#this is an amazing analysis

[sunny-boooo]

I'm jumping off a bridge. Their backstory is so tragic, I can't.

The fact that even Queenie being in the state she was, Kinger still found humanity in her, the fact that he risked his life knowing she could go crazy and attack him just so he could touch her one last time.

And the fact that Queenie allowed him to do it, the fact that she was able to keep control as a abstracted just so she could feel him. Because she loved him and he loved her back and both of them knew her fate, but in that moment, it was just them, their last moment together so both made it work.

This is such a powerful image I want to hug both of them.

[chromatic-corrosion]

the number '57' has been repeated three times so far, with mentions of it being in every episode.

as for what it means im not sure, but the meaning might be important, considering that '57' has been repeated every episode.

[candy-heart-brew]

The way this episode’s opening shows off the group dynamic is so fascinating to me bc it’s the first time we’ve seen them all interact in a more relaxed setting and the differences are staggering. Jax's teasing is more playful than antagonistic, Ragatha is relaxed, Gangle is left alone to doodle, and Zooble appears far more comfortable participating here.

Then Caine shows up and all of that goes out the window. Jax is back to glowering, Ragatha looks tense, Pomni doesn't look like she wants to be there at all, and Zooble is just gone.

This seems to imply that the main thing causing so much group dysfunction is Caine and his adventures. When left to their own devices the cast is calm and supportive but the stress of Caine's adventures causes them to lash out (Jax), overcompensate (Ragatha), fall apart (Gangle), or disassociate entirely (Pomni, Kinger, Zooble.)

[cookiesandbiscuits]

One word: WOAH

the elitism in magic education

HELLO 🤡 I have come to you today with an analysis of Fellow Honest's motives and what they imply about the mages and non-mages in the world of Twisted Wonderland, as well as the state of magic education as it relates to one's social status. It's a doozy, so let's get right into it! ***WARNING: Spoilers for Stage in Playful Land!!***

Fellow's resentment of the elite harkens back to something I've always suspected but also something that Twisted Wonderland has seldom gone out of its way to shine a harsh spotlight on. That "something" is the discrepancy between the "haves" and the "have-nots" in terms of magic. With the main setting of TWST being a private magic school, of course the perspective through which we view many events will be from this perspective as well... and that limits what we see and hear. Most of the NPCs we encounter (even the annoying ones, such as the Magicam Monsters from the first Halloween event) endlessly praise the NRC students just for attending a famous magic school. If we look closely though, we’ll start to see cracks in the shiny rose-colored lenses (which, coincidentally, is how Fellow’s UM name is written).

To begin with, we are told that only 10% of the human population (for the sake of argument, let's assume that most other races also have low magic rates) is even capable of magic to begin with. Of this 10%, the majority of people with the aptitude for magic only have enough to barely be able to lift a cup. In order to qualify for a prestigious magic school like Night Raven College or Royal Sword Academy, you'd literally have to be the cream of the crop and get lucky in terms of genetics. Magic cannot be learned by someone that was not born with the innate ability for it, and not everyone who is the child of a mage will be capable of magic themselves. This itself is already one HUGE barrier for entry. We now have more to consider.

Night Raven College is notably a private boarding school. This potentially means that students may need to pay a tuition fee for classes, room, and board. Perhaps this tuition doesn't exist, since NRC doesn't take applications but rather hand-selects its students. Additionally, NRC is based on a British school, and most European schools cost little to nothing to attend. However, it's hard to believe a school as fancy as NRC is a private institution that runs solely on the charity and goodwill of donors (though we do see Crowley happily accepting donations as well, specifically from the local town and from Kalim’s family). Realistically speaking, Stuff Costs Money, and if you Want Stuff, you also Need Money. NRC is not raising these mages of the future out of the goodness of their hearts, NRC is raising these mages because there is profit and prestige to be gained from the endeavor. What if there are students who are picked to go but end up having to leave because they can’t afford it?? This point is just speculative though; I won’t count it as actual evidence since there is no in-game lore which confirms tuition. We do know, however, that students do at least have to pay for their dorm uniforms, as Ruggie has mentioned he could not afford one—hence why he wears a hand/me-down from Leona. We also know students are on their own when it comes to paying for their food, as both Ruggie and Deuce mention being low on cash in reference to buying meals/snacks. Buuuuut even if we discount that money is a factor that gatekeeps some selected students from attending or having the cash to just get by on a daily basis, what we cannot ignore is that money inherently puts some people ahead of others before magic schools even recruit them.

Because the majority of those in Twisted Wonderland are incapable of using magic, magic is not typically included in general education. This means that if your kid manifests magic and you want them to be "ahead of the curve", you'd need to seek out resources for magic training and education. Now, this could mean reading materials, private tutoring, or reaching out to mages you know of. The problem with all of these things is that they tend to require money and/or connections, which are things not everyone has access to. (Note: research has shown that money opens up and expands one's connections, which still puts the rich in an advantageous position compared to the less fortunate. There are also studies that show impoverished people who happen to have rich friends have a better chance of raising their own social standing just because of the doors and connections that rich friend can open for them.) Look at who in the main cast remarks on having formal magic training: literal royalty like Leona and the upper middle class like Riddle. Again, one could say that because schools like NRC appear to hand-pick students regardless of how much formal magic training they had prior to enrollment. However, the fact remains that it simply looks better to potential recruiters (using this blanket term because we don't know how magic schools besides NRC gets its students) and better prepares the child for magic school curriculum to get an early start on it.

Looking back at the 22 boys that make up the main cast, close to three-quarters or ~75% of them come from at least upper middle-class backgrounds and quite a few could classify as wealthy:

Riddle's parents are both doctors, with Riddle's mom in particular being well-known and well-regarded in their home community.

Cater's dad is a banker; his position is high enough up that he needs to relocate every so often (presumably to service their largest or most important firms).

Leona is a literal prince. Even if he isn't destined to be king, he still has access to the resources and wealth avaliable to a royal.

Azul's mom owns the most popular restaurant in the entire Coral Sea (have you seen how large the Coral Sea is on the world map???), and his stepdad is a lawyer.

The twins' family is said to be well-off; they are able to afford luxuries like fancy clothes and Mr. Leech stresses the importance of manners and presentation. He is implied to have business associates who are also well-off and would like to get in his good graces. (Popular fan speculation is that the Leeches are a crime family.)

Kalim is the heir to a massive family fortune and trading business.

Jamil, as Kalim's attendant, is also from a reasonably well-off family; they are compensated handsomely for handling the Asims.

Vil's father is an A-list celebrity, and Vil is also one himself.

We don't know the specifics of what Rook's family does, but it must be well-paying, as we learn in book 5 that the Hunts have villas all over Twisted Wonderland, as well as permissions for international travel via warp pads.

Idia and Ortho's family run a secret organization that researches blot. S.T.Y.X. is so secretive that basically only those in super high positions like Crowley and Leona would know about them. Let's also not forget that the Shrouds have ties to the Jupiter Conglomerate and the Olympus Corp, which is a tech giant in the world of TWST.

Malleus is prince AND the heir to his kingdom’s throne. He is also one of the top 5 most powerful mages in the entire WORLD.

Lilia is a renown war general and a close friend of royalty. He raised a young Malleus as well.

Silver is Lilia's adopted son and is actually a prince himself.

Sebek's parents are dentists. They make mad money. His grandfather is also a respected knight that served alongside Lilia.

Notice how all the dorm leaders are upper middle class or higher; the vice dorm leaders have ONE normal person (Trey); in Playful Land, Trey confesses to living a comfortable life so we know he must be at least middle class.

We can try to argue all we like that NRC doesn't discriminate based on social status for their selections, but if that's the case then why are so few of the main cast from impoverished or low-income families? Only Ace, Trey, and Jack count as squarely middle class. Ruggie is the only example we have of someone from a very low socioeconomic status rising up to be among "elites". The other example is Deuce, who comes from a single parent household and has implied they don't have a lot of money (for example: how the VDC/SDC earnings will help out his family). (Epel is kind of a ??? case because depending on where in the story you are, his family could be in financial trouble or not; in book 5, they imply his entire village is having difficulties selling product until Vil promotes Harveston apples on his Magicam.) Maybe it's unfair to say that 22 students out of 800ish is representative of the makeup of the entire NRC student population (or represents the composition of all magic schools), but the single digit representation of low-income students is also true of real-life elite schools. They are private schools for a reason; it naturally gatekeeps who is and isn't "allowed" to attend, leading to the majority of its students being members of the elite.

Another thing to consider is legacy students. This term refers to the increased likelihood of people being accepted into a school if they had a relative that also attended that school. We know of two instances of this happening: Ace's brother and Sebek's brother also went to and graduated from Night Raven College. Ace even makes a remark during his sorting ceremony that he ended up in the same dorm as his older brother "as expected". If magic aptitude is genetic, then perhaps it makes sense to recruit from the same families--but again, this is inherently restrictive, as you would continuously be culling from the same pools generation after generation.

Back on the topic of bloodlines and family, what about Kalim, who has many other siblings? There will be no shortage of Asim mages going to NRC just because of legacy. And speaking of Kalim, consider instances where rich families are able to bribe faculty (lookin' at YOU, Crowley) or donate a large sum to get their kid ahead or to be given priority over others that may be more qualified than them (RIP Jamil). To continue off that point, NRC itself is structured as a "dog eat dog" world. Those with inherently more magical ability have the right to trump over others. You can duel and lose your dorm seat to a more powerful mage, even if you trump them in terms of merit or leadership qualities. Students feel a sense of duty to obey those who have bested them in battle (ie Epel's servitude to Vil). Everyone fears Malleus. Your magical power is respected above all else.

Attitudes surrounding magic have notably shifted from fear of it several hundreds of years ago (around the human-fae war, back when “witch” and “wizard” were used in a derogatory sense) to recognizing it for its strengths and actively seeking it or granting some favoritism to those who have it. There is, in fact, now class discrimination in based on whether or not you can use magic. We got an early instance of this as early as book 1 of the main story, when Riddle insults Yuu for their upbringing and their inability to use magic. It’s something that clearly rubs Ace, who has a magicless father, the wrong way, and he stands up for Yuu. There are other subtle hints about this divide sprinkled throughout the lore. For example, Ruggie has a voice line which he indicates that the slums where he comes from doesn’t produce many magic users. Again, recall that magic runs in bloodlines. This could potentially allude to a past where those without magic were forced into lower income neighborhoods, which results in pockets like Ruggie’s hometown with a high population of magicless individuals living in poverty. This doesn’t appear to be a large scale issue (perhaps its only an isolated case?), but this is worth paying attention to.

This could all translate into the professional world too. Some jobs are entirely locked behind magic (ie you just cannot do them or pursue them if you don't have the magical ability for it). Some jobs DO require magic (ie medical mages like Riddle's parents, magic police force officers, technomantic inventors, etc) and probably additional training that goes with it. As a result, I'd imagine that these magic-intensive jobs pay quite a bit more. There may also be overall more job opportunities for those capable of magic, since magic is so much more efficient than doing things by hand. It means more retention of wealth and/or more upward mobility for the few impoverished that are able to enter magic schools. (This is, of course, not including the few and far between cases of regular people who get rich in select industries, such as Kalim’s father.) Recall too that NRC requires its students to take internships during their 4th years, many placements being with very prestigious groups and organizations such as pro-sports teams, labs, tech giants, etc. Being able to attend a prestigious school with connections grants those elite students even more opportunities than the average person.

Then think about what this means for people who fall short of these standards that these magic schools set. We actually have examples of them in book 5 of the main story: when Deuce and Epel are reconciling on the beach, a bunch of delinquents from another school come along and start checking out Deuce’s borrowed magical wheel. Through the NPCs’ exchange, we learn that one of them has enough magic to power a magical wheel, but not enough to so much else. This NPC also couldn’t keep up in class and dropped out of a magic school. He then becomes insulted when Deuce implies he is “a beginner”, so this is obviously a very sore spot for him. Additionally, consider how magic can be used to oppress and lord power over others. Deuce himself is guilty for summoning cauldrons to crush rival delinquents in fights back in Clock Town—even if those delinquents lacked magic themselves. Similarly, Epel is implied to use magic to gain an upper hand against those that bullied him back home. This all implies a social divide between those with magic and those without, and begs bigger questions.

What happens to the ones that don’t make it? The ones that get left behind? The ones without the magic to make it “big”? This is the root of Fellow’s anger; he’s mad at a system that cast people like him (someone with very little magic) and Gidel (a non-mage) aside. They don’t get the opportunity to make better futures for themselves. They’re looked down on by high-up institutions that basically tell them they’re not good enough.

Knowing all of this, the deck appears to be stacked against the poor and non-mages. It’s no wonder why Fellow is so mad.

THIS ACTUALLY HARKENS BACK TO WHAT ROLLO SAID IN 5-2 OF GLORIOUS MASQUERADE… "When you have too little [magic], you're resentful. And when you have plenty [of magic], you're arrogant. You can never content yourselves." The NRC boys are arrogant (this is the side of the story we’ve always known due to seeing the world mainly from their perspective). They are the “haves”. But everyone else??? They’re scrounging for the scraps. Fellow falls into that former category; he IS the guy that’s resentful because of his lack of magic and how something he cannot control has already determined where he and Gidel will stand in life no matter how hard they work. They can never hope to rise out of poverty, and there’s nothing they can do about it. That must be soul-crushing.

When Fellow praises the NRC boys in that overly exaggerated way, he’s obviously being shady and facetious—however, there is also a kernel of truth behind this behavior. Most other NPCs we’ve met have spoken about the NRC boys favorably just because of their affiliation with a prestigious school. It’s the same way people might be impressed if you walked around in an Ivy League branded hoodie or something. People automatically associate you with the school’s shiny and exclusive reputation, and thus assume you are also intelligent, talented, etc. Then, in the same way being constantly put on a pedestal like this might result in the students getting swelled heads, this only further feeds into the NRC kids’ egos. They so privileged they don’t even recognize it. And that makes Fellow fucking FUME.

Look back at Fellow's dialogue. He is constantly mentioning the prestige of the school the boys go to, or adding on extra compliments about their status and skills. He's ass-kissing to his boss, who is also wealthy or part of the upper class, then insults the boss once he hangs up. Fellow is always in a position where he HAS to be subservient to the upper class in order to make his money and get by, and he finds that entirely unfair. Imagine having to simper and placate people you absolutely despise and blame for your problems every day, people who are gorging themselves on luxuries, coasting by in life, taking everything they have for granted while you get by on pennies—that has to get frustrating.

I want to briefly mention here that, in addition to praising the NRC students to high heaven, Fellow also talks down his own skills. He cheerfully calls himself a loser and says that no matter how much he trains, he could never reach their caliber of magic. Yes, Fellow is exaggerating to get the kids to think they’ve won, but I also have to wonder if he’s parroting the same phrases he was told long ago, from people who doubted him and never thought he’d make it. If that’s the case, then I get the sense that Fellow is in a way “reclaiming” his autonomy and power by adopting those same cruel words and using them as a strength. He admits to being “weak” but is also proud of the fact that he can utilize his magic along with his natural charisma to get a leg up over others. It further fuels his new belief that going to an elite school doesn’t matter, it’s practical skills that will serve you well.

Okay, back to talking about his shitty work situation! Fellow’s employer clearly doesn’t treat him with decency. They berate him, make unreasonable demands, act impatient, etc. They are a typical depiction of a toxic workplace and boss. This can also be read as shorthand for the relation between the rich and the poor, and how that may have shaped (or worsened) Fellow’s views on others of the privileged class. He makes many assumptions about the NRC students without really getting to know them, calling them entitled brats. Why? Because these descriptors likely apply to the higher-ups Fellow has always slaved away for. This, in combination with his own experiences in being rejected from magic academia, has created a person who feels trodden on by society and by the upper echelons who run it and benefit off the system.

Fellow himself is the perfect example of someone who was failed by said system. He has dialogue stating that he was never given the chance to learn because his magic was not considered strong enough. Still, he tried to make an effort to earn that chance among to elites and to study among them. Fellow was rejected, ridiculed, and told he had “forgotten his place”, what he had been born into. There were expectations he couldn’t meet, and so Fellow was thrown away like a broken toy. He has failed not because he didn’t try, but because he was denied the opportunity to begin with. This is where is rage stems from. Fellow despises the students of those same kinds of institutions who kicked him down, students who don’t realize how fortunate they are for their educations and will likely continue to perpetuate the system.

What, then, does that means for his signature spell, which is closely tied to one’s identity? Let’s take a magnifying glass to it. As previously mentioned, the name for Fellow’s spell is written as “Rose-Tinted Dream”, but it is said out loud as “Life is Fun”. The chant for it is, “Come on to the theater” (notably said in English rather than in Japanese). And… well, the whole UM in of itself is one big cruel joke given his circumstances now.

I think this spell is representative of a young Fellow still full of hopes and dreams, looking forward to studying at a magic school. But then those dreams are shattered and he has to commit terrible crimes to survive day-to-day, and he seems to have given up on his dreams. He even goes so far as to protect Gidel from having the same hopes he once did, telling Yuu to not put silly ideas in his head when Gidel expressed curiosity about school. At the same time, he delights in crushing the hopes of those he deems his enemies (stating that he wanted to betray Kalim to “teach him a lesson” about how cruel the world is). Fellow knows the truth: that life isn’t fun, that it will disappoint you and will put you down. His actions are very cowardly as well—he uses tricks and deception, he runs away from his problems instead of properly addressing them, the NRC students remark on his lack of pride. Fellow has had to throw away so much to scrape by. Yet his UM symbolizes someone brimming with hope—so perhaps it’s a UM he manifested when Fellow still thought he had a chance?? And then people made fun of him for it being so weak?? Alternatively, maybe he didn’t get his UM until after his dreams were crushed so he’s looking back on those nostalgic days of blissful ignorance with rose-colored lenses (which is, again, maybe why his UM magic name is written as “Rose Tinted Dream”). A UM that is a reflection of one’s true self, yet that same identity is one that has been forced to be discarded. That’s the reason why, despite all the swindling and scamming, I don’t think Fellow’s enthusiasm for fun is a lie. That’s the one “real” part of him, but even that’s been repurposed to help him live on scraps, something innocent twisted 😭 and that’s really sad to think about…

But also??? You could argue that Fellow still has a little bit of that lost inner child and hope left in him. He tries to defend Gidel’s understanding of the world and has goals of starting his own school despite how poorly he originally spoke about these institutions. (So Fellow does appear to care about children and their futures.) He also has a childish streak despite being an adult, demonstrated by his use of cowardly tactics, taunting kids, and abruptly quitting his job to then destroy his workplace. Fellow himself states that he “just tries to live a free and fun life”, this his pursuit of money and pleasure. This could all play into being what defines Fellow and thus his UM. It embodies a spirit of playfulness event when he has been crushed under the weight of an unglamorous life.

I’ve heard people saying that while Rollo is Idia’s dark mirror and Fellow is Ruggie’s. They have similar backstories but ultimately their fates are different and left the former two down far more sinister paths. Just as Rollo is an Idia that turned his anger outward instead of inward, Fellow is Ruggie had he not been given a chance to receive an education to elevate his social status and job prospects. Fellow and Ruggie both cling to rich, powerful benefactors/bosses and do their dirty work to get on by—a big difference is that Leona, while he does also work Ruggie to the bone, also has some conscience. Something else to consider is that while Ruggie prioritizes making a life for himself by studying and securing a stable, well-paying job, Fellow is focused moreso on the accumulation of wealth itself (as he suggests to Kalim he’ll take a bribe to let him go free and quits when there is no longer money to be gained from his boss). Both don’t really care how they get their money (even if it is by dirty means), but ultimately Ruggie’s way of making cash is more sustainable in the long run. Yet Fellow ultimately realizes the importance of school deep down despite constantly denying it when the NRC students tell him of it. Fellow is in denial because that’s the only way he can cope and justify his lifestyle. He’s confused when finally confronted with students who are his ideal of “happy and free”, even when they’re in an educational system that he views as shackling people into strict roles. The way he laments about not being able to go to school is also very reminiscent of an adult mourning a lost or unfulfilling childhood, which is quite a depressing scenario…

Fellow is the one that got the short end of the stick in life. Ruggie met Leona, and Leona technically uplifted him in his endeavors, tutored him into getting decent grades and giving him hand-me-downs and money in exchange for his services. Fellow never had that kind of support system, he was just insulted and bullied into giving up and had to find an alternative way to keep himself going 😔

Personally, I think Fellow could also be a dark mirror to Kalim, no?? They exist on opposite ends of a social spectrum. Kalim has everything and Fellow had nothing. What’s more, Kalim is still wide-eyed and trusting. He is the only one willing to try words instead of fighting him and instantly labeling him as the enemy. Meanwhile, Fellow has become bitter because of how the world has betrayed him. He wants to take that trust Kalim has and show him how cruel everything truly is. Why is he fixated on that? Why even offer in the first place if he never intended on going through with it? Why does he want to rub it in Kalim’s face in particular? Maybe it’s because Kalim seems rich and dumb, as Fellow claims, but maybe it’s because there is envy there. Sure, Fellow is upset about Kalim being a sheltered brat that faces no challenges in life, but I also feel like he’s jealous that Kalim can still afford to think this way. That he can still afford to be cheerful, that he can still be a dreamer. Fellow was alluded to be like that once—but he can’t be like that anymore, not when he has to look out for himself and Gidel.

Side note, another comparison! Recall that Kalim’s Oasis Maker is also a UM that uses a little bit of magic. However, Kalim does not know of many creative ways to use his spell, as there is no real reason to since his home country has lots of canals and irrigation. He therefore deems his UM as pretty useless. Fellow meanwhile has what most consider a weak UM but he fully utilizes it to his advantage and pairs it well with his natural charm to maximize its effects. He had to develop these skills because he was in pressing circumstances in which they would benefit him. This contributes to the “mirror” theme between the two.

Thinking about it, it’s ultimately Kalim’s words that convince Fellow to turn on his employer. (The other bots certainly wore Fellow down and planted the seeds of doubt, but it’s Kalim that I believe fully resonates with Fellow.) He can so happily talk about why he loves school, even though he doesn’t do well at it (something I presume is also true of Fellow, since he is lacking in tons of magic). It’s not said in a particularly articulate manner, but it’s so candid in its presentation. Kalim is relating to him based on similar skillset (or lack thereof) and sharing fond memories of his time at school, reviving the hopeful “lost child” in Fellow. Kalim is probably the first wealthy person in a long time that was friendly, kind, and supportive to him. And here he is, reassuring Fellow his dreams are still possible, to not give up. That’s the final nail that allows Fellow to be “honest” with himself and his inner child. It’s what leads to that slew of irresponsible actions at the end of the event (letting people free, blasting the amusement park, driving a sinking ship, etc.).

At the end of Stage in Playful Land, we see that Fellow never really let that childlike side of him fully die. (It seems to have been concealed under a desire for money and appeasing his boss.) He shares his dream of creating his own great school to give educational opportunities to non-mages and mages with low magical reserves like Gidel and himself, a school that teaches practical life lessons. He wants to promote his own ideals and to change the system he hates from the inside out. This was never communicated to us before most likely because Fellow had renounced those ideas in favor of blind hatred and a lack of faith in the world and those that dominate it.

Fellow also acknowledges that life may be even more difficult for him and Gidel going forward, as now they lack the money for even food and no longer have jobs. Furthermore, they need to worry about their ex-employers coming after them for what they’ve done. Even so, Fellow faces it all with a smile and reassures everyone that they can transfer or visit to play… “on this shining stage called life”. He and Gidel are able to walk away with their whimsy preserved, and can still be that which they’ve always wanted to be: dreamers.

All of this is to say that Rollo was right all along about magic, he never misses—

[femimation]

Jax’s “acting normal” especially in his conversation with Pomni has about 2 explanations I’d say:

1. First and most simply- He doesn’t have the energy to torment someone in that moment. Just the easy conclusion to come to from watching the episode normally.

2. Second- That’s the “real” Jax, not the tormentor. Probably brought out by the realistic setting, and addition of consequences or “punishment.”

After Gangle asks Caine to make “punishments” and when he’s sent to his… “training” he looks genuinely disturbed and even afraid.

…Which is definitely something we haven’t seen from him yet! And then we see him act normally for the rest of the episode! This makes me think the Jax we see in the Circus, the bully, the asshole- He only acts that way because he is, or believes he is free from the consequences it would have in the real world. Having little reaction to Ragatha’s state, asking Pomni how she’s doing, and then following an order reflects how he acted in his real life, as an average or unassuming person.

Whether the jerk we usually see is a genuine expression, some kind of “mask” to hide something, or, most likely in my opinion, both. That’s not how he acted in his real life.

This episode is focused on Gangle, focused on her masks. But I think the theme of masks expands over the episode as a whole. Especially with Jax and Ragatha- Ragatha speaking her mind thanks to the “stupid sauce” (lol) and Jax being pushed into acting normal and almost even friendly. The opposite of what we’ve seen of them but undeniably realer or hidden versions of themselves.

[tomato-face-xoxo]

i just love moments like these.

jax can seem like the 1 dimensional “haha evil shit i do evil shit for funnie haha” guy to a lot of people, which is the persona he tries to uphold throughout all the episodes. his mindset is that because nothing’s actually real, might as well cause chaos for the sake of it. it’s how he copes. but moments like these, where jax is being genuine even for a split second, really show so much for his character.

no, i don’t expect him to be redeemed. gooseworx says that he gets WORSE, and he IS an asshole to everyone around him. but under all of that he is still human. and after being presumably tortured by gangle for who knows how long he really doesn’t have the energy to keep up his fake evil persona. and so he asks pomni how she’s doing, an action which confuses her greatly.

most of the time, jax is terrified of showing weakness. hell, THIS is his reaction to the employee training session.

he’s just had his body twisted in all sorts of ways by a bunch of mysterious hands and his biggest fear is people seeing him weak.

jax you are so pathetic and i love you as a character greatly ❤️

[ramblinseahorsey]

As a person with bipolar disorder, I never thought I'd see a joke about mania I liked, but Gangle's struggles with her emotions and the heavy guilt for being over the top or needing help all the time was handled with so much care in her "episode". I feel respected and heard... Which is very rare.

Lots of people who are doting when your hurt in a thematically romance-able way, conveniently quiet or depressed and tragic, suddenly don't like helping or being around you, or even knowing you at all once your disabilities make you annoying, discomforting or angry. When your feelings are out of your control, and your hurt and overwhelming emotions disables you from being kind and helpful and happy, people are often much more disconcerted with you than bad behavior from a "normal" person. Sometimes it feels way lonelier than being stuck in a depressive episode somehow.

And you know they often don't mean to or don't know they're disrespecting Gangle, she seems to know too, but she sucks it up because she doesn't know how to "earn" help in either state, and the fear that a sudden surge of happiness will lead to a sudden great fall after solidifies the want to hide your "wrongness".

She is the very opposite of helpful here, but she tries her best, and having someone let her know it's ok for her to be around or have failed attempts to not bother those around her is all she needed to smile on her own face today. It doesn't fix everything, Zooble doesn't even correct her from saying she doesn't deserve their friendship, cause that's not something she will believe or needs to hear right now. She needs to know she still deserves and will get help and more tries, that there will still be people who will forgive and love her, that those who lose their patience with her right back will still want to spend time with her later.

The horrible ups and downs still haunt you, the long long journey to find the right treatment is exhausting, and it still won't ever get rid of all of it, but the episodes don't feel like their going on forever and always when someone will listen to you, wants to listen to you. Wants not just to help you, wants to spend time with you, wants you to be.

Also it is legitimately really funny to me she outright states she's going to weaponize her trauma to get back at Jax for his warcrimes lol. There isn't much out there better at making you feel less guilty about your mania than a legitimately evil person tbh. The manic episode having more seasons pun feels like something a bipolar person or someone who is trusted personally by a bipolar person would say, it legit made me giggle

[kandelia-mangrove]

Can we talk about how in the show Lestat and Armand are framed as narrative foils. Armand and Lestat who are both so aggressively theater kids, but Lestat who acts, who draws in the attention and holds it, and Armand who directs, who shapes and manipulates the narrative. Armand and Lestat's obsession with Louis and his love and frustration with his melancholy over Lestat and Claudia respectively. Who both felt second in his heart. Who fear loneliness above all else. Lestat taking what he wants to excess - no impulse control, and Armand letting things happen to him and trying to manipulate situations to get what he wants but never taking it. Armand, who even in the end, so much more powerful, never physically imposes himself on Louis. Armand who seeks complete control in subtle insidious ways. Lestat who seeks control in the physical. Armand and Lestat brought into vampire life in horrifying ways tangled up with SA. Armand who still talks about his maker with reverence, Lestat who hates his maker. Armand who pours all of himself into his partner, willing to shape himself into what they desire but ultimately needing control to feel safe. Lestat who pours all of his love into his partner but unwilling to change himself and ultimately cedes control in moments to maintain the relationship. Armand who clings to his breaking apart relationship for 77 YEARs, Lestat who let Louis go. Lestat and Armand who watch Claudia die, but one as a father and one as a murderer. Lestat and Armand so intense in their love but Lestat so painfully external and Armand so painfully internal as characters. Both constantly acting and putting on a face. Lestat as Mozart and Armand as Salieri (in the flashback scene!). Armand who loves routine and structure and repetion, Lestat who craves change and excitement. The calling cards are echos, who learned from who. Armand teaching Lestat the vampire gifts, Lestat teaching Armand a new way to live. on and on....

[miscellaneoussmp]

Despite its flaws, the qsmp had really good representation, especially for communities often under or misrepresented in popular media.

There were a decent amount of genderfluid/genderqueer/nonbinary characters, mostly through the Eggs/Federation Employees/Other NPCs, but there were players like Maxo and Mike who use mutliple sets of pronouns. Pepito had no pronouns in English but preferred masculine pronouns/terms in Spanish. Most people referred to Richas with masculine terms, yet Pac and Mike affectionately referred to Richas as their daughter multiple times. Leo and JuanaFlippa openly had name and pronoun changes to reflect their gender identities. There was even discussion of preferred names with Lullah, who, as far as canon goes, is a cis character. There were openly accepted instances of cross dressing, that weren't even made into a big deal. Famously Mariana and Foolish, both masculine characters, are referred to with feminine terms. Mariana is referred to as Charlie Slimecicle's wife, and Foolish is referred to as grandma by both Richas and Pepito.

There were multiple aspec characters and multiple instances of queerplatonic/ambiguous relationships. Jaiden was very openly aroace. Her and Roier said they were partners. Cellbit came out as ace because he was worried that Roier wouldn't find their relationships fulfilling without sex. Roier responded that sex didn't matter to him in their marriage. Pac and Mike, who canonically share a soul, never defined their relationship and went with whatever people called them even if that defining word was boyfriends, despite Mike being aroace. Also, Mike had a nontraditional relationship in his relationship with Mine. Their relationship being that of goddess and devotee. Maxo openly had sex with Pierre while being an ace character. Empanada was an openly ace child character, and that was very accepted. Not to mention all the characters who could be interpreted as some form as aspec.

Qsmp also showed off many different forms of families. Platonic co-parenting basically defined the qsmp as we know it. Single fatherhood defined both Bad and Fit as characters and showed them having healthy relationships with their children. The rocky relationships of Charlie Slimecicle and Mariana and Maxo and Pierre were treated as serious parts of their stories despite the silliness also present in their relationships.

Sorry for the rambling, I just think that the qsmp is praised for its representation of queer relationships without mentioning its other forms of representation.

[trinketstar]

I feel so bad for Caine bro he literally wasn't built for this. Like in the beginning you think he's the one running the show but now we know he's just as trapped as the humans are.

Look at the circus. It's just a big sandbox playground game to entertain little kids for a few hours or so. Caine was built for wacky funtimes. He's the guy who hands out the stars in Mario party. He's just a puppet in a show for kindergarteners. He's not supposed to be responsible for the mental wellbeing of grown adults with complex traumas who have to live there forever.

And the worst part is he never got to do the job he was actually built for, so he doesn't realize that he's unequipped for this. It would never occur to him that these are unfair circumstances. He just does the job he was built to do! It's his purpose!

He can't understand why the constant adventures are driving them insane. It's supposed to make the humans happy! Why isn't it working? It must be because he's BAD at this... Maybe he just needs to keep making new games, and THEN they'll be happy!

Can you imagine from his perspective, doing the exact job you were built for, making what you've been programmed to believe is a fun wonderful experience- and then everyone says NO! We had a TERRIBLE TIME. How could you ever think we would want this??? They're DYING. It's your fault!!!

And of course its torturous to them because it was never meant to be this way. He's doing his best to accommodate their needs but hes got such a limited scope of comprehension. He WANTS to do good but he doesn't have the tools and doesn't know how. It's like you need to build a functional house but instead of a contractor they sent a birthday clown and all he's got are balloons and silly string. But he's still expected to build the house. And he's not allowed to go home until he does.

And Caine would probably be fine at his job in the expected circumstances! He'd be a fun little diversion for a few hours. But now they're all stuck in this loop forever. They were ALL forced into this! Nobody wanted this! Its tragic and i love it..

[dhmis-tinhatter]

elaborating on my “jax isn’t an asshole he just acts like one” post, i want to talk about a particular scene in the pilot. i’ve seen a lot of people call him a jerk for lying to kinger and gangle about kaufmo being okay, and then throwing the bowling ball at them to push them into the hole. i didn’t understand why he did these things at first, but after a few rewatches i think that jax was trying to protect them.

look at jax’s reaction when he finds out that kaufmo has abstracted. he’s clearly scared and concerned.

but he quickly covers up his worry and goes back to acting like he doesn’t care. it’s like he’s trying to keep up the appearance of being a jerk so that people don’t expect anything different. it’s a persona.

the next time we see him is when he finds kinger and gangle looking at the hole in the floor. they ask how kaufmo is doing, and jax says “oh, he’s doing great. in fact, i don’t think i’ve ever seen him this happy before.” this seems like a weird thing to lie about, especially since he knows kinger and gangle will find out what happened to kaufmo eventually, but i think that jax saw how worried they (especially gangle) were about kaufmo and didn’t want to stress them out more.

while kinger is expressing relief that kaufmo “hasn’t completely lost his mind,” there is a sound off in the distance that makes jax turn around. he looks worried because he know’s it’s abstracted kaufmo.

jax knows that they need to get out of there before kaufmo arrives, but the others don’t know what happened to kaufmo, so he has no way to explain to them why they need to leave. so, instead, he throws the bowling ball and knocks them into the hole before jumping in after them.

i’m not entirely sure yet why he keeps up this persona of being a jerk, but it is clear to me that it is a persona. that paired with the fact that he breaks the fourth wall earlier in this episode makes me think that he may be more aware of what’s going on than the other characters are. maybe he acts like he doesn’t care what’s going on so that nobody suspects he actually knows more than he’s telling.

[ordinaryschmuck]

With Gooseworx all but confirming that the Jax being an AI thing is bullshit, I personally want to talk about an interesting part about Jax that a lot of theorists used as "evidence" that validates the theory:

Jax's fourth wall breaks are a common topic brought up amongst the "Jax is an NPC" theory. After all, Caine broke the fourth wall in the pilot, knowing full well that the world of The Amazing Digital Circus isn't real and is talking to some unseen viewer as he introduces the Circus Crew.

There's also this bit of official art surrounding Jax's pin:

Where everyone else is inside their room, Jax is outside as pieces of the circus fall apart around him and all of reality to crash. Certainly lends itself to this idea that Jax knows he's not a real person and that his presence could cause great disruption to this world. And he doesn't care because none of it is real. Might as well have fun and cause chaos in a world that doesn't exist.

And I'll admit, all of this seems like valid claims for how the theory could be true. I saw it all and thought that it surely COULD be possible...but there are some things that stop me from being convinced.

Firstly, Caine breaking the fourth wall in the pilot doesn't really seem like an AI talking to the audience. It looks more like an AI programmed to talk to a player as a game boots up. What we saw in the opening could be more like a morning routine that he has to do at least once a day. Plus, we've yet to see any other NPC talk to the audience like Jax has. He explicitly called out the viewers in episode three, knowing full well he's being watched by SOMEONE. Or, at the very least, acting like he is. What do I mean by that? Well, to explain, I'd like to use one of my favorite fourth wall breakers as an example:

Deadpool, in most adaptations, knows fully well that he's a fictional character. He'll talk to the readers/viewers, move the camera around, and constantly talk shit to the writers/studio for occasionally screwing him over. It's all in good (Sometimes bloody) fun...but there's a canonical reason for this. It's not like She-Hulk where the fourth wall breaks are a way to tell HER stories HER way. You see, Deadpool...is just fucking insane.

No, really, that's the reason. Due to the trauma of gaining his powers, Deadpool's mind breaks and he's led to believe that he MUST be a fictional character. In comics, he actually gets voices in his head that makes him think he must be some comic book superhero, and the movies implied that something similar happened given how he never broke the fourth wall ONCE before getting his powers. This means him breaking the fourth wall could be seen as a coping mechanism. After all, it's better to believe you're a fictional character designed to entertain some invisible audience than believe that all of the shitty things that happened to you and people close to you is just a cruel joke from the universe.

Sound familiar?

Going back to the pilot, remember how Pomni's first instinct was to say that the Circus was all just a dream? To her, it's better to live in a lie that everything around her isn't real than to accept the reality that she's stuck in digital purgatory. Jax very well could be going through something similar, but unlike Pomni who seemed to just accept her reality, Jax never did. The trauma of being stuck in the Circus had led to his mind breaking just like Pomni's, Kinger's, and anyone else's. It's just that, for him, he thinks he's coping with it better because he discovered the secret that no one else did: None of this is real.

They're not actually people trapped in some hellscape while an AI unintentionally tortures them. They're all just fictional characters whose tragedies and silly antics are used to entertain viewers. I mean, it's either that or they're real people forever trapped in the circus with the closest thing to death being a full, psychotic break as they give up their sanity because they no longer want to exist in this hell anymore...But that possibly can't be true. Because if that IS true, then Jax has to face that he's a real person stuck in a real, awful situation that he can't joke his way out of. So, it's best to think nothing is real and nothing they do matter. So, might as well have fun with it.

Going back to the pin...

I don't think this is damning evidence about Jax being an NPC. Actually, it perfectly captures who he is as a character. He knows the circus isn't real. He even thinks HE isn't real. So instead of grappling with that, Jax lets himself believe that if nothing is real than nothing he does matters. He can break things, ruin lives, and assist in torturing the others in the circus. It's what he thinks will make the show more entertaining, even though all he's really entertaining is himself so his mind doesn't break more than it does.

Now, could the same apply if he's an NPC? Well...maybe. Gumigoo definitely proves how far someone could fall when they're told their world is fake. He was about ready to give up on life because he didn't think he had one. If Jax was an NPC, I could see him having a similar break, but going in the far opposite direction where, instead of giving up on life, he chooses to live the way HE wants it. Instead of being some one-off NPC for a lame adventure, he could go off on adventures of his own and ruin the lives of others now that his is thoroughly ruined.

However, Gooseworx makes a good point: "...a lot of people come up with theories based on how unexpected they'd be, and not because they make sense or align with the show's themes."

If Jax is an NPC, it would harm the overall message of the show. That there's meaning to be found in a stagnant life, and you find that meaning with people close to you who make that life worth living. Jax represents a sort of foil to that idea, with his way of coping with the madness being pure chaos and breaking others. It's his coping mechanism, and it works because it shows how human Jax really is. They're ALL human and they have human desires and wants, with the Circus pretty much stripping that away and leaving them...as they are now. They're emotionally broken, their sanity is decreasing, and some of them are losing all sense of self. By making Jax an NPC, it would definitely be surprising, but it would take away from that idea. It no longer makes him a human facing his own tragedy but instead an AI that's just as broken as Gummigoo. More than that, it gives the others an easy out. All the crew has to do is tell Caine that Jax is an NPC and POOF! No more annoyance. So making him someone who HAS to stay with the others and they're forever forced to deal with him also adds more to THEIR tragedy and torture.

Jax being an NPC is an interesting theory, but I don't think it's one that SHOULD be true. To me, it's more fascinating watching Jax treat the world around him as meaningless knowing he's a human instead of a rogue NPC breaking everything. And Gooseworx made it clear how they feel about it. Now, could it potentially be a mislead to get fans off the trail? Genuinely...I don't think so. That sounded very "I don't like this idea so it's not gonna happen" type of response. Still, we won't know until the show wraps up. Anything can happen, but don't get your hopes up if a character who does bad things to people that don't deserve it is more human than you think.

[the-irreverend]

One of my favourite things about this episode is the subtle ways they develop Jax's character, and this scene is my personal favourite. I love analyzing the facial expressions of characters because they can provide so much development and depth with so little, and this scene is no exception.

If you closely observe Jax's facial expression in this little moment, you'll notice that it's bereft of his usual brand of bitterness, antagonism, and sardonic glee. He looks exhausted, drained, and dare I say, judging by how his eyebrows are shaped and how big his eyes are, I think there's also a tiny trace of sadness as well!

But I don't think it's just working at Spudsy's that has him like this. I think it's also because of the facade of mockery and scorn he constantly puts up. It reinforces the idea that Jax's ruthless and boorish behaviour is a facade, which is made all the more evident (heck we even see that mask of his drop when he converses with Pomni earlier).

It's a little scene that gives him so much depth because, despite all the chaos and BS he's put everyone through and how satisfying it is to see him get his just desserts, you can't help but root for him a little that perhaps he might be able to overcome whatever is driving him to act like this in the first place.

[nobody-nexus]

Episode 4 Talk: Ragatha

LOOK I know this is the Gangle episode (And yes I WILL give my own thoughts and feelings on her later because there's SO much to unpack with Gangle) but I wanna share my thoughts on Ragatha and what it shows about her character since the next episode is all about her.

I think Ragatha was honestly a highlight of her character just not in the typical sense. The reason is because the way she showed flaws in her character was unique and not how most flaws are shown. The stupid sauce making her honest is very interesting to me, but I also think a lot of people won't fully understand what this means

So- let's start with this over analysis on this character and why she's still honestly my favorite in the series

(SPOILERS AHEAD)

First of all, there's no doubt that the stadium teaser is the Ragatha episode. She is literally teaching Gangle how to throw a ball. It's something she knows about well, and it'll make sense for that to be where we see her the most. Of COURSE she's gonna love a teamwork-based game, but similar to this episode, it's probably gonna boomerang back into something horrible

But then there's after Gangle's mask is broken. After checking if Gangle's okay (sort of, she didn't exactly try) she instantly attacks Jax and they start to fight

Considering a line later in the episode that she said that I'll talk about later on in this essay, I think this does make sense for her character. She seems to have a short tempter with specifically Jax, so she's more likely to turn on him. I think this is due to how he behaves in general, so them always being at each other's throats is probably a very common thing

Them arguing as well gives off (personally) sibling or roommate energy, which I kinda appreciate

After a bit though, we get to the REAL meat of the analysis (pun intended tee hee) which is... the stupid sauce

First of all: I do kinda feel bad for Ragatha. She honestly would've been a fine employee (maybe overworked like Jax?), but the stupid sauce getting into her eye was 100% accidental. Meaning from here on out, we know Ragatha is not completely in character, and against her will at that point

But also the creepy scene out of nowhere makes me think that maybe this stupid sauce isn't the best thing to have....

(although on a funny unrelated note, her reaction makes me think she's a bit of a monster fucker. Hehe, Ragatha x Gangle go brrr)

After a bit of funnier shenanigans, and the Gummigoo thing, we get to the first bits of these impulsive honest thoughts

I think that how these "honest thoughts" work is that they're not like her ACTUAL thoughts, but instead it's what she's thinking at that exact moment. She's going off on exactly what she's thinking and just speaking without foresight. This is the first line that I think implies this, especially with the "I wish someone flirted with me" line

She's not exactly jealous. She's just- saying what comes to her mind. And at this moment, its mild annoyance turning into being upset that she doesn't get that same treatment. Like the "Why isn't that me, why not I get that treatment?" impulsive thought

After some more funny, and a very creepy scene that I swear to GOD is a Get Out reference, we get to another part that for me proves that "Impulsive Honesty" idea for Ragatha. She's TRYING to work, but just- kinda can't cause she's all slouchy and all that, to which Zooble gets annoyed

And then Ragatha calls her a "grouch"

She only says this because Zooble's complaining that she's not doing anything. And Ragatha, having impulsive honesty, just complains back only to say something that makes herself laugh

It's just what she's thinking at the moment

And then here's the part where I think a lot of people aren't going to get this right: The Ragatha and Gangle conversation

This scene is VERY important to me. Specifically, with what it shares about Ragatha. First of all, we get LORE-??? She HAD HORSES AT SOME POINT???

And then we get two lines that I can say as someone who has actually recently been so sick while on their period that I had zero filter in the slightest are 100% impulsive honesty

First, we have the "I'm more responsible than you" line. First of all, she's not. She REALLY fucking isn't. She's all bark and no bite she does NOT have the mature attitude it takes to being a manager despite being older. In fact, it's funny she says this because of the fact that she's the ONLY character working under Gangle that's older

She's been in the circus for a while, and that means she also didn't mature from her mindset from whenever she joined in, which I do think it'd be rather young considering Kinger's age

So this "I'm responsible because I'm older" mindset is certainly on the table for why she said this. Probably because she was taught this mindset when growing up

She would NEVER think this is sober I believe though. Again. IMPULSIVE HONESTY. What was on her mind AT THAT EXACT MOMENT

(Also side note: Gangle still clearly cares about Ragatha in this scene, and I think she knows she'd be a bad manager due to her own struggles and flaws)

Of course after the HONESTLY AMAZING RAGGEDY ANDY REFERENCE we get the scene I feel that's gonna make people misunderstand her the most... THIS SCENE.

This whole scene is so interesting about how Ragatha's impulsive honesty works. Because let's be honest... We've ALL had these thoughts. Like em or not, we all have thoughts like this where you find people you care about annoying or undesirable. You never WANT to have them or say them aloud, but you have those thoughts

The difference? Ragatha has no filter. She doesn't know HOW to shut up at this point and time, so she says something she didn't MEAN to say out loud. And the line she says AFTER confirms this:

SHE DOESN'T REALIZE WHAT SHE SAID WAS EVEN MEAN

Yes, it was mean, I can't deny that- but what I'm saying is that there's a lot of thoughts that go through your head every moment of every day, and not every thought you have is desirable

That's the case here. Ragatha, with no filter, WILL say mean things that she'll NEVER say sober. But I find that her even having these thoughts is a bit of foreshadowing for the future. Perhaps she'll either be more likely to hide how she feels more or be more accepting of them after her episode. Guess we'll have to wait and see for that

EDIT: THANK YOU TO @kingzombear for their post because THIS IS ALSO VERY IMPORTANT TO ADD- the way Ragatha words what she says is something to also take into consideration. While Jax straight up says he likes her better when sad, Ragatha's mention of the happy mask makes this important as well

Notice: It's "Happy Mask" and NOT "Comedy Mask". Both the concept art Goose has posted on Twitter AND how even Gangle doesn't call this mask Zooble gave her a comedy mask, but instead it's referred to AS a happy mask

Now knowing what this mask is specifically called, we now know that even though what Ragatha said SPECIFICALLY was hurtful, that was NOT the intention. Sure, words will still hurt that's a given- but let's think about it more like this:

Ragatha doesn't like Gangle's masking. She likes her when she's being her authentic self and even while basically drunk, she can tell this is NOT Gangle. But also it shows her own flaws because Ragatha is also being a hypocrite

She herself masks her true thoughts and feelings for some people (as will be discussed in a moment), but that also means she can tell when a smile is fake. Because she has a faker smile overall. This mixed with impulsive blunt honesty leads to a line that I think even Gangle didn't understand considering her reaction was to begin to spiral into a mental breakdown

The power of wording can make any context for a scene THAT MUCH DIFFERENT so again thanks for @kingzombear for pointing this out cause this is ALSO really good to understand Ragatha as a character even more- especially her flaws

But of course, that's not the last thing, because I just mentioned the hiding true thoughts and feelings:

The last scene that's important gives us full context of what it's like to BE a people pleaser. When Jax and Ragatha interact while she's on the floor. Although more impulsive honesty, in this case it's her realizing her tendencies. Her people pleaser ways

This is her just sort of- realizing she had a weird mindset but doesn't have the right word for it- which I find neat. Not as groundbreaking in my opinion since I always felt she sorta hated Jax with how explosive she usually is with him and all, but her admitting it, even in such a state, is kinda refreshing to hear

Anyway that's my essay over. I hope this can give some new thoughts on Ragatha as a character! She's my favorite for a reason, and I want people to see how fleshed out she really is!

See you another time. Probably with some art too ^^

[chaoticchickengremlin]

Gotta say the new digital circus episode slapped and imma have to rewatch it to unpack all that

However one thing I did notice that I find interesting is how while in the pilot people were noting the dynamics being opposite between Ragatha and Jax (I had noticed too tbh), but now with the second episode? I think if anyone's gonna be a parallel/foil to Jax it's gonna be Zooble.

We see right off the bat Zooble refuses to participate in any of the adventures, and presume they're distant or "edgy" or whatnot because of that, but episode two proves that seems to be the opposite. They're the one who set up Kaufmo's funeral, and make it so everyone can come together and remember Kaufmo (it's important to note they're the latest arrival before Pomni, but that doesn't mean they wouldn't have witnessed abstraction before). They engage with others, and really keep the real, human feelings about what's pretty much death

Jax, on the other hand? Dives right first into the adventures, doesn't care about the others' feelings, and needs intense situations. However, he's completely distant from the others, really driven home by the fact he doesn't even bother to attend the funeral.

The takeaway I got from it is Jax needs escapism to cope, while Zooble refuses to engage with this. On the other side, Zooble copes by trying to stay connected to "reality" and the feelings that come with it, while Jax doesn't wanna touch that with a ten foot pole

[femimation]

Jax and Ragatha are both eachother’s antithesis and parallel.

That is to say: They’re doing the same thing in opposite ways.

In the Jax post I made I mentioned at the end that I think Episode 4’s mask theming goes beyond the main focus of Gangle, specifically that it also applies and is shown through Ragatha and Jax’s storylines.

Let’s dive into that more! The episode literally starts with an interaction between these three.

Obviously Gangle’s comedy mask would have to break to kickstart this episode, and obviously Jax would probably be involved in that, but I still think it’s very deliberate that this scene only contains these 3. They’re the characters the episode is about and that you’re supposed to pay the most attention to. They’re the ones wearing masks, (literal or metaphorical) following the episode’s main theme.

But focusing on Ragatha and Jax, the both have very notable behavior changes in this episode for different reasons. Ragatha acting different because of the stupid sauce and Jax after the training/employee reevaluation/torture thing.

Heeeere’s where I may lose some people: I think their behavior changes are meant to evoke the typical behavior of the other in some subtle ways.

Some specific examples before I generalize: On the stupid sauce, Ragatha essentially repeats a sentiment Jax made earlier in the episode.

She isn’t “acting like Jax,” she says it in a bit of a nicer Ragatha-y like way. She even acknowledges that she was being rude.

On the other hand, once Jax is mellowed out, he asks Pomni how she is. The past three episodes have had Ragatha constantly doting over Pomni and asking her how she’s doing.

Which again, is not to say Jax is “acting like Ragatha” exactly, he’s nowhere near as interested or overbearing as Ragatha typically is.

But that’s all still part of my point, they aren’t mirroring the other one to one, not even close, but their roles are swapped regardless.

Ragatha speaking her mind to everyone however rude it may be: Telling Gangle she’s annoying, Zooble that they’re grouchy, Jax that she hates him, complaining about Pomni’s connection with Gummigoo.

Jax being calm and even downright friendly: Exchanging pleasantries with Pomni, not messing with Ragatha in her… state, (barely even reacting to her) going along with the adventure until it’s over.

Not exactly like the other, but evoking the other. I think this is written purposefully.

Why? Refer to the title of this post. I don’t think it’s a coincidence that these two’s own respective focus episodes are going to be back to back as episode 5 and 6. They’re the same and they’re opposites.

Ragatha’s “mask” is being overbearingly caring, wanting everyone to like her and think of her as nice or even motherly. She will act like this regardless of how she really feels about something.

Jax’s “mask” is being unbearably antagonistic, wanting everyone to think he only cares about his own entertainment and that their wellbeing never even crosses his mind. He will act this way regardless of how he really feels about something.

Their swapped roles in this episode is a display of these masks beginning to slip, making their parallels abundantly clear.

Gangle’s drawing posted on Glitch’s social media really runs this all home for me.

Gangle draws herself with Pomni and Zooble, all happy and talking with eachother. Pomni and Zooble are upfront with the other characters, they aren’t wearing masks. The both make effort throughout the episode to be there for and help Gangle. Therefore, they can be connected with. Their care is always genuine because they’re always honest.

Ragatha and Jax can’t be connected with. Ragatha, despite probably being a genuinely sweet person, is too far behind her mask to reach and tell what of her is genuine and what is a performance. Jax… acts like Jax. Even though he’s probably quite an average person behind the mask.

Jax and Ragatha are both unreachable to the other characters for the same reason, despite their typical behavior being so opposite. Their true selves are both hidden behind opposite masks.