#this is 10000% true

[kithtaehyung]

3tan Yoongi *sobs* I love him so very much

https://x.com/agusutint/status/1785161596139970920?s=46&t=l65JfGhpEqFtCy9vX3sqxw

oh my god now i’m actually gonna cry😭😭😭

[bet-on-me-13]

The Fentonworks Mega-Lab.

So! AU where the Fentonworks Labs actually stretch Miles upon Miles below the City of Amity Park.

It started when the Fentons wanted to add a simple addition to the original Lab when they ran out of space to store their more dangerous weapons. They didn't want their (at the time) young children getting their hands on their experimental Weaponry, it could blow up in their faces!

So they built a different Wing of the Lab to hold all those Inventions.

Then they ran out of space and added a few extra Storage Rooms. But then they decided it was a hassle to have to carefully transport their Dangerous Inventions all the way to the Storage Rooms, and built a Lab specifically for Dangerous Experiments near that same Section. Then that Lab was occupied for a while, and Jack wanted to start a different experiment as well, so they built a few more.

In the end they just never stopped building onto their Labs.

There are sections of the Mega-Lab that are entirely walled off because a few of their more unstable Experiments contaminated the area. Walking into them was not recommended, else you could walk out with an extra eye or 5.

In other sections, their Captured Ghosts had taken over a few Labs and created a sort of Mad Max style civilization using their discarded weapons and vehicles.

In another, all Ghosts became Humans and all Humans became Ghosts. That was a weird one, to this day they still didn't understand how they pulled that off.

In another, some type of Eldritch Time Ghost had been born, and now sort of always existed and never existed, and began experimenting with its powers. They nicknamed it Clocky because it liked to carry around a stopwatch.

And so many more. At one point a failed Portal Experiment messed with the internal Space of the entire thing. Now there was literally no way of Mapping it. The Fentons still somehow managed to navigate it perfectly.

When Jazz and Danny grew up, they too learned how to navigate the Labs, which is how Danny managed to show his friends the Portal Experimentation Wing in the first place.

Unfortunately, it wasn't safe for anyone aside from the Fentons to enter the Mega-Labs, so one day when the Fenton Family+friends left town on a Week Long Camping/Road Trip, they put up a few Ghost Shields to keep both Humans out and the Ghosts in.

This drew some unwanted attention after some tourists saw the giant Glowng Green Building in the middle of an Illinois Town, and rightfully called the Justice League.

Now, the Justice League had tried to call the owners of the house, but nobody picked up the phone. (An incident with Jack and a Canoe had knocked most of their phones into the lake. They weren't even at the lake yet.)

When nobody picked up, they decided to investigate personally.

After getting into the House, they quickly found a door labeled "Labs: Do Not Enter (unless it we are late for Dinner)" and went into ignoring all the warnings.

They quickly regretted it.

[melancholialapelada7]

The energy and protein requirements of a pregnant sheep increase significantly in the last six weeks of pregnancy:

- Lamb growth: sheds 70% of a lamb's birth weight in the last six weeks.

-Udder development: this will influence the amount of milk the sheep will produce.

- Colostrum production: essential as a source of antibodies and energy for newborn lambs born. Thick, yellow colostrum indicates that the ewe is well fed; Pale, fluid colostrum is a sign that the sheep has been poorly fed.

As lambing approaches, a ewe's feed requirements can be almost double, but their appetite can be depressed. This is due to the pressure exerted by the lamb on growth on the rumen. This means that the nutrient density of the diet during this period must increase to meet their nutritional requirements.

....

Dont look at me like that

[my-darling-boy]

It’s horrible how my design course has killed my enjoyment in creativity because all they want is finished pieces founded in nothing but a spontaneous mark just to hang at some concrete art gallery or to sell to some “join our revolution” comfy business-casual company with a prison cell wellness room. I’m not saying that it’s “not art” —cos that’s a different post altogether— it’s that the ethos behind this particular formula for art education is ruining the way we think about creation.

Design courses (and other art courses I’ve heard?) are no longer teaching artists or designers techniques, drawing skills, art fundamentals and allowing them to find their own voice so much as they are only instructing how to tic boxes alongside pushing corporate and classist motivated style/methodology bias aimed at producing workers, not creatives, not to mention providing Adobe with endless funds for their despicable scam programs. That’s it. My creativity is only a means to money for them, and if they can extract the process of creation from me without the complex creative intimacy involved in it, they know they can churn out products and services faster and it’s concerning some lecturers don’t seem to be aware this is what they’re teaching? Like they’re buying into industry propaganda?

And the whole time it’s sold to you like you can be some trailblazer when the irony is they’re usually either prepping you for cubicle work or for some misguided high horse creative team pumping out design solutions completely divorced from the reality. I’m tired of all the talks about sustainability in a vacuum with no conversation about nuanced designs that factor in broader social and economic perspectives which lack thereof is leading to sustainable products being sold at a price only able to be afforded by wealthier people who are causing said economic and social problems and contributing to the rapid obsoletion of trades and crafts. Lecturers and speakers don’t seem to think that’s any of our concern and should just worry about producing the design for the hypothetical Bluetooth powered organic hairbrush or using the twigs to make the pattern for the £85 fabric square.

Like? Can I please make something that actually resonates with people outside the circle jerk of egotistical creatives and corporations? Something charming and maybe idk something that doesn’t make me want to tear my miserable portfolio in half with my teeth? And they’re like Mm nope sorry it has to be an extreme close up of a mark making abstract leaf you made from a recycled trash bag inspired by a stalled urban space which we will force you to price at £100 during your exhibition 5 people will bother to attend and no you’re not allowed any other style cos this isn’t the Dark Ages :///

I think the worst thing my lecturer ever said was, while looking around the room of our class work reduced down to a series of cubes and splatters and abstract typography, “Wow, I love how you can’t tell what anyone’s [main artist discipline] is!” Like awww conformity at the expense of a person’s individuality to make pieces for airport hallways and rich people’s living rooms wow so cool heehee like girl that’s not good?? Why on Earth are you complimenting us for that? Like I get it, I thought this course would boost skillset as an illustrator (as we were told), turns out the degree is really not for me, fair enough to anyone thinking that, but forcing students to produce modern abstract art because you think it’s the ONLY Logical Pathway for the future of design, judging them intensely for doing a different style, and thinking producing financially inaccessible art + design is the solution to things like climate change and community severance is an objectively bad take.

[angadgautama]

This world is like a Railway Station,

some passengers are coming,

some are going.

status of human is just like a toy.

for living you need money,

but death is free of cost.

this world just like a mound of deads.

souls can't live here forever.

Then why we run after others.

why we want to take pain of others.

we came alone, and will go alone.

if you win whole the world,

at the end what will Change!

This world...........

@angadgautama

[travalerray]

the kink got out of hand, sorry

then what ARE the words you want to say

I can't believe they really went with "antagonist gets amnesia, vaguely recognises the protagonist and decides that they are besties actually" trope

[numbbrainstrorm]

MF looking so gay that if transformers had sexes

That the MF would be a butch-lesbian-level gay

Okay I'm Really REALLY done for today

Sorry and good night 🦐🌃

[gingermintpepper]

Absolutely the funniest thing about my current corner of tumblr is that pretty much everyone I've recently followed for Apollo-Appreciating Purposes are either genuinely Hellenist or just rather very into Rick Riordan's Trials of Apollo series which is wild because I know a net zero about both of those things.

[shannonsketches]

like why did they change where Vegeta was when Cell announced the cell games in the anime

why did they make this vegeta starting shit with yamcha instead of chillin in the lab with his family? why did they take Bulma out of the lab? Why'd they say she was Out while Dr Brief was repairing 16? Why did they change Bulma working on advanced robotics to running in late with her baby?

it's the same scene except: - Bulma's actively at work being a scientist - Vegeta's not being rude to her (or anyone else!) - Vegeta waits for Trunks instead of leaving the room - Cell interrupted the airwaves, which means Trunks and Vegeta were just hanging out with Bulma and Dr B while they were working

Those are all Great Character Details!! That the anime rails against!!

[mikefrawley]

10,000 Sighs

I’ve no wish to say goodbye  and even less desire to miss you I’d rather share 10,000 sighs  remembering every time I kissed you Yes my love, I know it’s crazy but hey that’s just silly me seems my heart could never learn some things were never meant to be

[ishratmumtaz]

You know that feeling when we suddenly realise that we mean nothing to them, nothing at all.

All the love, the care and the trust went all in vain.

They never cared, never will and the most hurtful thing is that you cannot do anything about it.

You can just watch them leave you, happily.

[evilkitten3]

sure fix-its and aus are fun, but have you ever committed to the tragedy of it all

[thechildisgone]

scream.

[lord-squiggletits]

I actually disagree with the idea that IDW1 villainized the Decepticons and I'm genuinely not sure where people got this from. Especially when they claim "the Autobots get to be treated as heroes always" when if you read a shred of exRID you know that they are literally not.

There are so many Cons that are treated as people and humanized, especially if you recognize that even some of the pure evil/antagonistic Decepticons still got written as having trauma, being wronged by other characters, having emotions, etc etc.

Decepticons that get to be protagonists/heroes/good guys: Soundwave, Thundercracker, MEGATRON, Barricade, Grimlock and Drift (ex-Decepticons if you count them), Soundwave's cassettes...

Decepticons that are antagonists/villains but still get treated like people, have sad moments, or sometimes do good things with the bad: STARSCREAM, the Scavengers, Tarn, Deathsaurus, Nickel, Shockwave, Ravage...

And I know for sure that I'm probably missing at least half a dozen others. And I didn't even get into the categories of neutrals who are evil, Autobots who are evil, or the entire Senate and Functionist Council who are enemies of the Decepticons but very clearly depicted as evil.

TLDR:

"Autobots don't get criticized--" Not true, read exRID

"Decepticons are always villainized and don't get to be heroic--" Not true, read exRID and also reread MTMTE

[lunarriviera]

[x]

[raspberryjellybrains]

yknow I've been thinking about what dream looks for in friends and lovers and I've noticed that it's not necessarily people that are mean to him, but people that are direct. dream himself deals in metaphor and manipulation, it's simply what he is, so just about everything within his realm that he's encountering consistently will be such that as well. considering both his own tendencies, the environment it breeds, and his whole Thing about guilt and choice, it makes sense he would choose people who are clear and honest with him. he wants someone who will tell him how it is, but not what to do with that—even when it's not really what he wants, dream knows it's what he can need. I think that's why figures like lucienne, matthew, death, and yes, mervyn can be important! on some level, dream knows he's convoluted and shifty by nature, and he's tried to combat that with concise words and mind-melting beauracracy, but it can't fix everything. he likes people to keep him in check and I think that is the most self-awareness he has ever been capable of. so... clap? no? idk. nod acknowledgingly.