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mostlysignssomeportents · 29 days ago

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You should be using an RSS reader

On OCTOBER 23 at 7PM, I'll be in DECATUR, GEORGIA, presenting my novel THE BEZZLE at EAGLE EYE BOOKS.

No matter how hard we all wish it were otherwise, the sad fact is that there aren't really individual solutions to systemic problems. For example: your personal diligence in recycling will have no meaningful impact on the climate emergency.

I get it. People write to me all the time, they say, "What can I change about my life to fight enshittification, or, at the very least, to reduce the amount of enshittification that I, personally, experience?"

It's frustrating, but my general answer is, "Join a movement. Get involved with a union, with EFF, with the FSF. Tell your Congressional candidate to defend Lina Khan from billionaire Dem donors who want her fired. Do something systemic."

There's very little you can do as a consumer. You're not going to shop your way out of monopoly capitalism. Now that Amazon has destroyed most of the brick-and-mortar and digital stores out of business, boycotting Amazon often just means doing without. The collective action problem of leaving Twitter or Facebook is so insurmountable that you end up stuck there, with a bunch of people you love and rely on, who all love each other, all hate the platform, but can't agree on a day and time to leave or a destination to leave for and so end up stuck there.

I've been experiencing some challenging stuff in my personal life lately and yesterday, I just found myself unable to deal with my usual podcast fare so I tuned into the videos from the very last XOXO, in search of uplifting fare:

https://www.youtube.com/@xoxofest

I found it. Talks by Dan Olson, Cabel Sasser, Ed Yong and many others, especially Molly White:

https://www.youtube.com/watch?v=MTaeVVAvk-c

Molly's talk was so, so good, but when I got to her call to action, I found myself pulling a bit of a face:

But the platforms do not exist without the people, and there are a lot more of us than there are of them. The platforms have installed themselves in a position of power, but they are also vulnerable…

Are the platforms really that vulnerable? The collective action problem is so hard, the switching costs are so high – maybe the fact that "there's a lot more of us than there are of them" is a bug, not a feature. The more of us there are, the thornier our collective action problem and the higher the switching costs, after all.

And then I had a realization: the conduit through which I experience Molly's excellent work is totally enshittification-proof, and the more I use it, the easier it is for everyone to be less enshittified.

This conduit is anti-lock-in, it works for nearly the whole internet. It is surveillance-resistant, far more accessible than the web or any mobile app interface. It is my secret super-power.

It's RSS.

RSS (one of those ancient internet acronyms with multiple definitions, including, but not limited to, "Really Simple Syndication") is an invisible, automatic way for internet-connected systems to public "feeds." For example, rather than reloading the Wired homepage every day and trying to figure out which stories are new (their layout makes this very hard to do!), you can just sign up for Wired's RSS feed, and use an RSS reader to monitor the site and preview new stories the moment they're published. Wired pushes about 600 words from each article into that feed, stripped of the usual stuff that makes Wired nearly impossible to read: no 20-second delay subscription pop-up, text in a font and size of your choosing. You can follow Wired's feed without any cookies, and Wired gets no information about which of its stories you read. Wired doesn't even get to know that you're monitoring its feed.

I don't mean to pick on Wired here. This goes for every news source I follow – from CNN to the New York Times. But RSS isn't just good for the news! It's good for everything. Your friends' blogs? Every blogging platform emits an RSS feed by default. You can follow every one of them in your reader.

Not just blogs. Do you follow a bunch of substackers or other newsletters? They've all got RSS feeds. You can read those newsletters without ever registering in the analytics of the platforms that host them. The text shows up in black and white (not the sadistic, 8-point, 80% grey-on-white type these things all default to). It is always delivered, without any risk of your email provider misclassifying an update as spam:

https://pluralistic.net/2021/10/10/dead-letters/

Did you know that, by default, your email sends information to mailing list platforms about your reading activity? The platform gets to know if you opened the message, and often how far along you've read in it. On top of that, they get all the private information your browser or app leaks about you, including your location. This is unbelievably gross, and you get to bypass all of it, just by reading in RSS.

Are your friends too pithy for a newsletter, preferring to quip on social media? Unfortunately, it's pretty hard to get an RSS feed from Insta/FB/Twitter, but all those new ones that have popped up? They all have feeds. You can follow any Mastodon account (which means you can follow any Threads account) via RSS. Same for Bluesky. That also goes for older platforms, like Tumblr and Medium. There's RSS for Hacker News, and there's a sub-feed for the comments on every story. You can get RSS feeds for the Fedex, UPS and USPS parcels you're awaiting, too.

Your local politician's website probably has an RSS feed. Ditto your state and national reps. There's an RSS feed for each federal agency (the FCC has a great blog!).

Your RSS reader lets you put all these feeds into folders if you want. You can even create automatic folders, based on keywords, or even things like "infrequently updated sites" (I follow a bunch of people via RSS who only update a couple times per year – cough, Danny O'Brien, cough – and never miss a post).

Your RSS reader doesn't (necessarily) have an algorithm. By default, you'll get everything as it appears, in reverse-chronological order.

Does that remind you of anything? Right: this is how social media used to work, before it was enshittified. You can single-handedly disenshittify your experience of virtually the entire web, just by switching to RSS, traveling back in time to the days when Facebook and Twitter were more interested in showing you the things you asked to see, rather than the ads and boosted content someone else would pay to cram into your eyeballs.

Now, you sign up to so many feeds that you're feeling overwhelmed and you want an algorithm to prioritize posts – or recommend content. Lots of RSS readers have some kind of algorithm and recommendation system (I use News, which offers both, though I don't use them – I like the glorious higgeldy-piggeldy of the undifferentiated firehose feed).

But you control the algorithm, you control the recommendations. And if a new RSS reader pops up with an algorithm you're dying to try, you can export all the feeds you follow with a single click, which will generate an OPML file. Then, with one click, you can import that OPML file into any other RSS reader in existence and all your feeds will be seamlessly migrated there. You can delete your old account, or you can even use different readers for different purposes.

You can access RSS in a browser or in an app on your phone (most RSS readers have an app), and they'll sync up, so a story you mark to read later on your phone will be waiting for you the next time you load up your reader in a browser tab, and you won't see the same stories twice (unless you want to, in which case you can mark them as unread).

RSS basically works like social media should work. Using RSS is a chance to visit a utopian future in which the platforms have no power, and all power is vested in publishers, who get to decide what to publish, and in readers, who have total control over what they read and how, without leaking any personal information through the simple act of reading.

And here's the best part: every time you use RSS, you bring that world closer into being! The collective action problem that the publishers and friends and politicians and businesses you care about is caused by the fact that everyone they want to reach is on a platform, so if they leave the platform, they'll lose that community. But the more people who use RSS to follow them, the less they'll depend on the platform.

Unlike those largely useless, performative boycotts of widely used platforms, switching to RSS doesn't require that you give anything up. Not only does switching to RSS let you continue to follow all the newsletters, webpages and social media accounts you're following now, it makes doing so better: more private, more accessible, and less enshittified.

Switching to RSS lets you experience just the good parts of the enshitternet, but that experience is delivered in manner that the new, good internet we're all dying for.

My own newsletter is delivered in fulltext via RSS. If you're reading this as a Mastodon or Twitter thread, on Tumblr or on Medium, or via email, you can get it by RSS instead:

https://pluralistic.net/feed/

Don't worry about which RSS reader you start with. It literally doesn't matter. Remember, you can switch readers with two clicks and take all the feeds you've subscribed to with you! If you want a recommendation, I have nothing but praise for Newsblur, which I've been paying $2/month for since 2011 (!):

https://newsblur.com/

Subscribing to feeds is super-easy, too: the links for RSS feeds are invisibly embedded in web-pages. Just paste the URL of a web-page into your RSS reader's "add feed" box and it'll automagically figure out where the feed lives and add it to your subscriptions.

It's still true that the new, good internet will require a movement to overcome the collective action problems and the legal barriers to disenshittifying things. Almost nothing you do as an individual is going to make a difference.

But using RSS will! Using RSS to follow the stuff that matters to you will have an immediate, profoundly beneficial impact on your own digital life – and it will appreciably, irreversibly nudge the whole internet towards a better state.

Tor Books as just published two new, free LITTLE BROTHER stories: VIGILANT, about creepy surveillance in distance education; and SPILL, about oil pipelines and indigenous landback.

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2024/10/16/keep-it-really-simple-stupid/#read-receipts-are-you-kidding-me-seriously-fuck-that-noise

#pluralistic #rss #xml #standards #disenshittification #big tech #surveillance #accessibility

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ralfmaximus · 8 months ago

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Two things — check that, three things — appear to have gone off the rails at the paper we used to call the Gray Lady. First, whoever is in charge of the paper’s polls is not doing their job. Second, whoever is choosing what to emphasize in Times coverage of the campaign for the presidency is showing bias. Third, the Times is obsessed with Joe Biden’s age at the same time they’re leaving evidence of Donald Trump’s mental and verbal stumbles completely out of the news. Let’s start right there. At a rally on Saturday night in Virginia, Trump confused Barack Obama, who left office seven years ago, with President Biden for the third time over the last six months. “Putin has so little respect for Obama that he’s starting to throw around the nuclear word,” Trump said, as his crowd of rabid supporters suddenly fell silent. “You heard that. Nuclear. He’s starting to talk nuclear weapons today.” You won’t find that verbal stumble and the crowd’s stunned reaction in the Times coverage of the campaign over the weekend. You’ll have to read other publications — for example, Salon or maybe the Guardian — if you want to learn how often Trump is losing his way mid-sentence at rallies and just mumbling incoherently.

The article also explores a recent Times poll favoring Trump that is so insanely, obviously inaccurate that it reads like parody.

The NYT is definitely in the bag for Trump, same as 2016.

#new york times #2024

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biteyoubiteme · 5 months ago

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redlightdesign

fem!reader x hyunjin

synopsis: you get tattooed by your favorite tattoo artist.

warnings: !!!🔞!!! tattooartist!hyunjin, tattooing, needles, pain, oral (f!rec), use of teeth, overstim, multiple orgasms (f!rec), squirting, fingering, pussydrunkvibes, subspace kinda, prob forgot some sorry

wc: 5.2k

an: I want a new tattoo </3 feedback appreciated! [m.list] not proof read sorry ;-;

You didn’t think you would ever get a consolation let alone an appointment with redlightdesign. For over three years you have been submitting a request anytime their books were open. You set timers for when the form dropped to make sure you were one of the first to be seen but everyone was doing the exact same thing.

redlightdesign would make an announcement that the submissions were closed an hour later saying they were booked solid for the next three months. The process repeats itself and every time you pray you get a response.

Thirteen forms later and you finally got an answer. Your dream tattoo will be underway in a matter of weeks. You made sure to keep the perfect space open for the piece. Not a single artist is the right fit to do your idea justice the way Redlightdesign could.

Before you read the email you didn’t even think you would ever be picked, your thigh would just always be bare for the possibility that never would come to fruition. But sitting in a coffee shop on a Sunday morning avoiding finishing your homework for Monday's class you jump on the opportunity to check your phone when it dings. Post notifications for redlightdesign on since you started following them. Every time they announced open books or a dropped appointment you jumped to put yourself up for the running. You remember the magazine article Redlightdsign had been featured in that started your obsession. The anonymous tattoo artist is based in Seattle and New York, traveling across the states to get a wider audience. Not that they needed the help, they were globally known, with people submitting forms all around the world, purchasing plane tickets after they confirmed an appointment.

It was stiff competition and the anonymity of the artist was sacred to each client. There was barely any information about Redlightdesign on the internet besides the finished product, and the address to their studios was only given out just before your appointment. Once the details of the New York studio had been doxxed online and redlightdesign had stopped working for a year, packing up and shutting down in well deserved retaliation. When they came back to their socials they made it clear the next time they wouldn't stop for a year but quit entirely. No one shared any information after, only stating that Redlightdesign was one of the nicest people they have ever been tattooed by and a photo of the beautiful work after.

But there sipping on an almost empty drink avoiding work that needed to be done you felt your pulse race just like every other time you've submitted a form. Only this time your stomach bottomed out seeing the email that popped up in your inbox a few minutes later.

h.rldesign/gmail.com Hi, I love your idea and sketches. I think this would transfer perfectly in my style. If we are to do the piece on the thigh at the size you want I think it's best we split the work into two appointments. My open slots for this would be January 9th and 10th. Let me know if these dates work for you and then I can get started on designing and cleaning up your idea. -redlightdesign

even just knowing their email address was shocking enough, seeing a response could have sent you into a coma. If Redlightdesign needed you on the 9th and 10th you would do everything in your power to be right at their door. You didn't care if you had to call in sick, you would put on the most convincing fake cough known to man; you would sell out stadiums with the performance if need be.

You couldn't type a response fast enough, needing to send in a confirmation just to know it was solidified. Within seconds you got a link for a deposit to hold the dates and a promise that Redlightdesign would be working on your piece asap. You were too excited to even think about your work anymore, sitting in the coffee shop staring down at your phone in disbelief.

It was only a few days later when the first drafts of the tattoo you would be getting were sent over for you to approve. You could tell the work had been drawn in a sketchbook and scanned to send in an email, the charcoal lines and highlights showing the detailed work. It was everything you could have hoped for, redlightdesign taking the amateur rendering of your idea and turning it into the masterpiece sitting in your inbox. They promised to have perfected versions ready when you arrived early on the ninth, reminding you that they would transfer it into the stencil and use a pen to finish drawing the finishing touches to make sure it flowed with your body just right. Make sure to eat before the appointment and don't wear any lotions on the tattoo area. Take care to remember we can take as many breaks as you want you have the day booked up with me so no need to rush through just to get it over with.

You made sure to dress appropriately. A pair of shorts you didn’t mind getting ink on in case any decided to ruin them. It was cold the morning of the ninth, a drizzle setting in as you made your way towards the address you had been sent before you had woken up. Even just seeing the street name and knowing this whole time you’ve been a fifteen-minute walk away from Redlights studio was bizarre. How many times have you driven by the building without ever knowing?

The email with the address had said the door would be open and to take the stairs up to the loft. The separate space on the ground level was a bakery, the sign flipped to closed. But as you felt the first droplets of rain you pulled on the handle for the door only for it to not budge. You check the address again to make sure it is right, you can see the windows to the studio above but the curtains are pulled shut. You were running over the email you could send to redlightdesign, reading it over once more when someone reached past you making you jump. “holy shit you almost gave me a heart attack,” you breathe your phone pressed to your chest.

The soft laugh of the person beside you is muffled behind the black medical mask they wear, long dark hair hanging on their brow leaving only smiling eyes glancing over you. “I'm sorry I was running late and didn't make it in time to beat you here,” they push their key into the lock twisting until it clicks, painted nails wrapping around the handle to hold the door open for you.

You give a weak thanks stepping into the little hallway leading to the stairs waiting for them to step in and follow.

You're trying hard not to make it seem like you're staring at them but it's almost impossible not to. Right in front of you is the person whose identity has been hidden from the public for years. You've tried to imagine what redlightdesign looked like since you read that magazine article. Now with the early morning mist still stuck to their hair you were seconds away from knowing exactly what they were like. Watching how their long fingers flipped over the keys looking for the one to unlock the loft door, how they used their shoulder to push open the door turning back to give you smiling eyes, waving you in.

They moved around to pull open the long cream-colored curtains, the gray light pouring in revealing the space. The walls have tacked up charcoal drawings, painted landscapes, and oil pastel flowers. A worn brown leather couch pushed to one side, heavy white blanket pushed back like someone had taken a nap there against the throw pillows. Tattoo bed next to rows of inks and past designs. On another wall a cluster of polaroids, stepping closer you can see its every tattoo that redlightdesign has done here. You're excited to see ones they haven't posted on their socials, so distracted you don't hear a closet door opening and the wheeling of a cart behind you. “I wanted to be set up so we could get started right away but,” when you turn you see them shrug. The view outside of the waterfront off in the distance matches some of the paintings done during different times of the day.

“It's okay I can wait, we're booked all day right?”

“yes that's right,” they go through their bag pulling out a large sketchbook, “here take a seat and we can go over some of these together,”

they sink into the couch pushing back the blanket to make room for you to follow. Your thighs touching before they hand over the sketchbook. You're amazed by the craftsmanship, and the detail put into each variety of the tattoo idea you have given them. No other artist has given you so many possibilities, maybe one of two but a whole spread dedicated to small details was never on the table. redlightdesign had taken time working through this with passion. “Wow,” you breathe not knowing where to look first.

“do you like it? It's a big thing, a tattoo of this size, and I wanted to make sure it really had all the elements you wanted in it while also not being too chaotic and messy. You see this one has less shading and seems more open but this one is heavy-handed if you're into that kinda style. I see you have other work done on your arms and if you want to go that way style-wise I think this one would be perfect,” they point at the one you've been focused on knowing that it was exactly what you wanted.

“It's amazing, they all are, I'm so impressed redli-“

“Hyunjin, you can call me Hyunjin,” they chuckle, “I should have introduced myself earlier but I was late and it slipped my mind I'm sorry,”

“no, it's okay thank you hyunjin,” you try the name in your mouth, “I think this is exactly what I want, better than what I could have imagined,”

“great I'm happy to impress let me get this printed in a stencil and we can add anything else after we find the right placement,” you watch as they stand moving to the corner with a desk, you can't see their face but know they've taken their mask off as they turn on the printer. “Do you live around here or was it a commute?”

“oh I live right up the street, I was surprised to see how close it was to my place actually,” you say over the sound of the scanner.

“that's good, sometimes I have people coming from all over it's fun to finally have a local visit,”

“I would have come out to New York if that's where you would have been,” you admit.

“I haven't been out there in a while, they are doing construction on the street the studio is on so I've been located here for a while now,” he states pulling out the stencil sheet. “I did a few different sizes to start with,”

he turns around and you're shocked at how beautiful Hyunjin is. In all the time you've thought about redlightdesign never did it cross your mind to account for prettiness but if you did your scale would be broken. You're still seated when he comes over and kneels in front of you.

“Can I?” he asks looking up at you, your hands in your lap covering your thighs.

“oh yeah sure,” you're flustered lifting your hands away.

“left or right?” he asks, holding two of the stencils over each leg.

“right,” your hands sinking into the couch as Hyunjin wipes his thumb over your bare thigh. He shows you the three different sizes and you decide on one before he asks you to stand in front of the mirror so he can place the stencil on.

“Here,” he mutters, being gentle to get the placement right in the first go. “We can always print more if you don't like it here,” he blows cool air over the purple lines traced on to make sure it's dry enough for you to move. He slides his hand behind the pit of your knee tugging your leg. You reach out to steady yourself with his shoulders, the backs of your hands feeling the tickle of his long hair hanging past his ears. He lifts your leg enough so that your foot is resting on his thigh, his hands slipping over your skin checking it looks good.

You love the way he's found the perfect spot on your thigh so that it flows with your body, “I think you got it first try,”

“Look in the mirror first just to make sure,” he lets you go, pulling himself to stand behind you so that you can see yourself.

“yes it's perfect,” and he nods, grabbing a purple pen.

“finishing touches then,” he gets back down in front of you lifting your foot back to his knee so that he can steady you. The marker is cold on your skin as he draws, adding lines and shading in spots to make the work blend better. When he blows on the wet lines of ink you shiver especially when he draws on your inner thigh, your skin so sensitive you swear you could imagine his fingers tracing shapes instead of the pen. “Perfect,” he states, giving your knee a tap letting you know he's done. “Let me set up and if you need the bathroom before we start I'd go now. I have water and a kettle for coffee over under the desk, and we can stop for lunch around let's say twelve or one-ish?”

You nod, taking your seat on the tattoo bed. He's set it up so that you're slightly leaned back but still sitting up. You watch him pull on black gloves and get all of the inks and needles ready, following a system you've seen done before. He clicks on a stereo the soft song playing in the background just loud enough for us to talk if we wanted to or just to listen. you adjust in your seat when you hear the sound of the tattoo gun whirring, hyunjins free hand stretching your skin in preparation, “The hard part will be around the knee so let's get that area out of the way,”

you nod watching as he starts, the familiar burn of the needle digging in but not too painfully. He was right that it was worse than some of your other tattoos but not unbearable. What distracts you is how concentrated he looks leaning over your leg, hair pushed back behind his ears but one strand hangs across his forehead, the corner of his lip between his teeth.

He starts to ask you small questions about yourself, the conversation leading to learning about him and how he got into tattooing. He talks about his art and the little things he likes. Both of you are so invested in one another that you don't even notice how far you've come in the day, lunch already rolling around before you know it. He's gotten through more than half the outline when he starts the loose wrap to keep it clean while you go out for lunch. The bakery is just downstairs offering lunch deals you can't refuse and when you get back upstairs both of you sit on the couch and continue your conversation. Giggling over nothing much but being comfortable in each other's company more than what you could have asked for.

redlightdesign could have been a total dick but you were blessed enough to get someone so genuinely kind and talented. And when you got back in the chair to finish the day's session you were sad to know that tomorrow would be the last time you saw Hyunjin unless you somehow got another appointment. The idea in it of itself was making you dread leaving.

“Could you tie my hair up?” he asks lifting his wrist up to you, a hair band waiting for you to take off. You lean over taking the tie from him and running your fingers through the dark strands. He hums as you brush the hair from his face gathering it all to tie into a ponytail. “thank you,” he nods letting the end bob up and down, a sweet smile teasing his lips before he goes back to the linework.

When he finally declares you done for the day you sigh, his thumb smoothing over the ends of the tape he's put to hold the wrap he put over your thigh. His finger slips across your inner thigh making you jolt harder than when the needle was to your skin. “sensitive?” he asks and you nod, not wanting to think too much into it. You were definitely sensitive but not from the pain, watching his long fingers work over your skin didn't put the cleanest image in your head.

He starts to break down his workstation, cleaning up and wiping everything to disinfect. While you put on your coat he asks, “Do you want to get dinner?” you turn to make sure he is not on the phone but he is in fact asking you, “I know this great spot a block over it's not that far a walk if you're up for it?”

“Sure,” you nod and he rubs the back of his neck.

“You know if you're not busy or anything I don't usually ask clients out for dinner but we were having a good chat and you know if you don't want to,” he drags on his ears pink, it was cute to watch him flustered.

“I'd love to go to dinner with you hyunjin,” you smile following him out.

You share an umbrella as you make your way to the small cafe-style restaurant, outdoor seating covered with a canopy so you won't get hit by any rain. Sitting across from one another, Hyunjin asks to see your other tattoos. You lay one arm down on the table, hyunjins fingertips ghosting over your skin as he traces the lines of all your other work. “I think I've seen this one before, did you get it from Felix? Or what's his username…”

“youg.ink?” you nod, “I actually got it because I saw you mentioned them before and it introduced me to their work. instantly fell in love with this when he offered it up,”

hyunjins not even paying attention to the tattoos anymore as he lets his fingers glide over your smooth skin. Most times after a client was done for the day in his chair he walked them to the door, waved goodbye, and worked in the studio on the next person's design. Most times he had people who he didn't mind not seeing again but you and your laugh, your gentle conversation, made him want to break his own rules for once. He walks you home after dinner and promises to see you tomorrow at the same time.

When you show up for your second session you're double fisting two iced coffees; the door is already unlocked as you make your way up the stairs. Hyunjin is sitting at the desk with headphones on sketching away before he sees the movement in the corner of his eye. He gives you a big smile, all teeth and is so cute. He tugs his headphones off letting them hang around his neck, “you got me a coffee?”

“Maybe or maybe I have a caffeine addiction,” you joke, handing over his cup. You look over to see what he's working on and he leans back to give you a better view.

“The next client wants their back done, it will be spaced out over the next four months. first sessions tomorrow,”

“I wouldn't even know where to start on something that big,”

“the same way I started yours,” he looks down at your legs, the wrap still in place only today you're wearing a skirt instead of shorts. The only other clothing item you felt would give him space to work today. Hyunjin looks back to his sketchbook, shutting it and standing. “let's get you up on the chair and get started,”

you follow his instructions, sinking back into the chair and letting your skirt bunch between your legs to expose your thigh. Hyunjin starts to set up his station, pulling on his gloves after flipping to the sketch of your design to have to glance at while he works. “might hurt today with all the shading if you need any breaks let me know we can go as slow as you need,” he peels away the tape before cleaning your leg with a towel and watered down soap. “It already looks good,” he nods, pressing around the tattoo.

“I think I can handle it,”

“Okay, we can work the bottom to the top again today, get the area closest to the knee and get the most painful bit first,”

and you think you can handle it and you can for the most part but the dragging of the needle over the still red outline from yesterday is painful today. Your hand bunching in your skirt as you remind yourself to breathe. You let your head roll back in the chair not able to watch anymore, focusing on the music playing, the dull hum of the tattoo gun usually comforting you but now a reminder that you're here for a while.

hyunjin is trying to concentrate, he's great at what he does, but what's testing him is how you're flashing your panties at him. he was going to say something, bring up a conversation about anything but when he looked up, a simple glance he was face to face with the dark grey fabric, the outline of you silencing him. You didn't even notice, your neck exposed as your free hand not holding your skirt gripped the armrest.

Tattooing people made nudity and almost nudity normal. It was why Hyunjin preferred his private studio so that he could make people feel comfortable, it was better than having someone who wanted a hip tattoo strip in a shop where anyone could watch. But with you sitting in front of him he forgot that he shouldn't look so close. Because instead of ignoring the view he was imagining ways that he could make your pain more bearable. Imagining how if he reached over and brushed where he knew your clit would be waiting you wouldn't be moaning in pain.

It's not until lunch that your skirt is let go but it's done the work of keeping Hyunjin hard for the entirety of the progress he's made toward the tattoo. When he sprays the tattoo down with the soapy water beads roll back up your leg because of the way the chairs are angled. The cold water feels great against your hot skin and Hyunjin apologizes for the mess passing you a paper towel to wipe any that got too far. You slightly lift your leg to wipe your inner thighs, the movement flashing Hyunjin again only this time the droplets of water had dampened your panties. The gray fabric was dark where he had been fantasizing they would be.

He doesn't even want to think about standing from his stool knowing that the second he does he will have to adjust himself only drawing attention to the fact he is very hard. He tries to make a list of things in his head as he wraps your thigh. To think about how it's almost over, that you will be gone in the next hour or two but that only makes it worse. You would be gone when he was this needy? He wanted to make an excuse to have you come back for another session. But it was quite obvious he would be dragging out the appointment when he only needed to do a small section when the two of you were done with lunch. He could have waited and finished, pushed your lunch back, and waved goodbye but no.

He swiveled his chair away from you, taking a sip from his almost empty cup of coffee as you slid down the bed to stand. Hyunjin takes a breath and prays you don't notice but it's the first thing you see when he turns, the strained outline not very well hidden. You pretend to look out the window, feeling your cheeks get hot. All you can think about is if it was your noises that did it, all the whimpering wasn't usually how you handled tattoos but this one was the biggest piece you've gotten, and didn't know two sessions would make your usually composed self break so easily. it would explain the silence compared to yesterday. So you toy with the idea, how far would he go if you made yourself available?

You grabbed lunch together, hyunjin putting a pillow over his lap to steady his plate of food but both of you knew that wasn't the real reason. And when you were back in the chair you intentionally let your skirt roll up this time. It doesn't help that he's now working on the part of the tattoo closest to your center, how he wraps his hand around your thigh, pushing your legs further apart to reach a spot on your inner thigh. Gloved fingers brushing over your panties for the smallest second, your hips sinking into the seat to keep yourself from moving. Hyunjin noticed but needed to get through the rest of the tattoo, if he stopped now he wouldn't know when he would start again. Your lip between your teeth he watched as you tried to close your legs again to block your exposed panties, now wet with your slick and nothing else. He could see the spot and almost ripped his gloves off as soon as he finished his work. But now he was teasing you. Cleaning the tattoo down and wiping it down. He doesn't even bother with the normal photos he would take right away instead putting on the second skin to protect the tattoo. As he smooths the thin film over your inner thigh he lets his fingers slip up brushing against your center to see your reaction.

Your head rolls to your shoulder watching him through your lashes as he takes off his gloves and tosses them on the cart. He lifts the armrest on the tattoo chair before reaching behind your knees to pull you to the edge of the seat so your legs are dangling off the side. “how is it someone can make the prettiest sounds and sit so still for me?” he leans down and plants a kiss on your tattooless thigh, “because all I could think about was how I wanted to see your legs shaking for me while you whined like that,”

you tried to draw your knees together but he was in the way, kissing up your inner thigh, nipping at your skin with his teeth. When he reached your skirt he flipped it up with a lazy hand giving you no time before his thumb was over your clit rubbing a harsh circle over the fabric. You felt the shock run up to your stomach, your voice breathy as you whimpered his name. He followed the wet line down the front of your panties before hooking his finger along the seam to pull them back. He wanted one taste, needed one taste but knew he wouldn't stop at just one, not when you looked this edible and ready for him.

He ravages your clit, your hands shooting to his head burying your fingers in his hair as he sucks. He's careful of your tattoo but your other thigh is fair game for him to wrap his arm around and push you open, fingers bruising with how he spreads you. His free hand prodded your entrance, circling in your wetness before slipping in knuckle deep. “Hyunjin,” you whine, your hips rocking against his lips, feeling the build up of your orgasm. He curls his fingers pressing up into you enough to make your legs jerk from the new angle.

You're seeing spot before too long, hips stuttering as he gives a final hard suck, fingers still as you clench around them. You're moaning so loud you're sure someone will hear but you don't even care. Hyunjin doesn't stop the flick of his tongue against your clit making you cry out, “I said I wanted to see them shake,” devilish smile covered in your slick before he latches on to your clit again. Fingers pumping in and out of you before he presses deeper into you. You can feel tears at the corners of your eyes, and when he pulls away slightly to let his teeth brush your clit you're done for, legs trembling as you cum. He is persistent and you have to tug his head away, a slight smile stuck on his wet lips as he watches your body shake from the overstimulation. “once more?”

“I can't- I can't do it,” you shake your head but he drags his fingers out slowly before inching them back in, your hips jumping.

“I know you can, you've been doing so good for me already, one more time won't hurt,” he hums, dipping his nose down to brush over your nub. Jolting at the feeling he turns his head to kiss your inner thigh, slowly building up speed with his fingers, “can't you do just one more?” it's the way he asks so softly, the heavy gaze under heavier eyelids that makes you nod.

You're so sensitive that one lick has you shaking, your orgasm feeling so far and yet so close all at once. His tongue laps through your folds circling your clit. Hyunjin is obsessed with the taste of you, completely under the spell of your pussy and how it responds to his touch. He could go all night eating you out, watching as you fell apart again and again before him. Your cries are getting louder and before you know it your back is arching into him almost coming off the seat, your orgasm so intense you don't expect the clear fluid to squirt out of you until it has.

You're breathing so labored you place a hand over your chest to try and calm yourself. hyunjins pleased grin is the only thing you see before he pulls his fingers out of you and sticks them in his mouth to clean them. Every once in a while your legs jerk from an aftershock, the delight in his eyes worth how tired you feel. Your thighs are sticking to the leather seat under you as Hyunjin pulls your underwear back into place leaning down to leave a ghost of a kiss over your clothed clit. “next time I want you to cry this pretty for my cock okay?”

#hyunjin #hyunjin x reader #seungmin #kpop smut #bang chan #lee felix #lee know #han jisung #i.n skz #changbin #stray kids smut #stray kids #stray kids hyunjin #skz #skz smut #hyunjin stray kids #hyunjin smut #Hyunjin smut #hyunjin skz

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gothicprep · 2 years ago

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i've been meaning to write something for a while now about how misinformation is not a partisan issue, it's just an issue in general. i was mulling over writing something about how infowars waterboards statistics into saying whatever alex jones wants – i'll still probably do that in the future – but it's not something that exactly supports my thesis here.

but, lucky me, i had a perfect example fall into my lap this week.

so, was andrew tate taken into custody over twitter beef with greta thunberg? the short answer is "no" but i'll elaborate.

here's the primary romanian news report about the cops taking the tate brothers into custody. the way that this has been reported in US news media has basically been that a pizza box in andrew tate's video response to thunberg helped romanian authorities confirm his location. here's a daily beast article that insinuates this:

In a video rant he uploaded to Twitter, in which he smoked a cigar and tried to brush off the online spat, he unwittingly displayed a pizza box from a local pizza chain—alerting authorities looking for him to his presence in the country.

here's the problem with that, though – none of the romanian journalists who reported on this story said anything about the pizza box thing. there's also a huge problem with these stories just... citing each other.

if you dig through the citation loop long enough, you end on this daily star article that cites tweets (jurnelism!) from, of course, alejandra caraballo

According to Alejandra Caraballo, a writer and clinical instructor posting on Twitter: “Romanian authorities needed proof that Andrew Tate was in the country so they reportedly used his social media posts.

(as an aside, if you follow her on twt, i'd heavily recommend against doing that. she spews bullshit like her life depends on it and i think this is inexcusable.)

these are caraballo's tweets in question:

the source for this is the romanian article i linked to earlier in this post. it doesn't say any of this. at least, the english translated version of it doesn't. for what it's worth, i'm not a romanian speaker, and i don't have any benchmark for judging if google's translation service is missing linguistic nuances. here's what it actually says:

Sources close to the investigation stated, for Gândul , that shortly after the completion of the computer expertise, the authorities waited for the right moment to catch the Tate brothers, who were always out of the country.

After seeing, including on social networks, that they were together in Romania, the DIICOT prosecutors mobilized the special troops of the Gendarmerie and descended, by force, on their villa in Pipera, but also on other addresses.

it's also probably worth pointing out that tate's villa was previously searched in april. while the article does say that social media was used to help confirm their location, it doesn't say anything about pizza boxes. and, like, given that tate is a prolific social media poster and was tweeting out videos of romania on sunday, i think it's safe to assume they had a wealth of other information to go off.

and if you don't want to take my word for it, nyt and wapo both reported that the spokesperson for the romanian prosecutor presiding over the case denied the pizza box thing:

Speculation online centered on whether a distinctive pizza box featured in one of Mr. Tate’s tweets to Ms. Thunberg had helped lead the authorities to him, but Ramona Bolla, a spokeswoman for the Directorate for the Investigation of Organized Crime and Terrorism, told The New York Times on Friday that that was not the case.

anyway, ain't it funny how caraballo's made the fuck up pizza tweet got 76 million views, 97k retweets, and 525k likes, while her appended correction got 78k views, 100 retweets, and 820 likes. her initial "source: my mind" tweet is still up. ain't. it. funny.

#tim heidecker rules for 2023 – NO MORE BULLSHIT!

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lago-morpha · 1 year ago

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10.10.2023

NEW YORK—Claiming that the humanizing of occupied peoples is not what the newspaper stands for, The New York Times issued an apology Tuesday for reporting on Palestinian deaths. “Our thoughtful and accurate coverage of the Palestinian death toll in no way met our editorial standards for obfuscation, and for that we sincerely apologize,” said executive editor Joseph Kahn, explaining that the article marked the first such mention of Palestinian suffering in the Times’ 172-year history, and it would certainly be the last. “Rest assured, the individual responsible for bringing to light the atrocities perpetrated on the Palestinian people has already been terminated. We will use this as a teachable moment and redouble our efforts to conceal the anguish of all marginalized and oppressed peoples going forward.” At press time, the Times issued a retraction for incorrectly identifying Palestinians as “human beings.”

#buzgie ❁#the onion #israel palestine conflict #palestine #free palestine

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claratyler · 1 year ago

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the thing we need to understand is that the pope is not at all pro-lgbt rights in anyway. Does he oppose violenece/hate as a blanket sort of core belief? Yes, so this includes violence and hate towards a queer person. But that doesnt mean he believesthat being queer is something to be celebrated, let alone acceptable.

Does he say any gay person can join in the mass? Yes, as a blanket sort of core belief because christianity is supposed to be for everyone, and nobody, regardless of their moral failings (such as being queer, which IS regarded as a moral failing), should be turned away from participating in the holy rituals or getting close to God.

The thing you need to understand about modern day catholics is that many of them will look you in the face and say "Being gay is not a bad thing. We all have temptations we have to stay clear off. It's not the fact that you have this inclination that defines you, it's whether you choose to engage by thought and/or action instead of actively suppressing it that we look down upon." And then they'll tell you in a way they think is kind and helpful that they know a person who can help with treating that.

"The pope now accepts trans people!" Are you sure. Are you really sure

How do you think this is going to fare in reality when the parameters for this "acceptance" are "pastoral prudence" and "public scandal" and "educational disorientation".

Also, on gay people:

This is literally what i was saying: A gay person who represses their inclinations is what they mean by leading a life that conforms to the faith. Thats why a gay person in a gay relationship/marriage (which btw gay marriage is not existent in the roman catholic church, the very notion is a contradiction in their eyes) could not be eligible.

And why do i know allthis and why am i ranting about this? Because #CatholicUniTrauma and im tired of people misunderstanding how fucked up the entire catholic church is because of misleading headlines or quotes taken out of context. The pope is not woke. Seriously.

quoted article: The New York Times' "Vatican Says Transgender People Can Be Baptized and Become Godparents" by Jason Horowitz, Elisabetta Povoledo, and Ruth Graham. Published Nov 9 2023 (tumblr wont let me paste the link for some reason)

#transphobia #homophobia #religious trauma #catholic trauma #ask to tag

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fans4wga · 1 year ago

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Strike Support Declining - Here's how you can continue to support the writers

Since the WGA strike started on May 2, the public has shown immense support for the writers—sending food, snacks, drinks, and encouragement from across the world all the way to Los Angeles, New York, and other picketing locations.

But loud and vocal strike support—in the news and in public spaces—is notably declining the longer the strike goes on. So we're bringing you a few ways to show writers, studios, and fellow fans: we're still here, and we still stand with the WGA.

1. Post on Twitter (and other social media sites)

You might think social media noise won't be noticed by the studios, but it CAN encourage individual WGA members—and slowly but surely put pressure on the studios to make a fair deal.

If you follow WGA members such as Adam Conover (Adam Ruins Everything), John Rogers (Leverage, Librarians), Gennifer Hutchison (Breaking Bad, Better Call Saul), Javier Grillo-Marxuach (Lost, The Witcher) [and many many more you can find through their following lists], tell them you support them! Hashtag #IStandWithTheWGA #DoTheWriteThing and tell them that you and your fandom are prepared to support them as long as the strike lasts; that they deserve to have their demands met and you're with them all the way. Boost morale however and whenever you can!

Likewise, actively push back against misinformation/disinformation. See a TikTok claiming that all Hollywood writers are filthy rich and we shouldn't vocally support them? Correct it with well-sourced citations from the WGA, published news articles, and stories from those affected (like the time a writer on FX's The Bear attended the an awards show with his bank account balance in the negative, only to then win an award for Best Comedy Series—proving that good writers on award-winning shows still cannot make a living!)

Remember you can always link to Adam Conover's excellent explanation of WGA demands versus studio refusals, tweeted here.

2. Donate or boost fundraisers

You might be surprised to learn that the picketing locations are not always parties! Sometimes themed pickets are fun, and fandoms and celebrities occasionally are able to fundraise for a food truck or ice cream truck at picketing locations. However, that is the EXCEPTION and not the norm. Writers are asking for food & drinks at many locations.

There are many funds to donate to, and it can be overwhelming to pick one! But one that could use your support RIGHT NOW is the CBS Radford picket line:

-If you're in LA, you can bring food and snacks directly to that picket line (or get food deliveries sent there, with instructions to be given to the strike captain on duty.) Strike locations are available on the WGA West website and are updated there.

-Or there's a pizza fund for the strike locations (unfortunately Venmo is a US-only donation option)

-If you're not in LA, donate to the Entertainment Community Fund to support TV and film workers affected by the strike.

-More tips on donating to the strike in this great article!

-Lots of fandoms are organizing donations on their own, for instance the Our Flag Means Death fundraiser on Paypal (updated 30 July 2023 with new link) (available internationally). Check to see if your fandom has started a fundraiser... or start one yourself to show your support! We're happy to give tips on organizing your fandom!

As always, please boost this post and any and all well-sourced information that comes from the WGA or its members. We're happy to fact-check anything you send our way too.

#fans4wga #please boost #i stand with the wga #writers guild strike #current events #wga strike #writers strike

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dailyrothko · 3 months ago

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No, the Popularity of Abstract Art is Not the Result of a CIA PsyOp

If you are unlucky enough to move around the internet these days and talk about art, you’ll find that many “First commenters” will hit you with what they see as some hard truth about your taste in art. Comments usually start with how modern art is “money laundering” always comically misunderstanding what that means. What they are saying is that, of course, rich people use investments as tax shelters and things like expensive antiques and art appraised at high prices to increase their net worth. Oh my god, I’ve been red-pilled. The rich getting richer? I have never heard of such a thing.

What is conveniently left out of this type of comment is that the same valuation and financial shenanigans occur with baseball cards, wine, vacation homes, guitars, and dozens of other things. It does indeed happen with art, but even the kind that the most conservative internet curator can appreciate. After all, Rembrandts are worth money too, you just don’t see many because he’s not making any more of them. The only appropriate response to these people who are, almost inevitably themselves, the worst artists you have ever seen, is silence. It would cruel to ask about their own art because there’s a danger they might actually enjoy such a truly novel experience.

When you are done shaking your head that you just subjected yourself to an argument about the venality of poor artists plotting to make their work valuable after they died, you can certainly then enjoy the accompanying felicity of the revelation they have saved to knock you off your feet: “Abstract art is a CIA PsyOp”

Here one must get ready either to type a lot or to simply say “Except factually” and go along your merry, abstract-art-loving way. But what are the facts? Unsurprisingly with things involving US government covert operations, the facts are not so clear.

Like everything on the internet, you are unlikely to find factual roots to the arguments about government conspiracies and modern art. The mere idea of it is enough to bring blossom for the “I’m not a sheep” crowd, some of whom believe that a gold toilet owning former president is a morally good, honest hard-working man of the people.

The roots of this contention come from a 1973 article in Artforum magazine, where art critic Max Kozloff wrote about post-war American painting in the context of the Cold War, centering around Irving Sandler’s book, The Triumph of American Painting (1970). Kozloff takes on more than just abstract expressionism in his article but condemns the “Self-congratulatory mood”of Sandler’s book and goes on to suggest the rise of abstract expressionism was a “Benevolent form of propaganda”. Kozoloff treads a difficult line here, asserting that abstraction was genuinely important to American art but that its luminaries, “have acquired their present blue-chip status partly through elements in their work that affirm our most recognizable norms and mores.”

While there were rumblings of agreements around Kozloff’s article of broad concerns, it did not give birth to an actual conspiracy theory at the time. The real public apprehension of this idea seems to mostly come from articles written by historian Frances Stonor Saunders in support of her book, “The Cultural Cold War: The CIA and the World of Arts and Letters” (New York, New Press, 2000). (I have not read this 525 page book, only excerpts).

The gist of Ms. Saunders argument is a tantalizing, but mostly unsupported, labyrinthine maze of back door funding and novelistic cloak and dagger deals. According to Saunders, the Congress for Cultural Freedom (CCF), an anti-communist cultural organization founded in 1950, was behind the promotion of Abstract art as part of their effort to be opinion makers in the war against communism. In 1966 it was revealed that the CCF was funded by the CIA. Saunders says that the CCF financed a litany of art exhibitions including “The New American Painting” which toured Europe in the late 1950s. Some of this is true, but it’s difficult, if not impossible, to know the specifics.

Noted expert in abstract-expressionism, David Anfam said CIA presence was real. It was “a well-documented fact” that the CIA co-opted Abstract Expressionism in their propaganda war against Russia. “Even The New American Painting [exhibition] had some CIA funding behind it,” he says. But the reasons for this are not quite what the abstract art detractors might be looking for. After all, the CCF also funded the travel expenses for the Boston Symphony Orchestra and promoted Fodor’s travel guides. More than trying to pull the wool over anyone’s eyes, it was meant to showcase the freedom artists in the US. enjoyed. Or as Anfam goes on to say, “It’s a very shrewd and cynical strategy, because it showed that you could do whatever you liked in America.”

For what it’s worth, Saunders’s book was eviscerated in the Summer 2000 issue of Art Forum at the time of its publication. Robert Simon wrote:

“Saunders draws extensively on primary and secondary sources, focusing on the convoluted money trail as it twists through dummy corporations, front men, anonymous donors, and phony fund-raising events aimed at filling the CCF’s coffers. She makes lengthy forays into such topics as McCarthyism, the formation and operation of the CIA, the propaganda work of the Hollywood film industry, and New York cultural politics—from Partisan Review to MoMA to Abstract Expressionism. Yet what seems strangely absent from Saunders’s panoramic history, as if it were a minor detail or something too obvious to require discussion, is the cultural object itself: The complex specifics of the texts, exhibitions, intellectual gatherings, paintings, and performances of the culture war are largely left out of the story.”

Another problem with the book seems to be that Saunders is an historian but not an art historian. For me, I sensed an overtone of superiority in the tale she’s spinning and most assuredly from those that repeat its conclusion. The thinly veiled message of some is that if it were “Real art” it would not have had be part of this government subterfuge. The reality is very different. For one thing, most of us know it is simply not true that you can make people devoted to a type of art for 100 years that they would sensibly hate otherwise. Another issue is that it’s quite obvious none of the artists actually knew about any government interference if there was any. Pollock, Rothko, Gottlieb and Newmann were all either communists or anarchists. Hardly the group one would recruit the help the US government free the world of communism. Additionally, this narrow cold war timeline ignores a huge amount of abstract art that Jackson Pollock haters also revile and consider part of the same hijacking of high (Frankly, Greek, Roman, or Renaissance) culture. If you look at the highly abstract signature work of Piet Mondrian and observe the dates they were painted, you’ll see 1908, 1914, 1916. This is some of the art denigrated as a CIA PsyOP, 35 years before the CIA even thought about it. Modern art didn’t come from nowhere as many would have you believe to discredit its rise. There was Surrealism, Dada, Bauhaus, Russian futurism and a host of other movements that fueled it.

Generally, people like to argue. On the internet, “I don’t like this” is a weak statement that always must be replaced by “This is garbage” or my favorite, “This is fake.”

It’s hardly surprising that the more conservative factions of our society look for any government involvement in our lives to explain why things are not exactly as they wish them to be, given the (highly ironic) conservative government-blaming that blew up after Reagan. In addition, modern fascists have always had a love affair with the classical fantasy of Greece and Rome. Both Mussolini and Hitler used Greece and Rome as “Distant models” to address their uncertain national identity. The Nazis confiscated more than 5,000 works in German museums, presenting 650 of them in the Entartete Kunst (Degenerate Art, 1937) show to demonstrate the perverted nature of modern art. It featured artists including Marc Chagall, Max Ernst, Wassily Kandinsky, and Paul Klee, among others. The fear of art was real. It was the fear of ideas.

To a lot of people on the internet just the mentioning a “CIA program” is enough to get the cogs turning, but as with many things, the reality of CIA programs and government plots is often less than evidence of well planned coup.

The CIA reportedly spent 20 millions dollars on Operation Acoustic Kitty which intended to use cats to spy on the Kremlin and Soviet embassies. Microphones were planted on cats and plans were set in motion to get the cats to surreptitiously record important conversations. However, the CIA soon discovered that they were cats and not agreeable to any kind of regulation of their behavior.

As part of Operation Mongoose the CIA planned to undermine Castro's public image by putting thallium salts in his shoes, which would cause his beard to fall out, while he was on a trip outside Cuba. He was expected to leave his shoes outside his hotel room to be polished, at which point the salts would be administered. The plan was abandoned because Castro canceled the trip.

Regardless of your feelings on this subject or how much you believe abstract art benefited from government dollars, Saunders herself quotes in her book a CIA officer apparently involved in these “Long leash” influence operations. He says, “We wanted to unite all the people who were writers, who were musicians, who were artists, to demonstrate that the West and the United States was devoted to freedom of expression and to intellectual achievement, without any rigid barriers as to what you must write, and what you must say, and what you must do.” Hardly the Illuminati plot we were promised.

In 2016, Irving Sandler, author of the book that started Kozloff tirading in 1973, told Alastair Sooke of The Daily Telegraph, “There was absolutely no involvement of any government agency. I haven’t seen a single fact that indicates there was this kind of collusion. Surely, by now, something – anything – would have emerged. And isn’t it interesting that the federal government at the time considered Abstract Expressionism a Communist plot to undermine American society?”

This blog post contains information and quotes sourced from The Piper Played to Us All: Orchestrating the Cultural Cold War in the USA, Europe, and Latin America, Russell H. Bartley International Journal of Politics, Culture, and Society, Vol. 14, No. 3 (Spring, 2001), pp. 571-619 (49 pages) https://www.bbc.com/culture/article/20161004-was-modern-art-a-weapon-of-the-cia https://brill.com/view/journals/fasc/8/2/article-p127_127.xml?language=en https://www.guggenheim-bilbao.eus/en/learn/schools/teachers-guides/the-dark-side-of-classicism https://www.artforum.com/features/american-painting-during-the-cold-war-212902/ https://www.independent.co.uk/news/world/modern-art-was-cia-weapon-1578808.html https://www.artforum.com/columns/frances-stonor-saunders-162391/ https://www.artforum.com/features/abstract-expressionism-weapon-of-the-cold-war-214234/ Mark Rothko and the Development of American Modernism 1938-1948 Jonathan Harris, Oxford Art Journal, Vol. 11, No. 1 (1988), pp. 40-50 (11 pages)

#mark rothko #markrothko #rothko #daily rothko #dailyrothko #abstract expressionism #modern art #abstraction #colorfield #ab ex #colorfield painting #mid century #CIA #pysop

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mariacallous · 17 days ago

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This is a gift article

In the final week of this election season, the Republican Party is running two different campaigns. One of them is an ugly and angry but conventional political enterprise. Donald Trump and other Republicans make speeches; party operatives seek to get out the vote; money is spent in swing states; television and radio advertisements proliferate. The people running that campaign are focused on winning the election.

Last night, in New York City’s Madison Square Garden, we caught a glimpse of the other campaign. This is the campaign that is psychologically preparing Americans for an assault on the electoral system, a second January 6, if Trump doesn’t win—or else an assault on the political system and the rule of law if he does. Listen carefully to the words of Tucker Carlson, the pundit fired from Fox News partly for his role in lying about the 2020 election. Warming up the crowd for Trump, he mocked the very idea that Kamala Harris could win: “It’s going to be pretty hard to look at us and say, ‘You know what? Kamala Harris, she got 85 million votes because she’s so impressive as the first Samoan Malaysian, low-I.Q., former California prosecutor ever to be elected president.”

“Samoan Malaysian” was Carlson’s way of mocking Harris’s mixed-race background, and “low-IQ” is self-explanatory—but “85 million” is a number of votes she could in fact win. And how, Carlson suggested, could there be such a “groundswell of popular support” for a person he demeaned as a mongrel, an incompetent, an idiot? The answer was clear: There can’t be, and if anyone says it happened, then we will contest it.

All of this is part of the game: the Trump campaign’s loud confidence, despite dead-even polls; its decision, in the final days, to take the candidate outside the swing states to New York, New Mexico, and Virginia, because we’ve got this in the bag (and not, say, because filling arenas in Pennsylvania is getting harder); the hyping of Republican-early-voter numbers, even though no evidence indicates that these are new voters, just people who are no longer being discouraged from voting early. Also the multiple attempts, across the country, to remove large numbers of people from the rolls; the many claims, with no justification, that “illegal immigrants” are voting or even, as Trump implied during the September debate, that illegal immigrants are being deliberately imported into the country in order to vote; Vance’s declaration that he will accept the election results as long as “only legal American citizens” vote.

At Madison Square Garden, Trump doubled down on that rhetoric. He repeated past claims about the “invasion” of immigrants; about “Venezuelan gangs” occupying American cities, even Times Square; and he offered an instant solution: “On day one, I will launch the largest deportation program in American history to get these criminals out. I will rescue every city and town that has been invaded and conquered, and we will put these vicious and bloodthirsty criminals in jail.” But he left open the question of who exactly all these “criminals” might be, because he seemed to be talking about not just immigrants but also his political opponents, “the enemy within.” The United States, he said, “is now an occupied country, but it will soon be an occupied country no longer … November 5, 2024, nine days from now, will be Liberation Day in America.”

The insults we heard from many speakers at Madison Square Garden, including the description of Puerto Rico as “garbage” or of Harris as “the anti-Christ” or of Hillary Clinton as a “sick son of a bitch”—insults that can also be heard in a thousand podcast episodes featuring Carlson, Elon Musk, J. D. Vance, and their ilk—are part of the same effort. Trump’s electorate is being primed to equate his political opposition with infection, pollution, and demonic power, and to accept violence and chaos as a legitimate, necessary response to these primal, lethal threats.

As I wrote earlier this month, this kind of language, imported from the 1930s, has never before been part of mainstream American presidential politics, because no other political candidate in modern history has used an election to undermine the legal basis of the American political system. But if we are an occupied country, then Joe Biden is not the legitimately elected president of the United States. If we are an occupied country, then the American government is not a set of institutions established over centuries by Congress, but rather a sinister cabal that must be dismantled at any price. If we are an occupied country, then of course the Trump administration can break the law, commit acts of violence, or even trash the Constitution in order to “liberate” Americans, either after Trump has lost the election or after he has won it.

This kind of language is not being used accidentally or incidentally. It is not a joke, even when used by professional comedians. These insults are central to Trump’s message, which is why they were featured at a venue he reveres. They are also classic authoritarian tactics that have worked before, not only in the 1930s but also in places such as modern Venezuela and modern Russia, countries where the public was also prepared over many years to accept lawlessness and violence from the state. The same tactics are working in the United States right now. Election workers, whose job is to carry out the will of the voters, are already the subject of violent threats and harassment. At least two ballot boxes have been attacked.

The natural human instinct is to dismiss, ignore, or downplay these kinds of threats. But that’s the point: You are meant to accept this language and behavior, to consider this kind of rhetoric “baked in” to any Trump campaign. You are supposed to just get used to the idea that Trump wishes he had “Hitler’s generals” or that he uses the Stalinist phrase “enemies of the people” to describe his opponents. Because once you think that’s normal, then you’ll accept the next step. Even when that next step is an assault on democracy and the rule of law.

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