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project-sekai-facts · 2 months ago

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What's the deal with SEKAI?

Due to popular demand, here is a post compiling everything that we know about SEKAI lore, accurate as of At the Beginning of SEKAI With You. Happy 4th anniversary!

First off, what is a SEKAI? As stated multiple times in the game, SEKAI are worlds inhabited by Virtual Singers that are created by particularly strong feelings. These feelings can be those of a singular person (e.g: Tsukasa or Mafuyu), or ones shared by many (like the other three units). The only thing that determines whether or not a SEKAI is created is how powerful those feelings are. Additionally, even if they didn't create the SEKAI, other people with similar feelings can in special instances access and influence the SEKAI (refer to WonderlandsxShowtime or 25-ji, Nightcord de.).

SEKAI can be accessed through an untitled audio file that will appear on the owner's or accessor's computer or phone. Once the person has discovered their true feelings that the SEKAI is linked to, the untitled file will become a song. More songs can be created by the SEKAI as new feelings are uncovered, as demonstrated in event After Lives. The main stories also show that the singers will know the lyrics to the song even if they have never heard it before nor know what the lyrics should be before singing.

Despite what some believe that the SEKAI are inside the phone/computer of the accessor, it is shown on multiple instances that the characters retain their phones inside the SEKAI and can still use them, suggesting teleportation. We can also take Rui's observations from the main story into account here, that the SEKAI is a physical location rather than a virtual world. It's all but confirmed that SEKAI exist on a separate dimensional plane. That said, the phone/computer is the key to remaining in the SEKAI. Should the device run out of power, the connection to the SEKAI is severed and the person will be returned to Earth. The other way to exit SEKAI is to manually pause the Untitled song.

(TL by Puroeng on YT)

At the Beginning of SEKAI With You goes in depth on how SEKAI are formed and how they develop. SEKAI are initially formed as a Fragment of Feelings when a person or group of people exhibit a strong, unyielding desire. School SEKAI was formed when Leo/need saw the meteor shower as children and wished to stay together forever (roughly 6-7 years ago), Wonderland SEKAI formed when Tsukasa was a kid and wanted to make Saki smile (roughly 10 years ago), and Empty SEKAI was formed when Mafuyu started to lose sight of herself and wanted to find her true self again (roughly 3 years ago).

Stage and Street SEKAI aren't entirely clear. Stage SEKAI's Fragment was shown to form when Haruka, Airi, and Shizuku initially debuted as idols. However, all of them debuted at wildly different points in time. Haruka debuted earliest, so we can assume the Fragment formed then (an unknown amount of time ago). Street SEKAI's Fragment is actually never shown forming, so the trigger is unknown. All we know is that it formed during or just after RAD WEEKEND, 3 years ago.

SEKAI grow and change over time. This was first mentioned in Miku's Vivid BAD SQUAD 2* story and was since repeatedly mentioned in Colorful Festival card stories. When a SEKAI is in it's Fragment stage, it sometimes may be able to hold a physical form for a short amount of time. This physical form can be accessed through a glowing orb of light (as shown in the gacha animation) and has to be accessed inside of a fully formed SEKAI. Some Fragments are only temporary and will never become a full SEKAI, something that is alluded to in a few ColoFes stories as well.

If the feelings that formed the Fragment continue to stay incredibly strong, they can manifest into a fully-fledged SEKAI. Again, At the Beginning of SEKAI With You goes into more depth about this. For School SEKAI, it formed when the girls were separated from each other in middle school (~2-4 years ago), Stage SEKAI formed when Minori was attending one of her auditions, which was around the same time as when Haruka, Airi, and Shizuku began to feel dissatisfied with their careers (roughly just over 1 year ago), and Empty SEKAI formed around the time of the Someday, From the Depths of Despair event.

Wonderland SEKAI notably became fully formed incredibly quickly, when Tsuaksa was still a child (hence the presentation of the SEKAI and the fact that he doesn't even remember the feelings that created it when he first discovers it). It is unknown when Street SEKAI fully formed, but it seems to have been almost instantaneous, with the newly formed SEKAI being shown in scenes set not too long after RW. The vagueness could mean that it's possible that this will be elaborated on later.

(TL by Puroeng on YT)

It's not quite clear as to whether you can always access a SEKAI as soon as it has a physical form. In the main stories, the characters first discover Untitled on their phones when it flashes in response to them experiencing the feelings that led to the SEKAI's creation (e.g: Ichika wanting to mend her friendship with her childhood friends). The characters have no prior knowledge of Untitled being on their phones or computers at this point. Beginning of SEKAI somewhat contradicts this, by having Miku and KAITO constantly trying to reach out to Tsukasa and have him find untitled throughout the past 10 years. However, you could possibly say that the file wasn't there until he was 17 to justify why he didn't find SEKAI and respond to Miku and KAITO earlier.

SEKAI also continue to grow even after they obtain a permanent physical form, something which was first hinted at in Miku's Vivid BAD SQUAD 2* story, and later became the focus of the World Link events. As the feelings that created them continue to grow and change, the SEKAI continues to grow with them. It should also be noted that SEKAI, according to Miku's Protective Gaze 3* story, will never disappear, even if the creator were to forget about it.

The final thing to cover here is the Tree of Feelings SEKAI. Last year I wrote a post speculating on some of the lore surrounding this SEKAI, most of which was confirmed to be correct as of Beginning of SEKAI. That post covers this final part in mroe detail, so read that if you're interested. The Tree of Feelings SEKAI is a mysterious Fragment SEKAI that so far has appeared in Miku's Where Feelings Come Together 4* story, and the events Sakura Across SEKAI, Interconnecting Our Feelings and Let Your Song Resonate Throughout SEKAI. The Fragment briefly obtains a physical form whenever the inhabitants (human or Virtual Singer) of all 5 main SEKAI are experiencing a shared feeling.

As mentioned by MEIKO in Sakura Across SEKAI, the Tree SEKAI appears to be some sort of Nexus between the 5 we follow in the story. This is later confirmed to be the case in Beginning of SEKAI, with the same tree appearing in all 5 SEKAI, occasionally transmitting music from the other SEKAI it is connected to. Stage SEKAI MEIKO also mentions in the Sakura Across SEKAI story that this has never happened before.

While animated by an outsider source, so not entirely reliable, the NEO MV suggests that the Tree SEKAI is beginning to take on a permanent physical form with its own Untitled song. The Untitled song in this case is, of course, NEO.

Part two: What are the Virtual Singers? The Virtual Singers in each SEKAI are stated in chapter 10 of the WonderlandsxShowtime main story to have physical bodies. While we don't really know anything about their biological make up, they're at the very least, humanoid and sentient instead of being holograms, though they can present themselves on Earth in that form through any device that can display holograms (or on computer screens as seen in a few 25-ji, Nightcord de. stories and cards). While implied in Miku's Protective Gaze 3*, it is confirmed by Beginning of SEKAI that the Virtual Singers are immortal and don't physically age.

Versions of the Crypton VOCALOID characters that resemble their real-life character designs exist "between the SEKAI", which appears in-game to be some sort of white space, however the I'm Mine another cuts may be set in this location. While very early stories don't make it entirely clear, it is officially confirmed as of Sakura Across SEKAI that the Virtual Singers in each SEKAI are completely individual entities, rather than the primary Virtual Singers travelling between SEKAI and changing their form.

The versions of the Virtual Singers in each SEKAI are aware that they are derivatives of their primary form (mentioned in both Virtual Singer events). The derivatives are influenced by the owner(s) of the SEKAI, taking certain aspects of their psyche and abilities. It should also be noted that not all SEKAI start with all six of the Virtual Singers. This is heavily implied to be the case with Street SEKAI and Stage SEKAI, but it not the case with the School, Wonderland, or Empty SEKAI. School SEKAI started with just Miku and Luka, with the other 4 arriving during event stories. Wonderland SEKAI started with Miku and KAITO, though the Kagamines arrived immediately following the main story, shortly followed by MEIKO and Luka. Empty SEKAI started with only Miku, with the other 5 vsingers appearing in response to changes in Mafuyu and the others' mental states.

It is explicitly stated in Len's Vivid BAD SQUAD 2* card story that the Virtual Singers possess supernatural or magical abilities, and are actually incredibly similar to humans, although they have the innate ability to help people discover their true feelings. Despite this claim, Wonderland SEKAI MEIKO is shown to have superhuman strength, Wonderland SEKAI Luka's sleep schedule is controlled by Tsukasa and the others' emotions, and Wonderland SEKAI Miku is ambiguously a cat-humaoid hybrid. Not to mention the sentient plushies, and singing flowers and actual Phoenix. However, these can be somewhat justified given that the Wonderland SEKAI was largely influenced by the imagination of a 7-year-old child. It was also Street SEKAI Len that made this claim, and that is by far the most grounded in reality of all 5 SEKAI.

Now the final part, building off what Len said about SEKAI not being magical or supernatural. The only justifiable explanation is that they are alternate dimensions, as I mentioned briefly earlier on, where these sorts of inexplicable "magical" things are natural occurences.

So what are some of the physical capabilities of the SEKAI? Let's start with one that applies to all five, the innate abilities to create clothes out of thin air. The unit outfits for Leo/need, MORE MORE JUMP!, and 25-ji, Nightcord de. were all created by the SEKAI, which is mentioned in Honami's Unchanging Flavor 3* card story. The same card story also confirms that these costumes cannot be taken out of the SEKAI. Both Journey to Bloom -HOPE- and a 3rd Colorful Live 4koma illustrate how the costumes form. The 4koma shows it to be instantaneous, much like it is shown in vlives, so it's likely that Journey to Bloom animates the effect to be more visually appealing.

A notable new one is the ability to physically alter a person's appearance. This seems exclusive to the new Fragment SEKAI seen in Kanade and Rui's Bloom Festival 4* card stories, but given that they're technically still SEKAI, this may apply to regular SEKAI as well. In the aforementioned card stories, Kanade and Rui both turn into their younger selves temporarily. Also shown in those two stories and in Airi's To You Who Wants to be An Idol 4* story, the SEKAI (or Fragement SEKAI specifically again) have the ability to temporarily manifest a person's younger self, or separate versions of their present day self. It's shown that this is not a vision but a physical form, although they are clearly presented to have a separate consciousness to the true version of the person. The same can be inferred for the woman who appears in Haruka's Someday, I'll Deliver 4* card story, and Nagi's appearance in BREAK DOWN THE WALL.

A few SEKAI also deviate from Earth's rules of physics, notably, School SEKAI and Wonderland SEKAI. Wonderland SEKAI is incredibly obvious in its deviations, but School SEKAI recently acquired a flying train.

SEKAI also seems to prevent its inhabitants from dying or getting hurt. While falling from the flying train is treated as a danger in the Wonderland SEKAI Virtual Singer main story, Tsukasa falls from a height in Aye-Aye, Let's Aim for the Star that should have killed him, even with safety mats laid out. Wonderland SEKAI KAITO may or may not have been stabbed in the past too, though he is immortal anyway.

SEKAI can also give people amnesia, as shown in Akito's Wanderer's Thirst 4* card story. Additionally, whenever the unit representatives are summonned to sing together in Virtual Lives, or when they visit the Tree of Feelings SEKAI, their memories are wiped afterwards. However, unlike Akito's case, it's Miku herself who erases the unit reps' memories.

Lastly, the audiences in Virtual Lives. Obviously, no one inhabits the SEKAI other than the owner(s) and the Virtual Singers, so who makes up the audience. As explained in the First Star After the Rain After Live, these are Sparks of Feelings. Small sparkling lights (suggested in multiple Virtual Lives to be the small triangles seen floating around in the SEKAI) that respond to the songs heard in SEKAI. These are stated to be the feelings of other people (the player character) that resonate with the music and feelings of the performers.

And thus concludes this recap of all the SEKAI lore we know so far. Hope you enjoyed!

#it's be really funny if I just used this image as the header for all my anniversary posts. let's keep doing this.#project sekai #lore

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psychotrenny · 15 days ago

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It's funny to me how Armoured Core 6 spawned like an entire sub-section of Mecha fiction that isn't even based around the game's actual overall content but rather an exaggerated form of some very specific dynamics and ideas that crop up. And like the extent to which this sub-section "really" exists is kinda debatable, being something you only see in like short-form erotic fiction posted on Social Media and Fan-Fiction websites. But it's "real" enough to spawn a whole backlash to it which is also funny because of the stubborn refusal to recognise this fiction as like its own thing

And I'm not saying that this whole sub-section is "good" or that you have to respect it or that it's a thoughtful and compelling reflection of broader Mecha fiction. It's certainly reasonable to dislike this style of Mecha fiction. But you have to at least realise that this sort of thing is it's own style and stop criticising it as just a failed attempt of something more mainstream. Like I'll often see indignant cries of "Do these people even watch Robot shows? How can they call themselves Mecha fans?" and like yeah I'm sure a lot of people who enjoy this form of Erotic Mecha fiction only engage in that specific form of Mecha; which may make them fans of something you don't like but it's stupid to call them "fake fans". And there's also people who do very much engage with and enjoy other works of Mecha fiction but are obviously going to take a very different tone when talking about such erotic Mecha fiction in contrast to Gundam or something. They are very different takes on the same broad idea; interest in one doesn't automatically include interest in the other but that doesn't make them mutually exclusive either

I think an obvious illustrations of this is the whole "Imagine if a Mech Pilot was just a normal guy" post that was going around. To fans of the broader Mecha genre, both Super and Real robot, this comes off as a pretty inane thing to say. It's a common enough idea even among the most well known and successful properties; hardly something you have to "imagine" because most genre fans would have outright seen it. Not to mention the fact that most "proper" mech pilots are just ordinary human soldiers who have been trained for a special job. Like it's not a novel idea in the slightest. But within the specific context of (loosely) Armoured Core 6 inspired erotic Mecha fiction it takes on a whole new meaning. In such fiction your average pilot is some sort of lobotomised cyborg puppygirl, with the simultaneous transhuman and subhuman status of the pilot being a consistently major thematic aspect of the sub-genre. In that context, it would be pretty weird and fucked up for an ordinary guy to be caught in the middle of all that

Which isn't something you need to find interesting or compelling as a Mecha fan. It's perfectly understandable to reject this sub-genre and its ideas as stupid or obnoxious or whatever. But that rejection has to be a conscious act, not a reflexive outburst about how it's different from your preferred form of Mecha fiction. If you're going to criticise this sub-genre of Mecha then the criticisms need to be on its own terms; around what it's actually trying to achieve. You're missing the point entirely if you main criticism of horny mech posts is their failure to understand the themes of Mobile Suit Gundam.

#stella speaks

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ririblogsss · 8 months ago

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Danny in central City pt2

part 1

Danny is chilling in the dorms rooftop again, when he feels a very powerful gust off wind. Looking to the side he finds impulse the local teen hero of Central City. Danny only nods his way and mutters that the stars look very pretty tonight. Impulse manages to hear him and looks up, but the night sky isn't visible because of all the light pollution. Super-eyesight he notes it down In his brain. Impulse asks for his name while he sits down besides him Danny responds meekly.

The silence is so loud even though there's cars and overall noise of the city. Their science is tense. Danny thinks that one wrong move and he'll get handed to the GIW for experimentation and extermination. Impulse is thinking of the best way to approach Danny without spooking him away.

In the end Danny decides to break the silence, as he's always hated awkward silences and feels the need to constantly talk in order to make it feel less tense."Did you know hot ice exists? yeah like about 33 light-years away is an exoplanet called Gliese 436 b. The planet is composed of different water elements, which form burning ice, so in essence there is a thing that is hot ice" Danny just continues to ramble all the facts he learn past midnight during high school. Hoping that impulse would just get tiered of him or get called back by whoever is behind the coms. But it doesn't happen Impulse lays next to him looking up at the sky listening to him ramble making humming noises and nods to show he is listening.

Danny doesn't know what to do he's running out of topics and facts fast and its not like he can just leave. So Danny does what anyone that's in the same type of situation does, he starts trauma dumping on accident. Well Dannys not sure its trauma dumping it has nothing to do with his half death or ghost or really anything after his 13 th birthday.

"You know my parents have a lab in our basement" Impulse chokes on air but Danny continues on "yeah its pretty cool when I was 4 I was allowed to go in and experiment with all the substances along as my older sister was there" Impulse face, or what Danny can see of it looks contorted in a grimace/sad look, so Danny immediately tries to back track."Wait wait that sounds like I was in danger, I wasn't I only made mustard gas twice before I learned all the components that made It and made sure to never mix them, and I only burned my hand 6 times with the surface mix lamp, and I got pretty good at using it. look see this" Danny holds out his wrist with an intricate bracelet made out of glass, it has green, blue and black accents on it swirling. "WAIT you made that, brUHHH that's amazing likeomgyoucouldsellthisiwouldbuythisitssocool......." Danny had to strain his ears in order to fully understand what impulse was saying as he went on a tangent about how cool the bracelet was.

"Here" Danny says holding out the bracelet, Impulse blanches and tries to refuse saying that he doesn't need it or whatever but Danny is stubborn he keeps holding out the bracelet unrelenting until impulse takes it and puts it on. "Consider it a gist from a fan and a thank you for sitting with me and listening to me ramble about space" Then Danny stands up stretching himself and starts heading towards the stair case. Leaving a dumbfounded impulse behind.

Danny hears a whisper of 'What the fuck' before he hears the distinct break of air that only comes from speedsters running off.

#dpxdc #dc x dp #dp x dc crossover

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venerawrites · 7 months ago

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Hi! I feel so blessed to have found your blog, your fluff is top tier 🫶🏻 Can I please request fluff for Kakashi x fem!reader where they take their son (who looks exactly like Kakashi) to meet Team 7 and they're all enamoured by baby Kakashi and how happy he is with wife reader? I feel like it'd be so cute~ I hope that's an alright request. Thank you so much! 😘

author's note: this is such a cute request and it has been sitting in my drafts for a while, since I have been waiting to be in the right mood for it! It was such a pleasure to write it and I hope you enjoy it as much as I do! Thank you for requesting! <3

If there was anything Konoha did best, it was celebrating.

Compared to many of the other villages, the Leaf had some form of a festival almost every month. The first Sakura trees have blossomed? Celebration. The war is won? Celebration. The Hokage has a birthday? Celebration. 6 months without any outside threats? Celebration.

For the outsiders these constant festivities were both bizzare and a bit foolish. They could only imagine how much money were spend from the yearly budget, yet somehow the village blossomed economically. The other Kages tried to ask Lady Tsunade more than once in the past how exactly do they manage to do that, but they could never get anything more than a smug smile from her.

You, unlike your husband, loved a good party. During events like this everything felt different - the people were happier, the streets were busier, even the air felt more fresh! You have been waiting for the Spring festival for a while now - not only because you loved trying all the delicious street food, but also because this year you were taking your baby with you.

Being only a few months old, your son was an exact copy of Kakashi. His hair, his eyes, his nose, his lips, even the way he pouted was absolutely the same as your partner. There were times when you sat next to his crib, looking at him for hours, trying to find at least one thing in his appearance that he may took after you. While there were none, you found solace in the fact that he showed at least some traits of your personality - the main one being obsessed with Kakashi, of course.

As you watched your husband gently rocking your child in his arms and whispering sweet words to him, you couldn't stop the smile from spreading wide on your lips. Kakashi hasn't noticed your presence by the door yet, too busy booping your baby's nose and listening to his happy laughter.

He was definitely the favourite parent.

"I can't believe I carried him for nine months and I am still the second best in his eyes", you finally said, making Kakashi whip his head in the direction of your voice. He smiled sheepishly at you, his one free arm extending for you to take.

"You know that is not true, my dove", he tried to reassure you, his attention moving back to the bundle of joy who kept twitching in his grip, "No one can replace mommy! Isn’t that right, little man?"

Almost if understanding his words, the baby turned toward you, reaching one of his small hands toward your face. You immediately melted at the gesture, before carefully grabbing it in yours and lying numerous small kisses on his little fingers.

“Do we really have to go?”, your husband groaned, looking at you pleadingly. If it was up to him the three of you would stay in your house, enjoying a cosy evening just playing and goofing around the living room. With his new role as a Hokage, your time together was limited anyway and he liked to grab any chance he got to spend a few hours with you at home.

“You were the one that promised Naruto you would finally let him see the baby”, you cocked one of your eyebrows and Kakashi immediately shut his mouth, knowing he cannot argue further.

Even since you told Team 7 that you are pregnant, Naruto has shown an enormous enthusiasm about welcoming the baby. He self proclaimed himself “the best uncle to ever exist” and has bought dozen of plush toys and clothes before you even found what the gender is. Both you and Kakashi found this amusing, yet cute, promising him that he would be one of the first people to see your son once he is born.

However, things didn't go as planned and since he was on a mission outside Konoha for the last three months and a half, Naruto was now one of the last people to meet your child. Sakura has asked you countless of times during this period to let her and Sasuke come to your house, but feeling it was unfair to Naruto, you refused every single time.

Now that the blonde was back, however, all three were eagerly waiting to meet the young Hatake.

Kakashi gently passed you the baby, while he went to the corridor to grab the baby carrier wrap he liked to use. One thing about your husband was that he absolutely refused to use a pram.

"It is safer for them to be close to me", he often said, not even hiding his overprotectiveness. Despite your baby already being the village's favourite, he only allowed people to watch him, but never touch him or hold him. It was almost like your son was some kind of a rare jewel, which was so delicate, it had to be admired from a far. And while you found Kakashi's behaviour funny, he was being very serious about it, going as far as to glare and hiss a warning at Guy and Genma every time they tried to pinch your baby's chubby cheeks.

Once the little one was safely wrapped against your partner, you both made your way toward the village centre, where you could already hear music sounding. The streets were flooded with both adults and children, who were all eager to try some foreign food and watch special performances. Every year there were entertainers coming from different lands, performing traditional songs and dances from their cultures. While you knew you couldn't stay for all of them, since you had to put your child to bed quite early, you were excited to see at least some.

You felt one of Kakashi's arms wrapping around your waist, pulling you closer to him, while he shielded your son's body with the other one. While there were none real threats or risk for any of you, the amount of people made the man anxious. You were just about to grab his hand and try to make him relax, when Naruto's loud voice sounded from somewhere in front of you.

"Kakashi-sensei! Y/N! Over here!", he waved his hands energetically in the air, while both Sasuke and Sakura looked away embarrassed from his behaviour. Your smiled at the blonde, waving back, while your husband couldn't do anything else than let out a sigh.

Once you were a few meters away, the Uzumaki ran toward you, his whole face lighting up once his eyes met those of your son. He pushed past you, without even paying any attention to you, before leaning his head close to the baby's.

" Kakashi! That's your twin, dattebayo!", he shouted and moved his finger between his sensei and your son. Kakashi flicked his hand away, glaring harshly at his student. You sniffled a laugh, before you felt Sakura's hand on your shoulder. Turning around, you offered a smile to both her and Sasuke.

"Don't touch, step back and only watch from a distance", Kakashi instructed, his eyes narrowing at Naruto. The blonde, however, didn't acknowledge his words in any way, instead turning toward you.

"Can I hold him?", he asked, his blue eyes sparkling.

"No!", Kakashi immediately answered for you and you rolled your eyes at your husband, before moving toward the males.

"Of course you can!", before your husband can protest, you gave him a stare and he reluctantly picked up your son from the carrier wrap. He held him in his hands for a few more seconds, eyeing Naruto with suspicion.

"Be very, very, VERY careful!", he said, while passing the wriggling baby to the boy's stretched out arms, "And make sure to support his head! No, not like that... Naruto, I swear to Kami-"

You cut off the white haired male's rambling by wrapping your arm around his waist and placing your head against his shoulder. The Uzumaki was doing just fine, but Kakashi being Kakashi started to panic just at sight of someone else holding your little treasure.

The baby seemed to like the blonde, as he giggled, stretching his small hand toward his face. Sakura, who has been patiently waiting for her sensei to relax a bit, immediately rushed to her teammate's side, uncapable of controlling herself longer. She wriggled her forefinger in front of the child's face, her heart melting once he caught it.

"Hello, little one! I am auntie Sakura!", the baby grinned at her with its toothless smile and she let out an "aww" sound, before turning to you and your husband, "Kakashi-sensei, he really is your exact copy! Y/N, are you sure that's your child?"

You laughed at her joke, before shrugging your shoulders and pressing yourself closer to Kakashi.

"Trust me, I ask myself that every single day!"

Finally tearing your gaze away from Naruto and Sakura, you looked over to Sasuke, who remained frozen in his place. His eyes were focused on the little baby and there was a small smile tugging at the corner of his lips, but unlike his teammates he maintained a safe distance. Feeling someone was watching him, he turned his head in your direction, his cheeks going bright red once he realized you caught him staring.

"Sasuke", you smiled at him and everyone's attention went to the Uchiha, "Do you want to hold him too?"

The dark haired male gulped, his eyes widening. He nervously scratched his shoulder, his gaze going down to his feet.

"I...", he became silent, stealing one more glance at the baby. You found it almost amusing how he was a fearsome ninja that could take dozen of enemies at the same time, yet he felt scared to hold a tiny human.

Looking over at Naruto, you nodded your head, signalling him to pass your son to Sasuke. The blonde let out a huff, dragging his feet toward his teammate.

"Be careful! And hold the head!", he warned the Uchiha, who rolled his eyes in response.

"I know how to hold a baby, dobe! I am not stupid!"

"Language!", Kakashi warned next to you and you looked up at him, only for him to shake his head. It must've been hard dealing with these two for so many years, yet you knew your husband wouldn't had it any other way.

At this moment, surrounded by so much love and happiness, you felt like you finally had everything you wanted in life - an amazing husband, a healthy child and enormous support by anyone around you. If you could choose to re-live only one moment of your life, it would be this.

"You okay, my dove?", Kakashi whispered and you nodded your head, laying a small kiss on his covered chin.

"Never been better."

Unbeknown to you, all of Team 7 smiled at both of you, admiring how happy their sensei was. After decades of suffering and loss, Kakashi took the leap of faith and opened his heart to you. While he was unsure in the beginning if he was ready to be with someone and have a family, looking back he was glad he did.

Pulling down his mask, he laid a soft kiss on your forehead, before nuzzling his nose against it.

"I love you."

"I love you more."

cc artwork: Pietro Smurra

#kakashi hatake #kakashi x reader #kakashi imagines #kakashi fluff #naruto imagines #naruto requests

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bfpnola · 1 year ago

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IMAGE DESCRIPTION ADDED. REBLOG THIS VERSION AND THANK YOU @lab-labrava FOR WRITING IT!

ID: An infographic from the Instagram account @letstalkpalestine consisting of 10 slides. Image 1: The title page of the infographic. The text says: "Let's talk Anti-Zionist Jewish History." A smaller subtitle underneath the title says: "Jewish solidarity with Palestine until today." End ID.

Image 2: The infographic continues to the next panel. The text says, "As long as Zionism has existed, so has Jewish resistance to it. While today the majority of Jewish people and communities worldwide still have a Zionist connection, more and more Jewish people, especially from the younger generation, are unlearning Zionism & speaking out. Swipe to learn more about just part of anti-Zionist Jewish history - since there's more than we can fit in 10 slides." A semi-transparent image is overlayed in the background, of someone holding up a sign that reads: Jews for Palestine! #Free Sheik Jarrah. End ID.

Image 3: Icon of a location tag next to the words Eastern Europe. In large, blue text is the word "The Bund" and the subtitle describing what it is, "A Jewish Socialist movement, established in 1987." The following paragraph says, "Opposing Zionism from the start, its 50-year tenure saw hundred of thousands of members across Eastern Europe advocate for workers' rights and cultivate a Yiddish culture." Location tag and the title, "North America." The paragraph says, "After mass immigration to the US in the early 20th century, [American Jewish Labor groups] (highlighted in chalky blue and bold white text) criticized Zionism for its colonial, nationalist, and bourgeois nature." Next to this text, is a circle with women protestors holding up signs. End ID.

Image 4: The title, "Middle East and North Africa." The paragraph states, "In 1945 a group of Iraqi Jews founded the Anti-Zionist League. They recognized Zionism as a form of colonialism linked to Western Interests. They hosted events and published pamphlets throughout the Middle East about the difference between Zionism & Judaism. They warned that Zionism is dangerous to Arab Jews, forcing them to split their Arab and Jewish identities, and urged the UN to create a unified Palestinian state.

Image 5: The panel is titled, "Anti-Zionist Jewish figures." A faded image of Hannah Arendt's visage is in the background. Overlayed on top, the following paragraphs discuss her. "Before 1948, several prominent Jewish leaders and scholars came out in opposition to political Zionism. Writers like Hannah Arendt turned against the Zionist movement and opposed a Jewish state. They correctly predicted a dark future if Zionism continued on the same path in Palestine. End ID.

Image 6: The day after the Deir Yassin Massacre in 1948, when Zionist militants wiped out the Deir Yassin village & its inhabitants, Albert Einstein wrote: "When a real and final catastrophe should befall us in Palestine the first responsible for it would be the British and the second responsible for it the Terrorist organizations built up from our own ranks. I am not willing to see anybody associated with those misled and criminal people." The former paragraphs are imposed against a tan, parchment fragment, in typewriter font, and the letter ends with Sincerely yourn, Albert Einstein, both his signature and typed name. End ID.

Image 7: Titled "Anti Zionism Today." Blue sketchy image of someone's hand gripping jail bars breaks up the following paragraphs which say: Jewish solidarity with Palestinians is growing around the world, including even some Israelis who take the basic step of refusing Israeli military service. As punishment, Israel imprisons these conscientious objectors — but unlike Palestininas, they have a fair trial & often severe relatively short sentences of a few months . This is a first step towards solidarity and has the real consequence of depriving the occupation state of its soldiers. End ID.

Image 8: Titled "Israel's Crackdown on Jewish Anti-Zionism" Behind this text are a picture of handcuffs. In the corner is a picture of Jonathan Pollak. The following text says: Jonathan Pollak is a Jewish Israeli and long-time anti-Zionist activist. Israel has detained him several times, most recetly in January as he protested with Palestinians in Beita, (a Palestinian village) for allegedly throwing stones. Jonathan has been violently attacked for his activism. In 2018, Jonathan was slashed across the face by settlers who ambushed him outside his workplace. Earlier, in 2005, Israeli soldiers shot a tear gas canister. directly at him, causing internal bleeding in his brain." End ID.

Image 9: Semi-transparent image of an umbrella behind the title text is "Jewish Anti-Zionism isn’t one ideology. It’s an umbrella movement that encapsulates multiple communities and beliefs towards decolonizing Palestine. Some motivations or Jewish anti-Zionism include: 1. Pursuing millenia of Jewish tradition as a diasporic community 2, Detachibng religious and cultural tradition from political nationalism. 3. Socialist visions of a Jewish Society. 4. Believing in the right to self-determination for Palestinians Standing up to Zionism is: 1. Standing up to apartheid and colonization. 2. Standing up for a liberated, equal, and just Palestine from the river to the sea.

Image 10: An ending quote, and call to action, by the Anti-Zionist League. It says: "Jewish Men! Jewish Women! Zionism wants to throw us into a dangerous & hopeless adventure. Zionism contributes to making Palestine uninhabitable. Zionism wants to isolate us from the Egyptian people. Zionism is the enemy of the Jewish people. Down with Zionism! Long live the brotherhood of Jews and Arabs!" --The Anti-Zionist League. End ID.

#israel #jewish #jews #jumblr #palestine #resources #history #resistance #genocide #instagram #ethnic cleansing #activism #zionism #anti zionism #socialism #colonialism #colonization #judaism #free palestine

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scourgeofmyownbrain · 2 months ago

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My siblings in Primus, holy fucking shit. I made an Optimus Height Chart. This took me.. SO LONG TO DO. Were y'all aware of how many Optimus designs there are?? Because I don't have all of them on this chart, and I still have TWENTY NINE (29, a 2 and a 9) out of the THIRTY SIX (36, a 3 and a 6) that exist. I didn't include the SEVEN (7) because either they were just a temporary upgraded form, or I already had multiple designs from that universe that were the same height and having all of them is redundant and repetitive.

40 fucking years and nearly as many distinct designs, I deserve a medal, honestly. Optimus has been in every single piece of media the Transformers franchise has ever made. Working on this in tandem with the Megatron one was a wild choice of mine, but I did it.

I included Optimus Primal on this chart. Both are named Optimus, I should not have to explain myself. Big Monkey and Big Truck are the same. No, your honour, I do not plead insanity; why do you ask?

Quick Disclaimer, if any of the images look weird, it's because I had to stitch a few separate images together to create a full body shot of the character.

Links to my Bumblebee Chart and my Megatron Chart. !!NEW!! -> Shockwave & Soundwave. For future reference, all these charts will be filed under my "Transformers Height Charts" tag and my "aka the adventures of a..." tag. Hopefully, my bumblebee post is acting up and idk if the same issue will happen here.

Explanations below the cut because I have fucking WORDS to say. This is gonna be a long one... 29 separate designs...

G1 Beast Wars V1 - ~9 Feet (Primal. Straight from TFWiki, converted to feet and rounded, the tiniest baby man gorilla)

G1 Beast Machines - ~8 Feet (Primal. The wiki failed me, but I found a old forum discussion where they made a chart comparing all the BW/M characters. Glorious stuff, I commend their effort.)

G1 Beast Wars V2 - ~10 Feet (Primal. TFWiki with the clutch, I will not always be this lucky.)

Earth Spark - ~15 Feet (Prime. No official numbers have been given, but I have already figured out how tall Bee is, and I was able to compare the two and get a good estimate. This is the shortest non-animal universe to date holy shit. Look at this, I'm showing my work

I am having a conniption they are so short)

RID 2001 - ~16 Feet (Prime. TFWiki once more, we love one source for everything)

Unicron Trilogy V2&3/ENG&CYB - ~16 Feet (Prime. For the uneducated, the Unicron Trilogy has given each of its 3 seasons separate names and 3 separate art styles. These are the designs used in Energon (S2) and Cybertron (S3). The Wiki had Cybertron's numbers but not Energon's, so for my own sanity, I decided the two were the same height. I could have done something in between Cybertron's and Armada's (S1) numbers, but there was a lot of float between the two)

G1 Beast Wars V3 - ~16 Feet (Primal/Optimal Optimus, this is the result of a fusion between Primal and Prime. The TFWiki says this design is like 40 feet tall, but if that is true, Rattrap, a character stated to be 1.8m or ~6f tall across several sources across several different languages, is actually not that tall. So I call bullshit, this guy is 2.6 Rattraps tall, making him around 16f or 4.9m tall. Checkmate, I win)

Prime Wars V1 - ~17 Feet (Primal. Slight spoilers for further into this chart but I decided that the Prime Wars Trilogy and the Netflix Cybertron Trilogy Optimuses were the same height as the Gen 1 design, because they're nearly identical. So comparing Primal to Prime, Primal comes up to about Prime's tits, bada bing bada boom)

Netflix Cybertron Trilogy - ~17 Feet (Primal. Identical explanation to above, don't want to repeat myself)

One V1 - ~17 Feet 10 inches (Prime. Okay, the Wiki says 32.534 feet, and I call Bullshit. A: These numbers are sourced from the Walmart Promotional AR Experience that came out before the movie. B: There are three decimal points, and that number does not convert into a whole number in meters (which is originally what I thought was weird about it). C: The director has said that this movie is both canon to the LA movies and its own separate canon. I already stated all of this in my Bumblebee chart post, and I will be dying on this hill. This is as short as we see OP in the movie, him at his tallest should match his KCV height, he's never taller than Megsy, so knock a couple feet off the biggest number and voila, my brain hurts)

One V2 - ~18 Feet 10 Inches (Prime. Same explanation as above, but taller than he was without his cog, because he got bigger)

Gen 1 - ~19 Feet (Prime. TFWiki has saved me the effort of figuring it out myself)

Prime Wars - ~19 Feet (Prime. As I said before, since this design is identical to Gen 1, it is the same height)

Netflix Cybertron Trilogy - ~19 Feet (Prime. I've said it twice now, identical, therefore same height)

Knight/Capel-Verse - ~19 Feet 4 inches (Primal. No Robot height given, I have his monkey form height from TFWiki, but comparing him to Optimus he's only a few inches shorter)

Prime Wars V2 - ~ 20 Feet (Primal. Compared to Prime, Prime comes up to about Primal's nose area, and we all know how tall I think this Prime is)

Animated - 20 Feet 6 Inches (Prime. This number actually comes from @phoenix-inanis and the glorious calculations they have done on the TFA Characters. Go check it out, because animated has literally no actual numbers -> https://phoenix-inanis.notion.site/TFA-Height-Chart-f6ad2960ca8c4c5b859ee4958723aaa4?pvs=4)

Knight/Capel-Verse - 20 feet 10 Inches (Prime. TFWiki has graced me with a number)

One V3 - ~20 Feet 10 Inches (Prime. If it's canon to KCV, then it's canon here. I've already told you my reasons)

Cyberverse - 21 Feet (Prime. Oh, shitty screenshot from a random Russian YouTube video; you treat me so well. I would adore a better scan of this if anyone has one)

RID 2001 V1 - 22 Feet 11 Inches (Prime. Technically, this number is for the Armada video game, which isn't exactly canon to the show. But I don't have any other numbers and my brain is tired, so CANON IT IS)

Aligned Cont. RID15 V1 - 25 Feet (Prime. I'm really proud of this one: I can already hear some of your questions. "But I thought his second form was as tall as his TFP V2 form, and this one was as tall as TFP V1," "but his V1 forms and V2 forms look like each other," You thought Wrong!! And I can Prove it!! Let's refresh ourselves on the height difference between TFP V1 Prime and Bee.

As we can see, Bee comes up to the top of Optimus's hips. Lovely. Now, let's look at RID15's height difference when Optimus first returns. Keep in mind that RID15 Bee and TFP Bee are the same height.

Look, Bee comes up to Optimus's chest in this form, not his hips. He comes up to a similar point on Bulkhead in the previous picture. Let's look at Prime's second form.

This is from the intro; yes, Bee is crouched, but look, if he stood straight he only comes up to about Prime's hips, JUST LIKE IN TFP!!! With this evidence, we can conclude that Prime's first RID15 form is similar in height to Bulkhead! I was so fucking excited to show y'all this, I was so proud of myself, I still am)

Bayverse V1 - 28 Feet (Prime. From the first 4 movies. Straight from TFWiki, because Mr. Michael Bay loves me)

Bayverse V2 - 29 Feet (Prime. Only in The Last Knight. Mr. Bay has lovingly kissed my forehead because he always gives me numbers for his movies)

Aligned Cont. WF/FOC/TFP V1/RID15 V2 - 30 Feet (Prime. TFWiki/Fandom/Me respectively. I love you, Video Game Info Screens. I am still pretty syced about figuring RID15 out, oh I feel so good. Almost makes me forget about how FREAKISHLY HUGE this universe is. And how the games concretely prove this fact)

Aligned Cont. TFP V2 - 35 Feet (Prime. Yes this number comes from Fandom, but this entire universe is monstrously huge for no reason, I believe it. Go look at my Bee chart for more in-depth and insane rant about how huge this universe is compared to other universes, it's at the end of the post)

Not Pictured: Aligned Cont. Rescue Bots and Rescue Bots Academy Optimus Prime - 30 Feet. (Yes, Optimus in the Aligned Continuity has 7 distinct designs across the whole thing. I am in physical pain. SEVEN?? ONE GUY?? SEVEN??), Bayverse Optimus Prime Power Up - 40 Feet. (It's an upgrade form that does not stick around, why should I include it), RID 2001 Super Mode - ~21 feet (Optimus can turn it on and off at will, it's just an upgrade mode), Unicron Trilogy Energon & Cybertron Optimus Prime Super Mode - ~20 Feet (Once more, upgrade mode, it's like stilts, you don't count something you don't always have on.)

29 pngs, holy shit I've done it. This took so long. If anyone has any suggestions for which transformer I should aggressively analyze next please tell me I don't know which ones to do next.

Here are the different layers separated, just so you can see all the many Optimuses (Optimusi?) clearly. I know my og chart is crowded, there's 29 pngs on there you don't think I noticed?

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changbunnies · 1 month ago

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Moonstruck (18+)

♡ Pairing: Changbin x Ghost Fem!Reader

♡ Genre: very loosely inspired by corpse bride, horror in a goofy + silly + fluffy sort of way, ghost / human relationship, love at first sight vibes, smut, takes place vaguely during a time where ppl still use landlines more predominantly than cellphones

♡ Word Count: 6.5k

♡ Summary: Changbin is a scaredy cat– and despite that, he likes to read to the deceased in the cemetery, likes to help the souls that may linger there feel less lonely, likes to let them know they aren’t forgotten. His poems of choice are sweet things, full of love and joy– and his utterances of true love stir you; a soul who died before knowing love, and who craves it even in death. And Changbin decides, then and there, that he wants to give you what you couldn’t have in life.

♡ Warnings: discussions about death ofc (reader is quite literally dead and a ghost lol), i thought making reader the ghost instead of bin would be a fun lil twist as that usually isn't the case in fics like these? just wanted to try somethin a lil different :')

♡ Smut Warnings: sweet + tender smut because i'm a yearner for bin first and foremost!, no intended dom/sub dynamics but i did write a lot of bin begging so :), pet names (baby, honey), exhibitionism, voyeurism, some nipple play, mutual masturbation while cuddling

♡ Notes: my kinktober opened up dark but we are returning to standard form with my precious sweet binnie!! i did originally have something dark planned for bin too but i scrapped it pretty early on cause it didn't feel right lol i couldn't do it!! also the poem binnie is reading at the beginning of the fic is "since feeling is first" by e.e. cummings!

♡ Disclaimer: please read responsibly, and remember that this work is fiction and meant strictly for imaginative fun. the idols used in fics are more accurately faceclaims and personality outlines for imaginary characters, and should not be interpreted as factual representations of existing people.

Changbin curses the autumn sun for setting so early– why on earth is it already so dark at 6 o’clock?!

The full moon hangs over him, and gosh, he wishes he could've gotten here earlier in the day– maybe then he wouldn’t still be here, in the local cemetery at night, with nothing but his poem book in hand.

He wishes even more that he at least had a flashlight– but the batteries were drained in the one he has sitting in his car's glove box, and it's not like he can leave spares in there; that's dangerous! So all he can do now is keep turning in the moonlight, trying to get it to hit the page of his book just right so he can keep reading.

Perhaps the reason he's here is silly, but Changbin fully believes in ghosts. Well, to be more precise, he thinks that there are many souls in the world, and that not every soul is here physically.

Most souls, he thinks, depart for a better place when their flesh dies, but he also thinks there are many that don’t– many that stick around because there is something they still wish to do, or because they have someone they still wish to see.

That’s what always brings him here when he can spare a moment from his busy life. Because he believes that if spirits do still linger in this world like he thinks they do, if they haven’t yet found peace and moved on, they must be lonely.

It must be sad– to exist in the world you once knew, but be unable to interact with it the way you used to. For others to no longer be able to see you, touch you, or hear you.. He doesn’t want anyone, alive or otherwise, to feel forgotten or ignored. And if he can make a difference somehow, in whatever small and silly way it is, he’ll do it; because he’d want someone to do it for him.

Naturally, he didn’t intend to still be here at night; he just got caught up at work, and arrived here later than he typically would. But still, he didn’t want to just turn around and go home– he promised last week that he’d come back today to read!

And maybe ghosts, or spirits, or whatever you want to call them aren’t real; maybe he spends his time here reading to nothing and no one. But if there’s even a chance that someone can hear him, and who looks forward to the days he returns to keep them company, then he has to keep his promises.

Still, he’d be lying if he said he isn’t more than a little freaked out right now. He’s been here during the day plenty of times, and you’d think that’d mean he wouldn’t be scared of the place at night, but oh, you’d be so sorely mistaken.

He jumps every time the crisp, freshly fallen autumn leaves rustle from the wind, and from every shadow cast from the newly bare tree branches. He constantly glances over his shoulder, alerted from every small noise, whether it be an owl hooting or a cricket chirping.

And when a black cat appeared out of nowhere to bump against his leg, he let out the shrillest shriek before erupting into a fit of sneezes. He even jumped out of his skin from accidentally kicking a can while walking– and why is there litter in a cemetery anyways? Whoever left their trash here is so disrespectful!

Suffice it to say, Changbin really wants to get out of here– but there’s only one more batch of graves he hasn’t read over yet, and he doesn’t want to skip them over. It wouldn’t feel fair to them, especially not if they're waiting for him– the last thing he wants to do is disappoint someone.

“H-Hi everyone! Changbinnie’s back to read again, uhm– s-sorry I came so late, I’ll still read to you like I promised! J-Just give me a sec,” he says, trying to temper the fear in his voice as he continues to adjust the position of his book in the moonlight. Finally, he finds the perfect position for the moon to make the words in his book clear, and for the shadow he himself casts to not obscure them.

He takes one more tentative glance around, takes a breath to settle his nerves before he clears his throat to start. And thankfully, the fear does naturally start to dissipate a bit as he reads– serves as a good enough distraction from his eerie surroundings. "Since feeling is first, who pays any attention to the syntax of things, will never wholly kiss you. Wholly to be a fool while–"

Changbin pauses when he hears an unfamiliar sound, goosebumps erupting all along his skin as he looks up from his book. It was a soft, light and airy sound– almost like a voice, though he’s certain it couldn’t have been; because when he looks around, he doesn't see anyone. He’s as alone as he’s been from the start; so he assumes he's just psyching himself out, mistaking the steadily blowing wind for something it isn’t.

"Aish, it's nothing! Stop scaring yourself!" he whispers to himself before he continues to recite the words on the page. But he pauses yet again when he hears fallen leaves crinkle and a brittle tree branch snap just feet away from him. It spooks him good, it does– and he lets out an awkward laugh at himself when he realizes it was the black cat he saw earlier that made the sound; hopefully it keeps enough distance that he doesn't get the sneezes again.

Looking away from the cat that is currently working overtime to fray his nerves, he turns his attention back to his book. There's only a tiny bit of the poem left to go, and Changbin is confident he can get through it! No more being a scaredy cat over the little things, no more trembling breaths and anxious stutters– he can do this!

"The best gesture of my brain is less than your eyelids' flutter, which says we are for each other; then laugh, leaning back in my arms. For life's not a paragraph, and death, I think, is no parenthesis."

With a sigh of relief to be finished, he closes his book and prepares to bid the inhabitants of the cemetery, that may or may not actually exist, a pleasant goodbye; and a swear that he's never staying past sundown again. He’ll stay longer next time, he promises, but he has to go home before he loses his mind.

He really hopes they do exist– he doesn't want to think he stuck around while scared out of his wits for no reason; he hopes someone heard him, and was comforted by his presence. And honestly, he thinks he deserves a pat on the back after all the trials he's gone through in the last 30 minutes!

And as he finishes tucking his poem book in his arm and looks up, he sees someone. Translucent, hazy, floating, just a few feet in front of him– he can see straight through them, can see all the dark trees and short, stone headstones that live in the ground that the figure should obscure were they physically here.

Changbin blinks, almost wanting to cartoonishly rub his eyes and slap his cheeks to make sure he's seeing properly and not losing his mind like he fears. What he does instead is shriek, positively jumps out of his skin once again as he drops his book and falls back on his behind from the fright.

He scrambles backwards, ducks behind a nearby headstone and brings a hand over his racing heart. He takes a few breaths, does his best to calm down before he slowly peeks out from behind the headstone to see if the figure is still there.

He doesn't see anyone anymore– was he just seeing things? He has been really scared, so he doesn't think it impossible that his mind would start tricking him. But what if he really saw a ghost? The thought makes goosebumps rise on his skin again– God, he needs to go home already.

"Hello? Can you hear me?" he hears a voice, airy and otherworldly, just behind him. His breath hitches, and hesitantly, slowly, he starts to turn toward the source of the voice. You float there, brows furrowed as you call to him, glowing ever so slightly in the palest shade of blue.

A chill runs down his spine, and it's not just from how frightened he is– it's because cold air is quite literally radiating off of you. "Y-You– You're– You're a–" You're a ghost, he's trying to say, but the word catches in his throat. It doesn't help that his teeth are chattering now– he can even see his breath with every word he manages to choke out.

And yes, he already thought ghosts were real– the whole reason he comes here to comfort spirits is because he believes in them! But he’s never actually seen one before, nor heard their disembodied voices calling to him. And now that it’s actually happening, he doesn’t know what to do with himself.

“You can hear me! I knew it! You can see me too, can’t you?” you exclaim joyously, clapping your hands together in utter delight. You’re less transparent than before, your form less blurry– but you don’t look solid either. If he stuck his hand out to touch you, he’s sure it’d pass right through you.

He swallows as he watches you dart side to side in your glee, the motions so smooth it’s unnatural. You look around his age, he thinks, though it’s impossible for him to tell exactly how old you are– or rather, were. Your hair is wispy, floats around you in a way reminiscent of being underwater; your long dress does too, light and delicate in appearance.

“I’m sorry for scaring you, Changbin,” you tell him earnestly as you float down to his eye level, “I didn’t mean to, I just got so excited you could finally hear me– I'm so happy!”

“You– you know my name?” Changbin questions, bewildered– honestly, he feels like he’s going to pass out. “Of course I do! You come here every week to read to me,” you reply with a giggle, as if the idea that you wouldn’t know his name is a silly one.

“O-Oh, right, yeah, of course, that makes sense,” he mutters. He’s still shocked, but he’s not as scared as before, and he manages to relax just a little. “You, uhm– you listen to me read often then..?” he follows up hesitantly; and it’s probably such a silly question, but you’ll have to forgive him because he’s never had a conversation with a ghost before.

“Yes! I love when you come to visit and read your poems, it always makes me happy,” you tell him, adjusting your position so you’re sitting down with him– though you aren’t actually sitting on the dirt like he is, but levitating off the ground.

You introduce yourself after that, smile happily when he repeats it, because it’s been oh so long since someone said your name. “If you’re always here, why couldn’t I see you before?” Changbin can’t help but ask after, because now that the fear is dissipating he’s full of questions he wants to ask you.

“Well, the conditions have to be right! You can’t see me when it’s bright out, and you never stay 'til dark. And now I know why, scaredy cat,” you tease him, giggling when he pouts and huffs. You honestly find it endearing that someone as seemingly strong as Changbin is so easily frightened by little things.

“Hey, you’d be scared too!” he complains, though he can’t help but smile as you keep giggling at him. He never expected to befriend a ghost, but you’re obviously a kind spirit, and your delight to be talking to him is evident. And now that he’s over the shock and the fear, and really looks at you, he thinks you’re pretty too– beautiful, even.

Is that strange? Maybe; but you are still a person at the end of the day. You float, you’re a little transparent, you glow pale blue and cold air surrounds you, but you’re still a person.

And at the same time, he can’t help but feel sad too– death comes for everyone, he knows, but it feels unfair that someone like you is already gone from this world. Someone as young, kind, and beautiful as you should’ve lived a long, full life.

“You need to have strong emotions to manifest, y’know? And the moon helps– when it's full like this, it gives me more energy than I usually have,” you continue to explain when your giggling subsides, and Changbin hums contemplatively, thinking for a moment before he responds.

“You have strong emotions then? Something that keeps you here?” It makes sense that you would– as far as he knows, strong emotions are the only things tethering spirits to the physical world; so if you’re not at rest, it has to be because there’s something within you that feels unresolved, something you needed or wanted but never obtained.

Tentatively you nod, fiddling with your fingers and averting your gaze slightly. “I do, but.. It’s– it’s silly,” you mumble, and Changbin’s previous lighthearted, curious expression shifts, suddenly turning serious as he gazes at you with a slight frown.

“If it mattered to you– if it still matters to you, it’s not silly,” he says, and the sincerity in which he says it would make your heart race if you were still alive. If you’re being entirely honest, you’re in love with Changbin– and that’s part of the problem.

When you were alive, all you’d ever wanted was love– to meet someone that knocked you off your feet with just a glance, someone sweet, sincere, and tender. Someone that you could marry someday, maybe start a family with while living together in a quaint little idyllic house.

But that never happened– and the sense of despair and unfulfillment you felt from having your dreams taken away from you are what kept you here. You didn’t know what to do when you realized what happened to you– spent your days wailing in frustration and sadness to the few other spirits inhabiting the cemetery with you over the unfair circumstances.

What were you supposed to do? How were you supposed to find peace and move on? Maybe the only way would be to learn to accept it– accept that your dreams would never come true, and just let them go. You didn’t want to, but if you kept holding onto them, who knows when you’d finally move on from this world?

And around the same time you were grappling with such thoughts and feelings is when you first saw Changbin, who came to the cemetery for no reason other than to give you and the other inhabitants some company. And he wasn’t talking only to you, but it always felt like he was– like every word that left his lips was entirely for you alone.

“I’m here for you, you’re not alone as long as Changbin is here,” “This poem is my favorite, I hope you like it too,” “Did you have a good day today? It’s okay if you didn’t– Binnie’ll hopefully make it better!”

That’s all it took, really– and suddenly, you weren’t bound to this world because you never knew love; you were bound to this world because you felt it too much. You love him; not just because of his sweet personality, but every little detail about him– from the swoop and curl of his hair, to his chubby cheeks, to his cute, pretty and pouty lips.

And you long to kiss him, but Changbin is alive, and you very much aren’t anymore– and there’s no way he’ll fall in love with a ghost. Still, you believe him when he says that what binds you here isn’t silly– or that he won’t think so, at least.

“It’s just.. Well, I can’t have what I want, I know I can’t, but I still want it anyways; like, even though I should just let it go, I can’t bring myself to. I think that’s why I’m still here,” you tell him, deciding it’s best to keep your desires down to their vaguest parts.

Changbin is sweet, and he looks at you with so much care that you’re certain he’d be understanding and sympathetic, but it’s probably for the best that you don’t pour your heart out beyond that.

“Is there really no way for you to have what you want? If there’s anything I can do to help, you can tell me! I’d do my best,” he expresses sincerely, and though you can’t physically cry anymore, it almost makes you feel like you will. He’s just too sweet, you can’t take it.

“M-Maybe, but I wouldn’t ask for it,” you reply, and his brows furrow a little. “Why not? You don’t have to tell me if you really don’t want to, but I hope you know that I mean it when I say I'd be happy to help you," Changbin says, smile so patient, gentle and sweet that it if you were still alive, your cheeks would definitely be heating up right now.

Should you give it a shot? What's the worst that could happen? You're already dead, so it's not like you can die from embarrassment if he shuts you down. The worst he can say is no– and that would be okay too, because maybe with his rejection you'd finally be able to let go of what keeps you here.

“You could.. kiss me?” you say after a moment of hesitation, and Changbin almost squeaks from how surprised he is, blinks at you with the cutest flustered expression you’ve ever seen.

“Th-That’s– that’s what you want?” he stutters out, and even in the low light of the moon, you can tell he’s blushing, the soft pink spreading over his cheeks and crawling up to the tips of his ears.

“It’s– it’s what I wanted when I was alive. To kiss someone I love, I mean,” you answer, and it gets Changbin’s heart racing. Not just that someone as pretty as you, ghost or not, wants to kiss him, but the implication that you love him that definitely wasn’t missed by him.

“It was the poems, wasn’t it?” he says with a bashful little downturned smile a moment later, and you laugh, in your delightfully light and airy way as you nod. “They helped. But really, I just think you’re very cute– and very sweet.”

It’s a little strange, being complimented like this by a ghost, and learning that said ghost has very deep rooted feelings for him– but he likes it. And maybe it’s a little unorthodox, but he’d be happy to give you what you want; especially if it will help you find peace.

“I’ll kiss you,” he tells you, and it’s not because he feels obligated, or like he should– it’s because, believe it or not, he sincerely wants to. He thinks you're pretty, you're sweet and earnest, and you love him– so who cares if you're a ghost; why shouldn't he kiss you?

“A-Are you sure? You really don’t have to,” you assure him, and Changbin smiles at you as he nods, entirely certain. “I know I don’t have to. I want to kiss you.” Your spiritual heart soars and burns with joy– and slowly, timidly, you return his smile before you float your way closer to him, and reach your hand out to touch his cheek.

He doesn’t feel your touch, not really– just the cold that pours from you. Regardless, he closes his eyes for you, purses his lips and slightly tilts his head the way he would if he were kissing anyone else. And again, he doesn’t feel your lips, but the cold– that is, until the feeling suddenly starts to become fuller.

Slowly, he can begin to feel the way your hand rests on his cheek, can feel your lips slotted against his. He can feel your other hand resting on his chest, right over his heart, can feel the weight of your body on his lap, and he shivers– not because of the cold, but because he can actually feel you now.

Instinctively, he moves his hands to try and touch you– and is pleasantly surprised to find he can. His hands don’t phase through you like he thought they would earlier– he can feel you under his fingertips, as if you’re just as corporeal as he himself is. And so he holds you close, kisses you slow and sweet, over and over until he’s out of breath.

“You’re still here,” he can’t help but whisper when he pulls away; he half expected you to dissipate the moment you got what you wanted, though he’s not sure if that’s actually how it's supposed to work. And he’s left with a strange feeling– on one hand, he’s sad for you because he really did want to help you move on. On the other hand, he likes that you’re still here, that he can still see you and feel you.

In reality, you feel like his kiss tethered you even more to the physical world. You’re the happiest you’ve ever been, and instead of it giving you the peace you needed to move on, it bound you here stronger. You're filled with a strong desire to remain here, to be with Changbin, and you feel that it has made you manifest more than you’d ever been able to before.

You’ve tried many times before, but have never been able to manifest yourself this much; to the point that not only could you be seen and heard, but felt– and whether it’s because the full moon is helping, or because Changbin’s kiss gave you more energy and purpose, or a mix of both, you’re happy.

“I think I like you too much to move on.” you tell him, and he giggles as he squeezes you closer, his nose scrunching cutely whilst he hugs you.

“I’m sorry– I feel like I shouldn’t be, but I’m happy you’re still here,” he says, and you shake your head, returning his smile as you share the sentiment. “I’m happy I’m still here too.”

It’s a bit strange, having a ghost for a partner. Sharing a kiss attached you to him; and no longer bound to your grave, but to Changbin himself, now you go wherever he goes. You don’t need to always be right on him, of course– but you do have to be close; and every time one of you steps too far out of that radius, you always end up snapping back to him.

It’s a generous radius, really– you can go several miles before the invisible tether connecting you snaps you back to his side. It’s more than enough for you to exist in his house while he goes to work– and really, he’s happy to share his home with you; he’s sure it beats staying in the cemetery all day, every day.

And even when he can’t see you, whether because the sun is too bright in the sky or because you don’t have enough energy to manifest that day, he can feel you– and you make yourself known in little ways. His house is always cold now, but it’s especially cold when you’re nearby. You flicker his lights and turn his tv screen to static to get his attention, or leave a message in the steam from his hot showers on the mirror.

He’ll get a phantom phone call to his landline, where all that exists on the other line is static– but even if he can’t hear it, he’s sure at that moment you’re saying something sweet. And while he's mostly used to these occurrences now, he'll still jump when he hears a sudden noise before he remembers it’s you; a tapping on the wood of his bed frame, usually– 8 knocks meant to signify “I love you.”

Nights of the full moon are always when you can manifest yourself the fullest and easiest, and you both take full advantage of the time you have before you eventually start to become hazy and transparent again. Tonight is one of those nights; the moon hanging high, bright and beautiful, illuminating his dark room in the same pretty, pale blue that glows off you.

“Baby, please–! You’re so cold, warn me first!” Changbin cries when you first touch him. He already knows you’re not going to waste any time in getting to touch him when you first manifest, but the chill that radiates off you still jolts him every time.

“You’re just so warm,” you muse happily as you snake your limbs around him, sap him for all the warmth he’s worth under his fluffy comforter, “my big teddy bear.” He huffs, but smiles as he does– he can’t actually be upset with you, after all.

“You should let me take your warmth anyways– you were so mean, ignoring me all day,” you pout as you snuggle into him, burying your head in the warm crook of his neck.

“Hey, hey! Don’t say that, that’s not fair! You know I couldn’t see you!” he wails dramatically, and you have to make an effort not to giggle, bury your face further into him so he can’t see you smiling.

Of course, you know it’s not his fault in the slightest that he couldn’t see your or hear you earlier today, but you still like to tease him over it just a little– his reactions to it are always so cute. “So mean,” you repeat, your voice muffled by his sweater.

He knows that you’re doing it to get a rise out of him, and you know that he knows. But he likes doing this with you– it’s silly fun, and he loves the precious smile that spreads on your face when he plays along and inevitably dotes on you while begging for your forgiveness.

“Aigoo, my baby is really upset. Guess Binnie just has to make it up to you, huh?” he says, and you lift your head just enough to peek an eye at him. “Tell Changbinnie what you want, he’ll give it to you. He’s really sorry,” he entices you further, and the cute smile he was expecting and loves so much makes its full appearance.

“Want a kiss,” you say, pursing your lips at him in that cute duck shape as you wait for him to comply. He tries to coo at you, but it comes out more like a giggle before he’s lifting his head from the pillow to kiss you, tender and sweet.

“Do you forgive me now?” he asks when he pulls away, and you hum as you pretend to think about it. “Mm, I don’t know. I think I might need another one to decide.”

Changbin fully laughs then, shakes his head and mutters something about you being cute before he kisses you again. He shifts onto his side as he kisses you, making it easier for you to tangle your legs with his. He hisses when your cold toes touch the backs of warm calves, and you giggle an apology, though he knows you’re not actually sorry about it at all.

You always tell him how much you love his warmth, and how it radiates from every inch of him. And he’ll pout and shout, half-heartedly complain when you surprise him by touching him with your cold digits, simply because he knows it makes you laugh; you both know that in reality, he’s happy to be your personal heater.

He shivers when you snake your hands under his sweater; your hands aren’t as cold as they were when you first touched him anymore, but it’s still enough for goosebumps to follow the path of your fingers– or maybe he just has goosebumps because he likes you touching him.

Changbin gasps when you brush over his peaking, puffy nipples, and you take that moment to slip your tongue into this mouth. He moans when you pinch them between your fingers, tweak and twist just enough to have him squirming.

“Honey,” he breathes in a near whine when you pull away from him to kiss over his jaw, and the scar that sits on his chin, while your fingers continue to play with his body.

“I missed you,” you speak against his skin as you press kisses along his neck, “I heard you earlier– saw you touching yourself in the shower. I wanted you so bad, but I couldn’t do anything about it.” He whimpers at that, squeezes you where his hand rests on your waist.

Naturally, the fact that you can hear him and see him even when he can’t see or hear you always exists in the back of his mind. Every time he starts to touch himself, it’s something he considers– and he even likes it; likes knowing you’re there, watching and listening.

“I’m sorry, couldn’t help it,” he whines an apology, though he knows he doesn’t have to. You’ve both talked about it, of course– how you like watching him, and how he likes being watched in turn. There’s something naughty about it, and it always leaves him feeling extra desired and sexy when you later tell him what you saw, how much you want him because of it.

And when he feels a sudden chill run along his body and down the length of his spine, is hit with the inexplicable sensation of being watched, he knows it’s you. It always fuels him, makes him fist his cock faster and run his mouth, hoping you like everything he’s spilling.

Really, it’s no wonder that you always jump his bones the minute you can. Changbin thinks he’d go insane if the situation were the opposite; if he could see you touching yourself, could hear every little noise of pleasure you release, and not be able to join no matter how bad he wanted to. He’s already desperate for more intimacy with you as is– he doesn’t think he’d be able to take it.

“Can you do it again? Touch yourself with me right here?” you ask him, and he can’t help the way his face flushes as you continue, “I want you to see me watching you this time.” You can feel the way his heart thumps in response to your request, how it picks up speed ever so slightly before he answers. “Y-Yeah, I can– I can do that for you, honey.”

You meant it when you said you like watching Changbin get off. You like watching his honeyed skin slowly take on more and more pink as he strokes his cock. You like watching his broad chest puff out, his stomach clench, his toned arms flex with every motion he makes.

You like watching the sweat build on his brow, and like to listen to his moans become more breathy and whiny as he gets closer and closer to release. And though Changbin isn’t naked now, you’ll still enjoy watching all the same; because he's beautiful, and handsome, and so utterly perfect when he's feeling good.

He reaches between your bodies, manages to get his pajama pants and underwear down just enough to release his still hardening cock from their confines. He bites his lip as he takes the short length in his hand, looks down at himself as he strokes it slowly before looking back at you.

There’s still enough lingering sensitivity from before that he squirms more than usual, but that’s not all there is to it– it's your attentive stare, the way you gaze into his eyes as he moans before you trail them away to watch him stroke himself, and back again. And you’re so close, body so tangled with his, that his fist keeps bumping into your thigh with each pump of his cock.

Changbin keens when you kiss him, so affectionate and tender that it makes his head spin. You can feel his thighs twitch as he starts to stroke himself faster, and you pull away to watch for a few moments before you tilt your head back up to kiss him again. He's fully hard now, dripping pre-cum so steadily that the glide of his hand becomes slick and effortless.

He whimpers when you pinch his nipples again, parts his lips so you can slip your tongue back into his mouth. His breathing becomes steadily harsher and uneven, his every moan and whimper muffled by your lips against his. He brings his other hand to your ass, squeezes it as he pulls you even closer to his body, as if the fact that you're not already mere inches apart with your limbs tangled together is enough for him.

And truly, he can't get enough of having you close like this. The way you kiss him, touch him, look at him, all while he’s stroking his cock for you– it really does something to him; makes him feel so good and so desired that he swears he could cum purely from the intimacy of it alone.

“You too, please?” Changbin pleads in a breathy exhale the next time you pull back from kissing him, “Please, want to watch you too.”

“Yeah? You want to watch me?” you smile, almost giggle from the eager nod and the whiny, desperate “please, want it so bad,” he gives in response. You’re sweet to your Binnie, oblige him in an instant, and he watches with eager eyes and bated breath as you dip your hand between your bodies.

Even with your dress already hiked all the way up your thighs, you’re so closely pressed to him that he can’t get a clear sight of your pussy; but watching your hand will be enough of a view for him. He'll be able to tell what you're doing, and that's all he really needs.

All you can reach while this close and tangled together with Changbin is your clit, and he watches you shudder at the first bit of stimulation to it from your fingers. He mimics what you’d done– alternates between watching your face and your hand, and God, every time your eyes meet again it takes his breath away.

It’s not the same as if you had a physical body like his– your face doesn’t flush, you don't sweat from exertion, and you don’t grow breathless the way he does, but you feel the pleasure all the same. He can tell from the furrow of your brow, the tremble of your body, and the bite of your lip as you gaze at him.

And you're so pretty, face so close to his that your foreheads touch, that his every breath tickles you. "Oh my god, baby–" he whimpers when you start to moan with him, picking up the pace of your hand when he does, matching his speed.

It makes him dizzy– because when he closes his eyes, he can pretend he’s inside you; pretend that the sloppy, squelching sounds his fist creates are from your pussy instead. He can pretend that when you moan and whimper, it’s because he's stretching you out perfectly and hitting your spot just right.

He holds your gaze when he opens his eyes again, completely stops watching the motion of your fingers between your legs so he can strictly observe you, take in your pretty face and how you look when you're feeling good with him. It’s intimate, staring at you like this; it makes him squeeze his cock tighter, the motion of his fist quickly becoming erratic as he drives himself closer to release.

“Does it– do you feel good?” Changbin asks, because even though he knows, he still wants to hear you say it. “Do you like this? Tell me– please tell me.”

“Feels so good, Binnie, love this, love you so much– you can’t see it, but I always touch myself with you like this, always make myself cum watching you,” you tell him, and he whimpers from your admission, high-pitched and squeaky.

“Oh, ‘m so close– will you cum with me? Please, need you to cum with me,” Changbin whines and pleads, every inch of his body trembling as he tries to hold his orgasm back long enough to hear your answer.

“I will, ‘m gonna cum for you, Binnie, just for you,” you promise, reaching your free hand out to cup his face, keeping your eyes locked with his as you watch each other unravel. Your paces are frantic now, bodies bucking together with every combined motion of your hands between your tangled legs.

You lean forward to kiss him just as your high takes you, and it sends him right over the edge with you, eyes rolling back before they flutter closed. Noises of pleasure muffled by each other’s lips, his hips jolt as his cum spills over his fist, onto your thighs and the hand you have nestled between them.

He’s sure some of it got on his comforter too, but he doesn’t care– he just keeps kissing you as he comes down from his high, because despite how breathless he is, it's all he wants to do. “I love you so much,” he tells you after another sweet kiss, and you smile at him, tell him you love him too as you wipe the sweat sticking his curly hair to his forehead away.

You stay like that the rest of the night; tangled together, hugging each other close and kissing tenderly until Changbin’s fatigue prevents him from doing so any longer. He falls asleep like that, holding you to his body as much as he can; and even when your physical form starts to dissipate with the rising of the sun, you stay right against him.

When he wakes in the morning, he can’t see you anymore, but he knows you’re there. He tells you he loves you, and he smiles when you reply with your 8 little knocks to his bed frame. He talks to you throughout his morning, as he always does, because even if he can’t see you, he knows you’re listening.

And when he decides to go back to the cemetery to read to the other spirits that still linger there, as he promised them he would, you go with him. He saves your grave for last, and you watch as he puts flowers on your headstone before he settles in to read to you; and even when he can’t see you because the sun is just too bright, he can feel you there, sitting next to him and listening to his poems.

When he’s finished reading, he’ll feel a sudden touch of cold on his cheek, and he’ll know it’s from you kissing him. He’ll smile, place his hand over the spot and tell you again that he loves you. And when Changbin returns home, and the light of the moon helps you manifest again, he’ll kiss you all over and squeeze you tight, with a million promises of forever on his lips.

#skz x reader #changbin x reader #skz smut #changbin smut #skz fanfic #changbin fanfic #skz imagines #skz scenarios #mdni + divider graphic credit: @cafekitsune #kinktober fic and yet i once again wrote more plot than porn. yeah it's fine what's new #but also the me who thought she could write something short and plot-free for binnie was so funny. like who do you think you are?

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4dbarbie-archive · 1 year ago

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4dbarbie remix: How to realise Self?

Disclaimer: This remix/mashup post was compiled by me, a student of 4dbarbie as a way to make sense of everything and to understand how to apply the knowledge practically. I went through all her posts and answered asks to make this which is made up of various parts of 25 49 (omg lol there was a lot of good stuff) different posts and answered asks. It is not an original post by 4dbarbie herself but all words are directly from her various posts and answered asks (except for my clarification notes which are in purple text in brackets & the last section after the last divider where I make some closing comments). Hopefully the way I've organised the information in this post makes sense and helps some Vanessas out there. ♡

Fair warning as this is a pretty long post essay (!) so maybe grab a cup of tea or something :) If you are really new to all this then take some time to really process it, there is no rush. My personal notes and highlights are in pink for main points and purple for 'action' points.

May we all realize our Self ♡

There would be no steps necessary, no process to undertake if you would just establish yourself in the I AM alone. You are so lost in your play you forget reality. 1 If you are "I AM", it means you are not the person experiencing the world/thoughts/circumstances, you never were. 2

The external world, you control it (because it is you!, in you), you make it, fully, even when you tell yourself you don't. 3 To know yourself as the source of all that is, you have to first remove the veil of what's stopping you from seeing it in the first place. To know your real being, you have to first abandon what you thought yourself to be. 4 There is no external life, there is no need to use any methods to recondition or train your mind. It is much faster, much easier and you are hundreds times happier just letting go of the mind. 5 The process is one of letting go more and more until you find yourself having nothing, being nothing. The thing about nothing though is that it's the only thing that can take the shape of everything. 6

A jeweler who wants to refashion an ornament, first melts it down to shapeless gold. Similarly, one must return to one's original state before a new name and form can emerge. The only way to renewal lies through destruction. You must melt down the old jewellery into formless gold before you can mold a new one. What refuses to die cannot be reborn. - I Am That, Nisargadatta Maharaj 7

Stop thinking you are Vanessa, the thoughts of needing this or that drop away. By thinking you are it, you create a character who desires and then identify yourself with it. You can only have when you let go of thinking that you don't. To change, you need to give up this conviction of being this person. You need to disbelieve. 9

Most of you can't change because you are so desperate TO change... but there is nothing to want to change. Things just are. Don't work with changing self, just realize who self actually is. 10

You have it, all is well. Just stop believing the illusions born out of thinking you're a person. 11

Unless they understand who they really are, that Vanessa is a habit and nothing more - that nothing has existence outside of awareness, including her, that awareness assigns reality and is the only reality - they're always going to struggle to control something and get frustrated they don't see what they think they're aware of. What you're aware of is what you're being. You can't be aware of being something new while also being Vanessa. 12

Knowing is being. If you really knew, the thing you knew would be materialized. You know you are Vanessa so you're being Vanessa. Would you want Vanessa if you were her? No. You are her so you don't desire her. And you won't be able to be Vanessa 2.0 if you don't shed this Vanessa first. That is, let go of thinking the thoughts are yours. 8

Your memories of the life Vanessa lived are now and not in a past. You are imagining her past being now. Her past exists now because you are aware of it now. If you were Lara you would be aware of a different past, still now. Basically there was no yesterday and you are imagining "a past having been" today. 13

Anon: "Do I have to endure the world while I know my self as awareness and disbelieve that I am Vanessa???" Ada: THE POINT OF KNOWING YOURSELF AS AWARENESS IS TO DO WHATEVER THE HELL YOU WANT AT ALL TIMES, FOREVER. It's complete, incomparable freedom and power. It's the only real love. 14

You are either your Self with nothing attached to it or you're an ego. Disbelieve you were ever her. See what happens. 41

A lot of beliefs are subconscious. "I am a body", "I am Vanessa", "There is a world" are all subconscious, automatic beliefs. Upon investigation you can get rid of any belief (by making them conscious and then dropping them). 15 How do you drop a belief? (see part 1 and part 2)

HOW TO STOP?

The body and the mind are only symptoms of ignorance, of misapprehension. Behave as if you were pure awareness, bodiless and mindless, spaceless and timeless, beyond 'where' and 'when' and 'how'. Dwell on it, think of it, learn to accept its reality. Don't oppose it and deny it all the time. Keep an open mind at least. Make your mind and body express the real which is ALL and beyond all. By doing, you succeed. - I Am That, Nisargadatta Maharaj

You need not take time to meditate or put time aside to contemplate and "apply". All you need to do is detach from this form during the day, let life happen as it happens while reminding yourself it's a dream, a dream that doesn't have to be yours. 16 It is your own desire to hold on to it that creates the problem. Let go. Stop imagining that the dream is yours. As long as you give reality to dreams, you are their slave; see all as a dream and stay out of it. 17

You imagine that there is an external world in which the you that you're identified with lives, but all of that is in your mind. Stop imagining it's true and it dissolves, which can only mean it never was. Which can only mean you assigned reality to it by thinking you're it 18

I've said it before, you don't have to convince Vanessa that she's unreal. Just stop taking the thoughts you don't like for truth or reality. There is no convincing involved, it is all letting go... you're holding so tightly onto your ideas now, that's why you can't see their falsity. 19 You don't have to convince anyone of anything. What I teach here is to leave your mind alone, that is all. Don't go along with it. 2 Thoughts will keep on coming for a while, just now you know they have nothing to do with you. Get into a habit of watching, letting them be but not identifying with them. If you can observe them, it means you are not them. 32 Doesn't matter what the thought is, leave it alone, ignore it BUT not by force of will, just indifference. We've established you aren't the ego, alright? Thoughts, right now, are from the ego. 20

Thoughts of the past life come, remember they no longer have anything to do with you. Literal full delusion (I only call it that because after being identified with a person for so long, it's mind-blowing to grasp you are not that). Thoughts are not yours, complete indifference - no need to fight them. Where they come from, none of your business. Only know they are not yours. YOU not being in your desired reality is a thought, got it? This body and this world are not forced onto you, they exist through your identification with them. Not yours, remember? Repeat. Not yours. You won't lose your mind, you'll only lose your misery. After you've detached, you'll easily shift to as many realities as you want - don't put any on a pedestal of desire, they are equal. See this world and the body as not real first. What is true is only what I AM is identified with, right now this body which is not in that TV show (referring to anon's desire). Correct this first by letting go of thinking it's you. 21

You don't need to convince yourself they're unreal, just dismiss them as not yours. They will disappear more and more through your newfound indifference, then their physical counterparts will, too. Detachment is by doubt and indifference. First you start doubting "the facts", then you become indifferent to the facts, lastly there are no facts anymore and you can establish your own. 20

Start letting go bit by bit, just to see what happens, you won't start "acting crazy" just because you become uninterested in thoughts, I promise 22

What I recommend you to do is bring your self into focus, become aware of your own existence. See how you function, watch the motives and the results of your actions. Study the prison you have built around yourself because of credulity. By knowing what you are not, you come to know your self. The way back to your self is through refusal and rejection. 23

Here's a scale of emotions you go through, from bottom to top: apathy, grief, fear, hostility, anger, indifference, acceptance, freedom finally - and then unlimited, independent joy. You can review this to see where you are on the journey and what should come next. You can't skip them, all of them have to happen for you to have the all. 14

Do not try to understand any more, just be. And let other things be as they are. Even if you're not happy about what you see, there is no way around it besides accepting it. As long as you fight it and try so hard & incessantly to change it, you're only giving it further reality. 14

If you are angry or in pain, separate yourself from anger and pain and watch them. Step away and look. The physical events will go on happening, but by themselves they have no importance. It is your mind alone that matters. When you identify yourself with them, you are their slave, you think you have to act on them. When you stand apart, you are their master. 24

One thing is certain: the real is not imaginary, it is not a product of the mind. 23

You are beyond the mind. Mind and body become your servants once you discover your Self. The present moment is all that is, so yes - become aware of having never been the ego, of your ego being just one of your creations. Ego is the concept of individuality, of separation from the “I", and the All. Therefore ego is a false assumption. We are really the Supreme Reality, we are not separate from It. To "fix" the separation, reject what you are not. Only look at who you are, over and over and over until it becomes the permanent identification and replaces the ego. 25

Once you are convinced that you cannot say truthfully about your self anything except ‘I am’, and that nothing that can be pointed at, can be your self, the need for the ‘I am’ is over — you are no longer intent on verbalising what you are. All you need is to get rid of the tendency to define your self. All definitions apply to your body only and to its expressions. Once this obsession with the body goes, you will revert to your natural state, spontaneously and effortlessly. 23

Drop the false ideas first and watch. After what keeps you stuck goes, you can do whatever you want. You can think the ugliest thoughts and nothing will happen if you know yourself as who you are. It's your identification with the thought that causes the thought to be true. 26

The guilt is because you think you're running out of time and you need to change "your" life now. Be patient with yourself because you don't lose any time, just get to that place I'm telling you about and then you can just go back in time if you so wish. All worry is pointless! And there is nothing to fear, things just happen, do not claim them as yours for a while. Unclutter your mind, it becomes your servant after you've freed it enough. 27

She (Vanessa) will vanish yes, you ask how because you still think waking is more real than a dream. Do your dreams not vanish? Do you wonder how they vanish? They just stop existing all of a sudden when you go into another dream (waking). What if you've lived all your life as Ada and woke up one morning and were suddenly Vanessa with no memory of Ada, would you know anybody vanished? Nope. All you know is who you are right now (because present is all that is), which is Vanessa. 28 Leave poor Vanessa alone, with both her desires and fears, disbelieve you are her until reality becomes self-obvious.

By being your Self you gain the freedom of existing as anything, anytime. You don't lose Vanessa's pretty body if you don't want to stop imagining yourself as being Vanessa with her pretty body. 29

Nothing is lost, awareness just shifts. You can always go back. We're just removing the obstacles that stop you from having this freedom of choice (your identification with this person). You can completely wipe out Vanessa's existence as well. Later if you change your mind, you can make it so that she actually existed again. You are no form, you are formless, the form only is when you imagine there is a form, be your favorite form and dream beautiful dreams :) 30

There is no difference between sleeping and waking, awareness is the background of both. You just think the waking state more real because you've dreamt it over and over and reinforced your belief. They're equally imaginary. Become aware of this and life will forever be a breeze. 31

All depends on you. It is by your consent that the world exists. Withdraw your belief in its reality and it will dissolve like a dream. Cease from looking for happiness and reality in a dream and you will wake up. - I Am That, Nisargadatta Maharaj 17

Your next step will be realizing there is nothing to learn in a dream. You'll find yourself having less and less thoughts, then none at all. Then, only if you want, you will be able to reinstall the mind, now of your choice, and change the dream. 16

Past doesn't come up anymore, memories don't come up anymore after you've ignored (thoughts) & detached yourself enough. They just don't. You can think freely now about being something different. If you can't, don't get mad, don't blame, only know that the one that's doubting isn't you, so the doubts are totally fine to be. They'll be for a while and then they dissolve too, because by ignoring, not getting involved - you forget. And by forgetting not only do you free up so much mental space, but possibilities of what can be, become unnumbered. 36 Anon: Is it okay to feel completely indifferent after learning about this stuff? Like, not feeling as worried about what is playing in front of me since I know its not me Ada: That's the goal. Then become indifferent to the thoughts you get as well. Those aren't yours either. You'll become aware they've dissolved & you can reconstruct the mind however you want because you have no attachment to past beliefs anymore. 33

Even the process is very beautiful... but the very best is when your Self becomes the permanent background instead of Vanessa. Now you always return to Vanessa, later you'll forget to consider her ♡ Dream not of a character who wants and desires, there is nothing to long for — only things to be. 16

To not depend on anything but everything to depend on you is a top state you can grasp with no method. 5 The experience is of being empty, uncluttered by memories and expectations; it is like the happiness of open spaces, of being young, of having all the time and energy for doing things, for discovery, for adventure. A sense of 'there is nothing wrong with me. I have nothing to worry about'. But not one you condition yourself into like you conditioned yourself into a body, it is one that naturally and effortlessly dawns on you by itself when you reject all else, because it is your natural state. 34 Real freedom and real love only emerge when you're not identified with a transient ego. 35

All you are doing is becoming lucid. Becoming able to control the dream. You won't be able to, unless you step out of it. That is, stop thinking this story you tell yourself is true. When Vanessa is no longer all you are, you'll be able to 'change reality' the way you change the film in a video projector. You'll be able to have as much fun in the play as you want to, change it when you no longer want this one specifically. The emotions of the character are fun and welcomed, because they no longer imprison you, there's the background of love to it all - that once you gain, it can't be lost, it's ever present. 36

What you are identified with materializes. If you are not, it disappears. 37

Just let go of the ego, that’s how simple it is. All you need to fix is your wrong identification. There isn't anyone who couldn’t materialize anything right now if he or she would just let go of identifying as the limited body. 38

Only by letting go of all do you gain everything. But once it's done, it's done irreversibly. Fear is no more, control is fully yours. You are free, completely. And with the bliss of freedom no human pleasure compares. You become full love, full power. The absolute and only power. Sooner or later, you will arrive at the same conclusion. You can't stop being what you are, all else can stop existing, but you can't. The only thing you have a choice in is delaying seeing it by thinking you are this or that. Only see it (I Am), then you can imagine whatever you want and it will be. 39

If you project the world, it is within your power to change it. But you must stop identifying yourself with it first. Go beyond, then you have all the power to destroy and recreate. All everybody wants is to be free, but to do that you must know two things: what you are to be free from and what keeps you bound. 2

Your own self is your ultimate teacher, the outer teacher is merely a milestone. It is only your inner teacher that will walk with you to the goal, because he is the goal. - Nisargadatta Maharaj 40

Got more questions? Recommended reading:

Ada's recommended guides on realizing Self: 1, 2, 3

My recommended posts from Ada*: 1, 2, 3, 4, 5

All references from the remix post

Books: I Am That by Nisargadatta Maharaj** and Keys to The Ultimate Freedom by Lester Levenson

*in addition to the sources linked in the post **a lot of her posts incorporate quotes and excerpts from this book, moreso than Lester Levenson's Keys to The Ultimate Freedom and she also shared a lot of excerpts from the book

What does this look like when applied?

Experience is the best teacher and learning from other's experiences and how they applied this knowledge can be really valuable and insightful. I don't define success based on materialising things necessarily although that is one result of realizing Self.

From 4dbarbie students: see the tag

Other: 1, 2

Okay, what to do after reading all this?

Apply apply apply. Don't wait, nothing will happen by waiting. There is only now. Inquire who is causing trouble and to whom. You can't think yourself into realization. 'You' are beyond the mind. You are the creator of the mind. It must be experienced.

#remix #4dbarbie #nonduality #non duality #nondualism #non dualism

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tossawary · 30 days ago

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One of the more amusing narrative constructions in "Merlin" to me is how explicitly magic is tied to medicine from the very beginning of the show, with the healer Gaius as Merlin's mentor in both medicine and (secretly) in magic.

The third episode deals with a magically created plague in Camelot (which frankly seems like it should have killed WAY more people than they show dying, if it was in the water and as deadly as they suggest) and from the beginning, Merlin is like, "I can use magic to fix this. Let me use magic to help. I can save all of these people's lives." And Gaius stops him because he fears Uther will find out somehow. (You can also suppose that magic usually requires greater training than Merlin has, and fighting/curing a malevolent plague would burn most sorcerers out very quickly, and Gaius has no real concept yet of just how badly Merlin's gifts break the curve.)

Later in the episode, Merlin ignores Gaius in order to secretly cure Gwen's father. This quickly becomes a disaster because Arthur notices this quick recovery and finds the physical charm used, Gwen is blamed, and Uther decides to go straight to an execution about it because he sucks. But Merlin was RIGHT that he could cure the plague! Apparently with relatively little effort on his part! (Possibly because he's a freak of nature among sorcerers, admittedly!) It is a magical plague, potentially more of a curse than a virus, presumably working on different rules, but still!

It really underlines that all of these people are dying JUST because of Uther and Nimueh's conflict. Firstly because Nimueh is trying to get her revenge against Uther in the worst way possible, a plague, and secondly because Uther won't let anyone use magic to fight back.

In the next episode (4), it's all about Arthur getting a (magic?) flower to cure the (magic?) poison that Merlin drank. Episode 6, which I haven't rewatched yet, features another magical healer, come to take revenge against Uther for the death of his healer parents. In many of these cases, it's magical remedy versus magic cause, but it seems not unreasonable to assume that magic could still be very useful when dealing with non-magical ailments.

In fantasy worlds, I personally tend towards the idea that magic would just be another form of technology, and in many cases would be integrated with all other human technology in society. (Cooking! Humans LOVE cooking! Not starving is the #1 societal concern throughout much of history! Magic, if practical, would be used for a LOT of food-related stuff.) Obviously, there are fantasy worlds where magic is new in the world or sourced from evil demons or whatever, or there may be some anti-magic ideology for another reason, so people in those worlds wouldn't use magic casually. Magic, its origins and its cost, is different in every fantasy world, of course!

But in pre-Purge Camelot here, it very much seems that magic was a practical skill that would have been useful during daily life, even just to boil water or have a light in the dark. Maybe the gifts are relatively rare and the training is difficult for most people, but it seems like most people who work in medicine would want to have as much knowledge about magic as possible, even if they themselves can't really do any spells, and do not become druids or priestesses or anything like that. There seem to be a significant amount of magical plants and animals here, which would be crucial to the work.

So, uh, it looks like Uther's Purge would have primarily targeted anyone with medical knowledge. The equivalent of this society's doctors, nurses, and pharmacists. Healers, midwives, alchemists, and anyone else who refused to give up a useful tool that could save lives. Also anyone who made their living selling protective charms or magical herbs or any small thing that could have helped during a plague. Uther's Purge presumably wiped out Camelot's ENTIRE existing medical infrastructure.

Camelot has SEWERS somehow. And why wouldn't magic have been used in the construction and maintenance of a sewer system? If magic is a practical tool, it would have absolutely been used in waste disposal* and water filtration.

*EDIT: Yes, I know that the shown sewers aren't used for waste, obviously. I phrased this poorly. These sewers ARE directly connected to drinking water in the show, however, and the human waste that is generated by a city (which is a lot) getting into this system somehow would be a serious concern. SEPARATELY, I do think magic would have uses in regards to waste disposal. I don't think that these specific sewers are for waste, just that magic could be a tool for their cleanliness.

(Mulling over the potential headcanon that the only reason Nimueh's plague wasn't worse is because Camelot still has hidden layers of various magical protections holding over, even 20 years later. No one has been recasting the old Circles of Protections on the castle lately because very smart CEO Uther Pendragon has also killed most of the custodial and IT departments. "It's fine," he says, "there is no measurable difference," when Camelot is teetering on the edge of catastrophic failure several times a season.)

Like, uh, no wonder Uther can't get a single huzzah even when he announces a festival. It's the anniversary of this shitty king killing nearly all the doctors and outlawing Camelot's equivalent of vaccines and antibiotics. I'd hate his guts. Infant mortality probably skyrocketed. Do you think that people who live near the borders of Camelot regularly sneak one kingdom over to visit the nearest healer? I do. I'm imagining that some noblewoman in Camelot gets pregnant and then immediately goes to stay with her sister for a little while in the neighboring kingdom, because that king over there didn't kill all of the damn midwives. Fucking hell.

#tossawary merlin #merlin emrys #uther pendragon #gaius the healer #spoilers #character death #reblogs off

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physicallyimprobable · 6 months ago

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what's the 3-dimensional number thing?

Well I'm glad you asked! For those confused, this is referring to my claim that "my favorite multiplication equation is 3 × 5 = 15 because it's the reason you can't make a three-dimensional number system" from back in this post. Now, this is gonna be a bit of a journey, so buckle up.

Part One: Numbers in Space

First of all, what do I mean by a three-dimensional number system? We say that the complex numbers are two-dimensional, and that the quaternions are four-dimensional, but what do we mean by these things? There's a few potential answers to this question, but for our purposes we'll take the following narrative:

Complex numbers can be written in the form (a+bi), where a and b are real numbers. For the variable-averse, this just means we have things like (3+6i) and (5-2i) and (-8+3i). Some amount of "units" (that is, ones), and some amount of i's.

Most people are happy to stop here and say "well, there's two numbers that you're using, so that's two dimensions, ho hum". I think that's underselling it, though, since there's something nontrivial and super cool happening here. See, each complex number has an "absolute value", which is its distance from zero. If you imagine "3+6i" to mean "three meters East and six meters North", then the distance to that point will be 6.708 meters. We say the absolute value of (3+6i), which is written like |3+6i|, is equal to 6.708. Similarly, interpreting "5-2i" to mean "five meters East and two meters South" we get that |5-2i| = 5.385.

The neat thing about this is that absolute values multiply really nicely. For example, the two numbers above multiply to give (3+6i) × (5-2i) = (27+24i) which has a length of 36.124. What's impressive is that this length is the product of our original lengths: 36.124 = 6.708 × 5.385. (Okay technically this is not true due to rounding but for the full values it is true.)

This is what we're going to say is necessary to for a number system to accurately represent a space. You need the numbers to have lengths corresponding to actual lengths in space, and you need those lengths to be "multiplicative", which just means it does the thing we just saw. (That is, when you multiply two numbers, their lengths are multiplied as well.)

There's still of course the question of what "actual lengths in space" means, but we can just use the usual Euclidean method of measurement. So, |3+6i| = √(3²+6²) and |5-2i| = √(5²+2²). This extends directly to the quaternions, which are written as (a+bi+cj+dk) for real numbers a, b, c, d. (Don't worry about what j and k mean if you don't know; it turns out not to really matter here.) The length of the quaternion 4+3i-7j+4k can be calculated like |4+3i-7j+4k| = √(4²+3²+7²+4²) = 9.486 and similarly for other points in "four-dimensional space". These are the kinds of number systems we're looking for.

[To be explicit, for those who know the words: What we are looking for is a vector algebra over the real numbers with a prescribed basis under which the Euclidean norm is multiplicative and the integer lattice forms a subring.]

Part Two: Sums of Squares

Now for something completely different. Have you ever thought about which numbers are the sum of two perfect squares? Thirteen works, for example, since 13 = 3² + 2². So does thirty-two, since 32 = 4² + 4². The squares themselves also work, since zero exists: 49 = 7² + 0². But there are some numbers, like three and six, which can't be written as a sum of two squares no matter how hard you try. (It's pretty easy to check this yourself; there aren't too many possibilities.)

Are there any patterns to which numbers are a sum of two squares and which are not? Yeah, loads. We're going to look at a particularly interesting one: Let's say a number is "S2" if it's a sum of two squares. (This thing where you just kinda invent new terminology for your situation is common in math. "S2" should be thought of as an adjective, like "orange" or "alphabetical".) Then here's the neat thing: If two numbers are S2 then their product is S2 as well.

Let's see a few small examples. We have 2 = 1² + 1², so we say that 2 is S2. Similarly 4 = 2² + 0² is S2. Then 2 × 4, that is to say, 8, should be S2 as well. Indeed, 8 = 2² + 2².

Another, slightly less trivial example. We've seen that 13 and 32 are both S2. Then their product, 416, should also be S2. Lo and behold, 416 = 20² + 4², so indeed it is S2.

How do we know this will always work? The simplest way, as long as you've already internalized the bit from Part 1 about absolute values, is to think about the norms of complex numbers. A norm is, quite simply, the square of the corresponding distance. (Okay yes it can also mean different things in other contexts, but for our purposes that's what a norm is.) The norm is written with double bars, so ‖3+6i‖ = 45 and ‖5-2i‖ = 29 and ‖4+3i-7j+4k‖ = 90.

One thing to notice is that if your starting numbers are whole numbers then the norm will also be a whole number. In fact, because of how we've defined lengths, the norm is just the sum of the squares of the real-number bits. So, any S2 number can be turned into a norm of a complex number: 13 can be written as ‖3+2i‖, 32 can be written as ‖4+4i‖, and 49 can be written as ‖7+0i‖.

The other thing to notice is that, since the absolute value is multiplicative, the norm is also multiplicative. That is to say, for example, ‖(3+6i) × (5-2i)‖ = ‖3+6i‖ × ‖5-2i‖. It's pretty simple to prove that this will work with any numbers you choose.

But lo, gaze upon what happens when we combine these two facts together! Consider the two S2 values 13 and 32 from before. Because of the first fact, we can write the product 13 × 32 in terms of norms: 13 × 32 = ‖3+2i‖ × ‖4+4i‖. So far so good. Then, using the second fact, we can pull the product into the norms: ‖3+2i‖ × ‖4+4i‖ = ‖(3+2i) × (4+4i)‖. Huzzah! Now, if we write out the multiplication as (3+2i) × (4+4i) = (4+20i), we can get a more natural looking norm equation: ‖3+2i‖ × ‖4+4i‖ = ‖4+20i‖ and finally, all we need to do is evaluate the norms to get our product! (3² + 2²) × (4² + 4²) = (4² + 20²)

The cool thing is that this works no matter what your starting numbers are. 218 = 13² + 7² and 292 = 16² + 6², so we can follow the chain to get 218 × 292 = ‖13+7i‖ × ‖16+6i‖ = ‖(13+7i) × (16+6i)‖ = ‖166+190i‖ = 166² + 190² and indeed you can check that both extremes are equal to 63,656. No matter which two S2 numbers you start with, if you know the squares that make them up, you can use this process to find squares that add to their product. That is to say, the product of two S2 numbers is S2.

Part Four: Why do we skip three?

Now we have all the ingredients we need for our cute little proof soup! First, let's hop to the quaternions and their norm. As you should hopefully remember, quaternions have four terms (some number of units, some number of i's, some number of j's, and some number of k's), so a quaternion norm will be a sum of four squares. For example, ‖4+3i-7j+4k‖ = 90 means 90 = 4² + 3² + 7² + 4².

Since we referred to sums of two squares as S2, let's say the sums of four squares are S4. 90 is S4 because it can be written as we did above. Similarly, 7 is S4 because 7 = 2² + 1² + 1² + 1², and 22 is S4 because 22 = 4² + 2² + 1² + 1². We are of course still allowed to use zeros; 6 = 2² + 1² + 1² + 0² is S4, as is our friend 13 = 3² + 2² + 0² + 0².

The same fact from the S2 numbers still applies here: since 7 is S4 and 6 is S4, we know that 42 (the product of 7 and 6) is S4. Indeed, after a bit of fiddling I've found that 42 = 6² + 4² + 1² + 1². I don't need to do that fiddling, however, if I happen to be able to calculate quaternions! All I need to do is follow the chain, just like before: 7 × 6 = ‖2+i+j+k‖ × ‖2+i+j‖ = ‖(2+i+j+k) × (2+i+j)‖ = ‖2+3i+5j+2k‖ = 2² + 3² + 5² + 2². This is a different solution than the one I found earlier, but that's fine! As long as there's even one solution, 42 will be S4. Using the same logic, it should be clear that the product of any two S4 numbers is an S4 number.

Now, what goes wrong with three dimensions? Well, as you might have guessed, it has to do with S3 numbers, that is, numbers which can be written as a sum of three squares. If we had any three-dimensional number system, we'd be able to use the strategy we're now familiar with to prove that any product of S3 numbers is an S3 number. This would be fine, except, well…

3 × 5 = 15.

Why is this bad? See, 3 = 1² + 1² + 1² and 5 = 2² + 1² + 0², so both 3 and 5 are S3. However, you can check without too much trouble that 15 is not S3; no matter how hard you try, you can't write 15 as a sum of three squares.

And, well, that's it. The bucket has been kicked, the nails are in the coffin. You cannot make a three-dimensional number system with the kind of nice norm that the complex numbers and quaternions have. Even if someone comes to you excitedly, claiming to have figured it out, you can just toss them through these steps: • First, ask what the basis is. Complex numbers use 1 and i; quaternions use 1, i, j, and k. Let's say they answer with p, q, and r. • Second, ask them to multiply (p+q+r) by (2p+q). • Finally, well. If their system works, the resulting number should give you three numbers whose squares add to 15. Since that can't happen, you've shown that the norm is not actually multiplicative; their system doesn't capture the geometry of three dimensions.

#math #numbers #human interaction #this took the better part of a day to write oops #although to be fair I haven't exactly been focused #Also hi Pyro! Welcome.#that silly fast food emoji post went wild #I've gotten 30 followers just from that one post #which isn't that many in objective terms but like it's 40% of my current count so #hello everyone #I might start reblogging things again now

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