums as he speaks stop coming to his end, Simon goes quiet, realizing you've fallen asleep. He sighs and shifts to look at the ceiling, holding the phone against his ear. Focusing on your soft breathing, he let's himself fall asleep, the gunshot wound completely unimportant if he gets to listen to you sleeping again.

-ˋˏ✄——————————————————

He just wishes you were there.

im so sick y'all, my head hurts, but I obviously couldn't resist! also, you guys like Marina? her new song is so good! mowgli's road's vibes.

the therapist's room I'm describing in the story is actually my therapist's old room. I hated it so BAD. the mirrors were a terrible decision. also, if you can't relate to this type of therapy, that's fine. it's just my experience.

again, styling is fully intentional. can y'all tell how our reader is feeling?~

taglist: @euphoricn @lilg101010 @enfppuff @carolchaotic @silas-fanfic-favs @nina-from-317 @an-ever-angry-bi @kittygonap @dorothy-rainbird-deactivated202 @adventurerabby @defronix @sheepispink @iambuttwodaysold @blackhawkfanatic @malevolentghoul @thriving-n-jiving @literallegendicon @echo9821 @angel-bugz @ssc7514 @clickbait-official @hades--baby @blackhawkfanatic @sirbonesly @saki---chan @skeletonsucker @nnsissys @kukavittu @tessakate @honestlymassivetrash @s-a-v-a-n-a-34

(we're so many now, wow! thank you all ♡)

[thatnununguy]

PLEASREE PLEASE SHOW MORE EQUIGAM ART PLEASE!!!!!!

When in doubt — post yaoi art. Or however the saying goes. Perchance.

[forgettable-au]

FORGETTABLE-AU (Page 48-52)

FOUND.

[BEGINNING] [PREVIOUS] [CONTINUE]

[unrelatedsideblog]

Lazy doodle before bed

[snarkspawn]

I really enjoy playing through tnp again like hi it's been a while

[what-am-i-doing-in-this-fandom]

hrrrmmmmm.. I know it isn't halloween BUUT

more vampire/werewolf fiddlestan?? :}

Took me FORever to answer these, you guys don't even want to know the amount of asks I have that I really want to answer with full comics 😭🙏

Anywayy, sorry to keep you, @elishevart waiting for responses to your asks, when you've sent so many, so long ago!!

Comic time 🤞😋

I call this one: Second hand embarrassment and surprise guest: Continuity Error!! ❤️

Previous!!

First!!

[imjustasmith]

I learned a lot about acting and mostly because (in) this show I've done with the same person like I've done all of the scenes with one person and you just, you can't, it's the most extraordinary working experience for me to learn that much from one single person (...) I've learned much about myself doing that as well - Sam Reid about Jacob Anderson

[lej222]

Supernatural Involvement and Ominous Signs in ASLFUA

For a while, many readers have theorized that there is some kind of a higher power/higher being in ASLFUA, and looking at the latest episodes it seems to have been confirmed. With this post, I've tried to gather every instance of the higher power's implied presence and all the ominous scenes in the story. I also included foreshadowing scenes that could have made Miae aware of certain things if she had paid attention because coincidences are important in the story, and certain moments that were defining in the plot. The list contains spoilers for the newest KR episodes and it keeps being updated.

Episode 2 :

Miae is reading a book in the library about how the last day of 1999 will be the end of the world: "'1999, a terrifying overlord is coming...the end of the human race.." -> this might be a reference to the famous prophecy of Nostradamus in which in the 7th month of 1999 a great king of terror would descend from the skies (which makes me think...is it July in the story right now?)

The Hwang family's phone stops working

Miae's dresser breaks and therefore she has to take out the trash, where she sees Cheol crying

"This boy is about to be this girl's most special person, someone whom she will never be able to forget."

Episode 3

Miae and her mother visit the Buddha statue and Miae's wish is not to be in the same class with Cheol - it doesn't come true.

Miae, Cheol and Jisu all become classmates in their last year. Miae and Cheol become deskmates by coincidence.

Episode 4

Cheol's furniture becomes Miae's, along with the contents of his dresser, something only he knows about

Episode 5

Yunhui calls Miae on their new cordless phone, the line is interrupted by another conversation, "Did you get the present I sent you?" - it sounds like a message to Miae from the higher power about Cheol

Episode 8

Miae ruins her bangs, her mother says she should do something about her hair - the first time we are told Miae should go to a hairdresser to fix it

Hwanggeum Academy uses corporal punishment - might be relevant later on?

Miae has to go to karaoke so she gives up on going to the hair salon (this foreshadowing is super crazy btw)

Episode 9

Cheol is compared to the protagonist of the comic Miae reads, 'My First Love Next Door Is Number 1' - gets into trouble and transfers, fights the school bully and wins, nicknamed Lucifer, has a facial scar, lives next door

As Miae is thinking about Cheol, her thoughts are interrupted by a cockroach in the classroom

Episode 11

Miae notes how strange it is that she keeps seeing Cheol while they didn't bump into each other the previous year (just like how Jisu later keeps commenting how strange he keeps meeting Miae) - Miae acknowledges the higher power

Yunhui's pager says "between friends goodbye"

Episode 12

Miae has a weird feeling when she's talking to Cheol's shoe as if it understands what she's saying

Episode 15

In her dream, Miae remembers Cheol crying and her making a wish with a stone tower about how she wants to be his friend. The phone suddenly rings, the TV becomes static and there's a storm outside despite the weather forecast not saying anything about it. The other end of the phone is silent and the lights go out.

Episode 17

Cheol's shoe gets smudged with ink so Miae cannot give it back to him. She cannot concentrate on her practice test, foreshadowing her involvement with Cheol's academy.

Episode 21

Miae again remembers some memories about Cheol saying he doesn't want to be her friend while she's sleeping

Side note: while Soonkki is a great writer, there's some inconsistency about Jisu's seating arrangement. I think she always meant him to sit in Block 1, that's why we got limited panels of that area of the classroom, but his position kept changing until his official introduction. Here, he should have been sitting in front of Seonghan, but there's another boy in that seat. In episode 23, we get a panel of Block1 again, and there's a boy who looks like Jisu from behind in that.

She again remembers her time with Cheol while sleeping on the bus

Episode 24

Daebak Academy notebook says "The teacher is spoon-feeding you, so why can't you pass" -> the higher power is giving hints to Miae, why can't she understand them?

Episode 29

Miae thinks about how she doesn't bump into Cheol as much as before, we get a close-up of the shoe and the Daebak Academy notebook

Episode 37

Miae falls on Cheol while playing soccer

Episode 39

Miae and Cheol are arguing but still bump into each other because of their parents

While Miae thinks about how Cheol should smile at people, she almost gets hit by a ball but Cheol saves her.

Episode 40

Cheol goes to Miae's house to do their homework. Miae's mother says she wonders if it will rain before she leaves. Cheol tries to change the lightbulb in Miae's room, but the lights go out because of the storm. Miae thinks "again?" and they fall on each other. She tells Cheol they should be friends.

Episode 41

Cheol agrees to be Miae's friend and we see a flashback of young Miae wishing they would be friends. While they are doing their homework the rain stops. Miae says planes even fly in the rain and Cheol replies that airplanes fly above the clouds.

Episode 42

Miae answers their phone and the line is interrupted again. Someone thanks their boss for the present and says they will do well on their own from now. -> is it a sign Miae should do well on her own after the hints?

Interesting to note that every time Miae might be involved with the higher power, certain objects in her room are highlighted - Cheol's shoe, the lamp, the notebooks. They all give signs to Miae that she keeps ignoring.

Episode 43

Cheol and Yonghui point out that Miae should get a haircut. Miae ends up cutting it herself instead of going to a salon.

Episode 45

Miae wishes upon a star instead of a plane so that the presentation in class will go okay. This actually comes true, as also noted by the narrator in ep 46.

Episode 46

Daebak Academy booklet says "nothing comes easy"

Episode 47

Something I've noticed is that throughout the story Miae keeps thinking she forgot something, and there's usually a situation that seems like the answer to it. Here, it turns out she forgot about Jinseop's homework. And Taekwang's song is about how someone cannot do both things at the same time. It was the same when she forgot about her homework while playing soccer. Forgetting about things is a recurring plot point for Miae, which culminates in the Jisu subplot where we learn Miae completely forgot about his existence even though she didn't have many friends who were boys.

Episode 50

Cheol's father wants to take a picture of Cheol and Miae, but Cheol refuses

Episode 51

Miae again cuts her own hair and wonders if she cut it too straight

Episode 55

Cheol kicks Miae's pencil into Jisu's chair (side note: you can see here again how Jisu's seating arrangement was inconsistent, he should have been closer to the window)

Episode 56

Miae gets sent out to the corridor with Jisu

Miae's friends talk about handsome boys and someone mentions the number1 student (Jisu)

Episode 60

Jisu becomes Miae's folk dance partner - the first time Cheol and Miae are not doing something together

Episode 61

Hwanggeum Academy booklet says "there's nothing you can't do if you put the work in, do not expect a miracle" when Miae is struggling with the dance

Episode 65

Cheol's father takes a picture of Cheol and Miae after the sports festival

Episode 66

In Miae's dream, Cheol's sister says for a while means 5-6 yrs, Miae counts she will be in middle school by then. There's also a memory of Miae running after Cheol, saying "wait for me".

Miae's mother tells her to get a haircut but Miae replies she needs a bigger allowance for it.

The narrator says Miae should watch where she's walking after she bumps into Cheol.

Episode 67

Miae loses her name tag and Jisu finds it

Episode 70

Miae wonders how her wishes never come true, but remembers she also made one with the stone tower as a kid, but cannot recall what it was about.

Episode 71

Miae's mom notes their phone keeps ringing since yesterday. The day before Miae wanted to tease Cheol with how she heard him saying he "loved her" in the shop and she saw him shirtless the same night.

Miae doesn't realize it was Jisu who called her a pervert

Episode 72

Miae notices someone wearing her name tag (Jisu), but doesn't find the culprit

Episode 75

Cheol wants to ask Miae something, but the homeroom teacher interrupts. Miae and Jisu get called to the teachers' room and have to do cleaning duty together for a week.

Episode 76

We see Miae's mom at a hair salon - could the lady in orange be Jisu's mother? who knows

Episode 77

Cheol stands up for Miae, but when Honggyu asks if they are dating, they both vehemently deny it. It suddenly starts raining.

Episode 78

Miae and cheol promise to be friends for real, forever. The narration comments, "But will they end up regretting their promise?". The rain stops. "1999, the final year of the century is half over" -> Miae's story is half over at this point. I have pointed out this before, but the series seems to be about the transition period between childhood and young adulthood, symbolized by the last year before the new millennium. Hence the title, 'green apple academy'

In her dream, Miae remembers asking Cheol if they are friends. She is awoken by their phone. the Daebak Academy notebook says "you are in danger if you are relaxed" and we see a girl talking to Cheol.

Episode 81

Cheol and Miae fall on each other and almost kiss, but the phone rings. Later, they do end up in the same position with an accidental kiss.

Episode 82

Miae wants to confront Cheol about the kiss and gets embarrassed, but her actions are interrupted when the trash bag she gave Jisu splits open, spilling its contents. Miae runs to him to collect it.

Episode 83

While Miae talks to her friends, she thinks back on her memories with Cheol and the narration says "I always liked.." and Miae looks surprised by it.

Episode 86

Interesting detail that Cheol doesn't know why Miae keeps looking at airplanes. If we assume she has a reason for doing it from the past, it's likely not related to Cheol.

Episode 87

Miae uses the trashbag as an excuse to run away from Cheol, repeating how she has to throw it out. All of a sudden, Jisu appears and takes it out of her hand, giving her a chance to run. It's just my personal theory that the trashbag here symbolizes Miae's vulnerability and reluctance to face her feelings, and Jisu takes it from her hand. It makes sense when we remember how his words made her think about her actions when she wanted to interrupt the confession. It's a great early foreshadowing that Jisu might play an important role in Miae's growth story as her voice of reason.

Episode 89

Cheol and Miae take photos together in a photo booth, first with Jinseop and Song-I, then the two of them alone. We don't know if Miae still has her pictures, but we can assume she somehow lost them during running around from the bullies because we never see them again. Cheol gives her a new name tag in the next episode.

Episode 95

Cheol gifts Miae an airplane model for her birthday. I personally believe this episode marks the end of the first part of the story and it's a turning point, but more about this under ep96.

While Miae leaves for school, their phone suddenly rings and her mom answers it. Miae sees posters about love on her way to school. For the first time, Jisu arives early for cleaning duty.

Episode 96

The series has had 2 symbolic illustrations at the end of 2 episodes. The first one was at the end of ep2, when Cheol and Miae's story started in the present:

Miae is offering a green apple to Cheol - a biblical allusion, here, the green apple probably signifies how Miae helps Cheol in the first part of the story to mature and grow as a person with her own knowledge.

This illustration comes at the end of ep96. Like I mentioned, I believe this marks the start of the second half of the story which focuses on Miae's growth as a person. Space is an important concept in the series, Miae also has planet stickers on the wall of her room,has a charm on her bag, etc.

"16 years old. An age much like the universe." "16 years old. An age where it's like you're thrown into space." - highlights the narration.

But why is it compared to space? We have the illustration right after Jisu splashes water on Miae's face and Cheol wakes up from his dream. In my opinion, it's because this is where these kids' limited worlds start to expand. In part 1, Cheol and Miae were mainly together, but as you grow up you start to feel like you're just one insignificant part of a greater whole. You might feel like you're the center of the universe when you're a teenager, and that the world is ending when you experience negative emotions, but as the illustration shows us, it's not just Miae and Cheol standing alone in the universe. There are other people, facing different directions, but they are all interconnected by an invisible force. Miae is looking at Cheol, but Jisu is standing in her shadow- because even though she was not aware of him, Jisu had his own life happening parallel to what we saw in part1, and this is where he starts to have an intersection with Miae. If there is a higher power in the story, it is aware of all these connections and talks about youth in a nostalgic way. The sense that these moments are fleeting is always present in the story, however, connections formed between individuals will always have a lasting impact, just like how the universe will continue to exist. Being thrown into space might feel like losing your footing, but here it's the personal relationships that ground these teenagers and make them stay close to Earth.

Episode 98

The teacher tells Miae to cut her hair after Jisu takes the blame for ruining the plant.

Cheol is acting strange because of his dream, and while Jisu looks at Miae the narration box says: "16 years old. An age riddled with the unknown, just like the universe."

Episode 99

Miae's hair gets stuck in the zipper of Cheol's bag and he pulls it out, ruining her bangs in the process. They go to the infirmary after Miae gets scratched by the zipper.

Episode 100

At the countryside, while Miae picked a flower she thought how nice it would be if Cheol came to her school - and it became true. She thinks how it was so strange -> Miae again unknowingly acknowledges the higher power when it comes to Cheol

Episode 101

It's raining and the TV is not working in Cheol's home. He remembers taking a picture with Miae in the countryside. He asks his father about the picture on the sports day -> the data was lost. Miae gets grounded by her mother and she wants her to quit the academy.

Episode 102

I've mentioned symbolic objects in the story, but this one was noted by other readers as well: in ep 101, Miae accidentally drops the chalkboard eraser out of the window and Jisu fails to catch it - but Cheol does. However, in this episode Miae tosses it back to Jisu before saying she hopes they'll never see each other again (it's the first, but not the last time she declares it).

Cheol fails to convince Miae's mom about the academy -> Miae's mom points out Miae's grades have been dropping since last year. She makes her stance clear - she wants Miae to study.

Episode 103

It's raining and Miae cannot open Cheol's drawer in her room.

She tries to cut her hair, but the phone rings. On the other line, Miae hears someone saying "I only did what I did because you wanted it so bad, but you screwed up that chance! You don't deserve that project, I'm going to hand it to someone else." -> the first time the higher power tries to directly say Miae is late

Miae's mom cuts her hair instead of sending her to a salon...

Miae loses the name tag Cheol gave her

Episode 104

Jisu says "see you again" to Miae (and will keep saying for a while lol). Miae points out she never wanted to see him again.

Episode 106

After the teacher discovers their conversations in class, Miae and Cheol get separated and Miae becomes Jisu's deskmate. Miae and Cheol are not allowed to interact until the final exams are over.

Hwanggeum Academy's notebook remarks "Do you regret it now?"

Episode 107

Miae dreams about the flower from the countryside and a voice says she should hurry up and do what she wants about her wish if she remembers. She doesn't remember and the voice gets angry, Cheol appears and crushes the flower, telling her if she doesn't remember she should just forget it. The voice remarks Cheol is angry because Miae is late.

Episode 111

Jisu, who has also become aware of the coincidences, tells Cheol he's not the only one having something special with Miae.

When Miae calls Jisu her friend from the same class and tells him he should learn for himself, Jisu tries to say something, but he is interrupted by Cheol.

Episode 112

Miae thinks about their bet and how she should ask something serious, something more than friends do from Cheol, and we get a bunch of error messages. Cheol's dream is all fuzzy.

Jisu wins the bet, but we never get to know his wish because Miae gets angry at him.

Episode 115

The narration points out Cheol has changed and matured a lot, is it Miae's turn?

Episode 116

We see some posters about a summer festival, the forest in Midsummer Night's Dream and how everything is the product of coincidence.

The forest in Shakespeare's play is dominated by the supernatural - what we have in common with this story is the forest Miae and Cheol played together as kids, and obviously the involvement of a higher power. The coincidences poster is possibly a reference to Carl Jung's Synchronicity, a concept that states that seemingly meaningful coincidences have a deeper meaning, they don't have a rational explanation - almost like destiny, a deeper order in the universe. It's a connection between one's psyche and the material world (so you have to notice and acknowledge the deeper meaning of these coincidences in order to experience synchronicity). Jung used this to argue for the existence of the paranormal. For example, if you cannot decide something, you might come across a book on the topic. What a coincidence, right? In this interpretation, everything is interconnected in the universe, and we are a part of this web of connections. So those coincidences...were actually not coincidences. -> Hmmmmm.....I wonder.....meaningful coincidences, the universe, connections...why do they sound familiar??? BECAUSE OUR STORY IS EXACTLY ABOUT THIS NOTION! Who notices these coincidences? Miae about Cheol, Jisu about Miae....One has to be open to the possibility of the connection between our inner world and the outside world, only then they can start to notice the signs the universe is sending them. Soonkki, you deserve my applause! Because it was exactly what I said about the art at the end of ep 96 and the placement of the characters. Mind? Blown!

Miae thinks that she feels something is wrong

Yunhui's pager says friends goodbye

Jisu gets involved in the Yonghui-Yunhui storyline by coincidence

Episode 117

We see all the coincidences from Jisu's perspective and how he became aware of them. And what does he say about them? That they are fascinating and kind of funny! My boy Jisu got the synchronicity message.

This is the 3rd time Miae and Jisu didn't hold hands. The first time Miae pretended to help him up, only for him to fall back. Then Jisu held out his hand after the exam, but she didn't take it. Here, he again reaches out and Miae doesn't take his hand. Remember this later!

Episode 118

Someone steps on Cheol's bag, and he's worried it might be Taeuk

Jisu wants to join in another bet in exchange for his help

Episode 119

Jisu gets involved in the Shim storyline, and as we know from later he picks up the cigarettes to get revenge on him

Episode 122

Miae learns that Cheol rejected Seonyeong and the lights flicker in her room

She cannot remember her dream. The narration says that she should have realized that something changed.

Episode 123

Miae notes that she experienced the kiss in the comic book with Cheol

Jisu almost catches her, but Cheol pushes him away

Episode 126

The parents are having dinner together at a pig feet restaurant and toast for the future of their children. The TV is not working, and a boy who looks like Jisu tries to fix it.

Miae kisses Cheol

Episode 127

Miae has a dream again in the white dress. As she realizes she might like Cheol, the voice says she's too late and there's no use regretting it.

Episode 129

Miae remembers that they took a picture in the countryside together and wants to take one now. She makes a wish to an airplane about how she just wants one photo, and remarks that the planes never granted her wish before. Spoiler, they won't this time, either.

Miae chooses to take the picture with Cheol. The narration box says "she's always done whatever she sets her mind to. That has always been one of her better attributes. But Mi-ae, it seems as though you keep forgetting something. I told you, you're too late."

The pager's message means idiot, cancelled and it suddenly starts raining. Maie and Cheol cannot take their photo and Cheol cannot give her back the hairpin she dropped a few eps ago.

Episode 132

Graduation photos were postponed until the second semester

In Miae's dream, the voice says she's all over the place and cannot decide what she wants from Cheol. In her memory, Miae wishes at the stone tower that Cheol would like her back. The voice angrily remarks how it must not mean much to her.

Episode 133

While Cheol and Miae are looking at each other, Miae is smacked in the face by a flyer. Later while they are riding the bike, Cheol almost says she looks pretty but he is hit in the face with a flyer that belonged to Jisu.

Episode 134

Miae takes the cigarettes from Jisu and puts them in her backpack

While Jisu and Miae look at each other, the narration box says "Well. this is what we would call fate. What do you think?" Miae can sense the voice and dismisses it.

Jisu again says "see you later" and Miae answers let's not, but Jisu replies they never know and it would be fun.

On the radio in Miae's room there's a voice speaking, asking if it was a success and how there is something you can't stop thinking about. "A friend? The fact that you weren't wrong? Whatever it is, I don't think it's such a bad thing to obsess over it a little bit. I hope you have no regrets about it."

Episode 135

Miae's eyebrow and bangs are so ruined she has to finally go to a hair salon. Yunhui gives her money and says there's a cheap place where she can go. It turns out Jisu's mother is a hairdresser and after realizing she is Jisu's friend, she doesn't ask for money. So if anyone ever wondered why Miae kept ruining her hair in the story, here's the answer....

a little bit of strange wording here:

The narration says "Now that I think about it, this was about the time..wait,no, it was a little bit earlier that things started to go wrong, little by little. You two were completely oblivious, though. Just you two."

Miae's mother goes to the academy. One theory I can give on this is that Miae's family might be moving. She wished for it at the start of the story, mentions it in a later episode as well. Who knows ~

Episode 138

Miae doesn't tell Cheol her feelings because of her pride as she feels like she would lose first

Miae has a feeling as if something is trying to make her look bad in front of Cheol and her gun suddenly starts working

Everybody forgot to buy the picture they took together in ep 139

Episode 140

After conveying their feelings indirectly to each other, Miae tells Cheol they cannot date right now because her mom wouldn't allow it. She plans to go to the same high school, university, everything and thinks there's no one to stop them so nothing can go wrong.

Episode 141

Cheol imagines high school together with Miae and their friends

Every time Cheol is flustered, he accidentally drinks his sister's coffee and he cannot sleep at night..in a story where dreams are relevant I'm sure this is just a coincidence, right???🧐🙃😏

Miae says they should not be obvious before the entrance exam and they start to think of it as a competition

Someone watches them from the street

Episode 144-145

We get everything from Cheol's POV

Cheol got his scar because he wanted to give Miae the romance book she liked before they left and he fell on the stone tower

The picture his dad took of them is about a young Cheol accidentally kneeling with flowers in his hands, the same flowers from Miae's dream, in front of Miae. This picture was in the book Cheol and his family kept.

Cheol realized the book was in his dresser that is now in Miae's room, the one she couldn't open before

Episode 146

Miae sees two flyers in the newspaper, one is about how a student still didn't give it up, the other is about changing one's car

On the street, the same car ads keep flying after her in the wind

Miae goes with Yonghui to wait in a line and the same flyers are all over the place

Episode 147

Miae wants to call Cheol, but Jisu stops her. Miae notices how often they have met during vacation, and Jisu says these coincidences are fun. He remarks it's almost like as if some higher power is involved (!!). Miae is standing on the car ad, they look down on it with Jisu, then she kicks it away. Jisu tells her he has a feeling they will meet again, but Miae hopes they won't.

The academy is also full of the car ads and Miae falls on them

Miae thinks that for a while she's had a feeling as if something wants to get between her and Cheol, but brushes it off

Miae ends up with a bubble gum in her hair and goes to Jisu's house to fix it. Jisu tells her she should stay because he is bored, and there is a car ad on a stool.

Episode 148

We see some of Jisu's childhood memories and he was called a magpie by Miae which was a symbolic choice (I also made a post about it). Jisu in this story is the grateful magpie.

Miae and Jisu "touch hands" for the first time when they high-five (I wrote about how their hand hold never happened before)

After spotting some men smoking, Jisu tells Miae to go inside (one of them might be his father?)

Episode 149

Miae finally remembers Jisu

the narration boxs keeps saying how Jisu is cool and showing heart-thumping sounds and Miae is confused about these strange things

Miae not remembering Jisu was an important plot point considering she recalled everyone else from her past. As I theorized, memories and fate seem to be intertwined, the synchronicity theory also supports this. Synchronicity happens when seemingly unrelated events coincide and they become significant to you. It's easy to see why Jisu was aware of this notion, but Miae was not - because Miae had no idea about those coincidences other than meeting Jisu randomly. Him being her classmate, being the one who found her pencil, who helped her in the crowd, found her name tag, etc. - only Jisu knew about these. But right now, Miae was made aware that they knew each other in the past - a pretty big coincidence.

So now that Miae might have kickstarted her own fate, the question is whether she will be able to fight it or if there are certain things bound to happen no matter what. Is the narrator omnipotent and omniscient? So many questions that will hopefully get answered.

Episode 150

For the first time, Miae says she and Jisu will see each other again sometime. Before this, it was always Jisu who said it and Miae would reply that she didn't want to meet him again.

Miae remembers Jisu transferring, but doesn't know why he singled her out (so she will probably recall more memories later)

As Miae leaves Jisu's house, the car ads are flying in the air around her

Jisu enrolls at the academy and for the first time he says it's not a coincidence

Episode 155

Hwani tells her mother it would be great if they could keep being neighbours with Miae because she's fun. After a pause, Cheol's mother agrees.

Jisu keeps telling Miae she's a "traitor" or "bat" (depending on the translation, meaning she keeps secrets from others like the Yonghui Yunhui situation and the fact that she went to Jisu's house) and she might get into trouble because of that

Episode 156

The narrator directly communicates with Miae again, and informs us about Miae's thoughts. It makes heart-thumping sounds when she's with Jisu just like in previous episodes, but Miae ignores them.

Jisu again says how the coincidences are so fun. He counts to three until the teacher interrupts Miae and Cheol's bickering (similarly to Taekwang in ep 158)

When Jisu tells Miae he'll go out of the room to let her talk with Cheol, Miae thinks she'll talk to him regardless of anyone's interference and we get a close-up of an academy notebook saying 'NO' and a plane flying in the sky.

Episode 158

Flashforward in the episode to a scene with Cheol leaving Miae at the academy while a storm is coming and Miae looks like she's about to cry

An hour earlier in the story the dark clouds are already gathering (I mentioned how rainy weather is always connected to the change in Miae and Cheol's relationship, and how it's usually an ominous sign). After seeing Jisu's flustered face, Cheol tells Miae that he wants to change the lightbulb in her house before she gets hurt. The lights at the academy are highlighted as they keep vibrating. (I also noted how the lights are signs of the supposed higher power, they get their own panels in Miae's room, and they went out 2 times when Miae and Cheol's relationship changed)

After Jisu reveals that Miae was in his house and Cheol gets angry, Miae's pager starts buzzing (again, the pager messages always appear when the higher power wants to communicate with Miae).

Taekwang is an interesting character because the things he says are sometimes connected to the greater theme of the story. Like when he listened to his music and said how Miae cannot choose two things at the same time (come on, it was the foreshadowing for the current conflicts!), he smelled Jisu on Miae (???), Jisu even said he's the one he cannot deal with, and now he was counting the seconds until Miae got another sign. Is he used as a medium? (who knows lol)

Miae wants to check the pager message but the fluorescent lamp(?) breaks. Jisu shields Miae from the shards while they fall on the ground, making it his first successful attempt to save Miae in the story. The pager lands in the corner of the room.

Episode 159

Miae goes to a phone booth to check her messages and it's filled with the car ads so she kicks them away

The first message is a loud noise of a song recording. I personally think if there's a higher power in the story, this message came from it. The other is about Miae's friends telling her they'll visit her at her academy which gives Miae a sense of panic knowing Yonghui and Yunhui might meet.

Miae sees an airplane in the sky and the narration says Miae has a feeling that something is interfering with her and the panels get fuzzy with flashbacks to phone calls earlier in the story (omg this is actually crazy)

It starts raining and we get a glimpse of the last countryside memory we haven't seen yet about Miae running after Cheol at night. In the present, Miae trips just as she did as a kid, but instead of Cheol she meets Tae Uk.

[dastardlyromanticart]

EDIT: I was missing a panel!! Orz Now the whole thing is there It's done!! GOOD HEAVENS this was an undertaking with a bunch of going back and editing drawings to be more cohesive!! But I am so glad to finally have it done, for Pokemon day! This all was inspired by a few AUs I've seen by people such as @waywardstation and @parasolladyansy , as well as an AU RP I did with a friend where humans who were Deeply Wronged became the wrathful Hisuian Zoroark (With her Akari nearly becoming one herself) I totally have more drawings I thought of for the whole song, ("But the voice of the ghost was coming from a ghost no more" being Emmet, having a side by side with Emmet going on a journey looking for Ingo and comparing his journey to Akari's) but it was already like, 14 drawings and I wanted to tell a cohesive story without burning out instead;; Happy Pokemon Day!!

[whenthelightisrunninglow]

how's the other guy holding up

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[empty-movement]

Bud of the White Rose: EVERYTHING

HEY. HI. VANNA HERE. Yes, I've seen the countless messages, mostly on Tumblr, begging for links to download the musical, a static accessible copy of the script, and lyrics in Japanese for the main banger, Absolute Darkness: The Rose Garden.

I've procrastinated on this for many reasons! The script was worked out live in the subtitles, making it...kinda hard to translate back into a normal format. Thanks Notepad++ as always for that one. Also, I've felt like I should make a website for this content, and I still think that, but it also has impeded my sharing the content, and that sucks. But you know what? WE HAVE A FORUM. And unlike Discord, this will be archived and permanent! (Yes, I will do the 2019 Black Rose one as well, gimmie time)

2018's Musical Utena ~ Bud of the White Rose: Script & Everything Else!

(Oh, did you want the 2019 Blooming Rose of Deepest Black? Made that post too!!)

Ok fine, I know most of you want the banger lyrics and are too lazy to click for the thread:

M6: Absolute Darkness: The Rose Garden (plays after Saionji loses the duel) (Note, the romanization is via google, though I did check that it sounded right! The Japanese is from the program book.)

WAKABA: Wrapped in a nostalgic fragrance…​ 懐かしい香りに包まれた​ Natsukashii kaori ni tsutsuma reta​ NANAMI: …sealed with the wax crest of a red rose, a formal invitation arrives.​ 赤い薔薇の刻印に 飾られた招待状​ Akai bara no kokuin ni kazara reta shoutaijou​ MIKI: A white rose is pinned to the chest, this becomes the target.​ 胸に差した白き 薔薇を目印にして​ Mune ni sashita shiroki bara wo mejirushi ni shite​ JURI: The desperate search for you, a pursuit that begins on the night of the ball.​ 君を探し求める 舞踏会の夜​ Kimi wo sagashimotomeru budoukai no yoru​ SAIONJI: A heavy gate opens… and then! The sharp point of a sword—​ 重い扉は開き 鋭き剣先は​ Omoi tobira ha hiraki surudoki kensaki ha​ TOUGA: …plucks at the strings of destiny, and the music swells…​ 運命の音楽つま弾く​ Unmei no ongaku tsumabiku​

EVERYONE: The two of you begin to dance, and before long hurt one another.​ 君と君を求む者が舞う やがて互いを傷つける​ Kimi to kimi wo motomu mono ga mau yagate tagai wo kizutsukeru​ EVERYONE: A dance turned to a duel. Just like puppets…​ 決闘と化し まるで人形のように​ Kettou to kashi marude ningyou no you ni​ EVERYONE: …at the mercy of a god’s rhythm, two shadows suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrou sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden… And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ ANTHY: When the rose petals are scattered…​ 輪のバラの散らされた (As in the program, but not accurate to the sung lyric, which I will use from here on.)​ 一輪の薔薇の散らされた (Accurate to the lyrics, credit to barafubuki's initial Japanese script)​ Ichirin no bara no chirasa reta ​ ANTHY: …you turn up your face to the heavens…​ 天空を見上げれば​ tenkuu wo miagereba​ UTENA: …and there you see the illusory castle that will descend, someday.​ 幻の城いつか御許に 舞い降りる​ Maboroshi no shiro itsuka mimoto ni maioriru​

EVERYONE: At the mercy of a god’s rhythm, two shadows suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrou sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden… And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ EVERYONE: We’ll never be separated again!​ 二度と離さない…​ Nidoto hanasanai…​

M25: Absolute Darkness: The Rose Garden ~ Reprise ​ NANAMI: Grasping for control…​ 狂わされた運命​ Kuruwasareta unmei ​ MIKI: …of a mad fate…​ 支配された​ shihai sareta​ NANAMI: …a spirit bound without hope…​ 魂縛り付けて​ Tamashii shibaritsukete ​ MIKI: …to a vast world of emptiness.​ 広がる虚無の世界​ hirogaru kyomu no sekai​ SAIONJI: There in the smoldering fire is an indelible portrait…​ 炎で燃やしつくしても 消えない肖像​ Honou de moyashi tsukushite mo kienai shouzou​ WAKABA: …rescued by a shadow from inside the frame.​ 絵の中から救ってくれる あの人の影​ E no naka kara sukutte kureru ano hito no kage ​ JURI: Countless illusions of who you are, overlapping each other…​ 無数のあなたの幻影が 重なり合ってかつての​ Musuu no anata no gen'ei ga kasanariatte katsute no​ EVERYONE: …and painting over the real you.​ 自分を塗りつぶしていく​ Jibun wo nuritsubushite iku​ ANTHY: Even in absolute darkness, I feel your warm hands pulling me forward…​ 漆黒の闇もあなたの手の温もり感じ前に進む​ Shikkoku no yami mo anata no te no nukumori kanji mae ni susumu​ ANTHY: …toward the sunlit garden that's surely ahead.​ 光の庭にたどり着く日は きっと来る​ Hikari no niwa ni tadoritsuku hi ha kittokuru​ ANTHY: Then, you'll let go of my hand, and it won’t even matter if we’re separated…​ その時にあなたが手を離して 去っていっても構わない​ Sonotoki ni anata ga te wo hanashite satte itte mo kamawanai​ ANTHY: …because your warmth will stay with me, for all eternity…​ 温もり忘れない きっと永遠（とわ）に…​ Nukumori wasurenai kitto eien (towa) ni…​ ​ (dialogue cut - note that there is also dialogue occurring over and between the lyrics from here, so I will only note large breaks)​ ​ NANAMI: Grasping for control…​ 狂わされた運命​ Kuruwasa reta unmei ​ MIKI: …of a mad fate…​ 支配された​ shihai sa reta​ NANAMI: …a spirit bound without hope…​ 魂縛り付けて​ Tamashiishibaritsukete ​ MIKI: …to a vast world of emptiness.​ 広がる虚無の世界​ hirogaru kyomu no sekai​ SAIONJI: There in the smoldering fire is an indelible portrait…​ 炎で燃やしつくしても 消えない肖像​ Honou de moyashi tsukushite mo kienai shouzou​ WAKABA: …rescued by a shadow from inside the frame.​ 絵の中から救ってくれる あの人の影​ E no naka kara sukutte kureru ano hito no kage ​ JURI: Countless illusions of who you are, overlapping each other…​ 無数のあなたの幻影が 重なり合ってかつての​ Musuu no anata no gen'ei ga kasanariatte katsute no​ EVERYONE: …and painting over the real you.​ 自分を塗りつぶしていく​ Jibun wo nuritsubushite iku​ ANTHY: Even in absolute darkness, I feel your warm hands pulling me forward…​ 漆黒の闇もあなたの手の 温もり感じ前に進む​ Shikkoku no yami mo anata no te no nukumori kanji mae ni susumu​ ANTHY: …toward the sunlit garden that's surely ahead.​ 光の庭にたどり着く日は きっと来る​ Hikari no niwa ni tadoritsuku hi ha kittokuru​ ANTHY: Then, you'll let go of my hand, and it won’t even matter if we’re separated…​ その時にあなたが手を離して 去っていっても構わない​ Sonotoki ni anata ga te wo hanashite satte itte mo kamawanai​ ANTHY: …because your warmth will stay with me, for all eternity…​ 温もり忘れない きっと永遠（とわ）に…​ Nukumori wasurenai kitto eien (towa) ni…​

(dialogue cut)​ ​ EVERYONE: When the rose petals are scattered…​ 一輪の薔薇の散らされた​ Ichirin no bara no chirasareta ​ EVERYONE: …you turn up your face to the heavens…​ 天空を見上げれば​ tenkuu wo miagereba​ EVERYONE: …and there you see the illusory castle that will descend, someday.​ 幻の城いつか御許に 舞い降りる​ Maboroshi no shiro itsuka mimoto ni maioriru​ EVERYONE: At the mercy of a god’s rhythm, two shadows are suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrou sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden… And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ EVERYONE: We’ll never be separated again!​ 二度と離さない…​ Nidoto hanasanai…​ ​ (credits/cast walk-on)​ ​ UTENA: When the rose petals are scattered…​ 一輪の薔薇の散らされた​ Ichirin no bara no chirasa reta ​ UTENA: …you turn up your face to the heavens…​ 天空を見上げれば​ tenku wo miagereba​ UTENA: …and there you see the illusory castle that will descend, someday.​ 幻の城いつか御許に 舞い降りる​ Maboroshi no shiro itsuka mimoto ni maioriru​ EVERYONE: At the mercy of a god’s rhythm, two shadows are suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrou sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden… And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ EVERYONE: We’ll never be separated again!​ 二度と離さない…​ Nidoto hanasanai…​

(credits/cast walk-on)​

UTENA: When the rose petals are scattered...​ 輪の薔薇の散らされた​ Ichirin no bara no chirasa reta ​ UTENA: ...you turn up your face to the heavens...​ 天空を見上げれば​ tenkū o miagereba​ UTENA: ...and there you see the illusory castle that will descend, someday.​ 幻の城いつか御許に 舞い降りる​ Maboroshino-jō itsuka omoto ni maioriru​

EVERYONE: At the mercy of a god’s rhythm, two shadows are suspended in absolute darkness.​ 神のリズムに翻弄される 漆黒に浮かぶ 二人の影​ Kami no rizumu ni honrō sareru shikkoku ni ukabu futari no kage​ EVERYONE: The rose garden... And you — the Bride.​ 薔薇の花園 花嫁の君​ Bara no Hanazono hanayome no kimi​ EVERYONE: We’ll never be separated again!​ 二度と離さない…​ Nidoto hanasanai…

[tenaint]

Rose 1.01 / Empire of Death 14.08

[starmocha]

The Deep Sea [Rafayel + Son ★ 970 words ★ Masterlist ★ Series Index ★ AO3] A little boy stays up late waiting, insisting he needs his lullaby before he can sleep. A/N: Finally, I managed to get the first story out for Rafayel and his son. Thank you to all of the Raf anons who have been infesting my ask box with papa Raf asks lol you all managed to break my writer’s block with him. This particular ask was the one that did it for me. <333 Happy birthday to our precious, whiny fishie 🥹💖 Tag list: @lavlynyan @miudle @alfredosaws @solifloris @nezuswritingdesk @valkyyriia @natimiles @yourlocalcatscammer @callilypso @likewhyareyousoobsessedwithme @qyuin 【 request to be added 】

He yawned again.

“It’s past your bedtime,” you told the little three-year-old toddler curled up on the living room couch clutching his favorite Briny Narwie plushie. He peered up at you with a pout, and you sighed helplessly as you crouched down to his eye-level next to the couch. You pointed at the clock on a nearby wall and said gently, “See that little hand? It’s approaching ten. You were supposed to be asleep at eight. Almost two hours ago.”

“But Daddy promised me a lullaby!” the boy whined, clutching his plushie tighter as his lips quivered.

You sighed again. “Your daddy has an important art show tonight,” you explained to the toddler, “You know how upset Uncle Thomas gets when your daddy doesn’t go to these events.”

“I know…” he said softly. He looked up again, his voice pleading, “But Daddy said he would come home soon to sing me my lullaby!”

You smiled softly, sympathizing with your son. You also knew that right at this moment Rafayel was also miserable at his art show, preferring the company of his family over the pretentious crowd that flocked to see his works. He had insisted that he would only stay for an hour at most to satisfy Thomas’ expectations, but it had now been at least three hours since you were expecting Rafayel to arrive home.

You settled on the couch, sitting next to your son who had been adamant that he would not go to sleep until he had his lullaby, but for the past hour, you had watched the toddler dozed off several times before jerking awake, his resolve weakening with each passing second.

“You know, Mommy can sing you a lullaby, too. Rock—” You barely got the first word out before your son pressed two small hands to your mouth, covering it as he gave you an annoyed pout.

“It’s not the same!” the little boy whined, nearly on the verge of tears. He plopped back down in his seat and hugged his plushie tighter.

You couldn’t refute this. Rafayel had been singing to his son Lemurian lullabies of a time gone by since the little boy was still in your womb. It had been a nightly ritual for several years now, and rarely would Rafayel ever skipped it. You yourself was also fond of his singing, his ethereal voice always ensnaring you under his spell, spiriting you away to another time, another place.

“Okay, okay,” you said to your son, reaching out to wipe away the tears that brimmed at the corners of his eyes. You smiled softly again, your arms spread apart. “How about you snuggle with Mommy then while we wait for Daddy to come home?”

The boy’s lips quivered again.

“Please?”

“Okay…” he said reluctantly and crawled into your lap. Your arms instantly wrapped around him, pulling him closer into your protective embrace. Instinctively, you threaded your fingers through his soft hair soothingly, smiling in wonder at the beautiful little boy in your arms who was a perfect blend of both you and Rafayel, though you couldn’t help but mused how sometimes more of Rafayel would peek through, such as tonight.

Casually, you hummed the same lullaby Rafayel would often sing, having memorized the mythical melody by heart over the years.

“Mommy… it’s not the same…”

“I know,” you said affably, continuing nonchalantly, “I’m just humming.”

Your hand rubbed your son’s back up and down soothingly.

The toddler sighed heavily, letting his frustration be known, but you remained unbothered by his dramatics, continuing with your light humming.

Try as he might, eventually sleepy little eyes closed, letting darkness settled and allowing himself to be whisked away by this familiar melody.

Cradled in the sea’s embrace, a whale carried the toddler away as he laughed joyously, eyes full of wonder as a school of fish swam, swirling around the little boy, their scales shimmering brilliantly in the water. Many other marine creatures joined the boy in his underwater journey. Sea turtles, dolphins, stingrays, and many more accompanied the small child, showing him all of the beauties of the deep.

He giggled as two little fish—one red and one blue—swam against his cheek, tickling him. He held up a small chubby finger and the blue fish brushed against him in assurance, a silent promise that the boy was well protected in his journey.

He didn’t know where he was going, where the whale was taking him, but he felt no fear, feeling in his heart that within the deep sea, there was a place calling out to him.

When the little boy’s eyes fluttered open, he shook his head, feeling something tickling his cheek.

Purple hair.

He was resting on his father’s shoulder, hearing his deep voice singing a song, an ancient lullaby.

The words were foreign, but the toddler understood, feeling it in his heart. He clung tighter to his father, letting the warmth of his voice wrapped around him like a protective cloak.

“My little fishie,” Rafayel hummed softly, turning to press his lips to his son’s head, “Daddy’s sorry he was late tonight.”

The boy made a soft noise in response, and Rafayel smiled. He resumed singing as he swayed gently from side-to-side in his son’s bedroom. Alongside his voice, the sounds of waves could be heard crashing gently on the shore outside.

The boy yawned, his grip loosening, but Rafayel just held him tighter. As he sang, he gazed fondly at the child in his arms, still after all of this time awestruck that this precious treasure was his. He continued to sing, his words joined by the ocean’s waves.

Lured back to his dreamscape, the little boy was carried away to another place, another time, where an ancient forgotten civilization celebrated his arrival and welcomed him home.

[lightnersdream-archive]

i've been thinking about exactly why people portraying one of the other crew members successfully killing Jimmy as a "for what you did to Anya" kind of thing rubs me the wrong way a bit and it's because like..... this is just another form of taking agency away from Anya, in a way. it's kind of framing her as some meek, shivery woman-thing who's entirely at the mercy of the men around her, either to hurt her or save her.

(i understand these are mostly for wish fulfillment on the audience's behalf because everyone would like to see Jimmy pay for his crimes. whether or not this is the intention of the person writing it isn't really relevant, characterization happens with or without intent. i feel like it misses the point by portraying it as an 'ideal ending'.)

because... Anya is a capable person. she takes things into her own hands when she can. it was partially(?) her idea to get into the cargo,

(before he interrupts her.. remember when she interrupted Curly in the dead pixel segment?)

it was her idea to get the code scanner from the cockpit,

it was her idea to get the medication from behind the foam.

(the chance to do these things herself is not given to her.)

she'd been keeping Curly alive for months in a critical state somehow, her psych evaluations at the start are only so useless because Jimmy refuses to take it/her seriously and Curly is obviously biased when he puts it into his own hands. he's known him a long time, like he said. "I'll just put good for that one."

there's not a lot of material to work with because of how the game is framed, but it's there. we are working with two very biased perspectives and neither one lends Anya what she deserves

there's significant changes in how she speaks post- and pre- crash, and depending on who she happens to be talking to. i recommend re-reading her dialogue, because the difference is drastic

she acts the way she does around Jimmy because he has tangibly done horrible things to her, is actively hostile, and physically could not escape him by any means. she can't take away Curly's agency herself, in my eyes. you have to remember that Especially in the post-crash segments of the game, it's entirely from Jimmy's POV, and he obviously does not (and has never) thought very highly of her or treated her with a shred of respect

i've seen a general idea that she can't bear to hurt other people for any reason, but that doesn't really track to me. this is the real point of the post by the way

it seems based on the parts where she says she struggles to give Curly medication. "It just hurts him so much, I can't stand the noise." "It makes me nauseous."

it's not really the same thing as, say, hurting someone in self defense

this sounds like she did want the gun itself. this never felt worded like someone who would refuse to, at very least, threaten Jimmy with a gun, with violence. if she had been given the agency to make that decision on her own. she wasn't though

she still tries to reclaim some of it even as she's denied it

by the end she's still trying to keep that gun out of his hands

i think some people overly soften her, for similar reasons the game itself is trying to comment on. she's not a tender victim who couldn't cause pain to another out of the softness of her soul, she's a person who's had every last bit of agency ripped from her repeatedly until she couldn't take it anymore. that's the point. that's why framing her that way, "needing" someone to save her, is odd to me

she didn't need Curly to save her, she needed him to take responsibility

she didn't want to escalate things, but she's not an idiot. self defense was absolutely on her mind

but who knows im just saying shit *smiles serenely*