#this has been in the drafts for a good while now

[ariessunsakura]

Disclaimer: I started writing my response to this in 2017 and found it in my drafts. I know the whole post is quite old at this point and I'm truly not interested in arguing with anyone or continuing any discussion here, but I decided I didn't want some of what I wrote back then to go to waste.

Back when I started writing my response to this, I was 21 and angry at the large swaths of the fandom insulting the intelligence of Sakura fans like myself. I still love Sakura and SS, but I don't have an issue now saying that men like Kishimoto writing dynamics like Sasuke and Sakura's is something that should be...looked into, let's put it that way haha. That being said, what I still find disheartening is seeing Sakura, very much torn down by misogynistic fans in a large, primarily male fanbase, also torn down or criticized for supposedly feminist reasons by people who are often just determined to dislike her for whatever reason or somehow clearly miss important details. Sakura was reckless and made mistakes and did questionable things, as did many other characters who for some reason draw less ire. Lots of double standards.

Just to reiterate something that's already been said many times, Naruto proves that pop culture aimed at boys should have carefully written main female characters. There is the blatant misogyny that's happened in this fandom that anyone can see. Meanwhile, certain specific fans in the Naruto fandom that I may or may not need to specify (lol) have acted like the gatekeepers of social justice discourse in the fandom when really they've often just been hypocritical and selective about the type of issues they apparently care about when it comes to how they manifest in pop culture, or at least in this bananas series. They've often been bystanders or apologists or worse to that blatant misogyny. In light of everything that's been going on in the world, I sincerely think we should be more careful about how we talk about female characters. So when people write supposedly feminist posts but say that Sakura is just the "female main character with her legs always wide open and ready with basically no standards or expectations" despite everything the story has shown us, I kinda hate it and don't think that's good or feminist at all. Back in 2017, I wrote: I'm sick of condescending takes about Sakura and her fans as though there's little about Sakura’s character or the end of her story that could or should possibly resonate positively with girls.

Again, I know the original post is old. I know that Kishimoto's writing deserves to be criticized and that Sakura made mistakes and should've been written more carefully and responsibly, but I still want to say my piece.

It's true that Sakura is insecure early on, but her feelings for Sasuke really have nothing to do with that. She doesn’t know that Sasuke is popular when she starts to like him, so her feelings have nothing to do with wanting validation.

She knows her worth as a ninja and among her loved ones by part 2. A lot of guys are interested in her, including ones she admires and cherishes (Naruto and Lee). She confronts Sasuke fiercely many times, even as a genin. She basically spent part 2 trying to save or fight or stop him, going so far as thinking she should kill him to protect the village. That's hardly looking for his validation.

And that's not even mentioning what we're shown rather than told about her feelings for him, which is a theme for them. It's often the nonverbal way they act with each other more than what they say.

Karin with her chakra sensing can tell Sakura's grief is genuine and that she must've known Sasuke well.

“There is nothing different or special about Sakura’s love.”

Kishimoto gives us Karin, whose love for Sasuke is written as different from Sakura’s. Karin enables some of Sasuke's destructive choices and ultimately gives up on him, while Sakura ultimately doesn't do either of those things. And we can hypothesize all we want about Ino or some other girl being no different from Sakura, but who's to say they'd have had the same chemistry with Sasuke personality-wise or otherwise, or mutual understanding? We see from inner Sakura and in other instances that she has parallel elements of Naruto's personality, so...yeah, enough said lol. And who's to say another girl would've known exactly when Sasuke would leave the village, unlike Naruto? I think these speak for themselves:

One of the themes of SS, asserted in Kakashi's 693 quote, is that it’s about Sasuke accepting love without an overt reason so he can heal. Love in real life isn't always rational, it's about passion and attraction and things that are unspoken and can't always be put into words, which I think is what Kishimoto wants to convey with SS. The emotion for Sakura in Sasuke's eyes is concealed from us each time he thanks her for a reason. Sasuke tries to make a show of not caring about any of Team 7 or having a reason to love Sakura, but is still clearly drawn to her despite himself.

He's proud of her in the middle of all of the chaos and strife. He can't help but react to her.

I think Kishimoto makes contradictions more than once in the series, maybe including with SS. Clearly he's made a point to write things that make Sakura special and unique in some way to Sasuke, but there's also the message that Sasuke should allow love in without rationalizing it.

Another theme for them and for other women in the story is stated by Shikamaru's father: Even the roughest woman is tender to the guy she loves.

"Sasuke has not singled her out. She doesn’t appeal to him or interest him. She doesn’t challenge him in any emotional, mental, or physical way."

I think all of the above indicates otherwise. She does challenge him and changes his behavior, least of all when he has his first taste of intoxicating power.

He says himself that he has to remove himself from her and Naruto's vicinity to accomplish his goals. I think the intensity of the genjutsu he puts her in mirrors the intensity of some of his fights with Naruto as statements of him forcing away his bonds.

Still, Kishimoto makes a point to include this theme that can also apply to Sasuke:

"...she doesn’t know him, she’s doesn’t understand him, she doesn’t even have a basic grasp on the concepts that are necessary for those things."

Not true. She works tirelessly to understand and learn everything she can, and it's just not her fault that she doesn't always know everything. It honestly doesn't matter that she doesn't.

Sakura gets a lot of heat for what she says when Sasuke leaves the village, but shows she clearly understands his pain later on when trying to reason with Sai:

Never mind that Sasuke isn't even angry at her for what she said when he left.

“Sakura was just afforded the opportunity of being the closest girl around and female main character with her legs always wide open and ready with basically no standards or expectations. But I think the worse part, the really bad thing about it, is it supports a Sakura never growing up(...)as the blind quest for Sasuke’s dick goes on forevermore. All the pathetic shit will forever be apart of her as she dusts a house for a husband who comes home twice a year, who has a child who feels neglected, and she is happy with her dysfunctional family because Sasuke-kun’s anything is enough.”

Anyways.

As for her family, Sakura is clearly distressed by Sarada's distress. Kishimoto inventing a task apparently only Sasuke can do leading to him being away from his family is questionable to say the least, but it's hardly the first time in the story that normal or expected standards maybe can't or don't apply. Never mind Kishimoto probably projecting his own sentiments about men's career burnout and sacrifice onto Sasuke and Naruto...lol

Sasuke treasures Sakura, there is no way around it.

I don't think anyone is saying Kishimoto's writing is always the pinnacle of excellence lol, and no one has to like Sakura or SS. But people should at least think a little more about what Sakura has meant to a lot of girls and how the story actually unfolds.

Just a Little Bit on Sakura and Sasusaku

You know what I think about Sakura? This is less about Sasuke and more about herself. See, as person who dislikes Sakura, I actually think that because I’m not biased with fanfiction interpretations that I have a better grasp of Sakura’s character than some people who love her. Sakura, despite her bravado, is not a person of real confidence. She has low self-esteem and very little self-worth. I think that part of the reason she is so hung up on Sasuke is its a sense of validation for herself. She was shy, friendless, unpopular, and overlooked as a child. She liked Sasuke, but even better, to be acknowledged by someone everyone likes, everyone admires, that would make her special. That would make her somebody worthwhile, right? Of course I do believe that Sakura does have feelings for Sasuke, but is she really in love with Sasuke the person, or is it the idea of him? That he doesn’t notice her or pay attention to her only makes this insecurity worse. Sakura is constantly angsting over not doing enough, not fitting in on her team, not belonging or being someone of necessity. As stated (in the only time she ever elaborates on her feelings) she is attracted to Sasuke because he’s attractive, talented, and “cool”. A person who personifies, in essence, everything she believes herself not to be. God, there’s so much to say about this really, but I’ll save it for later. 

It’s part of why Sasusaku is such an out of left field idea to me. Sasusaku shippers portray the ship as the exact same way that leads Sakura’s problematic behavior. They ship it because they love the idea of Sakura being the “special one” who is the exeption to Sasuke’s personality and his greatest weakness and is the “fangirl who’s different from all the other girls”, which is so irritating because she’s not. Sakura is the antithesis of these concepts. There is nothing different or special about Sakura’s love. There is nothing different or special about her as far as relating to Sasuke goes. As I detailed in my previous posts, she doesn’t know him, she’s doesn’t understand him, she doesn’t even have a basic grasp on the concepts that are necessary for those things. Sasuke has not singled her out. She doesn’t appeal to him or interest him. She doesn’t challenge him in any emotional, mental, or physical way. They’re not even close. What does Sasuke even know about Sakura, or understand about her? Sakura, as far as Sasusaku goes, has nothing different or special about their relationship or dynamic that couldn’t be done by any other generic fangirl. Absolutely nothing. Nothing that transpired between them is anything that wouldn’t have happened had any other fangirl been placed on his team. That’s really the only thing Sakura had going for her or that seperates her from, I don’t know, Ino. Do any of you Sasusakus honestly think that if Ino was on his team that he wouldn’t have saved her life? That he wouldn’t have grown to care for her as a teammate? That he wouldn’t have thanked her for caring about him? That he would have left her to die? Or treated her like dirt on the bottom of his shoe? Do you really think that these “Sasusaku proofs of love” aren’t just generic shit that would come with virtually any other teammate, and is actually something unique that would only be there with Sakura?

‘Cause see, that's my whole thing. Can’t say that about Naruto. I can’t say that if Kiba had been his teammate, everything about their relationship would be more or less exactly the same. Or Shikamaru. Or Chouji. Or Neji. 'Cause you see, the manga has shown me this. Its shown me the depth, the reason, the relationship, the uniqueness between the two. In fact, while reading this I bet you were thinking of how different the dynamics would have been between Sasuke and those male characters, because, surprise surprise, there is actually something substantial there that can’t be replicated and receive the same results. Seriously, replace Ino with Sakura and think of what would change in regards to Sasuke. Ino would have cared. Ino would have tried to stop him. Seeing as how there are no substantial moments of bonding or exclusivity between the two, there is nothing that would have happened that Ino couldn’t fill in for. Sasuke waxed lyrical about Naruto and how much he’s always loved him and the ways in which he enriched his life for two straight chapters while Sakura got no mention (except, of course, in the Team 7 picture where he refers to them as such). Sakura was just afforded the opportunity of being the closest girl around and female main character with her legs always wide open and ready with basically no standards or expectations. 

For fucks sake, Sakura literally has nothing to do with Sasuke’s character or story arc. Seriously, delete Sakura from the manga and tell me what about Sasuke’s person or journey as character throughout the story changes. Please. Tell me something that would have affected his plot if some other girl with healing powers were on his team.

I’m just saying, there is nothing inside of Sasusaku. Nothing at all. Kishimoto doesn’t give a fuck about this pairing (lol I don’t know how they got together I don’t want any SS in the pairings movie there wasn’t gonna be any in the Bolt movie either but the SS fans are complaining so I guess I’ll come up with something here have a family pic of Sasuke looking like he’s about to run away as soon as the camera flashes and a Karin lookalike child who feels neglected), and it cannot become more apparent how little actual thought goes into this ship. Its just a vicarious fantasy ship where Sasuke is standard shoujo angsty bad boy bishie and Sakura is “independent, normal girl who’s different from all the rest” which is pretty much the antithesis of these characters. 

But I think the worse part, the really bad thing about it, is it supports a Sakura never growing up. It takes all those things (the potential for self-reflection and learning to be a person who doesn’t need others to feel worth something) and throws it in the garbage as the blind quest for Sasuke’s dick goes on forevermore. All the pathetic shit will forever be apart of her as she dusts a house for a husband who comes home twice a year, who has a child who feels neglected, and she is happy with her dysfunctional family because Sasuke-kun’s anything is enough. I don’t even fucking like Sakura, but that anyone is defending that anything about what her character turned into is satisfactory and good is honestly some disheartening shit. 

[comatosebunny09]

merry christmas, mr. sylus [ fin ]

— summary: the one where you nearly tear your hair out, trying to find the perfect christmas gift for your office crush. — cw: fluff, romance, jealousy, feelings of inadequacy, reader is not mc, ceo verse, modern au, aged-up characters, mutual pining, misunderstanding trope, mild language, silliness, angst — notes: the finale for this. thank you for reading! — now playing: swan serenade - piano house

You spend the remainder of the party avoiding your boss like the plague. But running into him is inevitable. You work directly for the man, after all.

As the staff trickles out, taking with them their drunken merriment, you’re left to pick up the pieces of your wounded heart and the party’s aftermath. 

You shove Solo cups and decorative paper plates into a trash bin. Snatch off tablecloths and roll the karaoke machine into the broom closet. Wipe off tables, tear down garland. You do everything you can to stay busy, your self-loathing an ever-present rain cloud hanging overhead.

What were you expecting? For Mr. Sylus to fall to his knees for you? For him to sever whatever bond he has with Ms. Hunter for you? You snort at yourself as a wet film of heat slides over your eyes, impairing your vision. You feel ridiculous. Sick to your stomach. 

The trash bin slips from your fingers, thudding dully on the carpeted floor. In an attempt to collect yourself, you prop your hands on the edge of a table, releasing a shaky sigh. You blink away the new commination of tears. You’d been doing good so far, having given yourself a lengthy pep-talk in the bathroom earlier. Something to get you through what remained of the night without wearing your anguish on your sleeves.

So what if he doesn’t view you in the same light as you view him? This isn’t the first time you’ve faced rejection, and it most certainly won’t be the last. It doesn’t make this iteration hurt any less. You’re his secretary, for God’s sake. Not a friend nor a potential love interest. The quips and laughter you exchange daily are nothing more than him being polite. The model gentleman, maintaining the peace between himself and the person responsible for organizing his life. 

You are so swept up in the turmoil of your mind that you hardly register your name being called. Someone beckons to you again, this time more assertive, though not scolding. You whip your head around to the source of the sound, homing in on a familiar shock of white. 

Tamping down the emotions swelling in your chest, you straighten, fixing your sweater, and a superficial smile takes up residence on your face.

“Yes, sir?”

He studies you for a beat from the slab of space permitted by his half-opened door, long fingers wrapped around the oakwood like spindly spider limbs. He gives you a once over, his brows slightly wrinkled. His lips quiver, gaze pensive like he wants to say something. Something other than what next comes out. 

“Would you mind assisting me with something?” he asks, his tone deceptively impassive. 

Your stomach lurches, the feeling akin to cresting over the slope of a roller coaster. You swallow, pushing your disappointment to the back burner. What did you expect him to say? Sorry? Like he even knows you’re upset. Like he knows why you’re upset. 

Like he cares. 

You nod curtly, wiping your sweaty palms on your jeans. “Of course, sir.”

You move to your desk, your nerves exploding like solar flares beneath your skin while Sylus slinks back into his office. He promptly reappears, thrusting a thick stack of envelopes of varying sizes and colors towards you. Your vision blurs and adjusts as you glance between him and the envelopes.

“Christmas cards,” he answers flatly with a shrug. “I could use some help opening and drafting up responses to them all.” 

“Oh.” Try to sound more disappointed, why don’t you? 

Your fingers graze the clutch of his hand when you reach for the cards. And the worn, warm glide of his skin beneath your fingertips makes you stiffen. You wonder what it would feel like to purposely hold his hand. To commit the feel of his palm to memory. But you banish such thoughts, bowing your head and ducking away.

“Sorry,” you pinch out, moving to the chaise sofa against the wall by his office door. 

He’s wordless as he plops down beside you, releasing a weighted sigh. He drapes his arm along the back of the seat. You try vainly to ignore his slender fingers near your shoulder, drumming against the polished leather. 

You lapse into a rigid silence, your shoulders and jaw set. You find your resolve trickling away, the warmth he exudes beside you making you feel dizzy and shameless. He even has the audacity to smell good, that unmistakable mixture of birch wood, pressed clothing, and his natural musk, conspiring together to overhaul your senses. 

You wonder if he would be offended if you just… leaned a little this way and—forget it. The bubbly’s getting to you. You’re not testing your luck tonight. You worked your ass off to secure this job, enduring tireless screenings and background checks. Worked even harder to gain his trust. No sense in allowing your feelings to compromise your position. 

Besides, you know where you stand with him. Or don’t stand. The spectacle before with the darling Ms. Hunter was all the confirmation you needed. The words you never stood a chance resound in your head like a struck gong. You scoff, tearing into a crimson envelope, dispelling the cacophony in your head. 

“This one is from Mrs. Carter over in HR,” you say, waving the card around. You don your usual playful mask, praying your hurt doesn’t show through the fissures. He acknowledges you with a gruff sound, immersed in a card of his own. You take that as your cue to continue.

Feigning nonchalance, you flip the card open. You clear your throat, repositioning yourself on the sticky, squeaky sofa, crossing your legs, and leaning towards the opposite chair arm. You rattle off the card’s contents aloud. A generic greeting, hollow praise, a bidding for a successful new year. 

“Send her a gift card,” he answers dismissively. You scoff, tucking the card between your thigh and the chair’s arm. Is it just you, or is he being unbearably cold? You’re the one with the wounded pride here.

You occupy yourself with another letter, trying to quell the new swell of emotions burbling in your chest. You’ve reread the same line repeatedly, the cursive scrawl embedded into the cardstock blurring and bending. It’s exceedingly difficult to focus with him so close. And you find yourself stealing little glimpses of him in your peripheral.

He looks even better beneath the incandescent lights like this, like a Roman sculpture bread from patient hands. His cheeks are mottled red, probably from throwing back one too many glasses of champagne. Delicate, alabaster strands fall from their usual coiffure, sweeping over set brows and hollow cheeks. Dark lashes dust over warm ivory skin, scarlet irises dancing beneath as he reads over another Christmas card. You watch his Adam’s apple bob when he swallows. Find yourself, too, swallowing against the dry, scratchy feeling in your throat.

You tug in the neckline of your sweater. It’s itchy and thick, and the heater’s turned up in the building to combat the cold outside. You’re uncomfortable because of the temperature and not because your boss is so unbearably close.

With a sigh, you peel yourself from the lounge. You venture to your desk in search of a letter opener. If you’re going to spend the rest of your night working, you might as well make the task a little less daunting. Rifling through your drawers, you happen upon the biggest one. And your breath catches, grip white-knuckled on the brass knob when you catch sight of it. Inside lies your present—his present—the intricate foil wrapping gleaming condescendingly.

Something pulls in your chest. Your hand shakes. Your lips pull into a taut line, embarrassment spuming like a hot geyser into your face. You’re about to slam the drawer shut, but a streak of warm skin stains your peripheral vision. And as horror descends onto your features, he snatches up the contents of your drawer faster than you can process things. 

“What’s this now?” your boss asks, intrigue mixed with amusement hanging in the boughs of his voice. 

Wide-eyed and mortified, you look at him. Your flight or fight instincts kick in, pushing you towards the latter. He dons a wolfish grin as you swipe at the box in his hand, and he holds it just out of reach. Damn him for being so absurdly tall!

“Sir!” you clip, swiping at the gift like an enraged feline. He doesn’t relent, instead spurred by your reaction, and the contents of the box shift about as he continues his childish game of keep away. Your chest slides against him each time you strain on tippy-toe. And you try to ignore how pleasant he feels, warm and hard-bodied against you.

Spinning out of reach, your boss chuckles at your expense. He seems to enjoy this, watching you hop after him like a field mouse, trying vainly to swipe the object from his hand. 

“You think I didn’t notice you fretting over this all night?” he teases once you’ve stopped—at least for now—your cheeks puffing out, nostrils flaring. 

“Mr. Sylus, I—”

“And you weren’t even going to give it to me.” He clicks his tongue, feigning hurt. “What have I done to warrant such cruelty?”

Reality slowly seeps in. He’s one step closer to opening your gift and discovering how much of a useless spazz you are. Switching tactics, you hold out a placating hand, stepping towards him like he’s holding a charged explosive.

“Sir, I need that back!”

His mouth forms a pensive line as his gaze shifts between you and the box clutched in his fingers. “Why? It’s mine, isn’t it? It has my name on it.” He squints at the meticulous scrawl of your penmanship, and when you make a surprise lunge toward the box when you think he’s distracted, he swings his arm out of reach, baiting you like a bull.

He laughs low, a mirthful crease to his eyes. You’d take time to appreciate it if you weren’t fighting for your life. 

“What’s got you so worked up? What could possibly be in here that you’re willing to bite my head off to get it back?”

You swallow thickly, chest heaving as you watch Sylus drop onto your leather rolling chair, cross-legged and smiling like the cat who caught the canary. He shakes the box near his ear, its contents rattling about. 

“Sir, don’t.” But it’s too late. The sound of paper ripping is jarring in the stillness of your office space. 

You’re stiff as stone, mouth hinged open, terror screwing up your features. Eventually, you concede to your fate, hands falling listlessly at your sides whilst your boss uncovers what lurks beneath the pretty foil paper you’d spent so much time wrapping his present in. You pour yourself onto the chaise lounge, your shoulders touching your ears, feeling like a child waiting with their parents at the principal’s office. You sneak little glances at his hands, each tear making you wince like a scrape against your heart.

Sylus quirks a quizzical brow at you, looking between the matte grey box he uncovered in his hand and you. You don’t contest him, too busy trying to remember how to breathe. He takes your cue, slowly peeling the lid off the box. He reaches inside to procure yet another box, slightly smaller than the one it’s nested in, neatly wrapped in paper similar to what he just tore off. 

Giving you a perturbed look, Sylus repeats the previous process. And again, he’s faced with matte gray. He carries on like this, peeling back a lid, finding another box nested inside, and tearing through wrapping paper for another three iterations.

“How long does this go on?” he prods, faced with another box. “And how many trees did you kill to pull this off?”

You press the tips of your index fingers together, pursing your lips as you look elsewhere. “You’re almost there.” You’re half-grateful he decided to be shit about it. You don’t feel as bad for nesting his gift away like matryoshka dolls. He deserves to feel the same distress he subjected you to mere minutes ago.

Vexation rolls off him in waves when he reaches yet another box, and he fixes you with a look that bodes danger. There aren’t too many times you’ve witnessed him this annoyed. He’s normally like this when his afternoon nap is interrupted by anyone but you or he’s dealing with a particularly ornery client. 

You stand from the couch with a nervous titter in your throat, snatching up the discarded red bow and ribbons you adorned his gift with and tacking it onto the crown of your head. You do a little jig, something to dispel the tension, wordlessly cheering him on. 

Sylus rolls his eyes with a resigned sigh. A ghostly smile rounds his lips thereafter, and you could swear you see something like fondness shining in his eyes at your antics. It disappears as quickly as it came, replaced by a determined pinch between his brows. 

You continue swaying your hips from side to side and pumping your fists in the air, the bow's ribbons falling comically over your eyes and water-falling off your shoulders. 

Finally, finally, Sylus exposes a matte, black box that’s the size of his palm. Wrapping paper lies like carnage at his feet, bent-up cardboard boxes piled atop your desk. You sigh in relief, though it’s short-lived, as he opens the final barrier between him and his gift.

He studies the contents of this new box, eerily quiet. You swallow as he reaches inside, producing something garish and pink from within. “What the hell is this?” he queries, waving the plastic novelty revolver around.  

You snort, the flatness of his tone catching you off guard. “A gun,” you answer as if it’s the most obvious thing in the world. 

Sylus scoffs. “Clearly. But what is it for?”

Flourishing your arms, you plaster on a grin. “For you to put me down in case you no longer find any use for me!”

Looking between the pink revolver and you, he crooks his finger around the trigger, huffing a disbelieving laugh. “You want me to ‘Old Yeller’ you?”   

“If that’s what it comes down to.” And what comedic timing he has, pulling the trigger, a banner with Bang printed in bright Comic Sans popping out, complimented by a flurry of rainbow paper confetti.

Silence lapses between you as the confetti flutters to the floor. You caution a look at your boss, and he shakes his head, his lips crooked into a smirk, though the knit of his brows reveals his disappointment. 

“You can also use it during your meetings when someone pisses you off,” you warily add, shifting your weight between your feet. He doesn’t honor you with a response, instead setting the revolver on your desk with a definitive clack. He studies something in the distance, seemingly ignoring you.

If you weren’t already feeling silly before, you most certainly do now. You figured something unconventional would suit your boss. Something to define your work relationship, the pair of you often trading morbid and esoteric jokes to make the day's hustle a little less daunting. It seemed like a good idea when it caught your eye in the mall. In retrospect, maybe it wasn’t a good buy after all. Especially when compared to Ms. Hunter's gift, and the recollection makes something cold wash over your innards.

You press the tips of your index fingers together, gaze cast on the floor. You’ve screwed up, and you’ll probably lose your job over this. Either that or your working relationship will turn to shit. You’d honestly rather be relieved of your position when considering the latter option. Turning to leave, to pick up the jagged shards of your pride and finish tidying up, you gasp when you feel a warm presence behind you, the fine hairs littering your body standing at attention. 

You turn to acknowledge him, wincing away, expecting to be struck. Mr. Sylus has never raised a hand at you before, only lightly flicking your forehead or tapping your nose when he felt playful that day. You realize how ridiculous you must look and sound, but you steel yourself against the worst possible outcome regardless.

A hit never comes. You’re instead greeted with the hard press of a body against yours. With arms loosely winding about your middle and a chin finding the crook of your shoulder. His scent is overwhelming. The heat he exudes is dizzying, wit-pilfering. 

Wide-eyed, with your hands opening and closing awkwardly at your sides, you stiffen as you grapple with the notion that your boss is hugging you. Mr. Sylus. Hugging you. No matter how many times you turn the words over in your mind, you can’t process them. You didn’t even know he was capable of such an act.

“Thank you,” he intones, his voice a pleasant vibration in your body. He rubs over the notches of your spine, nuzzling into you further like you’re his security blanket. Once your common sense returns, an affectionate smile touches your lips. 

You clumsily return his hug, unsure of the proper conduct in this situation. But you throw caution to the wind, full-on embracing him, your eyes twinkling with tears. “Of course, sir,” you murmur, swallowing against the swell of emotions in your throat.

The hug ends much too soon for your liking. Sylus peels away, his hands clasping your arms. You tilt your head quizzically as he studies you, the bow's ribbons brushing off your shoulder. You must be quite the doe-eyed sight. His eyes darken as his gaze falls to your lips, his own mouth slightly parting. He looks as if he’s wrestling with something in his mind. Turning it over, at war with himself. He seems to win whatever battle is taking place behind his eyes, for he slowly pans in, his lashes bowing.

And maybe you’re swept up in the moment, too, his hug having buried your defenses in the sand. You don’t fight him, only awkwardly shifting when your lips meet before relaxing beneath the slight chap of his lips. 

Beneath the ethereal twinkle of the fairy lights you hadn’t yet snatched down, through the stillness of the investment firm’s tenth floor, and with your pulse thundering in your throat, Mr. Sylus kisses you. A full press of lips, his grip on your arms tightening the barest as if to keep you rooted to the spot. Not that you would run, feeling weightless, like navigating a dream. 

As quickly as reality floats onto your shoulders like a wispy shawl, he pulls back, wild-eyed and panting. And it’s as if you’re the greatest sin he was never meant to indulge in. He releases you before tearing a shaky hand through his tresses, pushing out a weighted exhale. 

“I’m sorry,” he breathes, stepping away from you before you can think, each hurried thump of his loafers across the floor like a strike to your racing heart.

You strain your ears for every bit of sound until the elevator around the corner pings, and you hear him step inside, the doors swishing shut. And you’re left to the swell of static and impenetrable silence, staring after the faint afterimage left by his tall visage. 

You turn towards the ceiling high-window, dazed. Touch your lips with shaky fingers, the sensitive skin still tingling with the remnants of your kiss. Flecks of white streak the violet canvas beyond the window, the first snowfall fluttering in gossamer patterns towards the ground. 

You got what you wanted. What you’d maybe consider the greatest Christmas gift you've ever received. But as a bitter smile tugs at your lips, your eyesight glossing over with a warm film, and you clutch your chest, your thoughts seep in.

Why does it feel like it’s not what he wanted? 

[illmoraineakoi]

Some Thoughts on the rest of AvA Season 3

You know, I'm a little bit baffled by how many episodes are left in Season 3.

It's supposedly set to run to episode 15, which means there are four more episodes in this season.

But I really don't understand what else could happen?

Victim has Chosen, Orange and Yellow. He has the means of summoning the Cursor. He also has the means of finding Alan's PC location too, via the memory scanner, if that's something he wanted.

He even has the means of containing the Cursor, with The Box.

For all intents and purposes, Victim is so close to achieving his goals.

Literally all of it, from Yellow summoning the Cursor, to Victim having a confrontation and fight with the Cursor, to Orange inevitably intervening and ruining his attempt at vengeance and saving the day, it can all be wrapped up in a single episode.

So...four?

Four more?

Something's not right. There's more we're missing. There's more that will happen. It's not going to be that straight forward.

Chosen is an integral part of this arc. And he's left far too many mysteries in his wake thus far.

Orange's origin and his connection to Chosen, too, has yet to be explained.

Which Alan has confirmed would be, at some point, quote, "explained in the story". (Thought to his credit, he did not specify when it would be, nor if it would be in S3. This was also a quote by DJ, not Alan's actual words, when DJ was asking about Orange and Chosen, for added context. Alan's response was "Uh-huh.", to the above quote.)

I do not think it's a coincidence that we received a MASSIVE lore dump on how the Outernet works, and the "green energy" along side it, in the episode immediately after Orange's powers became known. The green energy played a massive part in Victim's episode, symbolizing both the creation of life, but also the loss of it. Orange's powers are going to play a more significant role going forward.

Though it will be difficult to say if his reviving powers will play a role or not.

(I personally believe they will, because I don't understand why Mitsi would get a plush otherwise. Her role in Victim's story was very important yes, but...a plush? Alan's never done that before, made merch of canonically, permanently dead, only-appears-in-one-episode characters. It feels a little strange. Unless they were just banking, literally, on the audience's heartbreak and swift attachment to her character? People's desire to want to make her and their Victim plushes a set? That feels so disingenuous for Alan, though...So why?)

(I don't believe Mitsi's role is complete. That might just be the cope, admittedly.)

The new gap in TCO and TDL's story is also very suspicious. There must be a REASON that Alan decided to set the Newgrounds attack in 2011, upending most people's assumptions for how they spent their time after they escaped.

And therein lies a problem too: our assumptions. We know so very little about TCO and TDL's time after they escape until Showdown, and it's starting to feel like it's becoming a problem. Especially when things keep tying back to them.

It's intentional. Alan isn't rewriting the timeline for no reason. He's not casting doubt onto Chosen for no reason.

We are going to get more information on Chosen and Dark. The new gaps in the timeline and the ambiguity to their character arcs needs to be completed. Alan and his team have been very good at tying up those loose ends.

I firmly believe one of the four remaining episodes is going to be Chosen and Dark's 'extended'/'improved' backstory, an episode that is going to massively clarify both their characters like Victim's did.

Dark's strange absence from Victim's arc in particular is feeling very odd. Why is the narrative trying so hard to push Chosen as a main perpetrator for Victim's antagonist arc? Is it to set up his own expanded redemption arc better? Is it to fall in line with the theme of "actions have consequences"? Is it to forcefully beat it into the thick-headed fandom that Chosen is a morally grey character, a fact so many people seem to chose to just ignore because they like him?

But then why immediately show Dark after Agent has left, if we are supposed to focus on being upset at Chosen? Why is his appearance on that tank treated as a reveal?

What is there to reveal? We already knew he was there. Why was that important to show?

It's just so weird. By willfully hiding Dark, Alan is calling even greater attention to him. His absence is perplexing. So why?

Something is important about Dark. Dark is going to play a bigger role in what happens in the future than we might currently think.

Either he's being set up for the 'grand reveal' that he was the only one actually throwing attacks around during the Stick Page and Newgrounds attack (A weak reveal because people already think this, think that Chosen is being used a bait-and-switch) OR, and I really hate to be 'that person'-

He's being set up to come back.

I hate to be 'that person', because I've frankly gotten tired of people theorizing that Dark's going to return in Season 3. There was never any evidence for it, before. The arc, originally, had nothing to do with him. He had his arc in Season 2, and Alan being undecided in his fate didn't magically mean he'd pop back up in a brand new narrative with a brand new antagonist. Especially when, at first, it didn't seem like he was involved.

But there is evidence for it now. He is involved, at least a little. Dark is, by his absence and the complete lack of acknowledgement of his very existence by Victim, important to SOMETHING in this season.

Though in what way, I can only speculate. And those speculations sound like fanfics, fam, so they're going in a reblog.

There is also the issue of the Animator's character. Something huge needs to happen to redeem him in the eyes of the audience after what was revealed in AvA11. So many people are horrified and appalled by his past actions, and his current "redemption" doesn't feel like it hold up. It's too weak.

I've said it before, but I'll say it again: The Animator needs to do something more. He needs to show he actually cares about his stick figures.

And he needs to apologize to Victim. That is one of my biggest desires to see, in the final episode: Alan apologizing to Victim. I want to see it as badly as I want to see the Cursor burst into pixelated flames in a fight scene. Chosen, too, deserves an apology.

I personally think that Victim is going to receive a good ending - the fact that he's being fleshed out with a backstory that makes him very sympathetic is a good sign that he might have a nice ending in this story, if not the one that he perhaps wants at the moment (that being his vengeance lmao.) And Alan usually goes for good, feel-good, endings to his story arcs. The only one that didn't really feel very 'complete' is Season 2, which, y'know, might now be for a reason.

In any case, I at least don't think Alan has it in him to kill Victim off permanently. Victim is the stick who started it all, who started him on his path to success that's brought him to where he is now. Victim is special to Alan's life story. Animator vs Animation would not exist without him. Alan wouldn't be here, doing what he loves, without him. Victim literally changed his life, just as much as Orange has, if not more.

This is why I hope Alan gives Victim the same respect of a good ending. The same respect of the ability to be happy and kind again.

It would be such a nice bookend, that the stick figure he originally created with the intent of beating up and tormenting is given love, happiness, and closure for his arc end.

That's what I want more than anything else. I want Victim to have a happy ending. I want him to have what he was deprived of in AvA1.

He deserves it, so much.

We have four more episodes to go. And a lot is going to happen in those episodes. Maybe I'm wrong and they stretch the whole 'confrontation with the Cursor' out really long, but it'll still play out mostly as expected. Or maybe something utterly batshit crazy will happen that will catch us by surprise, like Dark returning (either as an antagonist or ally, both would be awesome and unexpected) or Mitsi returning as an antagonist for some reason (probably not, but it'd be insane.) Or maybe I'm extra extra wrong and Victim will die, which would utterly devastate me and break my heart into a billion little pieces.

It's impossible to tell right now.

But I'm looking forward to the wild ride. Regardless of what happens, Alan and his team are going to make some beautiful art. Scott Buckley is probably going to make some amazing music. Everyone is going to continue to breath life into this amazing, gorgeous world, an tell an amazing story alongside it.

I don't love AvA just because of the story of the characters. I love it for the passion that goes into it. I love it because it's clear Alan loves it, and all of the animators, editors, artists, and sound designers clearly love it too. I love seeing all of that effort, all of that work, all of that love, come together to make something truly amazing and beautiful. I love that the team are in a position where they can make these animations for an audience who loves them so much.

I cannot wait to see what more their passion and love can make, and where they will take us from here.

[morbethgames]

The Recoding of The Bureau is Finished

I’m done recoding the game. All in all, it was honestly about what I expected to be slimmed off once I got a good look at some of the scenes. As I expected, 90% of that were from the first 3 chapters. I am a mix of emotions after arduously spending hours upon hours replacing gender variables one at a time by hand. Which unfortunately, I couldn’t think of another way for doing it, because all of the characters were using the same gender variables instead of independent ones for each character.

I’m relieved it’s done. Disappointed in myself that I had to do it at all. Irritated that some people decided to put the game on blast for it rather than give actionable suggestions on how to fix it. Excited to finally be able to continue writing both the extra scenes that need to be written and the main story. I honestly don’t know which one I’m going to continue with first.

Please leave feedback.

There are still no doubt one or two spots with maybe 1-2k words each that could be slimmed down, but that would require a lot of work for very little payoff. So yes, I’m comfortable saying, the game is almost 400k words long in total. 85k words per playthrough. That’s not including the extra scenes in the stats screen, because randomtest doesn’t go in the stats screen (to my knowledge at least, someone can correct me if I’m wrong). So you still have to play the game roughly 5 times and choose different choices to see everything it has to offer.

Is the game smaller? A bit, yeah. Is it 100-150k? It’s more than double that.

Now, that doesn’t say anything for the state of some of the writing. If I have to read someone nodding, or smiling, or ‘slightly’, ‘a bit’, or ‘a little’ something in my own work again, I’m gonna jump out a window. Obviously, back when I started writing this, I was very much influenced by Wayhaven. I’ve since grown out of that idea. Since the game has taken on an identity of its own, and while I will forever be grateful to that series and continue to support it, there’s gonna be some changes in the final version of this game. Less of what I said above, less ellipses, and the flirting (especially in the beginning) will seem much more down to earth and believable for the setting it’s in, with a bit of wiggle room since this is still very much a YA game.

Please leave feedback.

The rewrite will not be happening until the first draft of the game is fully finished. I refuse to get stuck in a rewrite phase, mostly because I would just find it way too boring.

My patreon will continue to have static fiction on it, as well as sneak peeks into upcoming stuff. In case you’ve been missing it, Love In Stasis is up to Chapter 6 at this point, with more to come. I’m also thinking about potentially starting a horror static fiction.

I’ll be relying on people to playtest this new version of the game to tell me about any continuity errors, and gender errors, any anything errors. So please, play the demo. Let me know if you notice anything. I think if I’ve proved anything at this point, it’s that I act and fix things based on feedback.

And pettiness.

But mostly feedback.

Please leave feedback.

Last thing I’ll say; I’m gonna stop saying I’m bad at coding. Someone who’s bad at coding wouldn’t have been able to implement the text boxes and fine tune them. Someone who’s bad at coding wouldn’t have been able to code Golden Eyes. Someone who’s bad at coding wouldn’t have been able to slim down the game that much from where it was. So it’s time I give myself the credit of someone who at least knows what they’re doing. I’m not adept at it, but I’m certainly not bad at it either.

I’m still expecting the game to end up over 500k words when all is said and done. It will not be one million words, but I’m actually kind of happy about that. This is proof I’m still working on this game, and the next time it updates, it will have new content. Thanks for those that are patient and stick around, your support does still genuinely mean a lot.

Please leave feedback.

Stay Brilliant,

-Vi

P.S. Please leave feedback.

🛡️Patreon | Forum Page | Demo Link🛡️

[yooniivrse]

hating you, craving you | ksj

summary. you don't exactly remember how the man you hate most ended up between your legs, but you're not complaining.

pairing: seokjin x afab reader

genre: co-workers to ??, implied enemies with benefits, smut

word count: 1.1k

warnings: cursing, explicit sexual content, pussy eating, petnames (princess), oc gives seokjin blue balls lol

notes: this has been in my drafts since the day jin's office concept pics dropped :3 comments, reblogs, asks and feedback are so appreciated!! i hope you guys enjoy <333

────

main masterlist

────

Seokjin is a very unlikeable man.

He's arrogant, lazy, overconfident, selfish, and oh — did you mention arrogant? He wears that stupid smirk on his face constantly, using it as a leverage to get everything he wants. It was a pathetic sight, watching your co-workers stutter and stumble over their words in front of him while their skin grew deeper in the familiar shade of embarrassment.

You've always been the one person exempt from his charms — you're pride refusing to let you kneel to him like everyone else.

Which is why he’s the one with his knees digging against the hard, wooden floorboards, and his head between your thighs.

How you ended up in this position, you honestly have no idea. But none of that matters right now because fuck, did Seokjin’s mouth feel heavenly against your pussy.

His lips suck and lick at your cunt softly, his tongue delving in and out, exploring all of you. The fabric of your tight, pencil skirt is hastily bundled up at your waist — both of you had been too impatient and too worried about the lack of time you had to properly strip.

Seokjin’s fingers dig into the flesh of your thighs, keeping your shaking legs steady on the ground.

Your hands tug at his hair every time a shiver of ecstatic pleasure courses through you, followed by a lazy attempt at muffling a moan by pressing the back of your hand against your mouth. You can practically feel his lips curl into a smirk against your pussy when your actions go in vain.

“That good, huh princess?”

You look down to meet his eyes — pupils completely glazed over either lust.

“Sh-shut up.”

A muffled chuckle vibrates through your cunt and the feeling has you pressing his head closer into you. Your throbbing in his mouth, your back arching up as you feel your orgasm build up.

A plethora of curses fall from your lips; sinful pleads and lewd slurps filling the air of the almost-abandoned storage room. Any moment, the door could open to expose your little rendezvous. More arousal than worry fills you at the thought, and your cheeks flush in embarrassment.

Seokjin seems to be drawing out the alphabet with his tongue all over, taking his time to bring you over the edge — time that you were pretty sure neither of you could afford. But you were so fucking addicted to his mouth on you that you couldn’t bring yourself to protest.

“Shitshitshit. ‘m so close.”

Your eyes squeeze shut and one of your hands move from Seokjin’s hair to grip on to the side of the table, the pads of your fingers turning white from the force. His lips latch and lock against your folds, coaxing the knot in your stomach to come undone.

“C’mon, princess. Wanna taste you.”

Your orgasm washes over you like a strong tide, making your walls clench around nothing in steady waves. Seokjin eases on his pace, letting you ride out your orgasm in his tongue.

Your chest rises falls rapidly, small pants dropping from your lips. He licks a long strip along your cunt, collecting your juices on his tongue. Your hand snakes its way to the nape of his neck and you pull him up for a messy, sloppy kiss.

You clean the wet arousal that coats his chin and mouth, tasting a mixture of you and his saliva. His hands wrap around your waist securely, and you ease your weight off your buckling knees.

“When do you have to get back?” you ask, your voice breathless and your mind still fuzzy from the pleasure.

A kiss. “Don’t know.” Then another. “Don’t care.”

You giggle. “Wow, so professional of you.”

“Mhm. Don’t act like the idea of being caught doesn’t turn you.”

You’re rolling your eyes when three sharp knocks rap against the door. The two of you are blocked from view by the rusty shelves, but you still try to make yourself as small as possible.

The door doesn't open, but Jungkook's voice is unmistakable from the other side. “Hyung, you better hurry up. Namjoon’s gonna throw a fit if you don’t find him the file in the next five minutes.”

You keep your eyes on Seokjin, watching the way his Adam’s apple bobs as he lets out a sigh of annoyance. “Tell him that I’ll be there in a bit, Kook.”

“You better.”

Jungkook's footsteps trail off, and you finally let out the breath you were holding.

“Yeah, no. We’re never doing this in here, ever again.”

Seokjin lets out a sigh. “My bad. That kid’s always ruining something,” he groans, pressing his lips to yours again.

“Keep it in your pants, Seokjin.”

He scoffs. “You cannot be saying that right now.”

“You heard him,” you say with a shrug. “You can’t stay in here any longer.” You step away from him, pulling down the fabric of your skirt roughly. Despite the shivers of ecstasy that still faintly ran between your legs, the events that had just transpired had began weighing down on you; you let Seokjin eat you out during work hours in the file room, and he was never going to let you live it down.

Fuck.

Seokjin runs a hand through his hair and lets out a sigh — one clearly laced with annoyance. "Fine."

You smoothen down your shirt and quickly fix your hair as he steps off to the side. He pushes his hands into the pockets of his dark pants and leans his head against the wall.

"You coming?" you ask.

"Give me a minute. You go on."

You can't stop the teasing smirk that tugs at your lips and Seokjin avoids your gaze. At least you know that your not the only one affected by his charms.

Your walk off but come to a stop after a few steps. You turn around and his eyes meet yours. The words lie on the tip of your tongue, but you're pride tries to stop you from letting them tumble from your lips.

Fuck it.

"Want me to make it up to you tomorrow?"

A beat of silence passes, and regret instantly starts bubbling in your chest. But before you take back your offer, Seokjin lets out a small laughing breath and nods.

"Sure. Text me whenever you want, princess."

[coc0amocha]

Sensitive || Careful between the legs, please?

Satoru has sensitive thighs, and the second you found that out you were having a field day toying with him while sucking him off

Satoru x gn!reader

(I've had this in my drafts since November 30th. Sigh)

Word count: 496

You'd finally found his weakness. Now, he was at your mercy, spread out on the bed, his legs obscenely wide, like some desperate whore, eager for your touch. You were between his thighs, your hands gliding up and down the soft but firm surface. Every caress made him jump and whine helplessly, his body quivering under your hands.

As you lavished attention on his cock, it proudly stood slick with your saliva. His head shone wet at the top, dribbling precum down his shaft. "You should've told me these are so sensitive," you stated, rubbing Satoru's inner thigh.

Satoru's body spasmed with the contact as a shrill whine escaped his lips.

"Nuh uh," he managed to gasp out between labored breaths. "That would've been a horrible idea. I was trying to avoid you doing what you're doing right now. Which is teasing me."

"Whatever, Satoru," you teased, rolling your eyes, "You've pushed it off for long enough."

You shrugged with a sly smile before dipping your head lower. Your teeth grazed his inner thighs, alternating between nips and sucks that left his skin marked and reddened.

"Nghhn– fuck.." he groaned, his thighs tensing as your lips and tongue worshipped his sensitive skin. It made his entire body shake with his need. "You're so mean. Just take it already..!"

You chuckled and pulled away from his thighs. Then, slowly took his cock into your mouth inch by deliberate inch, you made it as pleasantly tortuous as possible. Soon, swallowing around it, almost choking on his length. Satoru loudly moaned, his hands cupping the back of your head to ease him the rest of the way down your throat. He fit inside as easily as a key in a lock, your throat stretching to accommodate his girth.

His voice shook as he looked down at you, his thighs tensing as your nails scraped a little harder. "Goddamn, you're always so fuckin' good to me," he breathed out sharply.

Satoru's moans filled the bedroom, bouncing off the walls as his body writhed on the bed. Drool hit the sheets as your mouth worked overtime, your fingers purposefully raking and pinching the sensitive flesh of his thighs.

You bobbed your head on his cock, which only seemed to thicken and twitch against your tongue, the first signs of his impending climax. Satoru chewed on his lower lip, his breath coming in wheezy puffs as his hips rocked into your eager mouth. The muscles in his thighs jumped beneath your palms as his cock finally erupted, emptying all his hot cum into your mouth. Satoru's breath caught audibly in the back of his throat as you swallowed a few times around him.

Before his foggy brain could even process what transpired, you were no longer on his cock but kissing your way up the sensitive skin of his thighs. Your lips brushed against his skin in soft, worshipful kisses to soothe the flesh you abused mere moments before.

[red-riot-unbreakable-heart]

Shoto's First Kiss Update | Chapter 8 Snippet

A lil update for my lovely readers as we officially enter the holiday season!

Chapter 8 of Shoto's First Kiss is almost ready, y'all! Appreciate the patience :) I'm trying to work through some tough dialogue scenes and make everything flow well.

At my latest estimate, this chapter will be at least 30 pages when I finally post!!!

I have off this week for the holidays so I will be working through editing and trying to get this posted as soon as possible (and as soon as I feel it's truly ready for the world!).

ALSO!! The smut scene is really hot - I think you'll all be pleased :) I'm going to post a snippet of it below the cut to get you excited for the next chapter. I think you'll be able to get a good idea of where the next chapter will take us smut-wise 😉

Thirsting for some Shoto smut right away? I posted this new one shot last week:

Frisky Movie Date | Shoto x Reader

This also exists:

Shoto Discovers He Has a Daddy Kink

And, as per usual, here's the chapters of Shoto's First Kiss that are available so far:

Part 1: Shoto Todoroki x Reader | First Kiss ❄️🔥💋

Part 2: Shoto Todoroki x Reader | First Kiss ❄️🔥💋 PART 2

Part 3: Shoto Todoroki x Reader | First Kiss ❄️🔥💋 PART 3

Part 4: Shoto Todoroki x Reader | First Kiss ❄️🔥💋 PART 4

Part 5: Shoto Todoroki x Reader | First Kiss ❄️🔥💋 PART 5

Part 6: Shoto Todoroki x Reader | First Kiss ❄️🔥💋 PART 6

Part 7: Shoto Todoroki x Reader | First Kiss ❄️🔥💋 PART 7

Bonus! I'm posting a snippet from the next chapter to hold you all over until the next post.

🚨Spoiler Alert🚨 Contains drafted content from Shoto's First Kiss Chapter 8!!! If you want to wait for the full chapter to be released, don't read any further. This is a draft so obviously it's subject to change :)

“You like watching me bench press?” You say cheekily, recalling a moment a few months ago when you had made awkward eye contact with Shoto at the gym. At the time, you’d thought it was just a coincidence – your eyes had accidentally met while you were completing some reps on the bench and he was doing pull ups nearby. But now that he had divulged his attraction to your lifting…

“Yes.” He buries his face in your neck, radiating heat. “The look in your eyes when you bench. Fuck.”

“How hard are you right now, Shoto?” You groan, rolling your ass against him. He makes a noise in the back of his throat in answer to your question. “Yeah that’s what I thought. Unzip your pants – I want to give you a handy.” You start to pull away from him so you can turn around, but he holds you fast in his arms.

“No.” He says soundly, surprising you. You’re certain that most men aren’t quick to turn down a hand job. “I appreciate the offer, but there’s something else I want to do right now. If you’re up for it.”

“Oh yeah?” This whole situation is unexpected – hooking up in a closet during a secret party? Yeah, definitely not on your UA bucket list. You tilt your head so you can look at him more clearly. His eyes are stormy, his hair mussed up just so. He looks so devastatingly hot and needy, you practically cum on the spot.

“I’ve been wondering…” He says quietly, running a finger back and forth on your lower stomach, causing your pussy to quiver in your panties. “What would it feel like to touch you…more intimately?”

“More intimately?” You squeak, and you feel his fingers slide under the elastic waistband of your skirt, tracing gently across the delicate skin of your waist. You feel your pulse quicken as you realize what he’s getting at.

He kisses up your neck and you feel his breath in your ear – hot and wet. He traces his fingers across the waistband of your panties now, moving his fingertips in a slow, circular motion. You’re so wet you can barely stand it. It’s not a stretch for your brain and body to imagine how that motion would feel on your bare pussy.

“Ever since you gave me a hand job for the first time…well, I’ve been wanting to return the favor.” Shoto says softly, and your brain feels like its full of static.

Is he saying what you think he’s saying? He wants to finger you and get you off?!

----------------------------------

And that's all for now, folks! See you soon for the official chapter post!

XOXO,

Red Riot Unbreakable Heart ❤️

[diningwiththeasquiths]

The Bear + text posts (Carmy edition) for @lunaintheskyforever, happy birthday bb! ❤️

[farshootergotme]

A while ago I was talking to my friend about Dick's adoption and as we talked they said, and I quote, "Actually I'm convinced that deepened his insecurities and his self worth more hence that boosted his needs of showing self worthiness in order to get Bruces approval overall; and NOW BECAUSE Bruce adopted him only when he's like fully developed into his own character and showed enough self worth, that became his new mindset typa thing" and that changed my whole perception of it.

Because, yes, it was already bad enough that it took so long for Dick to be adopted. That messed with his insecurities a little bit. But I never considered how adopting him only once he seemed to be truly succeeding could be interpreted (subconsciously) as "you've proven your worth and this is your reward" as if he had to earn his (official) place as his son.

Why not before even though he'd been Nightwing for years by that point? Going from this perspective, it would be because Nightwing to Dick means detaching himself from the Batman. It means starting his own journey and thus leaving Bruce behind, which means he needs to prove now that he is good enough to be on his own; that this independence isn't just a whim.

And then Jason happens and the relationship is just not very good between them during that time, so it's not wonder he hadn't adopted him yet even though he did adopt Jason. And then Jason dies and it's even worse so definitely that wouldn't be the right time for the adoption. Dick still hadn't proved to Bruce he was good enough to be adopted because if he had he would've adopted him soon after the conversation they had about it.

And a couple of years go by and Bruce finally adopts him and their relationship isn't falling apart and maybe he's good enough for it, and he's happy. But then, one would start to wonder, 'what changed? Why did I have to wait for so long to get this? What had I been doing wrong before?' Bruce knew he wanted to be adopted, so what's that triggered this seemingly sudden decision?

[iguessthisisanewobsession]

Danny bursting into the full batcave: Jason has ghost cancer

Batfam: wut

Danny fazing kryptonite out of the lead vault: Jason has ghost cancer.

Batfam: who tf are you?!

Danny already turning the corner into a dead end part of the cave: wouldn’t you like to know weather boy.

[swordmaid]

It was more a picture than a proper coat of arms, and the sight of it took her back through the long years, to the cool dark of her father’s armory. She remembered how she’d run her fingertips across the cracked and fading paint, over the green leaves of the tree, and along the path of the falling star. - AFFC Brienne II.

[viperwhispered]

Rest

Guess what? I've got more Jamil x reader for y'all. You can also find this on ao3. No warnings, just 866 words of kinda fluffy(?) caretaking stuff with gender-neutral reader.

At this point, you know Jamil’s schedule almost as well as he does. So, when you have the chance, you head to Scarabia’s kitchen, hoping to spend some time with Jamil while he and the other students prepare dinner. 

However, when you enter, it takes you but a moment to notice Jamil’s uncharacteristic fumbling and the tired look in his eyes. The way Jamil’s chopping the vegetables has you worried about him cutting himself with that knife he’s usually so adept with, and it seems it’s only force of habit that’s keeping him on track.

You frown, and when your eyes meet Jamil’s, you can already see him put his guard up.

So he knows what state he is in, huh? And still, here he is.

It seems Jamil is reading your thoughts, all of him telling you drop it before any words are even said.

At least he still lets you lean in and give a quick kiss to his cheek in greeting.

“Hello love. Do you still have a lot on your agenda for today?” you ask, keeping your tone low for at least some semblance of privacy in the busy kitchen.

“Nothing I can’t handle,” is the response you get.

Of course.

It takes a little more pestering before Jamil actually answers your question. Your lips purse. That list is far too long to your liking.

You take a moment to think, juggling your own plans and to-do list against the urgency of the things Jamil mentioned.

“Will Kalim be eating from that?” you ask, pointing at the food Jamil is preparing.

“Yes.”

“Alright, I won’t be touching that one, then. I’ve gotta do a few things but I’ll be back when you’re done here.”

“Don’t,” Jamil says with a glare, clearly aware of what you’re thinking.

Yet even his disapproving look doesn’t have the usual weight behind it.

“Yes. I will,” you say firmly, even as your heart curls inwards with another bout of concern.

Really, when did he get so tired?

And how did you not notice it earlier?

You leave the kitchen before Jamil can protest further, hurrying through the dorm corridors to find Kalim.

Soon you have an enthusiastic – and concerned – supporter for your plans. You have Kalim point out a few reliable Scarabia students to help with a few of the most urgent matters Jamil mentioned – cleaning up the common areas, delivering some paperwork to Crowley, preparing some dorm-wide notices – while you see to Kalim getting his school supplies in order for the following day. You even recruit a couple of third years to help Kalim with his homework.

You’ll see to the rest tomorrow – after all, you do also have a boyfriend to look after.

Your conversation over dinner can hardly be called anything else than an argument – despite Kalim’s best attempts at acting as a moderating force between you two. It is very tempting to ask Kalim to tell Jamil to take the rest of the day off – it’s not like Jamil would be willing to openly disobey a direct order. Still, you really don’t need to remind Jamil of his position on top of everything else that you’re already doing more or less against his wishes.

Eventually, however, Jamil’s had a square meal, the most urgent things on his to-do list are being taken care of, and you’ve managed to drag him to his bed.

“I really wish you wouldn’t push yourself so hard,” you murmur, your arms wrapped tightly around Jamil. You’re telling yourself you really do just want to cuddle, to offer some respite to Jamil. Still, there might also be a part of you worried that if you were to let go, he’d just jump up and get back to working himself to the bone.

Yet, for all his protestations, just the fact that you’ve gotten Jamil to lay down with you speaks volumes of his current exhaustion.

“I can’t just leave my duties, albi. You know this.”

“Making yourself too indispensable, is what you’re doing,” you protest.

Oh, you know it’s not so simple. Not with his background, not with all the expectations and assumptions.

But sometimes you really wish it would be.

Jamil merely scoffs in response to your words.

Still, it is undeniable that he is slowly beginning to relax in your arms, slowly bringing his head closer to yours. His eyes are starting to flutter, too.

“I will still need to help Kalim with his homework, at the very least.”

You wonder who he is trying to convince more, you or himself.

“Amin and Khalil are helping him. They’re basically top of their classes, aren’t they? I’m sure they’ve got it.”

Still, Jamil frowns.

You sigh. He really is not letting go, is he?

“Do you want me to go supervise?” you ask.

And leave you, unsaid yet hanging there right after your words.

“Don’t,” Jamil eventually says, the word barely more than a breath.

It seems he has accepted his fate.

You softly caress Jamil’s hair, listening to his softening breathing.

And when you wake up, wholly unaware of having been lulled to sleep in the first place, it’s to the lightest of touches from Jamil’s fingers.

Tagging @diodellet @twstgo @crystallizsch @jamilvapologist @jamilsimpno69 as per request If you'd like to be tagged for any future works, let me know!

[shower-phantom-ideas]

Spent 30 minutes trying to figure out how to start this post so now im just doing it sorry

Phantom gets called cat like by the other heros all the time. Hell some of the league members have even joined in after he met them. Fuck you superman how dare you out his purring

Problem is his new power he started developing. Telekinesis. And it’s very hard to control. Now if he looses focus he starts knocking stuff off shelves or off tables.

Frostbite told him he would keep developing powers till his ghost side was grown but he thought it was done. How many more powers does he need!!!!

[camping-with-monsters]

🔥SET FIRE TO THE SKY🔥

I think this is the best scarlet and violet photo ever taken I think I win the contest

[spaceratprodigy]

[ 😇 ] — doodle dump from priv

just some smaller things while I have fun w friends and find my groove again :]

Commission Info | Ko-Fi | My Links

[wander-wren]

small things to stop doing in your fics

(or any kind of writing, but i live on ao3. we begin with flat-out crimes and then slowly start moving into things that just bug me personally but aren’t wrong)

epithets. if i’ve said it once, i’ve said it a thousand times. you should only be using epithets for characters whose names we do not know. they can also be used VERY rarely to break up the repetition of names/pronouns or to emphasize characters’ relationships/viewpoints, ie “his boyfriend” or “the asshole.”

writing out accents. please stop. you can include a couple of small things, like “somethin’” or “ya” (for “you”), but even keep that to a minimum. specific turns of phrase/references go way farther imo to establish a character’s culture/background/etc. a little goes a long way, and doing it repeatedly can make sentences hard to parse. this also! applies! to children and babytalk! have you ever listened to a child speak? toddlers can enunciate pretty well!

not enough commas. put commas before names and titles. it’s not “Hey John” or “I’m on it captain,” it’s “Hey, John” and “I’m on it, captain.” also, put them after discourse markers/interjections such as “well,” “so,” and “now.” you should be writing “So, how are the kids?” not “So how are the kids?” even if your character is speaking quickly, you still want the commas because of grammar. it can occasionally be acceptable to omit them if you want to indicate extreme excitement/panic/anger/etc, but use it sparingly.

too many commas. i’m a comma fiend like the rest of you so i’m guilty here too, but we gotta at least stop with the comma splices. commas split and independent and dependent clause, meaning that one part of the sentence cannot grammatically stand alone. if all parts are complete sentences on their own, that’s a comma splice. try splitting it into two sentences, using a semicolon, or rewriting. this is usually fine in dialogue, though, that’s just how people talk.

also, using a lot of commas to denote panic is something i used to be HUGELY guilty of and now i hate it. instead of, “I, I, I don’t, I don’t know,” you can try, “I-I…I don’t—I don’t know!” probably not that much punctuation that close together, but for the sake of example. emdashes and ellipses, my beloveds 🫶

roleplay speak. i don’t know what else to succinctly call this? i’m referring to the tendency to be redundant and over-explain, especially in dialogue. it’s a phenomenon i see constantly in rp circles, usually because of post length requirements (and i have little issue with it there, it’s just the culture). things like:

“Surprise!” Adam shouted, popping out from behind the door.

“Oh my god!” Scott screamed, having been completely startled and not expecting Adam to be home yet.

yeah, we can guess that Scott is startled, right? because of the screaming? and clearly if Adam is surprising Scott it stands to reason his presence is unexpected? why are we stating this twice?

i believe this also comes from the mistaken idea that every line of dialogue needs a tag attached, which is….horrible. you can let the dialogue exist on its own sometimes, friends. you can also include an action beat without a tag. like above, i could have just said “Adam popped out from behind the door” and omitted the shouting altogether. we can assume he is being loud because that’s usually how people do surprises. anyway. moving on.

condescending to readers. this isn’t so much about writing as it is author’s notes and the like, and “condescending” may be a strong word, but i’m trying to be succinct. at any rate, please stop telling your audience to not read your fic? “do not read if sensitive to [blank]” or “if you have [disorder] skip this fic!” is a horrible way to trigger warn. people know their own boundaries. tell them what the work actually contains and let them self-select.

i also find “rest stop/check-in” type notes condescending, like “if you are reading this between the hours of 10pm-4am, go to sleep” and “STOP! have you eaten/drank/walked around in the past few hours? go do that!” again, we know ourselves. i’m not your kid, don’t tell me what to do. i don’t mind a polite, casual little “thanks for reading, remember to drink water and take your meds, bye” note, though.

the others in this category? i will straight up not read the fic over that on some days. ESPECIALLY because, in my experience, the people who are most intense about warning for every little thing are the ones with the mildest fics, and that’s not what i’m here for.

complaining about your own wrong tags. this is, admittedly, such a nitpick, and it definitely is more common in certain communities than others. but as longtime followers may know, i’m a bit obsessed with ao3’s tagging system and it drives me BONKERS when people use the wrong tags and follow it with “not actually but there’s no tag for xyz.” here’s the thing: you can still look at all the works that have ANY tag, just the non-canonized ones can’t be filtered on. and the best way to get a tag canonized is, guess what, to USE it! imagine that. also, if you’re using the wrong tag, you’re just going to clog the filter results and get people who don’t actually want to read your fic. just stop.