#this is either bc I love playing them or I love the concept of the character or I’m in love with them. or something else. many reasons ig

[no1ryomafan]

I’m always in and out of mega man circles and lore is a subject I’ve come to loathe sometimes as I enjoy the lore in this series but the gatekeeping was unreal over a series that didn’t have anything planned out-like most old video games trying to establish lore-so alterations to canon should be acceptable next to “aus exist for a reason” but maybe it’s just cause the fandom as is doesn’t like/give star force a chance, I wish low key people would be more accepting of the idea of “turning the FM-Ians into robots akin to the Stardroids” because that would be such a raw concept for them to still exist in the robot timeline but as more space alien robots we never saw but I know people would get hissy at this idea not being “canon” when this doesn’t invalidate the network timeline, it’s just saying “what if these aliens both coexist” (cause I also fuck with the stardroids also being FM-Ians or space Navis if duo.exe can exist, but I feel like someone would’ve done that by now but definitely hasn’t done this idea)

[captaincleverusernamehere]

My favorite part of running modules is picking one npc to be my favorite little creature and rewriting the whole thing so they stick around for as long as possible

[nonbinaryaubrey]

i loveee playing forever au it makes me. so sad </3 im so sorry to all of them none of them get a happy ending

[luvsavos]

should i start posting abt my ocs' lore n stuff......

[carbonfiction]

A little suprise

Summary: After another cosy Christmas morning shared together, it’s time for the gifts. Little things thoughtfully bought, wrapped and passed over. This year however, theres something else. Something you've meticulously managed to keep hidden for a little while now.

Master list. Words: 1.2k

Warnings: tw mentions of pregnancy/pregnancy announcement. (Chosen to tw this simply bc im aware of how tough it can be for those struggling with conception/fertility ect, especially this time time of year. i want you to know my heart is with you, your time will come🫶) Lumberjack Logan is a sweetheart, mostly just a nice lil finding-out-he’s-gonna-be-a-dad Logan fluff with a smiiiiige of swearing. Lo calls reader “momma”

The parasites in me yearned for origins dad Logan, so I had to write origins dad Logan. Or in other words, its Christmas and I desperately can’t stop thinking about that large man with a teeeeny tiny baby.. Tadaaaaaa <33 merry Christmas loves!

Christmas morning was always peaceful in the howlett household. It would begin with sleep laced kisses, limbs tangled together as you hold each other close. It's hours before either of you actually leave the bed, too warm and content with eachothers presence to even consider it.

But when you do the first place you go, after the bathroom of course, is to the kitchen. Logan begins breakfast- or nearer brunch by then. While you make sure the coffee machine is switched on and freshly brewing the hot liquid into your usual cups- a cheesy wedding present from a friend, mugs that read 'Mr' and 'Mrs'.

Then, once dinner is roasting slowly in the oven for later, come the gifts. All soundtracked by a movie playing in the background. Little things wrapped and passed over- for you comes a cosy pair of pajamas with matching socks that you'd pointed out a while back, along with a little hamper full of your favorite treats; a perfect mix of sweet and savory to snack on when the mood takes you; or when wrapped up tighter watching a movie.

While you gift him a fresh collection of cigars and workboots that offer a little extra comfort to those long days he spends at the yard on his feet.

But.. Theres also something else. Something you've meticulously managed to keep hidden for a little while now.

You steady yourself with an anxious exhale before you tap logan on the knee. "Theres one last one.." you say with a smile, quickly retreating to the bedroom and coming back to stand infront of him with a neatly wrapped box in hand.

Logans brow rises, a crease then wedging between them as he looks over the gift and its carefully tied bow. "Thought we agreed on a couple things each?" he murmers.

Hes right, you had agreed that, both having felt like each others company was all you really needed..

"Well, its a Surprise..” you trail, urging him to open it as nuterally as you could. Anxiety festering deep in your chest, part of you unsure just how this would go down.

Its silent as his fingers pluck and pull at the ribbon, deftly untieing it until its left in a pile besides him on the couch. Next is the lid, decorative tissue paper also following as his eyes rake over the unveiled contense.

"Sweetheart?.." logan questions in a whisper, fingers gently lifting out a pair of tiny booties and a matching flannel shirt; Both purposely mirroring items he owned. "what.. what’s all this?”

Logan feels his heart hammer in his chest, mouth going dry. are you telling him what he thinks you are?

“What’s it look like Logan?" you giggle softly, a hint of nerves in your eyes as you look down at him. You grasp an ultrasound photo and the positive test from the pocket of your sweats then, placing them in his hands over the little shirt.

You watch as his eyes widen to the size of dinner plates, crease flying away from his brows as he takes in the words written on the test; illuminated by the soft glow of the tree lights. 'Positive'

“You-" he starts, words trembling dryly from his tongue. "you’re really pregnant?”

Tears begin to sting at your waterline as he looks up, your gazes meeting as you nod, bottom lip bitten tight between your teeth. "yeah, ‘m really pregnant.. gonna be a dad lo”

Sure, you'd had conversations in the past about this situation, had both agreed kids would be something you'd like to share one day, but you never actively began trying. Never fucked for the sake of conception. It had just.. happened.

A birthday celebration mixing with a slip up in taking your birth control- an accident you weren't sure you felt guilty for at this point, not with the look clouding over logans features.

Features soon shared by the little you or him growing inside you.

You wobble forward as Logans arms engulf your waist, pulling you toward him with the enthusiasm of a child receiving a toy they'd wanted forever.

Tears begin to stream down your cheeks, landing wetly on your fingers as they find home in the soft tufts of his hair.

“I’m gonna be a dad.." he murmers incredulous and full of wonder as his forehead presses into the fabric of your shirt. You dont know if hes talking to you or himself, but its just quiet enough for you to hear it through your now hiccuped sobs.

“Are you happy?” you sniffle, still slightly unsure. He feels you pull at his hair until his gaze meets you, chin resting gently on your ribs.

“shit sweetheart, yeah" he smiles and its bright on his face as he stands to hold you properly. Logans lips press against yours, the kiss filled with unspoken emotions as the addictive taste of him hits your tongue.

He holds you tightly at the waist for a few moments and its with trembling fingers he pulls back. His head dipping to look you in the eyes, touch twice as gentle when his hands come up from your sides to gently cup your cheeks. Calloused thumbs swiping at the tears that still fall "course I'm happy, are you?"

"Yeah. Yeah Im happy" you assure, teary eyes brightening. "beyond happy even"

A grin lights logans expression as he looks down, glittering as bright as the Christmas lights surrounding you.

"You know, I was.." he starts, clearing his throat as it crackles with emotion. "God i was just thinkin what a pretty momma you’ll make but.. you already are a momma huh.." one of his hands move again, deft fingers creeping under your shirt now until his large palm sits gently against the small swell of your stomach. Your heart skipping at the feel of the cool metal of his wedding band. "growing our kid in there..”

“Well, it’s technically sill early d-“ you go to say, but he cuts you off. “Your glowing already you know that sweetheart?"

His lips find yours again, fingers still cupping your jaw as his next words press against your mouth in a soft coo. "My beautiful girl.. Our baby's gorgeous momma"

Your arms wrap around his neck, swaying gently as love drunk grins adorn both your faces. The room filled with a new kind of excitement. A memory made you know both of you will remember forever. “i Love you Logan...” you affirm, hushed.

"Love you more sweetheart, like you wouldnt believe." he honeys back softly, stroking his thumb over your belly again "Giving me the damn world here"

Its silent then for a while after, appart from the crackle of the fire. Post dinner you both rest full, wrapped up in each others arms on the couch. you lying curled onto his chest.

Your fingers alternate drawing shapes and drumming on his left pectoral, wide grins still adorning your faces as you peek over at the test, photo, boots and flannel still sitting on the coffee table.

You hum softly then, breaking the silence with a simple whisper of his name. "Logan?"

He responds just as quiet, hand still not having left its new home on your tummy. "Yeah sweet girl?"

"Once i get huge.." you start with a teasing glint making logan cock a brow as he listens. "Im reserving the right to be carried around the house.."

That makes Logan chuckle, the louder rumble shaking beneath where you lay as you too break into a fit of giggles.

He shakes his head, lips kissing your hair softly as he speaks, still deeply amused. “Whatever you want momma, whatever you want."

Is this my best work? Fuck no, fluff is my kryptonite. But Was it a sweet thought? Yeaaa..

[lactoseintolerentswag]

Rise Characterizations

Last month I did an in-depth re-watch of rottmnt s1 to take some notes on writing the characters of rise from their perspective and such. Figured I'd share what I found, but I'm also posting this bc my docs have a nasty habit of blipping out of existence.

We'll start with Raph bc he's the oldest of course, but I'll post the others sep. bc this is gonna get long!!

Raph Character Notes

Language Habits:

Catchphrases: "like a boss", "smash"

Verbalizes his attacks such as "smash", "knuckle sandwich", "power smash jitsu", "tonfa power jitsu", "mystic punch jitsu"

Uses older song titles for surprised exclamations or in place of cursing, most notably "jumping jack flash!"

Uses aave/bae, For example: 'em instead of them, 'ey instead of they, 'cause instead of because, forgoes the g in ing words (going becomes goin')

Uses less and less grammar the more he's stressed, and his voice will come to a higher pitch

Will speak in a softer tone to his little brothers if he's concerned about hurting their feelings. Aka babying them

Mixes up both metaphors and idioms. Would be one to say how the turn tables unironically

Does say "hero" a lot, lost count, especially in phrases like "hero town"

Refers to his brothers as "boys" or "fellas"

Refers to Splinter as "pop(s)" most often

Refers to strangers he's directly talking to as "bubs" or "hoss"

Personality:

Protective of his family

Plays up the hero act/has a strong sense of duty and justice

Impatient, rushes in without a plan (pre-movie), doesn't finish books until the end, falls asleep during "boring movies"

Oblivious, doesn't read into things beyond surface level. Struggles with empathy when something is beyond his understanding, but is still very emotional

Center of responsibility for his brothers, but also has a reckless sense of fun. As long as it's him doing the stupid unsafe thing it's fine

Carries the weight, in a literal sense he piggy backs his brothers, but will also use his body as a shield from danger. Unfortunately this also means he takes his brothers a little less seriously (Mikey the most common victim), and will try and either protect them from everything or as an oldest sibling everything has go "his way"

Doesn't do well in solitude. Needs to be looking after people to feel functional, and needs to be around people to feel safe

Clumsy, "takes horrible pictures", isn't very good at hiding, he's a big guy so it probably took a lot of time to find balance

A sweet guy who still won't shy from making fun of his family. Leo tends to be the brunt of his teasing since he is the most annoying, but he will also poke Donnie on his dramatics

Likes cute things!!! Has a teddy bear collection and loves animals. It's so cool how this isn't played off as a joke and he's still just as masculine for liking pink and cutesy stuff

Likes fighting!!! Gets a lot of energy out defeating bad guys (where he directs his anger towards), the one who is shown to train the most, and also weight lifts in his spare time

Doesn't do well under pressure, here the anger comes out the most. He gets stressed when it's all on him, especially since he tends to mess up the most in these moments

Miscellaneous:

Second to unlock mystic powers

Nicknames/codenames: "raph-a-doodle" by leo, "red rover" by april, "red king" by donnie

Teddy bear names: Doctor Huggenstein, Captain Snuggles, Cheech

Stinks: fear stink, amazement stink, sneaking up on people stink, victory stink

Seems to be less afraid of rabbits and more afraid of puppets

Went on his first solo mission at 13

Cannot lift a bus, at age 15

Thought about discussing fighting style, but I'm not as familiar with that concept and I've seen a couple posts dissecting such topic. So we'll end here for now. Hope this was helpful!!! I'll post the rest of the boys later and link here

Leo is up!!

Donnie is up!!

Mikey is up!!

Splinter is up!!

April is up!!

Cassandra is up!!

Baron Draxum is up!!

[whamss]

Rose would be a shitty girlfriend but people really miss the flavor with exploring that when they take it as Rose not liking Kanaya as much as vice versa as opposed to her being painfully into Kanaya but not knowing how to like. Empathize with other people properly and being too self-absorbed to attend to any of Kanaya's needs, or even really notice when her own behavior is hurting her.

I think it's pretty well-established that Rose is super into her. Girl who drank her ass off before their first date bc she was nervous and constantly turmoiled over whether or not Kanaya was going to break up w her and wanting to make things better between them even leading up to her death, only people to say that she doesn't like Kanaya. If Kanaya broke up with Rose she would perish. Lines like "I never even got to tell her I love her" tell us nothing if not that Rose was painfully in love with Kanaya, but could never find it in herself to tell her. Whether this is because she was trying to protect herself on the chance that Kanaya got sick of her shit and decided to break up or because Rose was so out of it constantly she just could never get it out is up to interpretation. But Rose being a shitty girlfriend and her relationship with Kanaya being extremely important to her aren't concepts that are mutually exclusive. If anything I think they play hand in hand.

I also just think people need to give Kanaya more autonomy than they do. Don't get me wrong the power dynamic IS inbalanced. Rose is insane and constantly making mistakes and impulsive decisions and Kanaya is always left picking up the pieces when she does something crazy. Rose hurts Kanaya to an incomparable degree. Kanaya has far more patience for Rose than she probably should, but she isn't a doormat. The entire interaction Kanaya and Rose had on the meteor, where Kanaya flipped out on Rose for drinking right before they were due for a big fight, tells us so much about what their dynamic was leading up to this imo. This is a conversation they've had countless times before, Kanaya's anger is always followed up with some fearful suggestion from Rose that Kanaya is going to break up with her. Kanaya is a girl dealing with a partner deep in the throes of alcoholism, she's painfully compliant, but their interactions both leading up to them getting together and once they do both on the meteor and off of it show that the relationship anxiety is very one-sided. Rose is the only one worried about them breaking up, because she sucks and she knows that. Kanaya cares deeply for Rose but if either of them are going to be cooly cutting things off between them it's her, not Rose.

I love giving rosemary divorce particles, I can never be convinced that two girls who got together That Young could make it work between them without a ton of bumps in the road. I love that Rose is fucked up and self-centered and I like when people acknowledge this, but she DOES love Kanaya. To her own detriment. Kanaya is the one constantly disillusioned by Rose's behavior, the one who's commitment is constantly tested, not the other way around. Wish more people could acknowledge this... Rose loves Kanaya! And Kanaya loves Rose too, I think. But people really wooby her when they try to frame even the likes of pre-retcon rosemary like Kanaya is a nothing but a victim of Rose's vices, and that Rose somehow doesn't actually want to be in a relationship with her.

Pre-retcon rosemary was definitely on track to an untimely break up though. Rose wasn't going to be the one to pull that trigger though

[gutterfuuck]

ok all i can think of is super pervy & creepy incel mark w a reader who lowk knows he’s super weird and creepy with her but is like…into it. like he steals her underwear and gets off on the smell of her and she knows and is just like 🤷‍♀️😊 like maybe she finds a fucking box of her underwear under his bed while they’re hanging out and he’s like oh fuck i swear it’s not what it looks like and she’s like :0 okay but do you want another pair? 😊😊

“ and in addition to my other ask; what would be even better is a reader who is so like fucked up mentally over being into it (bc uhhh she doesn't think she should be so into her best friend being a fucking creep) and mark can tell and he's like ok so ur just a little pervert like me!— ☆ “

this is so good anon omggg—- it would also be an interesting idea to have a reader who’s kind of a bully/mean girl towards mark + he retaliates (😉) but that is a whole other concept that i am not focusing on rn haha 😅

MDNI, 18+ CONTENT

you were accustomed to it by now; mark’s calloused finger tips brushing past your neck, hands wrapping around your waist or pulling you almost into his lap at times. he was just a touchy guy, you were his best friend, he’d never look at you like that!! mark just loved playing with your hair, he was just affectionate!

you knew why his hugs would linger just for a bit too long, you weren’t stupid. that’s why you weren’t the least bit shocked when you had found out where your underwear had ran off to. you weren’t shocked, weren’t exactly disappointed either. you knew what had been going on, you damn near set him up by just leaving your clothes thrown onto his bathroom floor after you would use his shower and purposely wearing short skirts and low tops whenever you would hang out with him. you’d picked up on his behaviour for a while now, so had everyone else. everyone around you could see how often mark would touch and let you walk up the stairs first so he could see up your skirt, “well i’m not gonna look up there, you know that.” “if you fall or slip, i’ll be there to catch you, y’know?” “c’mon y/n, don’t you trust me? wouldn’t you rather me accidentally see up there?” “you already walk around my house basically naked sometimes.” he justified, eventually winning you over and getting the chance to pull out his phone while distracting you with talk, taking a video from underneath your skirt.

you’d found them when you had dropped your phone down the side of his bed, going to get it before mark could protest and offer himself to grab it, he hadn’t moved that one pair of cotton white panties, the ones he had pressed up to his nose the night before, getting off to the scent of your pussy still on them. mark almost died when his fear came to fruition, you holding up your own pair of underwear that you had left your phone for.

mark’s face turned red, hand shooting forward to grab at the pair of underwear; you snatching your hand away. “i-it isn’t what you think it is!” he shouted, your eyes locked onto his. the corners of your lips turned upwards, glancing at the panties and then back to mark, “i think these are my panties. no, i’m sure.” you spoke, mark’s hands flew to your shoulders. “they must’ve g-gotten there by accident…-you’re always here, you never know, you might’ve left them here-” he stuttered, fingers digging into your skin gently, moving up to hold your face so he could give you a look of sincerity, hoping that you would believe his lies.

“d’you want more?”

he swear he heard ringing in his ears. the world seemed to slow down, his vision blurry. did you really just say that or was he actually going crazy this time? a beat, two. “what?” he breathed out, voice quiet and getting lost somewhere on the way out. “i’m wearing pink. white polkadots, lace i think.” you wondered, fingers playing with the hem of your skirt, inching it towards your upper thighs. further, further. “wanna see?” and mark feels like he’s going to explode. he was already nodding before you had even asked him if he wanted to look at your underwear, you got off of the bed, standing in front of him and lifted your skirt up. lace, just like you had promised. crimson red trickled out of mark’s nose, dick throbbing in his pants.

he looked so disheveled, half lidded puppy eyes focused on your clothed cunt, blood slowly dripping down his nose and past his chin, red staining his shirt. “can.. c-can i…” he almost drooled, hand reaching towards your thigh, needing to hold you, needing to confirm that this was real and happening. “you’re gonna let me touch you here, yeah?” his hands stuck to your waist, pulling you closer as he moved to kneel in front of you, pressing his face into your cunt and sniffing feverishly, tongue lolling out to lick you through the cloth.

“s’good… smell so f-fuckin’ good, y/n..” he groaned, you giggled. you were so perfect for him, so fucking perfect. he slid one of his hands into his pants, wasting no time in stroking his cock, jerking himself off while he sniffed around under your skirt and put his mouth around your still covered pussy, wetting the fabric and licking up your juices as soon as they secreted from your heat and soaked into your panties that mark would definitely be keeping. your hands stroked through his hair, gasping lightly when he pulled your panties to the side and instantly began sucking harshly on your clit, rubbing circles into it with his hot tongue.

this was sooo fucked up. were you taking advantage of him? would it even matter seeing as he’s obviously been taking advantage of you, stealing your underwear while you weren’t looking? you didn’t care, neither did mark. you especially didn’t care when his fingers found their way into your warm cunt, pumping in and out while he gently grazed your sensitive bud with his teeth, your fingers tightening in his hair and your chest heaving, a low growl rumbling in the back of his throat as he held you still with both hands now, teeth biting down just right enough for it to make you almost jump backwards, a light squeal leaving your lips.

“taste so good… so wet f’me, getting my fingers all sticky..” he talked into your clit, tongue flicking back and forth. mark pulled away, looking up at you with lust glazed eyes, putting his fingers into his mouth and sucking your slick off of his digits. he turned you around, mouth open while he panted, hands spreading your asscheeks as his tongue began licking circles around your asshole, making you almost jump at the unexpected action. “j-just wanna touch you everywhere…” mark told you, tongue pushing past your tight little back opening, your ass clenching around his tongue as you nearly fell over onto your knees, mark steadying you.

you were always teasing him, always. he pulled his tongue out, pulling you down onto the floor with him, positioning you onto your back, hands attacking your zipped up jacket and almost tearing the clean off. no shirt. no bra. fuck, you’d done this on purpose. “so fucking hot…” he said before sucking on your now exposed nipples, other hand squeezing as if he had no idea on how to handle tits gently. oh, that was because he didn’t. he was inexperienced, but it wasn’t something that made you upset. no, quite the opposite, you liked it; the hungriness of it. the greediness, selfishness.

“no bra… practically naked under there…-“ he huffed tapping your leg so you would wrap your legs around his waist. he bent down to lick your cheek, smiling when you gave him a look of confusion, “p-perv..!” you joked, laughing at him. his cock strained, his cheeks went pink. “again… fuck, call me that again.” mark muttered, humping against you on the floor, trapping you in with his teeth tight on your shoulder. you complied, gasping and nodding, “pervert..”

he lost it, getting to his feet and keeping his hand on your head so you knew not to stand up along with him, his hand anchored in the back of your hair, using it to pull you forward so he could rub your face in his bulge, throwing his head back when you opened your mouth, sliding your lips up and down the side of his cock through his pants.

in reality, maybe you were the pervert. you couldn’t care less, your hot best friend was trying to force his fat cock all the way down your throat with his gorgeous face all ruined and flustered with your lacey-pink-and-white panties held up to his nose, your scent drove him fucking crazy, your own face streaking of mascara and your lipstick smudged around the corners of your lips. you were beautiful to him, his hips unrelenting with his messy thrusts. “nghh aaaahh.. so warm… ‘s this what pussy feels like too?” he asked, gripping your hair even tighter. “b-bet you’re tighter in there… in your cunt-“ he continued to let his tip bully the back of your neck, your throat bulging ever so slightly with each harsh thrust, catching a rhythm that made his balls slap against your chin. “c-callin’ me the perv… you’re all soaked and sicky down there…” your eyes watered, nails digging into the meat of this thighs, your cunt gushing. this was so wrong, you should know better than to let your best friend throat fuck you after finding out that he had been getting away with stealing your items of clothing for so long. “you’re the real pervert, hah..- you look so messy, f-fuck, i-i’m gonna cumdownyourthroat—“ he choked out, dick pulsing as his head rolled back, his vision blanking and hips stuttering, thick ropes of cum filling your mouth.

he was right, you were the perv. only a perv would swallow their best friend’s load and beg him to shoot the next one into your guts.

[spaceseinensam]

love seeing everyone's Mouthwashing theories and analysis and just wanted to throw my two cents in, bc Mouthwashing is an amazing game, not only story-wise, but also on a meta level.

!!! SPOILERS FOR MOUTHWASHING, CAN'T PUT A READ MORE ON MOBILE !!!

the game is told from two perspectives: Curly before the crash, Jimmy after the crash. The player controls either one of the two in the corresponding times, and I think the concept of "protagonist" plays a big role here. Before the crash, Curly is the protagonist. He's the captain everyone listens to and tries his best (more or less) to be a leader, a friend, a beacon for everyone. Jimmy is an old friend of his, but ultimately an NPC in Curly's perspective. And the game shows that Jimmy is very jealous of that. He wants to be a big shot too. He wants to be someone others look up to. He wants to "take responsibility".

The crash happens and Curly is left burned and limbless and voiceless and now Jimmy is the protagonist. We, the player, control him and thus we get his very limited and unreliable perspective on everyone else. And Jimmy loves being the "protagonist". The game is even warped story wise so we only learn in the end that it was Jimmy who caused the crash, not Curly. With Jimmy as the protagonist, every other character is subject to his perspective: for example, when Anya locks herself in Medical to end her life, Jimmy influences Daisuke to believe that Anya would kill Curly, although she's shown nothing but compassion and selflessness for the other characters all game. It's easy for the player to get caught up in that, as seen in players being totally fine with drugging Swansea to enter Utility and rarely questioning if the character they're controlling is being reliable or not.

The game being warped through Jimmy's influence also shows itself in other instances: during the one time Jimmy and Anya talk alone in the hallway, Jimmy lashes out at her. He yells about the "tasks" he's been given and the order of them, resulting in the tasks the player can see in the user interface starting to flicker and change according to what he yells. This is showing how meta wise the game is being influenced by Jimmy being the protagonist, having to bend to his will and act accordingly. But we also see the game fight back: during the hallucinatory vent sequence, the player has the option to turn around after seeing a piece of paper that reminds them to "take responsibility" and when turning around and facing away, thus not facing responsibility, the game snaps the player back to face the paper again. It looks like the whole game is a representation of the protagonist struggle between Curly and Jimmy. Curly, the "natural protagonist" is hijacked by Jimmy's actions, making Jimmy the new protagonist of the game. He tries to fulfill the role according to what he thinks he has to do, but he's not good at it, resulting in the game being told out of chronological order, to show the player both sides of the coin.

And even the finale of the game is a representation of the "protagonist struggle" between Jimmy and Curly. In the end, after everyone is dead except them, Jimmy (controlled by the player) takes Curly to the one functioning cryo pod, his last action as a protagonist. Then, in the last scene, the perspectives are switched again. The player looks through the eyes of Curly inside the cryo pod, seeing Jimmy outside ultimately walk to the side and kill himself with a gunshot. As the credits of the game play, the cryo pod is starting to freeze Curly and the player is stuck as him in the pod, ending the game. It shows that Jimmy didn't manage to grow into the role he so desperately wanted, bc his last action as the protagonist is giving away responsibility, directly back to Curly. Jimmy can end the game as an NPC again and avoid taking responsibility, while Curly is the one now faced with an undetermined future, worse off than before.

I hope my ramblings made sense, but I love the game a lot and I hope more people start to analyze the story and other aspects of the game soon!

[katerinaaqu]

Achilles and Patroclus: Friends Lovers or both? (An analysis based on Homeric Epics and some ancient sources)

Yet another analysis requested by my dearest friend @artsofmetamoor while we two explore the complexity of human relationships in our own projects including romantic relationships of various kinds, including homosexual and homoerotic material as well as more traditional notions of family and kinship along with the complexity of values such as companionship and friendship, which we hold in the same regard as in the above so here's one of the most discussed relationships in greek literature. Buckle up with me because it is gonna be a looooong ride!

Achilles and Patroclus are two figures of greek literature and mythology that sparked discussions and analysis from the very first time they were introoduced as characters in the homeric poems in 8th century BC and not for their heroics in Trojan War but rather the nature of their relationship. Not to mention in modern day times we also start the rather overused and kinda ridiculous joke of "Historians say" around. But there might be some truth in some concerns in regards to their relationship.

A small history of their family

Achilles and Patroclus were related by a distant ancestor, Aigina. Aigina had a son with Zeus named Aeacus who in turn got married and had Peleus, who has the father of Achilles. Patroclus comes from the same line for Aigina later marries Actor and has Menoetius with him. Menoetius marries his cousin Damocratea, also possible daughter of Zeus and had a son named Opus who in turn had Patroclus, making Patroclus and Achilles de facto first cousins by the line of Aegina

(Yes...sorry "Troy" haters out there...hahaha Patroclus really WAS Achilles's cousin! ^^; Not that it ever stopped anyone in greek mythology!)

Patroclus was ellegedly exiled from his homeland when he accidentally killed his playmate and he fled to the court of Peleus where he got adopted by him thus the two characters lived most of their childhood together. Patroclus by most accounts is quite older than Achilles so in a way he was also assigned not only as his playmate but also as his "squire" or protector in various occasions. Needless to say that of course the two of them developed a very strong bond together.

Greek Text

To be honest, every time some person who does support the theory of them being lovers is being asked on it and that person claims that "the greek text is quite simple really". Allow me to disagree though. It is not. Quite frankly if it were, it wouldn't have sparked the conversation even to ancient greeks themselves of their time!

Arguably Homer never explicitly describes them as lovers in his poems (as opposing to other figures in the text that are undoubtedly sharing sexual relationships in the Iliad such as Hera and Zeus, Paris and Helen or even, ironically Achilles with Briseis once she is returned to him). However one would be a liar if they denied certain insinuations of a romantic involvement betwen the heroes.

Φιλέω-ώ= to love < > φίλος=friend, companion (Substantive), beloved (epithet)

Quite frankly Homer as we said before he a master of words and none of his words is picked at random. And the term φίλος is no exception. The word is being explicitly used in Homer by various of characters. The term can be translated interchangably from either "friend" to "beloved" depending the context. One of the most infamous and touching moments this word is being used is at the lament of Achilles when his mother asks him to speak up on why he laments so hard:

With heavy groans, fast in feet Achilles responded to her: "Oh, my mother! The Olympians have done what they had predicted for me! But what joy remains for me, for my beloved comrade Patroclus is gone! I lost him! The one that I valued most among my other companions, equally to my own life!"

(Translation by me)

In here the concept of "φίλος" is clearly an epithet or plays the role of one since the actual word that we are looking for as a substantive is the word "ἑταῖρος" which stands for "companion" or "comrade" (a term used generally throughout the poems to indicate bonds in army or of friendship or even husband and wife at some cases). In here it clearly means "beloved" by the general text for the word "φίλος" is not used as a substantive. Other cases such as this appear in other parts of the poem even with the fullest form φίλτατος which means "the most beloved"

However it needs to be noted that the term φίλος as the essence of "friend" comes directly from this term "to love" which means someone "you are close with" someone "of your own kin" someone "dear to you". The ancient greeks do not seem to be making a distinction between love as in lovers and love as in family or relatives when using this verb and the words coming from it (one good example is Thetis referring to Achilles as "φίλον υἱὸν" which means "beloved son" and here has no romantic implications at all).

The term is being used interchangably throughout Homer to speak about characters with close relations of kinship that are not linked to romantic essences at all. For example the way Menelaus adresses Odysseus as such in the Odyssey:

Oh, how strange! That has come to my house the son of a man much beloved to me; who for my sake has suffered so many ordeals!

(Translation by me)

In here Menelaus again is usingthe term φίλος but he doesn't speak out of romantic intentions at all. He speaks with the warmest words but in here it is the most intimate form of friendship and kinship and is followed by the implication of gratefulness, how he adds up how Odysseus suffered "for his sake" aka to fight the war and be lost afterwards. And before someone says "it is not the same amount of warmth" one must think again because before Menelaus speaks about how because of the agony he feels for his friend he does not eat or sleep properly and given that it has been 10 years already since the last time they saw each other that is a damn long time.

But all of them I do not grieve as much, even if I mourn for them, as much as I do for one man, because of which I both detest sleep and neglect to eat, for there is no one of the Achaeans that suffered more than what Odysseus suffered and endured

(Translation by me)

So not only Menelaus feels like Odysseus suffered the most out of them (and strictly speaking one can look at fates of other heroes like Diomedes to see they are not far behind in suffering) but that the way he constantly wonders about his well-being makes him unable to sleep or eat and that seems to be happening for years and years which shows the true depth of their friendship.

So no, strictly speaking the word "to love" is not used by the greeks to imply only romantic love and it can be used pretty intimately even if it is not referring to romance. And the difference can be perceived by the same writer as well not just some play that was written several centuries later in which, inevitably, we could talk about some alterations of meaning to the words over the course of time

However there seems to be another phrase used to express intense feelings of love which is κεχαρισμένε θυμῷ which means "dear to my heart" and in Iliad ironically that phrase is spoken by no other than Briseis herself!

Oh, Patruclus! Dearest to my wretched heart!

(Translation by me)

This interesting shout of love coming from Briseis is also interesting for it could be implying both emotions of romantic love but also of affection in general. Which is another phrase that researchers have looked upon in search for hidden meanings of romance but once again it was often used either as such or with the term "φίλος" instead to speak of relationships of family or kinship. But grieving scenes such as the one of Briseis might also be indicator of romance although not exclusively referring to that.

The Lament

Quite frankly speaking, Achilles's lament is one of the most infamous and well-known in greek literature exactly because of its explicit nature. We do see characters lament in plays before but it is not as frequent to see lament SO strong coming from a male character and so openly (see for example in the Odyssey how Odysseus tries to hide his own tears many times or how his men are wrapped up in veils in lament for their own lives and their fallen comrades' but by n large the male lament is more subtle, more silent). Achilles is different. For example when he is first told about the news of Patroclus's death the result is nothing less but the ultimate emotional collapse:

So they spoke and black mist of distress covered him: With both his hands he gathered smoky sand and he poured it over his head and disfigured his face: his nectarous chiton turned black with ashes. And he himself dropped in the dirt and stretched over his lying (here: the corpse) friend/beloved pulling out his hair in lament. The slaves given as war price to Achilles and Patroclus, released a great cry of sadness and they approached all to the sides of mourning Achilles, beating their chests with their hands, and their knees each. Also Antilochus with them was lamenting and pouring tears holding the hands of Achilles: for he was moaning with his noble heart: worried that he would cut his throat with iron (here: a knife).

(Translation by me)

There is no words to express such an intense display of pain given by Achilles from second one when he receives the news of the death of Patroclus. He immediately pours ash over his head (quite a common trope for mourning done by many characters before.) and "disfiguring his face" which means he was digging his nails down his cheeks which was again a trope of mourning in greek literature. The intensity of his lament is so great that Antilochus feels the need to hold his hands just in case he would want to comit suicide in his pain!

Ironically for most part in this lament does it mention that Achilles was making any sound at all during the process, which somehow makes it even more disturbing to think that Achilles simply drops to his knees, covers himself in ashes and scratches his cheeks while lamenting over the body of Patroclus hardly making any sound at all. It is the slave women who arrive later that release the cries that undoubtedly are within the soul of Achilles. Somehow his lament is extreme and yet no audible hint exists for most part of the text EXCEPT the final one where it says "moaning with his noble heart". It almost seems that his body does most of the talking till the women arrive and cry out like he so much wants to and then his mouth also makes sounds. It is not a scream; it is a moan. It is possible of course that the clip refers to Achilles constantly moaning but I do like this as a possible food for thought that if Achilles was firstly responding to pain with his actions and then with his voice and in a way the moment he actually made a sound was the moment Antilochus truly began to worry!

There is a certain theatricality to this scene of lament and drama which of course as many analytics before me would say, it seems to be hinting to some other infamous laments of mythological characters and more specific the laments of Apollo. Apollo is one of those figures for whom we have no doubt he was lamenting his lovers and some classical examples are Hyakinthus and Cyparissus both of them transformed into a flower and a tree respectably. The associations of Achilles and the grieving god seem to be more than just a possibility here. Which of course enforces even further the idea of them being lovers. It is also the amount of time that Achilles mourns plus the intense way that he refuses to let go of the body of Patroclus to which he seems to be holding on from the 18th rhapsody when he first finds out of his death till the moment that she arrived with his armor one rhapsody later. Quite a gruesome scene is when she enters the tent and finds Achilles crying while clasping Patroclus onto him:

And she found her dearest son still lay there, clasping Patroclus and crying woefully and his comrades around him mourning

(Translation by me)

And at this point Thetis hasn't yet given nectar and ambrosia to the body of Patroclus to prevent the sepsis from happening, which happens a few lyrics later. So Achilles was holding the dead body for the entire day even after it was cleaned and prepared showing the intense pain Achilles was expressing and going through. And he seems unwilling to part from him till Patroclus's spirit itself arrives in his sleep and requests a burial so he can rest.

Of course it needs to be noted that intense lament is not exlusive to lovers in greek mythology. To name a few Athena grieves intensely the loss of her friend Pallas and by some accounts she does take her name as her epithet post-mortem. Antigone intensely mourns her dead brother and laments his disgrace when she finds that the ritual burial she performed had been disturbed. And the acting of killing oneself out of sorrow again is not strictly remaining to the love affairs. For example Ismene killing herself after learning the deaths of her family members in general and Antigone in particular. Another most prominient example is king Aegeus who throws himself into the sea when he sees the black sails of the ship coming from Crete, thinking his son was dead.

So the exessive expression of grief are not just dedicated to lovers or husbands and wives in greek literature but rather it is expanded to all people who mourn someone dear to them regardless of the nature of the bond between them. In the case of Achilles of course he does seem to be having a specially strong mental breakdown every time some important person in his life that is said to be romantically involved with him dies or is taken from him starting with Briseis for whom he expresses his emotions many times in the Iliad and she is the first reason of his anger, of course Patroclus and Penthesilea for whom he apparently has feelings for a few monets after he sees her face after she dies. In Posthomerica it is even said that his lamentover her dead body is "the same as the one over Patroclus" and of course Antilochus later according to the Epic Cycle when he died protecting his father, caused another explosion of anger to Achilles which was fated to be his last one.

It is possible since his love is clearly stated in the cases of Briseis and Penthesilea that the same can have occured for Antilochus and of course Patroclus which was the most heartbreaking of them all and for good reason. In fact the case of Patroclus seems to be that he plays every role in the life of Achilles. He is his friend, his companion, his squire, his advisor so why not his lover too.

The Same Urn

Now of course where people surely think they have a clear case of romantic bond seems to be the request of Patroclus to be burnt but his bones to be kept in the same urn that is to be used for Achilles as well. The passage happens in the 23rd rhapsody:

And one more thing I ask for you to excecute; do not place my bones apart from yours, Achilles, but together just like we were raised in your chambers, when I was brought to your land by Menetoios as a little boy from Opois because of the grievous manslaughter, for when I was a child I was foolish and killed the son of Amphidamas without wanting to, for I was mad over a game of dice: there I was accepted to the chambers of the horseman of Peleus who kindly took care of me and named me your squire. And the same way I want for my bones to be together with yours in the same golden box, the one your divine mother prepared for you.

(Translation by me)

So apart from the fact that it is a highly emotional scene, seeing your dead companion arriving at you and begging to be let go (this is literally Patroclus saying "Let me go, Achilles...just let me go" for Achilles literally refuses to give up his body not even for a burial) it is also the scene that seems to be winking to the fans of the idea of them being lovers as a proof that they are together. And quite frankly I can absolutely see why and it would be foolish to ignore this possibility especially given how tenderly Achilles calls him "my beloved" (or "as loved as my own life") after the whole request is done from the spirit of Patroclus which is more than clear indication for many accounts and that makes perfect sense.

The custom of co-burial was known in Greece from the earliest times of its civilization till the end (because quite honestly I am not sure the custom will stop existing in Greece since despite the lack of cremations, we still have the custom of common graves even if it is only for those who can afford have a family monument). We often find urns contain bones of multiple individuals and yes more often whatnot they are maritable partners and the obsession of words that mean "together" in this passage such as; "μή (...) ἀπάνευθε" (not apart), "ὁμοῦ" (at the same place, together) or "ἀμφικαλύπτω" (cover each other) seems to be pointing to the direction of a romantic relationship and it won't be the only time someone is co-relating the mingling of ashes and bones with "marriage" (and example is The Hunchback of Notre Dame, where Victor Hugo describes the way Quasimodo and Esmeralda's skeletons turn into inseparable dust as "Quasimodo's Marriage")

However on the counter-talk, co-burials were also common among family members (which is exactly what Achilles and Patroclus are). Ironically from the excavations to Mycenae several co-burials were discovered that were not related by blood but they were theorized to be connected to some relations of adoption (which again seems to fit the case of Achilles and Patroclus from the time Patroclus was brought in and ellegedly adopted by Peleus)

I am also convinced that the fact Patroclus gives us some good portion of his background story here was not just a random thing. It seems that Patroclus places emphasis on why he wants to be in the same urn as Achilles; because they were raised together, they were together all their lives and he wants them to be together in death as well. It absolutely could be a romantic insinuation on Patroclus's part however it seems equally possible that the background story serves as a lever to make the public understand how the two of them were raised together and wished to remain together. It almost feels like Homoer wants either to stimulate the idea that the past is an extra point towards their romantic relationship or yet another point of the closeness of their kinship or both (to me it seems the latter)

However another factor to this urn seems to be Antilochus. Antilochus who was close to the age of Achilles, the one who was in charge to bring the news of Patroclus's death to Achilles and the one that we saw consoling him and trying to prevent him from doing something foolish seems to be added to this circle. In fact in some future sources he is featured as the reason Achilles died, for he was driven in yet another furious attack against the Trojans, forcing them to fall back when he saw him fall dead protecting his father from the Ethiopian king Memnon. In some accounts, even possibly Homer included, is insinuated that Antilochus was also included in the funerary urn with Achilles and Patroclus although in the Odyssey it is clearly stated that his bones are not in it:

Your mother gave me this golden amphora (here an urn with two handles); a gift from Dionysus she said to me, made by the renounced Hephestus, in which lie your white bones, radiant Achilles, mixed with the ones of dead Patroclus son of Menoetius, but without Antilochus, whom he honored above all his comrades after Patroclus died.

(Translation by me)

So in the Odyssey it doesn't seem like they were indeed in the same urn (unless somehow Nestor could tell the bones apart and took them out? hehe) but they all thee of them are joined in one tomb and worshipped as heroes. So in a way Antilochus seems to join them just not in the same box. However the three of them are indeed seen together in the underworld as one trio literally. They are apparently joined after death according to what Odysseus saw in the underworld.

Once again seems like the romantic as well as the kinship theories could be true interchangably or even at the same time.

Ancient Greeks on their relationship:

As I mentioned above many ancient writers and not just the infamous "historians" everyone mocks on the internet, seem to have placed their own guesses and opinions on the relationships of the two heroes.

Aeschines seems to be contemplating the idea they are lovers (aka he says that Homer "hides their love") and he even reads Patroclus's story as "an intercourse they had once". He names their relationship έρως aka romantic love (eros). Aristotle in Nicomachian Ethics and Rethoric he uses the term "comrade" to talk of them, choosing to focus more on their friendship. His teacher Plato though was a different story. He was convinced that they were not only lovers but he had also figured their roles in their relationship as presented in his Symposium, naming Patroclus as ἐραστής aka "the one who gives love" and mentions how Achilles is in love with Patroclus. Plato remains one of the most...great "shippers" of the two having no doubt about their love affair. To the other end is Xenophon who is adamant that they are not lovers, in his own Symposium. A large number of greek writers seem also to comment on both possibilities, it seems to me quite interesting how many different readings the homeric poems provide.

More mordern readings:

While it is true that there is a certain confusion to the public since a large number of texts either were deliberately modified or genuinely mistranslated (given again how terms like φιλώ means "to love" in general in ancient greek and not just romantically or that the term ερώ does mean "to love as a lover" in some contexts but it also means "to desire very much" and it was used in various of contexts) and these double-meanings were taken advantage of to translate the texts differently and that is because when someone in modern times says "my beloved" by n large they refer to a lover which was something that was greatly hushed up in public

Of course as we stated above for ancient greece that was not the case since the term "beloved" could be used in various contexts and it showed intense emotions of kinship between two people regardless of the nature of their relationship.

However in some accounts the obsession upon trying not to show intense potentual homoerotic material made many of these translations unreliable. There were exceptions to the rule of course but the real breakthrough wouldn't really happen till later in the 19th century where we also have more samples of printed work. Translations like Butler at the end of 19th century are far reliable to the text and seem to follow the spirit of Homer. Quite frankly there was already a breakthrough to homoerotic material thanks to not only the neo-classisim but also gothic literature such as the vampire novelle Carmilla so many writers became more bold into translating the tender words of love as they were and leave the public decide upon their nature.

However this effort to hush up the tender words spoken in Homer out of fear that they might be interpreted as homoerotic created of course this modern uprage in which we have the other way round; that people are afraid to talk about friendhsip and kinship because they will be hushed up by the readings of the text as homoerotic

(see my other post for this)

This, in my opinion simply removes all the abive context; that love can be expressed between family members or friends or people who have been through a lot. Quite frankly as you can see not only I am not denying their energy as lovers, I like to believe I am also supporting this theory a lot because there is a lot of possibility in it just like there is on the direction of tenderness and affection. I do think today people are afraid to speak up on the other side exactly bcause nowadays the most famous way to see them is as lovers as opposed to the previous periods that did the other way round

Conclusions:

I have no doubts that Homer, even though not clearly speaking about it (for example referring to sexual acts) he seems to be insinuating that the two of them were sharing romantic bond or feelings for each other

(it needs to be noted that it is not entirely clear that if there WERE romantic feelings that they were confessed or known by both parties, which could potentially mean the two of them loved each other romantically but did not fulfill their love which could be another tragic note to their story)

Homer seems to be sending several hints to his viewers/readers that one could interpret them as lovers given the tender dictionary they use between each other and for each other, allowing his...fans to decide for themselves. It is also highly possible that he too saw them as star-crossed lovers, for he gives them all the elements of various other stories that involve homoerotic romance, even the tragic end to their story.

However I am equally sure that he also wanted to say that their friendship was of equal importance. There is no doubt that Homer considered them close friends (for he gives us a small hint of their backstory, how they grew together) and their story is being projected like many other duos and characters in the Trojan war that are linked together with bonds of kinship and companionship; stories that flourish at war. He might not straight out tell us that they are the case of story "from friends to lovers" but he absolutely seems to be letting us know that their kinship is there!

And I am grateful to Homer for his writing because it seems to me he wanted both sides to equally enjoy the story; whether they are those who do think their closeness is romance and those who think it is close kinship, strong family bonds or friendship. I am almost convinced that Homer deliberately used that as a way to please both sides of the audience or to give a more tragic aftertaste to their story since closeness is much more impactful to the face of separation.

I like them both and in fact I support them simoultaneously for honestly there is no best lover than your best friend; someone you can trust with everything you have. If I had to support one form of love, this would be it but at the same time I do support the idea that friendship is already a powerful bond of two people and that romantic love in this case would come as a bonus. Somehow Homer does seem to entertain this idea in his writing given again the extreme tenderness and the tragedy of these two while at the same time leaving the door open for his audience to speculate, make interpretations and enjoy the story in their own perspective.

If that is not art I dunno what is.

Okay guys this is only but scrapping the surface of this relationship that lasted for 3000 years now! Hahaha but I hope you like this! It took me several hours to synthesize but I hope you like it.

[sp0o0kylights]

Someone on Twitter proposed Steve and Gareth as cousins whose family had a major falling out, and then someone else brought it up recently and long story short no idea who to credit the idea too bc you can’t search for SHIT on Twitter but it's theirs not mine. 

Anyway I wrote a lil thing as a warmup 

PART TWO

"Why don't you come sit with Hellfire?" Gareth asked, angrily leaned against the bathroom wall while Steve fixed his hair.

He'd tried not to cling since he entered high school. Tried to keep things on the downlow, least any gossipy mouths started running. 

It was so stupidly, needlessly, hard. 

 His cousin was only two years ahead of him but they'd spent the last year in different schools because of it. 

 That year, and the lack of Steve's presence in it, had grated. Now that he finally had Steve back, Gareth was loathe to play by the rules. 

"Sit with you and Eddie, "the freak" Munson? I'll pass." Steve said, but there was no bite in it. 

That, Gareth knew, was because Steve was  using Eddie as an excuse. 

"You'd like Eddie if you spent five minutes with him, King Steve." Gareth fired back on automatic. His fingers dug into his arms, as he resisted the urge to pace around the bathroom floor. 

Unspoken was all the shit that had taken place.

Steve and Nancy's breakup. The rumor mill in overdrive, first about how Jonathan Byers had taken creep shot photos of them, then about how he'd taken his shot with Nancy herself. 

The supposed cheating, the public fights, the crazy background of Jonathan's little brother being missing. 

Billy Hargrove beating Steve to a pulp. 

Now friendless, Steve had thoroughly fallen from his place at the tippy top of the social hierarchy and between his utter lack of friends and his shit tier parents, Gareth was concerned. 

"You do not want me to sit with you, Gary. I'd tell all your little friends that you're apart of the royal family." Steve turned, making an exaggerated face. "How's Munson feel about cozying up to a Prince?" 

"I'd technically be an Earl, Steve, not a prince." Gareth grumbled. 

He got an eye roll in response. "Somehow I don't think he'll care." 

"I do though." Gareth blurted out, absolutely thoughtless. 

Steve blinked at him. 

"What?" He said. 

In for a penny right?

 "I care." Gareth said, looking down and scuffing a shoe, making it squeak against the grimy tiles. "About you. You dick." 

"Wow Gary you almost sounded loving there."

For once, he ignored the jab. "I'm worried about you, man." He said it quietly, the painful truth pulled out of him almost by force. 

He knew better than anyone how few people Steve had. Knew how his dad was likely taking all the crap Steve had been involved in lately. 

Richard Harrington hadn't been the wedge that had separated his and Steve's mother, but the man hadn't done them any favors, either. 

His intolerance towards the working and lower classes, his demand for perfection, the way he looked down his nose not just on Gareth's parents but on his own wife and son…

Gareth's mom didn't tolerate it. 

Likewise, Stella Harrington didn't tolerate her sister ruining her shot at being a rich trophy wife. 

Both their sets of parents were dramatic and neither of them weren't anywhere near the concept of "good" but at least Gareth's weren't neglectful and abusive. 

Shitty absolutely, but he never worried about getting thrown out, or that his mom wouldn't acknowledge his birthday because he'd "complimented her outfit the wrong way." 

(”It's fine dude she just thought I called her ugly. It was a miscommunication. Dad said it's a good lesson about how women work."

"Casual reminder that your dad's an asshole and also how is telling your mom that she looked lovely in the sunlight telling her she's ugly?”

“It implied she wasn't lovely the rest of the time or some shit, I dunno man.”) 

The BMW was a shitty prize when compared what Steve had dealt with to receive it. 

"I'm okay." Steve said seriously. "It's almost the end of the year anyways. I can tough out having some extra alone time." 

"If you're sure…"

"Yeah man, I'm sure. Thanks though."

Then Steve pulled him into a hug and fuck their parents, who demanded they continued some stupid grudge. Gareth clung to him just as hard as he had at ten. Unsure if he'd ever be allowed to see Steve again.

[oh-no-its-bird]

I actually think that THE funniest time travel concept, like, ever, acrually, would be team Taka + Orochimaru and maybe Mitsuki going from either boruto or directly before boruto into almost anywhere in Naruto Shippuden

Specifically them at the weird impass they have where they're all just apparently cool with Orochimaru now, and Orochimaru is living the good life as a stay at home mom (slash still mad scientist but with slightly less corpses involved)

No matter where you drop them into naruto shippuden it's just really, really fucking funny

Like you have this sliding scale for how visibly insane Orochimaru is at any given moment in canon vs just him peacefully living out the stay at home mom dream w this team of people that, at wome points in time, he was ACTIVLEY TORTURING !!! But they're just?? Cool now???? And Orochimaru isn't even explicitly in charge and will sometimes deffer to them (Sasuke specifically) ?????????

Make it funnier and make them a proper functional family dynamic of some kind, no one knows how they got there (it's probably largley in part bc of Mitsuki)

If Mitsuki is there play into him being just a collective kid / little brother for them it'll be fun

Honestly I really like Mitsuki (I've been more tempted to watch/read boruto than actual naruto JUST for him actually, I love snake characters) and I've seen a couple time travel fics for him floating around but I always wish there were more. He's so funny !!! And the concept of him not only being Orochimaru's recognized son but also regarding Orochimaru as a good parent, is fucking insane to literally ANYONE at ANY point in time of naruto canon !!! I want to see people do more w that !!!!

The only thing holding me back at this point is I know very little ab the specifics of team Taka outside of the handful of good them-centered fics I've been able to find. So I don't think I could enjoyably write them while feeling confident in their characterization

Oh also give Karin a scene where she gives half of Konoha a fucking heart attack by being a loud red haired Uzumaki woman with chakra chains (*Kushina parallel noises*)

[straystarr]

this is how you fall in love; hhj

word count: 986

a one shot inspired by the song "this is how you fall in love" by jeremy zucker and chelsea cutler bc its so soft and bestfriend hyunjin concept eats it up (in my humble opinion)

~

“How do people do it?”

“What do you mean?”

Hyunjin focused in on your softly perplexed expression, a chuckle falling from his lips at the sight of your stare fixated onto the long awaited kiss being shared by the leading characters. 

The entertainment he found in your distracted state soon craved your attention, waving his hand in front of your face just as the rolling credits came in. 

Faintly smiling at the blank screen, you turned to look at your best friend who displayed confusion and concern in his expression. 

“I was just wondering how people do it?”

Hyunjin moved his body closer, head leaning in as if to motion for you to continue your thought. 

“Fall in love I mean.”

In an instant, you fell towards the back of the couch, the pillow that was once on Hyunjin lap now falling onto yours. 

“Hwang Hyunjin, what the actual fuc-”

“Y/n its a fucking movie! They are acting sweetheart and you really made me miss the last scene!”

Letting out a sharp breath, you stuck your tongue out and slightly nudged the side of his stomach with your elbow, causing him to flinch away with a giggle. 

“I’m not talking about the movie stupid. I just mean in general, it’s a genuine question, the movie just prompted my thoughts.”

You moved towards Hyunjin, closing the minimal space between the two of you, settling closely beside him as you readily waited for his response. Tilting his head, he lifted his fingers to fix the hair on the top of your head that had been messily misplaced by his pillow throwing. The both of you paused before bursting out into giggles. 

It’s not like you were completely oblivious to the many answers that existed for your question. 

Some say, people fall in love with what makes up a person: how they laugh, what makes them cry, how they like their coffee, etc. Some say falling in love requires the essence of time and self discovery. Some say falling in love is like jumping off a cliff, only hoping that you’ll land safely in their arms. And some say, falling in love is nothing but a series of chemical reactions occurring in the brain. 

Nonetheless, everyone arrives at an answer sooner or later in their life. So, it’s always good to talk to people, gain their perspective on the little things in life, like love. 

And Hyunjin was the one person whom you turned to when it came to talking about those little things. You raised your finger towards Hyunjin's cheek, softly poking it as he kept his eyes on you, lips in a tight line while he remained silent. 

“I guess you don’t have an answer yet either.”

His shoulders lifted as he gave you a shrug while he pulled his phone out of his pocket. Music began to fill the air as the beat resonated in your mind. Your body began to respond, standing up as you pulled off the most ridiculous of moves that were a stark contrast to the song playing. 

Hyunjin brought his hand over his mouth, stifling giggles at your unrhythmic dancing that seemed to always be one second behind the beat of the song. The sight of his crinkled eyes only encouraged your tasteful movements. Before you were able to continue your shenaniganz, the music had suddenly come to a stop. 

You sent a glare towards him while he held his stomach from laughter obviously putting a pause to the music. Before you could protest, a soft melody eased your frown. You glanced at Hyunjin, immediately catching his eyes. A breath hitched in your throat the longer you stared. For the look reflected in his orbs was soft and endearing. 

With a small smile, Hyunjin stood from the couch and made his way towards you, body slowly swaying left to right. You mirrored his movements, closing your eyes as you let the tune take hold of your body as the lyrics fill your mind. Just as the chorus had started, you found yourself opening your eyes in response to the sudden warmth placed on both sides of your face. 

Hyunjin's face was only a few inches from your own, but the both of you remained still, bodies lingering in the short distance. You said nothing as his hands fell from your face, to your shoulders, and soon down your arms. The comfort of his fingers provided heat to your still state. 

His hands landed into your own, fingers playing with each other as he raised your hands towards his shoulders, putting them in place. The eye contact between the two of you brought heat to your cheeks and emphasized the pounding in your chest. 

Your chest slowly raised as he placed his hands on your waist, his fingers moulding into your skin and softly pulling your body towards his. 

“Close your eyes.”

You pursed your lips as he flashed you a small smile, closing his eyes, only leading you to follow his request. He leaned forward, setting his forehead on yours. His soft breathing fawning over your skin, a type of warmth you quickly grew fond of. 

The urge to never let him go grew with the intimacy flowing between the both of you, bodies intertwined as your feelings ached to do the same. Your bodies swayed side to side, falling into the soft melody, falling into him. As if he were holding you up, ready to catch you.

“I think this is how you do it Y/n.”

The light met your eyes before you settled on his face. His soft and kind and endearing face. 

“What do you mean?”

His eyes. Those deep brown eyes. They always calmed you down. Holding a sense of passion as they traced your features, delicately framing you in his mind.

“This is how you fall in love.”

[mars-syndrome]

sooo if ur somehow stumbling across this randomly nothing about this post will make sense unless youve read this fic https://archiveofourown.org/works/57909193

but hey, that promised bingge pov post! (full disclosure i am writing this before ive written the sqh scene so some info may be repeated!)

binghe was aware of sy’s nature from the very beginning. he knew it was demonic, but meng mo was the one who let him know about the concept of demon dolls and how theyre created. when he chose sy for qing jing, he was fully convinced it was actually a demon doll with sqq’s exact soul/copy and wanted to get ahead of whatever revenge he and/or yqy may be planning.

meng mo also told him that since sqq’s been dead yqy had probably used his own soul to help ‘create’ sy so both of them were hesitant to use their dream manipulation incase it let yqy know something was up since they could be spiritually linked and lbh’s half demon status was unknown plus he’d be the first person yqy would want to blame. while he wouldnt use dream manipulation since it was spiritual based, he would use the blood parasites as insurance since it was fully physical.

upon meeting sy, he began to have doubts about whether it was sqq’s soul. hence the fungi mission. he used that mission to judge just how human or demonic sy’s body is and also gauge his reaction to not being affected by the spores if his body was demonic to tell how “in the know” he was. when sy was genuinely confused and just accepted whatever explanation lbh gave him, he concluded sy knew absolutely nothing at all and shifted his focus to actually making sy care for him.

his confrontation with yqy after the fungi mission was basically yqy and lbh trying to psych each other out about how much the other knew. it ended with lbh implying he knew what was up, that he could reveal yqy for colluding with demonic cultivators and/or demons, and that he wouldnt let sy get found out unless yqy does some shit bc hey, thats his disciple. so up until now (chapter whatever this is linked on) they’ve operated under a strained truce that yqy stays away from sy and lbh wont reveal them.

for lbh getting close with sy was just a fun little side project. after all, a little sqq who adored him more than anything in the world? sqq would be seething and rolling in his grave. it doesnt hurt that sy was so earnest and cute either and him being on the peak made nyy happy so he was fine with getting some revenge like that.

in the fic’s og pidw, this grows into lbh desperately craving affection and validation from the kid who looks so much like his shizun who withheld it. he’ll grow codependent with sy, but the relationship stays very much master/disciple. on some level he’s aware that though sy does genuinely care for and admire him, hes playing out a role to receive lbh’s protection.

but in the fic our sy, earnest and naive, found the jade pendent.

this is bingge, two decades removed from the abuse he suffered. he’s had two decades to get stronger, to realize the world bends to his whims. to realize no matter where he goes he’ll have women falling over themselves to get into his bed but none of them will ever truly love him and what they give him is shallow. to realize he’ll have men envying him and wishing him harm just for being better. this bingge doesn’t have mobei-jun or any wives to share even the illusion of closeness or companionship with. he has nyy yet she’s been relishing in her role as da-shijie and hes happy for her truly, but he’s been alone in the bamboo house for 20 years.

when bingge meets sy!sqq in svsss who shows him just two days worth of normal domestic kindness, he immediately wants to leave with him. so how would our bingge feel with our sy, who he’s had unrestricted access to for 2 years, who holds genuine affection for him with no ulterior motive, who admires him openly and unashamedly, when he returns the very symbol of his happiness and the last bit of true love hes ever felt?

“precious fake jade indeed” he said

this fake sqq, this flawed copy of the man who tormented him, gave him back this fake pendant that he held most dear, that he lost hope of ever getting back again.

was that not symbolic? did that not make shen yuan his as well? did that not make shen yuan another symbol of love for him? did shen yuan not hand himself over to binghe when he handed over the pendant?

he begins objectifying sy almost. this was his person. obviously if sy was defective for yqy’s purposes, then wouldnt it make sense for sy to have been made just for lbh? after all, who else could cherish and protect sy like he could? yqy let him out of his sight long enough for him to becomes lbh’s so he wasnt fit. sy cant look after himself. only luo binghe could.

the mission he took just after sy’s 16th birthday was to track down the demon clan responsible for sy’s creation and learn more about it to see if he could sever and/or work around yqy’s connection. as soon as he learned everything, he returned and used dream manipulation (after he figured out it was safe) to walk through sy’s memories like svsss bingge did to sqq. he realizes sy’s memories are gone, he and meng mo conclude it was probably an error in the connection to body and soul bc of the nature of demon puppets. but hey, a wins a win. sy has no affection for yqy and the fact sy is loyal to only lbh remains unchanged.

speaking of, he should probably make sy his head disciple officially so yqy cant make any accusations about lbh’s inappropriate closeness to his disciple, no matter how true they are.

[cryptocism]

Since I think about clones like I’m getting paid for it, I've been rotating those alternate universe "what if Bart and Thad were actually raised together" scenarios in my brain, with Thad either post-redemption-arc or pre-villainy. Because adjusting Thad's character to fit an ally role while still keeping true to his core motives and personality is so so fascinating to me.

Like I think there's an immediate first instinct to slot Thad into a "bad" twin category: ie rebellious and prickly, doesn't get along with people, mean lil shit. And obviously it's not wrong bc we're outside the realm of canon, but the reading still feels a little left of center.

Because Thad is mean and prickly in canon. In the Impulse comics he belittles Bart and Bart’s friends/family constantly in his appearances. He loves to goad, and monologue about his own superiority and intelligence. He’s very Not Nice, and he causes many problems, and he even does it on purpose.

But, I think it’s important to consider the context. From the jump Thad knows very little about anything except which team he’s on and who he’s playing for. He gets his orders from an unseen authority and he carries out his tasks because success means his team wins.

For all his self-aggrandizing talk, everything he does is in service of an end goal that doesn't actually center him. He's trying to get revenge for grievances he's never personally suffered, retribution for actions never committed against him. Everything he does is on someone else's behalf.

Thad sees in black and white, us or them. Up until the final few issues of Mercury Falling, Bart and co. are Thad's enemies, of course he's not going to be nice.

So Thad's motivation seems pretty simple: Thawne Supremacy™.

But it’s in Mercury Falling where this starts to fall apart, and the real core of his motivation gets revealed. Thad pretends to be Bart and suddenly Helen is nice to him. Bart’s friends think he’s funny. Bart’s teachers are impressed with his grades. Max ruffles his hair and gives him hugs and tells him he’s done a good job.

If he was actually an inherently mean and standoffish character, if Thad actually had significant personal stake in the Thawne VS Allen conflict, the weight of such tiny acts of kindness wouldn’t completely break him the way that it does in canon.

Thad thinks his goal is superiority and revenge and Thawne Supremacy™, but he's chasing validation. Thad doesn’t have a personal stake in the Thawne VS Allen conflict. He wouldn't get much satisfaction if he actually destroyed Bart and his family. Thad's personal victory would be the recognition after the fact: the praise and attention from the other Thawnes (a group of people he has literally never met) for his success.

He wants validation. That's basically it. And the fact that he gets it so easily from Bart's family and friends doesn't align with how he's told himself things are supposed to work.

Actually tangentially, Bart and Thad’s respective relationships to authority is so diametrically opposed and tbh kind of subversive in a superhero narrative. Where the hero is the one carving his own path without regard to social or societal rules, no fucks to give what anybody thinks of it. And the villain is a chronic people-pleaser.

Just based on Thad’s reaction to simple praise and affection from Max I really think Thad’s motivation has more to do with the response he gets than whatever the details are of any given task. He has no actual personal convictions beyond getting positive attention, and whatever he did have crumbled as soon as Bart’s friends laughed at his joke one time. Which of course leads into the core of his whole conflict at the end of Mercury Falling. He cares too much about Bart’s friends and family now, he doesn’t want to kill them, but worse than that, he’s faced with the sudden realization that he’s on the wrong side.

The Allens gave Thad everything he actually wanted and needed, but his conception of himself is inexorably tied to the Thawnes: who gave him jack shit. These two facts are in opposition to each other, and he can’t reconcile the reality of it.

Anyway all this to say, in an AU where Bart and Thad are raised together or Thad gets an actual redemption arc etc etc, I think my personal take on Thad’s personality whether it be pre-or-post-villainy would be one that is extremely socially conscious. He is much more of a people-person than Bart. Whether he's actually accurate in assessing people's feelings and how to respond to them can be hit or miss, but he wants to behave in a way that gets people to like him.

Pretending to be Bart isn’t remarked upon as, like, a difficult task for Thad. In his internal monologue he’s literally bragging to himself about how easy it is. But what’s especially notable to me is where his act differs from Bart's typical MO. Everyone notices, and lots of people comment, and presumably if Thad didn’t have the excuse of Max’s illness to “motivate” Bart to do better he would’ve been found out immediately. And those things are, specifically: paying attention in class, doing his chores, staying on task, and being helpful around the house. The one thing about Bart he chooses not to emulate is Bart’s rebelliousness.

Thad wants to prove himself, constantly, to whatever authority he respects (probably Max in this scenario) and will do whatever it takes to make that happen. In contrast to Bart, who only listens to authority when the shit they're saying actually makes sense to him. It’s excessively difficult to convince him to go against his own interests. (And I think a key part of that is Bart’s security in knowing that no matter how much he fucks up or doesn’t listen, the people he loves will always love him back.)

Thad’s got the people-pleaser in him that has to deserve whatever he’s given. It’s why he’s happiest when he’s given a clear goal or objective to complete, because it gives him an opening to prove himself.

All this to say that if we are quantifying Bart and Thad as a "good" or "bad" twin, in the eyes of every authority: Bart is the bad twin. Bart is the bad twin, Bart is the bad twin. Bart is the one who doesn’t care about school and whose grades vary wildly depending on his personal interest. He’s the one who goes off to do dangerous shit for fun and gets in trouble constantly and doesn’t do his chores and is thoroughly unconvinced by any authority figure trying to sell him bullshit. 

Thad is the one who needs to know all the rules just so he can experience the joy of following them. Relentlessly obedient. He'll put all his effort into doing all the right things that’ll endear him to whoever he wants to impress - meaning he’s the asshole who reminds the teacher about the assigned homework. Bart might be the most popular boy in school, but Thad is a pleasure to have in class.

Like Thad can (and should) still be high-strung and short-tempered and sarcastic and edgy and mean, because he is. But he can’t be doing all that without rhyme or reason. Colouring every interaction has to be that one-zero binary of ally or enemy. He needs to have somebody he’s proving himself to: a team he’s on and a team he’s against. He’s not an inherently rebellious character. He can go up against The Enemy, whoever he deems as such, but it has to be in service of a hypothetical future in which somebody eventually tells him he did a great job.

And in the interest of continuing to beat a dead horse, it connects to their respective upbringings. Thad and Bart were both raised in VR, but Bart’s experience had the side effect of basically hard-wiring him against insecurity. His world was a playground tailor-made for him, and he was never made to feel bad or insufficient about any aspect of himself. His first interaction with a real human person was Iris moving heaven and earth to save him, without him knowing her, without her knowing him, with no reasoning for the act needed beyond Being Her Grandson. Which is probably a significant factor in why Bart moves through the world with frankly atomic levels of autistic swag.

Thad’s VR upbringing installed self-consciousness in his psyche before any other personality trait. As in: he is immediately made conscious of himself and his relationship with everyone he will ever encounter. He’s told two things: he’s a clone of someone else (inherently derivative, lesser) and that he was made to be superior (a status to achieve). Which is such an instant clarifier for Thad’s everything. Where superiority is a condition that everyone either has, or does not. It’s the one-zero binary again: are they better than me or am I better than them. Being above others is mandatory, and if his superiority is ever challenged by hard evidence or god forbid nuance Thad’s brain physically cannot take it. He needs to be better, to be worse is unthinkable, and there is no other way to be.

And this status of better or worse is, crucially, not up to Thad to decide. He needs The Authority to validate him. Bart never tries to prove himself because he has nothing to prove. Thad’s entire identity hinges on the self-worth he gets from doing a Good Job.

It is such an inherent part of his motives in the Impulse comics canon, which is why it always feels a little off when he’s interpreted as a jackass indiscriminately.

Like I don't think he needs everyone to like him. But I do think he has either one person or a set of very particular people that he needs to like him. Everyone else is either in that circle or outside of it.

(Which is why Bart is such a great foil for Thad tbh. There is no set of words or behaviors that’ll change Bart’s opinion of Thad, because Bart is unaffected by obedience or charm. So ironically Bart is probably one of few people that Thad doesn’t bother to put on even a little bit of an act for.)

While Bart goes with his instincts, his personal beliefs and convictions at all times, Thad is hyper-conscious of big-picture goals. They balance each other out that way. Thad's keeping track of whatever expectations he has placed on him, and how his actions reflect on him and the team beyond short-sighted solutions. He's a team player. AND he's an asshole.

[ganondoodle]

okay i typed this in a reply but i need to say this more detailed here too, the way totk dealt with horses (and stables) is bad and worse than botw imo (yes i can rant about that too, these weird choices are in every little spot in totk, its almost impressive)

in a game that lets you build cars and stupid flying maschines, towers that shoot you into the stratosphere AND teleporting points all over the place, the chance is already low that you use a horse- though i would be one of them bc i love horses and hate building and didnt find it fun at all-

(also i almost never used any parts i had with me bc you cant put them back and your dumb vehicles despawn as soon as you dont look at them- also a negative thing about that system that reinforces the feeling of actually using it being more punishing than rewarding with the added bonus of the good ol saving your health potions forever problem)

-and something i DID like was that you can have more horses and the ... one.. new color (the lil spots but only AFTER you do that one quest in the spy post)

the stable points seemed like a neat idea, but like so many things, are utterly cheatable, imo the system should have only given you a point when you visit a new stable, so you actually have to go around and visit them all

(also .. add new stables, like mini ones or sth that dont offer beds- you dont need that anyway- so you have more places in which you can get them ... why did they remove some of them anyway, shouldn there be MORE now that the land is supposedly healing/being repaired? especially the one next to the big canyon, its so empty there it would have the perfect place for sth like a new settlement or a big boss arena but no its more empty than it was before, why?? and then putting yet another repeating annoying quest there in that weirld empty place?? i just dont get it)

letting you farm points by sleeping at a stable or bringing in a horse gives you LESS incentive to actually go around the world bc you can just farm it there

(and if that was done so youd 'discover' the malanya talks to you in your sleep 'secret' ... that is literally told to you, and if its bc you dont want to force players to go around and find every stable to get all those rewards ... why do you have 140 or whatver caves then with the majority of them being the literal same thing over and over ... to make people actually use the sleeping thing there? .. why, who uses that anyway, and farming points by sleeping there .. what the hell does that add? AND THEN the stupid sleep over tickets, probably the most nothign reward ever, dont count?? i dont think i ever used one- it just all doesnt make any sense, everything plays against each other)

the upgrading system for your horse is .. once again, a neat idea horribly executed, you have to go find malanya to upgrade them, and similarly stupidly like the fairies, they only tell you what food you need for what upgrade when you are there .. or when you are sleeping in the special tm bed at a stable, randomly, one food, bc the quantity changes too

which is just so ??????????? let me go and do a quest that rewards you with a lil booklet in which you can look up what an upgrade costs, or let the stables have that, either as a list or in the menu when selecting a horse or something?? (also why the hell is malanya in a different spot anyway, like, it feels like a modder just plopped them over there, their og spot is just empty now - except for yet again a stupid filler quest for .. another big horse and a yaaaaaaaaays crystal shrine quest- ... the spot is even still called spring of the horse god .... its so stupid, just like the fairy shuffling around, like you really couldnt think of a better way to reuse that concept other than to ... move it to a different spot in the same map and map level???? and not change anything in their og spot except idk, put a hole in the map ... for one of them like .. its like they moved them around last minute just to have the semblance of things being 'changed' with no regard what makes a change actually feel like one and what just feels like, pick up thing, click on random spot on map, drop thing- its like that for the fairies and shrines too, its so dumb and .. feels disrepectful to botw and how much thought seemed to have went into these spots that were clearly built about those things)

and like it couldnt get WORSE, they cut off the paths that horses follow automatically with one of those miasma buttholes (sorry its just a hole cut into the map, it doesnt even look like miasma burst through, it just .. cut out) a monster camp (that RESPAWNS, i thought those camps you clear with a quest would stay clear, but that would make sense, so of course it respawns and you can do the frame rate killer quest over and over yippieee) or otherwise like, with a big rock or a broken bridge-

and there is NO WAY to create a new path or fix or move anything in a game ABOUT BUILDING supposedly, like you needed more reasons to never use a horse????? i liked jsut hopping on and letting them follow a path and chill looking at the landscape, you cant do this here, and you cant even excuse it with 'its bc of the theme' as in, stuff is destroyed bc calamity 1.5 or whatever bc nothing in the game makes it feel like theres anything actually at stake, but the real crime is to make it not be fixable. WHY??? link moves entire buildings with ease but cant move one freaking rock that fell into a river?????? you swing around logs like a club but cant fix a bridge so your horse can get over it??????????????????????????????