#this is a huge thing for her

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[frankierotwinkdeath]

Y’all want Taylor Swift to be gay so bad but you won’t even write femslash about her

[airoarts]

yellowfang, i wish you were here. my sister is dying.

ID in alt and under cut

ID: digital painting of Cinderpelt and Brightpaw from Warriors. They are two cats curled around each other. Brightpaw, a ginger-and-white cat, is badly injured with cobwebs as bandages around her face and other injuries. She is unconscious and lying on her side in a moss nest. Cinderpelt, a gray cat, is curled around her with her tail over Brightpaw's back, looking at her with concern. They are in a shaded den surrounded by autumnal ferns, with a pool of water in the corner, and a strip of bright sunlight illuminating their faces. end ID.

[inkskinned]

you know, you know. no gods, no masters, no kings on pedestals. everyone is fallible. death of the author. you know! you are balanced about your intake of media - you allow the wiggle room, the grace, the gratitude, the skepticism. nobody above criticism.

but still. a weird gut-punch feeling, something akin to betrayal. you read the article. surprise! an author you love is actually: a serial fucking predator.

well, shit. what now. no, you knew he was a person (all people are), but now you're wondering - what have i overlooked by accident? what messages have i internalized that are strange and cruel? and also, like, what the fuck?

his actions lay a thick glaze on top of everything. like each place is now ruined, opaque in a new way. but okay, fine, you've done this before. you knew better, right? you've been betrayed by many a cherished childhood author.

still, this stickiness. fuck. can you pick up that book again. will you read it to your children. you've recommended it to others - will you ever do that again? and of course, of course, no parasocial relationships. you were theoretically above this kind of sentiment. but the artist informs the art, right.

so it's not something as clear-cut as feeling he owed you, specifically (a stranger) better behavior - just that you kind of, in a distant and odd way... sort of trusted him to do better. it's not like a real trust or something speakable, just the faint hope that the product (good books) was a thin representation of the soul. now it feels like the product (good? books?) was a mask. in some small or insignificant way, your previous support of this person lent them power. your money and your time and your laughter.

and the thing is - you have this terrible, echoing sensation. how many times will this happen? over and over. you find out that the singer you love is actually a predator. you learn over drinks that your favorite high school english teacher is in jail for what he did to her. you listen to the news idly and suddenly discover that a woman you used to idolize has been abusing her kids for an actual eon.

what can you touch without the static melting off. you can't even really complain about it too much (you were supposed to know better, and besides, you don't want the same re-split "it's not your fault, love what you love" basic advice), but now it's here. somehow, it feels like - you let him into your life.

it's not that things need to be pure or an artist has to be like, endlessly perfect, mindful. demure. it's more just this terrible truth that has been replayed through your veins so often it feels criminally vain. power corrupts, absolute power corrupts absolutely. did you want any one person to be worth that power?

it's just that he wrote books where he seemed to understand that. he seemed to know about hierarchies and unfair systems and bigotry and privilege. you thought they were books about what it means to struggle. you thought they were about having power and still using it for good rather than for control. he spooned you a narrative of being a good guy, a kind soul. you fucking bought what that fucking monster sold.

maybe that's why they were fantasies, after all.

[chloesimaginationthings]

RIP Michael Afton, you would of LOVED Foxy’s log ride

[last-flight-of-fancy]

The Third Promise

[morganbritton132]

Eddie: *overhears some girls gossiping about how Steve and Nancy got in a fight in an alley and the police got involved*

Eddie: *hears someone else say that Nancy Wheeler was taken to the police station*

Eddie: *sees Steve jumpy as hell with bruises on his face*

Eddie: *notices that Steve doesn’t talk to his friends anymore. notices that Steve and Nancy always seem miserable together. notices that only one of them is trying to please the other*

Eddie: *witnesses the halloween bathroom fight*

Eddie: *sees Steve confused, beat up, bruised to hell, and single the literal next time he sees him*

Eddie: *puts the pieces together and draws a conclusion*

Conclusion: *is wrong*

Eddie, accosting Steve at lunch: Hey, did you know that if a guy is getting hit by somebody that it’s abuse? Even if it’s a girl doing it.

Steve, confused: Oh-kay?

Steve, deciding that Eddie is reaching out to him for a reason and draws the same wrong conclusion about Eddie: I mean, yeah. That’s - yeah? That’s true. And messed up. You should tell someone if that’s, uh…going on.

Eddie: Yes, exactly. You should.

[deikshen]

More DILF Shen Yuan because I woke up from that mood

Shen Yuan has an ex-wife with whom he gets along well, an older daughter who is already of legal age as geeky as he is, two younger thirteen years old twin sons, and his daughter under ten years old. He is closer to fifty than forty, and apparently a traditional life with a wife and children was what was necessary for him to accept how terribly homosexual he is.

But that's okay, he supposes. Accepting his sexuality, learning to communicate better... Necessary things. His ex-wife is now his friend, his children are well raised with lots of love and patience. Shen Yuan does not consider his divorce a failure, as his brothers accuse him, just another experience. He was not happy in his marriage. Why should he remain in a place where he was not happy?

Then one day, Luo Binghe knocks on his door.

Shen Yuan looks at the haughty man dressed in xianxia robes, a sword on his back, says "fuck not today" and closes the door in his face. Luo Binghe enters anyway. Look, Shen Yuan may enjoy the habit of reading and trashing web novels... That doesn't mean he accepts web novel protagonists ending up at his doorstep! Really!!

Luo Binghe looks shocked to see him, Shizun this, Shizun that. He looks at him as if Shen Yuan in his haughty fifties with gray hair and a tired face had two heads or four arms.

Well, it's Luo Binghe. Shen Yuan knows that he has no chance to fight him. It's not even opposed to the idea of fantasy - age drains one's imagination. If Luo Binghe is there, great, damn, he really is there.

Shen Yuan takes a deep breath, scolds him for breaking his door, tells him that he's really not in the mood for games or riddles. He has to finish correcting some important files which must be delivered no later than tonight. Luo Binghe is invited to stay as long as he keeps that sword away from his children. This week they will be with their mother, but not the following week, and that is his only condition. He's not going to let the kids near that sword.

... Luo Binghe surprisingly accepts it.

In reality, Shen Yuan is concentrating on his work so as not to think that there is a xianxia protagonist inspecting every aspect of his house. By the time he submits the corrections he owes, it's not even dusk yet and Luo Binghe is sitting on the sofa in the living room, watching a historical drama that Shen Yuan sometimes watches with a look of surprise. Shen Yuan explains the plot to him a bit and when it seems that Luo Binghe is more lost than found, he actually asks him what he wants. How did he get there? Why to his house? What does he want?

Luo Binghe looks annoyed that he has to explain - as if Shen Yuan should know beforehand or just agree to Luo Binghe's demands without asking! He explains about opening portals with Xin Mo, a strange world where there was another him, a kind Shizun married to another Luo Binghe. Something about a soul exchange, tracing the soul back to... him. Luo Binghe wants that kind Shizun for himself. He wants what is rightfully his. Why would a Luo Binghe have someone like that in his life, and he wouldn't?

Shen Yuan tries to be open-minded enough. Well, it's not like there's any other explanation. Luo Binghe shows him his claws, his zuiyin, and it's clear that he really is who he says he is. Shen Yuan assumes that a version of him (different? Who came out of the closet before marrying a woman?) transmigrated and took his favorite character as a husband, even if it is from the skin of the scum villain. Well, congratulations to him. Shen Yuan wishes them all the best.

But now there is a very real, very demonic, very traumatized Luo Binghe in his living room, watching a transmigration drama, trying to understand everything. Shen Yuan feels sad for him. He definitely needs kindness, good treatment, better care. These are not things he gets in the harem! Always having to be the provider, the protector, the one who gives his all. Shen Yuan had always been annoyed by that part of the story.

Well, now he can change that, can't he?

He tells him that he is not willing to go with him. He has a very good job as an editor, his children have an arrangement to spend one week at his house and one week at their mother's house, he has a good relationship with his ex-wife. Going to another universe would complicate his life as long as he doesn't do it during his vacation season.

However, Luo Binghe is welcome to stay. Shen Yuan will be kind to him, but if Luo Binghe wants to, he must communicate about it. And he cannot talk about other worlds, demons, harem or emperors when his children are at home. Luo Binghe doesn't quite agree, but he agrees. Shen Yuan promises him that he will take a vacation and go to that world of his to meet him, but it won't be right away. Luo Binghe is a little appeased by that.

And so, a few days later, Shen Yuan picks up his children from his ex's house and tells them: "I've brought a friend to live with us for a while."

He explains to them that he comes from far away, that he doesn't know much about the city or technology, that he speaks strangely and that it can be overwhelming. But he is a good friend, he cooks exquisitely, and he will enjoy spending time with them.

(Luo Binghe would not agree to that last point.)

They are somewhat wary, a wariness that goes away when they enter a house that smells of delicious, unburned home-cooked food. After dinner, they are more willing to accept Luo Binghe into their home and their life. And Luo Binghe does his part well: he behaves pleasantly, speaks casually, does not terrify or intimidate the children, he is a functional adult... As soon as the kids go to their rooms he looks up at Shen Yuan with big puppy eyes waiting for pats on the head for being good.

Sweet Jesus. Shen Yuan is too out of the closet for this. How will he survive this Luo Binghe who just wants to be treated kindly without spoiling him and showering him with all the love he deserves?

[khaoala]

❝I wish I could see you more clearly.❞

FILM RACHANUM as MAY METHAWI episode 9 of PLUTO

[lala-blahblah]

I get why people headcanon that Trucy would call Edgeworth "Uncle Miles" because it represents how close he is to Nick and Trucy and how he's basically part of the family etc. HOWEVER I cannot help but imagine the shock and horror of passersby who hear Trucy call one man "uncle" and one "daddy" as they watch Nick and Miles interact lovingly in public and come to the conclusion that Nick is openly cheating on his spouse with his spouse's brother.

[thirddoctor]

Belinda's plotline is kind of a horror story, which would be very interesting if that's what they'd been going for.

She's kidnapped by a creepy guy who wants to marry her, and she's rescued by another guy who also comes off as kinda creepy to her, and she doesn't trust him or want to be with him, but conveniently he can't take her home so she has to stay with him for a while. And she's forced to start trusting him as they go on various adventures together, but then she sees him casually torture a guy and she has a moment where she doubts him again, but she's able to sort of brush it aside, and she even tells him how amazing he is.

And then she gets stuck in another creepy man's conservative utopia, where she's a housewife married to the man she's travelling with and they have a daughter together. And deep down she knows there's something wrong with this, and she even has a moment where she has to scream because this isn't her life, but she forces herself to keep on believing in the fake world and her daughter, and even when she gets her memories back her daughter is still there and she feels compelled to protect her. She shuts herself in a box, knowing she might be trapped there for eternity, because what else can she do? This is her daughter, right?

And then the girl fades out of existence and she forgets her, but the man she travelled with can't bear to let the girl go, so he rewrites the universe to save her... and rewrites Belinda's whole life in the process. Suddenly she's always been a mother. This has always been her daughter. Once again, she's had a new life imposed on her by some creepy guy, and she doesn't even know it's happened. He doesn't tell her, he just says goodbye and leaves her with the child she never used to have.

Will she ever feel the wrongness of her new reality? Will she ever have a nagging feeling that this isn't her life?

[bumblingbabooshka]

Thinking about marriage/women's rights on Vulcan Some may think that T'Pring not being allowed to divorce Spock was because he was going through the pon farr but if she were allowed to divorce him at all she probably would have done that a long time ago, confirmed by T'Pol when she's speaking with Koss, who isn't suffering from the pon farr. She says that he can choose another mate (without invoking a fight it seems: note the difference between a 'mate' and a 'challenger') and after he makes it clear that nothing she says will change his mind about marrying her, she finally threatens to declare a kal-if-fee. It's clear that Vulcan women cannot divorce/refuse to marry a man they've been betrothed to under any circumstances if A) He himself doesn't consent to ending their marriage or B) She doesn't have someone else waiting in the wings to be given to in his stead. Though, if the challenger she selects fails to win the fight, she'll have to marry her betrothed anyway unless (again) he decides he doesn't want her after the challenge. That seems like an incredibly unfair system, heavily biased towards men. SNW is an alternate universe in many obvious respects but most egregiously in that T'Pring has a lot of non-canonical agency over her relationship with Spock. It's interesting to me that Vulcan society has women in many positions of power and treats women as equal to men from what I've seen despite these laws. We don't really see Vulcans exhibiting a misogynistic attitude towards women in general but in TOS (perhaps because of its general writing style but it's still interesting to note) both Sarek and Spock take on patriarchal attitudes specifically regarding wives. Amanda says that 'of course' Sarek commands her because "he is a Vulcan and I am his wife." It's worthwhile in my eyes to note that she specifies 'wife' instead of attributing this attitude to women as a whole. Again, with TOS' writing style it wouldn't be out of place for her to say "he is a man and I am a woman." Spock, while in a pon farr induced irritation, states that it's "undignified for a woman to play servant to a man that isn't hers" - again implying that there's something specific about being a Wife in Vulcan society which is different from being a woman in general and demands subservience to a husband. This could perhaps stem from the extreme sense of ownership that Vulcan law has permitted men to have over women. A woman legally cannot point blank refuse marriage. There is no option which guarantees she won't have to marry her betrothed other than death. When T'Pau speaks of T'Pring she refers to her as being 'property' and Stonn, before being interrupted, states he's made 'the ancient claim' - we don't know what this is because he gets cut off but it's obvious they're both using the language of Vulcan law. Men are permitted true freedom to choose. If a woman wants to choose someone else to be with there is no option available to her other than the kal-if-fee which might result in the death of the one she wants to be with. And, if her lover fails, her husband can still just decide he wants to marry her and she'll be forced to. T'Pring gives two scenarios: One where Spock 'frees' her and one where he doesn't - it's still ultimately his decision which is clear when he ends the conversation with "Stonn, she is yours." This again isn't just because of the pon farr as T'Pol also goes through this. Koss can choose another mate and when the option is talked about there's no implication that this would result in any sort of fight (both by the casualness of its mention and by the fact that there's no formal word for it unlike the kal-if-fee.) Also, the fact that Koss does eventually grant T'Pol a divorce and it's all fine means that T'Pol isn't lawfully required to have another man waiting if her HUSBAND doesn't want her. It's ONLY required if SHE doesn't want her husband. Tradition must take precedence over individual desire UNLESS!!! You're a man. Then it's fine. Like, your parents might not be happy but legally you're golden.

[maeve-is-annoying-about-books]

Arcane Season 2 and Jinx

Oh moon above, the way they handled Jinx is fantastic. They really never let you forget she has this... almost otherworldly innocence to her despite all of the violence she consistently commits. She's not Powder, anymore, but she's not really the monster everyone thinks she is either. Not some grand mastermind, and not the face of Zaun's evil.

Look at what she's done in season 2. She blasted away some thugs because they were threatening a kid. She reminisces with Sevika and makes her a brand new arm. Just based off that small little kindness, and it's returned fivefold. And then, then her big plot? Her massive attack against Piltover?

It's just neutralizing the Grey being used against Zaun and blowing it all back topside. It's a paint bomb, it's graffiti. It's a re-enactment of a children's tale framed as something sinister so that Vi and Cait will show up and they can settle this. Jinx, at her most salient, thinks "Yeah I should probably die. That's fair. At least it'll be from Vi." And who saves her? That same child she helped earlier, clinging to her because, well, who else? Ilsa is that childish part of Jinx that's still left, an external representation of it even. Her heart, essentially, in plain view.

Just... AUGH. It's so good! It would be so easy to start Jinx's monster arc and they will never let you forget that no matter how damaged, no matter what crime, no matter what happens, Jinx is still a person. Attempting to erase that aspect is what makes another person a monster, and I think nothing better represents that than the final moments of the battle. If Caitlyn had made that shot, it would have been at the expense of that understanding. It would have been merely slaying a monster. It would be making another monster in her place.

[fizzytoo]

candy 🤯 !!

Andrew: Yuki, put some pants on. We have company.

Yuki: Company? Please, it’s just Candy.

Candy: Hello to you, too, little sister. Shitty dye job, by the way.

[aroaceleovaldez]

i am once again thinking about Percy and Annabeth and their respective relationships with their step-parents, particularly how the other views the other's dynamic with their step-parents.

Because there's a really interesting subtle thing that we see which is when Annabeth talks about her step-mom to Percy, Percy's assumption is that Annabeth's step-mom is like Gabe. He just presumes that because that's what's familiar with him and based on his own experiences he assumes their situations are similar.

But then when Percy actually meets Annabeth's step-mom (and her dad) he realizes their situations aren't at all the same. He was expecting another Gabe, but instead he just found a genuinely caring family that was just struggling to find their footing with one another.

The interesting thing is that this implies an inverse - especially with what we know about how Percy and Annabeth describe their experiences. Percy doesn't really talk about Gabe ever. To anyone. Grover knows the whole picture there but he's basically the only one of Percy's friends who does. As far as we know, unless Grover told her at some point, Annabeth doesn't know about Gabe. She knows he was a jerk, but Percy out loud doesn't ever really get into details about it. She knows they didn't get along and eventually Gabe disappeared and Percy basically never spoke of it again. Presumably, Annabeth thinks Percy's dynamic with Gabe was like her dynamic with her step-mom, like how Percy had thought their situations were the same. Especially given we know Percy assumed their situations were the same and likely spoke about it as such if it ever came up.

Like. That's such an interesting tiny aspect of their dynamic that never gets touched upon. Annabeth likely doesn't know about this very core traumatic experience Percy endured before they met because she's operating under the assumption that their family just was a little rocky like hers was.

[echobsilly]

scrubbed him into sludge!!! YAY!!!!! 🛁