#this is late because I just learned to draw digitally

[twisted-aces]

Not me rolling in late to this trend...but please enjoy my OC Laya and Grim as the Barbie meme.

[multifariousmediums]

RvB facecanons! Closeups under the cut.

[keeps-ache]

HEY

[xluxsolarisx]

brings you to the lavender farm¹ that the bear² is from and takes you through the fields looking at all the different types of lavender before having some lunch at the farm cafe and getting you some lavender ice cream to try out (i'm sure you're interested by the sound of it and yes it is pretty good^^) and then takes you to the gift shop for you to look through at anything else you might like so i can get it for you:> and just has a lovely day together:3

1. https://lyndochlavenderfarm.com.au/

2. https://lyndochlavenderfarm.com.au/products/lavender-bear?_pos=1&_sid=90127ddf4&_ss=r

uhm, yeah <3

:O a fun outing!!!!! there are so many cool different types of lavender i never knew... and not all of them are purple! i only thought lavender came in. well. lavender so seeing different colors is really cool...i especially like the hidcote pink and munstead, very pretty! i am running through the fields and picking flowers if they would let me pick flowers if they don't i am admiring their beauty without taking anything ^^ you're right actually i would love to try lavender ice cream! and i also wanna try lavender honey and lavender jam, they sound very floral and sweet, very nice c: i should find some for myself soon in like a farmers market or something i wanna try it irl... hmmm....from the gift shop i would like the lavender body mists, incense, lip balm, & bath salts. ok maybe not the bath salts actually ^^' i don't trust myself not to eat them. vietnam flashbacks. and also the lavender sleep pillow for the same reason i'd like the plushie (seems cuddly and would help me sleep) and finally maybe some lavender seeds so i could grow my own lavender! thank you for taking me this day was so fun, at the end of the day i reveal i have taken some lavender flowers and weaved them into a flower crown for you and i put it on your head. i love you. i also took the plushie and she had so much fun, here are two pictures i drew of her enjoying the day out ^^

she is laying in the grass and also sitting next to lavender flowers because i couldn't decide which drawing i liked better. ignore the way her palms are open magnanimously like jesus christ or jerry seinfeld i wanted to show her beans. also ignore the way her nose is white in the grass drawing i forgot to color it in. just imagine she ate a powdered donut filled with lavender jelly, okay? thank you again, this was really fun! bye bye 💖💖💖

[sen-ya]

Life After Info Post

[Click here to access the Life After Digital Comic Book]

Summary: Two years ago, a viral outbreak rose the dead. Considering how his life had gone up to this point, surgeon Trafalgar Law figured this might as well happen too. When a supply run into the nearby city gets intercepted by a seemingly reckless and impulsive former patient, the dependable routine Law had settled into in this new life shatters. He finds himself exposed — his body out in the infected landscape, his conscious clawing to define what he believes is right, his heart begrudgingly deciding to find a new home on his sleeve. Maybe there’s more than a virus roaming the new world that can bring a dead man back to life.

Content Warnings: Canon typical violence, zombies/body horror (but lbr I am not good at making scary things look scary)

Relationships: Luffy x Law

Update Schedule: New page every Monday/Wednesday/Friday

Page Count: [37 posted | 55 drawn]

Latest Update: [7/21/24] WOWEE did I get myself carried away this morning. I just spent 5 hours organizing my comics and creating the digital comic book pages. I could have spent that time drawing or idk not doing what I do for my job, but I cannot be stopped. Anyway I blocked out 30 pages of this comic last week and they include the most intense action sequence I've ever done in my gotdang life. Wish me luck because I am nervous about tying down all my drawings lmao.

OLD UPDATES:

[6/29/24] HULLO! I'm doing so bad at keeping my masterposts updated lately I am sorry. All pages of life after are tagged life after if you're ever looking between masterpost updates! Also exciting update, I finally have figured out all the different plot points i'm gonna be hitting (yay!). I got hung up on something for awhile that made me not wanna work on this project, but I'm back at it. I think we'll end up with 6-7 parts! I have probably another 80-100 pages to draw lol. Also i got the app Magic Poser and it's AWESOME and I immediately used it to block out sets cuz MAN I hate backgrounds.

[6/10/24] HELLO. I'm sorry I've been shit at updating my masterposts lately. It's easiest to do from my computer, which I rarely use, and life has been happening. I also can't believe I bungled the queue and posted pg19 before pg18 i am very sorry 🤦 Eventually I'll have to turn this into an airtable base I'm sure, but until that day comes where I have like 100 pages of this comic we're stickin to the regular post lmao

[5/26/23] I got real caught up in doing summer of lawlu comics this week and this is the first week since the first week of April I haven't drawn new Life After pages and it feels weird 🙊

[5/19/24] More Luffy backstory comin' this week! :^)

[5/12/24] Updating now so get myself on schedule to update on Sundays like I had been with my other comic master post!

[5/8/24] Thank you to everyone who's liked/reblogged/comment on the first few pages!! It means the world to me that anyone's reading my silly little comics.

[4/28/24] HULLO. It’s happeninnng. I’ve spent the last few weeks working on this comic, and I gotta make this post so I can start queuing pages & link this in them! This is the most like….legit? Comic endeavor I’ve undertaken perhaps….ever. I’m very nervous about committing to how long it will need to be lol. This story is dear to my heart — zombie content is kind of my very favorite. I’ve always found it to be a great backdrop for exploring themes like grief, coping with change, community, and learning to live again. It’ll be a long haul but I hope you’ll ride it out with me!! Tomorrow I’ll be posting the first two pages. After that a page will post every Monday/Wednesday/Friday. As of this post I’ve completed over 20 pages so that I have a good lead on what’s posting and continuing to write, so I’m hopeful that’s a cadence I’ll be able to maintain. I’ll update this post weekly to include the most recent pages the way I do with my main comics master post. All pages will be tagged 'Life After' and I'll tag any pages with zombies in them with 'zombie' for blacklisting etc.

[kylejsugarman]

like walt obviously never wanted to or tried to focus on his cancer as a disease, it just became a nebulous entity that was in turns an impetus to Get what he Wanted and an exit sign, and thus was never a huge component of his jesse/business-facing identity, but it’s so excruciatingly clear that the cancer as a disease WAS a big part of his identity to jesse. walt worried about people perceiving him as withered and diseased, but jesse perceived him the complete opposite way and transitioned to that “digital short about making a meth comic” hero worship state of walt partially because of his cancer. jesse not only has a well documented affinity for protecting the vulnerable (and like it or not, cancer is an inherently vulnerable disease), he has an early established personal connection with cancer thru his late aunt ginny. his and ginny’s relationship is a story told almost exclusively through offscreen events and visual or conversational cues, but that just makes it all the more wrenching because this story falls into place in near perfect tandem with the show’s deepening and softening of jesse’s character. we realize that he’s a loving, insecure, vulnerable person just as we’re also piecing together that he lived for years with this woman who loved him as he Was and who he cared for devotedly until she died. her things remain in her house untouched; when he invokes her name, there’s an unusual degree of reverence to it that we don’t typically see with jesse. he clearly still reveres ginny and those emotions transfer to walt as soon as jesse learns about his cancer diagnosis. that protective instinct emerges, that sense of urgency returns. when walt says that his cancer is stage 3a, jesse unconsciously mumbles “in ur lymph nodes”—not a fact u would expect him to just know offhand. jesse knows this from his time with ginny and in that line—the quietness of it, the impulsivity of it—we see that jesse is thinking about Time. realizing how little of it walt must have left if it’s in his lymph nodes. and so he submits. jesse submits and follows his protective instinct despite the harm it leads him to because he wants to buy walt more time. walt and ginny have become inextricably linked in his mind and when walt dispenses those rare bits of affection and approval, those links only grow stronger. we see all these newly uncovered parts of jesse—the part of him that cares deeply for the vulnerable, the part of him that needs validation from a parental figure, the part of him that is no longer there following ginny’s death—bending to accommodate a generous perspective of walt as a sort of hero who is fighting cancer and graciously allowing jesse to fight by his side for a greater good. and if jesse can reach the bar that walt has set for him, if he can just do what he’s told and chase walt’s approval, maybe he can earn them that victory and save walt from what happened to ginny. i just think that if ginny weren’t a part of this equation, we wouldn’t have gotten the walt and jesse relationship we got. in any case, we certainly wouldn’t have gotten jesse lovingly drawing and inking a literal comic book superhero version of walt and their adventures.

[meanbossart]

Another much overdue ask compilation! Some short-ish lore asks (Gale, Gort, DU drow relationships and pet-companion preferences) and a couple of art/advice ones sprinkled in. THIS IS BY NO MEANS ALL OF MY ASKS so as usual I appreciate everyone's patience!

I actually think he'd give them a pass entirely as soon as he noticed. Correct me if I'm mistaken but half-drow get No love from underdark drow and are usually surface babies right? So that fruit is miles away from the tree lol. I think he generally has a bit of a soft spot for mixed kinds since he himself feels like an amalgamation of sorts.

Thank you! They're kind of a pain in the ass to draw at times for that very reason but man I do like the look 😩if other people like it too then that makes it all worth it!

THAT'S TRICKY TO ANSWER BECAUSE OFTEN TIMES I'M NOT... REALLY TRYING. I've draw a ton of horror comics for mine and my partner's series' SAD SACK and SORTIE, so I think it just comes naturally to me 😅 also I do genuinely find expressive and, uh, rugged faces more attractive? (I think they look rugged, again that's what people tell me at least.)

I think the secret might be adding bits of realism in there. I get a lot of comments about the wrinkles and eyelashes I add to my art, as well as the way I draw individual teeth (though I've lately been making an effort to simplify my style in favor of drawing faster, so I haven't done that as much or in as much detail.)

Both symmetry and the lack of it can also add to that effect. I have employed both facial unevenness and almost point-perfect symmetry to achieve something a little frightening or otherworldly in my work. [MORE UNDER THE CUT]

Thank you so much!!! The contrast is very much intentional, that's what DU drow's character is all about ;)

Hahah well I somewhat doubt Bhaal would care that his spawn gets named, but either way he stripped himself of his name as soon as he killed his foster parents and abandoned the Underdark. He had a drow name that I jotted down somewhere but it's completely irrelevant because nobody has used it since he was a child, and he doesn't remember it (even pre-tadpole/having his brain scrambled.) Here's a little write up about his origins that might shed some more light on that: https://meanbossart.tumblr.com/post/739688837431836672/did-drow-ever-have-a-childhood-before-the-temple

And about his original drow-given name and the reason behind it: https://meanbossart.tumblr.com/post/741350986692591616/drow-had-to-have-been-given-a-name-by-his-adoptive

Everyone just referred to him as his supposed race, or as Bhaalspawn or Bhaal's child, and any other similar titles. Orin called him "kin" and "brother" and Gortash likely called him his associate. Post-tadpole the camp grows entirely used to calling him "the drow" and he has no desire to change that or to choose a proper name.

THANK YOU BOTH SO MUCH😭 no reason to be intimidated, I'm just some rando drawing BG3 fan art LOL I've been drawing since I was a child, and started taking it semi-seriously when I was 16 years old, so twelve years ago! That's around the time where I got my first non-display tabled and used that well into my twenties, prior to that I only did stuff on paper and liked to do inks color with pencils. I never really ventured into traditional painting at all except for a little bit of water-coloring in college.

Traditional and Digital art are very much different beasts. Which one you want to start with is, in my opinion, just dependent on what you want to do. Digital art gives you a lot of tools that makes learning easier, but you might find yourself having much steeper of a learning curve if you ever decide to do traditional art instead. If you want to be good at both, you need to practice both, since the skill doesn't entirely translate from one medium to the other.

Naturally you will be able to draw well on either, it's just... Different. I will say though, that I think if you're still learning you should use whatever allows you to look directly at what your hand is doing, so either traditional or display tablet/Ipad. I have no idea what a non-display tablet would do to a beginner, but remembering my experience with it I feel like it might be a huge detriment to developing the skill (feel free to share your experiences in the replies if you disagree, as I would definitely be curious to read them!)

YOU KNOW ME BABY IT WAS MESSY AND COMPLICATED the tldr.: is that they were "buddies", absolutely no romance intended there on either mine or DU drow's part, but due to his nature the friendship was extremely weird.

Here's a couple of replies where I go into more detail about it: https://meanbossart.tumblr.com/post/739191190871818240/i-dont-have-a-particular-question-in-mind-sorry

https://meanbossart.tumblr.com/post/744952815768764416/so-not-sure-if-youve-covered-this-but-i-thought

That's definitely reserved for the vamp LOL DU drow very much enjoys when Astarion teases and fusses over him, and while Astarion probably got a kick out of acting that way around such a big and scary looking guy at first, I think by "now" (later and post-game) he's pretty much immune to DU drow's looks and just enjoys doing it in earnest.

He's not at all averse to being touched (even rather intimately) by close friends, but he wouldn't be quite THAT vulnerable with anyone else.

HE REALLY DISLIKED GALE... He irked him out by seemingly fostering a rather persistent romantic interest in him for at least half the time they spent together (very much based on my interpretation of their in-game interactions at the time, though my Gale might have been a little bugged.)

But also they had a... Fairly in depth relationship still? Gale was a staple in my party, and even though I antagonized him constantly by the end of the game it still felt like they had so much weight in each other's lives, if that makes sense. I might need to do a bit of an "update" on the DU Drow/Gale lore sometime, I feel like I've had some thoughts since that warrant more exploration of their dynamic (you can find a lot of old asks about it if you just search the Gale Dekarios tag in my blog though).

The gist of it is that DU drow found him arrogant and duplicitous, his constant optimist irritated him to no end and felt like it veiled a stream of self-pity (two things DU drow despises) Gale's attempts to get through to him only added insult to injury. By the end of the game he decided to pursue the crown of Karsus and this only lost him even more respect in Drow's eyes, seeing as he doesn't value godly power at all.

I was pretty overwhelmed by the game at the start so I actually missed a lot LOL including Scratch. I did get the owlbear cub though, which DU drow gladly welcomed into camp since it was injured - but I think he would have wished for it to remain a wild animal and to return back to it's home after it had grown up a bit. He didn't really make a "pet" out of it more than he just looked after the little guy in the way it's mother might have, probably with Shadowheart's help.

He wouldn't be opposed to proper pets though if one were to stumble into his life. He'd definitely be more of a cat guy because of their independence and strong little attitudes.

It is very hard to build proper rapport with him. He will be "friendly" to most people who have a good sense of humor about them, but friendSHIP is another thing entirely.

I think it's kind of circumstantial. He's very economical in his relationships and doesn't really seek them out at all - so a situation where he's forced to be in someone's company might be the only way to develop a bond with him, as he doesn't appreciate insistence either and that's more likely to push him away. He doesn't value status or titles either (kind of looks down on them really) so that won't help.

I think he just likes people who are true to themselves and their nature, sometimes even if the nature is one he disagrees with at it's core. This is why he liked Gortash, why he and Shadowheart got along so well, and why him and Astarion fit together so seamlessly despite seeming so different. Likewise I think it's why he didn't jive with people like Gale or Wyll, because they seemed to be rather... Dishonest with themselves and their own end-goals.

[mistercrowbar]

As someone who's just started trying to learn art a bit later in life (I'm 29) I feel pretty far behind the artists I admire (such as yourself). Any words of advice for an older amateur who's just getting started?

Find your art obsession and keep drawing it! I've had a few friends start late and improve steadily just from getting into D&D and wanting to draw their characters. Learn the basics of anatomy so you can draw your blorbo. Then learn backgrounds so they have a place to be. That will lead you into perspective, then drawing objects, you wanna give them an appeal outfit so that gets you colour theory, etc etc. Just keep trying to answer a new "how do I draw X" question with each illustration and you'll improve.

If you want more focused improvement, try finding some local or online art classes. Drawing figures from life is always the best, then from photo, then from illustration. Pair figure drawing with learning construction shapes (boxes & spheres etc) and internal anatomy (all the little muscles). Do studies of other works you like to understand how the artist did the thing you find appealing. I don't have any specific suggestions for classes/tutorials/books, for me it tends to be a lot of, I want to draw [object] so I search for an image reference and slap it on the canvas while I draw.

Medium can make a huge different too. Digital art is cleaner for sure but the physicality of pencil and paper, paint and canvas, and other traditional media can be really fun and leads to more of those happy mistakes. And say you just don't like the lineart phase of an illustration, well, fuck it, just clean up your sketch and bit and slap colour on it and paint it up a little.

Lastly, this one can be really hard, but don't tear yourself down comparing to other artists or because your art isn't getting engagement. Try to find some peers you can learn alongside. Draw for a handful of other freaks who love your blorbo too. Try not to let the joy of art get sucked out of you.

hope some of this helps!

[starry-bi-sky]

surprise phantom doodles for 'late at night when the nightingale sings' '

i was brainstorming today after classes over Danny's ghost form in 'late at night when the nightingale sings' and decided to draw out some concept ideas! Specifically for when he was eleven and freshly ghosted.

Canonically, as per "Before the Nightingale Sings" Danny was wearing one of his parents' jumpsuits when he died, meaning it was much too big for him going into the portal. As Phantom it shows -- now, I'm still learning how to draw baggy clothes, so his clothes aren't nearly as baggy as I picture them being, but I hope I got the general feel across. -- by how his suit seems to sag off him, with Danny using bandages (or, more likely hair ties) to cinch his gloves off at the wrist because they tended to slip and fall off.

He has an even greater tendency to float as Phantom, not just because of the ghost thing, but also because his boots are so big and heavy that he tends to trip over them if he's walking or running. They're loud and clunky, and I'm thinking that eventually he just ends up getting rid of them at some point because they're so in the way.

The shading over his face is something I came up with while drawing, and while I hope to be able to keep it, I might end up dropping it before it gets written into the fic. My idea was for it to kinda like, be a unique way to represent his love for space by having a shadow darken over his forehead that steadily gets lighter the further down his face it gets, and in the shadow-y parts are star-freckles, but I'll need to see how it looks digitally before I confirm it. It looks cool with just pencil and paper, but whether or not it looks cool (rather than busy) in color is a different story.

His eyes are probably my favorite part! But I'm also a sucker for inhuman looking eyes. His pupils are, as you'll notice in the pictures, noted to be white, and shaped like four-point stars. His hair is also meant to be shorter, but I didn't feel like testing my short-hair-drawing-skills with the concept drawings for Phantom just yet.

The "new ghosts have a very specific feel" thing was another thing I thought of as I was drawing, and I thought it'd be kinda neat. The townsfolk are scared of Phantom initially because of the whole "ah! a ghost!" thing, but also because Danny's legitimately giving off like, the worst "not a deer anymore" vibes ever. Not unintentionally, mind you! But still giving them off.

I don't know how to articulate it well, but new ghosts have this "new car" feel to them that, to the living, feels pretty similar to encountering a liminal space, and it's because of how fresh the ectoplasm is in their creation. They're still "fresh out of the oven steaming" so to speak. They invoke a sense of unease and foreboding that's pretty unique to new ghosts, like a combination uncanny valley and "I have a bad feeling about this".

To ghosts it feels different! New ghosts don't spook the other dead like they do the living, so this is only a phenomenon with the humans. To the other dead it's more like that "new car smell" except its that "fresh ectoplasm" smell that tells them the other ghost is fresh out the grave dirt. This feeling usually fades after a few weeks.

It gets cut off, but the drawing in the corner says "death scar is in center of chest rather than on his arm" and that's because I've mentioned before that I think Blood Blossom Danny's death was a little different in comparison to typical fanon. Rather than being killed by the button electrocuting him, the fabric of reality tearing a hole straight through where he was standing did! Luckily for him, Danny was dead before the pain could hit.

As a result, Danny's got a pretty large but luckily relatively unnoticeable "blast" scar in the center of his chest, and while he doesn't have that big ol' hole as a ghost (most of the time), his chest was the last to physically form. His ghost formed right behind Sam and Tucker, which was a very trippy experience for their already traumatizing experience. They could see Danny's physical core, which pulsed like a heartbeat and cast the whole room in a light like the aurora borealis, before it was steadily encased by his physical body. Very horrifying to see. Danny doesn't remember this. It has a tendency to go numb sometimes, and he developed a habit of rubbing his chest.

Technically Danny does have a pair of goggles too -- but I haven't mastered drawing goggles yet, and I didn't wanna mess with drawing them. So for now, he's gone goggle-less for doodles. I do think his ghost form -- at least clothingwise -- has changed by the time he's 13, but I'll need to put some extra thought into it.

There are some other things I'd like to incorporate too -- like his interests outside of Space -- into his ghost form, but again, that'll take some brainstorming, and probably doesn't initially set in until later.

[egophiliac]

Hello! Sorry to bother but do you have any digital art tips? I’m quite new to it and any tips, tricks or advice would be helpful! Your coloring style is very beautiful and I love it a lot!

thank you! 💚💚💚 sorry this is a bit late, hopefully there's still something helpful in it!

(also, it got pretty long, sorry!)

I think the biggest thing is to just take things slow -- digital art feels different than drawing traditionally, and it's SUPER easy to get overwhelmed by the billions of cool features that the digital world offers. (I say, as someone who spends a lot of time downloading cool brushes and textures...and then never using them ever.) there is a ton of really cool stuff you can do digitally, but because there's so much, I think it's really important to take time to figure out what is and isn't working for you. spend some time doodling without any intent to do a finished piece, figure out how you like to hold (or not hold) your tablet, what keyboard shortcuts you end up using a lot (and therefore might want to map to your pen/tablet buttons for quicker use)...that kind of thing!

everyone's workflow and preferred program and style are different, so it's hard to give hard-and-fast general advice. but the things that I think of as the essentials for learning digital art programs, and what I think of as a good order to focus on learning them in (although YMMV, especially depending on what kind of art you're doing):

brush customization (e.g. flow, opacity, softness)

layers and layer masks

selections and transformations (e.g. scale, rotate, flip horizontal/vertical, skew) (skew is underrated and I will die on that hill)

blending modes (e.g. multiply, screen)

adjustments/adjustment layers (e.g. hue/saturation, curves)

and I think most stuff after that is gravy! often very good gravy though! but yeah, as overall advice I recommend just taking things one little bit at a time, spending some time just drawing and messing around with each feature and what you can do with it. whether or not you end up incorporating any of it into your workflow, it's always good to try things out and just see how they feel! :D

and just so there is at least a little more concrete helpfulness in here, here's a few more specific things that I think are super important to keep in mind!

use! your! tablet/pen buttons! I mentioned this earlier, but they are extremely useful for keyboard shortcuts that you use often! most programs will also let you create new shortcuts for other things -- personally, I use the magic wand tool to fill in big color blocks a lot, so I made shortcuts for 'expand selection' and 'fill' and then mapped them to my tablet buttons.

flop your work horizontally often! when you're working on something, you get used to the way it looks, so seeing it mirrored is a quick way to see it with fresh eyes! in my experience, it often feels like this:

(a common thing is to find that everything is sort of 'leaning' too much one way, which is where skew really comes in handy!) (seriously, I love skew, it is my savior)

if you're working with color, keep a hue/saturation adjustment layer (or a layer filled with black or white and set to Color) on top and toggle it on occasionally to check your values! a lot of people who know a lot more about color than me (and are better at putting it into words) have written about why values are so important, so all I'll say is that the rule of thumb is that your image should still be readable in greyscale:

there are some exceptions and grey areas (do ho ho), but it's a good general rule to keep in mind! (some programs also have a colorblind mode, so you can check to see how your work will look to someone with colorblindness!)

and finally, here's some digital art programs I recommend, if you're still looking for a good one!

free: krita, FireAlpaca

paid: ClipStudio, Procreate (iOS/iPad only)

[buboplague]

hello. i'm an art nerd and as such do art nerd things like study art. you are one of my favorite artists for your smooth and organic lines. is your style of line work something you've developed unintentionally over time or is it a matter of intention and technique? ive noticed you're able to do a lot with very little, which is something i strive for in my own art. happy late easter if you celebrated btw

oh this is an interesting question! I've never really stopped to think about this before.

I think it's a bit of both, but mostly unintentional and developed over time as a characteristic of the way I prefer to draw.

I draw quickly, erase minimally, like continuous lines, and enjoy the actual physical feeling of drawing messy, and I think that's helped me be more confident in my lines in general and contributes to how it looks. Being precise and accurate is usually not my goal, so it's ok if something is off (please never flip my sketches haha). I like the way drawing like this feels.

But there are also a lot of styles I love that use fluid lines, like ukiyoe art and artists inspired by those same styles, or others' quick gestural drawings. Seeing those inspire me to stay loose, or not care about accuracy, simplify things, etc, and folding these concepts it into my work is intentional, because it loops back into enjoying the way it's done. I don't really have much advice or technique for how to achieve this deliberately because I guess I'm not really sure myself LOL but based on how I approach things myself, these are tips to try (which it looks like you're doing some already!):

draw with pen on paper. If you mess up just go with it, or try again from the beginning. Don't get hung up on erasing and fixing things, just keep drawing

practice speed, with timed gesture drawing or other methods of practice you're comfortable with; try it without picking up the pen

turning stabilization off while drawing digitally for a more natural line (entirely subjective, but stabilization trips me up so bad and feels weird)

draw from life. It can be random objects around the house, or random photos, but draw things you normally wouldn't - train your hand to follow your eye, as this will help you see the way you use line, and is an easy way to practice what kinds of lines you want without getting hung up on idea generation, or if the character looks right, expectations, etc.

It's okay to be impatient and lazy sometimes LOL. Sometimes doing the bare minimum helps you to learn where you want to simplify or stylize things. "Good enough" is also a pretty useful catchphrase sometimes

I hope something in this post helps! And sorry if it doesn't, I'm not very good at articulating my own art or thought processes.

Thank you for your kind words and for enjoying my work. happy late easter!

[mistylune]

How I manifested an iPad (without realizing it.)

Hello! It’s been a bit a time since I last made a post. I’ve been pretty busy lately, but when I was thinking about what I wanted to post next, I remembered a success story from a while back. This story is definitely one of my favorites.

So to clarify, when I say that I manifested without realizing it, I mean that I manifested before being fully clear about the law. Back then, I wasn’t a part of the community, so I had no idea that what I was doing was manifesting, nor did I know either of the laws. I’ve come to learn that we manifest all the time subconsciously, and now I know how it is utilized properly. But in this story, keep in mind that this was before I was on tumblr.

So there are two types of LOA. Law of attraction, and Law of assumption. I used to confuse the two all the time, so I’ll quickly define them. I know you all have probably seen them defined a million times, so I’ll keep it brief.

(Also please note that these are my personal descriptions of them, so they may not be entirely accurate, nor make sense, but this is just how I would define them.)

Law of attraction is the belief that your thoughts are what attract things into your life, and by focusing your thoughts positively into the things that you desire, you can attract them into your life. For example, bringing money into your life.

Law of assumption is the belief that your thoughts are what shape your reality, and thus if you change your assumptions about yourself and your life, you can change your reality. In this case, instead of bringing, or attracting the money in your life, you would already have it.

I ended up using a mix of both when manifesting my IPad, so when I say LOA, I’ll be referring to both of them.

So onto the story.

A couple of years back, I got back into drawing, and while I enjoyed traditional art, I wanted to branch out into digital art. Many of my favorite artists that I saw on social media were drawing digitally, and I wanted to experiment in the medium. But the only device I had was my phone back then, and a school computer. When researching on what a lot of artists used for digital drawing, I discovered that many of the artists I admired used IPads for their artwork. And so, I decided then that I wanted to get one.

I remember that I focused a lot on what I would do if I had one. I would watch digital drawing tutorial videos, make Pinterest boards for inspiration, I followed my favorite artists on instagram, and would get inspired by watching speed paints and looking at their art. I remember how I would bask in the feeling of excitement at the thought of having my own iPad and creating my own artwork, focusing on the positive feelings that would arise when I thought about having one. Just thinking about it filled me with joy and motivation. I didn’t think of how, where, or where I would get it. I just knew that someday I would get one.

A few months later, it’s summer and I’m offered a spot on a team for a contest. After accepting, I attended a lot of meetings discussing the competition and preparing, we left two weeks later to compete. We worked really hard, and I had a lot of fun being on that team. When we competed, I was super excited but also full of nerves because we each had a part and I had to speak in front of a crowd. But it ended up paying off.

When the award ceremony came, I was full of nerves again, because I was unsure where we would place, or if we would even place at all. I remember seeing that a team I thought would win got second. At that moment I wondered which team was good enough to beat them for first place. And it ended up being my team. I felt a rush of excitement and emotions as we went up on stage and accepted our medals. It was my first time winning a team competition, so it was fun celebrating with the people I had been working with for two weeks. It was rewarding knowing that our hard work payed off. But the kicker was what happened after that.

After celebrating for a bit, and heading to the awards banquet, we learned what prizes we would receive for placing first. We received three prizes, and among them was…an IPad.

Now, I was in complete shock. I had heard from my mentor that the tech prize would be a computer. But it ended up being an IPad instead. The very thing I had said that I wanted. I remembered thinking it was just a very lucky coincidence, and I joked with my parents that I had gotten what I wished for. But now I know that in reality, I had actually manifested my iPad.

Recently, when I was struggling with manifestation again, and feeling stuck in a loop of negativity, I made a list of all the things I had already manifested to pull myself out of it. Through that, I was able to remember this story. Realizing that I had manifested before I even knew that it was a thing motivated me so much, because I realized I was putting so much pressure on myself to do something I had already done several times.

So I think the best advice I could give is that if you are struggling with doubt and negative thoughts, please remember how powerful you are. You are capable of manifesting anything that you want. I know it seems unbelievable at times. It was for me too, which I why I first saw my manifestation as a lucky coincidence. I’ve realized too that putting a label on the law often adds this extra pressure, because we aren’t sure if we are applying it correctly. But we are the creators of our realities. There is no wrong way to manifest. Just do what works best for you. But don’t give up. If you do, you could miss out on receiving your desires. The law cannot fail, and neither can you.

Thank you so much for reading! I truly hope this post was able to motivate or help you in some way. I’ll see you guys in the next post!

With love,

Lune.

[shootingstarrfish]

HOW DO YOU DO ANATOMY BRO AHSHJXNXNSKS I LOVE YOUR ART🔥🔥

ANATOMY HARD :(

oh man im not really the person to give advice on this since i truly bullshit most of my anatomy but i would really recommend just observing, staring at people and really taking note of how things work and look and then the extension of that would be actually drawing what you observe to really make sure youre processing what you're seeing. ive gotten into doing my studies traditionally lately BUT a big perk of digital studies is that you can overlay what you drew over your reference and really take note of where you strayed from the reference and how you can fix it

and then because studies are kinda boring, i would really recommend making excuses to study <3 ive done so many studies of people wearing big jackets under the guise of "it'll help me draw belphie and bee better!" which is technically true but it also gets me to sit down and do it i rarely draw animals but ive got 2 pages full of hedgehogs in my sketchbook to help me draw Spears better i enjoy doing art studies a lot more now if i can make an excuse to draw a character i like over it, which turns it from just a study to an illustration i actually enjoy looking at and will probably continue to enjoy because it's more likely to be 'correct' since it was done with reference

ALSO USE REFERENCE it's not cheating, it helps so much and you will subconsciously pick up on so much just by doing that, and youll notice things you never wouldve noticed otherwise

I will also highly recommend GinjaNinjaOwO (ActuallyRea)'s youtube channel! June is probably the most obvious influence on my art, they've been doing a lot more videos on sketchbooking and studying and having fun with the art process, so I would highly recommend their more recent videos, particularly the Lusamine animatic remake and onwards, I'll link a couple of my personal favourites here!

their recent shift to learning how to enjoy art again and their study process and habit building has been SO interesting and I would super recommend giving them a watch

[keeps-ache]

2024's last digital piece !!

happy new yeeear!! this year i'm gonna try to work on my writing a bit more lol 💫

2021's last piece of art from me

happy new year, my resolution is to set timers so i drink more water✨

[ribbonetteart]

Tribute to one of my favorite movies of all time + the franchise that has me in a death grip 💖

a bit late for Christmas but at least Valentine's day is around the corner ^^;;

Process below if that interests you:

AS I SAID EARLIER, I had been working on this piece as early as December of 2021 😱!!!

This was the original sketch! I was inspired after learning about Blaze's own design inspiration coming from Takarazuka theater, as well as it being the Nutcracker season so this film was in bouncing around in my head.

and this was allllll the way back in 2021 ^^; I had put the idea to paper to capture the image in my head immediately. But the idea in my head was extravagant and beautiful and would certainly take time to complete, as well as the patience and skill to work with watercolor 😔 I've certainly done my share of watercolor, both physical and digital, but I still feel like my physical watercolor work is a fluke, and I was still a novice digital artist at the time of this sketch.

In short, I wasn't confident my skill could live up to the vision.

So I would put this on the back burner. It wouldn't be ready in time for Christmas, and I could use this as an opportunity to hone that digital art experience so it could be ready next year!

2 Years Later...

It's December 5th. Fuck it. Let's crack this open again, I tell myself.

SO starting with the line art, it's actually 2 different brushes layered over one another.

I also changed Sonic's expression to be more love struck-looking, because I'm a sucker for romance.

The image on the left is a watercolor line brush, while the right is a pencil brush. The reason I wanted a water color look was because I thought it would make the illustration look dreamy and fantastical, and I wanted that to extend to the line art as well. However, my usual lines on traditional usually veer more towards thick and cartoony from years of studying the Sonic art style, so I really felt like I was working against myself here. I had also asked friends for their input and they preferred the lines on the right as well. If my followers actually do read these blog posts, I'd love if you could comment which line art style you prefer drawing or looking at.

The happy medium was to just combine the 2. Here's a better look at that:

I like it! I think it combines the solid line with the rustic water color grain. Best of both worlds :]

For the actual painting, The most notable thing I can say is that getting the right pastel-y color was VERY difficult to achieve for someone like me who often loves to use bright and saturated colors in her art. I feel like I really set myself up to do one of those "evil art style" or "opposite art style" challenges I've been seeing around. I had to repaint Sonic at one paint because the blue of his fur was WAY too saturated for the style I was going for:

I started with painting Sonic and Blaze in first and then working on the background. I think that's probably the backwards way of doing it but one of the perks of digital art is you can do stuff any order you want when you have layers.

The background wasn't actually as difficult as I thought it would be. I wasn't going for any difficult perspective, and I was using a reference so that could be it. I'm usually averse to backgrounds but I really wanna tackle more of my weak points in art. I actually had way more fun than I was expecting, painting the sky and adding texture to the grass. I think I had the most fun rendering the water coming from the fountain (which you can't even see too well anyway, lol).

Funny enough, I had just about finished painting the characters and background by early January. So why am I posting this in February?

The Flowers...

In case you don't know. I love flowers. I love looking at them, I love learning about flower languages, I love drawing them. so seeing that my reference image showed flowers circling the fountain, I was excited! I was already having more fun than I expected to be having (working against my usual style, rendering a background), so how could this be a pain in the ass?

Well, I am my own worst enemy 😞I couldn't exactly identify each flower offhand from this screenshot alone. The texture of the flowers is kinda grainy, since I don't think the animators were expecting viewers to look too closely at the set piece to use as reference for my lovingly crafted crossover fanart. If anyone has this in high quality though, please tell me.

(I think I actually got this reference from a tumblr post but I can't find it on my blog for the life of me nor can I find it in the tags I'm so sorry)

I'm a huge stickler for details so I really wanted to be as "accurate" as possible in my illustration. I can hardly identify some of these flowers with confidence. I think there are roses in there? or tulips? I'm not sure if those yellow flowers are roses or some kinda petunia or if I'm way off.

I'm sure these details won't matter to most viewers but it was EATING AWAY AT ME. Eventually I decided to try drawing in flowers that might look similar to the ones in the reference. Or some based on their flower languages. I was certainly overthinking it ;;;; It led me to going "fuck it" and just throwing in whatever I wanted. There are no irises visible in that screenshot but I made it the centerpiece of the flower ring. Who give a shit.

I made some guides for me to follow: The blue ring was so I could make sure the flowers make a half circular border around Sonic and Blaze. I was envisioning how it could look as like an icon or sticker or something, which is why it's framed this way. then the second guide is the sketch of the flowers I made. I always do line art and I'm not great at just improvising with color to paper, or color to screen in this case.

The rest of this process is then just working on each flower piece by piece (with the help of the mirror tool of course) with varying degrees of detail. Some flowers are more abstract than others, and I had debated if that would look jarring and disrupted any kind of harmony I was trying to maintain with the style parameters I set for myself. And then I decided I was overthinking it once again which is why this was taking me nearly 2 months to complete.

At some point during this process, my wifi went out for a whole week! Of course, I could still work on this illustration offline, but I had a lot of tabs open with a bunch of reference images on there (plus I like to listen to music while I draw otherwise I lose focus and I had neglected to download a varied selection on my phone or laptop 😭 Learn from my mistakes).

The most tedious of this process was making each set of gladioluses a unique color.

Was it worth it? You tell me! I think they're pretty, at least.

Along the way, I repainted the grass because it wasn't symmetrical (It didn't need to be but I had been using the mirror tool for a lot at this point and it was bugging me). I made other little final adjustments, like color adjusting the leaves on the flowers, lowering the flower ring border, and so on.

Ultimately, I'm extremely satisfied with the final product. I had my heart set on doing something like this for a long time. I had so much fun just experimenting throwing on color or not worrying about technical stuff. Of course, I did do what I usually do and overthink it at some points, but I'm working on it!

I've wanted to do an extremely indulgent AU illustration and other drawings for a Sonic x The Nutcracker story for a long while. I will be totally honest, I'm still a little embarrassed to share stuff like this, even after years of posting fan art online. It feels like the more self indulgent something is, the more people might judge me for it ^^; But I wanna practice what I preach and kill the thing inside me that cringes at my harmless attempts at joy and whimsy.

I would love to do some more drawings for this AU, but maybe post them around December when it would be more seasonally appropriate. I hope you'll stick around for it!

If you read this whole thing to the end, thank you. Whether you follow my blog or not, I hope you have a lovely day :3💝

[starrysharks]

OK so I'm feeling some guilt I started to draw cartoony like you but I get frustrated because it does bot look perfect like yours it's mostly small stuff like colors and clothes I love making cartoony body's sometimes clothing but I have color picking because I'm still new to art that has colors is my feelings normal or is it wrong of me? And how do I pick colors because it frustrated me to no end and made me stop drawing for months anyway in short summary how do I color the right way like I guess I know skin tones but anything else goes wrong and the other summary is how do you draw clothing because I can't for the life of me get clothing right

don't worry - it's normal to get frustrated when drawing. i know i've literally quit and deleted entire illustrations in the past because i didn't like how the colors came out, and i can spend whole hours just choosing base colors TwT i think the important part about learning art is not to rush. i'm seriously flattered you see me as inspiration, but what worked best for me back when i heavily referenced other artists was "mixing" styles together to create a "new" one - so i'd recommend studying and copying multiple artists you like and trying to blend their styles into one if that makes sense! ^^

hating color picking is completely normal when you're first starting out, and even late into art like i said before - i've been making original digital art on ibispaint for about 5 years now, and it's still difficult. but it's easy to make it fun, and the best way to do that imo is to experiment! i'd recommend studying color theory on a larger scale, and understanding how certain colors might look completely different based on where you put them. or maybe make an illustration and color it in a bunch of alternative ways! also, having "bad" or "awful" color skills starting out is OK - i still think my colors suck sometimes even now lol.

anyway, the best way for me to color pick is to just use that color for whatever the OG artist used for their art. let's use alex ahad as an example because i find his art and color use super interesting -

i don't usually color pick, but when i do, i typically start with picking the eye color. then, based off of the eye color, i chose a base color based on the character's color pallete (easier of the eye color is already close to the main color of the character, which for clyde is turquoise).

then, i pick more colors directly from the reference, for stuff like skin. at this point i have a good idea of the colors i want to use and stop color picking from the ref, but there's no shame if you still feel you need to.

after that, based on the colors i picked, i'll color in the rest of the piece. i usually end up changing the colors that i did take from the reference due to experimenting - for me, i just use color picking as a sort of stepping stone for when i'm not sure how to color a piece the exact way i want.

eventually, you can learn to color pick by eye rather than with the picking tool in your art program, tho that takes a lot of knowledge on color theory.

really there is no "right" way to color, especially for skin imo - don't limit yourself to just peach, tan and brown. clyde's skin is bright white, but i still used a yellowy color here because it was relative to the other colors in the piece. i've also used "alien" tones for human-toned characters in the past before!

and about clothing folds - i can make a full post on that if anybody else is interested OuO