#this is actually great news for me as a writer though because i've always said that i can't use 'beej' in bj's pov unless it's dialogue

[remyfire]

Today's gleefully sadistic brainrot is the realization that Hawkeye was not the first person to call BJ Beej, and how incredibly annoyed he must've been to hear Leo use Hawkeye's Special Boy Nickname that now Hawk knows has never completely belonged to him.

[lurkingshan]

Japanese QL Corner

One show ends this week, but there are several more on the way, including a surprising adaptation. Of the six shows airing now, five are streaming weekly on Gaga and the other is available via fansub.

Takara's Treasure

I. LOVE. THEM. Their little bird watching date was precious and I loved every moment of it, including Taishin's adorable outfit and over preparedness, Takara's secret smiles, and the patient search for the wallet. I was so relieved that Taishin named his fears about them not being suited upfront instead of letting it grow into a huge anxiety in his own head, and I was also happy Takara was eager to speak with him about his impending relocation. That said, NOOOOOOOO I don't want a forced separation and time skip, show. Please I am begging.

Cosmetic Playlover

This was my favorite week for this show by far, because they actually let us see the relationship at its center! I enjoyed finally spending some time with these two as a couple, though I still find the timing and sequencing of these plots confusing as hell. Last week Sahashi gave Mamiya keys to his place and it was implied they'd been dating for quite awhile and were already serious, but this week we learn Mamiya has never spent the night and they are only just having sex for the first time. It was a real record scratch for me; I can't get my bearings in this relationship trajectory with all the gaps in the story. But hey, at least they finally let them make out a little! For a show that sold itself as toxic sexy, there has been very little toxicity or sex, tbh.

I Hear the Sunspot

*rubs temples* This show is really testing my patience. I got excited last week when Kohei and Taichi finally had a real conversation and it seemed like we were moving forward, but this week we're back to treading water. This story did not need 12 episodes; this pacing, while faithful to the manga as I understand it, does not work well for weekly live action. It's been weeks since we've learned anything new about these characters or advanced the central relationship, and the show continues to stumble with its confused depiction of Maya. I just want this show to pull together and finish strong, because I think a lot of this will be much more tolerable on a binge watch. For now I will just gaze at Kohei's beautiful smiling face and hope for a full recovery.

Ayaka is in Love with Hiroko

I said last week that the show had gotten so muddled I didn't think they'd be able to end well, and even with those very low expectations this finale still managed to get underneath them. The last several episodes made a mess of the characters, the conflict, and the themes of the show, and to add insult to injury, they capped it all off with angle kisses, a time skip, and a bizarre sex negative ending that had our "boob monster" adult lesbian refusing to have sex with her girlfriend for over a year so she could "cherish" her before randomly kissing her at the office as if that was the important resolution we'd been waiting for. A truly horrid ending that ruined everything this show did so well in its early episodes. I don't understand!! Big sigh and fingers crossed for a decent sexy gl sometime in the near future.

Mr. Mitsuya's Planned Feeding

I've just been beaming and staring into space for the last several minutes after finishing this episode. No matter what else happens in the shows, I love knowing I am always going to end my week in jql on a good note while this gem is airing. This week marked a transition point for Ishida and Mitsuya, as Ishida had a great conversation with Noguchi, found a new passion and put in for a job transfer, and had his final meeting and meal with Mitsuya as writer and editor. Which they immediately followed with a date and mutual acknowledgment of the feelings between them! And what a fantastic date it was, with every moment so invigorating and wonderfully adult. Mitsuya's quiet confidence and amusement at Ishida's nerves, Ishida's clarity on how he wants Mitsuya to see him, the mutual compliments and gestures and smiles and eye contact, ahhhhhhhhh. I also loved that Ishida got to be the one to show Mitsuya something new at the end, to get him to run with joy for the first time in ages and introduce him to a new food. I am so excited to see their dating era begin in earnest. You can find the episode with subtitles courtesy of @isaksbestpillow here.

Tagging @bengiyo to add this week's anime update.

[cityofmeliora]

notes / thoughts on the Papas' (lack of) involvement in the songwriting process and their connections to the concepts / themes of their albums

thanks for the kind words and thanks for the ask! these were great questions and really enjoyed writing this response. your questions really made me think! (and when i start thinking i always think too hard and take forever to answer– sorry this took so long!)

i'm putting these questions together because i feel they are closely related. this is a topic i've recently been thinking about a lot, actually.

A Ghoul Writer was first mentioned in that 2010 interview with Primo. the Ghoul Writer is Special Ghoul, the Nameless Ghoul character who gave interviews in Eras 2 and 3. in interviews with him, either he himself or the interviewers would usually mention he's the Writer. i'm not linking anything specific here because you can find this happening in pretty much any Era 2 / 3 interview. (though there's one Era 2 Nameless Ghoul interview that refers to the Writer as a separate character.)

the only Papa who wrote his own music was Nihil. the music video for The Future Is A Foreign Land shows that he and his Nameless Ghouls wrote the song together, and he's credited as a writer on Seven Inches Of Satanic Panic. (pic: back of the SIOSP record)

after Nihil, none of the Papas were involved in the songwriting process. everything after Nihil was written by A Ghoul Writer.

PITCHFORK: On the new album, the songs/lyrics are credited to "A Ghoul Writer." Are you this "Ghoul Writer"? If so, what inspired the words? PAPA EMERITUS: I am not the Ghoul Writer. Pitchfork (April 2013)

Does Papa contribute to the composing process? NAMELESS GHOUL: No, Papa doesn’t contribute to the song-writing. Metal Paths (August 2015)

so the later Papas were interpreters of the music, not writers.

as for the question of whether the Papas embody the sins of society or criticize the sins of society by parodying them, i think it's a bit of both– and i think it depends on which perspective we're looking from.

obviously from a real-world perspective, Ghost as a whole is meant to criticize and parody the issues the music is about, and the personality and characterization of each Papa is closely tied to the themes of his album.

from an in-universe lore perspective, as interpreters of the music, each Papa has his own relationship with the themes of his album. i think the Ghoul Writer writes each album for / about the Papa who's going to perform it. however, this is not necessarily a positive gesture.

here are my notes / thoughts on how each Papa relates to the themes of his album:

(trigger warning for mentions of misogynistic violence / rape / forced pregnancy)

Opus Eponymous and Primo: Primo refuses to comment on his interpretation of Opus Eponymous, but it's pretty clear what he thinks. Primo is a misanthrope who believes humans are “vermin” that have doomed themselves due to their “intellectual decline”. in his eyes, humanity is unworthy of life and will eventually be destroyed. Opus Eponymous has been described as an "orthodox devil-worshipping" album, and it is a very violent album, which is great for Primo because he's an orthodox devil worshiper and he loves violence and murder and wants everyone to die. 'Elizabeth' celebrates an alleged serial killer who is said to have killed hundreds of women / girls. 'Stand By Him' is about a woman being raped by a priest, who then accuses her of witchcraft and has her burned at the stake in order to cover up the assault. and the overall narrative of Opus Eponymous is about a woman being raped and forced to carry + birth the Antichrist, which will eventually kill her. this is something Primo thinks is good and anticipates happening because he believes in the cult very literally and agrees with its message / mission of human extinction. Primo is definitely a villain.

Infestissumam and Secondo: interestingly, there is actually an instance of Papa telling us about his interpretation of this album. in Secondo's own words, "the new album is about the presence of the Devil. The title, Infestissumam, means 'the biggest threat' and refers literally to the arrival of the Antichrist, but what it is also is about is what man has traditionally regarded as diabolical presence– namely female form and swagger." Infestissumam is about how humanity can connect to the presence of the Devil, both physically and spiritually. i think this theme really shows through Secondo. to him, all the things traditionally regarded as sin –especially sexuality– are good things. to him, Satan is the way to freedom and enlightenment. on the flipside, all the things promoted by christianity –holiness and virtue and repression– are stupid and stifling. Secondo is a jerk and he loves to have sex and party and he just doesn't care. Secondo, more than any other Papa, is dedicated to indulging in sin and saying "fuck you" to christianity.

Meliora and Terzo: it's complicated. i don't want to give a detailed explanation right now because i already have a separate post in my drafts about my analysis of Terzo's relationship with the themes of Meliora (it will be long). for now, this is what i'll say: Meliora is about the absence of god, and it's described as futuristic and "pre-apocalyptic." the title "Meliora" means "for the pursuit of better", but it's meant to be ironic. it's about the mistakes people make / the bad things people do in pursuit of better. so as your ask states, it criticizes ambition, greed, and abuse of power. i think Terzo wants to criticize those sins. but i think that he also embodies them, to a certain extent, and i think Meliora is also criticizing him.

Prequelle and Cardinal Copia: we don't really have any canon material that indicates Cardi's personal opinions on the album, but there is certainly a connection between the character and the concept / themes of the album. Prequelle is described as a "positive" album about the plague. it's an album about society falling apart during the apocalypse. it's also an album about celebration and survival in spite of being faced with the inevitability of death. i think Cardi certainly embodies this. Cardi is surrounded by death. Prequelle Era begins with Papas I, II, and III being murdered in order to promote Cardi's success, and it ends with Papa Nihil dying, which allows Cardi to ascend and become Papa IV. in a way, Cardi is both a plague rat and a survivor. it's not his fault they died. he didn't ask for them to be killed, and he was not their killer. but he is the herald and the carrier of the true killer, the actual driving force behind everything (Sister Imperator). through all this, Cardi is having a good time! he's dancing the night away! he's glad everyone standing in his way has dropped dead! he is a rising star and he feels invincible! and he is certain he will survive this.

IMPERA and Papa Emeritus IV: the main themes of IMPERA are "spiritual annihilation", reactionary sentiment, and regression. it's about how people who fear progress are afraid of losing their sense of meaning / purpose and their place in the world, so they turn to misogyny, violence, religious dogma, and fascism. they cling to the idea of having a cause to fight for. i think Cardi is certainly criticizing these issues. he doesn't agree with any of this at all. however, there's still a connection between the narrative of IMPERA and Cardi's character arc in this Era. narratively, IMPERA is a concentrated / condensed version of the apocalyptic narrative that plays out through the first 4 albums. it's about the cyclical nature of the rise and fall of empires. IMPERA Era begins with Cardi ascending to the title of Papa. but after the feeling of triumph wore off, Cardi became very aware of and very fearful of his own inevitable end. he knew that no matter how great his achievements were, he would be forced to step down so his successor could take his place, just like his predecessors had for him. Rite Here Rite Now is about Cardi struggling to make peace with this idea. as a side note: i really like the irony of the fact that Cardi was never actually the leader of his own empire– he was a puppet emperor who got his marching orders from his mother. it connects to IMPERA's theme of political manipulation.

[perotovar]

hey sweeties!! kel and i put a list together of all the submissions we got for our event and split them into two masterlists of fics for you all to read and enjoy! this is my part of the list, so if you don't see yours give @beskarandblasters 's list >here< a look and see if that's where your fic/submission ended up!

we can't thank you enough for submitting and helping us give a voice to the smaller writers of the fandom ♥ oh, and for any multi chapter fics/series, we only read the first chapters to make it fair!

please make sure to read each fic's warnings carefully and happy reading! ♥

@iamskyereads - Compulsion (Ezra x ofc!Beatrice)

i can't even begin to describe how much i love this fic already. it's so smart and the worldbuilding?? incredible!! it feels like a sequel to the film, or like it could easily take place in the same universe. just brilliant. and ezra's voice is so clear here, i could hear him saying every word. and the oc, beatrice, is fascinating already, i can't wait to see where it goes!

@all-the-way-down-here - This Is Why We Fight (Dieter x nb!oc!Bell)

i love the start of this. both dieter and bell have excellent characterization and the conversations being had by every character feel so real and are so important. bell's group of friends all sound like friends i would have, and i would love to hang out with them. i love the direction this is going!

@linzels-blog - Delta Palms Tropical Resort (Frankie x f!reader)

ahh what a delightful little fic! it feels very much like an early 2000s rom com and i mean that in the best way! very cute and i love the vibes. everyone's characterization is great and i can't wait to sink my teeth into the rest of it!

@elvenmother - Context and Perspective (Marcus M x f!reader)

completely obsessed with this concept. i love a good enemies to lovers and this is such an awesome way to do it! i always see marcus m fics featuring someone without superpowers, but to have a character that's just as powerful as him? sign me up!

@kedsandtubesocks - In the Dead of the Night (Din x f!reader)

one of my absolute favorite din fics. the worldbuilding and din's creature form is incredible. i love a horror au that's flipped on its head. i also love the "creature is also the hunter" trope and this does that incredibly well. the atmosphere is off the charts.

@ghostofaboy - Rock Bottom (Frankie x original male characters)

god, i don't even know where to begin with this story. it's so raw and visceral and i can't say enough how much i enjoy it. i love reading something new and especially if it's coming from a male perspective. this is, unfortunately, something i could see frankie getting up to. frankie is such a deeply tragic character and this fic does that justice in a dark, but really intriguing way.

@ishabull - The Way We Were Drawn (Marcus P x f!reader)

ohh this is such a sweet fic. i love the imagery painted and the dynamic between marcus and reader is so sweet!

@secretelephanttattoo - Headshots (Marcus P x f!reader)

this fic is beyond sweet and so dreamy. the ideal scenario for anyone, in my humble opinion. who wouldn't want to take pictures of handsome fbi agents and then fall in love with said agent?

@lesbianhotch - you walk by and i fall to pieces (Frankie x f!reader)

THIS WAS THE CUTEST DAMN THING. i love me a nervous frankie (hello, have you read my fic lmao) and this was by far one of the cutest. i'm obsessed with reader's confidence and i just know those two are gonna be menaces once they're together. throw in some patsy cline and i am a goner. this is going on the reread list for sure.

@insomniamamma - Remain Nameless (Ezra & Cee w/ gn!reader)

ok, this one actually made me cry. i'm not sure if it's my own sleep-deprived ass that caused it but this is probably one of the most beautiful but sad fics i've read in a long time. i mean all of this in the best way because i don't normally get emotional from fics. prospect as a movie makes me emotional, though, so it doesn't surprise me that this did as well. it's such an incredible missing scene that i can, unfortunately, see absolutely happening. have some tissues nearby.

@sweetercalypso - Unlikely Friends (Joel x gn!reader)

this fic is one of my absolute favorite fics for joel. a big reason for that is i have a cat named tilly. and imagining joel reluctantly and grumpily cuddling with my tilly makes me emotional, ok??

@softstarlite - The Casualty of Love (Javi P x f!reader)

very cute! i love the awkward tension around not seeing someone for so long and there being a huge glow up maturity-wise from one of them! seeing someone in a new light is always a strange thing and i love the start to these two and their journey!

@julesonrecord - Shots (Jack x f!reader/oc)

probably one of the best post-movie fics i've ever read for jack. the way jack's trauma and therapy is handled is so fucking brilliant and tonic is one of the best fucking characters, god. eva is written so well and i just. i can't recommend this fic enough. if you like jack, hell even if you don't, give this fic a shot. i promise you'll come out of it liking it.

@coulsons-fullmetal-cellist - The Audition (Dieter x f!reader)

goddd this was so cute! dieter's insecurities don't come up very often and i absolutely love what a match he and reader make. she's so sweet with him and takes such good care of him. and he loves her so much and i love them ok

@max--phillips - A Little Lipstick Never Hurts (Max P x f!reader)

this is one of the best explorations into kink that i've ever read. it's so respectful and hot as fuck. completely obsessed with this take on max as a character and i can't get enough of the dynamic between him, reader, (and eventually dieter). it may not be everyone's cup of tea, but i highly encourage you to give it a try. max gets some well deserved lessons taught, and who doesn't love that?

@coastielaceispunk - The Gift of Lingerie (Max L x f!reader)

god, this was so fucking hot. i'm so here for a mentally healed maxwell in a healthy marriage with a fulfilling sex life lol the little bit of teasing on both their parts was beyond sexy and i loved how equal everything felt. ugh, will be rereading this one for sure.

@lotrefcp - Hidden Away (Javi P x f!reader)

i'm obsessed with a no nonsense reader with just as much attitude/sass as javi does lol i just kept reading going GET HIS ASS. an excellent start to a universe i'm excited to sink my teeth into!

@beefrobeefcal - On the Waterfront (Frankie x f!reader)

oh, this is dark. i love the vibes immediately. i've had a weird fascination with the mafia for most of my life and this has that air about it. a dark, chubby mob boss!frankie is right up my alley for sure. i love that he's still frankie tho. sensible, practical, but with an edge. mind the warnings.

@flightlessangelwings - La Estrella de Mi Vida (Javi G x f!reader)

ahhh so romantic and so tragic!! i swear, it's impossible to make javi unappealing but this fic is just so sweet and manages to make me love him even more (somehow). but i love the added drama and tension from outside forces!! i need to read the rest of it asap!

@littlemisspascal - Rockford & Roan (Tim x f!reader)

my god, i love this?? i'm not usually one for superpowers/soulmate au's but i'm in love with the practicality of this? it feels otherworldly without being too much and it's very grounded. i love the reader and the way tim is written is so believable. i love that we as a fandom have created such a visceral image of this character from only a minute's worth of footage!

@something-tofightfor & @the-blind-assassin-12 - Aphelion (Oberyn x Ellaria & f!reader)

goddd the imagery painted in this one. so heartbreaking. absolutely breathtaking. i'm a slut for vampires and i'm a slut for oberyn/ellaria. this is absolutely something i will be reading the rest of lol

@bluestar22x - The Rockford Files (Tim x f!reader)

ok this is insanely good. one of my favorite books of all time is "red dragon" by thomas harris and i felt like i was reading that again while i read this. the details of the case and the cadence of everything was top notch. obsessed with the psychic element thrown in there and i'm beyond excited to see where tim and psy end up next!

bonus:

@sweetenerobert - Fiction vs Reality (Tommy Miller x m!reader)

ohhhh my god. you give me a bisexual tattoo artist tommy miller with stretched ears and i'm supposed to be normal about it??? UNLIKELY. i am extremely tempted to edit this into reality ngl but my god. this was so fucking hot lmao

[bitchslapblastoids]

dumb fic thoughts that are going to sound whiney and like personal complaints but i promise are really me talking big picture about the state of fic engagement on ao3. and i know i've been on this soapbox before and I KNOW everyone who follows me is a homie so i’m really just old man yells at skying about this again, but just let me say all the quiet parts out loud please. I do not wish to be aloof and demure.

1. hits to kudos ratios are so fucking bleak. and i don't mean wrt my own fics, i mean in general, the two numbers side by side is always so dismal to see. hits are kind of a meaningless metric, esp for chaptered fics and for fics that people return to to reread, so i wish ao3 just wouldn't publish them, because it sets up this weird pair of numbers for people to compare and jump to conclusions based upon, even though they aren't actually informative for anyone. Why do I want to know how many people clicked on something? That doesn’t tell me anything.

2. That being said (to make it about me now), I know I’m a good fic writer. and while obviously my fic isn’t going to be to everyone’s taste (puppet smut isn’t a crowdpleaser wym??), I feel pretty confident that out of the 250+ people who have clicked on my brand new fic so far, more than just 17 of them must’ve liked it. which brings me to…

3. people can get so cagey about leaving kudos on explicit fics. this is a time-tested truth. let's let go of this phenomenon! I promise no one's stalking where you've left kudos. if they are, they're a freak. and if they're judging you, they're especially a freak because HEY LOOK, they wouldn’t have seen it if they weren’t on that fic too lol! let's all try and shake off these fucking shackles of sexual shame and stigma.

4. similarly, the # of bookmarks that i can see on an explicit fic i've posted vs the # of bookmarks the public can see is so funny. This one makes more sense to me and I can understand why bookmark choices feel more private. But i will say again, people aren't judging your bookmarks. even if it's smut! no one cares what you get horny about and probably the only reason they'd be looking is bc they trust your judgment and they'd like to get horny about it too lol.

5. lack of feedback/interaction is such a scourge. We all gotta fucking engage with the writers we like! it means so much and it's such a great way to build a mutually supportive community. Also, people who have left comments on my fic and vice versa are the people i became most immediately PALS with on here. It’s a lovely thing to do and it’s not time intensive I promise! Authors don’t seek comments for validation but more because publishing fic is sharing this thing this offering that you became so obsessive and giddy about that you had to literally create it and once it’s out you just want to be giddy and obsessive with others about it.

6. Obvs no one should feel obligated to leave kudos or bookmark or comment on anything they don’t like. Be a discerning reader and engage with what brings you joy! There’s a ton of shlock out there. No one has to pretend to like it all. But societally I feel like we’ve become such selfish consumers - I see it in streaming our favorite music for .0000000000000000000000000000002 cents, in the erosion of concert etiquette, in the rabid sense of entitlement towards celebrities’ attention and time, in the uncredited circulation of other people’s art without a second thought, and in the way apparently only ~10% of readers leave kudos, which are a paltry way for an author to get a sense if someone liked something enough to take the most bare bones possible step of simply tapping a button (you don't even have to have an account! you can leave kudos as a guest!). that's a bummer. I don’t want fandom to be a selfish one-sided space where we’re just taking what we want instead of connecting or building together.

Ok, that’s all ✌️✌️✌️

[ukulelevillainwrites]

who follows the rules anyway?

Part 1 / Part 2 / Part 3 / Part 4 / Part 5 / Part 6 / Part 7 / Part 8 / Part 9

complete

pairing : anthony lockwood x she/her reader

summary : y/n gets fired from Fittes and seeks refuge with George, only to find out he works with the worst guy she's ever met

word count : 3.5k

notes : this is my first fanfic ever, the set up is a little slow but bear with me, the series will be a compilation of all my favorite tropes and in general everything i love to read in l&c fanfics, it's heavily inspired by everything i've read so far so thanks to all the amazing writers out there &lt;3, a lot more happens in the second part that i will upload right next to this one

She wasn’t entirely surprised when she heard that George Karim had gotten fired from Fittes. He did a great job on the few occasions she got to work with him, but he always seemed to take his research too far. She remembered warning him several times.

“Supervisors aren’t as open-minded as I am, you’re gonna get in trouble if you keep bringing up your theories about the Problem to every person you interact with!”

“But don’t you find it weird how research has come so far and yet the Problem keeps growing? The official story tells us that an unidentified event caused it but what if it’s still going on? Wouldn’t you want to know what that was so we could finally put an end to this?”

When he put it that way, y/n couldn’t help but agree with him.

“Sure, I guess but it doesn’t justify going up to the fourth floor when it’s clearly closed to agents still in training!”

“Keep your head in the sand if you want but I’ll get to the bottom of this, I know I’m getting closer already.” George said with a proud smile on his face.

She’d laughed. He was stubborn but she found it endearing.

He had bragged about his latest discoveries after a case the both of them had been working on. It wasn’t the first time. They got along well and took the habit of grabbing an early morning snack on their way back from work. He would mostly tell her about his most recent theory, either about the Problem or his latest obsession, which could take a few hours. But y/n didn’t mind, she thought he was good company and it helped her relax after a case. Though aside from those few moments they didn’t spend that much time together. Especially since y/n became part of Quill Kipps’ crew.

A month ago, she had gotten the good news coming back to work after a weekend visiting her parents in her hometown south of London. She was ecstatic, her roommate El too. Especially El actually. Because they had such a huge crush on him. y/n didn’t quite understand it, but she did admire his career. He had a remarkable reputation among other Fittes agents and being part of his team would certainly boost her career as well. She had her heart set on moving up to management and someday become a prominent figure of the Fittes organization. But to reach this goal she’d need to be as remarkable as Kipps, better even. She wanted him to notice her, to see how great her Touch was but most importantly how organized and responsible she could be under pressure. She needed him to think she could be a great leader and sought his attention on every occasion. Because of that she and George drifted apart, going from work friends to acquaintances that simply exchanged passing hellos at the archives or the Fittes headquarters. Before she even thought of reaching out to him, he was gone.

“Did you hear?” El had asked her as she walked into their shared room.

“Heard what?”

“That annoying guy finally got fired!”

“What George? He wasn’t annoying he was sweet!”

“You have weird tastes in friends.”

“Yes, I do.” She told them with a wink.

“But do you know what happened? Most supervisors were pissed and wanted to involve the cops!”

“What? Why?”

“Because he tried to break into an office! They caught him trying to pick the lock! How crazy is that?” El seemed to relish the drama of the situation as their face lit up with a smile that seemed inappropriate under the circumstances.

“That is crazy but as much as I love to gossip, I really need to get some sleep.”

y/n got ready for bed and set her alarm for the following day. She had to do some research at the archives with her teammate. They would join Kipps later at the client’s house. It shouldn’t be too difficult since it seemed to be a Type One but she really needed to impress him. She had to be the perfect agent: quick, focused and perfectly prepared. Even though she was always very professional she still needed some rest.

y/n was a heavy sleeper and had very vivid dreams. Ever since she was a child, she had some of her nights disturbed by complex dreams that felt so real she would wake up exhausted the next morning as if she hadn’t slept at all. It hadn’t happened in quite some time, but that night y/n wouldn’t get much rest. She found herself in the middle of the woods, barefoot, standing in a clearing. The ground was covered with an emerald green moss that felt soft beneath her feet. She looked around but couldn’t see much beside the shadows of the surrounding trees. A thick fog made it hard to see where she was. Disoriented and lost, she started walking towards the nearest tree but, a few steps in, her right foot sank in ice cold water. She realized she was in the middle of a pond, stuck and unable to reach the shore. A frog jumped into the water behind her and made her turn around. A girl was standing in front of her. Her auburn hair was slightly curled, and her bangs delicately framed her brown eyes. She was slightly smaller than she was, about the same age, her face showed no emotion at all.

“Find me.” She said in a neutral tone.

y/n furrowed her brow, not understanding what she meant. As she opened her mouth to ask her to explain the girl repeated

“Find me.”

Without moving she somehow floated above the pond and retreated into the woods. She mouthed the same words one last time before the fog engulfed her. y/n woke up with a jolt, disoriented and terribly thirsty. What was that about? she thought. She didn’t have time to ponder since she hadn’t heard her alarm and was already late to meet up with her colleague.

“I’m so sorry I’m late Bobby I hope I didn’t make you wait for too long…”

“It’s fine but hurry up. Kipps insisted on gathering as much information as possible.”

“Really? But everything indicates a Type One right?”

“The problem isn’t with the dead but with the living. Didn’t you pay attention to who our client is?”

“Mrs Overton? What about her?” Bobby had an exasperated look on his face and sighed heavily. So much for being the perfect agent today.

“Her husband owns Overton Watches and basically runs a luxury empire and she is on the board of the Sunrise Corporation. She and her husband are close friends with Penelope Fittes and we cannot screw up this case otherwise our team will probably end up at the bottom of her list next time she needs trustworthy agents.”

Oh, I’m not rested enough to deal with that.

“Okay then, let’s get to work.”

They spent the whole day at the agency’s archives. The Fittes database did help a lot to find more information about the Overtons’ house but overall, it was a pretty boring case. The house was old, dated back the 1800s, it belonged to Mrs Overton’s ancestors, one of them died because, well, they had to at some point, and felt like coming back. This great grandmother didn’t live any kind of extraordinary life and decided to haunt the place in the same unremarkable way. Y/n had trouble staying focused. The case was not fascinating, far from it. Her mind drifted and came back to her dream. In hindsight it wasn’t that disturbing. It was just her brain making stuff up. But she couldn’t shake the feeling she had felt when the girl had spoken to her. There was something magnetic about her voice and it had an intensity that didn’t match the lack of expression on her face. It bothered her. Why couldn’t she stop seeing her face?

Bobby got up to put back some newspapers and the sudden movement next to her brought her back to reality. Right, the Overton case. Everything indicated a Lurker, so y/n wasn’t too worried about tonight. She could still make up for today’s start. Plus, her talent would probably be the most useful. This unseemly case might serve her after all.

As she walked back to their table after putting a book back on its shelf, she accidently bumped into someone.

“Oh I’m so sorry!”

“It’s okay don’t worry.”

“George? Hi! What are you doing here?”

“I came by to pick up the rest of my stuff…”

“Oh right… I’m so sorry about all this.”

“Don’t be I kinda deserved it anyway. Though I still think I was right.”

“About what?”

“Mrs. Dufour stealing sources. It’s pretty obvious she can’t afford to live the way she does on a supervisor’s salary, and she always looks like she’s plotting something. She reminds me of relic men. I never liked her.”

“Well to be fair you don’t like a lot of people… it looks like I missed your last hyperfixation… but it seems like a stretch and accusing her of something like that… Was it really worth getting into that much trouble?”

“I’m not chipper about it, but I’ll be fine. I already found something else, a friend I can still work with, maybe you know him. We live in-”

But y/n wasn’t listening. Bobby was calling her, telling her that they had to get moving to get to their client’s house before sundown.

“I really have to go George I’m sorry. But I’ll miss our walks filled with your crazy theories.” She said with a smile.

“If you want to come by for tea, we’d be happy to have you. 35 Portland Row, don’t forget!”

“Sure, I won’t! Good luck!”

“Thanks, you too.”

She hurried to catch up with her colleague. She really was going to miss him even though they weren’t that close she had grown used to seeing him around. But she couldn’t believe his theory about Mrs. Dufour. It sounded like he wanted to see evil everywhere and was looking for something to distract himself with. A made-up scenario that justified why he disliked her at the same time. Nothing more.

----

“Good evening, Madam, we are a leading team from Fittes. We were assigned to make your house safe again by Miss Fittes herself.”

Kipps always had a very humble way of introducing them to their clients. As proud as y/n was of being on his team, she didn’t feel entirely at ease with his elevated figures of speech.

“Yes, I was expecting you. Penelope told me she put one of her best teams on my case. I was very flattered.”

“Well, we do not want to appear overly confident, but we will be most efficient to take care of your problem. May we come in?” she asked.

“Of course, please. I suppose your supervisor will be here too?”

“Yes, Mrs. Dufour will be here shortly.” Kipps answered.

y/n abruptly turned around to look at him.

“Mrs. Dufour? What happened to Mr. Fowler?”

“He got called by DEPRAC to deal with some details on the last case we did. You know, the one where it only took you two minutes to find the source after Bobby and I spent a half hour looking for it. It was really impressive I was glad you were here.” He told her with a wink.

She felt herself blush. She wasn’t used to being praised and certainly not by a prominent agent like Quill Kipps, even after a month of working together she still felt flustered. Maybe that last case made up for the horrible impression she gave him on her first week. And she was going to keep proving him how great she was.

The praise was so unexpected it made her forget who their supervisor was for a moment. What were the odds that on the same day George told her about his suspicions she had to work with this potential traitor? She could not let George’s wild theories cloud her judgement. She was here to do a job, a relatively easy one given their research, and she was going to make a wonderful impression on both Kipps and this high-profile client. She took the lead and went inside.

As they stepped into the house, they were greeted by a white marble entrance furnished with glass cases displaying various clocks and watches, certainly a history of the famous Overton watches and mechanisms. The sun was already setting, it hit a crystal chandelier which reflected golden light over the walls. The pieces shone behind their glass. Their client guided them through the hall into the kitchen were teacups and biscuits had been served. Mrs. Overton took a seat and the three agents followed. She seemed at ease with the situation even though the young adults she had in front of her were here to rid her of a ghost. She sat at the head of the table, perfectly in control as if this meeting was a business reunion like any other. She was in her late fifties; her hair was silver and styled in an elaborate hairstyle. She looked both serious and relaxed at the same time. She was aware of the risks but wasn’t worried about the situation, like she had total faith in the team in front of her.

“While we wait for Mrs. Dufour maybe you could tell us more about what has been troubling you?” asked Kipps.

“I believe the haunting began about three weeks ago. My husband started feeling uneasy when he got home, and I felt the same fear shortly after. We never saw or heard anything we just feel watched.”

“I’m sorry to hear that Madam.” y/n tried to comfort her.

“The research we did on your house indicates that it’s been built in the 1800’s and never left your family is that correct?” Bobby interrupted.

“Yes, I inherited it about 2 years ago, but we only moved in this year.”

“We believe the haunting might be caused by one of your ancestors, a certain Emily Abbott, could you tell us anything about her?”

“I’m afraid I’ve never heard of her before…”

“So, you wouldn’t have any idea what her source might be?”

“You might have a late night ahead of you. When we moved in, we kept most of the furniture that were already in the house. For all I know any of these pieces could be the source.”

That wasn’t good news. Hopefully with her Touch y/n could save them some time. They could start at the bottom of the house and work their way up, going from room to room as she touches different objects hoping for some result. As she organized the night in her head the front door opened.

Mrs. Dufour immediately filled the room with her presence. Mostly because she spoke at length and didn’t let the team finish asking their questions. She thanked Mrs. Overton for waiting for her, ushered her out of the house and gave them her directions for the night. Not even Kipps could object. She wanted him to stay nearby while Bobby and y/n were to explore the house to see if they could pick up anything. She felt for Kipps, this seemed like a monumental waste of time for him. But they couldn’t do much about it, agents were supposed to follow their supervisor’s instructions, they were in charge after all.

They searched the house until midnight, making rounds, going up and down the floors, looking for potential sources or trying to pick up any kind of psychical activity but came back downstairs empty handed. How was she supposed to impress anyone with a case like this? y/n and Bobby went back to the kitchen to report the lack of activity to Mrs. Dufour. 

“We’ve searched the entire house three times but unfortunately none of the objects we picked up gave any sign of psychical activity, the visitor hasn’t shown up yet and Mrs. Overton couldn’t give us more information. I’m not really sure what more we could do for now.” Bobby looked defeated. Or bored. Probably the latter, it was an exceptionally boring case. y/n was growing tired at the lack of action. It made her mad that someone could hire one of the best teams in London to take care of such a benign problem just because they had money and connections while hundreds of homes were threatened by harmful Type Twos and couldn’t do anything about it.

“Do I really have to tell you two how to do your jobs? Keep looking and take this seriously. I hope you realize who our client is, I can’t allow any mistake tonight.” Her authoritarian tone made y/n see why George disliked her. Clearly, they must have gotten into a few arguments on several occasions. But she couldn’t understand what would make him think that she could steal sources. She seemed to take her job very seriously. Sure, she was a pain but that didn’t mean she was a criminal.

“I’ve got something here! Bobby, y/n join me in the hall.” Kipps called.

They drew their rapiers and walked slowly into the hall. Kipps was looking at a corner where shadow had gathered. There was a faint, almost indistinguishable human shape lurking there. But it didn’t move, and it didn’t seem to want anything more than just stand there.

“I’m going to keep an eye on it while you two look for the source.” Kipps told them without averting his eyes from the dark figure.

“But what more can we do we looked everywhere already.” Bobby said with a sigh.

“Well,” Kipps turned to her. “y/n, got any ideas?”

She didn’t answer. She hadn’t heard them as she was lost in thought. Mrs. Overton hadn’t mentioned anything about the display cases here. But she should have. There were marks on the walls behind them, and again on the marble floor. It was a clear sign that bigger and heavier furniture had been removed to make room for new ones. That change alone could have triggered the ghost. And since they were behind glass, they hadn’t tested any of the objects on display. Though they were all Overton Watches so, clearly, they didn’t have anything to do with Mrs. Overton’s ancestors. Another dead end. She lingered in front of the central display, slowly losing hope. If such a ridiculously small case was too much for her, what was she even doing here? Sure, the two guys accompanying her weren’t inspired either, but she was disappointed in herself. She had dealt with dangerous situations without flinching, but a Lurker case was getting the best of her. That was embarrassing. She rested her hands on the case and looked down at the watches. There were four watches spread across a silk white sheet surrounding a bigger, more ancient clock. They didn’t seem that impressive. Why were people making such a big deal out of them? The clock on the other hand was more ornate and had required skilled craftmanship. The mechanism was apparent and intricate. It was still working which was most impressive. A golden crown rested delicately upon a mother-of-pearl dial, the needles moving steadily around. Right beneath the number 6 was engraved something almost unreadable. She squinted to see better. The initials EA were written in golden letters.

“I’ve found it! The source! It’s this clock right here!”

“Nice work y/n. Keep an eye on the ghost I’ll take care of the source.”

They switched position and she kept her eyes on the shadow as Kipps tried to get the clock out of the display.

“I can’t get to it, it’s locked. I’m gonna have to break the glass.”

“No! Don’t do that Mrs. Overton would be livid. Bobby go get Mrs. Dufour and Kipps don’t touch anything please.” She said with her back to them, her eyes still staring at the corner.

“Did you find the source? What is it?” Mrs. Dufour asked, suddenly in a hurry.

“We have reasons to believe this clock is the object causing Mrs. Overton trouble.”

“That’s really nice work Mr. Kipps congratulations.”

“I much appreciate your praise, but it has to go to y/n. She found the source. As we don’t have a key, I offered to break the glass, but y/n thinks it would upset our client.”

“Well thank you Miss y/n for using some common sense. We cannot break anything in this house.”

“We could drape a silver net over the case and come back in the morning to pick up the source.” She offered.

“I think it would be best. Thank you again for your prompt judgement here.”

“It was my pleasure.” She blushed. It was nice to have her efforts acknowledged, no matter how small. This supervisor might have been a stickler, but she recognized good work, it was enough to satisfy her. This case turned out pretty well after all.

[phdmama]

I'd absolutely love some sterek fic recs because I'm trying to broaden the ships I read. I've watched the first 3 seasons of teen wolf but haven't read any fics and don't know where to start. I'm fairly open to reading any content, although I'm not the biggest fan of like the common school/coffee shop etc AUs.

Also I love how you're gotten into blogging hockey recently. Have you read any hockey rpf since getting into nhl? Personally sidgeno and mattdrai have my heart, but like I said I'm looking for new ships to read like sterek.

WOOOO LET'S GOOOO!!

As always, read the tags etc etc. Probably a lot of these will be author recs. I will say Sterek has the potential for an age gap concern but I don't read fic where that's written as a predatory thing, FWIW, but I do read some where Stiles is 17 but where I feel like it's handled at least somewhat gracefully

Gravity's Got Nothing on You by @zosofi is great - I really like all their stuff actually!

@kalpurna's Fascination and @drunktuesdays' bigger, longer and uncut are both *gems* - so funny.

We've Written Volumes (in Blood and Scars and Ink) by @notthequiettype is absolutely brilliant, one of my fav fics of all time, way up on my reread regularly list. They only have one other Sterek but I love that one too (and they write hockey rpf but I haven't really dived in there yet!).

The Moon's Gonna Follow Me Home by @turningterrific is stunning. They're SUCH a good writer, although sadly this is their only Sterek (but they have written some amazing hockey RPF as well!).

Every stumble and each misfire by @everchanginginks is fucking phenomenal. True story, I read this fic and then didn't keep track of it but it stayed in my brain, and I spent literally HOURS combing my AO3 history to find it, and when I did, I promptly downloaded it and created the "Best Ever" collection on my Kindle specifically for this fic.

Everything by @suburbanmotel. They are an incredible writer and even more incredible person and I'm so lucky to call them a friend!

I really love @lunacanislupus-22-blog writing but particular favorites are: Feel it like a fever, burning through the night , Spirit grows when love goes away and I know that you love me, even when I lose my head (and I'm not normally one for amnesia fics because they make me SO ANXIOUS but this one is SO good).

Cornerstone by Vendelin is really good too (mind the tags on this one).

By Any Other Name by @entanglednow is fucking phenomenal (and again with the amnesia fics?!?!) and so so well-written. Check out all their stuff!

I really love @devildoll's writing very much a lot! Particular favorites include: Come with Me and Walk the Longest Mile (and I don't usually gravitate to post-apocalyptic fic even though I love the genre in fiction but this one is fucking brilliant); Stand Fast in Your Enchantments (painful and so good); My Heart Comes Tumbling Down (OH MY HEART) and Love, Like a Sentence of Death.

There's Monsters at Home by @wellhalesbells | calrissian18 is a classic and really good! They've written a ton of really great fics (the Hilary Duff lyrics one is a another personal favorite!)

Not Quite Lost (Not Quite Found) by @alocalband is gorgeous. Just. beautifully written.

stuck in reverse by @crazyassmurdererwall is also really good! Definitely check the tags on this one, as it is Stiles still in HS.

Start Small, Like Oak Trees by smallbirds is really lovely. Everything of theirs that I've read, I've really liked.

Okay, just a couple more I promise!!

The Difficult Kind (series) by whiskey_in_tea is an old one but really really wonderful.

The First Date series by @halffizzbin - the whole thing is delightful but I absolutely adore the final installment!

I will note that many of these authors also have Hockey RPF fic, JUST SAYING (I really am fascinated as to what that pipeline is??). I've read a ton of hockey RPF as well (sidgeno for sure) and I'll check out mattdrai now!!

Anyway, hope this helps as a place to start!!

[donnerpartyofone]

This morning I went over to the church to see my favorite guy, who is so often surprising and challenging. He seemed a little out of sorts today, stammering and losing his place; I sometimes worry about this old guy, and I was paying attention. Then at the end of the mass he said that they're having air quality problems in the rectory and the EPA is involved. I hope he's not getting brain damage!

It was sort of funny, though, because the homily was about having trouble focusing--not being able to concentrate, and having anxiety about the future. That was pretty relevant to me, medically and otherwise. I'm writing this on the morning of the new moon, just to be extra flaky, about how much trouble I have forming goals.

Pursuing goals is also hard, but step one should be having a vision, and that's the really impossible part. When I was a little kid I had two ambitions: to be a writer, and to be dead. The latter thing represents one of the main motivating forces in my life, which is pain avoidance. I think this is the chief motivator of many people without them even realizing it; comfort-seeking itself can be a form of pain avoidance. Pain avoidance is not a legitimate goal, it's more of a reflex, and it can become a preoccupying distraction from any kind of actual ambition (especially as fulfilling ambitions often involves some amount of discomfort). Focusing on what you do not want is not equivalent to focusing on what you do want.

I never had a very good idea of what I want. I found this out when I went into therapy as an adult; I couldn't formulate any notion of what I wanted out of life. I couldn't even come up with any masturbatory, pie in the sky fantasies. I might vaguely be able to say something like "a bigger, nicer apartment", but I can't come up with any compelling ideas about what that would even look like. I try, but I know I'm faking it. Certainly part of my interest in religion and occultism is the idea that I could train myself to really clearly conceptualize any kind of goals or desires. In the case of occultism specifically (and, let's be honest, many forms of self-help), visualization is always a key element. In recent years I learned that I am abnormally incapable of forming mental images, and I have come to believe that this is intimately connected to my inability to figure out what I want or how to get it.

Nearly all of my thinking is verbal. I found out what aphantasia was while talking to my dad, who is extremely visual with an excellent grasp of spacial relations (something I have almost no concept of). He was shocked when I said I can't really picture anything, asking me "Then how do you do anything?" He said when he decides to make a sandwich, for instance, he automatically sees himself performing the actions of sandwich-making, and sees the aspirational sandwich in his mind's eye. Visualizing is essential to his entire executive process. It so happens that I am aphantasic and I have a lot of executive dysfunction. I no longer think this is coincidental.

(I'm also very faceblind, and I think this is connected; something to do with the ability to reconstitute a visual memory and relate it to something that is presently in front of me. But anyway...)

Perhaps oddly, I am an artist, or at least I have been. But I've never been able to draw from my imagination, like at all. The best work I've ever done is all swipes; I am a great believer in swipes, it can reveal a lot about your personal style and obsessions and when you re-draw someone else's art. But I can't just sit and think up something fun to draw, even when I try to just doodle I'm usually responding more to the lines I see emerging on the paper than anything I'm thinking or feeling. I think this is related to the fact that I'm an obsessive scopophile; I take in a lot of detail from my environment, and I watch movies with the same attitude and frequency with which most people listen to music. Recently I started to joke that I have an image deficiency and that's why I have to consume huge amounts of visual media, I need the external infusion. But like, it's not that much of a joke, maybe.

In my 30s I randomly developed this condition where scar tissue grows over your corneas, and I had to have a series of freaky eye surgeries. My doctors always asked if I grew up somewhere warm and sunny and windy, if I do a lot of outdoor sports (sometimes this condition is called "surfer's eye"); I thought this was pretty funny since I couldn't be more of an indoor kid, although maybe cycling is somewhat at fault. Still, my preferred diagnosis is that I watch so much trashy and violent crap that it literally scars my eyes. It's as good an explanation as any! And it does have this weird synergy with my other visual problems.

Anyway, it's not as if I've done absolutely nothing with my life. Quite a few personal achievements piled up in just the last couple of years; certainly I've benefited a lot from luck and the good will of others, but nothing would have happened without my own creativity and commitment. I just wish I had more, you know. Vision. I spend too much of my life "taking one day at a time" and waiting for things to happen to me, assuming I don't have much control over my experiences. I'd rather be able to imagine something that I want to happen and act on it; regardless of whether the thing is going to happen, I'd like to be able to formulate a goal other than paying the rent, or like, not waking up and going to sleep in a state of stark terror. I'm not sure how to get myself to that place, but maybe saying that that's what I want can count for something.

Anyway here are some photos of the thoughtfully planted shrubbery from the church. I missed the full bloom of the weeping cherries, but as soon as they die off the shrubs below turn bright red, pink, yellow, and white. It's pretty inviting I must say.

[intheticklecloset]

Hellooooo!! I hope you are doing well Nym, I've been thinking of watching Seraph of the end and hearing tickle ideas/moments might be the final nail in the coffin!

I also won't lie, I saw your new special menu and practically ran because your work is always so amazing and cute and never fails to brighten my day

On that note, may I ask for a liiiiittle order of Ranpoe 🍉🥡? I hope you enjoy writing this as much as I'm sure to enjoy reading it

🍋 Lemonade Special Order 🍋

~~~

“Huh? Where’s my last chocolate bar?” Ranpo frowned into the basket between him and his partner, rifling through it as though it would magically make said item reappear from thin air.

Poe frowned back at him, a tiny crease on the corner of his mouth tipping the detective off that he was nervous. “But…you brought three of them. I thought they were for us to share. At least, I assumed one was for me…”

Ranpo stopped his rifling and glanced up very slowly at the taller man, who shrunk back a tiny bit. “You ate it?”

“I thought you said we were sharing this picnic,” Poe defended himself, though that worried crease never vanished. “We split everything else.”

It had been nice, actually. Poe didn’t get away from his work much, so while at first he was stressed that Ranpo was dragging him from his desk and writing tools to enjoy a lunch in the great outdoors, after a while he’d relaxed and actually found himself having a good time. He’d considered himself lucky to have a boyfriend that looked out for him.

But now…

Ranpo closed the top of the very stereotypical picnic basket and blinked. “You know I love my snacks, Eddie.”

“I…I’m sorry,” Poe tried.

“Now I’ll have to tickle you.”

The poor writer barely had a chance to register the wiggling fingers Ranpo was teasing him with before he’d been pushed onto his back on the blanket, said fingers digging roughly into his sides and ribs. He desperately tried to suppress the shriek that rose up in response, but after only a few moments he couldn’t help but toss his head back and cackle into the warm spring air, gripping the detective’s arms as he pleaded, “Nohohohohohoho, I’m sohohohohohohohory, Ran!”

“Not good enough,” his partner said matter-of-factly, though if Poe had been at all coherent he’d have seen the teasing smile on the smaller man’s face. “I won’t stop until I have you snorting with laughter.”

“Whahahahahahaha?! But thahahahahahahat’s embahahahahaharrassing – Rahahahahahahanpo!” Poe tried to squirm away, but his boyfriend plopped himself on his lap to keep him in place, tickling wildly along his ribs, sides, and belly – the trifecta of ticklishness that always had the author begging for mercy. “Plehehehehehehehease, stohohohohohohohohop!”

“You know what I want to hear~”

Then Ranpo found the special spot that made Poe spasm like he’d been electrocuted, his laughter heightening to the point it went silent, followed very shortly by a loud, adorable snort.

“There it is,” the detective said with a grin, slowing to a stop as promised. He chuckled as his boyfriend regained his breath and brushed his bangs from his eyes. “I’m just messing with you, Eddie. The last chocolate bar was for you – I just wanted an excuse to tickle you. You never let yourself really laugh unless it���s just the two of us, you know?”

Poe blushed, bringing his hand up to rest atop Ranpo’s on his cheek. “Thanks, Ran.”

Ranpo grinned with pride and leaned down to kiss him. “Anytime.”

[goodluckclove]

has anyone ever told you about how kind you are other writers? i'm telling you.

i'm in a bit of a block myself. i'm trying to write this -- dramatic opening, of sorts. but i just can't figure out how to word it. i need that *first line* for everything to flow out of me.

general itinerary: protagonist character is sitting in the lobby of a criminal organization they're no longer apart of, their old buddy pal friend in the organization sees them and is like "hey you shouldnt even know where this is" and then the protagonist is like "yeah well my friends told me about it" and then said friends blow the front door open and raid the place.

i just need like, a cool word or something. something to get that first sentence down. because then i know i'm gonna write myself something amazing.

I got it.

Cool words: Soliloquy, amicable, chartreuse. Three coolest words.

No I'm kidding. Wouldn't it be great if it was that easy, though?

Openings can be tricky. I kind of feel like some people push the concept of that killer opening line a little too hard. Like, if you can think of one that's great. Moby Dick has one. But I'm not about to read Moby Dick, you know?

For me, personally, I focus less on the opening line and more on the opening set piece. In my eyes when someone's considering a book on a shelf or on a screen you have a little more time to hook them in then the first sentence. I'd go as far as to say I give new writing a solid few paragraphs before I know if I'm down to keep reading.

So maybe the line doesn't have to be quotable on its own, but it starts contributing to a unique tone for the scene. And your opening scene sounds like a hook on its own - a clever misdirection from something seemingly casual to an exciting action scene. I think building up in terms of thematics could actually work in your favor.

Also, frankly, if you're working on a first draft you can always change the first line later. Who's going to stop you? God? God is busy. God's writing their own novel.

Free yourself, my friend. Focus less on a perfect first line and more on a solid intro scene. You don't walk into every new group of people with the intention to immediately land a perfect backflip. I mean, if you can - sick. But otherwise you can still make a friend.

We're friends and I've never seen you land a single goddamned backflip.

[mdhwrites]

The Lumity Kiss is Bad

Which is really weird when the actual, physical kiss is pretty much textbook perfect. However, this isn't a quick kiss or a throwaway one. It's the BIG kiss in a romantic subplot. The second half of the resolution we got in Knock Knock Knocking with the confession and the show frames it that way. As such... The kiss is more than just the kiss and it's every element around the physical action that ruins it, making even the textbook nature of it somehow flawed.

Let's start with the positive though. Now I've actually said I don't like how the kiss is animated and I do kind of stick to that. If you go to the 57 mark of this clip of the kiss, you can literally watch as Amity's face slides back to being on model.

And kind of like a lot of moments in the show with big budget animation, that's not a HUGE issue but it is deciding that frame rate and smoothness is king for good animation without considering how jarring it is to watch in the show and if it actually fits within the style of the show. I find TOH fights WAY more enjoyable to watch when isolated by themselves because of this because they aren't in an uncanny valley where they feel like a well produced fan animation than something official and I do still hold to that with the kiss itself. I just wish I could better describe why.

BUT! I said I had a positive to talk about and I do. For three seconds, the scene is just right. Luz says the date will be perfect before then Amity, looking at Luz, the person who the mere thought of was comforting her and who she's been worried about for a week, decides to go in and kiss her. Her hands are gentle as they take Luz's face and she leans in. Luz is shocked that this is happening but then quickly gives into the bliss and holds Amity's hand in her own. It is sweet, quick but incredibly impactful. It is a textbook example of how to do a kiss that one half of the pair didn't see coming and the couple are meant to be deeply in love. It's nothing new but doing the classic spot on is never a bad thing.

Those three seconds die the second Luz says, "Crikey," let alone the fact that it's in an Australian accent. And don't get me wrong: You do not have to make a kiss like this sappy. I Was A Teenage Exocolonist has a romance route with a very clinical, scientific person and when you two get together, she snarks at you if you ask what next. That I should know her well enough to know she has a logical decision deduced from what is correct for the situation.

"So are you going to kiss me or am I going to kiss you?"

Great. Amazing. Silly and not taking itself too seriously but above all else IN. CHARACTER.

I'm sorry to break it to you all but Luz is NOWHERE NEAR "Lol, random" enough for this. Hell, in both this scene and Looking Glass Ruins, the writers point out how Amity is driven to act on emotion and on what her brain pulls her towards more than Luz, especially on this topic. It's why Amity is ALWAYS the one to do the firsts in their relationship. Meanwhile, Luz's only times where she blurts out something random is "Snorses" which had a clear correlation to what was happening and "You damn rat!" which also was explicitly tied to the stimuli causing it.

What stimuli here makes her go "Crikey" and turn FUCKING AUSTRALIAN!? The only reasonable excuse I could even think of is to say she's a huge Crocodile Dundee fan but Luz was born theoretically somewhere around 2006, literally TWENTY YEARS after that movie came out and I don't feel like Camila would push something like that for her to watch or really fits in with most of what else Luz seems to enjoy.

Fucking BAZINGA would have been more in character because at least nerds still mock Big Bang Theory. Other options for a random word or reference would have been "Excelsior!" or "Wahoo!" as she jumps into the air like the hyperactive gremlin she's supposed to be.

Neither one would work though in general because the tone and framing of the scene isn't right for a joke, let alone this sort of joke. Part of what makes the kiss feel so justified in this moment is the setup... Though only on Amity's side. I'll get to the problems with Luz's setup for the kiss in a bit.

Amity has thought Luz might be dead for a week. She hasn't heard back from her, she's scared, distressed and strung out. She wants things to go back to simpler times like in Season 1 when things weren't so scary. She's emotional and is actively using the thought of Luz as a way to comfort herself. Then, out of nowhere, Luz comes in, promising romance, better times and safety, all while proving she herself is safe.

It is perfect setup in a story like this for the first kiss. Honestly, they could have gone one step farther and mentioned that they haven't even had a big kiss but they went with the missing out on the date element, which works just as well. It's nothing new but it's correct. It's good. However... It's also genuinely serious. Like this is effectively Amity laying out exactly why she likes Luz. The strength she gets from Luz. Why this relationship is important to her. It is great setup for an "I love you," or a first kiss.

It is a REALLY bad setup for a joke. However... as bad Luz's joke is... Amity's is actually worse.

"I can't believe I just did that!"

Yeah and I can't believe that in this moment that should show how far Luz and Amity have come as a couple, the strength and joy they've gained after being a couple for half a season, you're literally reacting the EXACT same way as you did when you kissed her on the cheek back in Looking Glass Ruins. It doesn't matter that you have nicknames now. That you two keep twirling each other about. Have had deep conversations about Luz's pain while Luz ignored yours. *eye twitch at Reaching Out* And it doesn't matter that in this moment, you have EVERY justification to be confident in this choice. To simply happy and overcome with emotion that your partner is simply ALIVE.

Her response should have been, "I'm so happy to see you," not literally going back an entire half a season for a cheap, repeat gag.

To be fair though, while this entire scene, from the moment it cuts to Amity talking to Emira and Edric, is obviously paying reverence to how big of a deal this is and trying to make the kiss be correct... The jokes are in keeping with how quite literally the rest of the episode treats Lumity. Remember, this episode starts with Luz claiming she'd like to pull a romantic rescue but deciding to opt out because despite having literally nothing to do with the plan, and likely being detrimental to how stealthy they need to be because fewer numbers are better here, she would rather be prepared to help Eda and King than actually break her girlfriend out from being grounded by the EC. This is despite, in Luz's own words, "You know me. I'll always choose the chaotic option." That... Isn't a good starting point.

Then the rescue is comically easy and Luz doesn't actually do any of it. It's all Gus, Willow and Hunter. Luz just gets to take the credit and get the big hero kiss, which this ABSOLUTELY IS. Amity was a damsel in distress for Luz to save, complete with a kiss for doing so. That's also without getting into how pathetically easy the save is. Like Willow doesn't even have to try to bury one dude and an abomaton ALIVE under ground. Frankly, I'm amazed that guard is still alive.

It's just a lot of stuff way too easy to be leading into what is the final payoff for your romantic subplot, let alone one that has taken up a THIRD of your story so far.

The rest of the episode isn't any better though. This should be an episode about Lumity. It starts with talking about Amity in trouble. Then it saves Amity and does the big, climactic kiss... But we haven't gotten Luz's side of the relationship yet, have we? We haven't gotten her speech like we did Amity's. We haven't gotten anything to show her deeper care for Amity and while Amity is talking about Luz's quirks and her kindness and the strength she gets from her, Knock Knock Knocking is really the closest we've gotten with "Awesome and pretty" which is vague and shallow. This is your chance to fix that.

There's even a perfect moment. Odalia threatens their relationship and says Luz isn't worthy. Have Luz agree... But then say it doesn't matter what her or Odalia think. That she is lucky to have someone as smart, dedicated, and passionate while having a sweet center that despite all her fears, anytime she's with Amity, she knows Amity is going to give her the chances she needs. Is going to understand what she's trying to say instead of looking at how weird she is and rejecting her. Take ten, twenty seconds to do that... While in the background, we can see Gus obviously thinking about something, glance at Luz, and then start working on a spell circle.

The shield comes down, get the dramatic reveal of Alador and then cut back to where Hunter is holding Amity's hand. Same effect as the show but allow Gus to make the plan of his own volition because he wants to protect his bro and this was the best he could think of. He thought Luz would be more capable of defending herself due to glyphs and that Belos was less likely to kill her than Hunter. Also, it was in a panic and the best he could think of.

INSTEAD, we get Luz ignoring Amity's problems with her parents for the THIRD FUCKING TIME and focusing on the white boy in the cast instead. In fact, I don't think Lumity talk to each other ONCE after the kiss scene. The focus is too much on the plot and Amity's angst and I could do an entire blog about how little Luz actually engages with Amity's character arc and plot elements. It makes it real rough analyzing old episodes for Amity's arc when you realize how much Amity jumps in her arc without almost any input from Luz on elements that are suddenly gone.

And this would be OKAY... But it makes the kiss feel like... Well, honestly like a gag. We're at a point in the show after all where very little of it is trying to be funny. Even Gus and King are being taken seriously now and Amity will be a joke for most of S3, especially in Thanks to Them. Even her standing up to her mother is lightly mocked by Alador sounding like he's just saying sweet lies in telling Amity that she was close to breaking the barrier. It's WEIRD the treatment of it when it has consumed so much time and the framing of the actual moment is so serious.

And I want to be clear: I am happy they kissed. I am not against this because it's two girls or anything like that. I'd criticize this no matter the gender, race, etc. of any element here because it is just flatly bad romance writing. The only parts that function are either cut off at the knees or the one part that has the characters too silent to actually harm the moment.

And I think the last thing any of us wanted for Lumity was for it to be treated like a joke.

======+++++======

I have a public Discord for any and all who want to join!

I also have an Amazon page for all of my original works in various forms of character focused romances from cute, teenage romance to erotica series of my past. I have an Ao3 for my fanfiction projects as well if that catches your fancy instead. If you want to hang out with me, I stream from time to time and love to chat with chat.

A Twitter you can follow too

And a Kofi if you like what I do and want to help out with the fact that disability doesn’t pay much.

[autumnbrambleagain]

Hi, first time reader, first time caller. I ended up reading proselytize in between my various beginner runs in qud to keep me motivated. It's really good! You're a very talented writer with a great sense of pacing, character and style! I was just wondering though, do you have default builds for all the daughters of nafpor, or are they more like archetypes?

oh gosh thank you! i am always stunned at how well received proselytize has been, i'm glad people are enjoying it so much

i experiment a lot with them when i play them, so i have a lot saved, although TBH a lot of them are older characters from over a year ago

here's suir softbeast's canonical build, although this is just like. her base, larval form without any of her chimera stuff. there's a mod that lets you pick what your chimeric limbs are when evolving so you can have the exact same suir softbeast experience, the randomization of it means any future suir i play without that mod is going to be a radically different suir

you'll notice her intelligence is like, pretty high! it's said in the game she ends up being one of the best tinkers in qud and just convinces herself she's only good for being a blodshedding hedonist. my suir build strats were pick every physical mutation i could get, get extra limbs, the usual chimera stuff. i used swords as my main for the DV bonus and lunge action economy stacking, and axes in all the other offhands for dismemberment procs

it uses the marshtaur sprite, although i'd wish in a tattoo gun and recolor her in all white and gray. if i ever played her again i'd probably modify the sprite to make her look more like herself

here's tiyu-yutep's last build. psychometry isn't actually Very Worthwhile, but it was thematic and i'm the kind of idiot that will make a build for theme rather than efficiency. this is, in fact, a pretty BAD build, which I think is on its own level thematically important. the daughters of nafpor aren't all supertwinked hyperspecced characters, some of them just Played Good

normally i'd replace her sprite with a cat cherub sprite, but at this point next time i ever end up playing her i'd just make my own sprite for her

in actual gameplay i'd use precog and nectar to reroll mutations so i have a bespoke list of mental mutations stacked up as high as i can, and complement them with a ton of tinkered nonsense. tiyu-yutep's build is about maximizing options in every situation. something bad is happening? that's fine, i have 12 kinds of grenade, 10 mental mutations, and eight guns to solve it.

that's one of my igwashim builds, unlike tiyu and suir being kinda jack-of-all-trades (my preferred style ngl) ig is very much a "scry, teleport in, blast everything to sleep, axe axe axe axe axe axe axe" build

mutation points aren't spent on new mutations at all, and exist just to fill out the efficiency of her existing mutations. i use a mod to make teleport more accurate at very high levels, because teleportation is my nonsexual fetish and i crave being able to pinpoint teleport after i hit level 10

still she isn't just a bump-attack character. maximize information gathering and ambush tactics, never play fair. appearance change wish to turn her tile into a crypt ferret's, naturally, although now that i've started fumping about with modding, i'd just like. actually make a clade so instead of it saying "Mutated Human" it'd say "Mutated Ferret" or something. make it so dromads don't call me human they call me "ferret" or something

her having Socially Repugnant would be appropriate narratively but i never bothered with it since she didn't need it, 10 ego is enough to represent her being a talking animal

i don't have any specific build saved for Savithvyr, she was one of my first Qud characters and was just a Fuming God-Child specced around agility, willpower, and intelligence, mostly using gas grenades of various kinds alongside the billowing conch. also not an optimal build! but it was fun. flood the zone with gas and just sorta stand back and pick at the survivors with a gun or stab them with triple-element gaslight kris

there's a mod that lets you play goatfolk which i used for naara, but in version updates i don't have it installed right now and i'll be honest i don't remember what i did with her much other than mental mutations

ooo-ho-OOO-EEE-ah and Buwofu-gawufoo were actually companions that Savithvyr and Suir picked up in-game, they were never characters i played directly but as companions they lasted so long they felt like they were part of those characters' identities and so they had to make the transition into the game proper.

the brambled fae's original build is NO LONGER POSSIBLE because they increased the cost of horns, which i think is HILARIOUS because why shouldn't it be an actual illegal build?

not that it hasn't had a dozen different builds ANYway. it's my go-to most-used build and based off of one of my fursonas at its core, so it's the culmination of my bullshit jack-of-all-trades obsession.

MILD SPOILERS but ive posted it before on this blog anyway, it DOES have its own sprite since i still play variations on it regularly enough i made a sprite for it

although that doesn't really represent what it looks like in the story

that's getting a BIT closer to what it looks like when we finally get to the brambled pass

[jjs-other-other-blog]

Okay so I did it. I finally watched the rest of Supernatural which I hadn't seen yet and it was both better and worse than I thought. Let me explain:

Now that I've actually seen it I can say that a lot of season 13, 14 and 15 felt like the show was half dead already, like they just kept going through the motions. Stick to the basic formular and keep it running. Big bad evil. Somebody makes a deal and lies about it. One of them is about to go darkside and has to be reined in. Somebody tries to sacrifice themselves. The wheels on the bus go round and round. The villains, the heroes, their sacrifices - we've seen this film before.

The only new player on the board who at the same time really changes up some dynamics in these last few seasons is Jack. He's a bit cluesless and he likes nougat. Cute, but not that exciting to be honest. What really makes him interesting though is the effect he had on the people around him. Because both Sam and Cas form a sort of fatherly bond with Jack which drives a huge wedge between them and Dean who violently swings between wanting to kill Jack and taking him fishing. But even that knew clusterfuck of dynamics gets old and frankly unnerving rather quickly.

Because over the last couple of seasons we see Dean become less the macho stereotype he tried to be for his father, he becomes gentler, kinder. Except when it comes to Jack which makes zero sense in my opinion and also makes me hate Dean which makes watching this part super uncomfortable.

I mean, there has to be some sort of friction between the brothers, but Jack just becomes another loop on the carousel. Dean has forgiven worse before, but still hates Jack, then changes his mind about it a thousand times. He teaches him to drive (in the Impala no less), he wants to put Jack down like a rabid dog, he hugs him, he will never forgive him. Hamster in a wheel, round and round he goes for no tangible reason.

They should've played the "this is all Chuck, it feels weird and off because it's all Chuck and he's a terrible writer" card more - it could've been brilliant. Lean into the "this is a show written by the villain" narrative more. Use more technichal terms. Have Sam say out loud that he has plot armour and stuff like that. Have Jack explain that Cas isn't at the big show down because the boss doesn't like him and wants this to be about the two brothers. Say out loud that Dean's anger with Jack is misplaced because it's not his anger, Chuck put it there. It's vaguely there, sometimes you can see the implications shimmer through, but they should've gone for it 100%.

They were onto a so very interesting idea that was meta in a way I have never really seen before, but as usual they only scratched the surface. It's just so sad. Season 15 had some very emotional heavy hitters. The big fight and reconciliation bewteen Dean and Cas. Cas stepping into the role of Jack's father for real. The empty finally collecting its debt. And as I said, fighting the narrative is an amazing premise. Season 15 had everything it needed to be great and then they screwed up royally only a few steps before crossing the finish line.

TL;DR: As always, Supernatural had a great idea, but never fully explored it and instead repeated the same drama they recycle every season. I know it's really just terrible writing, but the Chuck won theory actually explains why they didn't dive further into this concept and why even in seaon 15 they all kept spinning that wheel instead of breaking it.

[dominickeating-source]

TV Zone Special Issue #48 (2002)

Keating The British End Up 

It's hard [not] to notice that Lt. Reed is the only British character in a strongly American series. Steven Eramo met with actor Dominic Keating to talk about Enterprise's old new frontier.  

THE CREW OF THE Enterprise NX-01 had no idea what awaited them when they warped off into the cosmos on their first mission to the Klingon home world. As tactical/armory officer, Lt. Malcolm Reed was responsible for maintaining the ship's defenses.  He spent his first few months in space fine-tuning the targeting scanners for the photon torpedoes and getting the phase cannons to work. Not one to pass up an adventure, the lieutenant has also had his fair share of close encounters with some friendly and not-so-friendly aliens. So the past twelve months or so have been anything but dull for him.   Like his TV alter ego, Dominic Keating did not know quite what to expect when he signed on to play the very British Reed on the latest Star Trek spin-off Enterprise.  According to the actor, his first year in the Trek universe had plenty of ups and very few downs. "I couldn't be more pleased," enthuses Keating. "I'll admit, though, that initially I was a bit concerned that the Initial thrust of the show seemed to be the triumvirate of Captain Archer [Scott Bakula], T'Pol [Jolene Blalock] and Trip [Connor Trinneer]. At one point I was going to phone [Enterprise co-creator and executive producer] Brannon Braga and ask him, 'Hey, what's up?' I didn't want to become the guy that only said, 'Hull plating is down 25%, Captain,' in the best British accent that I could muster.

"In retrospect I'm so glad I didn't make that call and act a bit like a headless chicken if you will because suddenly things began to change. Around the corner came stories such as Shuttlepod One and Sleeping Dogs. It became clear to me that Malcolm was going to have a distinct role to play in the telling of this ensemble story. I also didn't expect my character to become the 'action man' of the piece. As a child I was always good at playing cowboys and Indians in the backyard. I loved to run around and hunker down behind a wall and pretend to be fired upon," laughs the actor.  "Now all these years later I'm getting to do it all over again but in outer space. I'm over the moon - no pun intended - about that.

"I was at a Trek convention in Las Vegas recently and Brannon was also there. We spent an evening sitting and chatting quite casually for the first time. He and I discussed the fact that in some ways Malcolm Reed is one of the most enigmatic and versatile characters on the show. He's the least prone too two-dimensionally and the viewers seem able to accept any sort of contradiction in his character flaws. As a result, the writers can go any way with Malcolm and I like that. At one turn he's charming and coy and the next he's bad tempered and irritable. Then there are times that he's all by the book and no-nonsense and yet he can also be a jokester with a very dry sense of humour. I think Malcolm has great prospects in the years to come."

Like many actors, Keating is his own worst critic when it concerns his craft. That said, is there anything he would have done differently when it came to playing Malcolm Reed in Enterprise's first year?  "Well, there was that one look I gave Hoshi [Linda Park] in the pilot. I thought I was being charming and sexy and I just looked camp and ridiculous. I'll never do that lip movement again," he jokes. "I've never done 26 episodes of something back-to-back and then seen it weekly. I mean, I do watch the episodes and I watch them with a fine-tooth comb. I weed out what does and doesn't work. There are some things you do that seem fine at the time but, in fact, actually end up telegraphing something else. You don't want to get too highfalutin insofar as, 'What's my motivation? Where's my obstruction? Where am I going with this?' If something doesn't feel right you have to be aware of it and tell yourself, 'That doesn't work, kid?' 

"This is also my first time playing a part where I've begun to allow who Dominic is into Malcolm," continues the actor. "I've never trusted myself to do that before.  When you read a three-line character breakdown at the beginning of your audition process you kind of get locked into that description. With Malcolm it was, 'Shy around women, button-down, by the book, typical Brit.'. Descriptions such as these very much denote how you're going to play your character, but only if you let them. For the first time I've been able to flesh Malcolm out and play him at odds with himself. For example, if I as Dominic thought a moment in a scene had a tinge of humour to it and felt it was appropriate to laugh at then I'd let Malcolm laugh. This is where that murky land of who's Malcolm Reed and who's Dominic Keating becomes the finished product.

"I know there have been times when Rick Berman [co-creator and executive producer] has said to me, 'That's too much, Dominic'. There was a nightclub scene in the Risa episode [Two Days and Two Nights] where I was too loose. We ended up doing another take and I had to tone things down slightly. Because Malcolm was on holiday I thought, 'He can let his hair down a bit'.  Unfortunately, I stretched things a little too thin and you could see his cellulite," chuckles Keating. "You have to be careful not to do that."

MOST REGULAR Enterprise viewers will agree that the actor's first season tour de force is the aforementioned episode Shuttlepod One. In it, Malcolm and Commander (Trip) Tucker are returning to the Enterprise after a mission when their shuttlepod is damaged.  They manage to reach their rendezvous point where they discover that the Enterprise has apparently been destroyed in a collision with an asteroid. The two officers suddenly find themselves marooned in space with only a few days of air left.  

"Oddly enough, the filming of Shuttlepod One wound up crossing with Sleeping Dogs because Les Landau, who directed Dogs, was taken ill," recalls Keating. "As a result, director David Livingston was called in right away to start shooting Shuttlepod One. We did four or five days on that episode and then Les was well enough to come back to work. So we filmed the last day of Dogs right in the middle of Shuttlepod One, which was a little weird. We actually shot the scenes for Shuttlepod One pretty much in order, which is very unusual, and we were well into a rhythm. It was somewhat of a rude awakening for me to suddenly be pulled out for a day, dressed in another costume, and put back on the Klingon battle cruiser with Jolene and Linda to finish up Dogs.

"I remember filming the last scene of Shuttlepod One in sickbay and not wanting it to end. I was sad. It was a good energy to have, though, as it lent itself nicely to the scene. It had been a wonderful week and my best experience to date in front of a camera. I think it's a terrific piece of hour-long TV I really love working with Connor.  He's a very generous and talented actor and we have a good rapport on and off-screen.  Rick Berman was so excited when he saw the rough cut of the episode that he came down to the set to pat Connor and me on our backs. He told us, 'Of all the shows I've ever produced this is the one I'm most proud of. That's weighty praise, indeed."   

At the time of this interview (early September) Keating and the rest of the Enterprise cast and crew were well into filming the show's second season. One of the first stories to be shot was called Minefield. It features Malcolm Reed, who finds himself pinned under a deep-space mine on the hull of the Enterprise.  

"Finally Malcolm and the captain are seen in close proximity with one another," says the actor. "If there was one disappointment I had about the first season it's that I didn't get to do an awful lot with Scott. I certainly never got to sit at Captain Archer's mess table, and God that bothered me. Even Anthony Montgomery's character of Mayweather sat there. Come on, he's just an ensign, Malcolm's a lieutenant. We take these things very seriously," he jokes.  

"Scott and I spent 16 hours a day for five days in EV [environmental] suits for the filming of Minefield, which is no mean feat I'll tell you. Poor Scott threw his back out and we both lost 10 pounds. It was one hell of a week. However, it was terrific working with Scott. It's quite a gargantuan episode. Not wishing to sort of taint it in any way but in some respects it was Shuttlepod One revisited only with Malcolm and Archer.  One big difference was it had a ticking clock. I can honestly say that week�s 'guest star' was the biggest prop I�ve ever worked with," laughs Keating.

IN AN IDEAL world, the actor would love to be doing episodes such as Minefield and Shuttlepod One every other week. However, he realizes this is not possible given the inherent structure of series TV and, in particular, Enterprise. "Early on I thought that Enterprise was going to be ER only in space," he says. "The ship would be the emergency room and you'd have these seven doctors who were spacemen all having interesting story lines with each other. And there would be new patients - the aliens - coming in each week. That's difficult to do, though. I also know that Trek has an established format and they're not about to throw that out the window.  

"I've heard through the grapevine that ideas for new episodes have been mooted and debated at production level meetings.  And the word will come back that, 'Yes, great idea. Too bad it's Shuttlepod One.  We've been there, done that.' You can't do it again for whatever reason within the confines of this series. I suppose in more reality-based shows like a medical or police dramas that Human relationships do kind of go round and round in circles and some scenes do seem like one another. However, I guess it just doesn't ring true with Sci-Fi.  That said, I think the people in charge of Enterprise have done a fine job of presenting a Sci-Fi adventure epic and introducing a cast of characters that the viewers can get to know and, hopefully, come to care about."

Like most actors associated with a Star Trek series, Keating has made a point of going to conventions and meeting the fans.  "I'm actually the convention king on our programme," he laughs. "I've been to 12 or 13 already. Just recently, though, I've taken a bit of a  backseat from them. I thought, 'OK, that's enough for now'. It takes a lot out of you I've got to say. You're up at 5 in the morning, get on a 6 o'clock flight, fly for four or five hours, do your hour on stage, sign autographs, pose for pictures, and then you're back on a plane to Los Angeles. By the time you get home you're like, 'I'm knackered'. However, it's tremendous fun meeting and talking with the fans. I remember the first con I did was quite nerve-racking but I've since gotten into a stride, and quite frankly you can't shut me up now. The biggest one I've done so far was in Germany where six thousand people turned up. I walked out on that stage and it was like being in a boy band. I felt like a member of N'Sync for the day. It was extraordinary."

IT WAS TWO YEARS ago when TV Zone first met up with Keating.  He was in the middle of filming his first episode of The Immortal in which he portrayed the wickedly handsome and decidedly evil demon Mallos, the Lord of Darkness. In many ways this was the start of the Leicester lad's new career in America.

"I'd just done a film with Burt Reynolds, Rod Steiger and Tom Berenger called The Hollywood Sign," says the actor. "Sadly, it never was released here.  Apparently, it was a big hit in Holland because the director [Sonke Wortmann] was a Dutch fellow. Right after that I was cast in The Immortal and went up to Vancouver to shoot the first few episodes with Lorzeno Lamas [Raphael 'Rafe' Cain] and the beautiful Kira Clavell [Vashista].  

"It was around this time I began to realize that suddenly I was working more regularly than ever before since coming to the States. While I was going back and forth from Los Angeles to Vancouver to do The Immortal I got a call from Zalman King. He cast me in his new erotic/comedic romp ChromiumBlue.com in which I play a bisexual ghost, can you believe it? Hey, I'm versatile if nothing else. I went from the Lord of Darkness to the Queen of Camp and now the King of the Armoury Room on Enterprise.  I don't think even Robert De Niro can boast that litany," laughs Keating.

"Never in a million years, though, did I think I'd end up on a seven-year Sci-Fi series like Enterprise, but now that I have it's fantastic, I'm definitely of an age where I'm old enough to appreciate it and young enough to still enjoy it, you know? I'm so grateful to whatever higher power saw fit to bestow this upon me because I realize how fleeting such things can be. If they didn't like one little thing I did in the network audition I might not have gotten this job. Sometimes it makes me shiver when I think how fortunate I truly am." 

Source: www.dominickeating.com

[sorryimananti-romantic]

who knows, maybe i'm a glutton for lengthy written pieces of fiction but i can't imagine anything better than reading a thought-out, detailed and intriguing story.

20k-30k wc usually takes me around 2 hours to read (when i am not annotating on the side or running laps in my room to calm down from a scene) and even though i do love me some drabbles, imagines or scenarios - sometimes they're so great but oh so short that i end up feeling hungry for more lol.

idk. maybe there is some over-consumption or fast-media issue that's infiltrated even the fanfic community and readers feel less overwhelmed reading fics under 10k? apprehension giving bad/wrong feedback? author burn-out? somebody go ahead and open the field for research already.

there is an overwhelming amount of short fics daily on my dash and not so often bigger oneshots or even series but i've always assumed it's because they take so much more time and effort into creating - which then motivates me more to leave nice feedback when you authors work so hard on them :) vice versa it's a nice feeling when authors take time to acknowledge feedback

like you saying you look forward to my reblogs and i'm over here like.. i have been noticed 👁️👄👁️ and i am being relied on to lose my own mind over your amazing mind. i can't disappoint this co-dependant author-reader-ship 💪 /j

also, miss "yumi in her break era" only five days ago, once again offering to write a fic to my tastes?! you will be the death of me. hand in marriage right now 🤝 /j but also, new series.. ? ✍️👀

○ chron 🃏

lucky for you, i'm physically incapable of writing short fics and loren is an actual witness. whenever i start a fic and go 'yo this actually be short like under 20k) it usually ends up being 26k+ 🤡 and tbh for me personally nothing can top a well-planned detailed fic no matter the length of it!

you're right! there's only so much you can do in a short scenario/imagine/drabble they're like fun little treats, kind of like appetisers/snacks as opposed to lengthy oneshots which i feel like are a full multiple-course meal (and then we have series which are like a whole buffet banquet feast you name it)

yeah there are a lot of factors. even as a writer i know that i prefer reading sth short when i don't have much time to spare but want a little break. reading lengthier works require a lot of time (like you said, about 2 hrs) and you gotta be in the mood all cosy and relaxed to fully enjoy them!

there's def so many shorter works being produced in huge quantities and consumed very rapidly too. writing them takes less time, you don't gotta work out so many details and lose your mind in the process (from my experience writing the few hcs and drabbles i have) and it's... fun? gets a greater audience, more notes? definitely. there are literally so many factors as to why people prefer writing/reading scenarios/drabbles over the lengthier works and i could honestly list them all but i feel like not everyone wants to hear that 💀

personally, i've been pretty consistent with writing the lengthier works, inspired by ppl here who've written so much such excellent monster works AHAHA and since the lengthier fics culture is pretty much dying (let's face it on tumblr it is dying slowly but steadily) i'm devoted to continue contributing to that specific part of the atinyfic community. i could always cook up some short scenarios (i plan to when it's time to retire but i still have ideas that i wanted to write) but for now, we write and write. we write endlessly without a care for the word count :')

there's honestly nothing wrong with wanting to read or write shorter works. i just wish the people who work so hard to create such beautiful and lengthy masterpieces got the attention they deserve. and i wish they do not compare their works to drabbles/scenarios (which you might have observed get a lot of notes in a very short amount of time) and continue writing for themselves and for the readers who appreciate them :')) we're always so incredibly grateful for the feedback we get bc we get some great quality feedback which is our pride :D

you have been very much noticed! me and loren were actually talking not too long ago about how you are one of the few ppl whose reblog we anticipate eagerly ahaha you've spoilt us honestly :') and when i saw your reblog last night (i was feeling incredibly low) i just smiled with tears in my eyes LOL ngl (co-dependency atp fr fr)

miss yumi has always been a clown who goes back on her words esp when it's about taking a break (i actually will be taking a two week break soon like actual break bc i'll be travelling so i'll be back mid aug) but miss yumi also loves writing bc it's the only interesting thing going on in her life and she would love to write for you too (proposal accepted let's pick dresses now :D)

as for the new series... 👀 the current word count is about 70k and i'm not even halfway- this might be the most intricate worldbuilding i've ever done like with the characters and how they're connected to each other (on par with take me home series, might even surpass) and it's... mafia! but the different kind, uniquely yumi LOL and the pairing hmm will remain a secret (take your guess come on)

i look forward to posting it so much it's become my comfort fic. i'll try to start posting it before 2024 but no promises yet bc i wanna finish writing it (or at least nearly finish) before i post the masterlist or teasers.

[the-boney-rolls]

The Great Covid Beatles Binge, Day 1: Nowhere Boy

I am stuck in bed with Covid and have decided to spend my time binging all the Beatles movies, docs and biopics I've never gotten around to. Up first, Nowhere Boy (2009)

OK this opening shot is actually stunning? The first chord of A Hard Day's Night and John running through Liverpool and stumbling just like in that movie. STRONG opener!

“Do I ignore you? No. So please don’t ignore me.” makes me think of "Don’t 'nore me Mimi!"

Oh Uncle George! I don’t know if their relationship was really this lighthearted and warm but it breaks my heart to think that sweet John couldn’t have a positive father figure in his life for long, he clearly needed that. 

John making weird little sounds while he doodles and then doesn’t even know that he’s being asked about his favorite guy. “Churchill sir!”

This poor actress has really been type cast as Messy Mom. I feel like she usually plays meaner/more fucked up characters though so I was skeptical, but I like her in this after all.

"I Put a Spell on You" really is a sexy song, damn.

So in the context of this movie, these scene doesn't even feel all that scandalous. This entire movie to this point (and going forward) has been framed a romance between John and Julia, so by the time you get here it's like yeah, I guess that's what we're doing. The writer of this movie read that one quote of John's talking about having feelings of attraction to Julia and really went WILD with it.

I'm shocked that they didn't try to find some way to get the song "Yes It Is" into this movie. Clearly someone has a theory:

If you wear red tonight Remember what I said tonight For red is the color that my baby wore

Anyway, this forest scene was hot.

I love Aunt Mimi and John teaming up to haggle with the man for a better price on the guitar. “That’s not very good is it John?” “Borderline mediocre if you ask me”

What is going on with this lodger and Aunt Mimi! I feel like I'm getting a vibe.

OK unsurprisingly, I need there to be like %1000 more significance placed on this scene.

I'm gonna pause here to talk about casting. I don't believe that actors need to look just like the subjects they're portraying, it's more important that they can carry out the essence of the character, but I do feel like sometimes, with certain characters, there are some aspects of appearance that are important. Like I think it is important that Paul is very pretty, both for his own character and for John's perception of him. And in this instance, the John actor is just objectively much prettier than the Paul actor and that's simply wrong. John would never in a million years say this little boy looks like Elvis!

This scene is such a mess, this movie is just making shit up now. Julia at literally every one of their gigs. John being weirdly jealous of Paul's relationship (??) with Julia. Paul being a great and confident lead guitarist! This last point in particular gets me because if that were the case, what's the point in bringing in George? Which happens in the next scene! There's absolutely no build up, it's just like here's George.

Justice for George, once again a nonentity in a Beatles movie. At least in Backbeat he had a couple funny lines.

Mimi made him birthday dinner and bought him a new guitar!! But he didn't show! Excuse me while I sob. This trope always gets me. I think the relationship between John and Mimi is my favorite part of this movie.

Ah the infamous punching scene. It really must have especially irked Paul that it was in the context of John grieving for his mother. Like, how dare they take this thing that was such a tender, emotional bonding experience for the two of them and make it into a display of John's macho anger.

Make me think -- WHAT would John have thought of this movie??

"In Spite of All the Danger," my beloved! This song is so good. Peter Jackson, please work your AI magic on the record to give us a cleaned-up version! I'm so McLennon-pilled though that it's very weird to see it in this context. Also, it's mostly a Paul song!

“Hamburg? Humbug!” Mimi, I love you!

OK sobbing. And as "Mother" plays the movie out? It's on the nose but it's working for me.

Overall, a fine movie. The whole concept of the movie as essentially a romance between John as his mother is questionable at best! But there were a lot of lovely shots of Liverpool and I did like Aaron Taylor-Johnson as John. He captured John's silly, playful side that you don't often see. Definitely the Mimi/John relationship was the best and most authentic feeling part of this movie, so I am glad that it ended on that note.

Next up, Give My Regards to Broad Street!