#this got away from me but oh well

[orionis13]

This moment brought to you by ice feast

[yameoto]

any more thoughts on puppy art.. please. only if u want to though haha !! (please?)

ohh u guys love your darling little lapdog huh?

LAPDOG ART DONALDSON! fem!reader

▸ a drooler. nosing his head between your legs n he's already salivating. he's so cute like that. face smushed between your thighs, panting as spit pools in his mouth, nose twitching like a cute little bunny at the scent of your arousal. taking the trim of your panties between his teeth, dragging it down inch by inch. quivering because he just wants to rip them off but the last time he did that he tore your nice lacy lingerie and u didnt touch him for a week. when he eats you out he laps at your cunt like an eager puppy. comes away absolutely glistening. dripping, even. your juices n his saliva smearing his cheeks, his nose, dribbling down his chin.

▸ bigggg on humping. obviously. when you're too busy to give him attention he'll just shuffle over onto your lap and just start rubbing up against you. he's ridden out the best orgasms that way; creaming in his already-sodden boxers as slick gets all over ur thigh. he likes to do it when you're working or when you're on a call (you always punish him best that way). oftentimes you'll wake up at night to slick sheets—finding him grindin up against you, moaning and whimpering. a sleepy, boneless mess on your knee. he'll already have gotten himself off thrice before he tries to wakes you, just to be safe (you might take it away from him, after all). ▸ teething.... grown ass man teething... gnawing on your shoulder to stop himself from crying out when you let him fuck you.. nibbling your bottom lip red n raw when you kiss.. slobbering all over your mouth. during sex if you tease him he'll start to chew anxiously at the end of ur bra strap, the hem of your shorts, your panties if you keep him waiting too long. sometimes randomly takes your hand by the wrist and takes a fake chomp out of it (affectionate).

▸ not beyond jus being your lil stress relief toy. coming back home and he's been so good for you. he won his match. he's cooked dinner. but you don't have time for any of that. "oh, baby, don't give me that look. cock out, now." and he makes a little mewling noise and immediately his shorts are a crumpled puddle on the floor—raging boner popping out, all swollen n red n leaking bc hes been waiting for you for hours. ▸ sighing, telling him to sit and so he does. legs spreading wide on the couch, blinking up at u in earnest neediness. and when you sink onto his cock he makes this insane, visceral whining noise—back arcing off the seat. ▸ cockwarmer? more like cuntwarmer. you tell him don't move and don't cum. an impossible ask. he's pawing at your back, whimpering when your only response is to lean back heavier, sinking your full weight down on his poor, poor cock. n it feels soso good but he only lasts two minutes on a good day! let alone when you're switching the tv on and settling back into him like he's part of the couch. occasionally your hips jump, walls pulsing tight, choking his sensitive dick. you're grinding down into his lap and he's twitching inside of u and hot tears are prickling his eyes—fingers digging into your thighs, trembling.

▸ time ticking on.. the coil of heat in his gut winding tighter n tighter.. art's cheeks are flushed and hes wetting the back of your shirt with his silent tears. he persists, though, because he's good. he's gonna be a good boy for you. and it works! for a time, when you seem like you've almost forgotten your pussy is strangling his cock and you're only rolling your hips occasionally, sending warm thrums of pleasure through him. lulling him into a false sense of security.

▸ until all of a sudden you decide to be mean and for whatever reason you lift your hips before slamming them back down again, and his sharp gasp and slurred mewls perfectly cue the geyser that erupts from his slit.

▸ not even letting him cum inside you.. sliding off his spurting cock thats blowing cum like a volcano. hot, sticky strings arcing in the air and splattering all over the carpet, the couch cushions. his eyes glazing over, all glassy n sparkly as he crumples back in the couch, blubbering tearful apologies as his cock leaks like a faucet, staining the poor, new pillows.

▸ adores aftercare. or just your comfort in general. please rest your hand against his cheek and let him sigh and melt and nuzzle into the palm of your hand like you're taking the weight of the world off his shoulders. tug gently on his hair. scratch his scalp. let him curl up on your lap and pat him and coo sweet nothings in his ear. simple things, like "sweet baby, did so good today." or "tired puppy. took mommy so well."

▸ "fuck— m'sorry. m'sorry, m'sorry—" "hey, shh, darling. aw, don't cry. mommy's got you. how bout you curl up on momma's lap, kay?" "..mkay."

[sainz100]

2024 Brazilian GP | x

[mizartz]

guarding the flock

(please consider: ghost king danny but the crown is a wolf collar)

[what-am-i-doing-in-this-fandom]

I was wondering, does Fiddleford still have a wife in your Halloween au? And if yes, does she know about him being a vampire?

I've been sitting on this ask for a bit, but I think I should finally answer.

In my AU, Fidds is actually pretty old-- not like ancient or anything, but surely a few centuries?

Anyway, so way back, when he was human, he did have a wife and a kid!! But when he got bit and became a vampire, he actually outlived them :(

He tries to think about them often, but it's definitely one of the things he chooses to erase when he creates the memory gun

[yuwuta]

gojo would kill your work husband. but if he were the work husband, that's a different story

REAL!! he’s such a hypocrite because if someone mentioned you had a work husband, his entire world would stop and he wold devise the absolute worst plans to make sure that your co-worker, everyone at your job, and everyone in the next building over knew that he was happily committed to you 

but if he is the work husband, he’s very........ dutiful in his role. there’s a loose office/lawyer au in my head where satoru is your secretary, and for all intents and purposes, your personal assistant, and he’s good at his job, but mostly because he considers his job to be pleasing you. he has coffee for you when you arrive, he moves your schedule around without you asking, he has answers to questions before you can even ask them, he has fresh flowers on your desk weekly, pokes into your meetings to pretend to hand you a file that’s really just maybe a single document in a manilla folder with candy on top of it—he’s made himself your business, your partner; he’s made himself irreplaceable, and he loves to remind everybody of that fact. 

he’s also extremely loyal. sure, he could day a week’s worth of work done in about a day, but that doesn’t mean he’ll just use his talents for anybody. he’s your secretary, so he’s at your beck and call, and everyone knows it. they know he’s the best, but also that he’s off limits—not because you won’t share him, but because satoru won’t let himself be shared. 

he also extends his duties beyond work, of course. when he hands you a print out of your schedule for the day and you’re confused by the three-hour block of time you have in the middle of the day, satoru just helps you shrug your coat of your shoulders and smiles, “that’s for the lunch date you have with me, of course!” hanging up your coat in your closet for you, “i’m paying, see you soon, sweets.” and because you’re great at your job, and satoru helps you be great, nobody really questions when the two of you have time for a 13-course tasting menu at 1pm on a tuesday afternoon. and if they did, all satoru would say that you two had a lovely date 

[luck-of-the-drawings]

OOH YEAH BABY ITS THE SURGERY EPISODE BABY!!! ME AND THE HOMIES NEED SOME NEW FACES FOR OUR NEW PLAN, AND WHO BETTER TO GET THE JOB DONE THAN THE TWO MOST EVIL PEOPLE WE'VE EVER HAD THE MISFORTUNE OF HAVING OUR LIVES VIOLATED BY? I MEAN IT WOULD BE FUNNY. IT WOULD BE FUNNY.

[deerlie-art]

I found this photo and it made me think of them

[cementcornfield]

Ted has had ENOUGH

[slyvester101]

Club au where the reds and blues work at a club that Carolina owns and totally doesn’t use as a cover for the undercover work she’s doing in the city with the Freelancers to take her corrupt asshole of a father down.

Church, being Carolina’s sister, hangs around the club basically every night since he gets free drinks and has become the official unofficial manager and recruiter for the place since Carolina and the Freelancers are usually too busy going on missions to take down warehouses or gang members working for her dad, planning missions in the rooms upstairs, or acting as innocent members of society that totally aren’t plotting to kill the Director and tear his illegal operations down.

The first of the reds and blues he hires is Sarge and Lopez, who are the club’s cooks. Sarge haphazardly tosses ingredients into a bowl and it comes out edible somehow? He doesn’t even toss in the necessary ingredients for the food; he put a chicken, a bag of chips, a whole bottle of garlic seasoning and a watermelon into the oven and out comes a beef burger with loaded fries. Lopez is in agony trying to figure out how he does it. But it always ends up good. In fact, it’s so good that it ups the club's foot traffic and creates a much better cover to all the cartel members coming in and out to talk with the Freelancers.

Grif and Simmons come next, Grif being the no nonsense bartender who gets to listen to all the juicy gossip going around the club as well as the annoying drama that gets dragged to his bar. He makes a damn good drink so the bar gets a little crowded when he’s clocked in and he complains endlessly to Simmons.

Simmons is a waiter/occasional assistant cook who can guess a person’s order just by looking at them (something about statistics and body language and a bunch of stuff that Grif calls him a nerd for) as well as know their intent and reason for being there with just a couple words. He weeds out a lot of undercover cops. They both get scolded since they constantly get distracted while flirting talking at the bar.

Tucker was next, a dancer with enough spunk and spite to fill the whole club and moves that leave everyone jaw dropped and star stricken. He loves dancing and loves entertaining the crowd even though he has to deal with a lot of shit (he can split-kick a sucker unconscious if they even think about touching him because unfortunately, people think they have the right to touch you when you show off a little skin and dance in front of a crowd. Sometimes people think they have the right to touch you just because you exist and they’re an asshole). But it pays well and he gets the freetime to spend with his son, who is the main reason he works hard for those extra tips to support him, so it makes up for the less favorable situations.

Caboose and Donut were hired one right after the other; Caboose being a bouncer who knows every patron by name (not always the right one) and can carry three full grown men over his shoulder with a smile on his face; Donut being a DJ/event planner/decorator extraordinaire and is basically just an assistant manager at this point with how much work he does with Church to keep the club up and running, but he refuses to take the title because it doesn’t “fit his vibes”.

All the reds and blues know some kind of illegal shit is going on with their bosses, but they stay willfully ignorant about it and only get involved when they think something will put the club at risk. They all love the club and all the people who work there so they work hard to keep it from being shut down by cops or blown to hell by a rival gang or whoever the fuck their bosses are fighting.

That being said, they’re all rather wary of the Freelancers despite Church’s insistence that they’re not bad people (mostly) and wouldn’t bring any harm to them (probably). Things are civil between the two groups, especially since the Freelancers are the one writing their checks, but there’s this underlying tension and nervousness that no one can seem to break.

The Freelancers are kind of disheartened that Church’s friends aren’t really keen to talk to them more than they have to, especially the dancer who hasn’t said more than a word to any of them and will literally get up and leave in the middle of a conversation to avoid talking to them.

This changes with the addition of Caboose and Donut, the two balls of sunshine giving the club a bit more energy, a lot more color, and a bit more balance.

No one is willing to anger the giant bouncer who can easily lift a table with one hand and the feisty DJ who can get you banned for life with another. There’s a lot less creeps roaming around and the whole club seems to relax at the changes Donut makes to the club and the safety Caboose brings.

Carolina seems to lighten up around Caboose, which in turn makes the reds and blues feel less on edge since she doesn’t look like she’s gonna murder one of them. York and North are finally able to get some more friendly conversation outta Grif and Simmons after Donut gets York and Simmons on a rant about hacking as North and Grif snicker at their geeky counterparts. (“I am not a geek! I am a nerd! There is a difference!” “The fact that you know the difference between a nerd and a geek makes you a geek.”)

Maine, who would sometimes work as a bouncer when not on a mission, finds Caboose rather companionable and likes to stand with him outside and listen to him chat during downtime. South comes by a lot more because Donut has somehow started a passive aggressive off between her, himself, and Tucker (and occasionally Church but he’s more overtly aggressive so he doesn’t really count). It’s a lot more fun than it sounds. Connie likes chatting with Donut and adores the gossip sessions she can get outta him, Grif and Simmons. There is a lot of tea to be shared around the bar.

Everyone agrees to keep Wyoming and Florida from meeting Sarge. That is a war crime waiting to happen.

Wash isn’t at the club often (none of the Freelancers are) and instead drowns himself in work with Carolina, planning and plotting and mapping and debating. He’s a bit more standoffish, a bit more gritty and a lot more like his Recovery One counterpart in canon. He’s cold, he’s calculative, he’s bitter, but he’s also patient and knows they can’t rush their takeover of the Director. It worries the other freelancers, seeing how mean and withdrawn he’s become, especially after knowing him as the upbeat, if nervous and oblivious rookie who did everything he was told with a smile and a lot of puns.

But he’s still convinced to come out for drinks to relax after a particularly stressful mission that went off without a hitch. For as distant as he’s become, he’s still a softy underneath and caves at York and North’s insistence that he needs to let loose a little after spending so much time under duress.

Wash hasn’t looked around the main level of the club since Tucker, Caboose, and Donut have been hired and is rather surprised by how lively and joyful the club has become. Caboose greets him with a smile at the door, happily introducing himself to the “new friend” coming into the club. He calls Wash “Mister Washingtub” and helpfully tells him that it’s performers night, so be nice and respectful to everyone who goes on stage or be kicked to the curb. Wash doesn’t doubt that with how massive the guy is.

When they walk in, he gets an armful of bright pink and a chipper blonde man guiding him and the other Freelancers to a reserved seating area near the front of the stage. York and North laugh at his face as he’s dragged by the hand of this upbeat man.

The whole club has changed since he was last there, much more open and welcoming, the decorations not as drab or outdated and the bar and stage have been renovated into something Wash can only describe as glamorous. Even the patrons and workers have changed, more smiles and jovial laughs echoing over the music, more people dancing on the floor or chatting at the bar. It’s so full of life and excitement that Wash is half convinced he walked into the wrong building.

He reacquaints himself with Simmons, the no longer skittish waiter with clumsy hands. He gets a polite smile from him before he rushes back to the bar to chat with Grif, the much more relaxed and not quite as grumpy bartender.

Wash is still reeling a little by the time the music stops and the man in pink is up on the stage starting up the event of the night. Singer after dancer after comedian go on and on throughout the night, entertaining the crowd and adding to the high spirits of the place.

It all comes to head during the final act, a dancer who has the whole crowd applauding before he’s even on stage.

Lavernius Tucker.

Wash is just as hypnotized as the rest of the crowd as Tucker swings and dips and spins around the pole on the center stage, showing impressive feats of strength as he pulls himself up and flips around with poise and precision. It’s beautiful and artistic and you can tell how much love and work has gone into the man’s routine.

The dance ends with thunderous applause and Wash sits there in awe at this graceful dancer taking bows and tips at the front of the stage.

Maybe he should come to the club more often.

[jack-kellys]

omfg r u stupid or WHAT.

[yangsbandana]

OKAY BUT LIKE

this bit

when she goes all goofy like "YOU HAVE CAT EARS!!!" but then blake looks at her like this and,,,

and immediately it's like,,,, she softens and knows exactly what to say next,,,,

"i think your cat ears are cute"

then she goes on to be silly goofy again with "NAILED IT!" before claiming that she doesn't know what "It" is

but the thing is,,, i think at this point her heart does know what this is, just as much as blake does. so she's doing the thing that ren called her out for in v8--as we see just a few moments later, she's afraid!!! she's deflecting with humor, because she can already feel that this trial is all about "falling" and that's terrifying.

but the entire time, blake is there--earnest and clear-eyed and sure, reflecting back to yang just what her own heart is saying. falling isn't safe--it never was and never will be. but blake trusts yang.

and yang trusts blake too. so she takes a breath.

and falls.

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[xejune]

doodle idea: Bruce cookin up something good?

he's cooking a mystery camping soup (no one but him knows exactly whats in it but it's tasty!)

[its-alittleobsessed]

Orpheus and Eurydice but it's Dean and Castiel coming out of the empty. Jesus Christ. JESUS. is there a fic like that?

Like imagine Dean, smack dab in the middle of nothing. Pitch black for miles and miles and the empty speaks to him, says, "I'll give him back on one condition."

And Dean nodding, desperate to it, "Anything."

And the empty smiles, though it doesn't have a face or body or soul, Dean can hear it smile, can feel it in the molecules around him, when it says, "Do not look back."

There's a small light at the end of nothing, so miniscule it looks like a grain of rice. The empty points it out, commands, "Go."

And Dean doesn't move. The grain of rice is so small and it is so quiet around him. "Go?"

"Yes, go."

The empty is nothing. It is nothing in nothing. A black hole sucking up another black hole—that is what the empty is. Dean’s inside it, inside the hole inside another hole, looking for a guy who shines brighter than the sun on a cloudless day. 

It’s so fucking quiet. Dean shakes his head, “I don’t—”

“You don’t trust that I’ve placed him behind you?” The empty snarls, groans, and festers, “You don’t trust that he’ll follow you?”

The first step he takes is heavy. It weighs and echoes across the great expanse of hollowness. It is not followed by another immediate step. He is the only thing breathing, the only noise rising, and he asks, because he has to know, “Cas?”

There is no reply. 

“He’s behind you.” The empty assures. There’s a tilt to its voice like it might be lying. Or maybe it’s amused. Dean can’t tell, his heart’s beating too loudly in his ears to tell the difference. 

The second, third, and fourth steps are just as earth quaking as the first. He walks—drags his feet below him, closer to the blinding light leading them home, still so far away, still the size of a mere flame. 

“It was really fucked up. What you did.” Dean says, because he can’t look, and he can’t hear, but he can still talk. “What kind of an asshole does that? What kind of a—” He swallows, keeps a steady rhythm foot after foot, “You said. What you said. Why’d you say it?”

He’d practiced this in his room a few times. What he’d say if he ever saw Cas again. At least then, the walls would hum back. They'd stare back and hold him up if he couldn’t keep his knees from buckling. But here, in this vacuum, what is there to rely on? 

“Thought I was dyin’. ” Dean confesses, the light has turned into the size of a dime, and he keeps staring it down, determined, “Watchin’ you get taken, I mean. Felt like—felt like you took my heart with you down here, y’know?” 

There aren’t any footsteps behind him. There’s no flutter of wings or exhale or exasperated sigh. He’s—he feels alone. 

“Couldn’t go on without you, man. S’why I’m here.” Why is it so fucking quiet? Dean wasn’t this quiet when Cas said his piece. He’d been frozen, maybe, but not quiet. Never quiet. “I—I need you to be there. I can’t—don’t know how I’m supposed to go on if you aren't there.”

The empty’s stopped replying, too. The rice turned into dime and now it’s the size of a baseball and it’s still so fucking. Hollow. And the empty likes to play games doesn’t it? Likes to trick poor schmucks like Dean who are desperate hopeful bastards. 

With Cas in the room, there’d be electricity around them. A spark of something. But now, Jesus, now, there isn’t—the air’s so fucking stiff and horrible. 

Dean reaches an arm back, still walking, “Gimme your hand.” 

No one touches him.

“Empty didn’t say nothin’ about skin on skin, man. C’mon.” His steps stutter and his hand shakes, “C’mon.”

The light is the size of a window. He’s getting closer—no, no, no they’re getting closer. Both of them. ‘Cause Cas is there. He’s right there. He’s—

“I just wanna know you’re okay.” He looks at the ground, tries to cheat, tries to find another set of feet with his peripheral vision. “M’not leavin’ without you, you dick. So you better—you better gimme a fuckn’ sign or I’ll stay here. Forever if I gotta.”

His voice doesn’t even bounce off the fucking walls. There are no walls. Or feet or breaths or hands touching his own. There is no answer to any of his questions. And he stretches his arm as far as it can go behind him, as far as his broken muscles can, he begs, “Please, Cas.”

The light has grown to the size of a door and it’s too quiet. Too vacant and blank. So unlike Cas at the end of everything. And Dean can’t leave—he can’t just—he came here for someone and if he’s not—if this is a trick then, then—

“Please.” 

One more step. That’s all he needs. He’s one step away, just one, but Cas isn’t answering. He isn’t answering or touching Dean’s hand and the empty lies.

It’s too quiet, the empty lies, and Dean can’t leave without him. He can’t, he can’t, he can’t and the door is right there, it’s right there but Dean can’t leave, he can’t leave ‘cause Cas isn’t behind him, he was never behind him, and he turns, oh God, Dean turns around and—

Cas smiles, that soft deep smile of his that edges on a little sad, he tilts his head, so loving and forgiving, “I love you too.”

And then he’s gone. Ripped away one more time.

[b4kuch1n]

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