#this is actually the only song I have that I don't understand the words as they play! I do not at all speak Welsh

[lancestrollsgf]

# STOP LOOKING AT ME WITH THOSE EYES ! YANDERE! AXEL KOVACEVIC X READER, WRITTEN

introduction master list request list

# WARNINGS: not a good interpretation of a yandere (not intense), lowercase intended, female! reader, use of y/n, spelling/grammar errors, possible OC axel and gullible reader, established relationship, messy writing, and maybe bad descriptions. good ending!! + a cute extra scene at the end

# SUMMARY: you decided to follow your boyfriend to the torment he was participating in. due to not making many friends in highschool in croatia, being in a new environment and country could be a possibility to make new friends, but by the way axel is acting, he doesn’t seem to like that.

# AUTHOR’S NOTE: i did have to watch season 6 again to really get a good intro on axel again, i also did some research/watch interviews, hoping it is right. in this axel is 16 years old and is from croatia, balkans. meaning that axel is going to school in croatia and went to hong kong for training with sensei wolf. i know that it wasn't shown but pretend that axel and reader actually had time and would at least in someway interact with the other characters (more like just miyagi do). i apologize for this being on the short side, i’m still trying to get the hang of writing again. word count: 1100. here is the link of the song the title is named after!

# REQUESTED: YES

axel has been your boyfriend for a while now, and you've always been by his side—more voluntarily than anything, considering how hard it was for you to make friends in your high school back in croatia. it wasn’t that you were unlikable, just that people didn’t seem to care enough to get close. axel was different, though. from the moment he noticed you, it was like you were the only person in his world.

when he told you he was leaving for the tournament, you didn’t hesitate to follow. a new environment, a new country—it sounded like an opportunity, a fresh start. maybe this time, things would be different. maybe you could finally belong somewhere. but axel… he didn’t seem to like that idea.

it started small. a hand on your lower back when you tried to talk to someone new. standing just a little too close when another competitor greeted you. answering for you when someone would ask a question. his grip would tighten, his voice always calm but firm, a quiet reminder.

stay close to me.

you brushed it off at first. axel had always been protective. he said it was because he knew what people were really like— how they used and discarded others when it suited them. you didn't want to believe that.

but then came the glares. the cold, sharp eyes watching every interaction you had. the way his jaw clenched whenever someone so much as smiled at you. the way his mood soured whenever you laughed at someone else's joke.

then the words.

"we're leaving soon, don't get to close"

"they're pretending to be nice, they're trying to get to me"

"i'm the only one who understands you"

at first, you tried to ignore it. axel had always been intense— possessive, even —but he had his reasons. he didn't trust easily, and he never let his guard down. but now, that wasn't just directed at his opponents in the tournament. it was now aimed at anyone who got too close to you.

it started off small. a hand on your wrist when you lingered too long in a conversation. a sharp look when miguel or hawk cracked a joke that made you laugh. the way he always seemed to position himself between you and someone else. like an unspoken barrier.

at first, the others found it ammusing.

"man, your boyfriend's intense," hawk had said nudging miguel after axel all but dragged you away from a conversation. "you sure he let's you breathe?" miguel had given you a sympathetic glance, but he didn't push. sam, on the other hand, did.

"you know that you can talk to whoever you want, right?" she asked one afternoon when axel had stepped away for a minute, due to his sensei wanting to have a conversation with him.

"i know," you had said, but the words felt hollow. because deep down, you knew it wasn't about permission. it was about him. about the way axel saw the world— how he believed people couldn't be trusted. and more than anything, it was about his fear of losing you.

but it couldn't go on like this.

that night, after most of the competitors had gone back to their rooms, you found him outside, leaning against the railing of the balcony of your shared rooms. the bright active city lights reflected in his eyes, but his expression was unreadable.

"you're mad," he said before you could even open your mouth. "i'm frustrated," you corrected, stepping closer. "axel... you have to stop this. i want to be here with you, but i can't do that if you keep pushing everyone else away." his grip tightened on the railing. "i'm not pushing them away. i'm protecting you."

"from what?" you asked, starting to get irritated. "from people being nice to me? from me finally being able to have the chance to make friends?"

he turned to face you then, his gaze sharp but conflicted. "people lie. they act friendly, they pretend to care— but in the end, they always let you down." his voice was steady, but there was something beneath it. something raw. "not everyone," you said softly, reaching for his hand. "not me."

for a moment, he didn't move. then, slowly, his fingers curled around yours, his grip firm, but not forceful. "i don't want to lose you," he admitted, voice barely above a whisper. "you won't," you promised. "but you have to trust me the way I trust you."

axel exhaled sharply, looking away. you could tell it wasn't easy for him, to let go of control. but after a moment, he nodded. "...alright," he muttered. "but if they give me a reason to not trust them—"

"i know," you interrupted, a small smile tugging at your lips. "you'll be watching." a smirk ghosted across his face, and for the first time in a while. his presence didn't feel suffocating. it felt grounding.

— extra scene funny and cute!! (y/n and axel are sitting with miyagi do in this scenario and they have a good relationship with them in this scene.)

the shift in axel hadn't gone noticed. while he still had his moments—hovering nearby whenever someone got a little too friendly—he wasn’t shutting you off from the rest of the world anymore.

during a lunch with all the teams in the tournament, miguel nudged hawk and nodded toward the two of you. “dude, i think your little intervention worked.” hawk smirked, taking a bite of his food. “told you. y/n just had to remind him that she’s her own person, and won’t go anywhere.” hawk replied quietly.

demetri, who had been wary of axel ever since the tense standoff, finally realized enough to sit at the same table again. “so, we’re actually allowed to talk to you now?” he teased, raising an eyebrow.

axel shot him a look, but there’s no hostility behind it. “don’t push it.” tory leaned back in her chair, smirking. “hey, progress is progress.”

even sam, who has been quietly observing, gave a small nod of approval. “it’s nice to see you with us instead of watching from a distance.”

you squeezed axel’s hand under the table, and for once, he didn’t flinch away from the attention. instead, he met your gaze, a silent understanding passing between you.

✩₊˚.⋆☾⋆⁺₊✧

the end!!! 😄😄 if anyone from the better norris series is reading this, part three is coming soon! just trying to get through the axel requests, which i am open to more requests, before posting the third part. ( i am working on part four rn )

[0tenshi]

🌻Positive Result ~ The Eulogy of Someone Still Alive (TW: discussions of death, physical and mental illness)

HEY!! It's been a bit since I wrote one of these. I kind of wanted to do one for Neuron Explosion Show, but I feel like I don't have much good to say about it. At any rate, NES is a bit of a successor to Positive Result despite having been released first. I wrote Positive Result first and in a far longer amount of time and put a lot more thought into it, that's for sure.

This song has been a long time coming for me. I'm not super open about my own mental state online as a safety measure since I am still young, but my music has always been a way for me to... unleash what I feel without guilt, if that makes sense. I'm quite a reserved person despite wearing my heart on my sleeve, but the lack of pressure with music really draws me to the craft as a whole. After all, most of my listeners do not know me on a personal level (nor should they). Those who do know me, however, are able to get a better insight on me through listening to what I have to say in a way that doesn't put as much direct burden on them as talking face to face would. Perhaps my mindset isn't the healthiest, I am aware that it's cowardly. But it's one of the only ways I am able to process my own emotions, trauma, and regrets while I navigate my young adulthood as of now.

That being said, I'd like to talk as openly as I can about the meaning of Positive Result here. This song features a feeling that I know all too well: pure, unfiltered panic. Powerlessness. An extreme sense of mortality.

I was officially diagnosed with OCD when I was around thirteen, but my symptoms started at a very young age, manifesting mostly in the form of health anxiety. The first instance of this I can recall was how at six years old I would check my lung capacity over and over again, convinced that my breathing was constrained and there was something wrong with me. Checking myself mentally and physically for symptoms of something arbitrary and untrue was routine for so long, for so many years, that I thought it to be normal until I discovered the nature of OCD. The disorder is ravenous. It's time consuming. At times, it is inescapable. It is scary. It is completely irrational. And it's shaped me and my personality in many ways.

"I can't halt the fear

To appreciate

everything I seem

seem to have today

(Now I am contorting wildly, feelings clashing, overwhelming)

And I can't control

what's controlling me and

living while I'm dying every day

(Understanding math so vague, I graph a picture of a morbid day)"

Positive Result features my struggle with the part of my OCD that makes me fear contracting and dying of a physical illness. A lot of the lyrics allude to cancer specifically, ("Even though I cannot sense it, I can tell that my cells are revolting/Turning paradigms to sickness"). The imagery of physical cells "revolting" is something I wanted to portray sickeningly straightforward. I considered using the word "turning" as well, like rotting, or like a multiplying cancer, but "revolting" felt more akin to the betrayal I feel when my mind tries to convince me that my "paradigms" are turning to sickness. In this case, "paradigms" also refers to cell mitosis and the multiplication of cancer cells. "Felt only by these hands of mine" refers to the sense of feeling something or seeing something, a symptom, an imperfection, anything, that isn't actually there.

My episodes of panic with my OCD have lasted me months at a time before. At times, they leave me feeling that my fear will last an eternity.

"With a fear that lasts an eternity, counting one, two, three, to the metronome of destiny

In love with earthly frequencies, the ripping sound of frantic waves

It's growing, flowers exploding, round and round, they're breathing, eating me alive"

Now, the visceral earthly imagery in the chorus is more evocative than meaningful. The thought of a flower exploding, wrapping around you, breathing and eating you alive is an uncanny enough thought. But it's the way mortality feels to me. It's the way I imagine slowly dying. Even though I have never been close to that state physically (knock on wood) getting a very scary phone call from a doctor some years ago got me well acquainted with the proximity that we as animals have to the dirt beneath us. ("Letting go and letting blood can never be rehearsed/Oh, you know I'm gonna claim that I'm only getting worse!") That last line in the yelling section in particular refers to the endless requests for reassurance about my own potential, unreal conditions and my inability to believe the people that told me I would be okay.

I'm also really proud of the next little section where the lines, "This survival rate, forever it is plummeting/these statistics aren't re-re-reassuring me," pop up. This refers specifically to checking compulsions via looking up symptoms on the internet/checking survival rates for various illnesses (I used to do that a lot.) This section also alludes to the loss of control, which, in reality, might be the scariest part of the fear of illness for me.

Also, notice the repeated rhyming of "me" with itself. ("Can't you answer me/those looking down on me"... "These statistics aren't re-re-reassuring me"..."Heal me"). When you're stuck in your head, it's quite impossible to live outside of yourself.

"'Cause the world never pauses for the cowardly

It pushes past the plagued and pageless poet’s elegies

But after all, the only person that's without disease

is only six feet deep"

This section refers to the world seeming to move on without you when you're trapped in panic, along with a slight reassuring thought that 'everyone goes through some sort of illness.' Also this interpolates Glass Pen hey guys ahahahahha, I also reference Cryin' Cryin' with the background line "Don't try to fight what you can't see," interpolate an unreleased song with [ REDACTED ], and reference Neuron Explosion Show with "I don't think I'm gonna make it out/with an ardent voice I scream it." I may or may not be going through an inspiration phase of someone I look up to who motifs a lot ahahahhahahahahah

"BRACING FOR IMPACT, WHAT’S REAL IS PLAIN TO SEE

'THESE THOUGHTS ARE JUST PROTECTING ME'

THE BIBLIOCLAST

TO MY OWN STORY"

The line "'These thoughts are just protecting me'" being in quotes specifically refers to something I learned in therapy about the nature of OCD brains and anxiety. How your brain is constantly trying to protect you despite there being no immediate threats to speak of, sometimes none at all. Also I'm really proud of the line "The biblioclast to my own story"!!! I'm a sucker for a good big word.

And that's really the core of Positive Result as a song. I hope it resonates with y'all however you decide to interpret it! In the scope of MACHINA MORI (which you should check out RIGHT NOW BTW) I see it as staring your mortal self in the face and being afraid of what you see. There's nothing comforting about being mortal. At the same time, there's everything comforting about being mortal. But, yeah. It's scary, it is. However, for me at least, even as I live side by side with this disorder, I'm a certified Lover Of Life and no amount of fear will ever change that for me. Despite how hopeless my music has been sounding lately, I hope you are aware that I, as a person, am not one to let go of hope.

Be prepared for what I have in store for this year. Big things coming!

~Kain Angel, 2/15/25

Thank you: Mage, Io, Tomi, Olay, absolutely every one of my friends, MM TEAM

[mint-ty]

Since the Lithuanian band Katarsis is new to me too, I made a summary of this interview that was filmed after LT semi-final. (youtube video)

They say they're very surprised about getting through the LT semi-final (when this interview was filmed) and it's amazing how many people have listened to their song.

Did they watch the semi-final on the tv? (the shows were prerecorded).

Alan: no, I was a bit scared and spent the day in bed watching random series, only turned on the TV for the final voting :D and when we passed I rewinded the whole show to watch from the beginning.

Why Eurovision?

Lukas: in the beginning it was just like a joke among us like "oh let's go to Eurovision!:D" but then after looking more into it, it seemed like a good experience and opportunity. Hardest was to convince Emilija and Alanas to sign for it.

Alanas: yeah I didn't want to participate for myself, I didn't think our music would be welcomed maybe on such a big scale, but the band is more important so I wanted to fight with my fear and do this for my friends:)

Lukas: there's a lot of skepticism around underground musicians for both Eurovision and TV in general. But after thinking about it longer we decided there's nothing we would lose by trying.

Have you ever played on Žalgiris Arena stage before? (currently the biggest stage in LT)

Alan: yeah once :D another warm-up band needed a back-up guitarist and asked me in. It was nice:D

Is there anything you want or plan to change for the LT Finals performance?

Lukas: maybe the whole entrance? we're not used to tv stages so just when to start a song is communicated well in my opinion. But for the song itself we try not to think too much and keep everything that is as now.

How hard is it to pretend to play the instruments on stage, since only the vocals are live?

Alanas: yeah it was hard, since it doesn't feel like you even need to be there on the stage. I really wanted to pretend like Kurt Cobain overly acting in that one TV show or something like that :D I think it's better to do it with less perfection, but to do it live.

Have you played the song before?

Lukas: no, it never has been finished to the very end. When we will play it now, it for sure will sound different from how it sounded before in our rehearsals. In live gigs we can adapt the songs much more to the audience and the feeling, but this song obviously will have to stay closer to the recorded version from now on, with back vocals phonogram and all.

What is the song about?

Lukas: I don't really know honestly, the song changed so many times and had so many meanings to me, that now it doesn't mean anything in particular. Maybe it's about relationships. It also can mean anything to the listener, however he understands the song.

So is it about a relationship with a particular person?

Lukas: no, it had many forms and now it's just a ball of a feeling in general, so it's really hard to say what it's about.

What about the part "tavo" in the end of the song? people even count how many times it was said and say it's too many times.

Lukas: the original song was even longer, over 4 minutes, so we actually concenced it. I used the sound of "tavo" as an additional which I think sounded cool :D

How did Katarsis start?

Lukas: first I was alone, just playing music as a teenager in my bedroom. My first recorded song from a phone is even still on soundcloud. Then I got invited to several gigs and saw that playing by myself was very difficult, and started looking for a band, and here we are eventually.

Where is the name "Katarsis" from?

Lukas: I really like movies and theater, and at the time I was in a sort of movie camp, and heard this word and really liked it. Now it also has a meaning of "letting out your feelings", which I think fits our music style well.

You say you are an alternative music underground band, but I wouldn't call you underground because you have another song Vasarą Galvoj Minoras that has 3mln on spotify and even got an award. How many gigs do you do? I heard people sweep your tickets?

Lukas: recently they don't sweep our tickets anymore, maybe that's why we went to Eurovision :D we had a period when everyone wanted to hear just that one song, now our gigs are smaller but people actually know our songs and want something new, so that is very lovely

Are you afraid Tavo Akys might be your most popular song now, that you'll have to play as the finishing one for many gigs to come?

Lukas: not really, no. Even Vasarą Galvoj Minoras we weren't playing in the end. Usually in the middle somewhere, and recently I don't think we played it at all.

Alanas: I don't really like that song so I'm happy we're not playing that :D I had told that to Lukas too :D I joined the band after it was already released.

How did the band come together? since each of you have also your individual music projects and other bands that you also play in, like Emilija has a duet band with her partner, you Alan are playing for another band and also have your individual EP, and etc.

Alanas: I was asked to join by our drummer Jokūbas, since we were coursemates in uni.

Lukas: and Jokūbas came to the band to replace the previous drummer before I even knew the old drummer wanted to leave :D he said to me one time we met in a fest "I heard you're looking for a drummer?" and I was "no?.." :D but I did call him later to join after all.

Questions from the listeners: Any bands that influence your music?

Lukas: honestly I try to listen less at the moment because I don't want to pick any influence. So I can't say if there was any influence before. Recentry I liked some wild noise electronic songs, and maybe Orillia(?) Shadow song from the 90s I think.

Any rituals before going on stage?

Both: nope

Alan: tune my guitar :D

Have you noticed more alternative music going to Eurovision stage? Would you like to see more bands like yours on Lithuanian stage?

Both: honestly we weren't following previous eurovisions that closely, maybe only the finals..

Lukas: yes of course. It always feels like eurovision songs are just a repeat of the same. I'd especially love to see more unique music, I think Lithuania has a lot to offer not only for our stage but for all Europe. Something like Molchat Doma has done by Belarussians, I think we can really find good music to uplift among ourselves too.

Do you expect to do gigs outside in other European countries?

Both: we weren't even expecting to pass the semi-final :D

Alanas: but yeah I'd love to try playing abroad. I had talked with fellow musicians and it sounds like an amazing experience.

What about lithuanian language in the songs?

Lukas: I love that it has been becoming more popular. I always enjoy hearing native language in foreign songs too, so I hope there will be more of that.

Who worked on the LED visuals on the screen?

Lukas: it was Ignas Blažys, a graphic designer, but he feels like a part of our band now since he helped so much with the visuals. We might change something a bit for later on the screen, I don't know yet, we'll see.

How about a choerography on the stage? are you planning anything?

Lukas: yeah we planned - walking around a bit :D we might need to think about that too, but for sure we don't want any hard choreography because it won't feel organic then and we want the song to feel natural.

The cameras should be catching me, not me catching the cameras.

Interviewer: not how eurovision works, but good luck :D

Are you scared a bit about going to Basel? Have you kept several free weeks in May just in case?

Alanas: I didn't.. :D maybe I should cancel my works just in case..

Lukas: to be honest we're not expecting to go to Basel, so we're not scared and we're trying to enjoy the experience. Maybe if we win, then we will be scared I think :D

Do you have some jobs outside of music that might be impacted by a trip to Basel?

Alanas: I teach guitar, so I might need to cancel few weeks of lessons :D

Lukas: I work as a video editor, mostly because I need a salary. Also I wanted to say thank you very much for everyone who believe in us and write lovely comments, they really go to my heart ♡

Do you write song lyrics by hand?

Lukas: no I write to notes on computer or on my phone. I'm that generation already.. :D I don't think I have a ballpen at home... :D

Just for curiosity, are you right or left-handed?

Lukas: I think we're all right-handed in the band.

If you meet Tommy Cash, what would you talk about? :D

Alanas: oh wow, I don't even know, I'm a bit intimidated I think.. :D he's an amazing artist and performer and I have huge respect for him, I don't know.. It's like when I was a child and saw Marilyn Manson, what would I even say? :D

Interviewer: I had a chance to be in the same party with Marilyn Manson two times - he is as creepy as he looks :D But with Tommy Cash I'm sure you'd find a common topic if you both meet, especially that his music is also considered alternative to some level.

How old are you?

Alanas: 23, Lukas: 22

Are you planning an English version of Tavo Akys?

Both: for sure no.

Have you got a katarsis feeling when you passed the semi-finals?

Lukas: maybe not katarsis, euphoria maybe? when we passed I was super happy for a bit and then I got worried what next, another 2 weeks of work. But then, before now I had half of year of free time and I wasn't feeling too well myself to be honest, so now with a full schedule of things to do I'm feeling much happier and fuller as a person.

Have you checked reactions from foreigners to your song? do you read comments?

Alanas: yeah I love reading comments :D some of them are very creative, I also screenshot and post some to our group chat :D

Lukas: youtube reactions are also funny, they really don't say anything, but yeah we've seen some.

Any potential collabs or wishes?

Lukas: we're actually planning a collab song with another band Velvet vocalist.

Any more plans? for albums or such for this year?

Lukas: we have some gigs planned for this summer, but with new releases we'll see, maybe.

Did you have a strategy for going to eurovision?

Lukas: I think the main strategy was just to try and see, get some experience, try for ourselves so we don't feel stuck.

Interviewer: Thank you everyone and good luck.

[scribefindegil]

As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.

[unproduciblesmackdown]

maybe bsol is that time jen tepper mentions when she was so upset about a review of a show of joe's that she broke a glass (&/or threw it out a window)

[featherymainffins]

Me right now: "The Smitten is just like me for real."

Like???? I hope not??????

[melminli]

Love To Dream

summary - there was this one girl that thanos really wanted, though, she didn't really want to have anything to do with him. unfortunately, that made him want her even more.

pairing: (thanos) choi su-bong x fem. reader

word count: 1.5k

contains: modern au, mention of drugs, enemies to lovers vibes ig, crack, yearning

a/n: i don't even know what this is tbh but I felt like we all deserved some laughs ;)

Life was good - life was really fucking good, Thanos thought to himself as he winked charmingly at a group of hot girls. They had been looking in his direction for a while now while giggling, clearly interested in him. He continued to watch them as he sipped his drink, the club music pumping through his veins like adrenaline. Thanos's eyes darkened as the girls continued to cast lustful glances in his direction - he knew he could easily get more than one of them into bed tonight and why wouldn't he? It hadn't been long since his last performance on stage, reminding everyone present once again of his legendary status in this club.

However, his attention was focused somewhere entirely else after the most breathtaking person ever decided to walk past him. The pick-up lines he had been thinking of for the group, vanished from his mind after this angel showed up in front of him since the other girls could barely compare. The whole thing looked like something out of a scene from a Kdrama because time seemed to pass in slow motion and your hair was swinging in the air like that of a princess - which would have been the perfect time for some product placement because it just looked so damn soft.

Thanos had his mouth wide open in shock and put a hand over his heart to check if it was still beating while his eyes never left your figure. You - who was leaning prettily against the bar right next to him as you ordered something from the bartender.

“Hey.” he finally recovered from the moment and casually moved towards you. “I'd introduce myself, but I assume you already know me.” he talked to you with his flirty face as soon as you looked up at him.

You smiled shyly. “Yeah, I watched your performance,” you answered him and seemed quite grateful that he was speaking to you right now. “You were pretty good.” you giggled slightly as you complimented him.

“Yeah, that's just how I am.” he sighed as he looked around the room as if it was a burden for him to have to live with all the recognition. His eyes met yours again and he tried to impress you by unpacking a few bars while emphasizing them with the movements of his hands. “Girl, I know you and I are meant to be because after I looked at your pretty face everything stopped being. If only you saw what I can see, you'll understand why I want you so desperately.” he rapped to you, stealing the last line from some One Direction song, but you didn't need to know that.

You shyly put your hands in front of your face to hide your smile. “Oh my god, that was so incredibly sexy, I'm so horny for you right now.” the words came out of your mouth and made Thanos screw up his face weirdly for a second.

Because first of all, those vulgar words didn't match your innocent demeanor in the slightest - and secondly, you said exactly what Thanos had imagined you would say - it was actually a bit creepy since you literally said it word for word. Thanos hardly thought that he could foresee the future all of a sudden or that you could maybe read minds, though he decided to ignore the whole thing as soon as you started touching his chest softly with your hands. He wanted you so bad.

“You don't even know what you're doing to me right now,” he whispered to you while you felt him so sensually and he was about to kiss you, hadn't you stopped his lips with your hand as you laughed into his face. “I think you should wake up now. Otherwise, the pink elephant will keep handing out balloons to people.” You told him, pointing behind him to where the bar was supposed to be.

“Hah?” he asked you confused and turned around while continuing to hold you in his arms, but all he saw were a few dogs breakdancing - and that was nothing out of the ordinary. He continued to look at the scene with a grin, even though some inner voice inside him was stressing out about kissing you immediately as if he was running out of time. He finally turned back to you and was about to continue when he suddenly heard a man speak. “You really should wake up man.” Nam-gyu's voice told him and Thanos only caught himself almost kissing him after he took a closer look. He just pushed him away from him in disgust and then -

Thanos woke up from his sleep, bathed in sweat, when he saw your face in his field of vision. “Finally, you're sleeping like a dead man. There's some guy at the door who wants to talk to you,” you told him as he sat up tiredly while slowly recovering from his strange dream.

That's right. You weren't just some hot girl he met at the club, you were his fucking roommate. Thanos discreetly pushed more blanket over his lap as he tried to shoo you away from his room with a wave of his hand. “Yeah, yeah - I'll be right there, just - give me a moment,” he said without looking you in the face.

You just sighed slightly and complied with his request, though not without letting him know how unhappy you were. “I told you to stop giving our address to these dealers. I don't like it when they show up here,” you grumbled under your breath before dashing out and closing the door behind you.

After that, Thanos let out a very heavy sigh and stroked his face aggressively. “Now she's showing up in my dreams, too? Fucking great.” he grumbled to himself and got up from the bed to put on some decent clothes. His eyes met his own reflection as he pulled a shirt over his head. “Get a grip man, what's wrong with you?” he asked himself as he grimaced in annoyance. “You're Thanos the destroyer, not some kind of -”

“Stop taking so long and come here already!” your voice suddenly shouted, coming through his door slightly muffled.

He looked even more annoyed at that and made his way to the living room while shouting back at you. “I'm fucking on it, alright!” and it only took a few loud steps from him to your front door for him to yank it open to fix the damn problem. He looked at his friend, completely bothered by his presence. “What do you want?” he asked him and was kinda glad that it at least wasn't Nam-gyu because he just really didn't want to see his face at the moment and probably for a little while.

“Hello, to you, too.” the man in front of him greeted him, already used to his weird mood swings. “I just wanted to do you a favor by bringing you some of the pills you wanted because last time you almost beat me up when I didn't have them with me,” he explained, holding the bag, which Thanos grabbed instantly before inspecting it more closely. “Don't act like you didn't deserve it, I paid you the money in advance, man. Of course, I was angry,” he complained again and would probably have beaten him up for real right now if he had ruined his morning over something completely unnecessary. However, he would still have to make sure that something like this didn't happen again so that you didn't have another reason to kick him out of the apartment.

“You know, maybe this was meant to be. Otherwise, I wouldn't have been greeted by an absolute hottie today,” he said happily as he stood there, still interested. “Is she your cousin or something? Do you want to introduce me to her?” he asked and was quite confident in the way he acted, but Thanos just looked at him emotionlessly for a few seconds until he slammed the door in his face.

"Okay, he's gone now!" he exclaimed, bored, and made his way into the kitchen, where you were sitting with a cup of coffee or something while scrolling on your phone. "Don't open the door for that guy if he shows up again," he said, grabbing a cold Sprite from the fridge. You just looked at him with a displeased look. He rolled his eyes. "Yeah, I'll make sure that he and no one else shows up after today. But, I'm just saying that in case it still somehow happens."

Thanos then opened the can and drank from it while he continued to watch your face from the side. Eventually, he sat down next to you, although, to his dissatisfaction, that didn't seem to get your attention. "Hey, you want to go on a date?" He asked, and you weren't sure how many times he asked you that by now. You kept scrolling on Instagram. "You know my answer to that."

Thanos continued to grin hopefully. "Yes?" he asked and then watched you disappear out of the kitchen with your cup of coffee in your hand - probably to your room. "You should be glad that I'm even asking you! Other girls would die for..." he muffled towards the end before he stopped talking entirely once he realized that you weren't giving him a reaction.

Maybe, I should just go back to sleep, he thought to himself dejectedly, unable to believe that he had actually better chances with you in dreams with pink elephants and breakdancing dogs.

[esote-rika]

to talk is to bare | Spencer Reid

Pairing: Spencer Reid x fem!Reader Category: hurt/comfort, fluff Summary: three times you've never felt enough for Spencer Reid—and the three times he rectified it immediately Content: insecure reader, written with early s2 Spencer in mind (glasses!Spencer rawr), reader wears makeup, implied bad relationships in the past, Spencer is just a sweetheart Word count: 2.4k A/N: entry for #lovers1kevent (congrats @mggslover muah) - the lyric prompt for this is “And I knew how you took your coffee and your favorite songs by heart, I read all of your (self help) books so you'd think that I was smart” from enough for you by Olivia Rodrigo. This was supposed to just be pure angst but apparently, I can't write this man as anything other than the perfect boyfriend.

“Well, actually, Dostoevsky intended the book to be a critique on certain schools of thoughts and ideologies, namely...”

You stare at your boyfriend, nodding along as he explains the intricacies and historical context of Notes from the Underground to you. His smile is kind and excited when he stops, looking at you expectantly.

“Right.” the smile on your face isn't forced, per se, but neither does it reach your eyes. How many times has it happened this month? It isn’t that you’re keeping count of all the times he’s corrected you—truthfully, you can’t, because you’ve lost count. And that’s the crux of the issue, isn’t it? The fact that you can’t even keep track of his corrections anymore, because he does it all the time. 

You remind yourself he's not doing this to deliberately make you feel stupid, your memory immediately calling forth all the times you've seen him correct other people — his teammates, the cashier at your favorite bookstore, a random person in the park. It's never pointed, nor is the act laced with anything but genuine, loving desire to share his knowledge. He's not like the men you've had to deal with in the past, the ones who jump at every opportunity to show off that they know more than you, that they're correct and you're wrong.

But this is Spencer. Sweet, wholly inexperienced, awkward. Half the time, he doesn't know how he comes across, and you've been dating him long enough to understand that. 

No, his corrections aren’t the crux of the issue. In fact, it isn’t even him. It’s you, and all the treacherous thoughts running through your mind. This damn book you’d read because you saw a dog eared copy in his satchel one day, pushing through pages upon pages of dense material just to catch up and relate with him, only to still come up short and have yourself be corrected.

The sting is still there, lingering and acrid in the back of your tongue. You cannot pinpoint it yet, this But it's Spencer Reid, so you grit your teeth and remind yourself not to take it personally. The words slip out easily. You could almost believe they aren’t lies. “Thank you for letting me know.”

The beam on his face is a reminder that not everyone is as patient, that he's come to expect looks that range from baffled to downright annoyed. Nobody else allows him free reign to talk like this, long winded rambles that get nipped at the bud with a sharp Reid. He smiles, beams at you, and this time the smile on your lips finally reaches your eyes.

“So what did I get wrong?”

“You weren’t wrong,” he’s pulling you in as he answers, lips finding the underside of your jaw and the bitterness dissipates, sweetens into something that makes your toes curl, “Just a little inaccurate.”

Your body melts into him easily. “You don't have to sugarcoat with me.”

“I'm not, it's literature. You can interpret it however you want, I just thought knowing the rest of the context would help you with your opinion.” he's kissing down your neck, breaths ghosting over your skin as he continues to talk, and you sink into his arms, forgetting why you were even feeling annoyed in the first place.

You’re not sure if you like the color you’ve put to make your cheeks flush. It's always been a point of contention in the past, your exes saying you don't put enough effort in, so this time with Spencer, you try. Even though you're not the best at it, even though you feel a little foolish because it seems a little too bright despite all of your hurried attempts to blend it a little more. But it’s too late to change now. You don’t want to go through the whole deal of reapplying your makeup because that would mean running late, so you ignore it and head to the cafe quickly. 

Spencer isn't there yet. You order your drinks, his black and into which you dump an exorbitant amount of sugar. Memorization is his thing, but you've come to learn a thing or two about him in the time you two are dating.

He's a few minutes late, and when he arrives, Spencer’s eyes lock on you. Or, more specifically, your cheeks.

“That bad?” you tease, standing from your seat and leaning over for a kiss. 

“You don’t have the coloring for that shade of red.”

Your brow knits as you pull away. Attempting to hide the flood of insecurity that swept through your chest, you let out a chuckle. Soft, shaky, and accompanied with a confused, “What?”

“It makes your cheeks look a little inflamed.”

“Oh.” 

Regret fills your chest, settling in your lungs until it’s difficult to breathe. You should have trusted your instincts and scrubbed the makeup off. Shouldn’t have tried something new on the one day the two of you can go out. He’s probably embarrassed by you. How silly, being a full grown woman wearing makeup bordering on clownish. 

He must have caught the hurt in your voice, the way your body deflates because he’s quick to remedy. “Hey, what’s that look for?”

It should embarrass you, the speed at which he picks up on your emotions. But he’s a profiler after all, he’s specifically trained for this, but sometimes you wish he doesn’t use it against you. Gentle hands cup your face. Cold hands, perpetually so until you’ve started keeping them between yours. They tilt your head up. 

“Talk to me.” 

“It’s stupid.”

“Nothing you say is ever stupid.”

You smile, “No, I think we both know that’s a lie.”

He relents. He knows you’re right; there are moments where you don’t make sense. “Not stupid, just…” his eyes roam your face while he searches for the word to use as compromise, as though he’ll find it tucked somewhere in your pretty features, “Lapses in discernment.”

You roll your eyes at his fancy vernacular, the attempt to soothe his mistake. “I think I prefer the layman’s term.” 

Spencer laughs sheepishly, then presses his lips to your forehead, “I’m never using that to describe you.” he murmurs against your skin, and then, “I'm sorry.”

Antarctica could melt from the warmth in your chest.  “You don't even know what you're apologizing for.”

“I upset you. That's reason enough.”

You sigh, pulling him to join you on the plush booth seat you'd managed to secure for your date. “Well, there's nothing to forgive.”

He accepts the coffee you hand him, corners of his mouth curved in a gentle smile. He sips, and you stew in silence, knowing that you shouldn't be leaving him guessing like this. He'd want to know, you can tell by the way he's studying you, the way he wants to examine and turn over your thoughts and reactions like he does with everything else in his life. But he waits, lets you open up if you so wish.

God, he's perfect.

“I was just having second thoughts about my makeup,” you murmur finally, “And you kind of confirmed it. I told you it's stupid.”

“Not stupid at all. I'm sorry,” you wonder if he takes his coffee sweet to match his personality, this asshole, “It was an insensitive comment. And for what it's worth, you look beautiful regardless.”

“Inflamed cheeks and all?” 

He laughs, pulling you to his side, lips firmly planted on your cheek “Inflamed cheeks and all.”

Maybe you shouldn’t have worn the blush after all; you're sure he's making you flush scarlet just by being such a sweetheart.

“Oh Spencer knows her.” the teasing tone in Derek Morgan’s voice normally makes you smile, but something about his tone makes you pause. You stare at the TV, where a new show is running, eyes zeroed in on the blonde actress.

“Spencer knows her?”

“Knew,” your boyfriend supplies, “Very briefly.”

Derek Morgan gives him a knowing smirk that has your stomach churning all the way to the end of the night, when you’re getting ready for bed.

You're in his apartment, in an old pair of his plaid pajamas and a t-shirt that fits you surprisingly well. It always makes you smile, his slight frame, the way you could easily steal his clothes and they wouldn't dwarf you too much. But tonight, Derek's words ring over and over again, bringing forth the image of her—Lila Archer, dazzling, perfectly curvy, an actress on a popular TV series… and apparently, a friend of his. You aren't really sure where this jealousy is coming from. He’s a trustworthy man, and you know he loves you. Still, the image of the beautiful actress persists, even as you climb into bed with him.

He's reading as he usually is, the low lamplight casting shadows over the sharp planes of his face. Without even looking, he shifts the book to his other hand, freeing up an arm to draw you to his body. It's easy, quiet, his heartbeat fluttering beneath your ear as you rest your head on his chest. The exact opposite of your own heartbeat right now.

“What's on your mind?” 

“Nothing.” It should be a sin, the way you keep denying your feelings. But it's just so silly, and you're a grown woman. Jealousy and insecurity shouldn't be consuming you like this, and yet…

“Please don't lie to me,” his fingers are in your hair, tangling deep into the strands and seeking for your scalp. They’re soothing and rhythmic upon contact, lulling your body into a sense of relaxation even though your heart still hammers at your chest.

“Why do you say that?”

“You usually remind me to use the overhead lights when I read.” fingers putting pressure on your scalp, traveling to your temple. He has you in the palm of his hands, “You didn't do that tonight. And your heartbeat's going at an abnormally high rate, even though I'm quite certain you didn't do anything strenuous before coming to bed. What's going on?” 

Damn him and his attention to detail, and the way he’'s learned your little quirks and oddities. He puts down his book and you turn your face to hide into his chest.

You chew on your bottom lip, reminding youself that this is Spencer, he wouldn't judge. “How’d you know her?” your voice is muffled against his shirt, “Lila.”

“We had a case in Los Angeles.” he pauses, as if considering if he should say more. Right. Confidentiality. You nod, accepting his answer.

“Must have been a high profile one then,” you muse, “Or were you just hanging around Hollywood studios with Derek?” It’s an unfair statement, but you can’t help it.

“No, no, it wasn’t like that.” You look back up at him and oh there’s guilt swimming in pools of honey eyes. “I mean, we kissed once, but I swear, nothing beyond that.”

You exhale. A kiss. He's kissed a TV starlet. 

This shouldn’t even be an issue. This is before you were even in the picture after all. It’s not fair to uphold him to some weird standard. You certainly had relationships before him. But none of them had been as stunning as Lila Archer. And if he could have Lila Archer, then what is he doing with you? 

“Hey,” his other hand comes to stroke your cheek, the soft pad of his thumb rubbing small, soothing circles, “Talk to me.”

It's a difficult thing, being mature and communicating when you just want to stew, but god he's so good, you can't punish him for this, for anything. “I thought you said I was your first girlfriend?” you say instead, teasing him.

“You are, but you know, I’ve kissed before, and been on dates—”

“With Lila?”

“No, with JJ.”

Oh.

“JJ?”

JJ? His lovely, warm spring day beauty coworker JJ? He went on a date with her? And kissed Lila Archer. It’s almost ridiculous, thinking about the type of women he's had dalliances with—lithe, blonde, perfect, before he settled with you. 

“Yeah, I took her to a Redskins game,” he says, his hold on your face still light. There's room to move if you want to, space to pull away should you need it and god he's just so perfect.

“You have a type, huh?” it comes out unbidden, sharp but dulled by a bitter laugh.

“What do you mean?”

“With women,” you reply, trying to temper the snappy tone of your voice. It's not fair to lash out at him like this, you know that, yet you can't help it. It's habit at this point, a form of defense that your exes have all been too happy to participate, “I'm the outlier.”

And apparently, he's an outlier too because his voice grows even softer, eyes searching your face with an anxiety that fills you with guilt. “Is that a problem?”

“No,” you sigh, arm draping over his waist and hugging him tight. 

He returns the favor, tangling your legs together until you're a mess of limbs under his sheets. “Then what's wrong?”

“Sometimes I just feel like—like I'm not good enough to be dating you.” there it is, whispered into his chest, striking straight to his heart. “And now, knowing that you could have had all of these — these women who could pass for models—”

“Angel,” the way he says the nickname makes you hide even further into his chest. He closes his arms around you, holding you so tightly it's difficult to breathe, but that's okay. Let him fuse your bodies together, let his breaths be yours too, “That's not true, you know that's not true.”

“Isn't it? You're so — you. Intelligent, well decorated in academia, an an elite FBI unit…”

He laughs, “I’m also an endlessly annoying know it all, I failed my gun license exam more than once, I don't have abs—”

“You don't need abs,” you counter, fingers clutching on his shirt.

“Wouldn't you rather be with a guy with a six pack?”

“I'd rather be with you.”

He gently moves away from you, hands finding your face to make you look at him. “And I'd rather be with you.”

You pout, “You can't use my words against me, ‘s not fair.” 

He laughs again, leaning to capture your lips in the gentlest of kisses, “I want you, I chose you, and I adore you,” he's murmuring between each kiss, hands cradling your face, “And if you have these thoughts again, tell me, so I can keep reminding you just how much I love you.” 

➺ My masterlist | Event masterlist

➺ thank you so much for reading <3

[judyvan]

No Hands - Chris Sturniolo Fanfic

｡･:*:･ﾟ☆｡･:*:･ﾟ★｡･:*:･ﾟ☆｡｡･:*:･ﾟ☆｡･:*:･ﾟ★｡･:*:･ﾟ☆

Summary: After picking on Chris for being an extremely touchy person, the two of you make a bet. Will Chris be able to control himself long enough to win?

Warnings: MDNI/ smut/ chrisxfem!reader/ bf!chris/ unprotected p n v (use a fucking rubber)/ oral (fem receiving)/ touchy! chris x needy! reader/ competitive! chris/ use of "you"/couldn't tell ya how many words

A/N: Time for a Chris fanfic! I am still new to writing, so bear with me. The song loosely relates to the fic. Interactions are appreciated! Pls don't steal my shit. Thx!💋

｡･:*:･ﾟ☆｡･:*:･ﾟ★｡･:*:･ﾟ☆｡｡･:*:･ﾟ☆｡･:*:･ﾟ★｡･:*:･ﾟ☆

"Keep your filthy fucking paws off of me," Nick says pushing his brother, Chris, away from him. Chris had wrapped his arm around Nick's shoulders as the two of them spoke.

Your boyfriend Chris is probably the most physically affectionate person that you know. He is always eager to touch those he cares about the most. Whenever it comes to you, Chris loses all self-control. He needs to be touching you in some way at all times; like he'll go insane without the feeling of your body against his in some way, shape, or form.

"You have got to be the touchiest motherfucker that I know, seriously," Nick continues, dusting the remanence of Chris' hands off of his shoulders.

"Shut up," Chris chuckles, pushing Nick backwards.

Nick looks up shocked. His eyes move back and forth from yours and Matt's, Nick and Chris' other brother. You and Matt begin to laugh uncontrollably.

"Please tell me you two fucking see this. I mean this is absurd! Even when I ask him not to touch me, he touches me. It's crazy!" Nick states completely dumbfounded.

Chris is laughing along with you and Matt. He begins to walk towards Matt, reaching out to grab his arm as he loses control of his body.

"Don't bring that shit over here," Matt says out of breath, wiping the tears from his eyes, failing to reel himself in.

Chris looks at you through squinted eyes. You simply open your arms as he walks towards you. He knew that you wouldn't turn down his touch. Chris stands in front of you, wrapping his arms around your waist and resting his head in the crook of your neck, laughing profusely into your skin.

"Can we please talk about this?!" Nick begins, still completely shocked. "I have never seen anything like this. Like he actually needs to be studied. He has always been "touchy feely", but ever since he got a girlfriend, it has multiplied by a gabillion." The room is still filled with the laughter of Chris and Matt, yours no longer producing noise.

"I mean seriously, I feel so bad for you. I can guarantee that you never get a fucking second to just breathe!" Nick exclaims.

You somehow manage to catch your breath and gain composure.

"It doesn't bother me. I've gotten used to it," you reply, rubbing your hand up and down Chris' back, attempting to calm him down.

Nick releases a scoff, letting you know that he doesn't believe you.

"Anyways, back to what I was saying," Nick begins shaking his head. He's looking at you, the only one stable enough to understand him. "Me and Matt are going to the store; do you want us to get you guys anything; besides some fucking giggle juice?"

"No, I think that's all we need," you reply, letting out a small laugh. Your whole body is now shaking at the intensity of Chris' reaction to Nick's last statement.

"Alright, we will be back in a few hours," Nick says, practically dragging Matt out of the door, him and Chris continuing to crack up.

The door shuts and Chris is eventually able to control himself. He pulls his head out of your neck and looks in your eyes, a huge grin spread across his face.

"Let's go to my room and find something to do until they get back," Chris says, his fingers running up and down your sides. You meet his lips with a short peck.

"I've got something in mind," you say smirking at him.

The two of you walk to Chris' room, holding hands of course. You have been trying to convince Chris to watch all of your favorite movies and now is the perfect time to start. Chris turns on the movie, "Five Feet Apart," and the two of you lay in his bed. As the film goes on, you can't help but think about what Nick was saying earlier. You are now very observant of how often Chris asks for a kiss or squeezes you tighter. When he gets up out of bed to grab a drink, you begin to laugh out loud at your own thoughts. Chris comes back into the room as you're laughing uncontrollably, trying to think of any moment he has spent any amount of time without physical contact.

"What the fuck is so funny?" Chris asks, taking a sip of his Pepsi as he stands in his doorway.

You swing your legs over the side of the bed to face your boyfriend.

"I was just thinking about what Nick was saying. I genuinely cannot think of a time that you went 5 minutes without touching me," you say.

Chris smirks and shakes his head. He begins to walk closer to you.

"Do you really think that I touch you a lot?" he asks, taking another drink.

"What do you mean think? You can't keep your hands off of me," you let out a small laugh.

"Yes, I can," Chris states in a cocky manner. "You touch me just as much as I touch you." He sits his drink down and gives you a smug look, stepping closer to you.

"Fine then. Let's make a deal. Until Nick and Matt get back, we have to keep our hands to ourselves. You can't touch me, and I won't touch you," you flick your brow up as you propose the idea to Chris.

"And why would I do that?" he says, laughing at your playfulness.

“To prove a point.”

Chris looks around the room for a second, thinking about what you said.

“How about we make this a little bit harder, since Nick and Matt aren't here,” he says, an arrogant look on his face. Chris bends down to whisper in your ear. “How about I do some things that make it harder for both of us to keep our hands off of each other.”

He then places an open-mouthed kiss to the spot right behind your ear. He tugs lightly on the bottom of your earlobe before pulling away. The combination of his warm breath, wet kiss, and teeth pulling on your skin, sends a feeling of arousal throughout your body. Chris looks at you with a shit-eating grin on his face, clearly able to see what he's doing to you.

"And why would I that?" you say, mocking him. Chris' eyes trail up and down your body, not missing a single curve.

"If I win, I get to touch you anywhere I want, wherever I want, anytime I want for a week, and you don't get to say shit to me about it." Chris runs his tongue across his bottom lip as he finishes his sentence. Just the thought of having any part of you at his fingertips whenever he pleased made him grow hard.

"And if I win," you start, noticing the tent forming at the crotch of his pants, " I get to wear as little as I want, whenever I want, and you can look all you want, but you can't touch, for a week." You smile up at Chris, seeing him picture you in the smallest article of clothing in his head.

"I think you've got yourself a deal," Chris says, moving even closer to you.

You lift off of the bed slightly, sliding your hands underneath of your ass, pressing them into the bed. Chris places his hands on the bed, one on either side of your hips. Your lips connect almost immediately, the two of you aching to touch now that you can't. The kiss is deep and passionate, the both of you long for more. You remove your hands from underneath you, pulling off the shirt and pants you're wearing. Chris' lips leave yours and meet your collarbone without hesitation. His hungry kisses across your skin deepen your desire for him to touch you. Chris has seen you in a bra and underwear plenty of times. Removing your clothes doesn't seem to faze him much.

"This is too easy," you say, a smile spreading across your face. Your hands reach behind your back and unbuckle your bra. You drop it on the floor, scoot away from Chris, and lay down on the bed.

Chris stands up completely. His eyes roam over your entire body, lingering on your breasts. Lacking a good poker face, Chris' expression confirmed that you just made things 10 times harder for him, in multiple different ways. He tugs at his bottom lip as he soaks in the amount of skin you have exposed.

"That's not fair," he laughs, his eyes touching every part of your figure that his hands should be feeling.

Chris removes all of his clothes, only leaving his boxers. Your eyes trail over his body. Your eyes widen when you see the bulge in his underwear. A small chuckle escapes Chris' lips at your face. His eyes never leave yours as he removes his underwear seductively, his entire body now on display.

"Now we're even," he says. Chris moves across the room and climbs on top of you, careful to keep both of his hands on the bed.

The air chills your uncovered body. Chris' lips only momentarily heating the areas that they touch. It isn't enough. You need his hands on you. Messy kisses are placed all around your frame as he travels down you. After reaching the waist band of your underwear, Chris moves directly to your inner thighs, devouring them. Your hips begin to buck upwards, wanting his mouth on the place covered by soaked fabric.

"Take them off," Chris says placing a single gentle peck to the front of your underwear.

You shake your head while biting your lip. You earnestly wanted his hands on you and refused to help him out any longer.

"You do it," you said, your heart racing.

"I'm not losing this bet," he responds placing a gentle kiss to either side of your pelvic bone. Suddenly, his tongue slides under the left side wing of your underwear. He pinches the material between his teeth and slides one side of your underwear down to your thigh. He slowly moves to the right side of your body and performs the same motion. His intention is to draw this process out as long as he can, hoping you'll cave. Tongue, bite, pull, switch. Tongue, bite, pull, switch. As soon as one side reaches your ankle, you begin to shake them off yourself, flinging them into the floor.

"Someone's impatient," Chris smiles. He knows you won't last much longer.

His head dives between your legs, his tongue licking up the need that is dripping from you. You let out a whimper, gripping onto the bed sheets, miserably trying to keep your hands busy. Chris' tongue splits you in half as his nose applies pressure to your clit. He begins to speed up his motion, his tongue now forming small circles around your most sensitive area. Your legs begin to squeeze inward, Chris' head between them acting as a magnet. You can't help but squirm, the intense feeling of pleasure taking over your body. All of your movement is making it difficult for Chris. He is unable hold your legs down, forcing them to stay put.

"If you don't stop moving, I'm going to have to stop," he says, momentarily pulling his lips off of you.

Your moans get louder as Chris proceeds to eat you out. Your legs begin to shake as you attempt to keep from moving, not wanting him to quit. His tongue slips inside of your opening. Your back arches off of the bed. He begins to eat you as sloppily as he can, wanting more than just his tongue to be inside of you. Your toes start to curl. He begins to shake his head back and forth, his tongue flicking in all directions, only stopping to suck on your ball of nerves. You cling onto the sheets for dear life. You're starting to get close. Don't do it. Your hands lose their hold on the bedsheets and find themselves in Chris' hair as you practically levitate off of the bed.

"Oh fuck!" you scream, on the edge of release.

Chris pulls away from you. You did touch him after all. Suddenly his eyes meet yours from in between your legs. His thumb brushes over his lips, gathering all of your remnants before sucking them off of his skin.

"I win," he says with a cocky smirk.

In a swift motion, Chris grabs your leg and throws it over his shoulder, plunging himself inside of you, burying his dick as deep in your walls as possible. As he thrusts in and out of you frantically, his hands touch every part of your body, making up for lost time. The two of you moan loudly at the feeling of him touching you inside and out. It doesn't take long before your stomach clenches and you reach your orgasm, Chris' warm cum coating your insides at the same time. As the two of you ride out your high, your hands continue to feel every part of each other. Chris slumps on top of you, wrapping his arms around you, and burying his face in your chest. Your arms embrace him, pulling him closer. After a few moments of relishing the feeling of you both on top of one another, Chris leaves your body to grab a towel and pull on his clothes. As he cleans you up, he makes sure to touch you in every way he can. He throws the towel on the floor and grabs your clothes, insisting on dressing you as well. He starts with your underwear and pants, wanting to see you topless as long as possible. Before putting your bra back on, he takes your breasts in both of his hands and squeezes, kissing you tenderly.

"You better get used to that," he says, pulling away from your mouth and sliding your bra on. "I've got a whole 7 days to do that whenever I want."

For the next week, Chris took as much advantage of his prize as possible. When meeting up with his family he would hug you as long and hard as he could. When around his brothers at home, he would palm your ass with both hands, squeezing roughly and kissing you with passion. Even when hanging out in public settings with your friend group, you would find at least one of his hands wandering from your thigh and meeting the sweet spot in between your legs.

｡･:*:･ﾟ☆｡･:*:･ﾟ★｡･:*:･ﾟ☆｡｡･:*:･ﾟ☆｡･:*:･ﾟ★｡･:*:･ﾟ☆

To see how Chris takes advantage of him reward in more detail, click here to read: 7 Days (“No Hands” Extension)

[g0dlyunsub]

don't pretend.

spencer can see through all of your lies, including the bruises you’re hiding behind makeup.

pairing :: spencer x fem bau!reader

warnings :: mentions of prisons, physical violence, bruises, reader gets injured, patching up, fluff

word count :: 1.6k

author’s note :: oh, looks like i’ve spawned another hurt/comfort fic yet again…

accompanying song :: who hurt you by role model

you’re an ambitious profiler. 

you’re such an ambitious profiler that you interview offenders with the most extensive list of records whenever you have time. you want to understand more than just the simple question of why they did it. you want to explore the how’s and what if’s.

and you’re soft-hearted, so much so that you jeopardize your own safety. 

things should’ve gone smoothly with your fifth and last inmate of the week, had you been a little more aware of your surroundings.

but you placed too much faith on your ability to make peace with the man who unyieldingly worshiped violence.

that was your only mistake, but it was a costly one. 

you had kindly asked the guard to release the handcuffs, even though he insisted that they stay on. 

it’s alright, you told him with the wave of your hand. 

but you should’ve noticed the look of challenge on the inmate’s face. it was like he was taunting you, almost as if to say, do you really feel safe being in the same room as me?

it was your soft-heartedness that almost got you severely injured. 

he managed to land punches to your left cheek and scratched his nails into the flesh of your leg as he fell, right as he was tackled to the ground. 

he laughed when he saw you holding your hand against your throbbing cheek.

you arrive at the office as early as you can, a layer of makeup thicker than usual coating the bruise swelling your left cheek. 

you pretend to bury your head in the case file that you retrieved from your desk when the rest of the team started to flood into the room.

when spencer arrives, he gives you a nod and gleefully chirps good morning as he takes his seat beside you. 

spencer knows your routine like the back of his palm – he knows you’re busy with interviews at the federal prison on saturdays and sundays, and he knows you always need a caffeine boost the next morning. you gladly accept the cup of coffee that he sets in front of your hands with a small smile.

as hotch is debriefing the case with garcia, however, you can’t help but feel his eyes drilling into the side of your face, as if he can see through your cover. 

your makeup can’t be that obvious, right?

your thoughts are interrupted when hotch closes the cover of his case file, stands, and announces wheels up in 20. 

you lift yourself with the support of the table and wait for everyone else to exit before you follow, doing your best to disguise the limp in your walk.

---

“alright. jj and prentiss, go to the morgue. morgan and reid, go to the crime scene. dave, you and l/n can set up with the local p.d. i’ll go talk to the victims’ families.”

as hotch assigns roles to the team, everyone nods when their names are called out. but spencer raises his hand slightly and clears his throat.

“actually, hotch, do you mind if i switch with rossi and set up with l/n and the locals instead?”

hotch hesitates for a second, but nods slowly. 

“sure. dave, you okay with that?”

the italian agent cocks up a questioning eyebrow but gives a warm smile. “i don’t see why not.”

you’ve never heard spencer contest hotch’s orders before, so you’re stumped as to why he’s suggesting an alternative role this time. but you soon brush off the thought, and decide to occupy your time re-reading the case files before the jet lands.

you sink into your seat with a heavy sigh, forcing your eyes shut as pain travels down your legs. you’re thankful that hotch assigned you to set up at the local p.d., since it doesn’t require much locomotion and spares you the struggle of getting up constantly. you watch as spencer spreads the corners of the map and sticks push pins into the corkboard. 

“how did your interviews go yesterday?” spencer breaks the silence first and moves to grab a red marker. with his practiced hand, he quickly circles the areas of the crime scenes on the map.

you gulp.

“they went pretty well, you know, nothing out of the ordinary.”

spencer caps the tip, and a click sounds as the plastic edges meet. he nods, wets his lips with his tongue, and turns to look at you. you meet his gaze for a brief second before you look away, pretending to busy yourself with the m.e. reports that jj sent over.

“green neutralizes red.”

his sudden remark startles you. you drop the papers in your hands and look up. “i’m sorry?”

“green contains the wavelengths that are missing in red light, so when they mix, the colors neutralize each other. that’s why concealers with a green base are better at covering up more reddish bruising,” spencer elaborates, and starts to match up the photos of the crime scenes to the locations marked on the map.

you blink. oh.

there’s no way he’s talking about you, right?

“um, yeah, green’s a common color corrector,” you mutter as you nervously tap your fingers against the wooden table. “but there weren’t any bruises or marks of assault on the victims.” 

spencer scoffs as you finish your sentence.

“it’s not about the victims. you. i’m talking about you.” 

you swallow slowly. 

“i-i don’t know what you’re talking about,” you try, a fake smile plastered over your face as you shake your head left and right. 

spencer studies you with a scrutinizing stare, eyes boring into yours like he’s counting the number of times you blink.

“could you grab that for me?” he asks at last, pointing to the book that’s two tables away, the one titled florida’s topography and bathymetry. without thinking, you nod and stand.

fuck.

what a clever way to set you up. now you have to somehow mask the limp in your steps and pretend like the pain coursing through your legs is nonexistent.

you do your best to walk normally, but it’s hard to tell if you’re doing a good job from his unreadable stare. you hold the book out with a bemused smile, hoping it’s enough to cover your pained expression.

he doesn’t look convinced. 

“that,” spencer points to your leg with an accusatory gaze, “why are you walking like that?” 

he swiftly takes the book from you, and your hand instinctively grips the side of the table for support.

“like what?” 

you’re going to make him pry the confession out of you. 

“like you’re hurting,” spencer utters quietly. his last word catches your breath completely.

“is that why you asked rossi to switch with you? so you could interrogate me?” 

“who hurt you?” spencer ignores your question, setting the book aside and leaning over the table to get a closer look at your face. 

instinctively, you retreat and look down, but he walks around the table and kneels in front of you. your brain buzzes with the words he’s just declared. it’s not what did you do, or what happened to you. instead, it’s who hurt you. 

“i… it’s nothing.” you shift in your chair, but he stops the seat from turning completely by laying a hand on the headrest.

“tell me. please.” 

you can’t fake it anymore, especially when he’s already hammered the nail into the hole perfectly.

you rub your sweaty palms on your lap. “one of them tried to hurt me during the interview. i-it was my fault, i asked the guards to take off the cuffs. i thought they’d be more willing to cooperate that way.”

spencer’s expression mellows as you speak, but he doesn’t return a comment. somehow, this makes you even more nervous.

a second after, he lifts his hand and slides a finger along the slightly swollen area of your cheek. he hesitates when you start to wince in pain.

tapping his knee with his index finger, he instructs, “let me take a look at your leg.”

you comply.

when you lift your leg, spencer’s hand slips between the wedge of your platform's heel, and gracefully sets your foot on his knee. 

you observe him gently push the thin fabric of your trousers upwards. you hold your breath when he leans in to inspect closely, and you almost shudder when the vapor of his warm breath tickles the gash on your flared shin. 

spencer steps back to retrieve a first-aid kit lying nearby and rolls up the sleeves of his shirt. without saying a single word, he pulls a cotton pad and a gauze roll from the bag.

as he wraps your leg with the gauze, he looks up to meet your lowered gaze.

“tell me his name.”

you bite your lip.

“it’s fine. you should focus on the geo-profile instead.” you exhale as spencer unfolds the rolls on the hem of your trousers to cover your leg again.

“you do know that it won’t take me long to go through every incident report,” he retorts back with a challenging glint in his eye. your cheeks heat up with a hot flush of red.

goddamnit, spencer reid. 

you hastily brush yourself away from him.

“what are you going to do?”

he pauses, every second of silence only feeding your suspicions. you watch the corner of his lips tug into a smirk.

“you know, nothing out of the ordinary.”

you huff.

“don’t use my words against me.” 

he shrugs with an indifferent expression, but chuckles before standing back up.

“his name. or do we want to do this the hard way?”

[lyneira]

♡ may I have your attention, please? ♡

-> how the genshin men would try to impress you

They would try to impress you through..

Strength

Itto, Childe, Wriothesley

Would try to impress you with physical displays of strength and show his battle prowess. He'd do this because 1) he's a show-off (more so Itto and Childe), and 2) he would want to show how capable he is of defending you, and let you know that you won't have to worry about anything while he's around.

Maybe if you're also into fighting, he'll challenge you to a duel. It'd be his sneaky way of getting close and up front with you, hehe. You might even end up impressing him with your own skills 😌

(I see Itto and Childe being the type to try to flex at any given opportunity for you, intending that you'll drool over his muscles LMAO)

Being smooth with his words

Kaeya, Heizou, Lyney

Will try to fluster you and will do so using smooth lines. He'll take special note of what gets a smile out of you, a little laugh from you, and especially a blush from you. Thus, he'll attempt to initiate a conversation and form his words in ways that will have you doing all three the entire time. He hopes he can make you feel some type of way and let you know that YOU make HIM feel some type of way too ;)

Knowledge

Alhaitham, Zhongli, Neuvillette, Dainsleif, Ayato

Similar to the previous category, they'll try to capture your heart in conversation, but they wouldn't even intend to be impressive. They simply have pure interest in you and would love to stimulate both of your minds with a good conversation.

More importantly, he'd be able to gain more knowledge about you and, therefore, feel closer to you. He'd keep track of nearly every single thing you've said, so don't be surprised when he brings up that incredibly tiny detail you briefly mentioned in conversations before. It'll be proof of his attentiveness and deep focus on you because he's so down bad for you

After all, while he may be an expert on many subjects, the subject that he strives to become the greatest expert on is you.

Little gifts

Xiao, Scaramouche, Diluc, Gorou, Albedo

They'd prefer to show that you've caught their interest through little, thoughtful gifts. I see these guys as being a bit on the reserved and quiet side. So instead of using their words to display their affection for you, they'd much rather give you gifts, in hopes that you'll understand how much you mean to them.

Specifcally, for example, I see Albedo giving you pictures he drew of beautiful landscapes that you've both seen on walks together or maybe draw cute little creatures for you to play with

I see Xiao or Gorou giving you flowers that you've mentioned you loved. He just so happened to find them as he was out, scouting the area (he actually looked everywhere for them).

Scaramouche and Diluc would probably give you practical things that he also 'happened to find around'. "I heard you needed this", he'd mutter as he handed you a rare artifact or material that you had been looking for that could have only been found in the most dangerous areas.

And every one of them would absolutely melt inside each time they see your face light up with pure joy when you receive their gift. That expression would be the gift you gave them in return, which is why they ensured to keep giving you these tiny gifts

Jokes

CYNO

A special category for him because I JUST KNOW that he'd try to capture your heart through jokes. You know what they say: "Laughter is the best medicine" (and you're the medicine to his heart). Therefore, he'd spend all day just to come up with the best jokes he can. Although they might not always land, he'd be the happiest guy if he could still receive a small laugh or a smile from you for his efforts or for just how plain silly his joke was. (Please laugh at at least one of them, he's trying his best)

Song

Venti, Kazuha

Another special category for these two!

Venti would probably sing ballads for you to get your attention. He might even compose a ballad about you, and within it, he'd describe your traits with affection, and will subtly confess his own feelings within the lyrics.

Kazuha would play his little leaf flute for you. He'd play the most beautiful melodies he knew. He would try to play anything you liked and would basically be your own personal jukebox. If he didn't know a certain tune you wanted to hear, he'd be glad to learn it from you. Maybe you would hum the tune a bit, and he would try to match the pitches. I personally think he'd love doing making music with you, and the same would go for poems, too. He would adore creating haikus and poems with you, as well as creating them FOR you

Sharing passions

Thoma, Baizhu, Tighnari, Kaveh

If there was anything in common you two loved, he would invest in it for sure, knowing that it captivated both of you. It would be a fun and delightful way of getting to know one another better.

On the other hand, if you two didn't share a common interest, then there was no problem either. He would be delighted to learn more about yours. After all, he'd want to know what makes you happy, and hopefully become another source of happiness for you. And he would be over the moon for you if you asked him the same, asking him to teach you about what he loves. (Which means you have to teach him more about YOU)

He'd want to create a strong bond with you through this and hopes that it'll become something even more eventually.

a/n: apologies for the silly commentary throughout this. I was in a goofy mood while writing, teehee

© 2023 lyneira. PLEASE DO NOT COPY, PLAGIARIZE, OR REPOST MY WRITING ONTO OTHER PLATFORMS

[alllgator-blood]

'FOGGY STREETS AND CHRISTMAS LIGHTS'

(part 3/3)

I'm gonna infodump about the backstory of this comic, don't feel obligated to read it because it's not cotl related it's just personal stuff, I just want to be able to write about it somewhere cause I can't really talk to anyone about it.

As always, thanks for reading this far, sorry my stuff has been such a bummer so consistently. This comic goes out to all my "christmas induced depression" homies, I left my house maybe like ~5 times all month and it was NOT pleasant hearing "IT'S THE MOST WONDERFUL TIME OF THE YEAR!!" on the radio when I'm so ready for it to be over. Gonna take it reaaaaal easy til the year ends, you guys take it easy too!! Got some asks I have to respond to when I'm more stable but probably no new comic pages til january

Alright uhhh so this part of the comic is pretty much taken directly from the last time I saw my great-grandma alive, a few days before christmas. She didn't remember me, but at the nursing home there was a piano, and I sat down and played some stuff because I didn't know what to say. I was really into lisa the painful rpg at the time, and I played that "I've got the joy" song that the villain sings without realizing it was an old christian campfire song. She didn't really say much or move that whole night, just kind of gave me a polite blank smile, but started singing the words when I played the notes to that song.

I kinda stopped in shock, my dad frantically asked me to keep playing, so I did. While the comic I made is way more sappy than the actual moment was, I wish I'd cherished the moment longer. I didn't know it was the last time I'd see her alive. Every family christmas was held at her house when she was around, so it's been weird the past few years. I actually lost another dementia-addled grandma to cancer on christmas eve in 2009, so the holiday was already kind of weird for me on top of everything else that makes me sad this time of year. That's what part 2 was about, I'll spare the details but I wrote leshy to act out how I felt back then. Why are we all sad? This is supposed to be a happy time, all the decorations are up and we're almost all here, so why is everyone smiling yet everything feels so wrong? I feel like since leshy's canonically the most ignorant one to things lurking below the surface, he'd be the one to try and make everyone feel better but not quite understand why everyone is so miserable. My first memory of having self injurious behavior came from then, hence why I had leshy pull his leaves off in the last comic. It was confusing and frustrating and I was just old enough to comprehend something was wrong, but not old enough to understand the depth of it, it DEFINITELY didn't help that nobody helped me back then so I made leshy's siblings actually come in clutch instead of grabbing him/yelling at him.

That night with the piano was something that's stuck with me the few years she's been gone, but I felt kind of strange when I asked my dad and my sister about it and neither of them remembered it. The room we were in was completely empty so nobody else witnessed it but us three. I myself have a history of head trauma and memory loss (plus, native americans are disproportionately more likely to develop dementia... lucky us) so if I ever forgot about that moment, there'd be nobody left to remember it. Sometimes when I do comics, it's my way of going "this happened at some point, and the only evidence it ever happened was me witnessing it, so if something happens to me I want the memory to stay alive in some form."

Anyway. The autistic urge to overshare, am I right? Idk what my religious ass great-grandma would think of me drawing demonic comics about my last memory of her, she'd probably think it's funny though cause she raised my dad whose interests have always been "death metal and devil worship". I'm not sure if anyone read this far, I just hope my dumb comics can convey the things I can't say with my voice and struggle to say through text. None of this was supposed to be "feel bad for me!! Woe is me!!", it was supposed to me more like...cathartic? Healing? I almost didn't post this comic because it felt kinda weird, but seeing people connect with it made it worth it imo. Thank you

[libraryofgage]

so i wrote this yesterday and now it's become a whole thing

basically: Steve is actually smart but nobody realized it until he just fixes their various STEM related problems

anyway this is Eddie's very first experience with how smart Steve Harrington actually is

also please don't call me out if my physics explanations are wrong. just suspend your disbelief, i'm begging you lmao

also also, if you see any typos, no you didn't

---

"You're going to fail my class, Munson."

"Gee, no need to sugarcoat it," Eddie mutters, shoving his hands into his pockets and avoiding Miss Chester's gaze. His eyes land on one of the posters behind her desk, a cat hanging off a tree branch. Maybe it would like to trade places.

Miss Chester sighs, looking pointedly at the desk closest to hers. She waits until Eddie sits on it, legs hanging over the edge. "I'm serious," she says. "You're going to fail, Eddie. I don't want you to, but there's just some...disconnect happening here."

He appreciates that she's not totally blaming him. Most of Eddie's other teachers would've been berating him for his laziness by now. This, among other things, is why Eddie likes her class even if he can't wrap his head around physics at all. "I don't know, Miss. It just doesn't make sense."

"So I'm noticing." Miss Chester leans back in her chair, her finger tapping against her desk. Eddie immediately recognizes it as the drum beat from a KISS song. "You know you'll probably be held back if you fail, right?"

"Not the first time."

Miss Chester waves off his words, looking deep in thought. "What do you think about tutoring? I think you'll do better in a one-on-one setting. If you understand the concepts better, I can start grading you based on the work you do with the tutor."

"It wouldn't be you?" Eddie asks, frowning slightly. He's not sure he wants some random geek tutoring him. Not that he has anything against geeks, of course, but he's never known one to talk in a way he can understand. They get all...technical and Eddie's eyes glaze over whenever he overhears their conversations.

"No, I don't have the time. But don't worry," Miss Chester says, smiling reassuringly before pulling her roster close and looking down the list. "The student I have in mind probably knows more than me, if I'm being honest. He should be able to answer any question you have."

"What student?"

"His name is Steve."

Of course, Eddie immediately thinks of that Steve. King Steve. Steve "The Hair" Harrington with his blinding smile that's always looked a little strained in Eddie's opinion.

He then dismisses Steve Harrington as a possibility and reviews the other kids named Steve at Hawkins High. There's Steve Paulson, Steve Meyers, and Steve Barns. Maybe it's Barns? He's the only one that Eddie could imagine being somewhat good at physics.

"Are you open to tutoring?" Miss Chester asks. "For one session, at least?"

"Yeah, sure, one session. Won't help, though."

Miss Chester smiles like she knows something Eddie doesn't. Which, to be fair, she does. She knows a lot more than Eddie in terms of physics, at least. "I'll set it up. Just come by tomorrow after school."

--------

On his first day at Hawkins High, Steve realized two things.

One, his parents weren't kidding when they'd said public school would be vastly different from the private group tutoring he'd received up to that point.

Two, if he wanted to have a good high school experience, he needed to be cool. And being cool, it seemed, meant not being smart. He didn't need to be dumb, but he couldn't breeze through his classes, either.

He's done a good job of it so far. He's bored beyond reason in most of his classes, sure, but he's also popular. Nobody bothers him or tries to copy off of him, and it's great. He can even swallow down the weird surge of frustration and annoyance and guilt whenever his classmates assume he's too dumb to be a good project partner, or when his parents ask why he isn't enrolled in AP classes, or when his teachers give him confused looks after he aces tests for a unit he seemingly didn't pay attention to.

Anyway, he almost rejected Miss Chester's request to tutor a student from a different class period. He was just about to say he didn't have the time when she leveled him with a look so profoundly hopeful that he just couldn't. So, Steve said yes and now he's hesitating outside the physics classroom.

What if the student inside uses this against him? Steve thinks he could play it off, maybe convince his friends that the kid is lying, but he's not sure. Nothing dire would happen, but Steve would have to reorient himself to a new place on the social ladder, and that sounds exhausting.

"Just get it over with," he mumbles. Then, before he can chicken out and just leave the other student hanging, he opens the door and steps into the classroom.

Miss Chester isn't there. Steve knew she wouldn't be. She'd said something about a department meeting that would take her time but leave them with the classroom to themselves.

The only other person in the room is Eddie Munson, bent over a notebook and furiously scribbling on the page. He looks up when the door opens and freezes at the sight of Steve. They stare at each other for a few seconds before Eddie breaks the silence by asking, "What, get lost on your way to the locker room, Harrington?"

Steve blinks, frowns slightly, and takes a deep breath. Okay. Fine. Eddie Munson it is. "Nope. Miss Chester asked me to tutor you," he says, because that's the only reason another student would be in this room after school has let out.

Eddie laughs. He nearly falls out of his chair with how hard he laughs. He's wheezing and clutching the edges of the desk by the time Steve moves another desk to face him and sits down across from him. "Are you done, Munson?" he asks.

"Holy shit, you're serious," Eddie says, his voice slightly strained and his face red from laughing. "No fucking way Steve Harrington is here to tutor me in physics. You probably don't even know what two plus two is!"

"It's four. Do you know what 12 times 40 is?" Steve asks, watching as Eddie blinks.

"I'm not a fucking calculator, man."

"No, you're not. It's 480, by the way."

"You could've just memorized that."

Steve sighs and reaches into his bag, digging around some before pulling a calculator out. He places it on Eddie's desk and says, "Ask me something."

Eddie looks at him like he's grown a second head but still pulls the calculator closer. "1,239 plus 378."

"1,617."

He watches Eddie use the calculator, feeling smug when his face twists into confused disbelief. He then puts the calculator down and frowns at Steve. "So you can add, big whoop. Doesn't mean you can teach me shit about physics."

"Won't know until we try," Steve says, resting his elbow on the desk and propping his chin in his palm. "So, what don't you get?"

"...All of it. Just assume I don't know shit."

"You don't know Newton's laws?"

Eddie snorts, looking back down at his notebook. "There's that motion one and the reaction one," he says.

"Right. Newton's first law and his third. What about the second?"

"It's just...some equation or some shit."

Okay, Steve is starting to get an idea of where things stand. He thinks for a moment before asking, "What kind of stuff do you like?"

"What?"

"What do you like?"

Eddie looks so shocked by the question that he doesn't really think before answering, "Heavy metal. And, uh, D&D, too."

Steve knows heavy metal is music, and he could work with that but the D&D Eddie mentioned might be better. "What does it involve? The D&D?"

"It's a fantasy role playing game. Like, using your imagination to go on adventures with friends and stuff. Needs dice to work."

Oh. Perfect. "Do you have dice with you?" Steve asks. After another brief pause, Eddie nods and pulls one out of his pocket. He passes it over and watches as Steve turns it between his fingers. "Oh, an icosahedron. Cool."

"A what?"

"Icosahedron," Steve says, looking at Eddie. "It just means a twenty-sided polyhedron."

Eddie still looks confused, and Steve is about to explain it again when Eddie says, "Just call it a D20, dude."

"Oh. Sure. Anyway, let's use this," Steve says, rolling it between his fingers before letting it clatter to the desk. It bounces a few times before settling, a 17 facing up. "Do you know what made it stop moving?"

"The desk. I'm not an idiot, Harrington."

"I didn't say you were, Munson," Steve replies, leaning back slightly. "Just...yes, the desk stopped it. This is Newton's first law. If the desk wasn't there, it would have kept falling until it hit the floor. It stopped bouncing because it lost power each time it hit the desk. An object, the D20, will stay in motion, falling, unless acted upon by another force, the desk."

"That...kinda made sense," Eddie says, blinking a few times.

"Great!" Steve says, unable to help the bright smile at knowing Eddie understood him. "Okay, for the second law, the equation is mass times acceleration equals force. Basically, the movement of an object depends on how much it weighs and how much force you apply."

"Aaaand ya lost me," Eddie says.

"Okay, uh, you fight things in that game, right?"

"Yeah, kind of the whole point."

"Right, yeah, and the stuff you fight comes in different sizes, right?"

"Well, an orc isn't gonna be as big as a dragon, is it?"

Steve isn't really sure what an orc is, but he nods anyway. "Right. So if you want to move a dragon, you need to land a stronger hit than you would need for an orc."

"Duh. You're not gonna fell a dragon with a basic cantrip."

"Not sure what that is, but yeah. For this example, moving, or defeating, an object, or a dragon that weighs more than an orc, relies on how much force you apply, which is the strength you use."

"Oh. So, because an orc weighs less, I don't need as much force to defeat it," Eddie says, grinning as he fidgets with his pencil. "This doesn't really sound like math, though."

Steve shrugs. "We'll get to the math part later. Right now is basics. You need to understand those to do more complicated stuff. So, the third law, this is the action-reaction law. Music might be better for it. What happens when you strum a guitar?"

"It...makes a sound. Because it's an instrument."

"Well, yeah, but do you understand how the sound is being made."

"By...strumming it?"

"Yeah, that's part of it. Sounds are vibrations in the air that we can understand. If you touch your throat while talking, you'll feel your voice box, your larynx, vibrate to make the sound of you talking."

He waits as Eddie does exactly that. While holding his fingers to his throat, Eddie says, "Didn't know it was called a larynx. Oh, fuck, yeah, there are vibrations."

Steve nods, waiting patiently as Eddie hums for a few minutes before looking back at him. "So, vibrations. Instruments make sound because playing them causes vibrations. When you strum a guitar, the strings rapidly move back and forth, and that movement is translated into notes."

"I can't believe I'm saying this, but yeah, I'm following you."

"So, the action of strumming a guitar creates the reaction of the strings vibrating. That action of the strings vibrating creates the reaction of air rippling, and those ripples create the reaction of audible noise. Did that make sense?"

"Yeah. It did," Eddie says, his voice soft as he stares at Steve like he's really seeing him for the first time.

Steve shifts uncomfortably, unused to this aspect of himself being known so well by someone at school. He's almost tempted to end things now and apologize to Miss Chester for walking out halfway through a tutoring session. Steve is practicing the apology in his head when Eddie says, "Hey, by the way, sorry for earlier."

"What?" Steve asks, trying to blink away his confusion and failing.

"You know, earlier, when I laughed at you? Pretty shitty of me to do. So, yeah, I'm sorry."

"Oh." Steve stares at Eddie for a few seconds before his shoulders relax. "It's fine. I'm not exactly known for being smart."

"Why not?"

"It's just...easier to let people think I'm dumb. Most of our classmates look at me and think I'm just, you know, a typical jock. They don't expect more from me than that, and I don't expect them to look any deeper."

"Does anyone else know, though?"

"My parents and the teachers. And you."

"Well, don't worry, big boy. Your secret's safe with me."

"Big boy?"

"Don't like it? Would you prefer Stevie?" Eddie asks, grinning as he leans in and exaggeratedly waggles his eyebrows at Steve.

Steve can't help snorting at the sight. "Whatever. Just call me what you want, Eddie," he says.

He tries to ignore the weird swooping in his stomach when Eddie's smile gets wider and he says, "You better not regret it, Stevie."

[a-hazbin-reader]

Hey did you get my ask/request of Alastor and Wife!reader having an argument and Alastor says something horrible to her leaving him to have to make up for it?

I did, I just have a lot of stuff in my inbox

Alastor X Reader Headcanons

✅️Romantic

❌️Platonic

TW: Alastor being in the DOGHOUSE

Description: ☝️⬆️

Alastor doesn't mind fighting, likes to bicker with and irritate those around him as some strange show of dominance

But his wife is an exception, he hates fighting with his wife and goes to great lengths to avoid it

Despite his efforts, you two do still fight from time to time and he hates it, he tries so hard to reign in that cruel part of him

He doesn't really even remember what started the fight, probably something dangerous he did that upset you

Something like the Adam stunt

And he probably tried to brush it off, his pride not letting him admit that your fears were warranted

You were understandably getting worked up over his dismissal, and he was getting irritated that you wouldn't just drop it

Everyone else in the hotel had scattered and hidden the moment you two started to uncharacteristically raise your voices at each other

Angel had to grab Niffy to stop her from watching the entire argument play out

He just doesn't want to scare you with the idea of losing him, he wants to be your strong, invincible husband

It makes him uncomfortable that you see beyond the powerful overlord demon and instead zero in on the man beneath it all

"Darling, I would understand your fears if I hadn't come back to you in one piece, but I'm here. With you. Perfectly fine."

You could rip your hair out due to frustration, almost in tears, how could he not understand how you felt?

"Alastor! That's not the point! You can't be so reckless! It's not just you that you have to worry about anymore! You have a wife! You have to live and be safe for me!"

He fears a pang of anger over being told what to do, rage and irritation over the unintentional reminder of his failure to win

Which makes his mind wander to his deal, his fucking leash

The words are out of his mouth before he even realizes what he's saying

"If I knew that everything I do had to be approved by you then, I would've rethought this whole marriage ordeal."

Alastor regrets the words as soon as they leave his mouth, his ears folding back at the sight of your hurt expression

Your eyes have tears in them but you're doing your best to hold them in, turning on your heel to leave the room

"Wait-Darling, I didn't-"

"Just...give me some space, Alastor."

He regrets it so much, watching you walk away from him when he should be begging for forgiveness

He hates seeing you so upset but he hates being the reason for it even more

Alastor tries to give you the space you asked for, but it's difficult when all he wants to do is make up with you already

But he also doesn't want to actually talk about what happened

So he breaks fairly easily when he sees you again, coming up behind you and hugging you

Only to be shrugged off when he goes for a small kiss, left with a sinking feeling in his stomach

"I said to give me space, I'm not ready to talk to you yet."

Normally, Alastor loves it when you're cruel and cold, finds it a little hot, but when it's aimed at him? He hates it so fucking much

Literally looks like a kicked puppy when you walk away from him again, Charlie and Vaggie looking at anything but him

"You know what, Charlie? I do see that crack in the wall!"

He tries again later, sitting next to you and trying to wrap an arm around your shoulders while the radio bursts to life with a love song

Only to be rewarded with an ill hidden sniffle and you immediately getting up to walk away from him

"If you're not going to apologize and have a genuine conversation with me then don't even bother."

It's driving Alastor crazy not being able to be with you, to not be able to properly make up with you

But he still doesn't want to admit he messed up or have that uncomfortable conversation with you

So he tries lavish gifts and other romantic gestures that all get rejected or given to Niffty to do whatever she wants with them

"Yay!! I'm going to poison these and give them to the mother bugs!!"

Okay...maybe Angel should have these...

Alastor is starting to understand that he can't just gloss over this one

He understands it a little more later that night when you go to bed without him, and he's left too nervous to follow after you

Several hours into the night, the guilt eats at him and he breaks, sneaking into the bedroom

You're awake, your eyes red rimmed from crying but you manage to give him a glare before turning your back to him

"Darling, I believe I owe you an apology..."

The way your tense body relaxes is all he needs, crawling into bed with you and pulling you to his chest

It's a difficult pill for him to swallow, so it's easier for him to have these conversations with you like this

He doesn't want you to see his weakness even when he's laying it out for you

Luckily, Alastor is good with his words and you're willing to listen now that an apology is on the table

It's a long conversation that leaves you both sleepless and emotional in each other's arms

But things are settled and Alastor is forgiven, happy to be back in your good graces

He tried to be strong and hold himself back, he really did... but being without the warmth of your love was torture for him

It was a rough couple of hours for him

HA WHIPPED

"Angel, shut the fuck up before you get yourself killed!"

He's extra clingy and romantic with you for DAYS afterwards, making everyone else at the hotel practically nauseous

Except for Charlie, of course, she loves it

He's just so relieved that you've forgiven him, still disgusted with himself for even saying what he said

Asks you for yet another kiss that morning before Husk finally walks away, annoyed by Alastor's neediness

You don't mind your husband's clingy antics, enjoying the extra attention he's giving you

You should get mad at him more often

[unproduciblesmackdown]

also putting 1 and 1 together. as well as words like. as you can use a punch card for "i love my friends" being said around the xmas show b/c also it's a line actedly spontaneously expressed in the mister chestnut christmas medley, punch card for "heart words," there at the start of bloodsong / introduction to the musician & banana & the former's hardassedness & vinegar wit vs banana is not like that, banana saying the musician & his music is saying Dance, Banana, not with your mouth words, but with your heart words....& the musician is like terse mouthwordedness, ft. the audience's ability to infer that perhaps the musician is not really heartwording these things or really that invested in funny little guy dancing tambourine accompaniment. But In True Form....

holding that up to the other [1] in which the musician like Would Be has all the protagonist hardass lead hero power he needs to devote himself to his Mission & kill anyone w/music along the way but it's like step one. i Need banana. cannot do it without having banana here & that has nothing to do with Strategic power levels like he's gonna tell banana no it's fine if you just like are a held hostage no epic successful moves contributor who can't help me during a Situation, don't even worry about it....needs to have his special little guy there, in true form, you wouldn't have to change anything abt the verses of the friendship song to have it be a love(tm) song but it's not b/c it's necessarily that / Not the friendship song really, would never say if the way a relationship is described is like "enough" in whatever metric of intensity intimacy whatever it must Not be [anything] & must Indeed be [anything], lord knows i'm not here to interpret anything as romance as a category based on something inherent, not a context of normative relationality larping. which is also what is happening in bsol, unless you're the romantic leads, in which case i'm like well that's none of my concern except in how it is a plot device....

cue what is also what i was going to get around to in that paragraph anyway like it is beautiful to have the musician be like "well my wife is taken hostage for Evil Marriage larping? obviously gotta go save her" & then have "but first. again i may have already committed my whole being to this & have my lethal music powers but. i Need banana before i can do anything more" & Then have that become a matter of taking on a parallel like well great news banana was also taken hostage for evil marriage larping. (see: exquisite twist & turning contrast is that in this case the "well i want to have the Set & Performance of Marriage, so. pointing a gun at this guy for these three years" hostage taker is openly contemptuous toward banana & all & so perhaps you expect the bastard(tm) to be the exact same way with His [kidnapped hostage okay so now you're my wife then; points a knife at this woman for three years] situation, but first of all the [the conflict w/the antagonist foil brings out [conflict with/in oneself]] element like we need a bit more depth lol so we get that but like, while obviously they're not Actually Close we already are shown that lo cocodrilo Knows this & is actually bothered by it, rather than just like well as long as you have to be staying here on set going through motions then we're good to go. not only the failure of the crocodile approach but failure at Being the crocodile, if he did not actually care about having someone's actual affection (& cue that even after a comedically disastrous exchange, lo cocodrilo's like Default Marriage Larping is the "good evening, darling :)" exit lmao like. is not just fine with genuine contempt beyond the larping) how many brackets am i in what tangent am i on....i think i accidentally concluded it in Sidebar Parenthetical mode there, classic. the contrast that banana's wife is openly contemptuous / hostile, lo cocodrilo has the hostility more comically mixed up in Oh Just Another Average Dinner along with also actually being the party concerned with the desire / pursuit of Genuine Affection / not really being like well this must be fine or as good as it gets then when my wife (who also by contrast is the held hostage party here) tells me to kill myself or what have you)

anyway so that when the musician first before anything else Needs banana & this means saving him from being held hostage in "well, this must be fine? & ideal even, due to the normativity contexts?" (see: again, in an inverse situation, it's lo cocodrilo gunning for the Normative Ideals. while also santa violetta kind of is too but the marriage she already had where she wasn't held hostage for it) evil marriage with someone who hates him & we also see that [the conventions of the spaghetti western is an Expressive device] particularly persistently pushed back for i wear polo shirts now :(....

but what i was getting around to, throwback to that part where i was saying we had the room to think that banana as funny little guy sidekick was, according to conventions, more superfluous to the serious big protagonist than not, surely all the more so when that hero's mission gets activated, all the more seriously. surely that banana is liking to think that the musician is encouraging him to dance with his heart words, not his mouth words, & the musician is mostly like yeah sure whatever but i'm not even gonna use the mouth words to say even that. but here we are getting this scene where it's Step One I Need Banana i'll die or i'll kill to get to him & then i'll use my heart & mouth words alike to indeed encourage him like i know you need to Dance & Sing & Tambourine & be my special little guy who i also need btw. funny little guy banana being right & not being superfluous at all, & i don't know how i'd sing if to me you didn't cling

[hazbin-writings-and-musings]

Lucifer Morningstar x Reader Romance Headcanons

Some very random and very silly little headcanons about being in a relationship with the King of Hell, and likely the beginning of many more as I learn how to write for this darling cartoon that has consumed my entire brain.

- He's one of the greatest flirts of all time, but with one enormous caveat: he has no ability to consciously flirt with anyone he's interested in. Quips and charming smiles come easy when he wants to banter with friends or taunt a foe, but when he starts to get feelings for you and actually attempts to be smooth, everything falls apart. All traces of his grace, power, and quick wit evaporate the instant he pulls his first move, and it only worsens the more flustered he becomes. His first attempt goes so badly that by the end more than a few things are on fire, and neither of you is entirely sure how. Thankfully, your receptiveness despite the disasters will build his confidence; and while he's never quite as smooth as when he's not trying, he does learn to make use of his charms whenever the moment calls for it.

- While at first he'll keep your relationship on the extreme down low, to the point of avoiding public dates and shows of affection, this is only so he can take the time to be sure you know and can fully agree to what you're getting into. Dating Lucifer Morningstar comes with a great many risks that don't ever go away, and he needs you to understand that while he'll do anything to keep you safe, your life will change forever once word gets out. The people of Hell are going to want to know all about their King's new lover, and he has more than a few enemies on multiple planes of existence you'll have to be wary of. As soon as he's convinced you're aware of the risks and accept them regardless, be prepared for him to make up for lost time and then some. He wants to take you on dates to Hell's most premier establishments, to have you on his arm for every single public appearance, and to proudly and boldly declare you to be his love whenever the opportunity presents itself.

- Genuine compliments go a long way with this man. Though he's got a very healthy sense of pride, he still very much enjoys praise, to the point of nearly giddy delight if he gets it from someone he's crushing on. This goes double if you catch him off guard. Expressing your awe when he unceremoniously summons a mundane item out of thin air will fluster him far more readily than even the most lascivious of flirtations, and he'll be riding the emotional high for the better part of a week. Praising his appearance has an even greater impact, and nothing puts a spring in his step quite like hearing how much you like his hair.

- Touch is one of his preferred love languages, second only to gifts and song. He likes to give as much as he does to receive, but as he's a little starved for affection, you'll find him very disproportionately affected by even the most chaste contact. The first time you try looping your arm through his, laying a hand on his shoulder, and even brushing up to his side he'll be deliriously happy. Once the gates are open, however, you can expect him to start initiating and upping the ante quite rapidly. He'll start taking your hand when it's available, cupping the small of your back as you walk at his side, and even pulling you in with his wings for a feathery embrace, and he doesn't stop there. Eventually, if you're amicable, he'll gladly offer his lap anytime you need a seat. This goes double if you're in public.

- Giving gifts is one of his favorite ways to express affection, but he doesn't just do so willy nilly, even if anything you could ask for will be provided in a heartbeat. Rather, he likes to surprise you by gifting something that you didn't even know you needed, and will spend a great deal of time noting what you need help with and drafting ideas to meet that need until he has the perfect solution. Being a craftsman with eons of experience and angelic powers means he can construct anything in the realm of imagination, and he'll use his skills to tune his creation to your particular tastes. All of this is done in secret to ensure you're surprised when he finally presents his creation. No matter how many hours he spends laboring over these gifts, your surprise and joy always makes it all worth it in the end.