#this is about wakanda forever

[itsdeanwinchester]

I hope we never stop talking about the amount of languages spoken in this film and frankly more movies should be like this

[nightcup]

“THEIR GAZE DOT DOT FUCKING DOT INTERESTED.”

IM GOING FERAL AAAAAAAAAAA.

[thelastharbinger]

Bringing this video back into circulation just so y’all can hear Tenoch’s tiny little schoolgirl giggle while he listens to Winston Duke shower him with compliments as he rests his head on his shoulder and blows him a little kissy afterwards.

[tepkunset]

Black Panther (2018) // Black Panther: Wakanda Forever (2022)

[teartra]

Wakanda Forever (2022)

Killmonger to Shuri : Don't listen to your brother. He's trying to lead you down the path of righteousness. I'm gonna lead you down the path that rocks.

[firemenenthusiast]

i dont know how to describe this but please give tenoch huerta more feather jewellery for him to wear i dont care what type as long as theyre feather cuz it suits him ssoooo well like that one photoshoot where he wears that feathery earpiece LORD HAVE MERCY he looks so good

with that, i rest my case

[valninja]

“Then keep me instead... I’d love to see your nation.”

“You can’t come down there in that.”

[mooncleaver]

My Queen, My Sun and My Sea

talokan once had a queen. one who loved her people with all her heart—with the same heart she had given to her k'uk'ulkan for what felt like millennia ago. but they lost her to the hands of the enemy; it was a tragic tale painted on the walls of the king's mural, the pain searing itself onto his heart uninvited. he rules now with a darkened hole in his chest, fueled by the loss of his true love and a force to protect his people even more. after all, only the most broken people can be great leaders.

pairing: namor x fem!talokan!reader

warnings: bpwf spoilers!! death (i was lowkey evil for that), colonizers, inaccurate translations, nawt very proofread lol

El Niño Sin Amor.

That was a name that echoed deep inside Shuri's head, its bitter aftertaste lingering still; a piece of Namor that she'd just uncovered.

He was an enigma; a powerful being who rose from the sea, unannounced with his presence but has always been there, deep in the waters where he and his kingdom have flourished in the city of Talokan. He had just finished recounting about his and his people's origins, how the colonizers brought a disease that left his ancestors to drink a concoction from a vibranium-infused plant found in an underwater cave to save themselves, turning them into water-breathing individuals; the Talokanil.

She turned to Namor with many questions unanswered, only to see him staring at something with a look akin to pain and longing on one of the surfaces on his murals, caressing the painting with a gentleness she had yet to seen from the god.

She shifted to the side quietly, trying to see what he was gazing at. When Namor bowed his head, Shuri saw a painting of a woman beside his serpent, posing regally with what looked like a staff in her hand.

She wore a beautiful jade and gold headpiece, green and brown feathers lining the outer layer, fading in its design as if the light was shining on them. It towered atop her figure, framing her perfectly like she was always meant to be there. She was adorned in jewelry, from the large, circular green jade plugs that hung from her ears to the tessellated necklace that she wore—a striking amalgamation of gleaming silver beads, plated viridescent tiles to carved gold pendants and everything that complemented her beauty. The woman had a tan clothe wrapped around her body, washes of terracotta and hues of sage and cream woven in stripes on the fabric. She was covered in jewels—just like Namor.

One thing for sure, she must have been of royalty in Talokan. Or a goddess, perhaps. The corks in Shuri's head turned as she tried to figure out where the woman in the mural fit in Namor's story.

"Who is that?" Her question seemed to break him out of his reverie. She could see the way his body tensed at her question, and whether it was because she cut him out of his thoughts of because of what she asked, she didn't know.

It took a quiet moment before Namor answered, looking in deep contemplation with his eyebrows furrowed deeply and his eyes growing darker. The next thing he uttered was so full of emotion that it flooded through the sentence, his voice sounding thicker than blood.

"Leti' ka'ach in reina. My queen. In k'iino' ka, in k'áak'náabo'."

(She was my queen. My sun and my sea.)

For a second her words refused to make it out of her mouth. The Wakandan princess' mind didn't wonder to Namor having a queen.

The Namor now wasn't like the Namor she had met in the shores of her land with her mother. The Namor now felt like a broken man who would go the farthest lengths to protect his people. With every counting second of being in this underwater cave, Shuri seemed to discover more and more about the man, slowly laying bare the walls he had built around himself.

"Is she-"

"She was.. she was killed by surface dwellers." The god cut off, as if he couldn't bear to hear the words coming out from someone else's lips. He closed his eyes for a moment and Shuri felt the sea grow quiet for a split second. It was like it remembered their lost queen.

He took a deep breathe before speaking out and if one were to listen closely, they could hear the slight shakiness in his voice, like talking about this particular incident tore his wounds open again. "Years ago the surface dwellers tried to find Talokan. They were told of an underwater city filled with glittering gold and diamonds, with a palace of precious metals whose value exceeds all else."

"They are greedy, always taking and taking what is not theirs—beasts who ravage land with no mind of its consequences. She was there where the land met the waters along with the young ones, and those monsters crossed paths with them." Namor shook his head, disdain present in the way he moved his body and his words.

"The first thing they did they raised their weapons, pointing it at her when all she did was offer them her hands. She tried to speak to them, to negotiate with peace and kindness. But they are blinded with hatred." He spat that word out and Shuri almost flinched at his tone.

"With no mercy they killed her and the children. They took their lives as if it was nothing to them."

"When I emerged to the surface.. she was already dying."

One of your handmaids had been the one to inform him of the situation, barging into his mural room right when he got back from a trip with a growing panic in her eyes as she screamed in anguish, 'Le reina! Le reina!'

"I turned to those murderers and treated them with how they treated my wife and the children; I killed them with no mercy."

The feathered serpent god will never forget the possessing rage he felt when he saw what those killers did to his wife. Without a single doubt in his movements he flew towards them like a strike of lightning and sliced their heads off before they could even scream.

Something that would always haunt his dreams was seeing his beloved die in his arms, unable to do anything, running out of time.

Sometimes, if the K'uk'ulkan thought too much about it, he could still feel the way he held you in his arms, the jarring coldness of your body that surged across his skin like a bloodthirsty frostbite.

Your hair fell in a pool beneath your head, encrusted with blood that he didn't know where it came from. There was too much, too much of it that slithered around your body. With trembling hands he supported the back of your neck, bringing your face closer as he cradled your cheeks in his palms.

"Ma', ma', in puksi'ik'al.. jaap wicho'ob, láayli' ma' jach a súutuko'," he pleaded, heart racing a thousand beats at your weakened state. His fingers stroked your temples, tracing the skin from your eyebrows to the high point of your cheek and you swore you would forever savor the feel of his skin on yours.

(No, no, my heart.. open your eyes, it's not your time yet,)

"It's al-..right, in amado." You choked out, holding the hand that held your face and leaning onto his palms with whatever energy you had left in you. It was getting harder to open your eyes or even speak, the hole in your chest rampaging your body like an unquenched beast.

"In ku. Let go, K'ukulkan. Ts'o'ok in meentik le ba'ax táan des-.. destinado in beetik waye'.. je'el u páajtal in je'elel bejla'e'.."

(They call me. I've done what I was meant to do here.. I can rest now..)

He ignored your terrifying acceptance and gently quieted you, pressing his lips onto your forehead in deep fervor. "Save you words, in yaakunaj-"

Namor's heart threatened to jump right out of his chest when he felt your hand go slightly limp, desperately taking it above the crook of his neck, right where the ends of his jaw met his ears. The king held onto you so tightly, trying to keep you grounded with him in the world of the living as if the warmth of his body would spread life to your decaying one. He saw you smile peacefully, like his touch rejuvenated you for a single beat, slowly yet surely stroking the tip of his pointed ears as you've always done whenever you had the chance to. It was a small act of affection that Namor fell weak to, and he couldn't contain the abrupt cry that fell from his lips at the familiar gesture.

"K'a'as a puksi'ik'al yéetel a-.. a yaakunaj, in ajawo'," but even then your stubborn and insistent nature persevered. You spoke with only him and your love for him in mind, silently telling him that this will not be the end. That despite after all this when you will no longer be there to tell him just how beloved and brave he is, he should still remember what he had learned—what he had taught you. You hoped that it would keep him grounded and true, still fierce but with compassion and empathy.

(Remember your heart and your love, my king,)

"In.. yaakunech," and you let our your final breathe, the light in your eyes no longer shining as you stared up into nothing. At the least you looked content to pass to the afterlife in your husbands arms, a gentle lift on the corner of your lips to signify that you've moved on. But along with your departure you tore apart of Namor that he didn't think could ever be replaced—left him with a half-ripped heart and as a shell of the man he once was.

(I love you)

Now, kneeling on the prickling pearly sand tainted with weeping carmine, he was not a god. He was not the king of a powerful underwater nation, he was not a lethal mutant, a hero, a villain, or a protector. No, he was just a man. A man whose heart had been punctured with a hole in the shape of his beloved.

He screamed at the world with the voice of someone who had just lost everything, scorning the surface dwellers with a burning pit of anger and vengeance in his blackened heart. It echoed around the area, bleeding onto every rock, every blade of grass and every tree with his promise of death. The sea grew restless, mirroring the raging currents in his soul.

Namor choked a cry, closing your eyes as his hands shook with grief and pain, body threatening to collapse under his heartbreak. He brought your face closer to his, resting his forehead against yours while he scrunched his eyes closed, disbelieving and mourning of the loss of his beloved. Because no matter how much he begged, how much he cried for you, you would never come back to him, never blessing him with that delicate smile on your face again. The god stayed there for what felt like hours and days, whispering sweet goodbyes, harrowing sobs and promises to avenge you.

When he carried your cold body to Talokan, the people could only stare in shock and despair over the loss of their darling queen. In their eyes you were one of the most powerful people in the kingdom, not just because of your position, but because of your compassion and your love—something that knew no bounds.

It was a painful and gut-wrenching experience, to bury his own wife. It brought him back to the time where he had to do the same to his own mother, to cover her in clothe and put a piece of maize inside her mouth.

"The surface dwellers have taken so much. Talokan's queen, our home and our freedom. I will not let them do so again." Namor had a scathing look in his eyes, a latent tone of tiredness from facing a world that only took from him.

"She must have been an amazing queen and a strong woman." Shuri could only utter these words with a solemn expression on her face, unable to reply to such vulnerability of someone she had considered a dangerous enemy. Despite that.. there was an underlying empathy between the two. Shuri understood him. She knew the pain of losing someone you love.

"She was." A calm visage eventually spread around his face as he looked up at the glorious mural depicted on the walls of the room. "She had the biggest heart and the kindest soul."

Namor couldn't help but get lost in his memories of his beautiful wife. He speaks no lies when he describes you. You were the people's queen, as what the Talokanil called you. You'd always visit the people, play games with the children and scour the underwater markets that sold all kinds of trinkets and foods. Whenever the people needed you you were always there, willing to help them without a second glance as you opened your heart to them all.

After you death, whenever he would swim around Talokan and talk to his people—laughing and joking around with them—there would be this.. serene melody inside his heart, a gentleness that ran through his veins. Namor would feel the water pulsing on the pads of his skin and he'd always take a moment to close his eyes to relish the feeling. Then a smile would make it onto his face—the kind of smile that you would always tell him to show more often. His people felt it too, like a warm embrace to their soul, as if you were watching over them, still caring about them even when you were gone.

It was not only to Talokan's people, but to the ocean's animals too.

If there was one thing about his queen, it was that you had a deep affinity with the marine animals. Whenever the king couldn't find you anywhere in your room or in the palace halls, Namor would only smile to himself and swim to the clearing of the sea just outside of Talokan, watching his wife croon along the whales and the orcas, taking care of them as if your love spoke a thousand languages.

"In ch'ujuk, ko'oten paakat!" You would shout, gleefully waving your hand up in the air with no care in the world.

(My sweet, come and look!)

Sometimes he would only stay back and watch you with eyes so tender that it looked like he was entirely captivated by you. By your voice, your laughter, your smile; your everything. Other times, Namor would be too taken by you (as he always was), deciding to join you play with the creatures that you'd called 'your babies'. Whirling and chasing them around them felt like dancing in the water and Namor was too in love to ever deny you of your little joy.

Even now whenever the whales would call out to the sea, or when the orcas whistled and clicked along, he could still hear your radiant laughter singing along with them and oh how he longed to hear that sound again, to hear the melody of the ocean in its fullness.

You were simply the glue to Talokan; everyone adored the queen.

Until now, your throne still sat next to his, the jade and vibranium never ceasing to glow. Every time he sat there, watching over his people and celebrating his kingdom with defiant shouts of "L'ik'ik Talokan" he would always remember your face, remember the proud look you had when you would raise your fist to your chest along with everyone. Your memory will never fade in the heart of Talokan, always lingering in the brightest places, comforting during troubling times, because you will always be a precious piece of the kingdom that neither he nor his people would forget.

If he brought the sun to his people, you were the sun to him.

"You and I, we are not so different, princess." He broke his train of thought.

"Those people only see us as threats because they know we are powerful. They will not stop until they have what they want. It is a danger to my kingdom and my people—a threat to your people too."

Finally, Namor turned his head to face Shuri, a determined aura lingering in his voice and in his expression. She felt compelled to stare back straight into his eyes, the conviction in his tone like a true king. "And so I offer you again."

"Join me, and we will never have to see our people suffer, to see our loved ones suffer. We will no longer mourn our losses and bury the dead for unjust cruelty."

"Together, we will watch the world burn."

lawd this man singlehandedly got me out of a writing slump like.. making a fic with angst + namor = too easy 😩💳💥

this is my first time writing for him, so i hope it was okay! im so in love with him and i wanted to contribute my own piece to the fandom.

also, i'm pretty sure the yucatec mayan was not properly translated, so i apologize from my heart for the inaccuracies. please tell me if i have to fix anything!

dividers by @delishlydelightfuldividers and @rpinkling

tags: @bloatedandlonly

[circusdraw]

he took the wrong path and ended up in sugarteara

[talkingparrotkee]

One thing I like about MCU Shuri and also think several people sorely get wrong is that she's the more cool-headed character. She is slower to shout, panic, and anger, being relatively more laidback. Shuri would rather wall up and bury herself in her lab (M'Baku confirms this at Ramonda's funeral, and we see her doing just that in the beginning) before lashing out.

Even Ryan described how T'Challa was more hotheaded to T'Chaka's diplomat, while Shuri was the more cool and laid back one to fiery Ramonda.

We see it in her clothing styles.

We see this in the way she initially approaches things. Two key instances:

The way she first responds and confronts Namor. Shuri is still on defense at the river, but she is less combative or reactive compared to Ramonda. Shuri more quietly assesses and responds to him. Compare this to Ramonda, who immediately fires back and disregards what he says without even checking if it could possibly be true, to which Shuri has to point out some truths by empirical evidence (i.e., Ramonda dismissed him saying only they had vibranium, Shuri gently nudges her, saying he's covered in it, so that cannot be the case). A similar thing happens when she is down in Talokan with Namor. Throughout it all, Shuri kept a leveled head and bit back her tongue to think of solutions, even when things started turning south. She knew how to shut up as well rather than argue him down more (something not many people know how to do).

The way Shuri tried to extract Riri compared to Okoye. For starters, Shuri did not break into bathrooms or bring spears in Riri's dorm - she blended in and used the door. She did not make threats and give an ultimatum either. Shuri just tried to explain the urgency to Riri and draw her out without the use of physical force.

We also see it in her reactions with other characters.

In the first movie, she tells T'Challa to "calm down" when he shouts at her to drive. We also see her not care to fight T'Challa for the mantle, even if it is her birthright (she just wanted to go home and get out of a particularly uncomfortable corset). Instead, she prefers to fight alongside and as support.

Black Panther: "The Black Panther lives. And when he fights for the fate of Wakanda, I will be right there beside him."

Black Panther 2: "I was not trying to save the mantle mother, I was trying to save my brother."

For another example regarding her interactions with characters from Wakanda Forever, Riri is consistently depicted to be the more anxious and is more inclined to lose composure. Shuri, even when she's stressed or overwhelmed too, is often the one to remain composed. Shuri attempts to calm Riri down so she doesn't have a panic attack. Shuri also didn't reply when Riri started snapping at her about the FBI, only calmly working about and mapping out an escape plan.

One last particular example is with Okoye. Shuri is less quick to be defensive or shout compared to Okoye. We see it in the way Okoye commanded her to get in the car, and rather than shout back, she simply uttered quietly, "Why are you shouting at me..." Shuri didn't reply to Riri snapping, but Okoye did not let anything slide, pointing the finger back to her. During this entire exchange, Shuri was quietly observing before cutting in, saying how they needed to work together to get out of their situation.

Black Panther Wakanda Forever was her later in-character out-of-character. In other words, that unrivaled anger and snapping you saw was never her baseline. She's not an angry or vengeful person. That was the point of Ramonda, "Show him who you are," when she was hesitating killing Namor.

It was the result of her character at a breaking point. Shuri was not coping properly and dealing with frustrations she couldn't see her way out of. Shuri was struggling with spirituality. She was trying to know if her family was truly still there. She was trying to find the reason behind her failure and loss. Shuri already began cracking since T'Chaka died (see: Wakanda Files). T'Challa's death just broke her, with her narrowly holding her pieces together.

[mymarsmoonandstars]

It's been a week since I saw Wakanda Forever, and ever since, it's consumed my thinking. There are a million things I'd love to discuss about the film, but what keeps me up at night is Shuri and Namor.

Shuri had every right to gut his ass. Namor brought flooding and destruction to her home, killed her mother, all while knowing she was suffering from the death of her brother. Hell, Namor nearly killed her (by impaling her, which how did she survive that idk, anyway). And what was the worst thing that Shuri had done to him? Say no to his alliance to go to war with the surface world? Shuri wasn't the one who killed Namor's two subjects. She actually tried to save them. Yet just like T'Challa, she's forced to deal with the consequences of other people's actions, and when she stands over Namor with a blade to his neck, her internal struggle with this flashes across screen. It's a powerful sequence, but the one that captures me the most is when we hear her mother telling her to show Namor who she is. Not only is it one of many callbacks to the first film, but really, who is she? Who is Shuri? She is struggling with her identity, as grief often does to a person.

When audiences first met Shuri, she was the genius younger sister, the comic relief, who took solace in her lab. But now all this has been taken from her, and taken so suddenly. She's now front and center, now her country's most powerful figure, no longer the jokester, no longer a sister, no longer a daughter, and feels like a failure. The moments where she stands over Namor is us watching her return to herself but also become someone entirely new. She sees the destruction reverse. Sees Namor's hope. Sees their mothers and their nations. She understands that they are similar just as much as they are different. She finally realizes that ending Namor's life cannot reverse the destruction nor her pain, but sparing him is the answer to ending the cycle of it. She recognizes that even though her mother and brother are gone, she is still sister, still daughter. Death in Wakanda is a beginning.

Above all, Shuri understands she cannot think of only herself anymore. She cannot push her people to war because of her own grief and vengefulness. She becomes a leader, in granting mercy. A protector.  And extends this protection by offering it to Namor and his people. This brought a bitter taste in my mouth at first, but it isn't about who's right or wrong, especially when both sides have a little right or a little wrong to them. It's about navigating the actions of their forebearers in the best way they can.

Her multifaceted character is symbolized by her panther suit--it's reminiscent of T'Challa, Kilmonger, and her past self. Now that she's burned her mourning clothes, hopefully in the next movie, we'll see her accept this role with newfound confidence and surity of its purpose. I'm also hoping that Shuri kept Namor's little baby ankle wing that she sliced off and puts it up somewhere to serve as a reminder that she bested him. Can you imagine? I can't wait to see more of her.

Then there's Namor. And dare I say it, he was justified in his feelings of wanting to kill Queen Ramonda. She was cunning and tricked him and had two of his people killed in the process. Remember the scene where he's cradling his subject's face as she dies? And she asks if he can save her and he does not answer because he knows he cannot? And then--was it Namora?--who says, with such blame dripping in her voice, that he was busy meeting with the queen during Nakia's attack. Namor is so angry, and very possibly, so ashamed (and scared?). His ultimate goal is to protect his people, and he failed. He's a god and Ramonda made him look like a fool. To him, she had to go.

Ryan Coogler said that despite Namor being about 500 years old, he wanted him to still feel somewhat childlike. And is he! He's rash. He focuses only on the immediate response without thinking of the ramifications. He seems almost charmingly innocent in his hopefulness that Shuri would want to join him. There's no doubt they wanted us to feel a romantic connection betweeen them, or perhaps just from Namor's end. I don't know who gives clearance on the music, but whoever does, they are always very intentional and unique about it, and a love song plays during That One Mesmerizing Scene. The theories that Namor is infatuated with Shuri just weaken me. She's the first person to ever see Talocan. The bracelet. The mural. Him acknowdging her power. Him waiting for her to beckon him. I. have. folded. No one look at me.

I really hope the MCU explores their relationship. And though I'm sure it would never be a romantic one, that does not make it any less intriguing. Ryan is phenomenal with his villains. Just like Kilmonger challenged T'Challa not just with war, but challenged his core beliefs, Namor did the same with Shuri. The only difference now is that Namor is still alive, and this sets us up for a delicious exploration of a complex relationship between two leaders who have similar wants but conflicting perspectives.

Man. I love them. MCU, please let us see more of them. And if we do, please. Be careful with them.

[hollow-dweller]

genuinely going insane about The Parallels

from sprinkler splashes to fireplace ashes

i gave my blood sweat and tears for this

i looked around in a blood soaked gown

and i saw something they can't take away

you're on your own kid yeah you can face this you're on your own kid you always have been

[thelastharbinger]

Ryan Coogler saying how Namor is basically Peter Pan (in that he's forever young and quite charming because of his playfulness, *I think about that scene where he spooks Shuri with what would happen to her body underwater if she visited Talokan, only to 2 seconds later be like "or you can wear a suit, we have a couple of those." Also the name Namor is literally derived from the phrase "El niño sin amor/ The child without love"*)

AND how he wanted Namor to have a vibe that is "seductive and threatening, which Tenoch does really well. He has very rich eyes that can hold a lot."

Like yes! Tenoch's eyes is where the magic of his acting really comes to fruition and we should talk about that more!

[artofemmanation]

“It Could Have Been Different - Part 3″ - now in full colour!

👉 Prints are now available from my InPrnt shop!

[aspoonfuloffiction]

Between Wakanda Forever and Quantumania I have come to the conclusion that I in fact could not be a hero in the MCU.

If Namor had asked me to join him the way he asked Shuri…I would have folded immediately and without question.

And if Kang had asked me to come with him the way he asked Janet…I would have also folded immediately and without question.

I am only human😪

[livstarlight]

Wakanda Forever is really the culmination of everything about a storytelling project I could love. Emotion, complexity, thought, reflection, self-grow.

We have the clash between two extraordinary cultures that the moment they dare to venture outside their borders are constantly challenged and pressed, and that costant pression puts them against each other when in reality they are more similar than you could ever think. But the world has dictated they shouldn’t be allowed to thrive, to be themselves, and that puts them even more at odds. Until they start seeing how the things that connect them are more than what separate them.

Every character has its own role and arc, with light and dark at the same time, but there are these two... who are so amazing they aren't just product of their people. They are so different, but so viscerally similar and connected by circumstances and experiences, even if they elaborate them in a very different manner, who might as well be mirrors of each other. The good and the bad. And the way they manage to balance being a beacon of their own cultures and their own characters with all that computes... strenghts and struggles... Wow. It's so well done it’s incredible, breathtaking, ENORMOUS. (Ryan Coogler you fucking genius)

But at the center of everything this is a movie which revolves around grief, about who we are in the end, how everything affects our life and how we grow from and with it. It's a story with a heart so big it trascends.

How. How could I not love everything about this story. How could I not spend every hour, minute, moment of the day to think about it. Relish in it. And talk about it non-stop to everyone willing (and not) to listen.