#this is like. my dissertation

[silverview]

charlie & dee & the chain

[inkskinned]

please i love you i'm begging you bring back suspension of disbelief bring back trusting the audience like. i cannot handle any more dialogue that sounds like a legal document. "hello, i am here to talk to you about the incident from a few minutes ago, because i feel you might be unwell, and i am invested in your personal wellbeing." "thank you, i am unwell because the incident was hurtful to me due to my childhood, which was bad." I CANT!!!!

do you know how many people are mad that authors use "growled" as a word for "said"? it's just poetics! they do not literally mean "growled," it's just a common replacement for "said with force but in a low tone." it's normal! do you hear me!! help me i love you please let me out of here!!!

[weepingwitheredwillows]

[egophiliac]

Since book 7 part 5 (the part where we meet Meleanor/Maleanor 👀) is coming to EN this month, i would love to see your take on lilia’s proposal to meleanor! i mean they were like little kids right? it couldn’t have been that serious…i think the only reason she even brought it up again is because she could tell lilia still genuinely loved her…(even if he didn’t realize it himself?) but, oh well! Let’s think about silly childhood shenanigans to numb the pain! ^_^ (orz)

oh shit?! get ready for a doozy guys, it's comiiiiiing ᕕ( ᐛ )ᕗ

I chickened out of posting the whole thing (look, I get VERY carried away when it comes to these wacky kids and their Tragedy), but I do believe that it probably ended with Lilia getting embarrassed and just shoving the first thing he sees into his mouth to try and cover for it.

(we're just lucky it wasn't a frog this time)

[bluebells-and-dragonflies]

God, the intimacy of Astarion feeding from you.

Astarion drinking from your neck as he pulls your body closer to his in bed, his chest up against your back, his arms wrapped around your waist. It's a casual thing, now, his whispered can I? and your answering nod, as much a part of your bedtime routine as your bath or his curl care. You sigh as his fangs pierce your skin and his fingers flex against your stomach. His breath hitches when the taste of you hits his tongue, and that's familiar too, the physicality of it, the noises he makes low in his throat as he drinks, the way he grows warmer against you as your blood begins to flow through his veins. Nothing else makes you feel so heady, so intoxicated- so comforted.

Astarion drinking from your wrist when he’s starving for it and can’t wait to get you more comfortable. Pulling him into an alleyway one night on the way home from the Elfsong because you can see how badly he's craving in the way he can't keep his eyes off of the pulse point in your neck. He seizes your arm with both hands (can I? Yes-), bringing the soft skin on the inside of your wrist to his lips. He has just enough presence of mind to kiss the heel of your hand distractedly before he bites, fangs sliding through your skin and into the vein. The sound he makes can only be described as a growl, something feral and possessive (and you'll never tell him that it turns you on, since he would be insufferable about it- a promise to yourself that lasts exactly as long as the space between the moment and the next time you're tipsy and want him).

(NSFW Below!)

Astarion drinking from your inner thigh, one hand holding your leg steady and the other cupping your cunt. You groan, eyes shut in pleasure, as his thumb comes to rub your clit. The pain of the bite is barely pain this way- it collides with the pleasure in your belly and sends you almost out of your mind, overwhelmed with sensation and heat. He takes you all the way there, takes just enough from you to have you relaxed and pliant and soaring somewhere above your own body, plays you like an instrument with all the knowledge of you he's gathered over the months, the years. He knows when you're close, knows to crook his fingers inside you just so, knows the reaction he's going to get when he pulls away from your thigh for just a moment and looks up at you with dark eyes and tells you to come for him, he wants to see it, you fall apart so beautifully and it's all for him, isn't it, tell him how good he makes you feel and when you climax with his voice in your ear and the scent of blood on the air he has the audacity to laugh at how well he understands you, your body.

He's soft, after, softer than he'll ever be with anyone who isn't you. He licks you clean before he takes you to the bath, carrying you with the strength your lifeblood gives him. It's the least he can do for you, with everything you've given him: not just your body, but your trust, your closeness, and he will never stop being grateful.

[lunamothghost]

but I can string enough to show my face in the light again

[strwbrryfire]

back again with my meowstappen agenda

[heynhay]

merry Christmas klancers 🎅

[in-tua-deep]

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[stealingpotatoes]

found this design wip from last summer and i've never felt more cheated in my life. why did my past self deprive me of more 18th century padmés by not finishing this

[inchidentally]

“some great teamwork as well from Mr. Norris over here, keeping me in second” (bashful Lando smile)

x x

[pbnmj]

fun fact: the reason that they did not take noir’s mask off for longer than 0.5 seconds in itsv is actually because sony pictures animation was trying to protect the general public from me becoming insufferable to be around

[delightfullyquirkydoodles]

Okay, buckle up, friends and neighbours, because it's time for:

THE DOOPLISS DISSERTATION

(Obviously, you should take all of this with a HUGE chunk of salt, since I'm not only an internet-poisoned fandom blogger, but also a former English major with a penchant for over-reading.

Still, I spent a long time writing this, so I'd appreciate it if you gave it a read.)

So before we talk about Doopliss himself, I feel like we should talk about Creepy Steeple, since a lot of the topics I'm going to be touching on relate to the actual building.

Neither the original Gamecube version nor the Switch remake really bothers to explain what Creepy Steeple actually is.

None of Goombella's tattles say anything about the building's intended purpose. The name vaguely implies that it's a church of some kind -- in Japanese, it's called Odoron Jiin, or "Astonishing Temple" -- but that's still not very helpful.

Still, for the purposes of this analysis, I'm going to assume that it's meant to be a church.

This brings me to the Steeple's stained glass window, which shows a scary-looking Doopliss standing over some piranha plants.

From a design standpoint, I'm guessing that this detail was added to give the location a spooky vibe, but from an in-universe perspective, the implications are wild.

Like, who designed this? How long ago? And why? What the heck is it supposed to represent?

Unsurprisingly, the game offers no real answers, but I have a couple of theories.

The first is that the people of Twilight Town (or their ancestors, or something) created the window in Doopliss's honor.

Stained glass windows often depict saints or angels, so maybe the Twilighters used to worship him? Like, maybe Creepy Steeple was once dedicated to him and then, for whatever reason, the worshippers decided to leave?

It's not super likely, but I didn't want to rule out any possibilities. This is a weird freaking temple. Literally anything is possible, as far as I'm concerned.

My second theory is that Doopliss designed the window himself. He seems like a guy with a lot of spare time, so it's not too much of a stretch to say that he came up with the idea and then spent weeks building it by hand.

He could have also bullied the Boos into constructing it for him. I dunno. I just have this mental image of him pulling pranks on them and generally being a nuisance until they caved.

The bottom line is someone wanted to Doopliss's face to be front and center. And if that someone is Doopliss himself, then hoo boy, there is a lot to unpack here.

Maybe I'm projecting, but it feels like Doopliss is wrestling with some major self-esteem issues.

Despite being an incredibly powerful shapeshifter who somehow cursed an entire town, he seems very childish. He spends all his time watching TV and coming up with new jokes. He throws tantrums when he loses. He wears a party hat, of all things.

Based on that, I'd say that he's probably starved for attention. He's probably pretty lonely living in Creepy Steeple all by himself (doubly so if my theory about the Twilighters is correct).

I'd even go so far as to say that his scheme to turn the Twilighters into pigs is motivated by this need for attention. I mean, what better way to get people to notice you than to cause a town-wide panic?

I feel like the disguises he uses over the course of the main story also support this theory.

Though Mario, Zip Toad and Professor Frankly are quite different from one another, they all have one important thing in common: they're famous. Mario's a world-renowned adventurer, Zip Toad is a well-known actor and Frankly is a tenured professor whose students love him.

Doopliss even alludes to this after stealing Mario's body, telling him, "You're so popular around here! I just love being you!"

By transforming into beloved figures, Doopliss can get the attention he craves.

I also think that this is why he joined the Shadow Sirens. Sure, Beldam abuses him almost as badly as she abused Vivian, but at least she notices him. That's better than nothing.

The most conclusive piece of textual evidence is found in the epilogue. In her letter to Mario, Goombella explains that Doopliss has joined Flurrie on-stage in her production of "Paper Mario".

Obviously his shapeshifting abilities make the play a lot more realistic, but why would he bother participating in it at all? This guy was a villain for most of the game. Why would he suddenly decide to join up with one of his enemies?

Because, as far as I can tell, he's not a villain. Just a guy who's sick of being ignored.

I dunno. Doopliss's motivations have never been super clear, but I feel like there's more to him than meets the eye.

If you have any thoughts or ideas of your own, feel free to comment. I'd love to hear your thoughts on this.

[my-darling-boy]

It’s horrible how my design course has killed my enjoyment in creativity because all they want is finished pieces founded in nothing but a spontaneous mark just to hang at some concrete art gallery or to sell to some “join our revolution” comfy business-casual company with a prison cell wellness room. I’m not saying that it’s “not art” —cos that’s a different post altogether— it’s that the ethos behind this particular formula for art education is ruining the way we think about creation.

Design courses (and other art courses I’ve heard?) are no longer teaching artists or designers techniques, drawing skills, art fundamentals and allowing them to find their own voice so much as they are only instructing how to tic boxes alongside pushing corporate and classist motivated style/methodology bias aimed at producing workers, not creatives, not to mention providing Adobe with endless funds for their despicable scam programs. That’s it. My creativity is only a means to money for them, and if they can extract the process of creation from me without the complex creative intimacy involved in it, they know they can churn out products and services faster and it’s concerning some lecturers don’t seem to be aware this is what they’re teaching? Like they’re buying into industry propaganda?

And the whole time it’s sold to you like you can be some trailblazer when the irony is they’re usually either prepping you for cubicle work or for some misguided high horse creative team pumping out design solutions completely divorced from the reality. I’m tired of all the talks about sustainability in a vacuum with no conversation about nuanced designs that factor in broader social and economic perspectives which lack thereof is leading to sustainable products being sold at a price only able to be afforded by wealthier people who are causing said economic and social problems and contributing to the rapid obsoletion of trades and crafts. Lecturers and speakers don’t seem to think that’s any of our concern and should just worry about producing the design for the hypothetical Bluetooth powered organic hairbrush or using the twigs to make the pattern for the £85 fabric square.

Like? Can I please make something that actually resonates with people outside the circle jerk of egotistical creatives and corporations? Something charming and maybe idk something that doesn’t make me want to tear my miserable portfolio in half with my teeth? And they’re like Mm nope sorry it has to be an extreme close up of a mark making abstract leaf you made from a recycled trash bag inspired by a stalled urban space which we will force you to price at £100 during your exhibition 5 people will bother to attend and no you’re not allowed any other style cos this isn’t the Dark Ages :///

I think the worst thing my lecturer ever said was, while looking around the room of our class work reduced down to a series of cubes and splatters and abstract typography, “Wow, I love how you can’t tell what anyone’s [main artist discipline] is!” Like awww conformity at the expense of a person’s individuality to make pieces for airport hallways and rich people’s living rooms wow so cool heehee like girl that’s not good?? Why on Earth are you complimenting us for that? Like I get it, I thought this course would boost skillset as an illustrator (as we were told), turns out the degree is really not for me, fair enough to anyone thinking that, but forcing students to produce modern abstract art because you think it’s the ONLY Logical Pathway for the future of design, judging them intensely for doing a different style, and thinking producing financially inaccessible art + design is the solution to things like climate change and community severance is an objectively bad take.

[seawilde]

dennis takes a mental health day x capitalist realism

iasip 16.08 - dennis takes a mental health day, mark fisher - capitalist realism