#this hurt so much to write and rewatch that scene

[spongeknife]

Timebomb: A look at supportive relationships with amnesia (a focus on DID)

I have been rewatching S2 Arcane, and of course Echo's scenes in E7 have left me with a special type of joy. So, coming from someone with DID, I'm looking at how DID effects relationships and what a supportive partner may look like. I would like to note, I do not think Echo has DID, nor do I wish to make that connection: But, Powder's perspective of Echo's changing behavior has a lot of similarities to my own real life experiences and I wanted to highlight that. Also the advice I give may not work for everyone. This is more a guide for partners who have no clue where to even begin, with examples, not a step-by-step instruction manual. I will do my best to go in order.

Alright, so I'd like to start at the beginning, where Echo is writing in his journal and seems to "become aware" of where he is. In Arcane, I understood this as our Echo taking over Powder's Echo. But, in a system sense, this can also be seen as "switching" (one part becoming aware of the body/taking control).

Now, I think in a lot of cases, these "switches" can lead to confusion and stress, as a part tries to piece together what is happening and who they are. It terms of relationships, Powder is unaware of this "switch" when she begins to talk with him. Much like a system, many switches can be very internal - leading a partner to not be aware of what is happening inside a person's head.

Powder, pretty obviously goes about conversation as she normally would, walking up to Echo with a smile and even making a joking quip. Echo, internally, is connecting Powder with Jinx, and I think the visual in the mirror depicts that really well. Much like a part who has switched in, Echo is relying on his old memories and is unaware of who this present "Powder" person is. I have experienced this as well, being unaware that a problem from the system's past is no longer a threat. Powder proceeds to process that Echo is clearly not okay (by the way he jumps back in defense) and tells him to relax. Even when Echo throws an object at her and grabs a screwdriver in defense, she does not attack back, instead just questioning why. Now, I do not think in a real world scenario any OBJECTS SHOULD BE THROWN, and I do believe Powder is a lot more patient than most people. (I know if my partner threw something at me, I would not just be confused and then move on).

But, in a less extreme example, Powder is staying true to who she is, and what her reactions are. I find in systems, when disorientation and stress happens, one of the best things a partner can do is be routine and patient. Or, even helping a part ground themselves (which we see later on). Powder is clearly upset and confused (I would even say hurt), but she doesn't become reactive. In the real world, I would not recommend just ignoring if a part has done something hurtful, but instead, disengaging or supporting until there is a better time to address it. In this case, when Echo does not respond to her asking what gives, she drops it (and I would recommend coming back to it when the person has a clearer head). What is not seen here that I would also recommend is coming up with clear boundaries and sticking to them BEFORE incidents happen. Having a sit down with your partner's system and letting them know what you are okay and not okay with, is a great way to show the system that there is stability.

System note: Now, I would also like to note there is a couple times, I as a system, liked to believe Echo has this reoccurring problem (or a similar one) because that's comforting. And, as a side note, one of those times is Benzo seeing Echo and saying, "one of those days, huh?" Benzo and Echo's relationship (familiarly) is also a great example of being a healthy support system, but that's a story for another time...

Now, continuing on, Powder is flexible. She does a good job (it seems at the moment, at least) with accepting this "different" Echo, and choosing to support him through verbal and physical affection. While in Arcane, Echo isn't very appreciative of her gestures, in the real world, being flexible is a good way to remove pressure from an already stressful situation (Imagine how this would've gone if she had snapped at him in that moment for being so distant), even if he doesn't believe it, Powder is showing she is still on his side through this (and, I believe this helps him open up later on).

Walking through the bar to sit with the group, Powder seems to be holding his hand as well. Again, using physical touch as a grounding tool to help guide Echo. She continues talking with him as she normally would, and when he seems dissociated from the conversation (going from partially aware to completely unaware), that's when she snaps to ground him again, out of concern.

She asks what's wrong, and notes that he's been out of it. In real life, many systems experience time loss - and, when switching or dissociating, may not even realize they are. Reaching out and describing how a part is behaving may help them realize something is off as well. Powder has been supportive, compassionate, and above all else, VERY patient. Echo opens up about how he feels ("waking up in the wrong universe"). All the small steps she's taken has helped him feel he can open up. (Again, imagine if she snapped or threw something back at him, in his eyes, equally viable options from her). Now, not all parts switching in may feel ready to open up, some parts may need a LOT more small steps, some may only need one. Her ability to come back and keep trying is a beautiful illustration of how much support people with systems or DPDR may need. AND, when he opens up, she reminds him of what he's been through (staying up all night). In real life, a part may be unaware of what the body's been through, and empathetically letting them know may help them adjust to the present. Along with this, Powder talking about sleep is, again, showing a partner is likely to be unaware of what is happening internally if the system does not communicate it. Given that, Powder still tries to reassure about what some current stressors may be (there being "plenty of time before the competition") and reminds him AGAIN, that they are a team ("we'll work out the kinks"). She goes to touch him and he flinches away, in reality, parts may be doing this because they are still not fully grounded. Again, if they have been living in the past (especially a trauma covered one), they're natural state is being on the defense. When a part dissociates they may be reliving their experiences silently, or even becoming unaware of their body - reverting to that naturally defensive state. Powder looks hurt at his rejection, which is completely valid. She still picks up the cup that gets knocked over, is still aware that now is likely not the time to talk about it, and doesn't degrade Echo in front of their friends.

Milo runs off, and Powder has a good reason to follow behind. I think it's a good reminder that, yes, it can be very tiring, and as a partner, it is not wrong to take breaks from situations. Sometimes, things are stressful, and taking a moment to do something else is NOT wrong. I know a lot of partners really want to stick through it with their partner's system, but please remember your own health is just as important. Go on that walk, hangout with friends, drink some water, write about it, whatever you need to do to regulate. Additionally, in this case, Powder is the direct stressor (it seems), and she's giving a break to Echo to process what is around him. Sometimes that's needed too, hopefully the system you're with tries their best to communicate when they need to take a step back (and they may need some help at times). Sometimes what a partner does CAN be an indirect trigger, but that does not mean that partner is to blame. System note: I'm going to skip over most of the parts where Powder and Echo aren't interacting. But, I would like to note as a system, I can relate to Echo not being present, instead being focused on something else. (When he redraws the anomaly over and over and OVER again), just a little tidbit that I can relate to. Along with Echo not wanting to be in the "present" moment. Powder, despite all the stressors, invites Echo into her routine (seeing Vi).

And, she does not show how confused or upset she may be feeling. Continuing to show him respect. Once they are in a private, safe (I assume it's safe to the original Echo and her) space, she tries to ask about why he's acting so distant. This is a good example of coming back to what happened later. She saw him talking with Heimerdinger and likely believes he is feeling better enough to talk with her. Now, in real life, a part may not be ready. That does not mean the partner should never check in about how they are feeling. Dating a system has a lot of trial and error, sometimes it's the right time, sometimes it's not. Now, if a system DOESN'T hold space for how you may be feeling (aka, EVERYTIME you try to check in it backfires), I would recommend a genuine conversation about it. Again, just because your loved one is struggling does not mean you as a partner deserve to feel like crap for trying to be supportive.

In this case, Echo wants to know about his present situation. Powder does a great job of summarizing for him and tries to help fill in the gaps she thinks he could be missing. In real life, again, a part may need help connecting to present day, letting them know what may be obvious can help them feel more grounded AND stable. Additionally, when Echo has doubts about Powder's character, she shows there's no reason to distrust her. She doesn't get offended by his questioning, instead just letting him know who she is, through the perspective of Echo. In real life, highlighting what a part has done with you can help them see that their system trusts. "You weren't gonna figure it out yourself", "You're the big idea guy." are both lighthearted ways to remind Echo who he is, and that he has trusted her in the past.

I'd also like to note, she continues with what she went there to do. She takes a lighter and heads over to Vi. She's not being dismissive, but she's also not cornering him, either. This emphasizes her reliability and trust, and shows Echo that she's not focusing in on him like a hawk. In real life, some parts who switch in may feel like they're just waiting to be punished, like they're just waiting to make a wrong move. By continuing routines, a part may feel the lack of attention means they don't have to be on defense. System note: "having an identity crisis again" is just adding to my previous notes LOL.

At Vi's altar, we see a great example of what to do in situations where a partner is getting hurt by a switch in (which can happen). Ekko is processing the fact Vi is dead AND Powder has been handling a lot of stressors that can come from switches (rejection, being treated like a bad guy, ect.). In this scene, Powder is clearly hurt, and, I believe she has every right to be hurt. Yeah, not every switch will be 100% great. That being said, I loved the way she handled it. She places a couple firm boundaries, like letting Ekko know what she doesn't want to talk about ("That's not funny Ekko" and "Just 'cause you're having a bad day, don't take it out on me."). She's letting him know how she's feeling, and without being mean, is letting him know she is reaching her limit.

She's upset, and to me, she has every right to be. Some systems/some parts I've met have a hard time recognizing that just because they are in pain means what they're doing can still have consequences. That is a seperate topic I could talk about for days, but in this case, I'm treating Ekko as a part who pushes boundaries. Ekko continues to ask questions about what happens. Yes, some parts may do this. The reasons are endless (maybe they feel this reality isn't real so who cares, it could be any reason), but at the end of the day, if you're interacting with a part that is pushing boundaries and you don't want to handle it, don't. I'm not saying walk away forever, but Powder does a great job if placing a final boundary, "You should leave." Again, she's being firm, she's letting Ekko know she doesn't appreciate what he's doing, but she's not going out of her way to attack him. When you're supporting a system with parts who push boundaries, it can be hard to not react back. But, imagine it much like arguing with a person without a system. I know very few arguments where attacking back has worked in favor of both parties, and that compounds when you're interacting with a system.

Now, in this case, Ekko leaves. But, what do you do when a part isn't respecting boundaries, if, hypothetically, Ekko didn't leave the room? I know this may not work for everyone, but I would stick to my own boundary. If I ask someone to leave the room, and they don't - choosing to continue a conversation in this case, I leave the room. Remember, again, your own stress and health is equally important, and it'll be hard to help anyone (including yourself) if you can't remove yourself from the high stress situation when you need to. If placing boundaries is hard, I would recommend practicing. I've at times, told my partners I would like to practice ending conversations and what not in low stress situations (letting them know so they don't feel rejected), so I can get used to being able to.

Following this, Powder is very clearly avoiding Ekko. When Ekko looks up she turns away. I think this is a good reminder that things parts do CAN have an effect on their surrounding support systems. I think it's good they show Powder is clearly upset by what Ekko has done. In real life, this can happen. Being a partner should not mean having to be 100% whatever emotion their partner's system needs. That's not very healthy or feasible. Again, it's okay to feel upset and hurt, especially if a part is doing something upsetting or hurtful. Powder doesn't go out of her away to attack Ekko or retaliate, and that's another good thing to keep in mind, even when it's hard.

The next scene we see with Powder and Ekko communicating is Ekko showing Powder the shrine he created of Vi. In a real life sense, a part may be trying to apologize OR may also be trying to show their partner that they are doing their best to be connecting to the present. Parts that are traumatized may have a hard time communicating complex emotions in a way that's understandable, so they may communicate through creative methods. Now, Powder does a good job of recognizing he's trying to apologize and open communication, so she does as well. And in that opening of communication, she learns more about Ekko and vice versa. In real life, this could mean a part opening up more, or just a part being more willing to be cooperative. Ekko, in this case, also stops recognizing Powder as a threat, and in real life, a part may begin to do the same thing. When Ekko talks about his version of Powder compared to the real version, it is very akin to a part trying to synthesize present day situations and past traumas/situations.

In turn, Powder opens up about her own feelings. In real life, opening up to a part may give new perspective on a situation, and can lead to a mutually supportive environment after a switch. In this case, Ekko is willing to hear Powder out and help her (giving advice), and Powder begins helping him with his own project. This goes back to those baby steps I mentioned at the beginning. If Powder hadn't continuously taken small steps to show she wants to be on a team with him, their conversation may not have gone like this. Additionally, now that a "team" foundation has been built, Powder and Ekko can build each other up. In this case, Powder bumps him with her shoulder, a form of physical affection he appreciates now that he's more grounded, compared to earlier that day where most physical touch was met with defense.

I think it's also good to recognize, Powder seems more willing to show support to Ekko in ways she didn't previously because they communicated.

Like the fact she chooses to sit across from him instead of next to him. This is a part of the flexibility I was talking about earlier. Because different parts may have different wants/needs/boundaries, being flexible can help both parties feel desired - instead of trying to continue things as if it were a previous part.

Another example of them now working as a team is Ekko supporting Powder at Vi's altar. Even though he has not experienced what she has (or doesn't remember it that way), he still recognizes it's importance to Powder and helps out. In real life, a part becoming aware of a partner's feelings and communication styles can also lead to moments like this, where a part who may not be aware of everything, tries their best to support you through your own struggles, even if it's not how your partner's system "typically" shows support.

Now, it seems in Arcane, Powder isn't fully aware of what Ekko is trying to build, but she still helps him to work through it. Now, in real life, a part who has switched in may have alternative goals compared to the rest of the system. In a case like this, where the goal isn't threatening or harmful, supporting that part can help build up that "team" based foundation. The part knows that even though you may not be their partner, you're still a safe person to go to in times of trouble, or just when they want a comfortable person around, even if there are no romantic feelings for them. This can be very important when high stress situations come about later, and can help parts open up about what's going on internally (because, remember, a lot of system communication/mental health is internal).

Additionally, because Ekko and Powder feel safer with each other, Powder feels okay asking questions. In real life, having a bridge of trust, even if it seems small, can lead to moments like this as well. Where a part feels open enough to answer questions, and not become defensive. Remember, at the beginning of this Ekko couldn't even be close to Powder without becoming defensive. These small steps have worked towards the goal of being able to communicate and trust each other, it's all built up.

Powder is clearly excited for what they've worked on together, because they're now a team (even if, again, it's not romantic like her Ekko). In real life, these connections can lead to those same feelings of excitement and commitment, even if it looks different from how it was with a different part.

We can also see that Ekko is open to how she likes to show affection (physical touch), and she's looking out for him ("Please go change before the party") because she understands and cares for him. Ekko also does change for the party, and in real life, this can be seen as a part caring right back. Following this is where they dance together, now she recognizes he dances differently ("Where'd you learn those moves?"), but still has a good time. Again, she's flexible and compassionate towards him.

Instead of choosing to be upset about how things are different, she accepts these differences and chooses to have a good time with Ekko. In real life, a part may do things differently - they may dance differently so to speak, but you can still enjoy what they have to offer (again, even if it's not inherently romantic).

Ekko thanks Powder. He was able to have a good time and experience something he thought couldn't be real. In real life, a part may be feeling the exact same way. They may feel their trauma memories, their past, clouds how the presents can be. By finding ways to support them and have good moments in the present, it can help them feel things do not have to be as bad as they've experienced. Along with this, Powder leans on his shoulder. She feels supported again as well, even if it's different. It took some work, but she's able to be vulnerable with him in the same way he's being vulnerable to her. And that's really important, even if the relationship between some system's parts aren't romantic, it's really important to feel like it's not completely one sided as a whole. Yeah, some parts may not be supportive like you're used to, but if you begin to feel resentment towards the system or feel like certain parts are ruining your relationship, I would recommend having a conversation about it. If you feel like you're not getting back what you're putting in, I would recommend having a conversation about it, because again, your feelings matter.

Moving on, they kissed. I don't necessarily want to focus on that. I want to focus on what happens right before. Powder goes in for a kiss, and Ekko rejects her ("Sorry, I..." and pulling back), and she looks hurt. She lets him know it's fine, but even while she's hurt, because they have that base "team" foundation, she waits patiently for him to explain. She doesn't just walk away, or lash out. She waits for him. And I think, a lot of systems, and certainly myself, just want someone to be willing to take it slow when we need. It's rough, and we recognize a lot of "typically" relationships don't have the amount of waiting that can be needed. But, truly, one of the most compassionate things I've experienced, is having someone gently pull the brakes and wait for me to be able to communicate.

Ekko communicates, he asks for her to "just pretend like it's the first time," but note, he looks hurt after asking. He seems to be waiting for rejection. In real life, a part may be like this. After the trauma they've went through, or the stress of switching in, they may just feel like they're waiting for the other shoe to fall. Ekko and Powder have worked towards being able to communicate towards one another, so he does open up, but that doesn't mean that feeling of anxiety goes away. This is part of why some parts may feel the need to take it slow, while others may be open and ready after only a couple steps.

Powder is flexible, patient, and kind to him. She is willing to pretend like it's the first time, and she doesn't act like it's some sort of chore. In real life, while a partner may be "pretending" it's the first time, please keep in mind that to the part that switched in it is the first time. It may be the first time for a lot of things (for feeling included, for being affectionally touched, for working with someone positively, for going out to a party, any of it). The good moments a partner chooses to have with a different part can help them feel more relaxed in the agitated state they've lived a lot of their life. Ekko grew up in a vastly different world, all of the kind things she is doing is completely foreign, and some parts switching in are the exact same way.

At the end, Powder sees him. In real life, in our time, I can't imagine being able to see other parts like this - where they have a physical body and what not. But, you may have a moment like this. A moment of recognition, of understanding. You might even have that moment without your partner's system knowing. You might find things you love (romantically or otherwise) that are different part to part. To keep the conclusion short, Powder does a wonderful job of showing patience, respect despite being confused, empathy, and compassion throughout this episode, and many moments shows kindness in unconventional ways. Please, remember to be kind to yourself, and of course, every system is different - so remember to communicate.

[life-o-n-m4rs]

An Analysis on the Finale and Aziraphale’s Inner Monologue (Michael Sheen is an Incredible Actor)

Like most Good Omens fans in these tragic, triyng times, I’ve spent hours scrolling through Twitter, Instagram, and Tumblr reading hundreds of people’s thoughts and opinions on the season, particularly the final scene of the season in which Aziraphale is offered to return to Heaven to be Supreme Archangel and Crowley confesses his love to Aziraphale after literal millennia of pining. After my most recent rewatch of the season, I spent a lot of time focussing on the final scene(s) and carefully eyeing every tiny detail. Not necessarily around the coffee, but around everything that came after it. I am somewhat on the fence about the coffee theory. Though I don’t think that Aziraphale decided to go back to Heaven entirely on his own fruition, I don’t think he was completely under the control of Heaven either. His ultimate decision was not entirely out of character.

Starting with the coffee and scene with Metatron itself: many people have theorized that The Metatron poisoned Aziraphale with cyanide, which I see the logic in. We saw earlier in the series in the second minisode that poison causes demons–and presumably angels–to act very strange, like they’re high or drunk. When he drank the laudnum, Crowley stops a girl from killing herself, while stating that it was not a kind thing to do as he was “Off [his] rocker on laudnum. Not responsible for [his] actions”. However, Crowley still drinks the laudnum to stop Elspeth from doing it herself, so obviously he was at least somewhat in his right mind. He still aimed to thwart her attempt, so his statement deflecting his actions due to his intoxication could just be another moment of Crowley denying any goodness in him, much like when he saves Aziraphale’s books and tells him not to thank him. So, coming back to the coffee, it is perhaps plausible that Aziraphale said yes to The Metatron because he was not entirely in his right mind. When we see Metatron order the coffee, he does ask for a “dash of almond syrup”, but when giving it to Aziraphale, says that there is a “hefty jigger” of it. That certainly doesn’t sound like a dash. Where the coffee theory starts to fall off, however, is immediately after Aziraphale drinks the coffee. When Crowley drank the laudnum, he immediately felt the effects of the poison, whereas with Aziraphale, we see that he is completely the same afterwards. Of course, cyanide is not laudnum, and it was also, theoretically, mixed in with coffee, so the effects could very well be different. Aziraphale returns to his shop with no coffee in hand, so it is safe to assume that he finished it, and we don’t see any changes in behavior until he starts talking to Crowley. That is when he starts to act off.

If we look at Aziraphale during his conversation with The Metatron, he immediately declines his offer. He flatout says that he does not want to go back to heaven. Not only that, but Metatron tells Aziraphale that he chose him to replace Gabriel as Supreme Archangel because he’s a great, natural leader. That he’s honest and doesn’t just tell people what they want to hear, which is just flatout not true. We see Aziraphale lie so many times in the show, probably more than Crowley, and he especially lies to Heaven on multiple occasions. That’s a huge focus of the minisode in episode 2, that Aziraphale lied to Heaven. He has never aligned with Heaven’s beliefs. He is notoriously insuboordinate. He is by far not the best choice to be Supreme Archangel, especially since he hasn’t properly aligned himself with Heaven, or even spoken to them, in years. This is the first piece of manipulation from The Metatron’s part. Not even necessarily some miracle or poisoning, but he was feeding Azirphale what he wants to hear. He’s praising him to get in his good graces, but that’s only the first half. Aziraphale still says no. It’s not until Metatron presents his second half of the offer that we see something start to crack in Aziraphale. If The Metatron did do something to Aziraphale, it still could not have worked without this vital piece. He offers to let Aziraphale, as Supreme Archangel, restore Crowley as an angel. Crowley can come with. Suddenly things are different, and we see it on Aziraphale’s face. Michael Sheen is an inredible actor and he manages to narrate a deep and painful inner monologue within Aziraphale with just his face. The second The Metatron starts to say that he could bring Crowley with him, his expression changes very subtly, but just enough for us to see that something made its way through to him.

We are deliberately not shown the rest of their conversation. There is clearly something there that we did not see. The only other part of their conversation we see is at the end of it. The Metatron says that Azirphale “[doesn’t] have to answer immediately. Take all the time you need”. All that Azirpahle says in response is that he doesn’t know what to say, to which The Metatron says, “Go tell your friend the good news”, as if he knows that, in the end, Aziraphale will come with him. We watch Aziraphale walk away, and he does not look like he has good news for Crowley. He looks scared.

Something inside of Aziraphale is battling itself in this moment. We see no change in his demeanor until we reenters his bookshop, and even then, it’s not until right before Crowley begins speaking. We see him looking at Crowley and something almost seems to waft over him. He’s no longer scared or nervous about this news. He suddenly wants to tell Crowley all about it.

When Aziraphale cuts Crowley off, he’s suddenly ecstatic about going back to Heaven, which does not at all match how he was feeling less than one minute ago on his way back to the bookshop. So, it might be entirely possible that The Metatron didn’t do anything to Aziraphale until after their conversation. That he performed some miracle on him just as he was walking away. As Aziraphale explains the ordeal to Crowley, he is filled more and more with joy and excitement about all of it. Aziraphale, who, just a few minutes ago, said that he didn’t want to go back to Heaven. I do believe that part of him here is thinking back on when he knew Crowley as an angel. We don’t know much about Crowley’s time as an angel, but we do know that he was an important angel. Important enough to be second to the Supreme Archangel as Aziraphale proposes. We saw a small moment of Crowley when he was an angel and how much he loved building the universe. Creating stars. Countless galaxies that were like his children. But we know very well why Crowley could never go back. So why doesn’t Aziraphale? Aziraphale doesn’t exactly have the best relationship with Heaven. They were the ones who tried to destroy him, to hurt Crowley, to destroy the world and humanity, which Azirphale stopped. Why should we believe that he’s even been forgiven for that? Crowley seems to share the same sentiment that the viewers do–why should Aziraphale go back after what they did to him?–because he immediately assumes that Aziraphale turned down the offer.

Crowley tells Aziraphale that they’re better than that. That they don’t need Heaven. That when Hell offered him a promotion, he said no, without hesitation. Aziraphale rebutes with “Obviously you said no to Hell, you’re the bad guys.” You’re. When has Aziraphale ever aligned Crowley with Hell like that? Especially in the last few years of their relationship. They have been completely cut off from both sides for years. This is the first instance of something slipping through that isn’t entirely Aziraphale. This is not something that he would say to Crowley. Aziraphale says, “...Heaven. It’s the side of light, of truth. Of good.” He has spent all of both seasons of the show whole-heartedly believing that Crowley was good. He has always seen him as such. So, for him to not only include Crowley in the Hell collective, but to imply that Crowley cannot be good without Heaven, is a clear sign that something is wrong. Crowley is begging, pleading that Azirphale said no to Metatron. If we look back, he never gave an answer. The Metatron told him that he could take all the time he needed to answer. But Aziraphale has his answer. He never had a choice in giving one, did he? Aziraphale did say no and The Metatron didn’t take it.

At this point, Crowley can feel Aziraphale slipping away, so he goes on with his confession anyway. It’s clear in his voice that he’s now desperately trying to hold onto Aziraphale. Throughout Crowley’s confession, he plays a tug-of-war with Heaven for Aziraphale. He brings up Gabriel and Beelzebub, saying that if they “can go off together, then we can”. He’s not just bringing them up as a point in his argument to say that it is possible for an angel and a demon to love each other. He’s bringing them up because Beelzebub says flatout that they “found something that mattered more than choosing sides”. Crowley is trying to present himself as that for Aziraphale in that moment. He’s looking him in the eye, allowing himself to be vulnerable, and begging him to forget about sides. What about shades of gray?

Crowley is presenting Aziraphale with an offer. An offer for the two of them to forget Heaven and Hell, to forget everything but each other. But Aziraphale has his mind set, either by himself or by someone else, but it is set nonetheless. Even as he fights whatever is inside of him, pulling him toward Heaven, he’ll be damned if he doesn’t do everything in his power to pull Crowley with him because he cannot bear to be apart from him. Crowley would burn Heaven to the ground for Aziraphale, but he’s afraid of fire.

The best comparison for Aziraphale’s willingness to go back to Heaven, which many people have used, is that of an abuse victim. He has suffered at the hands of Heaven for millennia, but when the expectation is that he must feel worthless, he holds on so tight to any speck of praise like it is high above the standard. When Crowley presents his offer to Aziraphale, he’s not turning it down. He is trying to fulfill it while also getting to enact his hopes for Heaven. He says to Crowley, “Come with me. To Heaven. I’ll run it, you can be my second in command”. This line always stuck out to me. Second in command. When has Crowley ever been a second to Aziraphale? Throughout the series, we see them walking together, always shoulder to shoulder. Neither ever walks behind or in front of the other. They have always been equals. Now, suddenly, Crowley is no longer worthy of being Aziraphale’s equal. Almost as though Heaven is looking at Crowley and saying that he doesn’t deserve to be on the same level as a measly principality. Someone who was once important enough to build galaxies can never be on the same level again because he has fallen. The Metatron is starting to flood into Aziraphale’s head, and Aziraphale is fighting to stay afloat, reaching out for Crowley to pull him out, but if Crowley takes his hand he’ll just get pulled under, too.

“You can’t leave this bookshop,” Crowley says. You can’t leave me. Is what he means. “Oh, Crowley,” Aziraphale patronizingly coos at him. He thinks that Crowley is refusing because of foolish attachments to material objects, something that Heaven has no time or use for. Something Heaven has no patience for. “Nothing lasts forever.” We won’t last forever. Crowley is offering Aziraphale eternity, and Aziraphale is laughing at him for it. At least, from Crowley’s perspective. Through his heartbreak, he can’t see that Aziraphale so badly wants to go with him, but something is holding him down, so he asks Crowley to come to him. There is no halfway point. “No, I don’t suppose it does.” Crowley puts his glasses on while he’s alone with Aziraphale for the first time in years. He spent years carefully tearing down his walls for him, and it’s as if, in an instant, someone came along and pressed undo. All the bricks came magneting back together and built themselves back up. Crowley opened himself up, truly, for the first time ever, and he thinks he’s being rejected becaus Aziraphale doesn’t know how to tell him how beautiful he looks. As Crowley walks away, Aziraphale doesn’t know what he did wrong. Why is Crowley leaving? He’s offering him what is, in his mind, the best possible outcome. He wants to fix Heaven for Crowley. He wants him to be that sweet, happy, angel he was, but Aziraphale’s too naive to see that he never can be. He’s begging Crowley to come with him now. “We can be together,” he says, almost like it’s a compromise. He still doesn’t know how to let himself love Crowley, but he’s willing to let Crowley love him if that means he will stay. He says that they can be angels, doing good, again implying that Crowley cannot be good without Heaven. Crowley cannot be good with Aziraphale. But the fact of the matter is, he may be good without Aziraphale, but he isn’t Crowley. More and more of Aziraphale breaks through in this moment. In his moment of desperation not to lose Crowley, he’s forgetting about Heaven. All he needs is Crowley. He needs him. And when that plead doesn’t work, Heaven surfaces again. He turns to anger. “I don’t think you understand what I’m offering you.” He’s now bringing Crowley down. He’s using the same tactics that Heaven does. Make them feel worthless so that they love you when you give them anything more. But this is also Heaven trying to push Crowley away from Aziraphale. The intention never was for Crowley to be an angel. Metatron knew very well that Crowley would say no. He just needed that option to get in. To break into Aziraphale’s mind, tear the two apart with no hope of mending, and keep them as far away from each other as possible.

Aziraphale gives up trying to hold onto Crowley. Heaven is in his head and in his ear saying, “Give up. He’s not coming.” Heaven has built itself back up in Aziraphale’s head. He has closed himself from Crowley. It’s not until Crowley kisses him that the battle begins again between Aziraphale and whatever The Metatron placed in him, whether literally or emotionally. We see on Aziraphale’s face and in his body language a flicker between wanting and hating it. But he never pulls away. When Crowley let’s go, Aziraphale looks horrified. Like he can’t believe that Crowley just did that, or that he allowed it to continue as long as it did. Deep down, there’s nothing Aziraphale wanted more, but not like this. As he struggles to find his words, his face is first sad. Afraid. He mouths something through an exhale that appears to be what wants to be an “I love you”, but his face shifts. Heaven takes over again and all he can say is “I forgive you”. He goes from sad and lovelorn to a sort of anger with Crowley. We see him flash back and forth between these two many times throughout this sequence.

As Crowley walks away, Aziraphale comes through again, wanting to go after him. He even appears to mouth “No”. He wants him to stay. He wants to stay with him. But then he looks after him with a furrowed brow. He’d better walk away. It’s better for everyone.

He pushes Heaven back again when he presses his fingers to his lips. He wants to remember what that felt like. He wants to feel it again. Desperately. But he changes again and wipes the kiss away. It’s not what Heaven would want, and so neither shall he, for this love is a sin, and angels do not sin.

When the Metatron returns and Aziraphale tells him he didn’t take it well, The Metatron immediately puts Crowley down, saying that he was “always asking damn fool questions”. Now that Crowley was out of sight, he needed to be out of mind as well. He did not align with Heaven or its goals, so Aziraphale cannot think even remotely fondly of him. He must be an angel again, and angels do not look upon demons with an ounce of kindness. Crowley does not deserve Aziraphale’s kindness. He offered him something great, and he was too foolish to accept it. Right?

The Metatron asks Aziraphale if he’s ready to start. Aziraphale never gave him an answer, though, did he? Because there was no answer to give. Aziraphale never had a choice. Crowley had to be gone, and Aziraphale had to be the one to push him away, because how else would they regain control over the both of them? The reality of it has suddenly hit Aziraphale. He’s still fighting Heaven’s control. Suddenly, he can’t leave the bookshop. Suddenly, it must last forever, because this is Crowley’s shop, too. While The Metatron is trying to get Aziraphale out of the shop, he keeps looking at the chairs. The chairs in which he and Crowley sat and drank so many times. Where they laughed together. Where they decided to stop armageddon. The chairs where they decided that their side was the only one that mattered. Aziraphale is doubting. He almost tells The Metatron that he wants to stay. He almost tells him no. But he can’t, because The Metatron won’t let him. He can’t.

In the scene just before Aziraphale gets on the elevator, the music is a key factor. It tells the viewer exactly what’s going on in Aziraphale’s mind. He is still flipping between Heavn and Crowley. Every time Aziraphale leans toward Heaven, the music plays in a major key, with more emphasis on the flute. When his mind goes to Crowley, the strings take over with a melancholy melody. Strings that pull Aziraphale down, back to the world, to Crowley. And then he takes that final breath and steps onto the elevator. The flute takes over again and the music changes to a hopeful melody, but still sad enough sounding, especially when we cut back to Crowley getting into his car. We see one final look of doubt on Azirphale’s face as the elevator doors close. The weight of his choices are hitting him. But he doens’t dwell on them long because he’s finally let go of the ledge. He’s stopped trying to float. He’s sinking down into the black waters of Heaven and his mind has vanished. He’s under the Metatron’s control now. We see him struggling and fighting one final time during the credits until finally, just before both he and Crowley are completely gone, he cracks an unsettling grin. The last ties to Earth have been severed. His uncanny expressions throughout the entire credit sequence are meant to be unnerving. Something is deeply, deeply, wrong.

So, I don’t think I necessarily believe in the coffee theory exactly, though I do think that it is important. There was so much cinematic emphasis placed on the coffee, but whether that be because The Metatron meddled with it or just as a red herring to raise unease from the viewer with The Metatron is uncertain. The only person who knows is Neil Gaiman and we all know just how much we’d get out of him if we asked. Ultimately, if Crowley coming to Heaven was never presented as an option in the first place, Aziraphale would not have gone. But he leaves with blame placed on Crowley, and that’s exactly how The Metatron wanted it.

[words-with-wren]

@chrumblr-whumblr Day Four: Watching while a loved one is hurt

Fandom: Endeavour. Post 4x04 Harvest. I watched the episode like a week ago and Forgot Details and haven't rewatched it to fact check anything so if something doesn't line up with canon oh well ignore that. I just love Morse and Miss Frazil's friendship SO MUCH i wanted to explore it a little. (May cannibalism this scene if i ever get around to writing my 'joan says yes' au)

word count: 1,563

___

Dorothea wasn’t sure when it had happened, exactly, but somewhere through the years her acquaintance with Morse had shifted from a respectful professional relationship to genuine friendship. It was a development that hadn’t been entirely intentional, but there was something about the young man that made her think he hadn’t had much friendship in his life. There was a hungriness about him, a desperate desire to be loved that she was sure he didn’t admit even to himself. 

She found him almost on accident, the day after everything at the Bramford power plant had been wrapped up. He was sitting at the bar of the pub, nursing a pint and staring morosely at an untouched crossword in front of him. Dorothea took him in for a long moment, seeing the bags under his eyes, the exhaustion in the way he sat, leaned over the bar. He was staring at nothing, eyes dull and half glazed over, clearly lost in thought. 

He looked positively worn out, and Dorothea felt her heart clench at the sight of him. He was so brilliant, so young and full of energy. Had a brain so fast and wonderful, but life had beaten him down so quickly. He didn't share much, but Dorothea had years of investigative journalism behind her--she could read between the lines, could pick out a story in the shapes left behind by absence. Not for the first time she thought he was a man too used to caring and not used to being cared for. 

To break the ice, she cleared her throat and sat down at the stool beside him. He started, torn out of his thoughts and the lost expression on his face shifted into a small smile. 

“Miss Frazil,” he greeted, shifting his newspaper aside to give her room. She smiled back at him, placing her handbag on the bar. “Can I get you a drink?” 

“I'm alright, thank you Morse,” Dorothea answered. She eyed the mostly empty glass in his hands, wondering how many he'd finished before she had arrived. Best not to bring more alcohol into the equation--heaven knows he could drink enough without encouragement. 

She started with work, knowing he would close himself off immediately if she pushed too hard too quickly. 

“You were at the plant, were you not?” she asked. A wary expression crossed Morse's face, but he seemed to relax a little nonetheless. She thought back to their last conversation, when she had dropped him off by an empty field. He'd opened up then, just a little. Bared himself just enough to show his hurt, but not quite enough for her to do anything about it. “Anything you can tell me?” 

The request pulled a small smile from him, something Dorothea was grateful to see. He rolled his pint between his hands and shook his head, turning to look at her. There was a cut along his hairline she noted--that hadn't been there last she saw him. 

“I'm afraid not,” he said. He still seemed distant, mind on other things. Not fully engaging in their usual dance as they tried to tease information out of the other. 

“The official story is a fire,” she said. His hand drifted to the cut. He nodded. 

“Best to leave it at that,” he said. She waited, long years of experience telling her the best way to get information out of someone was to wait. Let him tell her in his own time. 

Though it wasn't really what had happened at the plant she wanted to know. Not right now, at least. Like as not, it wasn't going to be anything she could publish anyway. 

What she really wanted to know was what was bothering him. It was more than this current case, more even than his flat being burgled earlier in the week. She knew him well enough to see it in the way he sat, the line of his shoulders, the shadows in his eyes. 

“Off the record, sabotage,” he said finally. This time he did press his hand to the cut on his forehead. “Some plot by Bagley, planning to leak radiation into the nearby area to prove just how dangerous nuclear energy is.”

Now that would be a juicy story. The part of Dorothea that was pure journalist wanted to dig deeper into it, chase the story, share it with the world. But from the way Morse was hunched, from the sensitivity of the situation, she knew that this would be another story by the wayside. Another time societal requirements won over the truth. 

Sometimes she felt a little bitter about that. But she told herself to keep looking forward, finding the next story, uncovering the next truth. 

“And you stopped it,” she said and he nodded, his attention still wandering. “You alright?” 

It was an innocent enough question, one she knew wouldn't shut him down immediately. There were a lot of ways to answer that, and Morse could choose how much he shared. 

“I'll live,” he said. She wasn't surprised by the answer; it was a dismissal, his way of saying he didn't want to talk. Not quite fully a lie, not quite fully vulnerable. 

He infuriated her, sometimes. He was so clearly in need of someone looking out for him, but he was so stubborn he refused to accept help, let alone ask for it. 

Sometimes she wanted to force him to stop, put him up in her small apartment for a week so she could put some meat on his bones and light in his eyes. Drive it into his stubborn skull that people cared and he didn't have to go at life alone. 

“Really?” she asked gently. 

He let out a long breath and emptied the last of his beer. 

“Still don’t feel entirely safe at home,” he admitted. “Feels too empty.” 

She nodded sympathetically. She knew a little about feeling vulnerable in a place that was supposed to be safe--it had been a few months since her kidnapping by Leyton-Asprey, and she still felt uneasy being alone in her office. Coming home to find his space invaded so violently had clearly shaken Morse and she couldn’t find fault in that. 

But he was using it as a shield, holding up the reasonable excuse so she didn’t dig any deeper, uncover the actual source of his hurt. Always hiding himself, was Morse. And Dorothea hated not knowing the truth. 

She let the silence sit for another moment, pondering her next course of action. It was always a delicate balance with Morse, finding the line between getting him to open up to her without shutting down fully. He needed to come at his own pace, but he needed to know she wanted to know. She wanted to share whatever his hurt was, help him in whatever way she could. 

She thought maybe he didn’t have many people he could feel safe opening up to, and she didn’t want to break the trust they had built over the years. 

“There was a girl.” 

His words came as a surprise, and it took Dorothea a second to process them. He spoke them softly, a mix of hurt and bitterness mingling in his voice. 

She thought back to that last conversation in the car on the country road. He’d denied a girl then, a scoffing almost-bitter voice proclaiming he didn’t have anyone. She’d thought it was a laden admission at the time, and now she felt a little vindication. 

It wasn’t sweet vindication. Not seeing how he was hunched into himself, not seeing the heaviness in his eyes. Heartbreak, she realised. Not something new to him, she concluded. 

“Ah,” she said softly. Morse stared into his empty pint glass. 

“She… had some trouble,” he said finally, looking anywhere but at Dorothea. “I couldn’t help her. She didn’t let me help her.” 

‘Sounds familiar,” Dorothea thought, expression soft and understanding as she looked at Morse. 

“I’m sorry,” she said finally, not knowing how else to help. She was glad he had let her in, glad he had shared at least something. Gently, she reached across the bar to squeeze his forearm. 

He started, looking down at her hand and then back up at her, seeming unsure what to do with the unexpected touch. Again, Dorothea couldn’t help but feel he had been so starved of everything a persons should have--love, intimacy, friendship. The knowledge that people care. 

For just a moment, he let her in fully. She saw the despair behind his eyes, the grief and loss. The hurt that informed every part of his life, walls and barriers and scars built up after a childhood starved of love and an adulthood seeing the worst of humanity. 

Then he shifted, pulling his arm away and looked back down at the newspaper in front of him. The moment was over, the walls were back up. Once again, he locked her out and was alone in his hurt. 

Dorothea knew there was nothing she could do for him except just wait until the next time he was brave enough to be vulnerable. For now, maybe that would be enough. 

“I’ll buy you a drink,” she said, sensing the companionship would be of more use than anything else right now. He flickered a small, forced smile in her direction and picked up a pen to start filling out the crossword. 

[steampunk-raven]

augh. something something raven thinking it’s david that makes him worth loving when someone (han) who had never met david literally just told raven she loved him

[cochineal-leviat]

Last and final update to Mathematical Loneliness. Fellow Nine fans, please enjoy. (Though they are not having a good time)

This is the first chapter, as I have not posted this fic on here before. Please start here if you have not read this fic yet.

Fun fact; I had to change 70% of the script because I had forgotten the sequence of the events with Nine in episode 8. It is funny how a 20-second clip can change a whole chapter you've worked hours on இ௰இ.

[ghouldump]

hi your fics are so amazing!!

if you’re open to requests, i was wondering if you could write a lestat x louis x reader fic that takes place during their huge fight in the townhouse? i can imagine the reader being a mother figure to claudia and trying to protect her during it and getting hurt in the process of trying to break up louis and lestat. i’d love to see how the reader deals with the aftermath of her and louis’ injuries as well as claudia taking care of the two of them.

sorry if its confusing😭 i thought of this while rewatching s1

For The Love Of A Daughter | Lestat x Reader x Louis

ෆ out of fear, lestat does the unimaginable and has to try his hardest to win his family's trust back, but it may be too late

the comparison of s1 vs s2 of this scene had me on the edge of my seat 🥺 ⚠️ THIS IS S1 E5 ‼️

How did your once beautiful family go to ruins? When Claudia was created? When she rebelled? Or when she left? Your daughter, you would go to hell and back for her, yet, you couldn't convince her to stay.

Lestat was cruelly strict with her, invading her privacy by reading her diaries, not considering the fact that she was trapped in the early stages of puberty for an eternity. She couldn't help that she was a young girl stuck in this body, and he never let her forget or made it easier on her.

Louis, he'd always been passive, about your companionship, as well as his role as a parent. He wanted to keep the peace and harmony. If that meant allowing Lestat to discipline her, then he’d turn his head to not have to watch out of guilt.

Then you, Lestat often complained that you spoiled her too much. You never raised a finger to her, nor your voice. You hadn't been brought up that way, and so you did the same with her. You still remember the night she left. Packing only a few things, while you and Louis tried convincing her to stay. Standing her ground, she gave you both a hug, letting the wind carry her away.

Seven years flew by, silence made its way into the house that no longer felt like a home. Louis nose-deep in book after book, Lestat leaving going god knows where, while you remained secluded, drawing, reading, and sometimes staring at the wall.

Tonight was a rarity, Lestat wasn't running off, and Louis sat on the sofa, reading, while you sat in a chair, your head lying on your arm, taking in the soft jazz music.

Hearing the door open, Claudia entered, setting her suitcase on the floor. Rushing over, you wrapped your arms around her, rocking back and forth. Pulling away, your heart broke as Louis hugged her tightly. He too had been taking it so hard, since she had been gone. Abruptly, the music stopped, Lestat glaring at her.

“The prodigal daughter”

“I've come to apologize, I put all of you in a bad spot, I wasn't right in my head. I am now,” she said. You couldn't put your finger on it, but there was something different about her, a certain brokenness, she was trying to shut away.

“Apology not accepted,” Lestat said.

“How was college? Magna cum? Summa cum? Phi Beta Kappa?” he continued.

“I've read a lot of books. Started with Persia and Babylon, the old gods who longed for blood. A lot of it was popcorn, but a few old tomes. A Romanian tract on vampirs. A strange old Hungarian text, ‘Masticatione Mortuorum,’ the chewing dead. I plan to leave for that part of the world as soon as I can,” she told him. You and Louis shared a look, sensing that this wasn't headed in a positive direction.

“So, quick stop home to do laundry before you fuck off for good,” Lestat spat.

“A quick stop to pick up my mama and Louis,” she told him. Your hand went to your stomach, trying to control the unsettling nervousness building up. Lestat glanced at the two of you, before glaring at her in disgust.

“Oh, Perused a few folklore anthologies, and now you're going to cross the ocean and take on a society of monsters,” he said, slowly making his way towards her.

“If what I've read is lies, then tell me what's true,” she told him, but he only continued to stare at her as if she was beneath him.

“Seven years and what’s changed, other than you need a housekeeper?” she sneered. He slowly approached her, and as you were about to step forward to intervene, Louis grabbed your hand, discreetly shaking his head.

“The vampires out there…are vicious. Oh, but you've learned that already. Who did you meet out there in the American hinterland? Read her,” Lestat looked at the two of you, walking away. Staring at her, you quickly wiped the tear from your eye, you couldn't imagine what she had been through all on her own.

“That’s it, keep 'em scared. That's his way,” she said to you both.

“The vampires in Europe are much, much worse”

“But I think he's scared,” she spoke over him.

“I never asked, how did Charlie taste? Like the love you'll never really know,” he said, trying to get under her skin.

“And when he's scared, he ridicules”

“She was a destitute little girl, destined to live an inconsequential little life,” he said, approaching the both of you.

“And we took it from her, we cursed her,” Louis said, making the smug expression drop from his face. Looking at you, his frown deepened, seeing you gaze at her, the bloody tears moments from seeping out.

“Come with me!” she called out, both of you staring at her.

“Come with me, mama, Louis”

“Louis, Y/n,” Lestat said, becoming angry as neither of you looked at him.

“I thought I could live without either of you, but I was wrong,” Claudia said, her eyes pleading for you to come along.

“Y/n, Louis”

“Louis, Y/n,” Lestat continued, raising his voice.

“His love is a small box he keeps you both in, don't stay in it,” she said, as you glanced at him.

“A thousand nights of sulking, and the first sight of her, you are just gonna up and leave me?!” Lestat yelled.

“Please, come with me! Let’s be vampires worth of your love!” Claudia screamed before Lestat surged, choking her.

“Get off of her,” you said, going to shove him off of her. However, he was much stronger, gaining the upper hand, his fingers wrapping around your throat, he looked unrecognizable.

“You, always choosing her,” he spat, before Louis charged over, tackling him.

As they fought, Claudia screamed, panicking, as you tried to keep up with them. Throwing Louis in the living room. Lestat straddled him, punching him in the face.

“Lestat, stop it,” you cried out, jumping on his back, but he easily slung you across the room, as you smashed into the wall, you could feel your arm already broken.

“Claudia, stay down here,” you told her, rushing to the bedroom.

“Stop fighting,” you screamed, as they continued tackling each other.

“Let him go,” you hear Claudia crying.

“It’s alright, you stay where you're at,” Louis told her, as if he wasn't completely bruised up.

“You're going to choose her too? Leave me for her when she left you both, I’ve been here,” he told you, as you slowly backed away, unsure of what he'd do next.

“Lestat st-

“Do not tell me what to do,” he told you, wrapping his hand around your throat, and pulling you close. His nails were in your skin, with your airway completely blocked.

Dragging both of you downstairs, and outside, you could hear Claudia running.

“I fought myself a million times, fought my nature, controlled my temper. I never once harmed either of you,” he said.

“Let him go,” you cried, hoarsely, trying to claw at his hand, while reaching for Louis.

“Silence,” he told you.

“Uncle Les”

“It's Uncle Les, now suddenly?”

“Let them go, they didn't do nothin’, let them go, it's me you want,” you could hear her steps approaching.

“Listen to me, and listen very carefully my infant death, it was never you. No matter how much your mama made you think otherwise,” he spat, crushing your throat, and dragging you both out into the road.

“I chose you, and you, given you the dark gift and you've betrayed me,” he said, biting into your neck, draining almost every ounce of blood from your body, before throwing you, watching as you flew into the backyard, colliding with bricks, you could feel your rib cage shatter.

However, as you stood up, you quickly fell to your knees in pain and fear for Louis’s life, watching as they flew into the sky to the point where they were no longer seen.

“Mama, are you alright?” Claudia ran to you, reaching for her hand, your other hand on your throat. You couldn't speak, Lestat’s nails had managed to pierce through. Claudia gasped, as you coughed, blood spilling out.

“Are you okay?” you asked.

“I’m okay, we just need to get Louis,” she said, helping you stand, however, just as you stood, Louis fell from the sky, hitting the ground. Limping over, you were afraid to touch him, the slightest touch looked as if it would break him even more.

Crying, you looked up, staring into Lestat’s eyes as he flew over you all, not saying a word. You couldn't say it, but from your expression, there was no way you could easily forgive him after this.

Healing was a struggle, not just from the physical damage, but any previous trust was gone. While you managed to bounce back within a few months, Louis had a long way to go. Lestat skipped town and hadn't bothered to show his face.

You avoided thinking about him, altogether. Dedicating yourself to Claudia and Louis, from coffin-bound to limping, every day was progress. Louis was slowly getting better and you both worked on strengthing your bond with Claudia. Then the calls started coming.

All of this time, you managed to push through the soreness and pain, but the moment he called you hid away, licking your eternal wounds. He was a completely different person that night, the things he said, the things he'd done. After Louis fully healed, you were no longer opposed to the idea of leaving for Europe with Claudia.

Hearing the doorbell ringing, you turned your head, watching as Claudia went outside. You could hear his voice, he had gifts, and he wanted to talk, to apologize. Louis went upstairs, throwing his coffin out of the window, you couldn't help but snicker.

“There’s your answer”

“And where is Y/n? I know she would enjoy these paints, they are rare. I paid quite a price because I knew she would make the most beautiful-

“My mama ain't got nothin’ to say to you, like you said, she betrayed you, choosing me,” she told him, shutting the door, and locking it.

Coming back to the living room, she glanced your way before to Louis, who came from upstairs. As Louis sat next to you, you pulled him close.

“You okay?” you asked him.

“Getting there,” he mumbled, smiling as you kissed his cheek.

Lestat didn't show his face anymore, but the gifts never stopped. Each time more spontaneous than the next, and while you knew, Louis was becoming weaker, you wished you could say the same for yourself.

“Emily Dickinson is not a vampire,” Louis said, as you laughed.

“How do you know?” she asked.

“Because she is dead,” you pointed out.

“How do you know?”

“She got a grave,” Louis said.

“And a tombstone,” you added.

“So do you,” She told Louis, all of you laughing, afterward.

As you crossed the streets, the driver honked their horn, as they slowly came to a stop in front of you. Opening the door, Lestat climbed out, smiling at you all. Rolling your eyes, you simply looked the other way.

“25 horsepower Rolls-Royce six-cylinder engine and a front end they call a coffin nose, is that rich? This one’s yours, mine’s back at home in blue,” he said, showing off the new car, and tossing the keys to Louis.

“I know how much you despise driving, so I got you other things, the finest fabrics, books, art supplies, and music, waiting for you at home, I'm back in town permanently,” he continued, looking your way, but you just stared off to the side, as if you didn't see him.

“Were you gone?” Claudia asked him.

“Across the river, in Algiers,” he said, you could still feel his eyes on the two of you.

“You know who lives in Algiers” Claudia said to you, as you clenched your jaw.

“I don't know what possessed me that night,” he said.

“Three years ago, that night, three years ago, he means,” Claudia corrected him.

“I was someone I don't want to be anymore. I've changed. Let me prove it to you. I’m nothing without you. I’m nothing without any of you”

“If you want me to go away, just say so. I’ll obey you. I’ll leave your lives forever. This silence is cruel, all I ask is that Y/n looks at me. You haven't spared me a glance since I've been here. Neither of you were ever cruel, don't let our situation change you,” he said.

“Just look at him,” Louis pleaded.

Turning to face him, he cleared his throat, straightening his posture. You didn't say anything, emotionlessly staring at him.

“You look stunning as always, ma chérie,” he complimented, his heart breaking as you looked away again.

Taking the keys, Claudia threw them, before scratching the car, reaching for your hand, walking away.

Six years, came and went, and more gifts flooded the house. It was unspoken between you and Louis that you both missed him. Although it looked different, Louis wanted him to come running back, each extravagant, but sentimental gift was tugging more and more at Louis’s heart. You preferred the distance, reminiscing on the past, before that night. You didn't think you could have that back, now, you secretly enjoyed every time he saw you, or wrote to you, begging that you would acknowledge him.

Unexpectedly, it happened, the record came in the mail and was immediately played. The song meant to win you both back while pissing you off, a song sung by his affair partner. Louis was seething, grabbing the record, and ran out of the house.

“You're not going with him?” Claudia asked.

“They will be back,” you mumbled, knowing his plan worked, he got through to Louis and would be coming back.

“Rule number four-

“Kill Antoinette”

“Antoinette is my own private-

“Affair,” Claudia said.

“Said child, interfering in the romantic lives of her parents,” Lestat said, wanting one of you to stop her. She had been sharp with him since the moment he stepped into the house.

“She will be 33 soon, far from a child,” you reminded him, rolling your eyes.

“It’s a lick and a promise in vampire years,” he shrugged.

“Maybe, but I am not your child anymore, that's rule number five,” Claudia said, catching his attention.

His eyes shifted from her to you, your interlocked hands. She had you, wrapped around her fingers, taken from him. Louis was more willing to work on the broken relationship, but you had shut him out, choosing your child.

“I’ll be your companion, your sister,” she told him, as he scoffed.

“It's not as simple as choosing a new family configuration, now I'm your cousin, now I'm your aunt, I am your maker,” he told her rudely.

“I’m going to bed,” you said, standing abruptly, he looked into your cold eyes, searching for any emotion.

“Will you not lay down your rules, as well?” he asked, sarcastically.

“Good night,” was all you said, turning away, going upstairs.

“She needs time,” you could hear Louis say.

Did you need more time? You didn't go through nearly as much as Louis and he managed to forgive him, why couldn't you? You were never maternal until Claudia came along, perhaps it came with being a mother. The way that he treated her, turned you against him. As much as you loved him, thinking back to the times you were spoiled, lavished as if you were royalty, you couldn't bring yourself to open up.

Hunting became insufferable. Louis began drinking human blood, it was supposed to bring everyone closer, hunting as a family, but you kept your distance. He knew he'd wounded you, his choice of words hurting you just as bad, and he'd have to be more persistent to win you back.

“I wished you’d look at me, the simplest glance would help me a great deal,” he said, following you, sighing in relief as you faced him.

“Happy?”

“You have my heart at your will, your precious words command me, and I would do anything you ask of me,” he said, trying to fight the tears, as you slowly approached him.

“Take up your heart, I wouldn't want you to feel betrayed when I don't choose you,” you said, turning around, leaving him to stand there and try to gather his emotions.

“Could you at least try to compromise?” Louis asked you, as you looked through the different fabrics in the store.

“I am-

“No, you're not, you put your coffin in Claudia’s room, and the other night, whatever you said, he cried himself to sleep”

“Aw, poor baby,” you said, placing the fabrics into Louis’ arms.

“You agreed that we would work things out, everybody is compromising trying to work through our problems, we need you too,” he said, pouting, as you approached the cash register.

“Fine, I hate when you give me that look,” you playfully rolled your eyes at him.

“Thank you, I love you,” you grinned.

“I love you,” you laughed, pecking his lips.

Later that night, after putting away your things, and changing into your nightgown, you were about to into Claudia’s room, when you stopped. Huffing, you went to your shared bedroom, opening the door.

“Did she say anything? I left a note, but she never responds,” Lestat grumbled.

“I talked with her, but it is up to her to make a decision,” Louis said.

“I hope you don't expect us to squeeze that coffin,” you said, making both of them face you.

“We could always sleep in the bed,” Louis offered, both of them approaching you.

‘Thank you’ he said, as you faced Lestat.

“Will you keep that stupid look on your face, or will you speak?” you asked.

“I didn't know it was okay for me to do so,” he chuckled.

“Y/n is willing to compromise, she hasn't said it verbally, but she does still love you,” Louis spoke, as you stared at the two of them.

“Ma chérie, if I could take back what I've said, what I’ve done-

“But you can't”

“I can't, and I will have to live with the burden of knowing I hurt you and Louis both, your role in Claudia’s life was never a problem, I am sorry, my love,” he said, walking to you, falling to his knees in front of you. His head laid against your stomach, and he continued to apologize profusely.

“To have you look at me, after months of refusal, even if it is a look of anger, is to see heaven,” he said, looking up at you. Reaching for his hand, you helped him stand, pecking his lips. Holding your hand out for Louis, as soon as he was close enough, your lips were on his soft skin.

Pushing Lestat onto the bed, you straddled his lap, rolling your hips, as Louis stood behind you, kissing your neck. Leaning down, you wrapped your hands around his neck.

“I’ll forgive you, but if you ever do anything remotely similar, I’ll make sure you burn in the sun, and I’ll wear you as makeup,” you said, making him smirk.

“Anything you say, although the thought of me being on your face, arouses me greatly,” he said, watching as you pulled Louis onto the bed, moving over to him.

Your nearly decade-long monogamy had now come to an end, sharing the night with Louis and Lestat. You had forgotten how spontaneous he was, managing to pleasure both of you.

‘Have you taken him back, like Louis?’ Claudia asked.

‘For now’ you thought, as Lestat kissed along your shoulder blade.

‘Do you think Louis will help?’

‘He will’

‘Do you think it will work?’

‘I don't know, my child, but we will try’

‘We can do it, mama, he wants to keep you and Louis for himself, he hates me and would probably kill me if it meant having you both alone’

‘I know’

Now lying in bed, Lestat in between you and Louis, both of you in his arms.

“I hope you will allow me to continue to prove myself to you, and I am lost without either of you, I feel empty without you both here with me, I love you,” he spoke, you couldn't deny the way your heart fluttered.

“Then it is official, we will kill Lestat’

‘And if our plan doesn't work?’

‘Then we escape to Europe, we find other vampires, and we rebuild our lives there, does that sound okay?”

‘It sounds perfect’

‘Great, good night mama’

‘Good night, my child’

Looking up at Lestat’s face, he lay peacefully, his eyes shut, face relaxed. He was incredibly handsome, you didn't dare tell Claudia but coming to this room, you were just as weak as Louis. Would you be able to kill this beautiful man, the love of your life? Or run away and live an eternity with your daughter? You couldn't decide anymore, only time would tell.

brotha eughhh, this was so mid

[mozart-the-meerkitten]

*rolls up 15 years late with Avatar the Last Airbender thoughts*

So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.

So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".

And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.

And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko. (it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)

But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭

[shadyr4m]

REWATCHING SEASON 2 EPISODE 7 OF ARCANE

+ some of my highlights and notable moments that I enjoyed bc people can’t understand media anymore

This is mostly an infodump of stuff I can fit into a twitter thread/didn't rly want to make into a thread. I'm not great at words so I apologize in advance, I am sure there are many people much better at analysis than I.

I want to start off by saying I am heavily invested in timebomb so this is very much going to be a ship analysis. If you're looking for someone unbiased i am very much not the person for that 😭

FIRST OFF:

The disc on the music box is adorable!!! It features au Powder (who I am going to refer to as just Powder for the duration of my analysis) and au Ekko

Compared to the normal Disc

This is very obviously because it takes place in a different universe, one without Vi or "Jinx".

The first scene starts off with AU Ekko writing in his notebook. (Cute mention is Powder's doodle in his notebook!!) Then we see flashes of the wild rune. This is when AU Ekko switches to canon Ekko.

Also one of my favorite silly images from this episode is this one.. Powder is being so adorable and Ekko is just scared out of his MIND. it's so silly.

In the Last drop, Powder asks Ekko. "What is up with you? You've been out of it all day?". One thing I noticed in my rewatch is that i think Powder is aware this Ekko isn't HER Ekko. This is just one instance of many that makes me think this.

This hideout seems so much more vibrant and loved, similar to Jinx's hideout after Isha. It's colorful. There are guard rails that I like to think was pushed by Vander. We can see Ekko's art scattered around. It just shows how much more support and family Powder has compared to Jinx, which i mention a lot.

Id also like to note Ekko being shocked au him went to powder for help. In his mind at this time he believes Jinx to be all that is left, no more Powder. Through out the episode we see that change.

Notice how Powder gets upset at Ekko in this scene. However, she doesn't react explosively like Jinx would've. She handled it in a way that shows she had support. She told him to leave instead. Again, the main difference between Powder and Jinx isn't only Vi but also the existence of multiple support systems that Jinx simply didn't have.

THIS FLASHBACK! Oh my god this flashback. The fact it happened after he upset Powder? I think it shows just how much he truly cares about Jinx/Powder. He remembers VIVIDLY the day that he thought he killed her. Jinx was his childhood best friend, and I don't think that kind of feeling ever truly goes away. He doesn't want to hurt any version of her, not even the alternate universe her. We see that showcased more later on. Also, random probably insane note. He is interrupted by small children playing, having fun. This isn't a coincidence, it shows he does miss the moments from when they were kids.

While talking with Heimerdinger, we see Ekko look at Powder multiple times. Watching her laugh and be expressive, he smiles. When she doesn't return it we see him get upset. Once more this brings me to my point that he doesn't want to hurt her. Considering he hasn't known this Powder very long you can see where I gather my point that he doesn't want to hurt her in GENERAL. Any version of her.

THIS SCENE!! He is such a bad liar it's adorable. This brings me to my earlier point, Powder knows what's up!! She suspects something 100%. He is talking about this dream her like it was real.

"You aren't the kind of person who helps other people with their projects. Your ideas change the world. I can't shake the feeling that that's who you're supposed to be."

Are you LISTENING TO THIS? He is obviously talking about Jinx. You can tell this by the first sentence because obviously Powder IS that kind of person. He's starting to see that Jinx is just a part of Powder, one that is unavoidable and that he unknowingly appreciates in a sense. Like two sides of one coin he can't see Powder without Jinx and that is good. I think it is here he realizes truly just how much he cares about Jinx.

This whole montage is beautiful but I want to zero in on two things. Powder's reaction to the notebook and how she looks at Ekko after. NOW THIS. This is the nail in the coffin for her. She knows that this is not her Ekko. She has fully gathered that he isn't from this universe.

Also heimerdinger totally knows how Ekko feels you cannot tell me otherwise. Pushing him to go to the party? yeah he knows what you are.

THIS WHOLE SCENE. I AM NOT ANALYZING THE WHOLE THING HERE BUT IT IS GORGEOUS. I saw someone talking about how it was animated on 4's to signify the way Ekko can only go back 4 seconds and I honestly shed a tear. THE SONG TOO? I encourage everyone to look at the lyrics because they're beautiful.

Okay now for my favorite part of this episode so much to dissect and i'm totally going to mansplain but yk..

"I used to dream the undercity could be like this" — That sets the tone for the whole conversation and just what world he is talking about. The canon one.

"But somewhere, I got consumed by all the ways it wasn't. I gave up on it. Gave up on YOU." — Heavy emphasis on this line. Once more he is talking about Jinx. He is talking about how he got so consumed by the way that Jinx wasn't good, and he gave up on her. Believed she was irredeemable. Powder showed him that Jinx is capable of love and happiness, it's just under that tough protective shell. The undercity in the metaphor is Jinx, from my interpretation.

"I promise i'll never forget this." — Now time for my insanity. He doesn't forget this. That's why he saves Jinx from ending her life in the first place. He remembers Powder and knows that with the right support Jinx doesn't have to be the way she is. It's not that she "needs to be fixed" she just needs to be LOVED, like Powder. He sees that now. He sees how in the au the love that everyone shares for one another shaped the undercity beautifully, and made everyone in it much healthier mentally despite going through hardships. That is beautiful. People with mental illness are not unlovable they just need more support, it can't be cured, or fixed just healed. Mental illness is always there it is how you DEAL with it that matters.

Nothing too major to talk about with the kiss. It's sweet I love it, but nothing too notable for me to say about it.

Finally, Ekko leaves the au. I have seen people say that this is a sacrifice, he could've had everything he wanted and he gave it up to save the people at home. But i take insanity to another level. I see this as him appreciating his home. He knows he can never truly love this Powder because she isn't the version he fell in love with. He learned to appreciate Jinx even through her flaws, and that while this world has everything he could want and more he can have that home too.

I am experiencing HEAVY timebomb brainrot if you can’t already tell. I was tired of people taking things in the complete wrong way with this episode, if anyone has different views pls tell me I love hearing how other people took certain scenes. there are a few scenes I love but I would’ve made this post way too long..

[lily-onher-grave]

okay okay okay thoughts/excited ramblings about the wicked movie under the cut bc i've seen it and now i'm insane about it again

let's be real it's kinda hard to fumble the opening number of a musical especially when that opening number is no one mourns the wicked and yet i was still absolutely blown away it was SO GOOD

the lil munchkins running, the singing in the streets, the posters of the witch (side note all the artwork was insanely good and just added so much to the style of oz i feel like) it was all so awesome

NOMTW becomes so sinister and they nailed it

obligatory emotional babbling about glinda standing alone in the crowd as everyone sings 'the wicked's lives are lonely'

before i left for the theater i was like 'take your bets on if i'll cry' and my roommate and i agreed that yeah obviously i would. but what i didn't expect is for ariana's sad face to knock me out in five minutes flat. i was done for

the effigy. holy shit. and handing the torch to glinda. i want to go see the whole thing again just so i can rewatch that scene. my heart still hurts

(also nanny! sort of not really. but i liked the childhood scenes i liked that elphaba had one (1) good thing in her life before shiz)

SHIZ okay shiz honestly shiz was the thing i was most excited for bc c'mon, we don't write about our gothic magic school all the time in fic for nothing. and honestly it was so good. the shots of the whole castle! the library design! the balcony moments and the stairways and just like the layers of architecture and the way morrible could kind of be anywhere at any time. the way it felt so grand and yet so small at the same time. idk man the vibes were good and the set was beautiful

glinda arriving by boat was magical that's all

the way everything dillamond had was tailored to him was fantastic it was so good

actually i want to shout out the library set design again and how it tied into the clockwork theme that never gets fully called out even in the musical but it's still so good

where's my time dragon clock tho

also back up the scene where elphaba loses her temper in the courtyard--when she breaks the relief of the wizard, there's old artwork of Animals behind it and i gasped out loud when i saw it

and that was the first moment i thought 'this is brilliant but i still want an hbo dark fantasy political drama tv show based on the book'

speaking of the dark fantasy political drama tv shows, the Animal meeting!! i'm so glad they put more stuff like that in there

actually as a whole the movie felt more grounded and less comedic than the musical. i think they did a fantastic job of keeping the magic and silliness and charm and wonder of the show while still adding those extra bits of drama and dire circumstances

anyway gelphie fic prank wars trope is officially canon great work everybody handshakes all around. i was cackling (silently. i promise i'm a respectful moviegoer)

the ozdust ballroom being illegal makes so much sense. it being underwater was fucking cool. boq and nessa were actually really great and i usually don't care about them at all during this scene

also i love love love nessa and i cannot wait to see more of her. but showing her multiple times on the sidelines when elphie was being humiliated was such a good choice. the tension between nessa obviously caring for her sister yet always caring for herself more is so delicious and i always want to see it fleshed out more, and i think they did such a good job with her? her and elphaba have sweet moments which i love, and her wanting to be independent and only elphaba really understanding that is so so good. and having her just watching elphaba for so long before finally saying she can't watch. god i can't wait to see her be desperate and selfish and cold in act 2, it's gonna be so good

side note boq also looking upset by elphie being bullied. i miss my brotp man

but let's talk about what's most important: the gelphie dance. because oh my god i started crying all over again. so did elphaba. and glinda wiping her tears i'm dying i've died oh my god

i always get a little bit surprised when glinda seems more head over heels than elphaba. idk why. but ariana's glinda is absolutely more head over heels than cynthia's elphaba and i loved it

(they just. freaking LEFT the party. just zipped out of there as soon as they hugged. glinda was like hmmm i just realized some things and grabbed elphaba's hand and ran off while the night was young. and fiyero stared after them knowing that he stood no chance whatsoever)

also i'm like 72% sure the guys sitting next to me were a couple? and they both cried during the gelphie dance too and it was a very unexpected but very funny moment of solidarity

i say ariana's glinda is more head over heels and i stand by it but elphaba's fond little smile when glinda was pouting about sharing secrets almost made me start sobbing again they're so GOOD they're so CUTE and she is SO heart eyes for glinda immediately!!!

i need to be sedated i swear

popular was adorable 10/10 no notes absolutely nailed it i loved every second

also glinda sitting next to elphaba in class now. my heart <3

after dillamond gets hauled away (again with this being more violent and dark and those moments of drama coming through more in the movie i loveeee) glinda doesn't sit down until elphaba does

also they had several little moments of elphaba looking to glinda and glinda either shaking her head or nodding. they've been friends for 2 days and they're already having silent conversations i love them <3

the poppy spell? was sick as hell????

another seeing of wicked, another complete sense of bafflement as to why fiyero is there

i say this jokingly but the fiyero and elphaba romance really does feel like a product of the early 2000s especially now that it's on screen rather than on stage. idk maybe that's just the lesbian in me talking though

the train design is also sick but we knew that from the trailers

okay look logically yes i knew idina and kristin would have cameos. but i'd been crying on and off and one short day's magic had already taken hold so they caught me completely off guard. it was great

the wizard stuff was really sweet. and while i was hoping for more time put toward shiz and stuff, i do think those moments did a great job of 1) showing how much elphaba just wants to be loved 2) foreshadowing the wizard being her father and 3) laying the groundwork for her briefly considering working with the wizard in act 2, which is a decision that never quiteee feels right in the show

i love that they put more lore into the grimmerie btw. very cool

the hot air balloon was random but fun. i wonder if it'll come up again in act 2

every time. every damn time glinda starts singing in defying gravity i just want someone to end it right there. glinda grabs the broom, it fades to black, and they both lived happily ever after

fuck

defying gravity taking place at sunset because it's at the end of their one short day of happiness

also UM morrible coming up and hugging glinda when she's crying. exquisite emotional manipulation i'm screaming

elphie! seeing! her! inner! child! i loved the baby elphie scenes even though i prefer creepy 'horrors' elphaba always. but seeing her come back was sooooo fucking good

elphaba only ever relying on herself, in the end

glinda's final 'i hope you're happy' took me out, as it always does, as it always should. and reaching out from the balcony? i'm sobbing again

morrible dragging glinda into the darkness while elphaba flies into the sun! someone fucking help me i'm already wrecked by these two

honestly my biggest complaint is that now i have to wait for part two, i want to see the rest nowwwww

[ineffableteeth]

So I was rewatching Good omens and I realized something.

Season 2 brings up Memory. A lot

Specifically Crowleys memory

In every episode something is said about it and I find this really interesting

I’m only going to bring up what I think are major, I want to note there are more instances than this. This is gonna be messy and a little disorganized since I’m just throwing my words on this post as I think of them and read the episode transcripts but I had to write it out.

In Episode 1 we see pre-fall Crowley and are introduced to our amnesiac archangel. This will be important later

We don’t see much of Crowleys memory loss in this episode but the biggest example I could find was the way Beelzebub had said Extreme Sanctions after Crowley misunderstood

It was as if they were expecting him to remember

In Episode 2 we get the first blatant hint of Crowleys memory loss

When Gabriel said he couldn’t remember, Crowley doesn’t say “Well try anyway”

He says “Yes you can.”

Crowley knew Gabriel could remember, he knew he could make himself remember. As if he knew it from experience.

Also in this episode we get Crowleys “I’m a demon, I lied.” As well as several other instances where he lies in this episode.

I also feel like his “Lonliness” is important to point out, because I feel like that goes much much deeper than “[I’m on] my side”

In Episode 3 we get Crowley and Gabriel’s Conversation about “Gravity”

Crowley knows what gravity is on a base level. But he says “I don’t remember” when asked why gravity exists and proceeds to give a very nondescript explanation

Now for Episode 4. This episode is actually what triggered me to start looking for these instances.

Because of Furfur

Near the end of the episode when Furfur enters the dressing room he mentions that him and Crowley were directly next to eachother during the Great War, as well as the fact Crowley used to jump on his back “Like a little monkey in a waistcoat”

And Crowley didn’t remember

All he remembered was going to war

Why does Furfur — A demon — remember but Crowley doesn’t?

In Episode 5 we get one of the most crucial ‘memory’ scenes imo

The aftermath of Crowley threatening Gabriel

When Gabriel tells Crowley “It hurts to remember, my head isn’t built for that” Crowley replies with “I know, do it anyway”

Again it sounds like Crowley is speaking from experience

The most important quote to me though is when Crowley says “I know, looking at where the furniture isn’t.”

Because after the fact he proceeds to ask Gabriel if he wants a hot chocolate

This wasn’t a sympathetic action. It was Empathetic.

He feels for Gabriel, he knows what it’s like to not know

Finally in Episode 6 we get context.

This is where the whole amnesiac archangel comes into play.

Before I get into that though I want to bring up Crowleys meeting with Saraquael. Because something interesting stood out to me while reading her voicelines. After Crowley asks “Do we know eachother?” Saraquael says “When you were an Angel” and pauses before she says the following voiceline “We worked together on the horsehead nebula”

Those were two different sentences. I’m definitely looking too far into this but to me it sounded like she knew he wouldn’t remember so she gave unnecessary context. This as well as the fact she didn’t respond when Crowley essentially said he didn’t remember her.

Back to my original point though, during this episode we finally learn how (and why) Gabriel lost his memories. Angels can remove their own memories as well as have their memories removed by other angels.

But clearly Furfur still has his memories, as well as Shax, Dagon, and Beelzebub

And anytime Crowley mentions “remembering” something it’s post-fall

Adding on Neil’s post about “Crowley not being a reliable narrator on his fall” as well as showing Crowley pre-fall in episode one leads me to believe there’s some foreshadowing in there and something happened to Crowleys memory.

But What?

Why doesn’t he remember?

What did they do to him?

[queenstarscream]

Nah i need to talk about Earthspark Starscream for a sec.

I'm so, so so very angry about it btw. First, they gave us inplications that he could MAYBE change. Maybe not entirely good, but maybe not quite as evil as before. Not only that he had someone that tried to care about him genuinely, and still did.

Secondly, while it was tame- Megatron and Starscream still talked. It was so important. They should have gotten another chance.

I'm not saying Starscream in any universe has to forgive Megatron, but Earthspark could have made a really emotional and valuable scene between those two. They NEVER ever give a chance for Megatron to mourn or grieve the other Decepticons? Even if he hates Starscream still? Thats a lot of change for someone.

In season 2 they want Starscream to be the big bad and its just.. why? They could've done that but had him help in the end.

And then finally.. season 3. Where they tease us a lot- which i will admit i thought they wouldn't ever come back to him and just tease. And when they finally show him- he's "crazy", AND his supporter stabs him.

I'm sorry, what the actual fuck? As someone who is psychotic, and an abuse surviver, this is absolutely disgusting writing and i don't want to hear "they had limited time and new writers" as an excuse.

You know what you do? You have him help vaguely, and then he fucking leaves, if you can't be bothered to properly redeem him or anything else.

And since we are here, Earthspark s1 was good. Thats it. It focused too much on the humans ( which i DO appreciate and find it beautiful that the main humans are non-white. ) and not enough on the robots. I'm rewatching G1 and even though it spend a lot of time with humans- it still mainly focused on the robots.

Same with Transformers Prime and Animated.

I am so tired of series like this almost making me feel emotional and then its flat. Its like- Almost there, and then its like the producers are like "Oh remember this is a kids show and also only for kids. Btw this is a kids show. Dont be too emotional. Throw in a joke".

They could have had Megatron at least be the one to go get Starscream in the end to start that road of "i want to try to help you" PROPERLY.

The IMPACT of it all. The emotion it would have had. Not that Starscream is emotional nor is Megatron, but if they had written it right. They could have done it in a way where the abuser isn't forgiven, but they both help each other become better people within the moment. Or fuck- even a dangerous fight between the two ( worse than the first one ) with Starscream PROPERLY calling Megatron out with an audience of the terrans, Decepticons and autobots, maybe even Dottie.

Make it an emotional episode for lore and implications that are good enough for kids to understand ( see The Owl House ) and make it an episode about Growing as a person/bot and that its okay to be hurt, you don't have to forgive people that have hurt you + you don't have beat yourself up for being a bad person, you just keep working on yourself.

But also this has the Decepticons REALLY realize how bad it was, as well as the Autobots ( though i feel like Optimus and Elita already would know ), and Dottie could talk to the Terrans about it, and thats how it could've been "a kids show lesson" or whatever.

Sorry i rambled i am just so. We could have had it all.

[lurkingshan]

Hellooo, do you have any recs for well written bls that also deliver on the romance front? My favorites that are both great shows and great love stories are Eighth sense, Old fashioned cupcake and I told the sunset about you ( the 2nd season is great but I dont f with cheating)...

Hello! I am interpreting your ask to mean you want bls that 1) are focused on a Big Love Story as their main purpose and 2) have strong writing that nails the romance, in particular. With that in mind, here's what I would recommend in addition to the ones you already listed, sorted into a few categories.

Dramatic and Swoony

La Pluie

Two soulmates (or are they?) meet, try to figure out their relationship, and decide whether they care what destiny has to say about it. Also features an equally swoony side couple romance. This show is Big Romance all around and very much in conversation with the genre.

I Feel You Linger in the Air

It doesn't get much more epic and swoony than this show about a modern gay man who gets sent back in time and falls in love with a young heir. This one has an asterisk next to the strong writing criteria because things get pretty wobbly in the final arc, but the romance stays strong throughout and it features some of the best bl romance scenes of all time.

Bad Buddy

It's gay Romeo and Juliet, but nobody dies (though importantly, someone does get shot). This one is tumblr famous for a reason!

Romantic Comedy

Cooking Crush

The sweetest romcom Off and Gun have ever made, with a simple love story between a med student and a chef. This show has some flaws--they let a drunk monkey take over the editing booth on a few episodes in the middle--but it's well written and the romance is great.

Cherry Magic Thailand

A remake of the Japanese original, this one shocked most of us by improving on an an already solid show. It's a fantastic romance, alternately funny and poignant and sweet as hell.

Semantic Error

The perfect bl romcom doesn't exis--

Light On Me

A high school love triangle where everyone is likable and the right boy gets the guy.

I Cannot Reach You

High school friends to lovers and done exactly right. This show is so goddamn charming and funny while still managing to get to the underlying angst of this trope. Perfection.

My School President

This one is all first love and high school shenanigans and a ton of original songs that will get stuck in your head.

Comforting and Cozy

Sing My Crush

Here's one for your constant rewatch list. A story of two best friends who love each other instantly but take awhile to make it explicitly romantic, as one of them is hurt and hiding and the other is oblivious yet somehow still devoted. You will love them.

Takara’s Treasure

This is a gentle love story between two lonely people who are exactly the right fit for each other but struggle with their own insecurities.

Our Dating Sim

A second chance romance for two high school friends who meet again as adults after a bad separation. Short and sweet with just the right touch of angst to burrow into your heart.

Angst Baby

At 25:00 in Akasaka

Two actors who first met in college are cast in a bl together, and the lines between their professional and private lives start to blur. This is a really beautiful and evocative show.

Wedding Plan

A gay man who is preparing to marry his lesbian best friend to protect themselves from their families falls in love with his wedding planner. It's a classic romance trope but this show does it so well, with an added layer of queer angst that really deepens the story.

My Beautiful Man

A high school story that centers on a psychologically complex relationship dynamic that will not become fully clear to you until the end (by design, the writing for this show is remarkable). It's not a traditional romance but it is a deeply moving one, and if you like it there's a sequel season and movie that are both also great.

Theory of Love

The messy angst-ridden friends to lovers drama we deserve. Don't skip the special episode, it's one of the rare cases where the special is actually crucial to the story and not just bonus fluff.

My Tooth Your Love

This one is romcom shaped but also deals a lot with trauma, so on balance it's more of an angsty romance. Warning for dentistry (which I recently learned is an issue for a lot of folks on here).

Gameboys 1 and 2

A pandemic-era romance that starts long distance before our boys can come together in real life. Definitely watch both seasons!

Jack O’ Frost

The only bl that has ever used the amnesia trope well. A romance gone wrong that gets an unexpected second chance after an accident forces a reset of their relationship. I found the themes of generosity and forgiveness in this one really moving.

Seven Days

This one is what it says on the tin--spend a week with two teenage boys as they try out dating each other. I really love the structure of this one, and the romance is well done.

[dollypopup]

"all the negativity is killing the vibe"

"just be grateful for what you got!" "was it perfect? no! but we got some good stuff!" "people are just being so down about season 3"

There is a reason people are displeased.

We are consumers of this media. We PAID for this media. With time, with money, with subscriptions. We bought the merch, we watched the promos, we paid in attention, we paid financially, we paid literally and metaphorically.

And they did not deliver.

So, yes, we have a right to complain because objectively speaking, it was a bad ending. It just was! It was poorly written and poorly edited, it did not leave viewers happy, and there is a REASON the engagement of part 2 is much lower than part 1. Polin is not the problem, sidelining Polin is the problem. Writing Polin poorly is the problem. Shoving Colin to the side (half of the pairing) is the problem. Inconsistent characterization is the problem.

the fact that we came in with high expectations and they were let down for us? makes it a bad ending. makes it bad writing. the fact that we waited 2 years for it and then another month in between and did not walk away feeling as though that time was worthwhile? makes it a bad ending.

the writing was disjointed, characters were underutilized, Colin was pushed aside in his OWN SEASON, they tried to do a #girlbossfeminism narrative and then threw Cressida to the wolves because she did a few things that hurt the main heroine's feelings, even after showing us as viewers we should (and do) empathize with her. I mean, for fuck's sake, there was literally a big speech and everyone clapped moment. stakes were defanged, there were threesome scenes that cut any and all tension building between Polin, Eloise's character was written inconsistently for the sake of swift forgiveness, they threw Babies ever After at us, momifying the one character who was said to be plus size representation at NINETEEN, there were more sex scenes for Benedict than there were for the main couple Polin. Lady Whistledown was a black hole for good quality because instead of writing a narrative that suited the couple's ending, they wrote a narrative to keep her as a plot device by any means possible. This season was a roller coaster that went up up up and then stagnated.

there are legitimate criticisms to be had about this season. as if we don't have a right to demand good quality from something we paid for.

and the worst part of it is that they set it up SO. WELL.

I ended Part 1 pacing my apartment, giddy and kicking my feet and rewatching the ending over and over. Part 2? None of that. And the reason people have been so negative about it is that IT SHOWS.

Yes, in part, some negativity is homophobia for Michaela, who I honest to god adore and am so happy to see on screen. Yes, in part, some negativity is for Polin from haters, a couple I love with all my heart.

But most of the negativity comes down to poor writing. Inconsistency. A lack of bravery for dropping a plot device (Lady Whistledown) that the show has held onto not for Penelope or for Polin, but for Bridgerton's story moving forward that writers do not feel confident portraying without a narrator so it might crutch them.

Stop licking a plate of crumbs and claiming it a meal. They had 2 years to deliver a fantastic season. They didn't do so. That is not at all on the actors, because they are FANTASTIC, it is on the writers, and on the production. Was it beautiful? Sure. Was it well acted? Absolutely. Was it good? Well edited? Well written? Meaningful? Fun?

No.

There are parts of it that are, but when you fumble an ending, it sours the entire experience. The reason people loved Part 1 so much was because of the ending of Episode 4, which was done beautifully. It felt satisfying. And then Part 2 felt like an entirely different beast. If you settle for mediocrity, that is all you will get. So yes, I demand better of this season. I demand that we get more than just one thirty second scene of Pen and Colin being intimate after their marriage. I demand more characterization and time devoted to the main couple instead of useless side plots. I demand better writing. I demand better EDITING. Cressida was done dirty, Colin was done dirty, Eloise was done dirty, Penelope was done dirty. And at the end of it, VIEWERS were done dirty.

There's a reason Part 1 had such glowing positivity and then Part 2 is garnering horribly mixed reactions. It's because one is better than the other. And if this show is CAPABLE of delivering content like Part 1, then yes, I will absolutely demand it of part 2. One day, Bridgerton will learn how to write a proper final episode, a proper closing to an arc.

That day was not in Season 3.

[constantfragmentation]

Arcane S2 Thoughts

I've had a week to digest this season and well, I guess I have the unpopular opinion of being very disappointed. After the initial flash of gorgeous animation and some ooo's and awe's.... I was left with a bitter aftertaste. I can rewatch S1 loads of time. I don't think I can watch S2 again.

I'm happy for the fans that loved it and got what they wanted or the shippers that got what they wanted. I'm happy for you. Do your thing.

Me? Not so much. Even as a Silco fan (and I admit to squeeing for any footage of him at first), I'm not pleased. Yeah, my young Silco is a nerd, man-bun hottie, but that's where it ended for me. His entire characterization was nothing like the character I fell head over heels for in S1.

Vander's Flashback: I honestly don't find Felicia's inclusion necessary at all. In fact, I think it waters down everything between Silco and Vander. Their knowing her and the kids creates more questions, plotholes, and problems than it supposedly solves.

Why is Vander only in those memories with the kids? It's before the fallout with Silco. Why don't the kids know or remember nice Silco? Why do they only fear him (obv that's from Vander and Benzo, yes?)?

Why doesn't Silco seem to know Powder at Vander's dead body? Why would he kill Felicia's kids? None of it makes any fucking sense if he cared about Felicia. He hates Vander so much, he hates the kids too because he adopted them?

How the hell does S2 Young Silco turn into S1 Silco? Riot really messed this one up. Vander's attempted murder didn't change his entire personality.

It was a rebellion battle. People were going to get hurt and killed. They had to know this. So, whether Silco accidentally killed Felicia (as some fans are debating) or she died, is so damn dumb for Vander to solely blame Silco. Takes the kids, becomes a pacifist FIRST and then decides to (shave and grow younger) kill his brother for the greater good. Doesn't make one lick of sense narratively.

The narrative, characterization and animation inconsistencies don't help from S1 either. The drowning scene doesn't fit the S2 explanation. They're too young. Vander had a beard and appears much older on the bridge. Hell, S2 Young!Silco looks older than S1 Young!Silco. Sloppy, sloppy, sloppy. If people want to kiss Riot's ass, fine, but there was too much that was straight up lazy writing.

Silco's death is just glossed over considering how important he is. Silco did what Vander couldn't. Even without Shimmer, the Underground was thriving. Cait's mother's death/burial/statue gets more screen time and Silco gets dumped in the river. No one seems to question his death or what happened? Yeah, ok.

I'll use this moment to complain about the excessive music video montages this season too. I watched S1 again and the writing and use of music worked in unison and enhanced scenes. S2 felt like scenes in between music videos and it was irritating.

There was so much screentime wasted that could have been good dialogue heavy scenes that S1 was great at. Instead, time wasted on poorly executed plotlines that needed way more time to flesh out (Mel, Ekko and Viktor) and we have slowmo music videos and MCU fight scenes. Hermie's guitar song and Mission Impossible jokster crap was laughable and not in a good way.

Riot tried to pack too much into one season, and it was a mess. This season felt like watching a Marvel movie. Cool action sequences with little to no substance. All the nuance and grit from last season were gone in favor of the 'good vs. bad' trope. All the political-societal issues in S1 were abandoned that were far more fascinating to explore.

Mel has superpowers now? It feels all out of place. Her, Ambessa, and the Black Rose plot have zero time to make it interesting and plausible. She was introduced as this master manipulator/politician and her sage persona feels so forced.

Jesus Demigod Viktor was too much. I was excited for the Machine Herald and the psychedelic Arcane magical multiverse took me out. Making him to be the big baddie and timeloop it around to Jayce felt like a big cop out. Viktor deserved better. Hell, Jayce deserved better.

So much was sacrificed to make the whole Arcane magic THE point of the series when it was one of the least interesting aspects of the show. Hextech for weapons and the continuing problems between Piltover and Zaun was RIPE for storytelling. It seems each act needed several episodes to cover.

Ekko sure as fuck deserved better than that half assed time warp with Hermie. The AU really bothered me. Everything felt wrong. EVERYTHING. Nothing was explained well at all. It felt like complete fan service at the expense of the characters. Before people rip me saying "well duh! It was an AU!". You don't assassinate characters and plot to have a happy ending that insults your viewers.

They turned Zaun (its own cool character) into the bargain basement of Piltover. How is it sunny and pretty? Really? Mirror tricks? Everyone just forgave Piltover after years of oppression?

You're telling me Vi's death saved humanity? Fuck that shit right now. Piltover just stopped because a kid died? Suddenly everything became better? What happened to Jayce? Viktor? Hell, Hermie after decades didn't give two shits about Zaun, so what changed with the Council? Where's Singed? I don't buy it.

I don't buy Jinx/Powder being super normal smart girl. I LOVE JInx, but I believe she had mental issues prior breaking into Jayce's apartment. I don't think Vi's death made that go away (as I don't believe Silco's death did either). As someone who battles with mental health, this is insulting to me as a viewer.

I hated AU Silco. There. I said it. He just forgave Vander? Really? Bullshit. The reason Vander tried to kill him is stupid. A simple letter changed Silco? That fluffy-haired softy is not Silco. I can't imagine that Silco being the one who fought a rebellion. He probably would not have become a mob boss peddling drugs but this AU softboi dad feels so wrong. I never would have stanned AU Silco. Not in a million years.

S1 Silco's traits didn't magically appear because Vander betrayed him. The young S1 Silco had to be similar in many ways to older S1 Silco. Drive, ambition, ruthlessness, willing to die for a cause. I don't see Felicia's death changing that. I certainly don't see Vi's death changing that.

If Vander needed to kill Silco to stop the violence, etc, it's because he saw Silco as a threat to him or society as a whole. S1 Vander is known as The Hound. So, he seems to be violent as well. He takes credit for building the Underground when Felicia credits both 'bozos' for it. So Vander being upset she died and blaming Silco to the point of murder is a slap in the face to fans' intelligence.

I do hate that by Vi's death, everything is magically better. I can't express how much I hate that. AU Powder was irritating and was nothing like my Jinx that I love. Again so much wasted time that could have been better spent on good character driven scenes that actually advance the plot.

Pointless characters. Introduce Isha (who I adored). Make her seem important to Jinx. Kill her and never mention her again. So what was the point of her inclusion this season? Just to make Jinx suicidal? I hated that also. Again WASTED SCREENTIME.

Oh, and Caitvi was a disgrace. I think shippers deserved better here, too. Caitlyn goes crazy dictator because of guilt over her mom. Granted, Caitvi only knew each other for a week-ish? Not a lot of time to make their relationship serious past an infatuation. Cait turns from all her good points last season to Ambessa's padawan.

Don't get me started on that side piece Maddie. Really? Cait you were that hard up? And that long awaited sex scene was a big eye roll. Vi goes to her sister, and shit goes to hell, and a few minutes later, she's fucking Cait in the same cell. Vi was reduced to shit this season.

I mean, these characters just got shafted in every way for a high speed train wreck ending that we've seen a million times in Disneyfied stories. Action sequences were more important than actual character development and plot.

You can't make me believe that one speech from Jayce 'seeing a possible future' suddenly got Zaun to work with and dress up as Piltover soldiers? Really?

I had high hopes for Sevika, and the girl got shit nothing to do except in two episodes. Her seat on the Council feels like a last-minute decision and not worthy enough to expand on.

What made S1 so great was the class divide between Zaun and Piltover and how it affected the characters. S2 decided to scrap that and go with the easy good vs evil trope instead. Even the parallels didn't have the same hit as last season.

I did like Jinx talking to her 'ghost' Silco in the jail cell. He was calming to her in contrast to Milo/Claggor except the implication that she should die (that's what I got out of that).

We didn't even get much from Singed. Yeah, he got his daughter back (in some form) but his story was so blah. We didn't get nearly enough of him and Warwick and what made Warwick.

I guessed a few years ago it was going to be Vander but I didn't like how it was handled.

Too many plotlines all rushed together without getting any decent screentime and explanations that don't confuse or insult viewers intelligence. OR you have to be a LOL fan/player to understand. I never played LOL before S1 and wasn't confused as to the main plot.

I loved all the characters in S1 and felt they were pretty much watered down or assassinated in S2 for an apocalyptical Demigod villain vs humanity battle done to death finale.

The Zaun/Piltover political-societal problems, parallels, corruption, science going wrong, pathway to hell paved with good intentions themes from S1 was so much better in every single aspect.

I'm still a fan of S1 and the characters and frankly, I'm going to ignore 95% of S2.

[mononijikayu]

love of my life — geto suguru.

When Geto Suguru walked through the door, you felt your breath catch. He looked both familiar and distant, the lines of weariness etched deeper than you remembered. For a moment, neither of you spoke, the weight of unspoken words hanging heavy in the air. He was still the man you loved and the man that broke your heart—he was everything to you and he was nothing all at once. And you wished, you wished you could decide what he was, truly.

Genre: Alternate Universe - No Curse (Modern Day)

Warning/s: Actors AU!, Romance, Actors in Love, Secret Romance Trope, Co-workers In Love, Friends to Lovers, Lovers to Exes, Angst, Fluff, Humor, Hurt/Comfort, Pining, Emotional Hurt, Break-Up, Happy Ending, Profanity, Mention of Sexual Contexts, Mention of Exes Getitng Back Together, Depiction of Break-Up, Depiction of Alcohol Consumption, Mentions of Alcohol, Geto Suguru as a Singer-Songwriting Actor, Reader is his Muse, HE IS IN LOVE YOUR HONOR;

masterlist

song: love of my life by queen.

note: i ended up rewatching the videos by cut and im still struck by the conversation between tony and sofya in truth or drink and got inspired. i hope that they find the happiness that they always deserved and know that the love they had at one point was something else. anyway, i hope you enjoy this and i hope you guys have a good one!!! i love you <3333

YOU WERE EXCITED FOR YOUR CHARACTER. You couldn’t help but feel excitement flood through you as you read through the words across the pages over and over. You could not stop reading. The writing was really well done for this part of the manga, and so when you heard that this part of the story was finally going to make it into the screen, you were ecstatic. 

You hummed as you tried to speak a line, one after another, in different tones and textures. Often, you would bring a pen with you and write off what you think about the scene and how you want to say it. But getting this from your manager just now, you wanted to immediately dive into it and so, you neglected the pen. You’ll make a mental note about it. 

The warm aroma of freshly brewed coffee filled the air as you settled into the languid table, your vibrant eyes skimming over the script. The coffee machine’s sound echoed for a moment. Your drink was done. You put down the script for a moment and walked over to your coffee machine.

You pour some on the mug waiting on the corner. Rushing over to the fridge, you take the carton of milk and pour a little bit of it on your cup. You didn’t put in that much milk. You wanted to be active as you read, the milk would make you sleepy. 

Script in hand and coffee secured, you make your way into the living room and carefully rested the mug on the coffee table. You plopped your body onto the couch once again and started to read once more. You were captivated by the story when it first came out in serialization.

But you never expected that it would grow big like this one day and even more so, play one of your favorite characters in the show. You were glad for the opportunity, when it first came around. The yes was immediate and one season and a movie — you were now here, for another season once again.

“Oh, so that scene with Suguru is happening, hm?” You gasp, your eyes scanning through the words. “Yo! Suguru, they’re not going to disappear, don’t hog them, oh my god.”

Your character was the only senior left in Tokyo Jujutsu High by that point and so, they guide them into the ropes of being sorcerers. In modern times, they’re very close, Satoru and your character. You were both left behind by Suguru's character.

But before that, there was Suguru and Suguru was in love with their senpai, but staved off for Satoru. But this scene, in Okinawa, was the moment Suguru couldn’t help it anymore and thought about making a move. You flipped another page.

“Oh baby, you’re gonna be so sad when he leaves.” You muttered under your breath, continuing to read. “Don’t start something you can’t continue!”

“Don’t start something I can’t continue?” You heard the voice echo through the apartment. Your head snaps to the direction of the door and you smile, seeing his purple eyes gleam against yours. “What do you have on hand, darling?”

“Script’s arrived!” You say, waving your own in the air. You pointed to the side. “Your manager left yours here too.”

Geto Suguru blinked, looking at where you were pointing out. “Wow, I didn’t think that it would get here this early.”

“Right?” You say as you look at the scripts again. “They really crunched the writing time this time. And it’s so good!”

“Well, they finally got the approval from Akutami–sensei fast this time.”

“I suppose they probably did.” 

He hums as he walks over to you and sits down by you. He turns to you and places a small kiss on your lips. ”Hey, love.”

“Hey, Sugu.” You whisper back. “You’re home late.”

"Sorry I'm late. The recording ran longer than expected."

You smiled up at him, feeling the familiar warmth that always accompanied his presence. "It's okay. How did it go?"

He slid into the seat opposite me, his purple eyes sparkling with excitement. "It went great. I think you're going to love the new song. It's… special."

"You always say that, Sugu." You teased, though you knew this one would be extraordinary, just like all the others.

“Well, it's because you’re the only person I write about.” He grins at you sheepishly. “And I am in love with you.”

“Hm…that’s true.” You giggle.

“Anything interesting in the script?”

“Oh, darling, you have no idea! Let me catch you up!”

The two of you spent the next hour discussing the show, your upcoming scenes, and the plans for your future projects. He told you about the upcoming releases he has for his music, if he was planning to go touring again.

It was moments like these, away from the glitz and glamor, that you think you cherished the most. You were both natural, you were just whole — together. Here, we were just two people in love, supporting each other through the highs and lows of your demanding careers.

Once you finished the other script you were going to receive in the upcoming week for a movie you were going to star in, Suguru sighed and looked at you for a moment. He often does that, trying to memorize the wonder in your face, over and over again.

He’s often away from you because of work too. And so he takes it all in. He burns the memory of you so deeply into him that it's all he remembers for weeks and months until you both meet again.

Suguru took my hand, giving it a gentle squeeze. "You know, I was thinking about our next awards show. I have a feeling you might be giving another speech soon."

You laughed, shaking my head. "And you know I'll be paying homage to you, as always."

He grinned, his eyes crinkling at the corners. "And I'll be in the front row, cheering you on, as always."

Geto Suguru is your lover. But he’s also your co–worker on multiple projects, including Jujutsu Kaisen. The beloved charismatic actor with a voice that could melt hearts, had captured your attention from the moment you first met on set. His passion for acting was matched only by his love for music. He was such an addition to the casting list, because he’d been popular since he was a teenager and he only kept getting popular with time. 

Everything about Suguru was electric. From the moment you met him, he exuded a kind of wonder that drew you in effortlessly. As your senpai in the industry, he was a bit older and infinitely wiser, but unlike others you had encountered, he didn't just guide you—he cared for you deeply, nurturing your talents and helping you grow.

He was always there with a kind word and enthusiastic encouragement, urging you to accept scripts that came your way and guiding you on how to navigate the complexities of the industry. His wisdom extended beyond acting techniques; he knew how to choose stories that would resonate with you, stories that would challenge and inspire.

"Remember, it's not just about the lines you deliver," he once said over coffee, his eyes sparkling with sincerity. "It's about the stories you choose to tell. Each role you take on is a part of your journey as an artist."

He taught you the intricacies of set dynamics, the unspoken rules of professionalism, and the importance of forging genuine connections in a competitive world. Suguru didn't just impart knowledge; he shared his passion for storytelling and his belief in your potential.

You were grateful for his presence in your life, not just as a mentor but as a friend who believed in you when doubt crept in. His kindness and enthusiasm were infectious, and every interaction with him left you feeling inspired and capable of reaching new heights.

As you reflected on your journey together, you couldn't help but smile at the thought of how far you had come under his guidance. Suguru was more than a mentor; he was a guiding light in an industry that could sometimes feel overwhelming. And for that, you were endlessly thankful.

The kindness and care Suguru showed extended far beyond the flicker of the camera lens. Alongside Satoru, the three of you often found yourselves on spontaneous trips together. When Utahime and Shoko weren't caught up in their own burgeoning careers, they joined in too. These moments outside of work allowed your bond with Suguru to deepen naturally over time.

As you explored new places together, shared meals, and exchanged stories under starlit skies, a subtle shift occurred. What began as admiration for his talent and guidance blossomed into something more profound. Suguru's laughter became the soundtrack to your happiest memories, his understanding gaze a sanctuary in moments of uncertainty.

One night, sitting by a crackling campfire under a blanket of stars, Suguru reached for your hand. The warmth of his touch spoke volumes, words unspoken yet understood between you. 

"I never expected this, you know." he murmured, his voice soft with wonder.

You smiled, squeezing his hand gently. "Me neither." you confessed, feeling the weight of truth and possibility melt into one in the air.

As days turned into weeks and months, the realization grew stronger: you had fallen in love with Suguru. His kindness, wisdom, and unwavering support had woven their way into your heart, creating a tapestry of feelings that surpassed friendship and mentorship.

One evening, as the sun dipped below the horizon painting the sky in hues of gold and crimson, you found yourselves alone by a tranquil lake. The serenity of the moment mirrored the quiet certainty in your hearts.

"I love you, doll." Suguru finally whispered, his eyes holding yours with a depth that took your breath away.

Tears glistened in your eyes as you replied, "I love you too, Suguru." the words a promise of shared dreams and endless possibilities.

In that serene moment, under the canopy of stars and the gentle rustle of leaves, romance bloomed between you—born from shared adventures, mutual respect, and a love that had quietly taken root and blossomed into something beautiful.

After those tranquil moments by the lake, Suguru and you returned to your bustling lives, carrying the newfound certainty of your love like a secret little treasure—one that only you could find. And you were happy with that. You wanted to make the privacy continue and so did he. The world has no claim to your love, until you both were comfortable about sharing it to the world.

In the whirlwind of your demanding careers, where every moment seemed accounted for and every move scrutinized, you discovered a sanctuary in stolen moments together. Your love thrived in the secrecy of stolen kisses exchanged on secluded corners of film sets, where the world couldn't intrude. 

Backstage at glittering award shows, amidst the clamor and flashbulbs, your fingers intertwined, a silent declaration of affection amid the spectacle. Despite the challenges that you both faced, from conflicting schedules to the relentless glare of media attention, you both carved out your own private oasis, where your connection deepened, nurtured by these precious, stolen moments.

It was during one of these stolen moments, when the whole Jujutsu Kaisen cast went on a spontaneous ski trip to the mountain, that the world caught a glimpse of our budding romance.

Paparazzi cameras flashed as we laughed and skied down powdery slopes, oblivious to the lenses capturing your every move. One kiss was all it took, and it was because you were desperate, you missed him too much and he obliged you, not caring who sees you both.

The photos splashed across tabloids and social media, sparking speculation and curiosity among fans and industry insiders alike. Your management started trying to do damage control at this time, as you both were not yet ready to say anything.

For days, the two of you navigated the newfound attention with a mix of amusement and caution, unsure of how to address the public's piqued interest in your personal lives.

But amidst the frenzy, there was a quiet certainty between us. One evening, as you and Suguru sat together in his cozy cabin retreat in the countryside. It was one of the places you loved being with him. Both of you were comfortable here, and no one was harassing you both. It was a change of pace from the city and for that you were glad. You knew your lover was in distress watching you have to be followed by cameras. 

It would have been fine if it was just him, but it was hard to see you struggle with that unwanted attention. But here, at the very least, he could be reassured that no one was going to be chasing after you both to catch a scoop for the newspaper tabloids tomorrow. You were in peace, watching the stars, surrounded by flickering firelight and the hush of falling snow outside, we knew it was time.

"I think we should tell them," Suguru said softly, his gaze steady and reassuring.

You nodded, taking a deep breath. "Yeah, I think so too. It's just... it feels like the right time, doesn't it?"

Suguru's smile was tender. "It does. We've been keeping this between us for so long. It's about time we let them know."

There was a mix of relief and nervous anticipation in your chest. The decision to share your relationship with others meant opening yourselves to scrutiny, but also embracing a newfound freedom in being open about your love.

"I'm glad you feel that way," you admitted, squeezing Suguru's hand gently. "I've been thinking about how we'd do it, though. Should we just... announce it? Or maybe ease into it somehow?"

Suguru considered for a moment, his expression thoughtful. "I think a quiet announcement, something personal. Maybe a statement or a post, just letting people in a bit. Nothing flashy, just sincere."

You smiled, feeling reassured by his calm demeanor. "That sounds perfect."

Together, both of you crafted a heartfelt message to the world via Instagram. You posted pictures of you both through the years, showing the little glimpses of the two of you, from colleagues to friends, and finally to lovers. You wrote about your deep respect and admiration you had for each other, of the shared moments that had brought you closer, and the joy you found in each other’s presence. 

When the announcement went live on your social media accounts, the response was overwhelming. Messages of love and support poured in from fans, friends, and colleagues alike. The world celebrated your love story, touched by the sincerity and authenticity of your words. And people were hooked about your romance. Somehow, the world saw an it couple. People gushed over everything about you.

Over the years, Geto Suguru had poured his heart into composing songs that were not just music, but reflections of your relationship. Each song was a tapestry woven with threads of joy, resilience, and quiet understanding. No one would understand each song better than you. Each lyric was a brushstroke capturing the nuances that only belonged to the two of you.

In the private moments between tours and film sets, Suguru would often retreat with his guitar, letting melodies weave themselves around the emotions that sparked everything that made him think of you.

He found inspiration in the simplest gestures—a shared smile across a crowded room, the touch of hands entwined in a moment of quiet intimacy, or the unspoken reassurance in a glance exchanged amid hectic schedules.

His songs became a soundtrack to your lives, resonating with authenticity that transcended mere performance. Through his music, Suguru painted vivid portraits of shared laughter under starlit skies, whispered promises exchanged in moments stolen away from the world, and the profound sense of belonging that anchored us amidst the whirlwind of fame and public scrutiny.

As his compositions evolved, so did your relationship, and each new song became a chapter in a long and happy road that you both dwelled on. The world watched with fascination as your on-screen chemistry seamlessly transitioned into real-life devotion, and fans marveled at the palpable love that radiated between the both of you on and off the screen.

In the spotlight of a concert hall filled with eager listeners, Suguru stood before a sea of faces, his guitar a conduit for emotions that flowed freely from heart to fingertips. With each strum and every lyric sung with unwavering passion, he not only shared your story but invited the audience into the intimate spaces where your love blossomed and flourished.

And as he dedicated a song to someone special, his eyes met yours in the front row, a silent acknowledgment of the journey they had embarked on together—a journey immortalized in melodies that would linger in the hearts of all who bore witness to this love story.

The audience hushed as Suguru walked over to the microphone and spoke into the microphone, his voice carrying a soft warmth that filled the room. You could feel your heart pounding as he tried to find you. When your eyes met, it was electric.

"Tonight, I want to dedicate a song to someone very special." His eyes met yours in the front row, where you sat, heart skipping a beat at the intensity of his gaze. “Love of my life, up on that balcony! Doll, I love you. I hope you know that all this would never exist without you.”

As the first chords of the guitar filled the air, memories flooded back—late-night conversations, stolen kisses, moments of quiet intimacy that had woven themselves into the fabric of our lives. The world had watched in awe as our on-screen chemistry translated seamlessly into real life, and our fans often remarked on the palpable love we had for each other.

Suguru's voice resonated with emotion as he sang, each word a love letter whispered to your heart.  The world was singing songs to the words, the poems he wrote to you and only you. And you couldn’t feel any happier. Any more content, to be this loved. To be the only person that he truly deeply loves.

The lyrics painted a portrait of our journey, from tentative beginnings to a love that had weathered storms and emerged stronger. In that moment, surrounded by the melody and the warmth of Suguru's presence, you knew that this was more than a concert—it was a declaration, a celebration of a love that had transcended the screen and found its place in the hearts of everyone present.

As the final notes faded into the air, applause erupted, but all you could hear was the beating of your heart, synchronized with Suguru's, united in the melody of a love song that would resonate long after the last encore. The crowd clapped and cheered. You felt your eyes water with nothing but tears of joy.

He looked at you with that loving grin that was only for you.

The one that would stick with you for the rest of your life.

A month later, you both were in the clasp of your break up.

YOU DON’T KNOW HOW IT ALL FELL FAST. Work had always been demanding, but recently, it seemed to swallow up every spare moment. Your schedules became a maze of conflicting obligations, leaving little room for the moments of connection that once defined your relationship. As days turned into weeks without seeing each other, and unanswered messages piled up, the distance between you grew palpable.

One evening, after another missed opportunity to meet, you couldn't contain your concerns any longer. Sitting across from Suguru in a dimly lit corner of a bar, you voiced your worries, the words tinged with frustration and worry. "I feel like we're drifting apart. We hardly see each other anymore, and I miss you, Suguru.”

Suguru's response was unexpectedly calm, his demeanor unwavering. "We're fine, babe." he assured you, his voice steady but distant. “You know that.”

Frustration flared within you, fueled by the sting of his apparent indifference. "Fine?" you retorted, the words tinged with frustration and hurt. "How can you say that? We haven't even talked properly in weeks. I don't feel like my needs are being met, Suguru."

The bitterness of unspoken grievances bubbled to the surface, amplified by the haze of alcohol and the weight of unaddressed concerns. Pushing further, you demanded clarity. "When can we talk about this? When will you make time for us?"

Suguru's response was curt, his own patience wearing thin. "Not now, okay? I have too much on my plate."

The tension hung heavy in the air, charged with unresolved emotions and the sharp edges of unmet expectations. You leaned forward, voice tinged with desperation and a tinge of anger. "How long are we going to keep putting this off, Suguru? I need to know where we stand."

Suguru's expression tightened, a flicker of frustration crossing his features. "I said not now, alright? Can't you see I'm dealing with a lot right now?"

The words cut deeper than intended, slicing through the fragile thread of patience that held you both together. "I get that you're busy," you shot back, the bitterness in your voice betraying the hurt beneath. "But what about us? Are we just going to keep pretending everything's okay until it's too late?"

His silence spoke volumes, a testament to the growing distance between you. The crowded bar seemed to fade into the background as the weight of your words settled between you like an unbridgeable chasm. In that moment, the stark reality of your situation crystallized—you were drifting apart, caught in the undertow of careers that had once bound you together but now threatened to tear you apart.

The ache of longing mingled with frustration as you searched his eyes for a glimmer of reassurance, a sign that he still cared enough to fight for what you once had. But all you found was a weary resignation, a reflection of his own internal battles and the relentless demands of fame.

"We can't keep avoiding this," you finally whispered, the admission heavy with resignation. "I need more than just promises, Suguru. I need you."

Suguru's jaw tightened visibly, his normally composed demeanor cracking under the strain of your words. "What do you want from me, huh?" His voice, usually calm and steady, now carried a sharp edge of frustration. "I'm doing the best I can here. I have responsibilities, deadlines—"

"Responsibilities? Deadlines?" You couldn't hold back the bitterness that laced your retort. "What about us? Where do we fit into your grand plans, Suguru?"

The bar seemed to shrink around you, the noise of other patrons fading into a distant hum as your argument escalated. Anger surged through you, fueled by months of feeling sidelined and ignored. "I'm tired of waiting for you to have time for us. We used to make time, remember?"

His silence was damning, a stark confirmation of the growing divide between you. "You're being unreasonable," Suguru shot back, his voice rising slightly. "You know how important my work is."

"And what about how important we are?" The words slipped out like a dagger, cutting through the last vestiges of restraint. "I feel like I'm competing with your career for your attention, and I'm losing."

A wave of regret washed over Suguru's features, but his reply was defensive. "I can't just drop everything whenever you want me to, doll." he said, voice tinged with frustration. “It’s not that easy!”

"Then when, Suguru? When will you make time for us?" The plea in your voice was raw, exposed in the harsh light of reality. "Or are we just going to keep drifting further apart until there's nothing left?"

The accusation hung heavy in the air, a painful admission of the cracks that had formed in your once-solid foundation. In the charged silence that followed, neither of you seemed to have an answer, each grappling with the weight of unspoken truths and the daunting prospect of what lay ahead for a relationship once filled with promise, now teetering on the brink of irreparable damage.

Suguru's jaw tightened further, his gaze flickering with a mix of anger and hurt. "I don't know, okay?" His voice wavered, betraying the turmoil within. "I'm trying to balance everything, but it's not easy. Can't you see that?"

Frustration gnawed at your resolve, tears threatening to spill over as the ache of longing collided with the sting of his words. "I just need to know that we are still a priority to you." you whispered, voice cracking with emotion.

"I'm sorry. Suguru replied, his tone softer now, tinged with remorse. "I didn't mean for it to be like this. I thought... I thought we could make it work. We always have—”

The weight of his admission hung heavy in the air, a fragile bridge over the chasm that had widened between you. "So did I," you admitted, voice barely above a whisper. "But we can't keep going on like this, Suguru. Something has to change. We can’t continue like we always have and I just…”

For a moment, there was a flicker of understanding in his eyes, an acknowledgment of the pain and uncertainty. "Maybe... maybe we need some time," Suguru suggested tentatively, his voice tinged with resignation. "To figure things out. Cool down.”

The words landed heavily, their implications sinking in like stones cast into still waters.

Time—perhaps the only currency left to salvage what remained of your fractured relationship. In the dimly lit bar, amidst the ebb and flow of conversations that now seemed distant and inconsequential, you both grappled with the reality of what lay ahead. It was a crossroads of roads not taken.

Your heart sank as Suguru's words hung in the air, a stark reminder of the reality you both faced. Time—a desperate plea for a lifeline amidst the storm threatening to tear you apart. But beneath his suggestion lingered the unspoken truth, a truth you could no longer deny.

"I think... maybe we need more than just time, Suguru." you replied softly, each word heavy with the weight of impending sorrow.

Suguru's brow furrowed, confusion etched across his features as he searched your eyes for clarity. "What do you mean?"

"I mean..." Your voice caught, emotions threatening to overwhelm you. "I think we need to break up, Suguru."

The words hung between you, heavy and final. The air seemed to still, the ambient sounds of the bar fading into a distant echo as the gravity of your declaration settled over both of you. Suguru's expression shifted from confusion to disbelief, then to a desperate plea as he reached out, his hand trembling slightly.

"No." he whispered, his voice cracking with a mixture of anguish and denial. "Please, don't do this. We can work through this, I know we can."

Tears spilled freely down your cheeks as you shook your head, unable to meet his pleading gaze. "I don't think we can." you managed, voice breaking with the weight of your decision. "I can't keep feeling like I'm second to everything else in your life. I need more than what we have now."

Suguru's hand dropped to his side, his shoulders slumping in defeat. "But I love you, doll." he pleaded softly, voice thick with emotion. "I love you more than anything."

The pain in his voice mirrored your own, one that understands the gravity of this situation. But love alone couldn't bridge the gap that had grown between you, nor could it erase the wounds inflicted by neglect and unfulfilled promises. You can’t keep climbing on seesaws and expect no one will fall. Someone has to get down before someone hurts someone worse.

"I know." you whispered hoarsely, your heart breaking with every syllable. "But love isn't enough anymore."

With those final words, you turned away, unable to bear the weight of his gaze any longer. Each step felt like a farewell to a chapter of your life that had once held so much promise, now shrouded in the ache of what could have been.

“Goodbye, Suguru.” You whisper to him.

As he watched you leave,  Geto Suguru remained rooted to the spot, a solitary figure amidst the bustling bar, grappling with the sudden emptiness that enveloped him. As you disappeared into the night, the echoes of your decision lingered, leaving behind a void that neither time nor distance could easily fill. 

Like he was then, he was alone again. 

There were no more love songs to write.

After all, he doesn’t have a muse anymore.

IT WAS A HARD THING, POST BREAK UP. After months of deliberate distance, you had meticulously carved out a life without Geto Suguru—deleting social media, blocking his number, and meticulously avoiding any reminders of the past. It wasn't about erasing him; it was about finding clarity amidst the pain.

Yet, despite the space you sought, thoughts of him lingered, an unwelcome but constant presence in your thoughts. You hadn't wanted to discard everything you had shared—your friendship, the laughter, the late-night conversation. But the ache of heartache had necessitated the separation. And that separation, it was what you can’t do away with. Pain was always necessary to living. You can’t always be happy about things all the time.

Then came the unexpected twist: the news that you and Suguru were paired for the upcoming promotions of Jujutsu Kaisen Season 2. Your manager pitched an idea that made your heart sink and pulse race simultaneously—an appearance on a popular show where you both would participate in a "Truth or Drink" segment.

The proposition was daunting. The prospect of facing Suguru after all this time, under the scrutiny of cameras and questions designed to peel back layers you had painstakingly protected, left you torn. Part of you longed for closure, a chance to mend what had fractured. Another part feared reopening wounds that had barely begun to heal.

Deep down, you knew one thing: despite the pain, you still cared. You wanted to salvage what remained—a friendship built on shared dreams and mutual respect. The thought of facing him again, navigating the uncertain terrain of unspoken apologies and lingering affection, stirred a tumult of emotions.

As you mulled over the proposal, uncertainty clouded your judgment. Could this show be a bridge to reconciliation, a chance to mend fences and rediscover the camaraderie that had once defined your bond? Or would it unravel the fragile peace you had painstakingly cultivated in his absence?

With a sigh, you realized that regardless of the risks, the opportunity to reconnect, to confront the unresolved emotions that had tethered you to Suguru, was one you couldn't dismiss lightly. Whatever lay ahead, it was time to face the truth, whether through words spoken or drinks shared, in hopes of finding a way forward, together or apart.

You stared at the email on your screen, heart pounding with a mix of apprehension and curiosity. Your manager had just sent the proposal to Suguru's team, and surprisingly, he had accepted. A wave of emotions crashed over you—relief, nervousness, and a flicker of hope.

Days passed before the meeting was set in a quiet cafe near your house, chosen for its familiarity and the privacy it offered amidst the city's bustle. You after all preferred to live in a more down low neighborhood than most celebrities. You arrived early, hands trembling slightly as you waited, nerves building with each passing minute.

When Geto Suguru walked through the door, you felt your breath catch. He looked both familiar and distant, the lines of weariness etched deeper than you remembered. For a moment, neither of you spoke, the weight of unspoken words hanging heavy in the air.

He was still the man you loved and the man that broke your heart—he was everything to you and he was nothing all at once. And you wished, you wished you could decide what he was, truly.

Finally, Suguru broke the silence, his voice tentative yet determined. "Hey, doll." he murmured, sliding into the seat opposite you.

"Hi.” you replied softly, managing a small smile that didn't quite reach your eyes. Your nickname makes you feel weird all the sudden, after not hearing it for so long. “It’s nice to see you.”

He nodded back at you. The silence stretched between you, pregnant with unspoken apologies and lingering questions. Finally, Suguru cleared his throat, gaze searching yours with a mix of regret and longing. "I... I didn't expect us to meet like this, truly." he admitted, voice tinged with sincerity.

"Neither did I." you confessed, fingers tracing patterns on the tabletop. "But here we are."

Suguru nodded, a flicker of uncertainty crossing his features. "About that Youtube show... I didn't think you'd agree to it."

You exhaled slowly, the weight of your decision settling over you. "I... I think it could be good for us." you admitted, meeting his gaze with a mixture of vulnerability and determination. "To talk. To clear the air. There’s….a lot of misinformation.”

"I want that too," Suguru said quietly, his gaze meeting yours with a glimmer of hope tempered by caution. "To clear your name from all those nasty rumors, once and for all."

You couldn't help but feel a mix of surprise and gratitude at his words. The weight of the accusations that had circulated, tarnishing your reputation and testing your resilience, had been a burden you bore alone. To hear that one day, Suguru made the decision to take legal action against those responsible stirred a wave of emotions within you.

"I didn't think you'd sue those people." you admitted, your voice soft with both relief and lingering disbelief. The thought of confronting the falsehoods head-on had initially seemed daunting, even isolating, but knowing Suguru stood by you brought a renewed sense of strength.

Suguru reached across the table, his hand finding yours in a gesture that spoke volumes. "I couldn't stand by and watch you suffer, doll." he murmured, his gaze intense yet reassuring. "You deserve to be heard, to set the record straight."

His words resonated deep within you, a validation of your struggle and a beacon of support in the face of adversity. For the first time in months, you allowed yourself to believe that perhaps, together, you could navigate the storm that had threatened to tear you apart.

 "I've missed... talking to you." He admitted to you.

The admission hung between you, a fragile bridge over the chasm of hurt and regret that had kept you apart. For a moment, you both sat in companionable silence, the warmth of shared memories mingling with the uncertainty of what lay ahead.

"I've missed it too." you finally admitted, voice barely above a whisper. “More than you know.”

Silence engulfed you both for a moment, the weight of unspoken words and unresolved emotions lingering between you like a palpable presence. Suguru's question hung in the air, a tentative bridge over the divide that had grown between you.

"How have you been?" he asked softly, his voice carrying a mix of curiosity and genuine concern.

You took a deep breath, the question unraveling a floodgate of thoughts and feelings you had guarded so carefully. "It's been... challenging." you admitted finally, your gaze drifting to the tabletop as you searched for the right words. "Lonely, at times. But I've been trying to focus on moving forward."

Suguru nodded slowly, his expression reflecting a blend of understanding and regret. "I'm sorry, doll." he murmured, his voice tinged with remorse. "For everything."

The sincerity in his words touched a chord within you, a reminder of the bond you had once shared and the wounds that had driven you apart. "I know, Suguru." you replied softly, meeting his gaze with tenderness. "I've missed talking to you."

A flicker of relief crossed Suguru's features, his shoulders relaxing marginally. "I've missed it too." he admitted, his voice barely above a whisper. "It’s hard….not being able to talk to you.”

The admission hung between you, a fragile thread connecting past regrets to uncertain futures. In that moment, the bustling cafe seemed to fade away, leaving only the echo of shared memories and the tentative hope of reconciliation.

"I don't know where we go from here, after we do the show." you confessed, your voice tinged with uncertainty.

Suguru reached across the table once more, his hand finding yours with a gentle squeeze. "Maybe we start with honesty," he suggested quietly, his gaze unwavering. "And take it one step at a time."

You didn’t know what else to say to him.

But you think that you both long for the same things in life.

You wanted to stay in each other’s lives for as long as possible.

SO CAME THAT DAY. When you arrived in the studio, you didn’t know what you were going to do. But the more you think about him being there, being with you to hold your hand to talk you through it, the more you think that you might get somewhere.

You and Suguru sat across from each other, the sounds of music floating softly in the background. The line up of alcoholic beverages on the table along with shot glasses and a cup of soda for a chaser. The tension in the air was palpable, each of you unsure of what this conversation might reveal. 

Emotions churned beneath the surface, like a storm gathering strength, and the truths that might come out held the potential to either break or shatter what remained between you. Suguru and you wanted to be honest, to address things properly, but also to keep some boundaries intact. But then again, how could you, when it came to him? He was the love of your life. And you knew you were his. 

As you sat down, you smiled at him, a gesture that felt both familiar and foreign. He smiled back, as tenderly as he could, just as he always had. For a moment, you were transported back to a time when things were simpler, when the man sitting across from you was the one you fell in love with. His eyes held the same warmth, the same quiet intensity that had once captivated you.

"You know….I really don’t know what’s going to come out of this conversation between us." Suguru said, his voice trembling slightly. But he smiles, as though trying to comfort you too. “This is a new sort of conversation to have in front of the camera.”

You glanced at him, your own hands shaking. You laugh shakily. "Don’t worry. I feel that too. I don’t think that this is gonna be any easy for us.  I'm afraid it's going to be like..." You railed off, unable to finish the thought. “You know what, let that thought disappear.”

"Do you want to go... Yeah," he chuckled nervously. “Let it disappear with a drink.”

“Pour it down, Sugu!”

You watched Suguru take a deep breath, his hands steady as he poured the clear liquid into the small shot glasses lined up between you. The familiar scent of vodka filled the air, a sharp contrast to the subdued atmosphere that had settled over the table.

"You really went with vodka first?" you quipped lightly, a hint of amusement coloring your tone despite the nerves that fluttered in your stomach.

Suguru chuckled softly, the sound familiar and comforting. "It's the closest to grab!" he replied with a half-smile, his eyes meeting yours briefly before returning his attention to the task at hand.

A moment later, you both raised the glasses to your lips, the cool liquid burning slightly as it slid down your throat. The familiar warmth spread through you, a mixture of nerves and determination mingling in the shared ritual. As you set the empty glasses back on the table, a sense of tenderness settled between you. Liquid courage settled tremendously well.

"Here goes nothing, Sugu." you murmured, meeting Suguru's gaze with a mixture of apprehension and resolve.

"Nothing we can't handle, doll." he replied softly, his voice carrying a reassurance that eased the lingering doubts. 

You shake your head at him, as he smiles as you introduce yourself. "And I play his situationship in Jujutsu Kaisen." you said, breaking the ice. He laughs.

"And I'm Geto Suguru." he replied, smiling faintly. “I also play their situationship in Jujutsu Kaisen.”

"We used to date each other.” you continued, looking at him.

"Is dating the right word?" he asked, a hint of uncertainty in his voice.

"Yeah, I think it could be the right one." you nodded. "I mean, people who date also live together!" 

"For many happy years, I may add." he added, and you both laughed at the shared memory. “Those were the days.”

"I guess that's how we know each other. Then, we broke up a few months ago." You said, the laughter fading into a more somber mood. 

“That really killed the mood so fast in the studio!” Suguru laughs. “We are so sorry about that.”

“I feel like I need a penalty shot for that.” You laughed with him.

“Should I pour some whiskey for that?”

“Yeah, why not?” You say as you watched him pour the whiskey

"Okay," Suguru said, raising his glass. "Cheers."

“Cheers.” You clink your glass with his and you start drinking. 

It was your turn to pick up a flashcard, your fingers trembling slightly as you lifted it from the pile. Across the table, Suguru had already started sipping his chaser, a nervous habit that betrayed the gravity of the game you were about to play.

"Am I a better lover than who you're currently with?" you asked, your voice steady despite the sudden seriousness that settled over the conversation.

Suguru paused mid-sip, his expression shifting from casual to contemplative. "I'm not currently going out with anyone, that's for sure." he admitted quietly, setting down his glass. His gaze met yours, earnest and vulnerable. "And because of that, yes. You are a better lover. Probably always will be my best lover."

The honesty in his words took you aback, a mix of validation and melancholy washing over you. To hear Suguru acknowledge the depth of your connection, even amidst the uncertainties that had driven you apart, stirred a tumult of emotions within.

"I..." You faltered, unsure how to respond to such candid admission. The weight of his words hung between you, echoing the intensity that had defined your relationship. “That was not the answer I was expecting from you. I thought you were already dating.”

“I doubt that I could get over you very quickly.” Suguru sighs.

"Do you think they feel the same way?" a female staff voice interjected.

“Do you?” Suguru turned to look at you.

“Yeah.” You responded to him a moment later. “I’m also not seeing anyone, so…. I doubt that I could think anything of it.”

“If you were dating someone, would you feel like that too?” The staff once more interjected with a question.

You hummed. “I think…..probably. Suguru and I dated for a long time. And I was loved in ways that people can never even fathom. Only he has been able to do that.”

Suguru looked at you for a moment, as though he saw the universe in your eyes. He felt the heat pierce his cheek. “I think I need to get a drink on that.”

“Go for it.” You say, blushing just as equally bad. “I’ll drink with you.”

You both drink together, your eyes lowering at the intensity of his gaze. “You stare at me too much.”

"Can’t help it,” Suguru whispered, his voice a soft admission of vulnerability and lingering affection.

His eyes met yours briefly, a flicker of warmth passing between you before he glanced down at the flashcards scattered between you on the table. Each card held a potential truth, a shard of their past waiting to be explored.

“I guess it’s my turn,” he murmured, his fingers lingering over the cards as he chose one with a thoughtful deliberation.

As Suguru flipped over the card, you held your breath, uncertain of what awaited. The air in the cafe seemed charged with anticipation, the ambient sounds fading into a distant hum as he prepared to reveal the next piece of their shared story.

With a steadying breath, Suguru read aloud, his voice steady yet tinged with emotion. “Do you regret how things ended between us?”

“I do.” You responded to him, confidently. “I feel like I was an adult and I should have been able to be an adult in that situation with you. But instead, I acted like a child when I should have settled down too.”

“No, but I feel like I hold the most at fault for that.” Suguru says as he leaned forward, straightening his posture. “There was really no reason for me, even if I was stressed and exhausted, for me to have reacted to you that way.”

“You were exhausted that time too.” You smiled at him softly. “I don’t think I could hold it against you.”

“Just like I don’t hold it against you that you were exhausted waiting for me and trying for me to figure things out.” Suguru replied back. “You don’t deserve that and I’m glad you stood your ground and put yourself first when you needed to.”

“I was waiting for something like that from you.” You retorted back to him, your smile turning emotional. “I’m glad that you gave it to me.”

“I’m sorry it took me so long to say it.” His face softens, the hurt in his eyes palpable. 

You shook your head. “It’s alright, we’re alright.”

“It’s your turn.”

"Did you ever cheat on me, and if you did, what was the reason?” You read the card, looking at him. “Did you ever do it?”

"I've had some pretty solid opportunities, doll." he admitted to you. “But I never thought about it.”

"Is that a no?" You pressed.

"It’s a no.” He tells you, and you could see it in his eyes, he was honest. “I had you, doll. I don’t think I needed to have anyone else.”

You laughed. “Yeah, I guess you’re telling the truth.”

“How about you? Did you ever cheat on me?" Suguru asked, turning the question back on you.

"No. The fuck?" You replied, offended. He laughs. “I would never.”

“I really don’t think we had the energy to do something like that.”

You nodded, looking at the camera. “Our managers are behind the camera. When we tell you that our schedules were so packed….there wasn’t even room to pee!”

“I say that every time we have to do a reshoot because Satoru made a funny face.” Suguru added. “Gojo–kesa isn’t easy to remove everyone. Especially when you need to pee!”

“I think we got too far ahead of ourselves here.” You retorted as you drank your chaser. “That got me thirsty.”

“To everyone, we did not in fact cheat on each other.” Suguru makes an ‘x’ sign with his arms. “We broke up normally, like some couples do.”

"Let's keep going," You said with a laugh, trying to steer the conversation back to safer ground. 

"How long did it take you to get over us, and what did you do to help yourself get over it?" Suguru asked.

"I think I'm gonna take a drink." I said, dodging the question with a laugh. 

“It’s only been a few months, so I don’t think that’s an easy thing to answer.” He laughs with you.

“Yeah, you’re right about that one.” 

He winks at you. “I always am, doll.”

“My turn.” You say, picking up a card. "Do you think I'll be a great spouse?"

"Definitely." he said without hesitation, looking at you tenderly. "I wanted you to be mine, you know?"

"I know." You whispered, tears threatening to fall.

“Hey don’t cry now.”

“It’s the alcohol, don’t worry.”

"What was your least favorite thing I did to you in bed?" he asked.

"Well, my least favorite thing that you did to me in bed," You began, trying to keep my voice steady, "I think it's to not make love with me. You once slept on me before we could start something.”

"I can see that being your least favorite thing." Suguru snickered. 

You pointed to the camera. “Lesson 101 folks, tell your partner beforehand!”

"When did you know it was over?" He asked, taking his turn. 

"When your work and your friends become bigger than me." You said honestly. “I really didn’t know where we were and you kept telling me that it was fine and your friends told me it was fine. I think I was not understanding my place with you at the time.”

"Hmm. I didn't feel like all that became a priority. I think I was having a hard time trying to understand how to slow down from the work that was my life." He explained to you, as you nodded. "You know? And that was my fault. I feel like that community I had understood that and didn’t question it.”

“But that needed to be questioned.”

“Yeah, because it affected what we had. And that wasn’t fair to you.”

You nodded in surrender. “Yeah, that was it.”

"I'm sorry for all of it, doll." He whispered back to you. “That it hurt you.”

“It’s all in the past.” You whispered to him. 

"If you could erase every thought of me, would you?" you asked, your voice breaking.

"Fuck, no! There would be nothing to feel pleasure about at night.” He joked, trying to lighten the mood. You smacked his hand, laughing so hard. “I’m sorry, that was a crude joke.”

"No, that's okay.” You whispered back at him, laughter subsiding. “That makes me feel really good about myself, actually.”

"It should make you feel beautiful, doll. All the expensive towels at home die because of you.” he teased.

"Alright, I'm gonna forget the towel thing now." you said, rolling your eyes as you tried not to laugh. "Why do I keep getting these cards? I dare you to take a body shot off me, or you have to take two shots."

"Was it two shots?" he asked.

"Yeah, it was two shots for you, Sugu." you confirmed.

“Okay, I’ll take the shots.” Suguru says as he gritted his teeth, pouring whiskey on two shot glasses. “This is not a good think for me later.”

“He still has to record a song later.” You say, laughing as he puts the bottle back and starts taking a shot. “I feel like you’d do fine though. You aren’t that much of a light weight.”

“I think so, but it would be emotional in the booth.”

“Oh then, cry it out!”

"This is a good question!" Suguru said, holding up a card for his turn. "If you could do it over again, what would you change?"

"I don't think I'd change anything, for our previous relationship.” You tell him honestly. “I think it ended when it needed to.”

“Yeah.”

“But I’m not putting the door to a close yet, I don’t know what would happen.” You whispered back at him with a soft smile. “But given the chance, similar to the question, how would you make it better?”

"I would put in more time, doll." he admitted to you. “I think I’d put you as my priority and what future we have together first.”

"That would be cool.” You said softly.

"I fucked up." he sighed, looking at you softly.

"Would you do it again?" You asked, your heart in your throat. “Would you take another shot at it, Sugu?”

"You know the answer, doll." he said, avoiding my gaze. He picks up another card. "Do you still love me?"

"Yeah. Yeah. Of course." You said, your voice trembling as you smiled. Your eyes water with emotion. "I think I always will.”

“I guess I’m the love of your life, huh?”

“You know that already.” You sniff, laughing.

“That I do.”

“Are you happy with our current relationship?" You asked him, turning to him as he slowly smiles.

"Doll, are you happy with everything right now?" he countered.

“With all that’s going on in my life?” He nodded at you. “Yeah, I’m happy. Some days are bad, but you know….I’m happy. You taught me how.”

"Good.”

“Huh?”

 “Then the answer is yes." Suguru smiles at you, with that same smile that made you fall in love with him in the first place. “I’m happy.”

"Really?” You were taken aback, smiling as your face wells in your tears. “I don’t know what to say, Sugu.”

"You don’t have to say anything.” He whispers, leaning forward as he wipes your tears away. “As long as you’re happy. It’s more than enough for me to be happy too.”

"I wished that would have been enough, when we were together.” You whispered back to him. “I would have loved to hear that from you.”

"I know.” He smiles at you, pained. “I wish I could tell you more.”

"'I wanted to be with you for a long time." You admit to him, tears flowing more. He wipes them all away. “I really thought I would end up having forever with you.”

"Do you think your past break up has had closure, you two?" the staff’s voice asked, cutting through the emotional moment.

“I don’t think there’s ever going to be closure between the two of us.” You admit to them, almost as though it was a fact. “He’s my person, you know? I think the fact that we’re not together, it just…it's hard to know how there could be anything, but pining.”

“How about you, Suguru?”

"I think about them often and it hurts knowing that we're not going to have any closure.” He whispers as he too starts feeling his eyes sting with tears. He takes your hand into his and you squeeze back.

“You know, when the future changes everything so fast. And I just don’t know what to do, because they’ll always be my muse. And I’ll think about all these years, wondering whatever happened to the love of my life.”

He wipes his tears. “Fuck, I can’t see anything with these tears.”

"Hey, you wanna wipe our tears away with alcohol?" you suggested, attempting a smile through the lingering pain that tugged at your heart.

Suguru looked at you, his eyes softening as he nodded. "Yeah, let's go." 

He pours the drinks and raises his shot glass, his faint smile touching his lips. "I don’t know what will happen in the future, but I am genuinely so lucky to have you in my life and I am so very lucky to have you as my muse. I hope you have nothing but happiness, love and joy, doll, my love.” 

"Cheers, Sugu." You said softly, lifting my glass and clinking it against his.

"Cheers, doll." Suguru echoed as he downs his.

The sound of applause from the crew and staff filling the room as you both toasted farewell to your shared past and a hello to your uncertain future. The weight of our emotions mingled with the bittersweet taste of the drink, of the complexities of love and the resilience of the human spirit.

You smiled at him as you stood up from your own chair, being handed your bouquet of sunflowers — your favorite as you were thanked by everyone.  And Suguru, being thanked by the other staff for his hard work with his own bouquet.

After the taping concluded, Suguru and you met at the lobby of the studio. The staff had already gone and left and your managers were waiting for your drivers outside. The atmosphere is still buzzing with the energy of the show and the lingering emotions from your candid revelations. You exchanged tentative smiles, a mixture of relief and uncertainty evident in your eyes.

"I'm glad we did this, doll." Suguru admitted softly, his voice carrying a hint of vulnerability. "I feel... I feel like this is the happiest I've been in a long time, just being here with you."

A warmth spread through your chest at his words.. "I feel the same, Sugu.” You confessed, meeting his gaze with a sincerity that echoed through the quiet lobby. “It was…..something that relieved me.”

The two of you stood there for a moment, the weight of unspoken words hanging between the two of you, until Suguru broke the silence with a gentle smile. "Well, I have a recording session to get to, doll." he said, his tone tinged with regret. "But I wanted to say... I wish you all the luck in the world with everything, you know?"

You nodded, feeling a lump form in your throat as you struggled to find the right words. "Thank you." You finally managed, a small smile tugging at the corners of your lips. 

As Suguru turned to leave, a thought seemed to strike him, hesitating for a moment before he looked back at you with a hopeful expression. "Hey, are you free to hang out on Friday?" he asked, his voice quietly hopeful.

You couldn't help but return his smile, the warmth spreading through you once more. "Yeah, Sugu." You replied softly, the weight of uncertainty lifting slightly.  “I am."

Relief washed over Suguru's features, a genuine happiness coloring his expression as he nodded. "Great," he said, his voice filled with quiet excitement. "I'll... I'll text you the details.”

"Is your number still the same?" You asked, a mix of nervousness and hope in your voice as Suguru paused, turning back towards you.

"Yeah, I never changed it," he whispered softly, a hint of a smile tugging at the corners of his lips. "Did... you?"

"No," You replied, relief flooding through him as you returned his smile. "I didn't."

"Great," Suguru nodded, his expression almost visibly lighter with relief. "I'll just... text you."

With that, he turned again, his steps echoing softly on the polished floor as he made his way towards the exit. You watched him go, feeling a surge of gratitude and anticipation welling up within me. The weight that had pressed on your heart for so long seemed to lift, replaced by some hope.

As Suguru disappeared from view, You couldn't suppress the smile that spread across your face. The promise of a future, uncertain yet filled with hope, stretched out before you, the both of you. And as you stood there, in the quiet of the studio lobby, you knew that whatever came next, you both had taken a small but significant step to take.

Maybe one day there will be more than this.

But for now, you were grateful for this moment.

You were grateful to have another chance to joy.

[so-long-soldier-writes]

The Light in My Darkness

damon salvatore x gn!reader | requested

summary: after your boyfriend's death, you fell back into old habits. now that he's back, you're having trouble kicking them again.

tags: angst, hurt / comfort, depression, s3lf h4rm, kisses

word count: 1.7k

a/n: i typically don't write for damon, however i feel comfortable writing this subject matter and i'm getting better with understanding his character. honestly, too, i rewatched s7 and i'm starting to love him even more. (i just love the traumatized characters.)

also, i'm not good at titles. my first title had the word 'put' in it, but i stared at it so long, it didn't look like a word anymore and i had to change it. i think i like this one better. i stg, titles are half the reason i take so long to post. whew, anyway... enjoy ❤️

“Stefan needs help at Whitmore,” Damon says hurriedly. He puts his phone in his back pocket and sighs. “Another Enzo situation.”

“Do you want me to come?”

“No, you stay here. I don’t want him anywhere near you, given he’s in one of his moods and would hurt you for no reason.” He gives you a quick kiss. “I’ll be right back.”

“Okay.”

He speeds out the door a moment later, leaving you alone in the large, empty house. You sigh. Your life is so full of supernatural drama, it’s hard to keep up. Honestly, you’re not even sure what the situation is with Enzo, or why he and Stefan hate each other so much, or how Damon knows what to do to de-escalate their arguments. Of course, Caroline debriefed you on it sometime ago, but with all the craziness happening lately, it pretty much went over your head. 

It’s been hard these last few months. Only recently had Damon returned to you from four months after being considered dead, alongside Bonnie, as the other side collapsed with him in it. Those months had been the hardest of your life, and you doubted your ability to make it through them. Losing your best friend and your boyfriend was something you never thought you’d have to endure, yet it happened. Losing them almost killed you, too. 

For three years, you were clean. You hadn’t touched a single blade since you and Damon got serious. He gave you a reason to stop without even knowing it, and with a lot of patience with yourself, you managed to kick the addiction. After he died, though, when you couldn’t bear to live without him, you picked it back up. Part of you is pissed for falling back into your old ways, but the other part has convinced yourself it’s what you need to do to survive. 

When he came back unexpectedly, you were filled with just as much panic as you were joy. You had him back, but had relapsed majorly, and now have to recount your old steps into being sober again. It hasn’t been easy. 

It’s been a couple days since your last time, and while your skin’s no longer bright and swollen, it seems to beg for your attention. You have to plan it carefully, making sure Damon will be gone long enough that he won’t sense the fresh blood. When he grabs your wrists to kiss your face, you don’t want to flinch in slight pain, or let him pick up a chance in your heartbeat. 

It’s such a complicated addiction to have when dating a vampire, yet fighting the urges are so hard, sometimes you can’t help but give into them. 

The blades in the bathroom are ready for you when you enter. A brand new pack sits in the drawer. The boys won’t miss one or two. The one time Stefan did notice, you blabbered a quick lie about needing one to scrape a bit of food dried to the stovetop. He was in such a rush that day, he didn’t catch any lie, and you were able to smile and flee the scene a moment later. Since then, you make sure to hold onto the one you have until there’s enough to not see one missing. 

With everyone seemingly involved in the Enzo situation, you don’t bother to shut the door completely before dragging the blade across your skin. The boarding house is empty, and this bathroom in particular is tucked away nicely behind the stairs. You make a few scattered cuts and watch the blood seep from them. It always seems to calm you in the most grotesque way, and, quite ironically, gives you the perfect dopamine rush that raises your spirits despite the pain. It’s a terrible addiction but with a high reward… until you have to hide the evidence. 

That little reminder makes you sigh. Too many scars are hard to hide, and with Damon back, you have to be careful. It would break him to see you this way; that thought alone makes you put down the blade. For a moment longer, you stare at the tricking blood, committing the sight to memory to maybe fend off the next urge. To imagine the blood on your skin may convince yourself it’s there, and maybe you won’t cut the next time you’re so desperate. Maybe. 

You reach for a piece of toilet paper to dab the wounds. The bleeding needs to stop before you crave another scare. It’s so tempting, but-

“Hey,” Damon appears suddenly, peeking through the door. His eyes are narrowed, as if sensing something’s wrong. “What are you doing?”

You turn to face him and hold your hands around your back quickly. “Nothing.”

“Are you sure?” He opens the door a little wider, seeing the reflection of your hidden hands in the mirror. “Let me see your arms.”

“I’m okay.” Nervously, you pull down your sleeves to hide your wounds as much as possible. Your eyes meet the floor, unable to lie if you look into his blues.

“No, you’re not.” He argues, anxious to see your face; to not let you shy away and avoid his gaze. His approach makes your heart race, confirming his worst fears. “Let me see.”

“I thought you were leaving. I thought Stefan needed you.”

“He does, but he can wait.”

“But-”

“You’re my first priority. I can tell something’s up. Please,” he brushes a hair away from your face, “let me in.”

“Damon, I’m fine.”

“You’re hurting, and I can smell the blood, and I’m really trying hard not to freak out right now.”

You huff at the realization that he could smell it. You should’ve waited for him to be gone longer before breaking your skin. “Promise me you won’t be mad.”

“Why would I be mad?”

“Just promise me.” Tears well in your eyes, but you let them fall, unwilling to take your hands off your sleeves. 

“Y/N, I promise. I could never be mad. Just let me see it.”

Slowly, you release your sleeves, but leave the task of rolling them up to him. You can’t bear to do it yourself. Damon takes one hand gently and pulls the sleeve back. Upon seeing the numerous cuts, he pulls the other back with a little more vigor, but is still careful not to hurt you. He stares, unable to speak or move, as his heart breaks with every passing second. 

“I’m so sorry,” you whisper. His eyes meet yours and you finally break down into tears. 

Without a moment of hesitation, he pulls you into a hug, wrapping his arms protectively around your body. You feel safe in his arms, you always do. Damon has a way about him that always makes you feel safe, no matter what anyone else thinks of him. He’s loyal and understanding, and that is part of the reason you feel so horrible for not telling him this. 

“I’m sorry,” you repeat, now sobbing into his chest. 

Your heart beats and reminds him that you are alive. The cuts made into your skin weren’t deep enough to take you. The pain you have been feeling hasn’t swallowed you whole. He concentrates on your breathing, and your crying, and uses it to anchor himself before asking the thousands of questions flooding his mind. 

He pulls away, finally, and wipes your tears with his thumbs. His hands grip your shoulders with a gentle desperation, as if he’s afraid you could dissipate at any moment. 

“Y/N…”

“I didn’t mean for you to find out this way.”

“Did you mean for me to find out at all?”

Your heart feels heavy as you reply, “honestly, no.”

“Why not tell me, Y/N? You know I love you. If you’re hurting, I want to be there for you.”

“I know… I guess I just didn’t want to disappoint you? Some part of me was embarrassed about it, and I didn’t want you to see me differently because of it. I don’t know.” 

“Baby, there’s nothing you could do that’d ever make me love you less. Nothing that would ever make me feel a different way, or see you in another light.”

“I know. I know my feelings are totally irrational, I just… they’re fears.”

“I understand.” He kisses your forehead, then releases your shoulders to hold your hands and kiss them, too. “Hey, can you promise me something?”

“I can try.”

“Come to me the next time you’re feeling like you want to hurt yourself, okay? Let me help you through it.”

“But-”

“It doesn’t matter what’s going on, or who’s texting, I will drop anything and put you first. But you gotta let me in when you need it. Okay?”

“Okay.” You take a deep breath. “Thank you.”

“Of course. Now,” he pauses, biting into his arm and holding it out for you to drink. His other hand meets the back of your head, stabilizing your neck to keep you comfortable. 

To his dismay, you refuse. You try to pull away, but his other hand prevents that, so you look down instead. “I can’t.”

“Y/N…”

“The scars are a reminder that I bleed. As soon as they fade away, the urge returns, but if they’re there for a little while, the urge is less strong. They’re kind of a comfort, I think. A reminder.”

“So you don’t want me to heal them?”

“I’d rather not. They don’t bother me too much. Do they bother you?”

You can see the hesitation in his eyes. He fights with himself, knowing the sight is a reminder of your pain, but understands their existence helps you heal. After a moment, he shakes his head. “No, baby, I only care that you’re safe.” He kisses them one more time. “Have you eaten much today?”

“Not really.”

“Well… do you mind if I make you something, even if it’s just something small, and then we can sit together on the couch? We’ll take today slow.”

“Okay. Wait, but what about Stefan?”

“Caroline can handle it. Then he’ll be in her debt and she’ll be happy about it,” he jokes.

You smile, appreciating his humor despite the somber mood hanging above both your heads. He’s the light in dark times, the much needed laugh that breaks the awkward silence. It’s part of the reason you fell for him so quickly. 

“Are you sure?”

“Positive.”

“Okay. And thank you.”

He pulls you in to kiss your forehead, then reaches for your hand. “Of course.”