#more than him....emotional resolution leaping in to save the musician; miracle received: banana not being killed for that....

[unproduciblesmackdown]

also putting 1 and 1 together. as well as words like. as you can use a punch card for "i love my friends" being said around the xmas show b/c also it's a line actedly spontaneously expressed in the mister chestnut christmas medley, punch card for "heart words," there at the start of bloodsong / introduction to the musician & banana & the former's hardassedness & vinegar wit vs banana is not like that, banana saying the musician & his music is saying Dance, Banana, not with your mouth words, but with your heart words....& the musician is like terse mouthwordedness, ft. the audience's ability to infer that perhaps the musician is not really heartwording these things or really that invested in funny little guy dancing tambourine accompaniment. But In True Form....

holding that up to the other [1] in which the musician like Would Be has all the protagonist hardass lead hero power he needs to devote himself to his Mission & kill anyone w/music along the way but it's like step one. i Need banana. cannot do it without having banana here & that has nothing to do with Strategic power levels like he's gonna tell banana no it's fine if you just like are a held hostage no epic successful moves contributor who can't help me during a Situation, don't even worry about it....needs to have his special little guy there, in true form, you wouldn't have to change anything abt the verses of the friendship song to have it be a love(tm) song but it's not b/c it's necessarily that / Not the friendship song really, would never say if the way a relationship is described is like "enough" in whatever metric of intensity intimacy whatever it must Not be [anything] & must Indeed be [anything], lord knows i'm not here to interpret anything as romance as a category based on something inherent, not a context of normative relationality larping. which is also what is happening in bsol, unless you're the romantic leads, in which case i'm like well that's none of my concern except in how it is a plot device....

cue what is also what i was going to get around to in that paragraph anyway like it is beautiful to have the musician be like "well my wife is taken hostage for Evil Marriage larping? obviously gotta go save her" & then have "but first. again i may have already committed my whole being to this & have my lethal music powers but. i Need banana before i can do anything more" & Then have that become a matter of taking on a parallel like well great news banana was also taken hostage for evil marriage larping. (see: exquisite twist & turning contrast is that in this case the "well i want to have the Set & Performance of Marriage, so. pointing a gun at this guy for these three years" hostage taker is openly contemptuous toward banana & all & so perhaps you expect the bastard(tm) to be the exact same way with His [kidnapped hostage okay so now you're my wife then; points a knife at this woman for three years] situation, but first of all the [the conflict w/the antagonist foil brings out [conflict with/in oneself]] element like we need a bit more depth lol so we get that but like, while obviously they're not Actually Close we already are shown that lo cocodrilo Knows this & is actually bothered by it, rather than just like well as long as you have to be staying here on set going through motions then we're good to go. not only the failure of the crocodile approach but failure at Being the crocodile, if he did not actually care about having someone's actual affection (& cue that even after a comedically disastrous exchange, lo cocodrilo's like Default Marriage Larping is the "good evening, darling :)" exit lmao like. is not just fine with genuine contempt beyond the larping) how many brackets am i in what tangent am i on....i think i accidentally concluded it in Sidebar Parenthetical mode there, classic. the contrast that banana's wife is openly contemptuous / hostile, lo cocodrilo has the hostility more comically mixed up in Oh Just Another Average Dinner along with also actually being the party concerned with the desire / pursuit of Genuine Affection / not really being like well this must be fine or as good as it gets then when my wife (who also by contrast is the held hostage party here) tells me to kill myself or what have you)

anyway so that when the musician first before anything else Needs banana & this means saving him from being held hostage in "well, this must be fine? & ideal even, due to the normativity contexts?" (see: again, in an inverse situation, it's lo cocodrilo gunning for the Normative Ideals. while also santa violetta kind of is too but the marriage she already had where she wasn't held hostage for it) evil marriage with someone who hates him & we also see that [the conventions of the spaghetti western is an Expressive device] particularly persistently pushed back for i wear polo shirts now :(....

but what i was getting around to, throwback to that part where i was saying we had the room to think that banana as funny little guy sidekick was, according to conventions, more superfluous to the serious big protagonist than not, surely all the more so when that hero's mission gets activated, all the more seriously. surely that banana is liking to think that the musician is encouraging him to dance with his heart words, not his mouth words, & the musician is mostly like yeah sure whatever but i'm not even gonna use the mouth words to say even that. but here we are getting this scene where it's Step One I Need Banana i'll die or i'll kill to get to him & then i'll use my heart & mouth words alike to indeed encourage him like i know you need to Dance & Sing & Tambourine & be my special little guy who i also need btw. funny little guy banana being right & not being superfluous at all, & i don't know how i'd sing if to me you didn't cling