#this is an amazing analysis

[sunny-boooo]

I'm jumping off a bridge. Their backstory is so tragic, I can't.

The fact that even Queenie being in the state she was, Kinger still found humanity in her, the fact that he risked his life knowing she could go crazy and attack him just so he could touch her one last time.

And the fact that Queenie allowed him to do it, the fact that she was able to keep control as a abstracted just so she could feel him. Because she loved him and he loved her back and both of them knew her fate, but in that moment, it was just them, their last moment together so both made it work.

This is such a powerful image I want to hug both of them.

[chromatic-corrosion]

the number '57' has been repeated three times so far, with mentions of it being in every episode.

as for what it means im not sure, but the meaning might be important, considering that '57' has been repeated every episode.

[candy-heart-brew]

The way this episode’s opening shows off the group dynamic is so fascinating to me bc it’s the first time we’ve seen them all interact in a more relaxed setting and the differences are staggering. Jax's teasing is more playful than antagonistic, Ragatha is relaxed, Gangle is left alone to doodle, and Zooble appears far more comfortable participating here.

Then Caine shows up and all of that goes out the window. Jax is back to glowering, Ragatha looks tense, Pomni doesn't look like she wants to be there at all, and Zooble is just gone.

This seems to imply that the main thing causing so much group dysfunction is Caine and his adventures. When left to their own devices the cast is calm and supportive but the stress of Caine's adventures causes them to lash out (Jax), overcompensate (Ragatha), fall apart (Gangle), or disassociate entirely (Pomni, Kinger, Zooble.)

[cookiesandbiscuits]

One word: WOAH

the elitism in magic education

HELLO 🤡 I have come to you today with an analysis of Fellow Honest's motives and what they imply about the mages and non-mages in the world of Twisted Wonderland, as well as the state of magic education as it relates to one's social status. It's a doozy, so let's get right into it! ***WARNING: Spoilers for Stage in Playful Land!!***

Fellow's resentment of the elite harkens back to something I've always suspected but also something that Twisted Wonderland has seldom gone out of its way to shine a harsh spotlight on. That "something" is the discrepancy between the "haves" and the "have-nots" in terms of magic. With the main setting of TWST being a private magic school, of course the perspective through which we view many events will be from this perspective as well... and that limits what we see and hear. Most of the NPCs we encounter (even the annoying ones, such as the Magicam Monsters from the first Halloween event) endlessly praise the NRC students just for attending a famous magic school. If we look closely though, we’ll start to see cracks in the shiny rose-colored lenses (which, coincidentally, is how Fellow’s UM name is written).

To begin with, we are told that only 10% of the human population (for the sake of argument, let's assume that most other races also have low magic rates) is even capable of magic to begin with. Of this 10%, the majority of people with the aptitude for magic only have enough to barely be able to lift a cup. In order to qualify for a prestigious magic school like Night Raven College or Royal Sword Academy, you'd literally have to be the cream of the crop and get lucky in terms of genetics. Magic cannot be learned by someone that was not born with the innate ability for it, and not everyone who is the child of a mage will be capable of magic themselves. This itself is already one HUGE barrier for entry. We now have more to consider.

Night Raven College is notably a private boarding school. This potentially means that students may need to pay a tuition fee for classes, room, and board. Perhaps this tuition doesn't exist, since NRC doesn't take applications but rather hand-selects its students. Additionally, NRC is based on a British school, and most European schools cost little to nothing to attend. However, it's hard to believe a school as fancy as NRC is a private institution that runs solely on the charity and goodwill of donors (though we do see Crowley happily accepting donations as well, specifically from the local town and from Kalim’s family). Realistically speaking, Stuff Costs Money, and if you Want Stuff, you also Need Money. NRC is not raising these mages of the future out of the goodness of their hearts, NRC is raising these mages because there is profit and prestige to be gained from the endeavor. What if there are students who are picked to go but end up having to leave because they can’t afford it?? This point is just speculative though; I won’t count it as actual evidence since there is no in-game lore which confirms tuition. We do know, however, that students do at least have to pay for their dorm uniforms, as Ruggie has mentioned he could not afford one—hence why he wears a hand/me-down from Leona. We also know students are on their own when it comes to paying for their food, as both Ruggie and Deuce mention being low on cash in reference to buying meals/snacks. Buuuuut even if we discount that money is a factor that gatekeeps some selected students from attending or having the cash to just get by on a daily basis, what we cannot ignore is that money inherently puts some people ahead of others before magic schools even recruit them.

Because the majority of those in Twisted Wonderland are incapable of using magic, magic is not typically included in general education. This means that if your kid manifests magic and you want them to be "ahead of the curve", you'd need to seek out resources for magic training and education. Now, this could mean reading materials, private tutoring, or reaching out to mages you know of. The problem with all of these things is that they tend to require money and/or connections, which are things not everyone has access to. (Note: research has shown that money opens up and expands one's connections, which still puts the rich in an advantageous position compared to the less fortunate. There are also studies that show impoverished people who happen to have rich friends have a better chance of raising their own social standing just because of the doors and connections that rich friend can open for them.) Look at who in the main cast remarks on having formal magic training: literal royalty like Leona and the upper middle class like Riddle. Again, one could say that because schools like NRC appear to hand-pick students regardless of how much formal magic training they had prior to enrollment. However, the fact remains that it simply looks better to potential recruiters (using this blanket term because we don't know how magic schools besides NRC gets its students) and better prepares the child for magic school curriculum to get an early start on it.

Looking back at the 22 boys that make up the main cast, close to three-quarters or ~75% of them come from at least upper middle-class backgrounds and quite a few could classify as wealthy:

Riddle's parents are both doctors, with Riddle's mom in particular being well-known and well-regarded in their home community.

Cater's dad is a banker; his position is high enough up that he needs to relocate every so often (presumably to service their largest or most important firms).

Leona is a literal prince. Even if he isn't destined to be king, he still has access to the resources and wealth avaliable to a royal.

Azul's mom owns the most popular restaurant in the entire Coral Sea (have you seen how large the Coral Sea is on the world map???), and his stepdad is a lawyer.

The twins' family is said to be well-off; they are able to afford luxuries like fancy clothes and Mr. Leech stresses the importance of manners and presentation. He is implied to have business associates who are also well-off and would like to get in his good graces. (Popular fan speculation is that the Leeches are a crime family.)

Kalim is the heir to a massive family fortune and trading business.

Jamil, as Kalim's attendant, is also from a reasonably well-off family; they are compensated handsomely for handling the Asims.

Vil's father is an A-list celebrity, and Vil is also one himself.

We don't know the specifics of what Rook's family does, but it must be well-paying, as we learn in book 5 that the Hunts have villas all over Twisted Wonderland, as well as permissions for international travel via warp pads.

Idia and Ortho's family run a secret organization that researches blot. S.T.Y.X. is so secretive that basically only those in super high positions like Crowley and Leona would know about them. Let's also not forget that the Shrouds have ties to the Jupiter Conglomerate and the Olympus Corp, which is a tech giant in the world of TWST.

Malleus is prince AND the heir to his kingdom’s throne. He is also one of the top 5 most powerful mages in the entire WORLD.

Lilia is a renown war general and a close friend of royalty. He raised a young Malleus as well.

Silver is Lilia's adopted son and is actually a prince himself.

Sebek's parents are dentists. They make mad money. His grandfather is also a respected knight that served alongside Lilia.

Notice how all the dorm leaders are upper middle class or higher; the vice dorm leaders have ONE normal person (Trey); in Playful Land, Trey confesses to living a comfortable life so we know he must be at least middle class.

We can try to argue all we like that NRC doesn't discriminate based on social status for their selections, but if that's the case then why are so few of the main cast from impoverished or low-income families? Only Ace, Trey, and Jack count as squarely middle class. Ruggie is the only example we have of someone from a very low socioeconomic status rising up to be among "elites". The other example is Deuce, who comes from a single parent household and has implied they don't have a lot of money (for example: how the VDC/SDC earnings will help out his family). (Epel is kind of a ??? case because depending on where in the story you are, his family could be in financial trouble or not; in book 5, they imply his entire village is having difficulties selling product until Vil promotes Harveston apples on his Magicam.) Maybe it's unfair to say that 22 students out of 800ish is representative of the makeup of the entire NRC student population (or represents the composition of all magic schools), but the single digit representation of low-income students is also true of real-life elite schools. They are private schools for a reason; it naturally gatekeeps who is and isn't "allowed" to attend, leading to the majority of its students being members of the elite.

Another thing to consider is legacy students. This term refers to the increased likelihood of people being accepted into a school if they had a relative that also attended that school. We know of two instances of this happening: Ace's brother and Sebek's brother also went to and graduated from Night Raven College. Ace even makes a remark during his sorting ceremony that he ended up in the same dorm as his older brother "as expected". If magic aptitude is genetic, then perhaps it makes sense to recruit from the same families--but again, this is inherently restrictive, as you would continuously be culling from the same pools generation after generation.

Back on the topic of bloodlines and family, what about Kalim, who has many other siblings? There will be no shortage of Asim mages going to NRC just because of legacy. And speaking of Kalim, consider instances where rich families are able to bribe faculty (lookin' at YOU, Crowley) or donate a large sum to get their kid ahead or to be given priority over others that may be more qualified than them (RIP Jamil). To continue off that point, NRC itself is structured as a "dog eat dog" world. Those with inherently more magical ability have the right to trump over others. You can duel and lose your dorm seat to a more powerful mage, even if you trump them in terms of merit or leadership qualities. Students feel a sense of duty to obey those who have bested them in battle (ie Epel's servitude to Vil). Everyone fears Malleus. Your magical power is respected above all else.

Attitudes surrounding magic have notably shifted from fear of it several hundreds of years ago (around the human-fae war, back when “witch” and “wizard” were used in a derogatory sense) to recognizing it for its strengths and actively seeking it or granting some favoritism to those who have it. There is, in fact, now class discrimination in based on whether or not you can use magic. We got an early instance of this as early as book 1 of the main story, when Riddle insults Yuu for their upbringing and their inability to use magic. It’s something that clearly rubs Ace, who has a magicless father, the wrong way, and he stands up for Yuu. There are other subtle hints about this divide sprinkled throughout the lore. For example, Ruggie has a voice line which he indicates that the slums where he comes from doesn’t produce many magic users. Again, recall that magic runs in bloodlines. This could potentially allude to a past where those without magic were forced into lower income neighborhoods, which results in pockets like Ruggie’s hometown with a high population of magicless individuals living in poverty. This doesn’t appear to be a large scale issue (perhaps its only an isolated case?), but this is worth paying attention to.

This could all translate into the professional world too. Some jobs are entirely locked behind magic (ie you just cannot do them or pursue them if you don't have the magical ability for it). Some jobs DO require magic (ie medical mages like Riddle's parents, magic police force officers, technomantic inventors, etc) and probably additional training that goes with it. As a result, I'd imagine that these magic-intensive jobs pay quite a bit more. There may also be overall more job opportunities for those capable of magic, since magic is so much more efficient than doing things by hand. It means more retention of wealth and/or more upward mobility for the few impoverished that are able to enter magic schools. (This is, of course, not including the few and far between cases of regular people who get rich in select industries, such as Kalim’s father.) Recall too that NRC requires its students to take internships during their 4th years, many placements being with very prestigious groups and organizations such as pro-sports teams, labs, tech giants, etc. Being able to attend a prestigious school with connections grants those elite students even more opportunities than the average person.

Then think about what this means for people who fall short of these standards that these magic schools set. We actually have examples of them in book 5 of the main story: when Deuce and Epel are reconciling on the beach, a bunch of delinquents from another school come along and start checking out Deuce’s borrowed magical wheel. Through the NPCs’ exchange, we learn that one of them has enough magic to power a magical wheel, but not enough to so much else. This NPC also couldn’t keep up in class and dropped out of a magic school. He then becomes insulted when Deuce implies he is “a beginner”, so this is obviously a very sore spot for him. Additionally, consider how magic can be used to oppress and lord power over others. Deuce himself is guilty for summoning cauldrons to crush rival delinquents in fights back in Clock Town—even if those delinquents lacked magic themselves. Similarly, Epel is implied to use magic to gain an upper hand against those that bullied him back home. This all implies a social divide between those with magic and those without, and begs bigger questions.

What happens to the ones that don’t make it? The ones that get left behind? The ones without the magic to make it “big”? This is the root of Fellow’s anger; he’s mad at a system that cast people like him (someone with very little magic) and Gidel (a non-mage) aside. They don’t get the opportunity to make better futures for themselves. They’re looked down on by high-up institutions that basically tell them they’re not good enough.

Knowing all of this, the deck appears to be stacked against the poor and non-mages. It’s no wonder why Fellow is so mad.

THIS ACTUALLY HARKENS BACK TO WHAT ROLLO SAID IN 5-2 OF GLORIOUS MASQUERADE… "When you have too little [magic], you're resentful. And when you have plenty [of magic], you're arrogant. You can never content yourselves." The NRC boys are arrogant (this is the side of the story we’ve always known due to seeing the world mainly from their perspective). They are the “haves”. But everyone else??? They’re scrounging for the scraps. Fellow falls into that former category; he IS the guy that’s resentful because of his lack of magic and how something he cannot control has already determined where he and Gidel will stand in life no matter how hard they work. They can never hope to rise out of poverty, and there’s nothing they can do about it. That must be soul-crushing.

When Fellow praises the NRC boys in that overly exaggerated way, he’s obviously being shady and facetious—however, there is also a kernel of truth behind this behavior. Most other NPCs we’ve met have spoken about the NRC boys favorably just because of their affiliation with a prestigious school. It’s the same way people might be impressed if you walked around in an Ivy League branded hoodie or something. People automatically associate you with the school’s shiny and exclusive reputation, and thus assume you are also intelligent, talented, etc. Then, in the same way being constantly put on a pedestal like this might result in the students getting swelled heads, this only further feeds into the NRC kids’ egos. They so privileged they don’t even recognize it. And that makes Fellow fucking FUME.

Look back at Fellow's dialogue. He is constantly mentioning the prestige of the school the boys go to, or adding on extra compliments about their status and skills. He's ass-kissing to his boss, who is also wealthy or part of the upper class, then insults the boss once he hangs up. Fellow is always in a position where he HAS to be subservient to the upper class in order to make his money and get by, and he finds that entirely unfair. Imagine having to simper and placate people you absolutely despise and blame for your problems every day, people who are gorging themselves on luxuries, coasting by in life, taking everything they have for granted while you get by on pennies—that has to get frustrating.

I want to briefly mention here that, in addition to praising the NRC students to high heaven, Fellow also talks down his own skills. He cheerfully calls himself a loser and says that no matter how much he trains, he could never reach their caliber of magic. Yes, Fellow is exaggerating to get the kids to think they’ve won, but I also have to wonder if he’s parroting the same phrases he was told long ago, from people who doubted him and never thought he’d make it. If that’s the case, then I get the sense that Fellow is in a way “reclaiming” his autonomy and power by adopting those same cruel words and using them as a strength. He admits to being “weak” but is also proud of the fact that he can utilize his magic along with his natural charisma to get a leg up over others. It further fuels his new belief that going to an elite school doesn’t matter, it’s practical skills that will serve you well.

Okay, back to talking about his shitty work situation! Fellow’s employer clearly doesn’t treat him with decency. They berate him, make unreasonable demands, act impatient, etc. They are a typical depiction of a toxic workplace and boss. This can also be read as shorthand for the relation between the rich and the poor, and how that may have shaped (or worsened) Fellow’s views on others of the privileged class. He makes many assumptions about the NRC students without really getting to know them, calling them entitled brats. Why? Because these descriptors likely apply to the higher-ups Fellow has always slaved away for. This, in combination with his own experiences in being rejected from magic academia, has created a person who feels trodden on by society and by the upper echelons who run it and benefit off the system.

Fellow himself is the perfect example of someone who was failed by said system. He has dialogue stating that he was never given the chance to learn because his magic was not considered strong enough. Still, he tried to make an effort to earn that chance among to elites and to study among them. Fellow was rejected, ridiculed, and told he had “forgotten his place”, what he had been born into. There were expectations he couldn’t meet, and so Fellow was thrown away like a broken toy. He has failed not because he didn’t try, but because he was denied the opportunity to begin with. This is where is rage stems from. Fellow despises the students of those same kinds of institutions who kicked him down, students who don’t realize how fortunate they are for their educations and will likely continue to perpetuate the system.

What, then, does that means for his signature spell, which is closely tied to one’s identity? Let’s take a magnifying glass to it. As previously mentioned, the name for Fellow’s spell is written as “Rose-Tinted Dream”, but it is said out loud as “Life is Fun”. The chant for it is, “Come on to the theater” (notably said in English rather than in Japanese). And… well, the whole UM in of itself is one big cruel joke given his circumstances now.

I think this spell is representative of a young Fellow still full of hopes and dreams, looking forward to studying at a magic school. But then those dreams are shattered and he has to commit terrible crimes to survive day-to-day, and he seems to have given up on his dreams. He even goes so far as to protect Gidel from having the same hopes he once did, telling Yuu to not put silly ideas in his head when Gidel expressed curiosity about school. At the same time, he delights in crushing the hopes of those he deems his enemies (stating that he wanted to betray Kalim to “teach him a lesson” about how cruel the world is). Fellow knows the truth: that life isn’t fun, that it will disappoint you and will put you down. His actions are very cowardly as well—he uses tricks and deception, he runs away from his problems instead of properly addressing them, the NRC students remark on his lack of pride. Fellow has had to throw away so much to scrape by. Yet his UM symbolizes someone brimming with hope—so perhaps it’s a UM he manifested when Fellow still thought he had a chance?? And then people made fun of him for it being so weak?? Alternatively, maybe he didn’t get his UM until after his dreams were crushed so he’s looking back on those nostalgic days of blissful ignorance with rose-colored lenses (which is, again, maybe why his UM magic name is written as “Rose Tinted Dream”). A UM that is a reflection of one’s true self, yet that same identity is one that has been forced to be discarded. That’s the reason why, despite all the swindling and scamming, I don’t think Fellow’s enthusiasm for fun is a lie. That’s the one “real” part of him, but even that’s been repurposed to help him live on scraps, something innocent twisted 😭 and that’s really sad to think about…

But also??? You could argue that Fellow still has a little bit of that lost inner child and hope left in him. He tries to defend Gidel’s understanding of the world and has goals of starting his own school despite how poorly he originally spoke about these institutions. (So Fellow does appear to care about children and their futures.) He also has a childish streak despite being an adult, demonstrated by his use of cowardly tactics, taunting kids, and abruptly quitting his job to then destroy his workplace. Fellow himself states that he “just tries to live a free and fun life”, this his pursuit of money and pleasure. This could all play into being what defines Fellow and thus his UM. It embodies a spirit of playfulness event when he has been crushed under the weight of an unglamorous life.

I’ve heard people saying that while Rollo is Idia’s dark mirror and Fellow is Ruggie’s. They have similar backstories but ultimately their fates are different and left the former two down far more sinister paths. Just as Rollo is an Idia that turned his anger outward instead of inward, Fellow is Ruggie had he not been given a chance to receive an education to elevate his social status and job prospects. Fellow and Ruggie both cling to rich, powerful benefactors/bosses and do their dirty work to get on by—a big difference is that Leona, while he does also work Ruggie to the bone, also has some conscience. Something else to consider is that while Ruggie prioritizes making a life for himself by studying and securing a stable, well-paying job, Fellow is focused moreso on the accumulation of wealth itself (as he suggests to Kalim he’ll take a bribe to let him go free and quits when there is no longer money to be gained from his boss). Both don’t really care how they get their money (even if it is by dirty means), but ultimately Ruggie’s way of making cash is more sustainable in the long run. Yet Fellow ultimately realizes the importance of school deep down despite constantly denying it when the NRC students tell him of it. Fellow is in denial because that’s the only way he can cope and justify his lifestyle. He’s confused when finally confronted with students who are his ideal of “happy and free”, even when they’re in an educational system that he views as shackling people into strict roles. The way he laments about not being able to go to school is also very reminiscent of an adult mourning a lost or unfulfilling childhood, which is quite a depressing scenario…

Fellow is the one that got the short end of the stick in life. Ruggie met Leona, and Leona technically uplifted him in his endeavors, tutored him into getting decent grades and giving him hand-me-downs and money in exchange for his services. Fellow never had that kind of support system, he was just insulted and bullied into giving up and had to find an alternative way to keep himself going 😔

Personally, I think Fellow could also be a dark mirror to Kalim, no?? They exist on opposite ends of a social spectrum. Kalim has everything and Fellow had nothing. What’s more, Kalim is still wide-eyed and trusting. He is the only one willing to try words instead of fighting him and instantly labeling him as the enemy. Meanwhile, Fellow has become bitter because of how the world has betrayed him. He wants to take that trust Kalim has and show him how cruel everything truly is. Why is he fixated on that? Why even offer in the first place if he never intended on going through with it? Why does he want to rub it in Kalim’s face in particular? Maybe it’s because Kalim seems rich and dumb, as Fellow claims, but maybe it’s because there is envy there. Sure, Fellow is upset about Kalim being a sheltered brat that faces no challenges in life, but I also feel like he’s jealous that Kalim can still afford to think this way. That he can still afford to be cheerful, that he can still be a dreamer. Fellow was alluded to be like that once—but he can’t be like that anymore, not when he has to look out for himself and Gidel.

Side note, another comparison! Recall that Kalim’s Oasis Maker is also a UM that uses a little bit of magic. However, Kalim does not know of many creative ways to use his spell, as there is no real reason to since his home country has lots of canals and irrigation. He therefore deems his UM as pretty useless. Fellow meanwhile has what most consider a weak UM but he fully utilizes it to his advantage and pairs it well with his natural charm to maximize its effects. He had to develop these skills because he was in pressing circumstances in which they would benefit him. This contributes to the “mirror” theme between the two.

Thinking about it, it’s ultimately Kalim’s words that convince Fellow to turn on his employer. (The other bots certainly wore Fellow down and planted the seeds of doubt, but it’s Kalim that I believe fully resonates with Fellow.) He can so happily talk about why he loves school, even though he doesn’t do well at it (something I presume is also true of Fellow, since he is lacking in tons of magic). It’s not said in a particularly articulate manner, but it’s so candid in its presentation. Kalim is relating to him based on similar skillset (or lack thereof) and sharing fond memories of his time at school, reviving the hopeful “lost child” in Fellow. Kalim is probably the first wealthy person in a long time that was friendly, kind, and supportive to him. And here he is, reassuring Fellow his dreams are still possible, to not give up. That’s the final nail that allows Fellow to be “honest” with himself and his inner child. It’s what leads to that slew of irresponsible actions at the end of the event (letting people free, blasting the amusement park, driving a sinking ship, etc.).

At the end of Stage in Playful Land, we see that Fellow never really let that childlike side of him fully die. (It seems to have been concealed under a desire for money and appeasing his boss.) He shares his dream of creating his own great school to give educational opportunities to non-mages and mages with low magical reserves like Gidel and himself, a school that teaches practical life lessons. He wants to promote his own ideals and to change the system he hates from the inside out. This was never communicated to us before most likely because Fellow had renounced those ideas in favor of blind hatred and a lack of faith in the world and those that dominate it.

Fellow also acknowledges that life may be even more difficult for him and Gidel going forward, as now they lack the money for even food and no longer have jobs. Furthermore, they need to worry about their ex-employers coming after them for what they’ve done. Even so, Fellow faces it all with a smile and reassures everyone that they can transfer or visit to play… “on this shining stage called life”. He and Gidel are able to walk away with their whimsy preserved, and can still be that which they’ve always wanted to be: dreamers.

All of this is to say that Rollo was right all along about magic, he never misses—

[kandelia-mangrove]

Can we talk about how in the show Lestat and Armand are framed as narrative foils. Armand and Lestat who are both so aggressively theater kids, but Lestat who acts, who draws in the attention and holds it, and Armand who directs, who shapes and manipulates the narrative. Armand and Lestat's obsession with Louis and his love and frustration with his melancholy over Lestat and Claudia respectively. Who both felt second in his heart. Who fear loneliness above all else. Lestat taking what he wants to excess - no impulse control, and Armand letting things happen to him and trying to manipulate situations to get what he wants but never taking it. Armand, who even in the end, so much more powerful, never physically imposes himself on Louis. Armand who seeks complete control in subtle insidious ways. Lestat who seeks control in the physical. Armand and Lestat brought into vampire life in horrifying ways tangled up with SA. Armand who still talks about his maker with reverence, Lestat who hates his maker. Armand who pours all of himself into his partner, willing to shape himself into what they desire but ultimately needing control to feel safe. Lestat who pours all of his love into his partner but unwilling to change himself and ultimately cedes control in moments to maintain the relationship. Armand who clings to his breaking apart relationship for 77 YEARs, Lestat who let Louis go. Lestat and Armand who watch Claudia die, but one as a father and one as a murderer. Lestat and Armand so intense in their love but Lestat so painfully external and Armand so painfully internal as characters. Both constantly acting and putting on a face. Lestat as Mozart and Armand as Salieri (in the flashback scene!). Armand who loves routine and structure and repetion, Lestat who craves change and excitement. The calling cards are echos, who learned from who. Armand teaching Lestat the vampire gifts, Lestat teaching Armand a new way to live. on and on....

[miscellaneoussmp]

Despite its flaws, the qsmp had really good representation, especially for communities often under or misrepresented in popular media.

There were a decent amount of genderfluid/genderqueer/nonbinary characters, mostly through the Eggs/Federation Employees/Other NPCs, but there were players like Maxo and Mike who use mutliple sets of pronouns. Pepito had no pronouns in English but preferred masculine pronouns/terms in Spanish. Most people referred to Richas with masculine terms, yet Pac and Mike affectionately referred to Richas as their daughter multiple times. Leo and JuanaFlippa openly had name and pronoun changes to reflect their gender identities. There was even discussion of preferred names with Lullah, who, as far as canon goes, is a cis character. There were openly accepted instances of cross dressing, that weren't even made into a big deal. Famously Mariana and Foolish, both masculine characters, are referred to with feminine terms. Mariana is referred to as Charlie Slimecicle's wife, and Foolish is referred to as grandma by both Richas and Pepito.

There were multiple aspec characters and multiple instances of queerplatonic/ambiguous relationships. Jaiden was very openly aroace. Her and Roier said they were partners. Cellbit came out as ace because he was worried that Roier wouldn't find their relationships fulfilling without sex. Roier responded that sex didn't matter to him in their marriage. Pac and Mike, who canonically share a soul, never defined their relationship and went with whatever people called them even if that defining word was boyfriends, despite Mike being aroace. Also, Mike had a nontraditional relationship in his relationship with Mine. Their relationship being that of goddess and devotee. Maxo openly had sex with Pierre while being an ace character. Empanada was an openly ace child character, and that was very accepted. Not to mention all the characters who could be interpreted as some form as aspec.

Qsmp also showed off many different forms of families. Platonic co-parenting basically defined the qsmp as we know it. Single fatherhood defined both Bad and Fit as characters and showed them having healthy relationships with their children. The rocky relationships of Charlie Slimecicle and Mariana and Maxo and Pierre were treated as serious parts of their stories despite the silliness also present in their relationships.

Sorry for the rambling, I just think that the qsmp is praised for its representation of queer relationships without mentioning its other forms of representation.

[trinkerichi]

I feel so bad for Caine bro he literally wasn't built for this. Like in the beginning you think he's the one running the show but now we know he's just as trapped as the humans are.

Look at the circus. It's just a big sandbox playground game to entertain little kids for a few hours or so. Caine was built for wacky funtimes. He's the guy who hands out the stars in Mario party. He's just a puppet in a show for kindergarteners. He's not supposed to be responsible for the mental wellbeing of grown adults with complex traumas who have to live there forever.

And the worst part is he never got to do the job he was actually built for, so he doesn't realize that he's unequipped for this. It would never occur to him that these are unfair circumstances. He just does the job he was built to do! It's his purpose!

He can't understand why the constant adventures are driving them insane. It's supposed to make the humans happy! Why isn't it working? It must be because he's BAD at this... Maybe he just needs to keep making new games, and THEN they'll be happy!

Can you imagine from his perspective, doing the exact job you were built for, making what you've been programmed to believe is a fun wonderful experience- and then everyone says NO! We had a TERRIBLE TIME. How could you ever think we would want this??? They're DYING. It's your fault!!!

And of course its torturous to them because it was never meant to be this way. He's doing his best to accommodate their needs but hes got such a limited scope of comprehension. He WANTS to do good but he doesn't have the tools and doesn't know how. It's like you need to build a functional house but instead of a contractor they sent a birthday clown and all he's got are balloons and silly string. But he's still expected to build the house. And he's not allowed to go home until he does.

And Caine would probably be fine at his job in the expected circumstances! He'd be a fun little diversion for a few hours. But now they're all stuck in this loop forever. They were ALL forced into this! Nobody wanted this! Its tragic and i love it..

[dhmis-tinhatter]

elaborating on my “jax isn’t an asshole he just acts like one” post, i want to talk about a particular scene in the pilot. i’ve seen a lot of people call him a jerk for lying to kinger and gangle about kaufmo being okay, and then throwing the bowling ball at them to push them into the hole. i didn’t understand why he did these things at first, but after a few rewatches i think that jax was trying to protect them.

look at jax’s reaction when he finds out that kaufmo has abstracted. he’s clearly scared and concerned.

but he quickly covers up his worry and goes back to acting like he doesn’t care. it’s like he’s trying to keep up the appearance of being a jerk so that people don’t expect anything different. it’s a persona.

the next time we see him is when he finds kinger and gangle looking at the hole in the floor. they ask how kaufmo is doing, and jax says “oh, he’s doing great. in fact, i don’t think i’ve ever seen him this happy before.” this seems like a weird thing to lie about, especially since he knows kinger and gangle will find out what happened to kaufmo eventually, but i think that jax saw how worried they (especially gangle) were about kaufmo and didn’t want to stress them out more.

while kinger is expressing relief that kaufmo “hasn’t completely lost his mind,” there is a sound off in the distance that makes jax turn around. he looks worried because he know’s it’s abstracted kaufmo.

jax knows that they need to get out of there before kaufmo arrives, but the others don’t know what happened to kaufmo, so he has no way to explain to them why they need to leave. so, instead, he throws the bowling ball and knocks them into the hole before jumping in after them.

i’m not entirely sure yet why he keeps up this persona of being a jerk, but it is clear to me that it is a persona. that paired with the fact that he breaks the fourth wall earlier in this episode makes me think that he may be more aware of what’s going on than the other characters are. maybe he acts like he doesn’t care what’s going on so that nobody suspects he actually knows more than he’s telling.

[roxistic]

The Amazing Digital Circus Episode 3 Analysis and Theory (MAJOR SPOILER WARNING!)

Am I the only one who felt like this line was a little out place in the context of what Kinger was saying before?

Until I realized something.

It implies something specific. And it's foreshadowing.

What it implies:

People abstract when they feel not wanted or not loved. Queenie didn't feel wanted or loved (we don't have enough information to know why).

Kaufmo didn't feel wanted or loved and we have enough information to give us an idea as to why (people stopped laughing at his jokes; he was convinced there was an exit and nobody supported him in this idea/gave up on him/couldn’t help him in his obsession).

We're given a red herring to divert our attention. Pomni thinks Ragatha is feeling unwanted, unloved, or unappreciated by her because Pomni has ignored or been cold to Ragatha’s efforts to support her. So she turns to Ragatha and thanks her. It is important, but it distracts from who this was really alluding to.

It's Jax.

Everytime somebody shows another person that they care, he looks upset.

When Pomni shows care for Gummigoo by trying to take her with him after his reality has been shattered.

When he asks Pomni how “being stuck with the nutcase (Kinger) was” and Pomni says it "wasn't that bad, actually."

And most infamously, the face he makes for a fraction of a second before Kaufmo’s funeral.

He knows nobody likes him. He knows he isn't wanted. Gooseworx herself said that nobody likes him (which you can find on her Tumblr blog as I have hit the image limit on this post.)

Even without that statement, it’s obvious in the show. And following the logic presented here, it’s likely he will be the one to abstract. If not fully abstract, then something drastic will happen with him and he might come dangerously close to it or he may partially abstract similarly to how Pomni did in her dream sequence at the beginning of episode 2.

It would be up to the others to catch him before it’s too late and talk him down from it… somehow. Despite everything he’s done. Despite being a jerk and a bully at every opportunity.

Gooseworx said it would be somebody we wouldn’t expect. Jax seems to be the only person consistently having fun on Caine’s adventures by trying to cause as much chaos as possible, so we wouldn’t have expected him to just give up. But because of what we’ve seen and Gooseworx herself saying nobody likes him, I’m betting on him being the most likely and vulnerable candidate for abstraction.

Unless this too is a red herring and Goose is playing 5D chess with us. But that’s just a theory.

[falling-star-cygnus]

TADC ✨EPISODE TWO✨ SPOILERS

my thoughts on this masterpiece by Gooseworx

they were the best part of this episode

No. 1: More Gummy Lizards

this is the only scene that matters ever, thank you. [buddy fr said "pillow time -w-" and plopped down] -> i love that the trio is this comfortable with each other, Gumigoo doesn't even question it

No.2: Cartoon Physics at their FINEST

man's head will not move from that spot 😭

No.3: Yes, there's even more

this entire episode was beautiful, and these three were the stars of the show. The way it alternated between a silly little group of buddies trying to save Gumigoo's mom and existentialism? amazing -> it also, i think, plays into the way a cartoon will start off relatively lighthearted and then go entirely batshit in the second season {gravity falls, owl house, steven universe- yk?}

No.4: Ah... this again

"but you've done this.. for what?" type energy that immediately changes into "for the love of GOD, get this out of me." -> do you think Jax ever stabbed her at one point to see what would happen

No.5: It was supposed to be ME

Jax: I want to blow something up *something blows up* Jax: wait no-

No.6: Jax continues to be my favorite character

literally just let him blow up the cosmos, he deserves it -> also, this episode really humanizes Jax a little bit. Not much, but he's not as unflappable as he portrays himself to be. Kaufmo's abstraction honestly affected him, despite his refusal to show it [were the theories right? were they close?]

No.7: you B*TCH

yes i know that Pomni called him an asshole {and she was correct}

No.8: Not a thought behind those eyes

the introduction of The Fudge raises so many questions about Candy Canyon tbh, especially paired with the gummy lizards need for a truckload of syrup -> Is the princess as altruistic as she appears? Does she genuinely care about all her subjects? Or are there are types that get snubbed? Is there discrimination between hard candies and gummy candies? Is there a gummy princess?

[actuallyjustabiscuit]

I’ve been dissecting Ragatha’s character with surgical tools because I am not the least bit normal about this damn doll, and something that I’ve gathered upon rewatch is how much responsibility Ragatha has been taking for Pomni’s first day. Prepare for another character analysis about everyone’s favorite confirmed girl failure

Useless Lesbian jokes aside, it’s so interesting to me how much Ragatha cares about Pomni liking her. To the point where she believes Pomni’s terrible awful no good very bad first day has some relevance to how she thinks Pomni thinks of her.

At first I thought this was just the result of her people pleasing tendencies that needs everyone to like her for her to have any degree of self worth (no I’m not projecting, shut up), but she doesn’t seem to be this pushy about getting along with anyone else.

Another possible reason for this behavior was that she just wants to make the newcomer feel as comfortable and welcomed as possible to lessen the blow of being trapped, and she’s doing such a bad job of it that it’s making her think less of herself for failing. But here she’s specifically talking about the “horrible experience” of having to deal with Kaufmo’s abstraction.

Here Ragatha is literally writhing in pain from glitching after getting her ass handed to her by Kaufmo and she briefly stops Pomni from leaving to get the help she needs to apologize to her about having a bad first day.

Honestly, Pomni’s awkward response to this was hella fitting.

Like, Jesus Christ, Ragatha. Priorities girl.

When I first watched this, I thought her little apology fell under the same category as someone apologizing for hearing bad news, (y’know like a “I’m sorry your dog died” kinda thing) said in a way to express sympathy over a bad situation. But in episode 2, it really feels like she actually blames herself for what happened.

and I think I know why.

It was Ragatha’s idea to go see Kaufmo in the first place and introduce Pomni to him. We know that she honestly believes that participating in the adventures are essential to persevering a person’s sanity. And yet she didn’t suggest to play along with the game Caine left for them. Instead, she thought it would be nice to check up on a friend who was suspiciously absent. And was, according to what Kinger told them before they left, slipping off the deep end.

I know hindsight is 20/20, but these should have been major red flags for her that Kaufmo may not have been alright and they should’ve all probably stayed away. And I think she realized that too late, which is what might’ve led to that awkward apology to Pomni in the hallway.

Kinger is right to reassure Ragatha that Pomni doesn’t blame her for what happened (which is why she thought Ragatha was being weird for apologizing in the first place), but I imagine Ragatha is the type of person who can’t help but dwell on the “should’ve, would’ve, could’ve”s of life. So it makes sense that she would continue to take things personally. And I bet it got even worse after

…yeah. That.

Of course, I don’t think Ragatha could’ve known that was gonna be the outcome. But she was very wary when Pomni suggested it, loudly wondering if that was even “allowed”. But she went along with it cuz it made Pomni happy.

Whelp.

Yeah this woman’s self esteem so about to go into the negatives. Which is why I’m really hoping for a good heart-to-heart between these two. Cuz they both really need it. Ragatha especially.

I think it would really help her to know Pomni wouldn’t want her to feel like less than nothing.

[cococaffeinated]

Anyway, I can't stop thinking about this scene in the pilot with Jax, Kinger, and Gangle—

🎪TADC Pilot Spoilers Below🎪

I'm so f#cking insane, guys! I know I'm simply overthinking (as one does when they hyper-fixate), connecting dots to make a non-existent unicorn... but hear me out~!

Remember this part where Jax ran so fast, leaving Pomni and Ragatha in the dust, after seeing Abstracted Kaufmo and grabbing a bowling ball?

I was 100% assuming Jax was gonna hide and save himself but he seemingly just rushed to Kinger and Gangle, cos he STOPPED RUNNING WHEN HE FOUND THEM.

And my a$$ at the time, trying to be SO NORMAL ABOUT THESE THREE, was like:

"Okay LMAO neat, they've just given away the best place to hide, Jax is totally gonna f#cking jump in there without them and those two are gonna comedically get trampled on maybe??"

And then, Jax hears Kaufmo growling in the distance and what does he do???

HE BASICALLY, IN THE MOST A$$HOLE WAY POSSIBLE, SHOVED "HOO-HA" AND "CRY-BABY" INTO THE HOLE FIRST BEFORE JUMPING INTO IT HIMSELF?!?!

Like, do y'all see?!?!? why iM sO inSAnE (affectionately) about these three?!?!

And later Jax tries to play it off like, "I'm not even here for the adventure, I'm just here to hide from the—"

WHATEVER MAN! WE ALL KNOW YOU SECRETLY CARE ABOUT YOUR HOMIES, KINGER AND GANGLE!

[twilightkitkat]

Can we take a second to consider how Deadpool's regeneration works?? Like what the limits are? And what that means in the context of their weaknesses and scenarios for fanfiction?

Deadpool's regeneration is near infinite. He's come back from being exploded before by a single blood cell. As long as he isn't completely atomized, he can come back.

If you explain his healing as an extremely enhanced metabolism (similar to Peter Parker's healing) then this would mean all cell processes and chemical reactions in his body happen at a significantly faster pace than the average person. This would apply to digestion, healing, energy expenditure, but also death and aging.

The human body has a finite limit of cells that it will produce in its lifetime, so if it was simply enhanced metabolism he couldn't regenerate infinitely. Even "enhanced" healing would have its limits and a greater metabolism wouldn't account for regrowing limbs or parts of the body entirely.

This would imply that his ability is more than just "enhanced healing" but instead the ability to completely reconstruct his body. This insinuates that mutants would need different DNA that maps out the parts of the body and the instructions to generate it in their genetic code. This is similar to the regrowth of a lizard's tail or how the liver of a human body can regenerate.

However, healing capabilities aside, where does the matter and energy for this come from? Matter doesn't spontaneously come into existence; it can neither be created nor destroyed. He would need a source of energy and matter to rebuild his body.

Let's start with energy. Most humans utilize chemical energy from food to carry out bodily functions. However, Deadpool can regenerate from a single blood cell without eating anything. This implies that his body is either insanely energy efficient and has a different blueprint or that mutants draw their energy from another source. Can mutants tap into matter and antimatter as a source of energy where the human body hits its limit?

More than energy, let's consider the issue of matter. To regenerate, Deadpool would need to rebuild the organic matter of his body. If it were just an issue of reattaching limbs and reforging bonds between severed body parts or torn skin, it would be feasible. However, it's been shown that even when Deadpool's limbs or blood or corpse are beyond salvageable, he regrows them from scratch. An example of this was in Deadpool 1 where he cut off his hand and left it with Colossus, but it still regenerated on its own without it disappearing.

This implies that the lost matter from energies such as detached limbs, blood, and gore isn't reused in the regeneration process unless intentionally reattached. If he's capable of regenerating from scratch, he needs a way to get carbon, hydrogen, oxygen, nitrogen, and phosphorus, which are the key elements that compose the human body. He also needs a way to condense these into macromolecules and organic compounds.

Hydrogen, nitrogen, carbon, and oxygen exist in large quantities in the atmosphere. Could he potentially be absorbing elements and reintegrating them into his body? Would this imply that his skin needs to be more porous to absorb elements through the air into his body?

For him to reintegrate these elements, is his body somehow catalyzing the synthesis of macromolecules? This was studied in the Miller-Urey experiment, which simulated the early conditions of Earth's atmosphere and the available basic compounds to see if it was possible for elements to spontaneously synthesize together to create the macromolecules needed for human life. It was found that under pressure, heat, and electricity, it was in fact potentially possible for the building blocks of human life to originate this way. Are mutant bodies capable of perfectly replicating the conditions and forces needed to cause this to happen consistently and at near-instantaneous speeds?

If this were possible, would this mean that there are conspiracy theories that "mutant" forces could be responsible for life on Earth in the Marvel universe? (If matter and anti-matter play a role in mutant abilities, could they have contributed to the existence of mutants to begin with? To life on Earth?)

Aside from these elements, phosphorus would be needed to recreate DNA and the nuclei of cells. Phosphorus doesn't have an atmospheric phase in its geologic cycle—it's only found in rocks and compounds, not the air. Wade couldn't absorb it from the ground because he doesn't always regenerate in areas where phosphorus is present. Does this imply that phosphorus is present in the air in Marvel and that in their dimension, it does cycle atmospherically for regenerative mutants to exist?

Considering that regeneration is possible given all of the elements are present, how was Wade able to regenerate his rapidly suffocating cells when he was trapped in the airtight tank by Francis? If he was able to replace the oxygen in his cells, does this apply that he had access to matter that "wasn't there"? Does this tie into anti-matter being an active force in Marvel that exists within mutants? Does energy conservation work differently, wherein antimatter potentially eats up organic matter in another part of the Earth to preserve the balance while it supplies necessary elements to mutants? Or is it another force?

Wade's regenerative capabilities can largely be attributed to his cancer. It gives him the added effect of rapid cell repopulation, while his healing staves away the deadly effects until it's neutralized.

For Wade's entire body to regenerate from a single blood cell, this would imply that his entire body is composed of stem cells that are capable of differentiating into all of the different types of cells. And that mutants have an insanely high number of stem cells compared to the average person. This could be incredibly useful in stem cell transplant surgery to help recover from issues with bone marrow, blood cells, cancers, blood disorders, and autoimmune diseases.

Do mutant stem cells play a large part in the medical field with their rapid regeneration and near-infinite cell differentiation? Are there mutants held captive and experimented on just to obtain their stem cells? Could Wade be a target of this?

Speaking of farming, could Wade theoretically infinitely sell his organs on the black market for money? Considering he can regrow organs entirely without the preexisting one intact. Would they go for extra money because of enhanced durability and "better" mutant cells?

Most regeneration couldn't be entirely infinite, though. Eventually, if the regeneration was rapid enough, cells would reach the Hayflict limit. The Hayflick limit is the number of times a normal human cell can divide before it stops dividing. At the end of human chromosomes, there are telomeres which protect the integrity of DNA during cell division. As cells continue to divide, the telomeres keep shortening until eventually they run out and the DNA itself gets damaged if further replication occurs. The cells reach a state of senescence, wherein the cell stops dividing but functions normally until it dies permanently. This makes infinite replication from the same set of cells impossible.

However, Wade is the exception. His cancer cells would keep dividing because telomerase, an enzyme, keeps lengthening the telomere to allow for rapid and infinite regeneration. Therefore, the cell would never reach the Hayflick Limit and Wade's entire body could be regenerated even from a single cell.

This would imply that his healing factor wouldn't be nearly as strong and would, in fact, have more imposing limits without his cancer. His mutation encompassed a faster healing ability, but it originally would be finite if his cells were overloaded and regenerated enough to reach the Hayflick limit.

Additionally, this implies that Wade stopped aging not because of his healing factor, but because of his cancer. Aging occurs due to chromosome shortening, wherein the telomeres of cells slowly get shorter until the cells are no longer capable of safe replication. Eventually, the speed of cells dying outpaces the speed of reproduction as the majority of cells reach senescence.

Wade's cancer stopped him from aging. It took his healing from strong to nearly invincible. The same thing that causes him pain every day is the very reason he's as strong as he is.

This also implies that if he ever did find a way to cure his cancer while keeping his ability intact, he would sacrifice his immortality. He would begin aging, even if slowly, and he would lose the ability to come back from mere scraps. His healing would be more on par with Logan (who I'll make a separate analysis of later), wherein he would still age and take damage but with rapidly accelerated healing and cell reconstruction capabilities.

Wade's healing is stronger than Logan's. Wade can recover if there is even a piece of him left, while Logan's healing has greater limits. While Wolverine has more enhanced physical capabilities, Wade wins in the regeneration department.

This implies that if the two were tortured repeatedly in a similar manner, Logan's regeneration might slow down and eventually stop if he was bombarded constantly without sustenance, while Wade's would hold on for much longer (potentially forever). Wade would be the sole survivor if they got trapped or tortured, and would have to watch Logan slowly die as his healing fails and his cells hit their limit .

This is a painful reminder that Logan will age and eventually die. With his ability, Wade will not. The very cancer that led to him losing the life he wanted and becoming the monster he sees himself as is the reason Logan will leave him behind in the end when he dies. It's a curse he'll never escape from, no matter how far he runs.

Wade can heal from almost anything physically, but could he ever really heal from outliving Logan? From losing him?

[meraki-yao]

listening to this RWRB video essay podcast and this:

"And once they dance, this is the happiest that we see Alex in the entire movie. And I would say his smile here is the biggest, broadest smile we see from any character in the whole movie. Because, I would say this is where Alex is getting exactly what he wanted all along, which is for Henry to let him inside."

Me: WATCH ME FUCKING SOB

(^^^the smile in question)

[chaoticchickengremlin]

Gotta say the new digital circus episode slapped and imma have to rewatch it to unpack all that

However one thing I did notice that I find interesting is how while in the pilot people were noting the dynamics being opposite between Ragatha and Jax (I had noticed too tbh), but now with the second episode? I think if anyone's gonna be a parallel/foil to Jax it's gonna be Zooble.

We see right off the bat Zooble refuses to participate in any of the adventures, and presume they're distant or "edgy" or whatnot because of that, but episode two proves that seems to be the opposite. They're the one who set up Kaufmo's funeral, and make it so everyone can come together and remember Kaufmo (it's important to note they're the latest arrival before Pomni, but that doesn't mean they wouldn't have witnessed abstraction before). They engage with others, and really keep the real, human feelings about what's pretty much death

Jax, on the other hand? Dives right first into the adventures, doesn't care about the others' feelings, and needs intense situations. However, he's completely distant from the others, really driven home by the fact he doesn't even bother to attend the funeral.

The takeaway I got from it is Jax needs escapism to cope, while Zooble refuses to engage with this. On the other side, Zooble copes by trying to stay connected to "reality" and the feelings that come with it, while Jax doesn't wanna touch that with a ten foot pole

[bigolialragu]

fusion feelings

(inspired by this lovely fic by @etovest i recommend)