#this has been so much fun! thank you all <3< /div> Explore tagged Tumblr posts

[mumblingsage]

#🤔 i remember reading about trauma being a psychic wound#from witnessing or experiencing an event where someone's physical integrity was threatened#i know you can't start talking about ptsd until 6 months after the event if you're still seeing effects from it#i'm not so sure about the formal definition of traumatized#bc most people heal after even really bad trauma. ptsd is what you get around 1/3 times when your psyche like. doesn't#so i think traumatized might be for shorter term effect? but still like a specific term for you know like an actual medical condition#and indeed i'm no health professional or expert but i'm p fucking sure that can't happen from stuff happening to fictional people#and much less from reading words on a page#anyway thank you for this post op

I also find these distinctions and definitions super interesting! (I'd say "fun" but it's just not a fun topic.)

-My understanding is that you're right, post-traumatic stress syndrome can't be diagnosed until 6 months after the event. If you're having stress symptoms in the immediate aftermath - and this is quite common, much more common than longer-term PTSD - it's called acute stress disorder (there's also 'adjustment disorder' which might overlap?). And people actually going through the fight-flight-or-freeze survival response to trauma may not be aware of themselves as particularly upset or realize they're having symptoms; those often emerge after the immediate threat is past. I cannot stress enough that people with PTSD are not weak and have not failed; to survive trauma requires immense resilience whatever the outcome. But PTSD also isn't an inevitable outcome. (George Bonnano's book The End of Trauma is poorly titled - he doesn't promise to end trauma - but was a really informative read on resilience.) Also, the fact that 85% of the people who evacuated the Twin Towers on 9/11 did not develop PTSD makes me skeptical of how many people would develop PTSD from reading or watching a movie; if as a species we're that resilient when our lives are truly threatened and death is all around us, I expect we'll be pretty resilient in milder circumstances. [However, some forms of trauma have far higher likelihood of PTSD than others because of different factors: for instance, about half of sexual assault survivors experience PTSD, because our culture really sucks at supporting SA survivors. The same article says 94% of survivors experience PTSD symptoms in the first 2 weeks; I think this is what the 'acute stress disorder' diagnosis is intended to cover.]

-So then what do we actually mean when we say "traumatized"? Speaking for myself as OP, I'd mean either/or 1. Developed symptoms of PTSD or acute stress disorder, or 2. Went through an experience known to lead to symptoms of PTSD or acute stress disorder (on which I'll defer to section A of the DSM-5's diagnostic criteria for PTSD), even if such symptoms didn't develop or have since resolved. This definition may be somewhat circular. It is not perfect (the DSM is not an unimpeachable document; at the same time, informed and caring people are always at work to improve it). But I think it gets at a real distinction that will emerge if we compare the experiences of, for instance, people who actually had a friend die suddenly in childhood vs people who just read Bridge to Terebithia.

-In hindsight it might have been helpful to define what I think it means to be "traumatized" in my OP, but it isn't easy to get the entire contents of Judith Herman's Trauma and Recovery plus Bessel van der Kolk's The Body Keeps the Score plus the odd discussion in the therapist's office into a concise blog post. And maybe it was more productive to leave the term undefined so each reader has to examine their own definition/understanding of it. (I'm giving myself too much credit. Even so.)

I'm wondering if, as a society who cares about vulnerable people, we could stop saying "traumatize" when we truly mean "upset"?

I am sick of hearing sad books or movies "traumatize" their readers. I simply do not believe that happens. A traumatic experience might be adjacent to books (I have vivid memories of books I was reading around certain experiences and even how the contents of those books affected my processing of the experiences). But it's not caused by the book. And, y'know. The weather is Christofascist Censorship Attempts outside.

Meanwhile from the other side I continue to be surprised at just how badly people fail to understand trauma and traumatic experiences in general. Watering down the term isn't helping. Find other hyperbole to express that The Bridge to Terebithia gutted you, chewed on your heartstrings, and made you cry your first pair of contact lenses right out of your preteen eyes.

[southern-gothic-comic]

Page 86

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(Author's Notes)

Panel 1: Evening in the cottage. Imogen is frowning over a library book while Laudna is working her way through a basket of assorted clothing, casting Mending on each one. Holding a needle, she's weaving her hands in a sewing motion over the torn article of clothing. Spectral red threads converge over the tear.

Laudna: Can you see well enough, darling? I wouldn't want you to hurt your eyes.

Imogen: Yeah, it's fine. I'm not gettin' much out of this book, anyway.

Panel 2: Imogen stretches, rubbing her eyes.

Laudna: Nothing about red storms? Prophetic dreams? The sudden, unannounced arrival of psychic powers?

Imogen: Not a thing.

Laudna: Hmm. Well, we can always go back to the library tomorrow.

Panel 3: Imogen pulls her feet up and rests her chin on her knees, watching Laudna. She sets the now-whole, folded clothing aside and picks up a new one.

Laudna: We can do something else if you'd like. I'll be finished with this much sooner than they're expecting at the tailor's.

Imogen: No, it's fun to watch you do that.

Laudna: Thank you! I've always enjoyed it. I used to do this as a girl, to help bring a little extra money into the house.

Panel 4: Close on the child's dress in her lap as the red threads reattach a little heart-shaped pocket.

Laudna: My mother would “take on mending” for the neighbors but it was really me patching it up. They all said what fine work she did. Of course, we couldn't let anyone see how I was doing it, so I've never had an appreciative audience before.

Panel 5: Imogen's smile fades. She looks keenly at Laudna, who has become very intent on folding the dress in her hands and is avoiding her gaze.

Imogen: How old were you?

Laudna: Oh . . . I started when I was about twelve, or so.

Imogen: Your parents put you to work that young?

Laudna: I didn't mind, really. I enjoyed being useful. And it gave me something productive to do, since I wasn't in school anymore, and . . .

Imogen: They pulled you out of school?!

Panel 6: Ducking her head, Laudna looks at Imogen through her hair, with a strange kind of reserved hopefulness.

Laudna: Not . . . because of that. And I was nearly of an age where I would have been allowed to leave, anyway. It was after the . . . the incident, with the boys at school. You don't . . . remember?

Imogen: No, I don't think you've told me about this part.

Laudna: Oh.

[fruitsboots]

I'm a nail technician and here's a big list of headcanons about the kinds of clients the TOS Enterprise crew would be!

Kirk:

-shows up on time for appointment but sometimes has to cancel super last minute.

-doesn't bite his nails but picks at them and his cuticles. not enough to bleed or anything but enough that most of his appointment is cuticle work.

- "Cut them short" my guy there's no free edge.

- holds still, uses arm rest appropriately, doesn't stiffen his hands. no polish, just buffed smooth. jokes every time that next time maybe he'll go with a hot pink.

-asks a lot of questions and chats at the beginning of the appointment but ends up getting a little bored by the end.

-always tips very well but doesn't rebook, he'll call you.

Spock:

-doesn't make appointments, just shows up sometimes on slow days and asks to use certain supplies.

-does his own nails and keeps them very nice and neat. nail beds to die for. Nails grow very fast.

-On occasion has been talked into a dark polish and will let someone else do that for him (he's not very good at the application).

-sits a little too stiffly like he's concentrating. speaks when spoken to. doesn't linger long, the smell gives him a headache.

-doesn't tip but you’re not sure if he knows he’s supposed to.

McCoy:

-calls and asks if there’s time for a walk in then shows up later than he tells you but usually has a good excuse.

-Hands are dry as hell from washing them a lot. Worst, driest cuticles. Always gets a split on the edge of his pointer finger.

-Sits too far away from the table, at an angle, hunched, wrists on the armrest and elbows locked. Has to be asked to scoot arms forward a million times.

-Is annoying to work on technically, but fun to chat with. Always turns into a complaint session but in the best way. Wants to know the drama in your life and gives opinions.

- Closes eyes and tries not to doze off during the hand massage. Wipes off all the lotion that he desperately needs.

-Tips alright and always says he’ll come back soon but you know it’ll be another 4 months.

Uhura:

-has a standing appointment every 3 weeks and is never late, sometimes she’ll bring you a drink and apologizes when she doesn’t.

-Did her own nails for a long time and keeps them well manicured between appointments.

-Will (properly!) remove her own gel polish before appointments to save you the trouble.

- Tends to go for lighter, pearlescent shades. Always asks what you have that’s new but then picks one of her go-tos.

- Loves to look at nail art but doesn’t usually get it.

-Super bubbly during appointments, very patient, sits perfectly. Always enthusiastic about the result and gives lots of praise.

-Tips well and takes business cards to give to people.

Chapel:

-Not really supposed to get her nails done but does anyways. Doesn’t have super regular appointments but usually books with Uhura when she does.

-Usually shows up with chipped polish from last time that desperately needed removed 3 weeks ago.

-Gets light/sheer colors.

-Sometimes will book for a gel manicure and then tell you she doesn’t actually want polish this time even tho she needs it. Nice nails beds but they are thin and peel a bit without anything on them.

-Apologizes for no reason multiple times. Thanks you as if it were an inconvenience to do her nails? 

-After a few appointments, she loosens up a bit. Tips decent.

Sulu:

-has gotten his nails done like five times just for fun.

-Keeps them short, not much cuticle work. Why are you here??

- Will get a couple “masculine” designs and isn’t picky about them. “You just do whatever you think will look best :) “

-genuinely fun to have as a client but needs some direction on how to sit etc. can talk about anything.

-Didn’t tip the first time bc he didn’t know and felt bad so he always does, but it’s not much.

Scotty:

-how can one man have so much grease under his nails?

-Has a standing appointment once a month for just a nail trim but should be more like every two weeks.

-Asks questions about nail equipment (UV lamp, e-file, etc).

-Talks a bit during the appointment and then stands around after chatting. Always tips like 2$ but sometimes brings baked goods, etc.

Chekov:

-wanders in with a bruised nail and is like “what can you do for this” nothing dude.

-Leaves and comes back later to buy a gift certificate to give to a girl.

[rootspiral]

Agatha All Along deep dive: episode 5 part 2

(Wandavision entries: [1][2][3])

(AAA entries: ep1 [1][2][3][4] ep2 [1][2][3][4] ep3 [1][2][3] ep4 [1][2][3][4][5][6][7][+1] ep5 [1][2])

I was so looking forward to brighten this particular scene, it's the darkest yet and it's such a beautiful one it's a pity to miss even one detail

oh no lilia stop being so cute????

have you ever seen jen with a bigger smile? and she's quiet as usual, it's almost like more than the ride she's enjoying how much fun her friends are having. especially lilia, those two have been forming a bond that is equal parts bickering and a growing respect

I'm just glad alice had this moment of pure unadulterated joy before it came all crashing down

agatha is very, very quiet. despite never letting herself feel anything freely, she takes a moment to close her eyes and enjoy the beauty of it all

she looks back at rio, so sensual and confident

how can kathryn hahn convey so much with so little time? her breath catches at her sight. and then worry and fear take hold and she gives the tiniest shake of her head, as if she's forbidding herself to entertain any kind of thought about rio. she looks away. the blood moon behind her spells disaster

meanwhile billy is that kid who has the time of his life hanging out with the teachers during a field trip

I want to personally thank aubrey plaza for every acting choice she made as rio, but ESPECIALLY for this witchy laugh

(I just brightened the salem seven witch vomiting bees and it's actually pretty impressive! but I don't want to trigger any insect haters around here) (I love insects though so please talk to me about spiders if you want)

they couldn't get a good look at the cabin before rushing in and I couldn't either until now, do we know if it's something from Agatha's past? did she use to live there?

I'm salty that alice had to die in these stupid clothes

So. I think this trial is the most fucked up and humiliating yet. Billy knew nothing about jen except superficial facts, so he put her in a scenario that matched her work aesthetic, more of a personal insult than a wake up call (compare it with the broom lilia just made for her: roots and flowers, something that speaks about jen's work, beliefs and traditions.)

Alice's trial was entirely based on lorna, we know billy is a big fan so he ran with that concept creating something that really shook alice, and not in a good way. she was forced to sit in her dead mom's house and wear her clothes for god's sake. she took it as the Road wanting to teach her a lesson, when it was just a teenager with the grace and subtlety of a newborn puppy.

Now, agatha. billy doesn't know a thing about her because she's private to the point of paranoia. he has gathered that there's something in her past about a dead child and that's probably what makes her grumpy, so he... tried to make her talk to nicky. with a fuking oujia board. Despite having had his share of shock and trauma billy inevitably has a kid's point of view re: death, and even more so because he's functionally immortal. death is something that happens to other people, or far far away in the future. he thinks he's giving agatha much needed therapy, when he actually put a grown woman in child's clothes and made her relive her traumas for everyone to see.

btw I'm not in any way saying that the trials are bad writing. they are brilliant writing. they're just tragic and fucked up behind the funny exterior, just like agatha herself. sorry for the rant.

I mean I wouldn't be opposed to that. we could put billy back in a closet for a little while and get down and dirty with it. and ooh there's a little leaf on rio's shirt, I hadn't noticed it!

jen's retainer always SENDS me

agatha's face when she realizes it's her trial

agatha is irrevocably, eternally linked with death in all its forms

looks like rio is playing along and setting the scene, but she's also doing something more subtle that only agatha understands: she's provoking her, and it's becoming more personal and hurtful. she's testing and punishing more than she used to. she is growing angrier.

agatha wants to tell rio to fuck off but knows she deserves it. agatha is NOT happy to be in this trial for reasons that go beyond what everyone present (except rio) assumes, but she'll bite the inside of her cheeks until they bleed before she shows any of it

the way he says it with a straight face too (again, NO PUN INTENDED. forgive me joe, I would never)

oh great alice has only thirty minutes to live

everyone looks worried and on their guard, rio has her whole knife out, playing along. agatha is STILL trying to look cool and casual, it's painful to watch. girl is panicking, hard

meanwhile billy is always bringing a whole different energy, he's playing and having fun! think back to the second episode when they met lilia and then jen and alice for the first time. billy had no clue about the tension, the fear and hate between them and agatha. right now he's still more excited than scared. he's about to have a rude awakening.

do not taunt the spirits, AGATHA.

lmaooo. this motherfucker.

another moment when billy sounds chillingly cruel. being jigsaw without realizing it

I'm not pointing it out every time but whenever agatha does this with her arms she's really, really really nervous

what does agatha do when she's scared or overwhelmed? she puts on a show. like clockwork. and rio has already guessed what's about to happen

I really want to continue this so there will be more later today, stay tuned!

go to episode 5 part 3

[s4bbatical]

Please, Please, Please, Let Me Get What I Want | Part 3. (Rivals Declan O'Hara x Reader 18+)

Part 1. Part 2. Warnings: profanities, consumption of alcohol and cigarette use. hints of sex! age gap (reader!22) enjoy!

━━━━━━☆━━━━━━

You're at your desk when you hear the news, the entire office in commotion as Cameron, Tony and Declan appear after the wrap of Declan's newest episode.

"Rupert said yes?" You gasp, smacking Seb's arm. "Fucking brilliant, man." You say, grinning. "Declan's gonna take a chunk out of his neck, it's gonna be grand." You look over at Declan, who's clinking glasses with Tony in his office.

"I'm just grateful our efforts aren't going to waste. Christ knows how much time we put into this sleazy bastard." Seb grumbles, crossing his arms.

"Why you look so down on yourself Seb?" You ask, standing up straight from your previous position of leaning against the oak desk.

"I don't know, y/n. Maybe you can figure that out yourself." He says bluntly, walking away towards the common space.

Your jaw drops slightly, throwing your arms up. "What the fuck?" You whisper to yourself, grabbing the back of your neck. You had been turning down Seb's advances on you due to your clandestine actions with Declan, not realizing how much of an impact it really had on the ginger. You knew he liked you a little more than just friends, you just hoped he'd let go of it sooner than later.

As far as you were concerned, still no one knew about you and Declan. You tried to stay focused on your work and not overthink it much, although it was on your mind every minute of your waking hours. Not telling anyone, especially your new best friend Taggie, was taking a toll on you. How does one tell another that they find their dad very attractive, and also have been banging him in his office after hours? It wasn't an easy feat for anyone. You tried to remind yourself that it was okay to have a little fun, as long as no one else knew about it.

You jump slightly as you notice Declan standing by your desk, straightening out your blazer as you nod towards him. "Declan, hi. Congratulations on securing the interview with Rupert." You say, giving him a smile.

"Thanks, y/n. You've been a great help with it all, I wouldn't be as confident as I am without you." He says, a smirk growing on his face. "Would you mind doing overtime on Saturday? To help me with additional flawed research?" He asks, now properly smiling.

"Ah, I would, but your daughter has asked me to accompany her in catering for Baddingham's falconery that day. I'm sorry." You admit, shrugging.

"That's alright. Will you be coming to our home for dinner afterwards, then?" He asks.

You grin, tapping your chin in thought satirically. "Yeah, I guess so." You say, letting out a small laugh.

"Great, see you then." He says, a light tap on your bottom as he walks away.

You gasp lightly, looking around hastily to ensure no one saw. "Unbelievable." You whisper to yourself, sitting down at your desk.

-

As Saturday rolls around, you find yourself bright and early at The Priory, attempting to hold back your yawns as you prepare cheese and fruit platters with Taggie.

"Can I ask you something?" Taggie asks, rinsing a bowl of grapes.

"Course, yeah. What's up?" You say, slicing wedges of brie.

"Do you think my dad should go through with interviewing Rupert?" She inquires timidly, putting the bowl of grapes on the kitchen table.

"Rupert is an asshole. He deserves anything that is thrown at him." You say bitterly out of respect for your friend, and her father.

"Y/n, I don't think he should go through with it." Taggie says, meeting your eyes. "I'm afraid my father will ruin him." She whispers, frowning.

"Taggie," You start, putting a hand on her shoulder. "Where is this coming from?" You ask, worried about her concerns.

"I think Rupert isn't as horrible as everyone thinks he is. He sincerely apologized to me, and I can tell he wasn't just doing it out of spite for me or my father." She explains, sighing. "After you left before the party ended, we slow danced together and..." She trails off, seeming upset with herself. "We shouldn't've, I know. But there's something about him that isn't worth destroying him over." She finishes.

You furrow your brows and purse your lips. "I'm not the one to call the shots on this, Tags. You know that." You say.

"My father listens to you better than me, for some reason." She says, causing your breath to go still. "I don't know why, but I would like for you to try saying something." She pleas. "For me, y/n. Please."

You let out a deep sigh, letting go of your breath. "Fine, I will. Don't get mad if he goes through with it, though." You mumble, reorganizing the assembly of cheeses.

"Thank you." Taggie smiles, giving you a side hug.

"Course." You whisper, it was the least you could do considering what secrets you've withheld from her already.

"Taggie!" Declan yells, entering the kitchen. He is taken aback by our presence, perhaps not expecting you so early in the morning. "Y/n, hello." He smiles. "Have you seen my plaid shirt your mum put out to dry?" He asks his daughter.

"I folded it up in your dresser, dad." Taggie says, causing Declan to nod.

"Right, course. Thank you darling." He places a kiss on her head, secretly gliding his fingers across your lower back as he steps away. "See you girls later." He says, waving as he exits the kitchen.

"Why'd you look at my dad like that?" She queries, nudging you.

"Like what?" You say defensively.

"Like he was a piece of meat." She says, scoffing.

"Your dad's hot, that's not my fault. It's not like I'm doing anything." You exclaim, raising your hands.

"Good, you better not." She says jokingly, grinning at the banter between the two of you.

You laugh, trying to not frown at your inner thoughts.

Only if you knew, Taggie. Only if.

-

Declan is in the office, going through evidence against Rupert as he notices Charles Fairburn reorganizing his office. "Charles!" He says out of surprise.

"Oh, hello." Charles says. "I didn't expect to see anybody."

"I'm researching Campbell-Black and needed something from my office." He says, approaching Fairburn.

"I never thought I'd see the day when Tony Baddingham had Declan O'Hara doing his dirty work." The road of Baddingham's distaste for Campbell-Black is a long one, and quite complicated enough even for you to even know about.

"I have my own reasons for wanting to take that bastard down." Declan interjects.

"You know, in different circumstances, you and Rupert could've been friends." Charles says simply. "Both complicated, both stubborn, misunderstood." He jests, putting down office supplies on his new desk.

"Bollocks." Declan states. "What are you doing in on a Saturday?" He queries.

Charles clicks his tongue, "Moving offices ahead of my grand return." He says, now holding a clipboard. "Apparently, my recent coronary episode makes me a medical liability." He says, referring to the panic attack that happened on New Years. "Which is why Cameron Cook is now controller of programmes and I'm--"

"Head of Religious Broadcasting." Declan says, reading the new plaque on the door underneath Charles' name. He looks back and gives him a look of sympathy.

Charles scoffs. "I can't begrudge her too much. Climbing the greasy pole requires its own set of skills." He mumbles, sitting down. "Especially when the greasy pole in question, lives in Tony Baddingham's trousers." He says sarcastically. A moment of silence passes by.

"How's the heart?" Declan asks, redirecting the conversation.

Charles sighs. "Oh, you know, broken." He goes quiet for a moment. "How's the new journalist, Declan?" He asks, watching as Declan's face contorts into bewilderment.

"What'd you mean by that?" He asks, attempting to act confused by Fairburn's statement. Heat rose to his face as his heart began to race.

Charles gives him a weak smile before speaking again. "I'm sorry for what I saw at the New Year's Eve party. I was out in the garden and wasn't expecting to see you, especially with y/n." He says quietly, Declan staying dead silent. Fuck.

"I'm not telling anyone." Charles adds, seeing the worry in O'Hara's face. "Don't show Tony any weakness, Declan." He abruptly says. "Or this is what you get." He whispers sadly, referring to his new demoted office space.

Declan looks down for a moment, unable to find words as he slowly walks away. He looks back again at Charles Fairburn before he returns to his office, closing the door and running a hand through his dark curls.

Charles knew of Declan's dirty secret, but regardless of what assurance he is given, he has to keep it completely under wraps now. He has to be careful, and so do you.

He notices a folder on his desk, opening it to reveal a note from the sender mentioning of a phone call regarding Rupert Campbell-Black accompanied by a photo. He grins, his worries dissipating as more evidence has landed in his lap. He folds it up tightly, enclosing it in a new envelope with a devilish grin.

-

You find yourself back at The Priory with Taggie later that afternoon, your stomach unwell from seeing all the dead birds that day.

"God, it's astounding how they manage to eat and drink so much while killing those innocent creatures." You say, taking a leftover ham sandwich and taking a bite out of it.

Declan enters the house, returning after his time at the office. "Ah, how was the shoot?"

"Well, they killed loads of birds," You say, swallowing your food.

"But they liked my food." Taggie finishes the sentence for you. Declan chuckles. "Rupert stopped by." She adds, crossing her arms.

You watch in bemusement as Declan reacts poorly. You take another bite of your sandwich.

"Oh, Jesus Christ. Is there no place free of that man?" He exclaims, walking away.

Taggie furrows her brows, looking over at you to do something.

You sigh, taking the last bite of your sandwich as you follow her father into the other room. "I'll talk to him." You mumble to Taggie as you pass her.

After quickening your pace, you follow him into the master bedroom, where he begins unloading his blazer. "You shouldn't be so harsh on Rupert, y'know." You begin to say, closing the door behind you.

"And what makes you think you have any say in that?" Declan replies with an edge in his voice, putting a cigarette in his mouth and lighting it.

"Taggie's forgiven him, I think you can let it go-"

"Let it go?! Let go of the fact that he groped my daughter? That my own wife still wants to sleep with him even though he's a horrible fucking bastard?!" Declan yells, aggressively huffing on his cigarette.

"Look, I understand where you're coming from Declan, but this could backfire and then what happens to you, huh? What if he ends up burying you into the ground instead of the other way around?!" You try to explain, holding your place as Declan begins to undo his shirt, tossing it onto the bed. You stare at his torso as he breathes heavily in anger, his chest rising and falling. Time and place, time and place.

"He will not do any such thing." Declan mutters harshly, putting out his cigarette in the ashtray atop his dresser. "You know that Charles Fairburn knows of us, huh?" He says, leaning against a bed post.

Your eyes widen, taken aback by his statement. "What? How?" You ask meekly, guilt mixed with fear rising up your throat from the pit of your stomach. "But no one saw us?" You whisper, beginning to pace back forth.

"Well he did." Declan states flatly. He grabs your arm and halts your movements. "He said he won't tell a soul, but this means we have to keep it controlled or this can no longer happen, y/n." He whispers firmly, staring into your eyes.

"I think I'd rather quit than stop whatever this is." You mumble, turning yourself completely towards Declan.

The two of you stare deeply at one another, Declan placing a hand on your cheek. "I need to control myself." He whispers, leaning in close enough to have his lips hover over yours.

"No one can see us now, Declan." You remind him.

-

The two of you come undone in multiple positions. You find yourself cuddled up beside Declan as he lights a cigarette, inhaling as he strokes your hair.

"Thanks for that, I needed a good fuck." You joke, closing your eyes as Declan hums.

"My pleasure." He grins, inhaling his cigarette once again.

"Wait, shit." You say, sitting up abruptly. Declan looks at you with confusion. "Taggie is still here, she must be concerned why it's taking so long." You say worriedly, getting out of the bed and retrieving your clothes.

Declan watches you with a smirk, his eyes trailing over your exposed body as you shimmy your underwear and jeans back on, following with your shirt.

You run over to Declan's side of the bed, pressing a firm kiss on his lips. "I'll see you for dinner, Mister O'Hara." You tease, smoothening your hair as you exit the grand master bedroom. He simply laughs, inhaling his cigarette.

You hurry down the hall, slowing down your pace as you look for Taggie.

"Tags?" You yell, eventually stumbling across Declan's study.

She had opened his file of evidence against Rupert, abruptly closing it when she hears you approach. "I-I was just looking through it, I'm sorry. Please don't tell my father." She says hastily, getting up from the desk chair.

"Taggie, relax. It's okay." You say, hoping nothing about your appearance gives away what you had been doing for the past half an hour. "I tried convincing him, I really did. He wouldn't budge, Tags." You admit, sighing. "Maybe you can warn Rupert, I don't know. I think your dad has more dirt on him than we know." You warn, running a hand through your hair.

"Maybe I should talk to him, then." Taggie says, beginning to walk past you.

"No-!" You say, grabbing her arm. She looks at you with confusion. "He seems exhausted, I think he needs to be left alone to be completely honest." You say, hoping Taggie would drop the whole thing for today.

"Alright, then." She says, your grasp loosening on her arm. "I'm gonna start making dinner, then. Care to help?" She asks, walking slowly out of the study.

"Always." You say with a smile, following Taggie out the door.

-

As the evening rolled around, you found yourself around the dining table with Taggie to your left, Maud and Caitlin on the other side as Declan sat at the head of the table.

"This food is incredible, Tag." Maud muses, taking another bite of the dish.

"It's y/n's recipe, actually." Taggie admits, smiling at you.

"Oh, y/n. Lovely job, then." Maud says, sending a smile towards you.

"Thanks Maud. It's my mom's favorite dish. I ate it a lot growing up." You say, taking a sip of wine.

"Hmm, American culture doesn't taste as bland as I thought, then." She remarks, taking another bite.

"Be nice, Maud." Declan warns, glaring at his wife.

"Actually, my mom's from Greece. It's Mediterranean, not American." You correct her, trying to hide a shit-faced grin behind your glass of wine.

Caitlin stifles a laugh, earning a light kick of the shin from Taggie.

"Sorry, I didn't mean to offend you." Maud apologizes, clearly embarrassed.

"No, it's okay. I agree, American food is god awful." You assure her, taking a bite of your meal.

"So, what's this big interview you've announced on live television about?" Maud says, looking over at Declan.

"Ah, I'm interviewing Rupert on Valentine's Day." He says casually, wiping his mouth with a napkin.

"That's it?" Maud persists, raising a brow.

"He wants to take him down, mum." Taggie interjects, Declan scoffing at the statement.

"I'm not doing anything that he doesn't deserve." He emphasizes, taking a sip of his glass.

"Declan, don't you think you're taking this a bit too far? They're calling you the Corinium Butcher, for god's sake." Maud exasperates, putting down her cutlery.

"I am doing the interview the way I want to and that is that!" He states firmly. "Now, can you all get off my arse about it and enjoy this lovely meal y/n and Taggie put together? Christ." He exclaims, picking up his fork and taking another bite out of his dish.

Everyone goes quiet, returning to their meals.

You feel a bit cold in the room, the peaks of your breasts hardening as you realize something dire-- you've left your bra in their bedroom.

You clear your throat, standing up. "I have to use the restroom, if you'll excuse me." You say, hurriedly exiting the room.

You make your way down the hall from the foyer towards the master bedroom, slowly opening the door and flicking on the overhead light as you scan the room hastily for your bra.

You get down on your knees, looking underneath the bed on the opposite side from the door. You see it just within arms reach, stretching your arm out as the door opens.

"What are you doing?" Maud says, causing you to smack your forehead against the bedframe, unable to grab ahold of your bra as you stand up hastily.

"I uh, Taggie was giving me a tour earlier and I thought I lost my ring in here. I was just trying to find it because I realized I lost it when I was going to the washroom." You lie out of your ass, smiling oddly at a very confused Maud.

"Oh, what does it look like?" She asks, not realizing this ring did not exist whatsoever.

"It's small, really small. Honestly it was super cheap it's not that big of a deal!" You force out, making your way towards the door. "Let me know if you find it though, it was from my mom." You laugh awkwardly. "I'm going to the washroom now."

You hastily exit the bedroom, leaving Maud behind as you run into the nearby washroom and close the door behind you. You panic as you stare at yourself in the mirror, whispering profanities to yourself. You wash your hands as if you had dirtied them with your actions, almost afraid to return to the table.

You take a deep breath and open the door, walking back out to the dining table as you practice breathing normally.

Maud had already returned to eating her meal, seeming disinterested in your bizarre behaviors from before.

"Is everything alright?" Declan asks you, referring to your tense aura now present in conversation.

"Yes, everything's fine." You say, taking a sip of your wine.

"Y/n was trying to find a ring she lost earlier in the master bedroom, maybe you can keep an eye out for it too." Maud says nonchalantly to Declan, whose face drops at the mention of you being in their bedroom.

"Is that so?" He asks, coughing slightly as he tries to swallow his food down. "That's a shame. I'll keep it in mind then."

You watch as Maud gives him a puzzled look, her eyes squinting at her husband with suspicion.

"Would anyone like dessert?" Taggie asks, standing up.

"Me!" You say abruptly, also getting up. "Let me help you with that!" You offer, following Taggie into the kitchen.

She suddenly stops right by the kitchen island, causing you to bump into her. "Something's going on with you y/n. You've been acting weird all day. Is everything alright?" Taggie asks, a look of concern upon her face as she grabs ahold of your hands.

"Sorry, I'm just stressed out about the whole Rupert ordeal." It wasn't a complete lie, ever since you landed this internship you've felt like putting your head in a door way and slamming the door repeatedly on it. You couldn't imagine how many grudges these Lords hold against each other, it would've been disputed in an instant if you were back at home.

"I shouldn't have brought it up, I'm sorry." Taggie says, sighing. "I tried getting Rupert to step down earlier at the falconery, but he wouldn't listen. He's convinced my father doesn't have the capability to take him down." She whispers, afraid of her father overhearing the two of you.

You quickly glance into the next room where Declan was speaking to Caitlin, Maud seeming very displeased in the middle. "I don't know if we have any more options, Tags. I think we have to let them go at it." You say remorsefully, looking back at her.

"I'm not giving up just yet." She says firmly, picking up a platter of desserts as you shake your head, bringing out another bottle of wine to share.

-

It was now Friday, February 14th. You and Seb were in mid conversation when Cameron Cook comes barreling down the office floor, yelling about needing coffee.

"You'd think the promotion would make her happy, but she's angrier than ever." You say, closing your folder. Your desk phone starts to ring.

"I'll get the coffee, you get the phone." Seb says, walking around from your shared cubicle.

"Hello, y/n y/l/n speaking." You say.

"Look, I'm going to make this very clear y/n." Maud says on the other line. "I know that you are seeing my husband." She says, causing your eyes to nearly pop out of your skull.

You laugh breathlessly, looking around as you sit down, almost whispering into the phone. "What are you talking about?" You ask, your body beginning to sweat profusely.

Declan's wife has called you, at work, on the day of all god damn days, to confront you about your affairs.

"I found your bra underneath my bed when I was looking for something else." She says, almost sounding too calm for the circumstances she was speaking of. "I know I am one to talk, but I insist if you know any better, that you no longer see him. His work already keeps him away from our family, god forbid someone at The Corinium starts doing the same." She remarks, her tone never wavering.

Your jaw drops slightly, unable to find your words.

"Oh, and good luck tonight. Don't ruin my husband's career." She says, the line going dead.

You are left in dismay, slowly putting the phone back down on the hook. You look around your workspace once more in complete mortification.

"Oh god." You whisper to yourself, getting up to retrieve a cup of coffee to mask the fear building up inside. You couldn't fathom the audacity Maud O'Hara had to tell you to leave her husband be when she was trying to get with every other well-off man in the county.

All personal feelings aside, you knew you had to listen to her wishes in order to keep your job, and Declan's. It would be unfair to both parties if you kept this up.

You shakily pour the coffee pot into your mug, putting one cream and one sugar in after before stirring it with a spoon. You stare at the ground, unable to gather your thoughts up properly as Declan quickly walks past the kitchen with his focus on papers in his hands, taking a step back when he notices you standing idly.

"Y/n, what're doing just standing there?" He asks boastfully, causing you to jump and spill some coffee on your hand.

"Fuck," You whisper, wincing as you quickly run your hand under the cold tap.

"I'm sorry, I didn't mean to scare you." Declan says, coming up beside you and placing his hand on yours. "Is your hand alright?"

You turn to face him, giving him a flat tone. "It's fine, thanks." You say, pulling away as you grab your coffee and step into the hallway. "I have work to do."

He grabs your arm. "What work? You've done it all already." He says, raising a brow. "Is everything alright?" He asks, his eyes full of concern.

"What? Haven't you heard the news?" You quip, staring at him with dread in your eyes. You hated yourself for developing feelings for Declan O'Hara. You were smarter than this, and to allow yourself to dig such an emotional hole was the last thing you needed for your brand-new career.

"Everything is fine, Mister O'Hara." You say, pulling your arm away from his grasp. His face drops when you refuse to use his first name. "Maybe you need to ask your wife the same question." You add bitterly, stepping away from him. His eyes widen at the mention of his wife.

"Elvis is about to enter the building." Seb says, him and Daysee both running down the hall past you two.

Declan looks you for a long, silent moment. "We'll discuss this later." He mutters, following them down the hall.

You close your eyes and sigh, walking away towards your desk.

-

You're now standing in the control room, biting your nails nervously as Daysee counts down Declan, now live broadcasting the interview. You exchange glances with Seb as Declan begins with mundane questions before hitting him with mildly offensive comments that will eventually snowball into something worse.

You cover your mouth as Declan brings up the topic of adultery, and how it must do Mr. Campbell-Black well for life within the Conservative Party.

"I'm sorry?" Rupert says with dismay.

"You know, sneaking around, lying, betrayal, sexual degeneracy." Declan lists nonchalantly, as if Rupert was born for such actions.

"Oh fuck." You mumble into your hand, Seb patting your shoulder with a sympathetic look.

"Remember, Declan's just doing his job." He reminds you.

"I'm no longer married." Rupert exclaims.

"Yeah, but you were, for six years! And yet throughout your marriage, your affairs were common knowledge." Declan states confidently, gesturing to the crowd. "I mean, one Gloucestershire peer has described you as 'rather a nasty virus that everyone's wife caught sooner or later.'" Declan reads off of a card.

"Well if you've seen his wife, it's definitely later." Rupert retorts towards the audience, causing everyone to laugh. Declan's jaw vividly tenses on camera.

You sigh putting your head in your hands. "Oh wow, that's great." You mumble to yourself.

"What a fucking arsehole." Seb mutters, crossing his arms.

"And that's the break in five..." Daysee begins counting down.

You nervously watch as Declan composes himself to announce the commercial break.

"That's time for break. When we return, who knows what Mister Campbell-Black might choose to share with us when we return." Declan says through a forced smile, looking directly at the camera. It felt like he was looking right at you.

"...and we're out." Daysee says.

"Thank fuck." You quickly exit the control room, needing to be elsewhere for the next three minutes. As you make your way through the halls, you run into Taggie.

"Taggie?" You say in a quizzical manner, causing her to turn and face you.

"Y/n, I'm here to talk to Rupert. Something's very wrong about this." She says urgently.

"Jesus, Taggie you can't-" You begin.

Rupert appears around the corner with his assistant. "Taggie, what are you doing here?" He asks her.

Taggie walks past you. "You need to go. Just walk out."

"Rupert, I advise you to not do that." You warn him.

Rupert laughs at you both. "Your father's not the first old socialist who's tried to catch me out." He reassures Taggie, putting his hand on her arm. "Whatever you're worried about, it's already out there."

"Taggie, you need leave-" You begin, tugging at her arm.

"No, I know him." Taggie says, ignoring you as she pulls away from your grasp. "He's saving the worst for later. When he wants something, he's ruthless." She warns him. "He'll do anything, I mean, he's-"

"He's just like you, Rupert." You say, pursing your lips.

"Exactly." Taggie says.

Cameron Cook appears, interrupting the conversation. "Minister, we need you back on set. The break's almost over." She directs Rupert, who keeps his gaze on you and Taggie.

"Listen to Miss Cook, Rupert. You have to go." You say.

"Just walk out of the building with me." Taggie interjects, pleading with her eyes.

"Minister!" Cameron snaps, glaring at Rupert.

"Screw this." You say, walking away from everyone. You return back to the control room, slamming the door behind you.

"What's going on?" Tony Baddingham asks, puffing on a cigar.

"Cameron has it under control." You simply say, returning to the corner with Seb and Daysee.

"What happened?" Seb asks quietly.

"Taggie's shown up to try and get Rupert to leave. She thinks Declan has more blackmail on him than we are aware of." You whisper, grabbing the back of your neck as you watch Daysee begin to count Declan back in.

"Where the fuck is he?" Tony says harshly, looking down through the viewing glass.

You hide your face behind your clipboard, unable to watch the scene about to unfold.

"Y/n look, Rupert's back." Seb says, tapping on your back to redirect your attention. You look over the clipboard at the monitors, watching Rupert Campbell-Black sit back down on the stage. Rupert begins to compare the interview to being back on the playing field.

"Seb, I don't have a good feeling about this." You say quietly, covering half your face with a clipboard.

"Just watch, relax." Seb whispers.

"It's an interview, there are no winners." Declan tells Rupert, who gives him a look.

"That's not true though, is it?" Rupert queries, looking towards the audience. "He wants to beat me." He exaggerates, giving a shit-faced grin.

Your eyes widen as Rupert begins to compare him to Declan, putting both of them under the same umbrella metaphorically. Declan brings it back around by repeatedly shitting on Campbell-Black, about to pull out an envelope from underneath his blazer as Rupert does something no one expected; admitting everything Declan has said to be true.

"Oh god." You whisper.

"I remember what it was like, to be the best. And what I was willing to do to stay there." Rupert says grimly. "What are you... willing to do?" Rupert asks in a taunting manner.

Declan goes quiet.

"To your family?... To yourself?" Rupert asks solemnly, the both of them having a stare down as the control room starts to light up in commotion.

You watch in fear as Tony urges Declan in his earpiece to take down Rupert, your eyes flickering between the multiple camera angles on a very, very quiet Declan.

"You're right." Declan finally says. "I'm a workaholic. And when I'm consumed by something... I can be, um... I can be a-"

"Monster." Rupert finishes the sentence, the both of them sharing a stare once again.

Rupert makes a comment about Declan being a better husband than he ever was, which causes you to look away from the screen when Declan argues against it. You couldn't help but feel as if you're one of Declan O'Hara's many flaws.

The interview starts to go in the opposite direction. You look back at the screen, watching Declan pull out his earpiece as Tony becomes enraged.

"If it's any consolation, we've made some really great television." Cameron Cook reasons.

"This would have worked if you'd just done your fucking job!" Tony yells at her, causing the rest of you to side eye him madly.

"Seb, I need to go home." You tell him flatly, putting your clipboard down.

"What? Y/n, the show isn't over yet! Where are you going?" Seb exclaims quietly, confused by your course of action. Daysee also gives you a look of worry.

"I just said home! I'll see you on Monday." You whisper aggressively, leaving the control room.

You hastily go over to your desk to retrieve your bag and coat. You glance over quickly at the viewing room the rest of the staff was in, your stomach tying in knots as the sight.

Heading down the hallway and the stairs, you push open the front doors and end up outside, where a massive group of fans stood awaiting Rupert Campbell-Black's return. They all share looks and noises of disappointment as they see you, an intern on the brink of tears instead of the acclaimed bachelor.

You push through the crowd, hurriedly approaching your car and unlocking it. You sit inside the beater and stare off in the distance. Your cheeks are stained with tears against your own will, your forehead resting upon the steering wheel as you begin to sob mercilessly.

You felt so hopeless amidst it all, no longer sure of yourself as you were before.

-

i will not lie this chapter was becoming so fucking long it's just gonna end up a continuation into the next part... also im lowkey too awkward to properly write out sex scenes because i give myself second hand embarrassment so forgive me this fanfic is plot driven over sex driven (':

as youve noticed ive started to follow by the episode plot line, it makes it easier for me to write and follow. thank you again for the support, and as always keep interacting with my works! keep me motivated ;)

much love,

isabel

[daisymbin]

44. "let’s stay up all night talking, just like we used to."

seungkwan and reader have both been very busy lately so they haven’t spent a lot of time together. seungkwan has been sad and needy so he tells reader this ^ and they spend the night catching up and sharing funny stories

love your writing!! thank you so much if you accept this request 🫶🏽

this one is so soft :(( thank you for your kind words love <3

request your own: full prompt list!

check out my masterlist! // boo's m.list

fluff prompt #44: "let's stay up all night talking, just like we used to."

seungkwan flopped onto the couch with a dramatic sigh, his head resting on the armrest as he stared at the ceiling. you glanced at him from the kitchen, your hands still busy drying the last of the dishes.

“what’s with the theatrics?” you asked, walking over to join him.

“i’m starved,” he mumbled.

“you just ate dinner,” you pointed out, sitting down on the floor beside the couch so you could see his face.

“not for food,” he said, his voice softer now. he turned his head to look at you, his expression unusually serious. “for you.”

you blinked, caught off guard by the sudden shift in his tone. “what do you mean?”

he sat up, his knee brushing yours. “i mean… we’ve both been so busy lately. i feel like i barely see you anymore.”

you sighed, guilt tugging at your chest. it was true—between his packed schedule and your own responsibilities, quality time had been scarce. “i know,” you said quietly. “i miss you too.”

he hesitated, his gaze flickering to yours before he spoke again. “then… let’s stay up all night talking, just like we used to.”

your lips parted in surprise, and for a moment, all you could do was stare at him.

“remember how we used to do that?” he continued, a small, nostalgic smile playing on his lips. “we’d just sit and talk about anything and everything until the sun came up.”

“of course i remember,” you said, smiling back. “those were some of my favorite nights.”

“so let’s do it again,” he said, his voice almost pleading. “tonight. no phones, no distractions. just us.”

you couldn’t say no to him, not when he was looking at you like that. “okay,” you said softly.

a few hours later, the two of you were curled up on the couch, a pile of blankets thrown haphazardly over your legs. an empty bowl of popcorn sat on the coffee table, and the soft hum of a playlist seungkwan had made filled the background.

“do you remember the first time we went to karaoke together?” he asked, his eyes shining with amusement.

“how could i forget?” you replied, laughing. “you sang that one ballad so dramatically that the staff came to check if everything was okay.”

“i was passionate,” he defended, though his cheeks flushed pink.

“you were loud,” you teased, nudging him with your elbow.

he grinned, leaning back against the cushions. “i don’t regret it. that night was perfect.”

“it was,” you agreed, your smile softening. “you always make things fun.”

“you’re just saying that,” he said, though there was a touch of bashfulness in his tone.

“i’m not,” you insisted. “you’re the most fun person i know. and the most caring. and, honestly, the most dramatic, but in a good way.”

“you’re making me blush,” he muttered, covering his face with his hands.

“good,” you said, laughing as you pulled his hands away.

he looked at you then, his smile fading into something gentler. “i really missed this,” he said quietly.

“me too,” you admitted.

the conversation turned softer after that, slipping into memories and stories you hadn’t shared before. seungkwan told you about a funny mishap during practice, complete with spot-on impressions of the other members, and you shared a ridiculous story about a coworker that had him clutching his stomach from laughing so hard.

time seemed to blur, the hours passing in a haze of laughter, shared snacks, and the occasional yawn.

“what time is it?” you asked eventually, your voice thick with sleep.

seungkwan glanced at the clock. “almost 4am.”

“we’re really stayin up, huh?” you said, smiling despite your tiredness.

“of course,” he said, reaching for your hand. “it’s worth it.”

you laced your fingers through his, your heart swelling at the simple gesture. “you’re worth it,” you said softly.

his eyes softened, and he gave your hand a gentle squeeze. “i’m keeping you up all night more often.”

“i’ll look forward to it,” you teased, resting your head on his shoulder.

and as the first hints of dawn began to creep through the curtains, you felt a warmth in your chest that had nothing to do with the blankets but rather, from the boy—curled up next to you, talking until the rest of the world faded away.

[burnt-by-marigolds]

Astarion’s first bite: Vampirism in a nutshell

As a person who's spent the better part of their life consuming and analyzing various vampire media, I'd like to stop and appreciate the first time Astarion feeds from Tav. The scene, however brief, is simply delicious.

(I know it's probably already been written a thousand times all over the Internet, but I'm playing the game for the first time, let me have my fun.)

Vampire bite has been portrayed in a million different ways in popular culture. As an avid TTRPG player, I am probably the most used to the idea of Vampire the Masquerade’s ‘Kiss’: there, the act is generally intensely pleasurable for mortals, putting them in a state of daze that some even liken to orgasm, but victims retain hazy memories of it at best. It’s not unheard of for people to get addicted to the feeling and become so-called blood dolls, purposefully seeking out vampires just to experience the high again. Oh, and the bitemarks? No worries! All it takes is for the vampire to lick the wound after they're done feeding and the skin instantly heals.

I love VtM, but I'm glad this is not the case with Astarion.

The game makes a clear statement: being fed on by a vampire isn't a sexy or pleasurable thing. Even if Astarion tries to be civil about it, and Tav gives consent, this is still very much a predatory act, a physical intrusion. It's painful – like a shard of ice into your neck – and leaves the character weakened.

And Tav stays conscious for the entire time, gritting their teeth, trying to look at Astarion and figure out what exactly is happening to their neck. No haze to dull the memories, no painkillers or sedatives, no nothing. Sorry, Tav; you have to go through this acutely aware of every single sensation.

This contrasts profoundly with what the ‘pale elf’ is experiencing. While Tav feels pain and gets a very telling, brand new ugly wound, the vampire pulls away, clearly intoxicated and even incredulous. That was amazing. (...) I feel… happy! 

This opposition is further emphasized by the game systems, namely the conditions the two characters receive. Tav becomes Bloodless, suffering a penalty to rolls etc. A classic victim of vampire bite: sluggish, strangely pale, with mysterious punctures on their neck… It's almost a pity we can't choose to decorate Tav’s tent with a garlic wreath.

Astarion, on the other hand, doesn't become, I don't know, Invigorated, or Sated, or Bloated As a Tick. No, the focus is again on him being… Happy. Not empowered (although he clearly is), but simply happy for the first time in gods know how long, as opposed to him being constantly on edge, on the run, and fighting for survival. He experiences a moment of bliss. This is a gift.

Thus the scene presents various facets of the vampire myth in a nutshell. Because what is a vampire? It's an animalistic monster who preys on humanity (cut to the painful wound on the neck and gritted teeth). It's a deceptively civil and charming individual, often tragic and very self aware (cut to Astarion asking for permission, saying how he's only ever fed on vermin or stating he won't forget the kindness). It's a blood junkie (cut to Astarion experiencing the rush of excitement and ‘happiness’). It's a parasite, because even if the feeding is consensual, we can clearly see which side reaps the benefits, and which is left weakened with nothing in exchange. 

Oh, the complexity of the vampiric condition.

(The fact that vampiric bite is often a metaphor for sexual act isn't lost here, even if it's not the focus; it becomes more pronounced later, when Astarion reluctantly admits You were my first. Which, depending on the angle, may render the whole thing an even darker shade.)

And let me say again, all of this is packed neatly into a single, pretty brief scene. I love this game already.

PS The screenshots feature Yae, my half-elven goolock/bladelock. Say hello to him!

Thanks for reaching the end of the note! Please bear in mind I'm playing Baldur's Gate 3 for the first time and I haven't played any of the origin stories yet. Feel free to let me know if you think some things can be viewed differently in the context of the full game, but please avoid spoilers while doing so.

[katatty]

Shifting Priorities

Thank you for all the nice comments yesterday! Some really helpful perspectives that gave me a lot of ideas on how I can tackle my simmer's block :)

Mostly, I think I need to trim down the number of neighbourhoods I consider "active" and the amount of projects I am doing in general. I have a hard time letting go of neighbourhoods, especially if I am still somewhat invested in them! But I also need to face the fact that I only have so much free time, and do not want playing the sims to be the sole thing I do with that free time XD

For some neighbourhoods I will also be trying out a more stripped-down approach to blogging, similar to what I've been doing with Driftwood. It makes me a little sad because I like my sims to feel fleshed out as characters and giving them voices is a big part of that! But maybe I can save the prose/dialogue for times when it is particularly needed, rather than including it as a default.

Finally, I am going to prioritise based on what I actually have the most fun with, rather than letting popularity drive my decisions!! Some neighbourhoods I feel sad about potentially retiring because I know people enjoy them, or I feel bad admitting I am never going to finish projects people were excited for, but I have to remember simming is something I do for myself, not for popularity or for other people.

So, plans for my neighbourhoods:

Pleasantview Plus - will continue in its current form for the most part, but holdholds I found less inspiring will just get short summaries rather than extensive documentation. This hood is waaaaaaay too big and I think not that many people follow it all that closely, but it's also my one true love and I would like to start prioritising it again rather than it always being on the backburner

Uberhood Challenge (YouTube Series) - This is a short-term series, and will continue as planned until I finish the challenge, which I'm over halfway through :)

Hollyhead - I hate to say it because I know a lot of people love it, but I feel like I have sorta outgrown this neighbourhood? Some simmers like their settings to be an escape from the real world, and when I made Hollyhead I think it was what I needed too, but these days I find how upbeat & wholesome it is a bit, idk, constraining?? I crave drama and conflict in my stories!! I also have kinda lost interest in the BACC rules and have started to find it more book-keeping and hassle for what I get out of it... Whenever I do open the neighbourhood I still really enjoy actually playing it, and I love the characters so much, but I just haven't found the events interesting enough to want to write about. I think this neighbourhood will not be retired completely (yet), but I will move towards writing much shorter updates in the form of newspaper articles and see if that helps. If by the end of this season I still feel ehhh about it, I might formally end it <3

Driftwood - no complaints about this hood, I'll probably continue with the current style of documenting major events & new builds only

Spruceburg (YouTube series) - I would like to do another season of this next year, after I finish the uberhood challenge! But I will probably go for a schedule of like, one season of series per year, rather than posting consistantly. I enjoy YouTube a lot, but its a lot of work too and I think has majorly taken away from my blogging time this year, which I am mourning now lol!!

The Fiero Legacy - it is probably time to throw in the towel with this and admit I just don't enjoy playing legacy style or with story progression that much! I always enjoy the period where the heir is dating but once they settle down and have kids it becomes a chore and a grind, plus with story progression's time system I always feel rushed and like I can't take a sim out of the house for an outing without potentially missing important milestones - the urban setting feels so wasted when its all family gameplay, haha. Hallie should be at the club!! It was an interesting experiment and a nice change of pace, but idk if I really see myself returning to it. I love the sims themselves and the setting, but whenever I actually load up the neighbourhood I just feel kinda stressed and overwhelmed :(

As for my building projects like Belladonna Cove, perhaps at some point I will get really inspired and return to them but for now they are on indefinite break. I remember saying a few time in the past that I didn't really feel much need to make over Pleasantview and Strangetown because if I wanted nice makoevers I would use frottanas, and tbh I feel the same way about Belladonna Cove - if I was playing it I would just use plumbtales makeovers XD With my past neighbourhood makeovers I was really inspired to make them because there wasn't anything out there that was exactly what I wanted but, well, there's loooooads of nice Belladonna cove makeovers these days so I just don't feel much drive to make my own version I guess?? I think I also have lost interest in building a little becasue I am no longer into super heavily decorated lots - I prefer lighter lots that won't cause lag lol! So yeah, I am probably not retiring from building forever but its no longer a priority for me :)

[blightowl]

Oh thank goodness I'm turning the question hose on full blast get ready

I'm once again putting under the cut because why say in a few words what I can blabber in many!

Cretaceous Kate might be my favorite combination of words ever. I immediately love her. I know trilobites are nowhere near the cretaceous period but I thought Katherine might appreciate my trilo-angle

How does Kate travel back in time? Does she have any particular bird friends? Do any prehistoric avian birds live with her in the 19th century? (If so, do they have contemporary bird costumes in case of unexpected visitors? Or perhaps can the ancient bird friends hold really still and pretend to be models?)

What is Kate's go-to lunch food? What does she do if her quill breaks while she's out sketching? Is her notebook loose leaf - and if so have her note pages ever gone exploding everywhere - or is it like a journal? Did it start out dummy thicc or has she added c's paper over time?

(May I call her Kate? Or does she prefer Katherine? I like that she spells Katherine with a K. I'm watching Anne of Green Gables (again) and as Anne Shirley says, Katherine with a K is so much more alluring.)

What is Kate's favorite bird of prey? How does she feel about spiders? Has she ever seen a live penguin?

Pick one of your ocs. (It can still be Katherine "Cretaceous Kate" Fleet :) ) That oc makes a sandwich. What do they make?

> Maybe one of your ocs does not know what sandwiches are, so they make their best guess. Maybe one of your ocs is like "I love sandwiches but how?? make????" because they've always had their food made for them. Sandwich fun >:3{

Toli Toli ravioli. I'm not sure what species of snake he is yet. I've been looking around Wikipedia now and then at different snake species, but it's not been a great way to narrow it down because I start out with focus but the hyperlinks are so shiny and blue and next thing I know I'm learning about agglutination.

But the fact that you introduced Katherine Fleet in return is like full on serendipity because one of the birds I think of for him is Apsaravis ukhaana! Another bird is the Western Parotia bird-of-paradise! The way they create a whole umbrella collar of feathers is exactly what Toli would do. Bobbing from side to side with his neck feathers fanned out. Looking like a big ol satellite dish snake goofus.

I don't think Toli is venomous, but he's a relatively new oc so I have much more to discover yet! I keep envisioning him as more of a constrictor so when he morphs back into a snake from a quarterstaff (re: being thrown at bad guy), bad guy suddenly has to deal with 300+ lbs of big muscly feather rope coiling around them (not to mention a good solid bite from one end).

Toli is a bit of a troll so when he's hanging out on Morwenna's body, he loves to mess with people. When one of Morwenna's friends noticed for the first time her tattoo moving, they tried to poke at him. So he turned off her skin and poked back.

As a tattoo, he's maybe three feet long, and about three to four inches wide. When he's out and about, he's beeg. Still haven't figured out how big, but big enough to be a menace to any mid-sized sedan.

That doesn't mean he wouldn't love chin scritchies. He would jump out of a plane for chin scritches. And that says a lot because first he'd have to learn how to jump. He would do big snuggles. All the scritchies plz

Okay uh this reply is getting really long. Speed round.

He and Wenna work together well now, but they've been together a long time. At first they butted heads and sucked eggs. Now they goo. He can talk to other snakes but he's so big and feathered (is bird??? but is snek???? what is???) that other snakes generally are too scared. Fun fact: when he's in tattoo mode, Morwenna can talk to snakes.

I'm in the mood to introspect, does anyone wanna play OC telephone? Send me a fact about one of your ocs, and then ask a question about one of mine (can be a specific chatacter if you know any or generic if you don't) then I'll answer and add a follow up question, and we see how long we can keep the thread going!! Someone please play w me I'm boredddd.

[skyrim-forever]

WIP Wednesday

Hey y'all it's another Wednesday <3 I'm scheduling this as I gotta be at the airport tomorrow morning. Probably won't be until the evening but I'm gonna carve out time to see the wips as I love seeing what everyone is doing <3 Thank you @firefly-factory for the tag this morning 🥰

Tagging: @theoneandonlysemla @dirty-bosmer @lucien-lachance @umbracirrus @changelingsandothernonsense

@bougainvillea-and-saltwater @pocket-vvardvark @hircines-hunter @captain-of-silvenar @ladytanithia

I'm currently writing a fic called I'm only happy when I'm with you because it has Theodora/Ondolemar confessing their feelings but was the second fic I wrote for them so, they deserve better! Setting is Windhelm just after the Civil War you ever be so down bad you go to Windhelm to tell a woman you love her Suggestive part so I'll stick it under the cut

It’s not lost on Ondolemar how bizarre it is to do this here. The business of mixing work and pleasure was becoming the norm for him but, confessing his feeling inside the Temple of Talos was a newer, more deranged level of odd. Though, Theodora had tried to convince him to have a liaison inside the shrine in Markarth, citing that “No one will be there, and if they are, you get to do your civic duty.” Her incredibly sound logic was not enough to sway him into leaving the comforts of the Keep, but perhaps now, she may get what she wanted. If he ignored the obvious massive statue, the lowlight of scones could be considered romantic. For now, there was nowhere else they could be alone. Praying that things go well, he can tell her somewhere better, multiple places far mor suitable of such words.

The woman who plagues his dreams walks around, inspecting the different parts of the. simple hall. Poking her head into what was the priest’s quarters, she makes a remark. 

“Oh there’s even a bed here.” She gazes lowly at him. “How awfully convenient for us.” Walking closer, she pulls on his robes. The feeling distracts him yet again.

“Theodora, in a temple? In such a holy place? Have you no shame?” 

“You” there’s an emphasis on the word “of all people, do not get to say that. Need I remind you of your position, Thalmor Justiciar Ondolemar?” It would be  fun to give in now. His eyes floating between the hungry look in hers and her lips, imaging how good they would feel on his after months. It would be very fun to have their uniforms strewn across the temple floor, but he did not come all this way for merely fun. Regaining will, he speaks. 

“As much as I desire you right now, I have something I need to tell you first.” The look in her eyes upsets him, face slightly falling and he is quick to reassure her. “Do not fret, nothing is wrong, quite the opposite rather.”

The Thalmor had done his groveling. Drunken guilt-ridden prayers and pleads going unanswered as he was forced to contend with the gravity of the situation; he did in fact love her and the acceptability of his feelings mattered not. Grand stories always positioned love on the winning side, the side of the virtuous, how could it be wrong when the act of doing so came so effortlessly? The choice to voluntarily come all the way to Windhelm was an easy one, despite the fact this mission did not demand someone of his rank and the weather was atrocious. She would be there, that had been enough to haul himself across the province. Once accepted in himself, it would not rest until spoken. She needed to know, how desperate he was to know if she felt the same and wondered if their last discussion had been indicative that she did. Had her pain surrounding love been the start of a confession? “You told me once you do not do love. The loss of your mother, and your father’s subsequent grief left you fearful of it. I understand that, you rightly feel afraid, I see why you don’t do love,” there are small droplets forming in the corner of her eyes. Wiping them away, he continues “but I do.” Her face softens as she grasps his hand. “I have made a myriad of excuses to convince myself I do not feel what I do. It is embarrassing the lengths I went to in an effort to convince myself I felt nothing for you, that your laughter did not brighten my day, that your thoughts were not compelling, that someone I was taught to hate could never be my greatest joy. Yet, there is only one rational.” The words are caught in his throat as he turns away, needing a moment to collect himself. The fear of finally verbalizing these thoughts is eclipsed by the worry that all of this is one side. He is alone in this insanity. Looking back at her, he finds the courage, wide-eyed and lips slightly curling up. “I love you, Theodora.”

“You do?” 

“I do.” He sighs slightly, unable to meet her gaze in case of rejection. 

Logically, it would be understandable. Opposing sides, duties to their respective nations, they were very much in opposition. She was their prophesied Dragonborn, now a war hero as much as she hadn’t yearned to be. All this in addition to being the most beautiful woman in all of Tamriel. She could do far better than him, far better than an invader of her homeland but he wanted her. Selfishly wanted her even if all he could promise was love. 

“Are you certain you know what you are saying?”

“I’ve never been more so, I love you.” He reaches for her other hand, clutching them both tightly to warm them. “I know I have nothing to offer you. I cannot make you any promises about the future, I cannot be with you openly, I cannot change some of the things I have done” a small concession to remedy the things he doesn’t have the strength to speak about. In time, in time. “You deserve much better, I completely understand if you do not-” The sentence ends midway, cut off as she pulls his robes, bringing their lips together.

[real-fire-emblem-takes]

Been thinking lately about learning romhacking and animation exclusively because I need to bring to life this class idea that I have bouncing around in my head. I NEED a gladiator class. I have so many ideas. Would be swords/lances, based off a mix of murmillo/hoplomachus gladiators appearance wise to account for that. And I need to lean into the bit that this is like, all a huge spectacle or whatever as much as possible. The crits would have the crowd cheering, maybe the thumbs down(/thumbs up? we actually don't know which one was kill and which one was spare), some kind of flourish from the gladiator and a fancy bow. Absolutely maximize the bit. Even with class skills. For example, here are a few I've thought of (idk if they're good, they might be dogshit. this is all very conceptual):

Crowd favorite - for each ally 2-3 spaces away (NOT adjacent, there must be space between the glad and the ally), grants +2 hit/avo (max +20). if a lord is in the crowd, also grants +3 atk. grants +10 hit/avo while in the arena, but cannot obtain normal crowd bonuses.

Underdog - when opponent's current health exceeds unit's current health by 75% or more, grants +10 avo, +25 crit

Entertainer - (damage of killing blow/3)% chance to obtain gold on kill. also grants lck% chance to obtain 50% more gold from the arena.

Fortune favors the bold - grants lck +5 when unit initiates combat with a 1 range weapon

Don't touch me - grants +10 avo when foe initiates combat from long range while unit has a ranged weapon equipped

The verdict - this is more of a joke one, but hear me out. It would be a combination of bane and lethality, where bane is a thumbs up and lethality is a thumbs down. is that funny? i think that would be funny

The general idea is that this is a very flashy but kinda risky class that's more for fun than to be a super strong combat unit, but can be situationally strong?

most of the stylistic inspiration comes from the gladiator in for honor. Their whole personality is that they're very showy, with things like the recovery of a successful skewer sometimes having an extra flourish or how a lot of their win animations and emotes tricks of some sort. if I'm being honest though, it's mostly the executions (specifically carpe ventrem and fun & roses, where you can hear the crowd cheering. look them up if you feel so inclined).

Anyways thanks for reading my attempt to write down some sort of cohesive idea for this class I want to exist. Tell me if you think it sounds cool or if you hate it idk

👀

[raynavan]

FELLAS ITS THAT TIME, AND ALSO THE LAST TIME

@ultimate-submas-tournament winners! its been a wild ride guys <3

despite facing off an axe-welding-probably-insane man and severe type disadvantage ghost worm, our sneasel Ingo came out on top! and is enjoying a little berry prize (that i am only now realizing i did not go over with the dark blue- whoops)

up against the most terrifying wooden solder to ever exist, who is equipped with laser eyes and a super-soaker, and a robot, the actually human Emmet came out on top! i'm sure his brother is very proud of him. and also! if you just so happened to read my tags from the last time i drew for this event- you'd know i was prepping two colored drawings for our winners!

BRAVO! Both of you!

you have reached the station called victory! let us hope you carry on to even greater heights!

i want to take a quick moment to tank everyone for participating, and my dearest friends for being with me as i drew all of these silly doodles of mine! this has been so much fun- so thank you all! and one last congratulations to our winners, and an even bigger one for all the aus who participated!

Bravo Everyone!

[everestgale]

Can I just say, thank you so much for writing up all of this, I really, really appreciate it!!! I like knowing what kinds of things people notice, how you interpret my designs, etc. Very fun to read and very informative!!!

I have a strong urge to ramble about some of your comments + these design in general, but I know it's going to be quite boring. So, uh, if anyone wants to see me ramble like crazy, it's under the cut lol

It makes me so, so happy that Hero's pointy "feathers" were recognizable enough as a crown/helmet! I may or may not have stolen drawn inspiration for that from Corviknight (the Pokemon)

No real notes on Stubborn, he's honestly been surprisingly easy to redesign!

Broken's little "shackle" under the shawl are actually just a mark for bright red feathers in the final design because my Broken is based on a Luzon bleeding-heart :]

Also no real notes on Cold, except for the fact that I gave him emo bangs when I first designed him months ago, and I stand by that decision.

I love my final design for Paranoid (it's the second one I've finished, after Hero!), but his silhouette has honestly been kind of a mess to draw for some reason. I really hope that, in the final design, he will be more easily recognizable. And gloves! When I realized it both nicely fits with my vision of Paranoid as a medic/healer and mirrors Nightmare, I knew I had to give them to him :] Of course I talk about Paranoid the most, who's surprised!

Skeptic's shackle in the final design is actually getting replaced with a much smaller one (I was drawing Skeptic right before I started writing this), so that hopefully it's not as on the nose!

Smitten has just been really difficult to design, for some reason. No real notes, except to briefly complain about how he keeps changing every time I work on him :[

The debris in Opportunist's feathers was a very last-minute decision, but I'm very happy with it, it mirrors Witch quite nicely, and also establishes that Oppy can hide small objects (like stolen jewelry or playing cards) in his feathers.

Hunted should hopefully be much easier to identify with his final design - I didn't draw it in his silhouette, but he's wearing the same bandages Beast does!

Fun fact: my favorite thing about designing Cheated is to see how much of his design I can draw with straight lines alone :]

No real comments on Contrarian, except for the fact that I love him and he's iconic <3

Also, I wanted to reply to the tags!!

I absolutely adore this kind of analysis! Thought to be honest, only about half of these were intentional lol

Starting from Skeptic, I actually started thinking more about their poses and which direction they face: like putting Skeptic & Smitten away from each other like you mentioned, Opportunist & Cheated facing forward (for different reasons), etc. But the first half of the voices didn't really have specific reasons for why they are facing which way.

It is very interesting how Stubborn-Broken & Cold-Paranoid pairs worked out though!

Those are, indeed, some silly birds.

I'm finally giving my voices a proper redesign! These are currently just silhouettes (for figuring out their shapes & just checking out how they look next to each other), and the full designs are still WIP, but I'm actually quite happy with how these are turning out! My favorite part was trying to connect each voice with their respective Princess design-wise in subtle (or not) ways :]

If this image is too small, I have it split into two halves under the cut! There, I also put which voice is which. If you don't mind, please let me know if you could recognize them! I'd really appreciate that kind of feedback :]

[Find my Slay the Princess art here] [Princess art] [TLQ art] [Voices art]

Image 1 (left-to-right): Hero, Stubborn, Broken, Cold, Paranoid, Skeptic

Image 2 (left-to-right): Smitten, Opportunist, Hunted, Cheated, Contrarian

Yes, my Opportunist is a tiny gremlin. I am not sorry about that :]

P.S. He's not actually abnormally short. He just looks tiny compared to the rest of my voices - Smitten next to him is 7 ft or ~213 cm tall. Opportunist is 5'2'' or ~157 cm :]

[krazieka2]

Here's a big old Fire Emblem Search & Find I did for the FE3H Masquerade Zine! Find the Golden Deer, but see if you can't find the rest of the students as well! For the ultimate challenge, see if you can't name every character! (Disclaimer two characters are NPCs with no names)

[poorly-drawn-mdzs]

Results from the ‘Who is the tallest MDZS Character poll! Thank you all for voting!

[floccinaucinihilipilificationa]

Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡