#this is SO long I’m so sorry

[put-them-thangs-away]

while i figure that out, not sure if anyone has done it yet, but i want to do a little dive into the basics of the tarot cards used in this jack & joker episode, now that i actually have a moment and can do more than just the basic off the top of my head readings. i’ll be using the golden thread tarot deck mostly because i like how concise it is and also its more accessible to me right now underneath my sleeping dog than my shelf of decks in my room lmao. this is gonna be,,,, real long probably so all the details will be under the cut, if you wanna join me for my rambling:

fun little sidenote before i get started: when i went to begin discussing why i love the use of tarot and nang’s characterization specifically, my card of the day that i drew was the Queen of Swords which is like 100000% The Nang Card™️ lol [complexity, perceptive, clear mindedness etc.]

“a woman of immense complexity, sometimes considered cold-hearted, but also sharp of mind and wit, independent and possessing great powers of organization and analysis.” i won’t go down the rabbit hole of sword suits as a whole bc that’s not the point of this post and so far the show hasn’t gone into minor arcana, so i’m just gonna say HMMMMM very inch resting timing,,,,, anyways,,,

now, of course i have to start with joke’s card and its myriad of double meanings. in just about any piece of media, if you see The Fool card it should automatically be flagged as a red herring. it’s meant for you to look at it and take it at face value based on the words and image…. much like our four little idiots did when first shown their cards. like JOKE YOU GOT THE FOOL BECAUSE YOU’RE A DUMBASS LOL! and he’s the joker so of course he would also be the fool, yes? unfortunately for our little baby clown, the actual symbolism of the card is childlike innocence and naivety, often to their own detriment. it speaks of blank slates, new beginnings, and the start of a journey. “he does not know the dangers that can beset him during his travels, and thus he stumbles forward with complete optimism, never suspecting that he may be walking in a thin tight rope.” oof yikes. sound familiar? nang rly read that boy for filth huh,,,, aside from the obvious heavy handed post-prison clean slate, we’ve also got the metaphor connected to jack’s forgiveness and starting their relationship over. there’s a lot more to be said here as well about how naive joke can be when thinking he’s doing the right thing and that his choices are for the sake of someone else, without clearly seeing the consequences their may be for that person as a result of his actions. at the risk of Never Shutting Up About It, i will have to make myself move on.

i’ll get into tattoo’s card next because it’s really interesting to me that he was assigned The World, which I kind of would have thought would be a card assigned to jack instead. i see what they were going for in this episode with it, i think, but it felt a bit shallow in comparison, so there may be more in relation to this that we have yet to see. as The Fool is the first card (0) in the major arcana, The World is the final card (21). this card symbolizes an ending of a cycle of life, specifically before the beginning of a new cycle of life. it’s an indicator of major and inescapable change. throughout this episode, we see the shift in tattoo’s heart and priorities being held up in comparison to their past heist through some pretty straightforward parallels, so from that angle, The World makes perfect sense. (especially since one reading of The World when in reverse is inertia & stagnation) tattoo wanting to run in and save joke when he thinks he’ll be caught in the heist is our window in to see The World changing. that being said i find it interesting that this card would be chosen for him since it sort of,,,, kickstarts the journey for The Fool and is generally somewhat,,,, final. so i’m just reeeaaaalllllyyyy hoping that this does not mean tattoo has to actually end his cycle in any way other than metaphorical for the other to continue. the man has grown on me, what can i say? 😭 we’re just gonna ignore all those warning bells in my head and choose to go with the “accomplishment and fulfillment from both inner and outer sources” reading. yup.

then we’ve got arun, whose card is The Moon, which is double fun because arun’s name means dawn/sunrise. there’s a lot of meaning that could be extrapolated here, but based on tattoo’s card seeming on surface level to be about the state of his heart and his involvement in this little found family, i’m going to guess that arun’s is the same. The Moon card symbolizes intuition, the unconscious, illusion, and deception. it can be read as a signal of something being not as it appears, a truth you cannot admit to yourself, instincts that we have buried in our unconscious, among other things. this card being chosen for arun actually actively makes me more nervous than tattoo getting The World lol. if we choose to read it at surface value, could just be that in this heist he had to follow intuition, and got himself turned around in the process (eagle statue etc), or just generally that he did not previously appear capable, but here he is helping this mission be pulled off. with the opening scene of arun crying about missing his dad and that,,,, not really getting resolved actually,,,,,, that makes me wonder about some alternate reading options, but like,,,,,, i don’t want to. so. Simply going to close my eyes on that one! no thanks!

then of course there’s everyone favourite head empty good boy, hoy, who was assigned The Star card. out of all the card readings, this boy got the most straightforward one and i’m trying not to read too much into that since they were all assigned by nang and my brain hasn’t quite caught up to [handwaves] whatever she and hoy have got going on over there. this card is symbolic of faith, optimism, and hope. so….. yeah hoy in a nutshell. not a whole lot more to add in there.

skipping The Heirophant card and The Tower card to come back to later because i have Some Theories there and they may make more sense after i go back and rewatch a few things

ANYWAYS if you read to the end of this thank you and i’m sorry please feel free to yell at me about it

[operationslipperypuppet]

let’s talk about the twinkling lights of galaderon and hardwon surefoot, shall we?

now, to start this off with a caveat, i’m not going to list every time it’s used, i am going to try to generalize. i do, however, want to note that it is one of a few naddsongs that remains consistently tied to a single person in the main campaigns - it’s not used at all in eldermourne and the one use in c3 before hardwon’s return is after the bubble falls in ezry and duck team can finally see the sky (which is what hardwon was staring at in its first use).

when we meet hardwon surefoot, the man who walks into the hungry trout, one easy and early thing to see about him is that he’s searching for something. whatever it was he left behind in irondeep wasn’t his home, not really, because he never felt accepted there. as we meet bronzebeards and hear more stories about his youth, this point only strengthens. he was running.

for the most part, twinkling lights is used when hardwon sees things about his past, the aspects of him he left behind, the home he always hoped for himself, but never quite got. the first use is when he learns that he’s on his father’s ship and that he’s with people who knew his parents. it comes up when he finds his dads hat in the captains quarters, when he and gemma meet up on the balcony. and several times when he’s trying to reach out to his mom (promising his dad he’ll save her, telling her he is a vampire and learning about his dad, and saying goodbye to her when they leave shadowfell).

after leaving lydia, almost 20 episodes pass before it comes up for hardwon again. in that time he’s reincarnated, he goes through hell and comes back, and probably spends a lot of time thinking he’ll never be home again. twinkling lights is then used when he looks out over the destruction of irondeep and sees the stormborn coming toward gladeholm, the two parts of the home he imagined for himself, looking completely different than he thought they would.

the next time it comes up is when he meets shivl, and talks to her about feeling out of place among the dwarves. which is, again, the home he’s come a long way to reject, and been fleeing since the beginning.

now, of course, hardwon hasn’t completely rejected the idea of being a dwarf. it’s a major part of his identity. they are his people. but he is not theirs. not even wielding the godshammer will give him that (his offer to macgannis, when they wrestle for the last part of the hammer, that macgannis can take it, that hardwon doesn’t have to be the guy, is proof positive of this. hardwon will always consider himself a dwarf. but he will never expect to be considered a dwarf by a dwarf.)

earlier, i mentioned hardwon surefoot, the man who walks into the hungry trout, and how he was searching for a home. if you were to ask him what he would consider to be among the most important moments of his life, entering that tavern would make the list. not because of what happened after he went in there. but because of who walked in after him.

and the home he found in those people.

it’s easy to see, immediately, how at place hardwon feels at the crick. he falls in love with the idea of it long before even arriving there. but i wouldn’t consider it to be his home. and neither does the scoring of the show.

the last use of twinkling lights in campaign one, and perhaps the most prolific, is when hardwon asks moonshine if he can join her and live at the crick. making the song no longer about rejecting a home, but about him completing his arc and finding one. he literally says to moonshine that when he left irondeep, he didn’t know where he fit in and then he met her. being part of the crick is something he asks for because he wants to remain with her. his question ends with “hell, i wanna keep on hanging out with you”. she, moonshine, is the one he begs to stay for.

emily has voiced qualms about her reaction as moonshine to this moment, but it’s perfect. moonshine is nearly speechless, gives him an enormous hug, and tells him about an empty stump. that’s all that matters to him. in hugging her back, the song swells, and hardwon completes his arc, finding that home he’s been searching for and seen specks of in all the things he had to leave behind with every other use of the song.

that choice could, of course, be seen as establishing the crick as his home. but when we get his triumphant return in campaign 3, this is proven, through music, to not be the case as much.

a bastard no more is what introduces hardwon back, showing you a split second before jake says who opens the cabin door who is behind it. twinkling lights could have been used aboard the stormborn again, looking at the crick, but it isn’t. when callie, sol, and hardwon waltz back into the crick town square, murph makes a point of describing exactly what’s going on - that every crick is excited to see hardwon, that they’re all so happy he’s back and heading out on an adventure. he has found a home here. a community. the thing he explained to shivl and 1000 times through actions in campaign one that he never had in irondeep.

and yet. no twinkling lights.

but then we get it back. in 3x39: hang on!. kenna, of all people, is the one who approaches hardwon and asks about moonshine and beverly. where they are. why he’s not there. we get twinkling lights there, the first time they’re truly brought up in campaign 3 by hardwon. when he says they don’t need him. they are his home, but hardwon has left that, too, behind. the future that was so bright in its use in 1x100 has become clouded by time and distance.

until. until.

the distress signal.

no, the use of it is not when moonshine first reaches out to him, desperate and sounding weaker than she ever has in her life. it’s when he responds. when he apologizes. when he insists that he’s coming. he’s on his way. he’s sorry and just hold on for one more moment because he’s on his fucking way.

he’s coming home, to moonshine. and that’s what the music is trying to tell you.

the last time it’s used? to drive the point home? is as he says his final goodbyes to duck team and heads off in the teleporter. to actually go back home.

hardwon surefoot, the man who walks into the hungry trout, desperately wanted to find a home. and the twinkling lights of galaderon helps you, the audience to see where it is. so that hardwon surefoot, the man who trapped ultrus in a hammer, will be exactly where he needs to be when he lands in the astral plane.

[imomnba-x07]

Okay I think I’m ganna elaborate on my Thunderbolts and New World Order theory because I can and I’m having IMMENSE brain rot rn. (Also please lemme know your thoughts or feel free to add on to this)

- General Ross as we know plays a pretty big role in both films. Neither of our boys have any love for Ross ESPECIALLY Sam, after the way he was treated on the raft. So when Ross starts gaining more political power, Sam is most likely immediately distrusting and suspicious of it and knows Ross well enough to know that he would be up to something more now with his presidential power.

- so essentially (either through the grape vine, walkers big ass mouth, or possibly even Everett Ross, I’ll get into my theory about him in a minute😏) Sam gets wind of what Thaddeus and Val are up to and don’t trust either of them to have control over a team of super powered individuals. So Sam wants to know more about this new team on the playing field but doesn’t have a contact on the inside that he trusts enough to get more information.

- that’s is, until Bucky potentially volunteers himself. Then there’s a lot of back and forth between them “Bucky no it’s dangerous” Sam my middle name is danger 😡” “Sam you trust me right?” “With my life Bucky” “then trust me to do this for you, we need a man on the inside” “if you do this, you keep in contact with me you understand? No more of this disappearing on me act” “I promise, you won’t lose me again” blah blah blah I’ll let the fic writers come up with more poetic shit

- But the question is, how do they get Bucky into the Thunderbolts without drawing suspicion? Well, anyone remember this?

- there’s a video of Bucky acting as the winter soldier somewhere out there. It’s likely that Sam asked Sharon to get a hold of it and keep it off web. But for Operation infiltrate thunderbolts, its the perfect “evidence” to have released. So Sharon, with the permission of Sam and Bucky, leaks it online. It’s the perfect ploy to make Thaddeus think he has some sort of leverage or reason over Bucky now. Because let’s be honest, Thaddeus can’t refuse the offer of getting the winter soldier to work for him and do his bidding. Bucky of course acts oblivious to the video, and let’s himself get arrested once Thaddeus gets the authority to do so.

- Wam Bam Bippity Bow, Bucky is now on the thunderbolts team, acting like this wasn’t the plan, acting pissed that he’s there, acting forlorn and dejected that he’s tied back down to the government, leaving Val and Thaddeus none the wiser (Ha ha suck it assholes) all while secretly reporting back to Sam every-time he can when the cost is clear.

- and all of this can either take place in the final or first act of Cap 4 or the beginning act of Thunderbolts. It’s the perfect reason as to why They won’t be in the same projects, but would still give them each an opportunity to appear for some scenes in eachothers movies (BECAUSE THEY ARE NOT GETTING DIVORCED DAMMIT).

- Now if you want to add ANOTHER spicy level to this well look no further! Remember that I mentioned Everett Ross before? There have been a few rumors that Thunderbolts is going to mainly center around the search for Vibranium, and it would make sense from what we saw of Val in Wakanda Forever. There are also rumors that Sam might appear in secret invasion, where Everett Ross also is. Thus giving them a potential connection.

- Everett as we know is highly trusted by the Wakandans, so we know he likely tells them what Val is up to with the thunderbolts and the potential vibranium plot. Everett however can’t get involved because he was already arrested once by Val, and the Wakandans can’t be seen interfering with international affairs based off a hunch they got from an “anonymous” source. Gosh if only there was an avenger with ties to Wakanda who still may have to redeem themselves after releasing Zemo…..oh wait😏

- It’s a nice way for Bucky to earn the trust of the Wakandans back completely while simultaneously keeping an eye on the new team recruits to see who may actually be avengers material for Sam (Yelena and Ghost obviously) instead of just being a thunderbolt for the government to use as a living weapon.

Ok that’s it, that’s my master theory. I’ll probably add to this later cause I just have too many thoughts and the brain rot has overtaken me once again

[mossytrashcan]

Sending this as an ask but what saw trap would you assign an acotar chara? Any charecter of ur choosing i'm kind of fascinated

Okay okay okay, I’m gonna go w ones I think fit them best thematically, not with the ones that’ll be the most painful. Might be some repeats because a lot of saw traps are collaborative

Bathroom Trap: Cassian and Azriel Controversially going w them over Tamcien, but mostly because I think Adam and Az share some surface level similarities. There’s the whole voyeur aspect, but also a passivity to him. Plus their dynamic is super codependent, so the stakes of Cassian having to kill Az to escape? Very juicy

Spike Trap: Nessian A toxic couple pinned together by spikes, where the woman can only escape by killing her partner? And I didn’t choose Feysand?

Okay jk on that last part. Rhysand does some fucked up stuff, and the codependency theme really works w them, but Nessian is calling to me. Honest to god, Nesta needs it more than Feyre. At least Rhysand doesn’t play when it comes to his wifey. At least he’s only got eyes for her

Shotgun Carousel: Elain (and others) Elain’s a very passive gal who’s kind of restricted from making bold decisions, so I think that having to choose between who gets shotgunned and who gets spared would be really healthy for her. It’s what John would want

Nerve Gas House: The Inner Circle Pretty self explanatory. Put their asses in the nerve gas house. Throw older Nyx in there too, idgaf. Make Rhysand watch. Works thematically

Glass Coffin: Tamsand. Duh. Sworn sexy enemies. Tamlin is Mark cuz DAMN them thangs thanging (and also Rhys would get himself killed because he’s just that mad at Tamlin)

Flammable Jelly: Lucien. No reason I just think it’s funny to put fire man in fire trap

Public Execution Trap (love triangle from hell): Rhysand, Nesta, and Cassian Cas has GOT to decide if he’s married to Rhysand or if he’s married to Nesta. Boy stand UP

Reverse Bear Trap: Tarquin. Let him stab someone. Let him be selfish

Nerve Gas Room?: Feysand Let them fight over the air hole. Only change is that Feyre (survivor duh) wouldn’t presumably be trapped in the room forever

Eye Vacuum: Jurian MWAHAHHAHAHAHA

Bloodboarding: Nesta and Feyre Genuinely they are pass the point of therapy. They need to be put in a life or death situation where they have to collaborate in order to keep each other alive

Rapist limbs go bye-bye: Amarantha

[thatbitch151]

Hello y’all! Gonna info-dump about a disorder I have now! (There’s a specific mutual that this is for and if you see thing you’ll know it’s you :D)

So I have P-DID, aka Partial-DID, aka Partial-Dissociative Identity Disorder

Before I can go more in depth about P-DID, first I need to explain regular DID, so

What Is DID? (Btw I’m not a professional so this is may be worded wrong but I’m trying my best)

DID is a dissociative disorder that forms when a child, roughly between the ages of 2-8 but those can have some wiggle room, goes through extreme and/or repetitive trauma. Basically, this disorder causes a split of the base identity into at least 2 distinct identities, but there can be any number of identities, or alters as I will refer to them from now on. A person with multiple alters is referred to as a system.

With DID, but not required of every system (there are other disorders that can cause systems, like OSDD and UDD) there are memory walls. The effect of these memory walls is to, well, block off memories between alters. The strength of the amnesia differs from system to system, with some not remember anything unless they are in front (or driving the car that is the body), while others can remember what other alters do crystal clear. Not only does the strength change from system to system, it can also change from alter to alter. Meaning that the wall between alters A and B might be strong and A won’t remember anything B does and vice verse, the wall between alter C and D could be thin or nonexistent so they share memories.

That’s the basics of DID, if anyone wants a more in depth explanation of that, or anything else in this post either, let me know and I’ll happily do so.

Now, what is P-DID?

P-DID is exactly like it sounds, Partial-DID. This means that some of the effects of the disorder are not as pronounced as regular DID. What does this mean?

It can, but doesn’t have to, mean little to no memory walls. It can, but doesn’t have to, mean less alters/less defined alters. It can, but doesn’t have to, mean that there is less switching of front (when alter A takes control of the body after alter B was out and vice versa).

What does that mean for my experience?

In my system, there is significantly less switching. Instead, 95% of the time me, the host (meaning the alter who is in front the majority of the time) is in front while the other 5% of the time a different alter is in front. Instead, the majority of the time I am usually co-con with someone else (co-con means co-conscious, when 2 or more alters are in the brain seat at the same time, or it could be both in the driving seat, or one in the driver one in the passenger ect. It means we are both conscious of the out side world at that moment).

It also means that between me and Most (not all) alters, there is very little memory wall. I remember the majority of what the others do when in front and vice versa.

It Also means that while we have a large number of known alters (and a probably larger number of unknown ((to me)) alters) most of them are fragments, or not as defined alters.

What is my experience like?

Like I said earlier, I am usually co-con with someone else. About 60% of the time, I am not alone in the front and 35% of the time I am (5% left for when I am not in front at all).

More over, in that 60% when I am co-con, about 30% of it is when someone else is in the driver seat instead of me, so I am left to watch what they do but not do it myself. I can give feed back and talk to them and such, but ultimately they are in control until I am back in the drivers seat.

I also experience little memory wall, when it comes to the front at least. There are only about 2 alters who I remember little to nothing when they front. This made it a bit difficult for me to even figure out I had the disorder since I had very few memory gaps. Instead, the memory wall that is there between most of the alters an I is an emotional memory wall.

For example, this means when I think about a trauma that I did not experience/it’s not my job to hold, I can remember what happened, sometimes in excruciating detail, but I do not feel the emotions connected to it. I can remember that we were upset or hurt or whatever during the event, but I do not feel anything for or from that event myself.

I only figured it out because I remembered a short period of time where I wasn’t the host, and instead someone of a completely different gender than me was. This, for pretty obvious reasons, led to me being confused and questioning it until eventually someone reached out and told me that yes, I was in fact part of a system. This took many months of questioning and even talking to a different system and asking questions before they finally told me.

How does having P-DID affect my day to day life?

Honestly? Not very much. Sometimes I’ll feel random emotions and be confused before I remember that there are others in my brain and it’s probably them, or I’ll have occasional bad memory and suddenly someone will tell me the thing I need to remember (or more often than not hear someone laugh at me for forgetting, the bastards).

Sometimes I’ll starts disassociating really hard and then suddenly someone else is moving our body and talking with our voice.

Another big way it affects me is that as it turns out I am a fictive. A fictive is an alter that is made based off of something that already exists, whether that’s a whole other person or a character from a book, game, movie, ect. This means that I Do Not match what the body looks like on the inside, this was another way I figured it out because everytime I looked in the mirror I would go “hey wait a minute, that’s not my face” before realizing that yes, it was in fact my face.

That’s the most of it for now, if anyone has any questions, or wants further explanation, you can either comment/reblog asking for that, or you can DM me directly :)

Thanks for reading, and for the one specific mutual I hope this helped in any way at all

[sexynetra]

A bit random, but I'm really curious... how did find out you were a lesbian? Because I'm trying to find out about myself (I'm a girl) and the only thing I'm sure is that there are people that attract me and people that don't... not necessarily related to gender.

Omg hi darling!

I wish there was some sort of shortcut to figuring out sexuality but unfortunately it’s a lot of trial and error in my experience.

When I first came out over a decade ago, I identified as pansexual, and I liked that label for a few years. I was like. Maybe 12 or 13 at most and honestly didn’t even fully understand what attraction felt like. That morphed to queer eventually because I didn’t really know how to describe what I was feeling or what my experience was, but I knew it fell under the umbrella.

Probably 4-5 years ago I started… dipping my toe into lesbian identity? Before that all I had in terms of calling myself a lesbian was crying to my friends that I might be a lesbian every time I had mediocre sex with a guy, but i didn’t for real start considering it until later. I honestly started so small, like using lesbian flag backgrounds whenever I made a picrew or making lesbian jokes around online friends, which morphed into lesbian jokes with real life friends.

It was kind of a slow progression but I essentially lived my life as a lesbian, made jokes about being a lesbian, continued to use lesbian imagery online, but kept calling myself queer because for some reason I was scared to take the plunge 😂

Anyways long story short, I kind of fell into my full true lesbian identity by accident, my friends (who knew my family was super accepting and that I was out to them) started making lesbian jokes about me around my parents and at one point my best friend told my mom that Im lesbian (I was out to her as queer, but not lesbian). If I wasn’t me that would have been very bad, but my parents are wonderful incredible amazing Allies and I found it extraordinarily funny, but also it helped me finally get over that last invisible hurdle I had with calling myself a lesbian.

Anyways I’m very lucky to live in a super open accepting community, have super supportive family and friends (and lovely elder lesbian aunts who I would kill for), and not really have any major risks (for the most part) to being openly lesbian where I live, but it still took me MANY years and many labels to accept and embrace myself.

Anyways that’s a super long winded answer and life story you fully didn’t ask for, but in my experience, trying to force yourself to fit into a label doesn’t work out, and just letting yourself exist and like what you like and not worry so much about the “correct” language is going to make you happier in the long run! You may be lesbian, you may not, honestly I recommend trying calling yourself a lesbian in online conversations, putting the lesbian flag on picrews if those are still a thing, just small easy things to see how it feels and if it feels right.

Plus, there’s no one way to be a lesbian! Gender and sexuality and attraction are waaaaay too complex to box things in so narrowly, don’t let the chronically online people tell you you’re doing it “wrong”

Anyways I love you, I hope you have a smooth journey discovering yourself, and my DM’s are always open if you need anything at all. Nothing means more to me than helping other queer people embrace themselves and blossom!!!

[buffyspeak]

there’s a notable (but very understated) miscommunication between alec and clary in 2.05. which is that when he comes to her room to apologize, and she tries to get him to stop - he thinks she doesn’t want to hear it because she blames him. but she told jace not long before that she was tired of people pitying her, speaking in quiet voices and telling her it was okay to grieve.

which is why when he continues she actually hears him out, because that’s NOT what he’s doing, he’s not speaking around the edges of it, he’s facing it head-on. just. “i’m sorry, i would do anything to change it.”

and so would she! so a common goal aligns them!

which is exactly what she’s looking for and why she tells him about her plan to go see iris. which is a plan that is. understandable but a little bit manipulative on her part. in a way that ironically reminds me of what magnus said about jocelyn. because she understands alec’s guilt here and doesn’t (*entirely, i think) agree with it - but also doesn’t say anything to dissuade it because it’s to her benefit.

and i get that she has a lot going on! this is not a clary slander post. i just honestly think it’s a really interesting moment that shifts their dynamic a Lot.

and this miscommunication is why in the very next episode, clary will say she doesn’t blame alec and he needs to stop blaming himself (and it’s notable she says that to izzy and not alec himself), but alec still (likely quite subconsciously) believes she blames him in 2.08 and that’s what drives him to suicide when under iris’s spell.

and it’s why the culmination of this arc isn’t someone confronting alec about his self-harm (which never does get quite properly addressed imho, but at the same time, i understand that that’s hard to do naturally im a genre-show and would probably come off very PSA), but clary and alec having a quiet moment where she tells him she doesn’t blame him, he touches her arm, and they come to a very simple understanding. they’ve been operating under two very different understandings - clary under the assumption that they both know she doesn’t blame him but if he feels guilty anyway, then hey! why not help her try to get her mom back - and alec under the assumption that of course she blames him and trying to help her in 2.05 was all he could do to even start to make up for it. that quiet moment in 2.08 is clary realizing - after seeing alec on the ledge and knowing what he was hallucinating in broad strokes - that her assumption was wrong and realizing that alec needs to hear her actually say it to correct his own assumption. and they come to a new understanding.

(* this is already so long but. (and this is reading into a things a lot) it’s my personal interpretation that while not wholly, some part of clary does blame alec a little. not enough that she would ever say that or that she thinks he SHOULD feel as badly as he does. but she saw the video of ‘alec’ killing her mom. she knows alec and her have had their own issues in the past. she likely knows alec didn’t like jocelyn. it would not be hard (or even totally unsympathetic tbh) to have some amount of resentment toward him for it. so to me, 2.08 isn’t just “oh i never blamed you alec.” it is in that moment choosing to move past any potential blame or resentment she feels towards him that she’s left unsaid, because seeing what he almost did, she realizes not only that he needs to hear it, but that she would rather let go of that feeling than potentially lose another member of her family. because alec IS like family to her, albeit in very different ways than jace or izzy.)

[chloesimaginationthings]

William Afton has top tier FNAF parenting skills

[watcher0033]

Y’all, the Archive admins are made up of VOLUNTEERS. And they have been working for 12-13 HOURS STRAIGHT.

I better not hear any complaints when donation period comes around. OR ELSE.

cosplay by @woahchriswoah on Twitter

EDIT: How do we show appreciation to the volunteers? For me reading these deep dives on OTW issues u guys apparently it's been said multiple times that one of their objective statements is to have paid staff for ao3 and there's a surplus of donations they haven't used up or the other community solutions that needs to address. For those more financially literate feel free to analyze, snipe me or add to the discussion etc. linked here by deepa. They’re cool and these yearly analysis they did aint no joke.

But Seriously what can we do for these volunteers? The probable burn out from this entire fiasco would be no joke. @ao3org

[kurooh]

You work is top notch 🤍

Could you maybe write the MHA boys being drunk and gropey with Reader?

DRUNK ‘N NASTY.

⟡ includes: aged up! midoriya izuku, bakugō katsuki, todoroki shōto, takami keigo.

⟡ warnings: 18+ content (mdni), f! reader, fluff & smut, alcohol and drinking, groping, car sex, denki&sero share an apartment in bakugo’s, breeding, dry humping.

⟡ notes: thank you so much <3!

— MIDORIYA IZUKU

when he’s been drinking, izuku gets clingy; he’ll grab you all over, cheeks pink as he looks at you with dazed adoration. but, he gets horny really quickly — he’s just sitting beside you, staring at your thighs and the way they squish against each other as you cross your legs and boom! he’s rock hard.

“izuku! are you seriously hard right now?” you slur before taking another strong shot. the sweetened vodka rushes down your throat, and you wince a little at the burn, back straightening.

“god,” he groans out of nowhere, and you turn towards him, crossing your legs on the bar stool.

“what, baby?”

“you’re just so..” he drifts off, grinning stupidly as he searches for the right words. “so beautiful! and you look so soft, i want to touch you so bad.”

he scoots his stool towards you, hands reaching towards your thighs; he rubs at your plush skin, digging his nails in a little as he feels himself get harder. “a-and, i really want you to sit on my face right now!”

“izuku!” you attempt to hush him when a few people turn due to the loudness of his voice. “you can’t say that, we’re in a bar right now!”

“well, let’s go then,” he suggests nonchalantly, stumbling when he hops off his barstool, “let’s go home.”

later, you’re sitting on his face, and right after you cum, he falls asleep.

— BAKUGŌ KATSUKI

when he’s sober, he’s mouthy and snarky, but when he’s drunk, he’s even worse. regardless of who can see him, or where he is, his lips are either on yours or all over your neck. sometimes he’ll realize where he is—around your shared friends—and he’ll whisk you away to somewhere more private.

“eww dude, we don’t wanna see all that,” denki exclaims, dramatically retching and gagging at the sight of katsuki covering your neck in needy kisses. his large hands grip the plush skin of your hips and then slowly slide upwards.

“shut the fuck up, ya damn extra!” katsuki snaps, groping at your tits before he finally grabs your hand and pulls you up from your seat on the couch.

your drink sloshes in your cup as you allow him to pull you along, and he whisks you away to denki and sero’s bathroom. before the door even closes, he’s on you, caging you against the sink. “katsuki!” you exclaim against his lips, voice caught between a gasp of surprise and a moan of excitement. the cup, half full of liquor, falls to the floor and spills, ice cubes sliding on the tile.

“all mine,” he grunts, his big hands squeezing at your thighs, spreading them before he angles his knee between them. he’s kissing you so hard you feel your head spinning, your pussy throbbing with need. katsuki hooks his fingers into the waistband of your shorts and underwear, peels both away with an impatient grumble.

“fuck me hard,” you beg, dripping.

“when don’t i?” he rumbles into your neck, slipping off his pants and boxers. katsuki’s needy cock presses against your thigh, thickening even more when you wrap your hand around it firmly.

“that’s right,” he groans, squirming, “push my cock inside you—ughhh.. good girl.”

— TODOROKI SHŌTO

sho gets super happy and horny after a few strong shots; he’s intertwining your fingers with his, very sneakily trying to pull your hands into his lap. if you’re in an area where it’s possible, he tugs you close and sits you on his lap; he’ll spoil the intimate touch with some grinding or groping.

“sho!” your face burns as he languidly drags you against his lap, clothed cunt rubbing over his hardened cock.

shōto’s fingers intertwine with yours, his palms warm and just a little sweaty. a hushed groan escapes his lips, and he looks from where you’re sitting on his lap to your face, scrunched with pleasure.

“sho, quit teasing me, i—” he shakes his head immediately.

“mm mm, just a little longer.. feels so good.”

he wants you to be begging for him, soaked all the way through your clothes. through a few layers of clothing, you can feel his thick cock, even feel the ridge of his tip.

“s-shōto, faster,” you whimper, and he obliges, moving your hips on him but also thrusting up against you. it feels like the room is spinning when his cock thickens and throbs, and his head is pounding when he buries his face in your shoulder, cumming in his pants with a “mmmh, shit, i’m sorry—”

but you don’t care, moving with a pace that’s desperate yet brutal for his sensitive cock. cum seeps through clothing as you moan, practically riding him — a spot of dampness appears on his pants, where his crotch is, and yet he doesn’t even notice, too focused on the way you’re moving.

he moans, sensitive, and you swallow it with your kiss swollen lips. “shōto,” you whimper, pussy squeezing as your slick starts to soak through your thin panties, “bend me over and fuck me after this, okay?”

— TAKAMI KEIGO

oh god, the second the alcohol starts to affect him, he’s grabbing you all over before he eventually takes your hand and leads you out to the car. he ignores the other people at the bar who start to question why he’s heading to the car, only focused on you.

���ah! keigo, fuck!” drool drips from your lips as you stare up at your boyfriend from between your knees. looking absolutely enthralled by you, he pushes your calves further against your chest.

his wings are entirely spread out, taking up most of the backseat and blocking the windows. he groans, whiny and deep, “y-your pussy feels so fucking good, oh— ‘m gonna fill you up, need to so bad..”

tears fall from your eyes as you nod vigorously, clawing at his forearms in your eagerness. “inside me, wan’ it inside, kei!”

creampies always felt so much better when the two of you were drunk — he would always unleash this inner breeding kink of his, rambling on and on about filling you up until your belly was eventually swollen.

“y-yeah?” he asks, pushing deep as he unloads his cum inside you. “o-oh, fuck.. take it, baby, take it!”

keigo looks downwards, noticing the creamy ring around the base of his cock and the flexing of your cunt. the look of sheer bliss on his face has your eyes rolling back, legs shaking.

“oh, dove, you’re so pretty when you’re full of my cum.”

[cowardlykrow]

Stop light shenanigans

Extra:

[kelddaa]

mornings in the desert

[astearisms]

fionna and cake drawings before and after watching the episodes so far. it’s nostalgic and somehow cathartic and poignant and relatable and—it just started

[zzineedsleepzz]

I’ll just leave this here for now. X}

Reference ^^

[st4ngray]

Haven’t finished the game yet did this happen

[tubesock86]

the scoobies (plus faith and spike)