#this game is pretty mid and yet it has two. count them TWO characters that I would consider blorbos
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I haven't even met him in-game yet(because he isn't even there yet lol) and he's already reaching blorbo status.
#this game is pretty mid and yet it has two. count them TWO characters that I would consider blorbos#this guy and Svarog (can you tell I like robots?)#(the fact that he's gonna be playable took me by complete surprise in the best way possible#because I did NOT think Hoyoverse would ever make a (noticeably) non-human character playable and I am Very excited about it)#((they've got non-humans already but those are just regular people with animal ears/tails/etc. those don't really count))#honkai star rail#screwllum#acheronidae art
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nine people i want to get to know better
Thank you for the tag, @slutsons-blog! Starting a new post because I'm autistic and therefore mostly only care about the "Current Obsession" question, and want to ramble excessively as usual in that one.
Last song: Pokemon Mystery Dungeon Red Rescue Team: Pokemon Square because I'm currently playing Pokemon Mystery Dungeon with my daughter. Otherwise I honestly couldn't tell you. Whatever was on in my car.
Fave color: Purple
Currently watching: Star Trek Discovery
Last movie: Knives Out
Sweet/spicy/savory: Sweet, tart, salty
Relationship: married x 27 years
Last thing I googled: the word "dependent", for spelling assistance. which is a good thing because I spelled it "dependant".
Current Obsession: it's been spn since 2016. Truly we are the Hotel California of media franchises. I did recently play Disco Elysium twice in a row in quick succession, and I follow the DE tag. I can't recommend the game highly enough.... but I can feel my Special Interest-level obsession with it fading already. Spn has never faded even a tiny bit and I wonder if it ever will.
@slutsons-blog I feel after reading that you're watching spn for the first time, that I did you a bit of a disservice with my Sam takes to you before in that I mostly talked about Sam's evolution as a character as the show goes on and very little about him from the first five seasons.
Gotta be honest and tell you that although I liked both brothers all along, I was a Dean girl until the end of s6/beginning of s7, when the balance of who gets whumped the most started shifting and my subconscious suddenly decided to switch allegiances. It's not that I liked Dean any less; my id just loves a sopping wet pathetic kitten of a man who has been sexually abused, and Sam got suddenly way more kitteny and pathetic after the Cage. So I don't actually have a ton of takes on "what to love about Sam in the early seasons". I do love early seasons Sam too--she is my beautiful baby princess--but my early seasons takes are a lot more inchoate.
I count myself lucky about my id's sudden defection though, because I think we have limited control of who our blorbos are, and having Dean as a blorbo is a tough row to hoe as the later seasons go along. You know how you noticed that in s6, Dean suddenly gets a lot more assholey without apparent reason? Unfortunately he never gets better again, and in fact keeps getting worse and worse as the years go by, until by the last seasons he is openly far more abusive to their joint child(-in-an-adult body) than John was to him and Sam. It's a realistic picture of what can happen when trauma keeps piling up on people, but it's also honestly pretty distressing, especially if he's your blorbo.
If one is in it for the ship, there's some good destiel content in the later seasons, but if you're in it for Dean, you're left either 1) dealing with the fact he's got extremely significant interpersonal problems that he never gets much of anywhere on solving and that negatively impact his chosen family in profound ways, or 2) pretending he's the same character he was in s1 and Sam is the same Sam from s1, only more boring, and Dean is just trying to put up with him because he was brainwashed by John (or ig 3- something in the middle between those two. But that seldom seems to happen in practice for whatever reason). These two versions of the show are poorly compatible, and that's how the Sam girls and the Dean girls end up in isolated silos. A few people manage to live in both, but not many.
Anyway, I feel like without the context of how Sam and Dean change in the mid to late seasons, the two fics I recc'd as Sam character studies are going to seem insanely Dean-critical, so if you haven't read them yet, you might want to wait until s10. In the meantime, the general recs are fun reads and hopefully do a good job of showcasing both characters earlier on.
Tagging (but I would be a huge hypocrite if I didn't specify there's no pressure to respond, since I almost always fail at responding to tag games myself): @adihildilid @aliusfrater @quietwingsinthesky @sammygender @ardentpoop
@peanutbutterandbananasandwichs @schizosamwincester @normalbrothershow @jellybracelet.
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Manshine City vs Bastard Munchen Part 2 "Oops I stopped Reading For Two Weeks" Edition
Last time: Nagi stood underneath Reo's window with a boombox and asked him to take him back. Reo, who swore he didn't need Nagi and was going to do this for HIMSELF, flings himself out the window.
I do like that Isagi is trying to master-mind the field 'oooh I can predict your every move!', theoretically Kaiser is doing the exact same thing, and they still fail to account for each other and completely fuck up their Pro Strats. I swear, Kaiser is just if the Isagi That Plays Soccer existed off the field as well as on it.
GOD Reo's inner monologue. "We split up once... we followed different paths..." ONE it's been like a month absolute tops TWO I maintain that Reo and Nagi exist in a totally different genre than the rest of the cast.
(Tbh I'm a little disappointed the Reo-Nagi drama seems to have resolved so easily, though there might still be tension outside of the field. I doubt Nagi's going to try and split up with Reo again at this point. Gotta wrap up these character arcs and move on, save the real meat for Episode Nagi in 4 years. Which is a shame, because given how batshit things were back in Blue Lock Reo absolutely Losing It was one of the things I was looking forward to most. What, he can't be too crazy in the insane soccer manga?)
Kaiser and Isagi, you two are my only hope... I need a murder attempt, c'mon...
I don't know enough about soccer to say if a two-stage volley is an 'insane, godly move' but I think a 5-stage anything has got to be pretty impressive. Who knew Nagi could be bothered to count that high. (I know Nagi didn't actually punt Isagi in the face but it sure looked like it, I was taken aback for a second.)
I love the way Nagi's 'ego' manifests on the pitch too, it's great. Gets really hyped up for a little bit of a game, gets super intense, trashtalks like a champ, I am a GOD routine, scores an absolutely insane fucking goal, goes 'yep that's all I wanted' and powers down mid-game. It's not over yet but he did what he came for! He's just like me forreal
"If not for the simple fact that Nagi doesn't know how to play this game, he would be unstoppable!!!" - Reo Mikage, probably
Agi... Reo... guys... chill
Chris' absolute lack of class is the funniest thing about him. This match is being televised, don't go calling your opponent a slut again.
Isagi "I have every tool I need to beat Kaiser except actually being better at this game than him!" Yoichi
Noa's just watching his team burn around him like "hmm. Excellent."
Chigiri throwing his hat into the 'dumb eye power' ring with a truly outstanding entry.
I know Kunigami is in this game, it just really doesn't feel like Kunigami is in this game. The match is losing track of Chigiri as well, I got a little surprised when he popped back up. I know the lack of synergy is on purpose due to the 'every man's either out for himself or the guy he's mentally ill about' aspect/'build your team around the striker' philosophy, but it does make the teams feel really uneven when the only characters that tend to matter are the Strikers + whoever's supporting them at the moment. It wasn't so bad when they were playing with limited teams, but right now half the teams feel like total space filler.
(The whole 'guaranteed shot' thing feels a bit... insulting to the concept of goalies/defense players too. I don't know much about soccer but it does feel like a major dick move LOL. To be fair, Gagamaru is not a goalie. Does Bastard Munchen not have a goalie better at goal-keeping than 'guy with hard head that doesn't play this role normally'.)
But yeah seriously Kunigami went to an ambiguous soccer torture camp to get his whole personality destroyed and for what. This? He doesn't even get to pretend to be the biggest threat on the field for even one game. Give that man a refund. Or at least some free therapy.
"go... the world's most random shot... even i don't know where it's going!!!" that is NOT impressive that's what i do every time I kick a ball. maybe i should be a pro soccer player. i could beat noel noa
Isagi has some nerve being shocked that Yukimiya is sabotaging him because ~they're on the same team~ yeah okay whatever dude and what was your end-goal here again
man, these matches just keep getting longer and longer despite the fact that they're aiming for way less goals...
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The Chess Game
Throwing my immediate post-watch thoughts onto paper. I'm sure the fandom has thoroughly chewed all of this over long ago, but I enjoy the thinking-and-writing process. It's been a while since I watched something that made those bits purr. (I haven't gone looking for meta on the show yet because I wanted to sort out my own thoughts when I had just watched it - like I said, I'm sure lots of people have covered this territory!)
Having been pretty well spoiled for the show ahead of time, I spent the first half of the season trying to guess what Korn could actually be after by bringing in Porsche. His stated reasoning early on makes no sense, especially when you know about Namphueng, and nothing happens in the plot to support it. The only character who ever tries to buy Porsche off is Vegas, and that's only because he's obsessed with one-upping Kinn. Were the writers just making it up as they went? Would not be the first time I've seen that, I used to watch Once Upon a Time ffs.
However. Assume a method to the storytelling. What motivates Korn? Bearing in mind that the purpose of a system is seen by what it does, not what it claims to do, at mid-season the nature of the two houses, the buildings and the systems, started to make me think.
Korn is a controller type. His goal is stasis, to maintain the closed nightmare that is his family -- which includes the minor branch -- under his control in perpetuity. Gun isn't his opponent; he's a part of the system working the way Korn wants it. So why invite the chaos incarnate that is Porsche into a place where "we don't like chaos here"? Why bring fire -- the element that changes things! -- into your water-drenched world?
Because competition makes you stronger.
Korn lives for the exercise of soft control, for knowing that he's pushed someone to do as he likes without any visible effort, just a metaphor and an emotional knife, but how do you know you've actually got that unless you test it? The game doesn't start when all the pieces are on the board; the game starts when your opponent sits down.
That's Porsche. To make things more interesting, Porsche only has one piece when play begins - Chay, his king, who must be protected at all costs. After that, all he has are the pieces he can take from Korn, which he starts doing in episode 2 if you want to count Kinn's attraction to him, or episode 3 at the latest.
The characters and their roles as I see them:
Porsche makes friends among the bodyguards. Definitely pawns.
He gets Khun away from his TV pacifier, out to where real human things happen. I have assigned him a bishop role. For one, he moves slantwise to everyone else. For two, in the Austen-esque social milieu from which we get a lot of our romance tropes, in a family with three sons one inherited, one joined the military, and one joined the church.
Kinn falls in love with him. I went back and forth on his spot because I really liked the idea of him and Vegas as matched rooks, but I'm going with queen. In theory he should be the most powerful of Korn's pieces, if Korn wasn't a dumbass and Porsche wasn't so damn attractive. (Kinn loves people so damn hard, can you even imagine if Korn had let his son love him instead of whatever the hell this is?)
Chay takes Kim, a knight both on account of his relative freedom of movement and his position defending Chay, whose thematic role is to incarnate innocence. In both of the big fights, he fucks off and lets the rest of his family fend for themselves, and I love that for him.
Big literally dies for Porsche, earning himself the other knight role, that is some straight-up medieval romance.
Tawan by elimination is the queen's bishop. I'm not entirely happy with that position, although like Khun he is ummm diagonal to conventional sanity? His failure is due to Porsche's influence at a bit of a remove, since (if I followed this correctly) it was jealousy over Porsche having Kinn that led Tawan to messing up Vegas' plan? Whew.
In a move Korn definitely does not predict, Pete (now one of Porsche's pieces) gets promoted and takes Vegas out of play. Previously the most predictable character on the board lol. I'm leaving Vegas as a rook. An angry, angry rook.
That leaves Gun to take the other rook position, the piece Korn holds in reserve until the last possible moment because it enables him to try for a last-ditch castle maneuver when it looks like he's about to lose. Whether or not he succeeds is arguable.
Nampheung is Korn's king, the protected piece who makes no moves through the entire game.
And Porsche doesn't even know he's playing. I think the only character who has any clue what kind of game Korn is actually at might be Kim, and he doesn't know the whole thing.
Now, about the endgame.
Writing TV season finales is hard. You seldom know whether or not you'll have room for more story, so you have to tie up enough open threads to be satisfying while leaving yourself room to maneuver if you get another season. You can read this finale in at least three different ways, and I admire the freedom the writers left themselves while still providing something that stands as an ending.
When he fakes his own death, Korn is already almost out of pieces. He's got a pawn or two (Chan deserved a better boss), his king and his second rook. Everybody else is either dead or on Team Porsche. Korn's doing something he proves to be good at throughout the season, stalling for time. He repeatedly gives out a taste of truth seasoned with lies and sits back to see if it works. In this case, he uses the time (I'm fairly certain) to set up the attack on Chay, which if it had succeeded would have won him the game. It fails, so all Korn has left as a strategy is to keep on playing for time.
In the final confrontation, all Porsche has to do to win is take his mom and leave, but he doesn't know that. Whatever Gun was about to say would have changed the nature of the stand-off -- would have been something that could finally be objectively confirmed? -- so Korn makes the sacrifice play and kills him, continues to make him the scapegoat.
In terms of the pieces, Korn is now in the position Porsche was at the start of the game. Gotta love it. But where does that leave us, the viewers?
You can read the finale as Porsche having been checkmated. He and more importantly Chay have been subsumed into Korn's system and will henceforward be susceptible to his power. Note that I don't think that projection is particularly in character. Since Kinn and Porsche are together, the two-house system is effectively dead. Porsche twice affirms that his loyalties are not with any branch of the family but with Kinn personally. Show Kinn an option that doesn't mean his family gets killed, and he is out of there. The whole setup that Korn constructed is a shambles. But that's a lot of inference, so if you like the tragic aspect, I think the reading can be found.
You can read it as Porsche being in check. He and Chay are in a staggering amount of danger now if you think about it, but he hasn't necessarily lost the game. He has not lost Chay, who if anything seems to have solidified his other defender (and the one character who, like I said, might actually have been able to give Porsche some advice in S2 -- I'm so sad.) He still has a lot of his captured pieces. What's more, he knows where Nampheung is, and it will be difficult for Korn to disappear her again. Given that she never speaks, her expression does a lot of work in their last scene together; you can read it as there being more happening underneath than she lets on. This one is my preferred reading; they didn't give Porsche the phoenix motif just because it looks cool.
You can also read the ending as a stalemate or indeterminate in that neither player can do much right now, and it's one of those stupidly long endgames that drag on turn after turn. Porsche still has Chay etc., but right now there is no way for them to get Nampheung free. Korn is out of other pieces, but he still has her. Korn might be thinking at this point that as long as he has her, he can resume his manipulations, get back a few of his lost pieces (or recruit new ones). He keeps the game going by giving Porsche the minor ring, knows from Porsche's own example that it is possible to play right up to the point of a win from this position. He might be absolutely loving this?
So there are my thoughts on the chess metaphor.
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Luna's Review: Paradigm Paradox
Official Summary:
High schooler Yuuki is as average as they come. She enjoys a mundane life of school, friendships, and generally being uninterested in boys, until one day she finds herself outside after curfew and face to face with a horrific monster. Just as all seems lost, Yuuki is saved by four female superheroes… and is invited to join their cause and protect the colony from the Vector threat!
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Luna's Thoughts (Spoiler Free)
I heard before going into this game that it was a bit of a snoozefest, but hey, I dislike a lot of games most people like, so I figured I might have a different opinion.
Unfortunately the rumors were actually kinder to this game than it deserves. It is so, so mid.
With the most generic plot description ever, I didn't have high hopes at the start, and it doesn't ever take off. The common route starts off with protagonist Yuuki thinking about how average she is, while casually mentioning the only interesting part of the setting, which is that the game is set in a post-apocalyptic world. We get a vague explanation (the environment degraded) but it isn't really satisfying.
Instead, we do a typical anime-style run-through of all the romance options — with Yuuki LITERALLY running into two of them, in a row.
The art is lackluster, as are the monsters (there's only one model with recolors) and whoever wrote the dialogue must have done so while counting the hours to the end of their shift. Conversations are clipped oversimplified and extremely generic. Nobody asks questions. This game is what you'd get if you asked a middle schooler to come up with an otoge plot.
There's a couple of fun plot twists that could have been the saving grace of this game ... if they weren't in basically every route. The first time they were revealed, I thought it was super fun and unique. But then I had to to play four more routes with the same "twists" and watch Yuuki's same reaction every time. Say it with me now: plot twists that apply to all the routes should be in the common route!!
Yuuki has it right in the first few sentences of the game: she is very average. She has no specific qualities other than being "nice." That's a pretty normal trend for otoges, but if you've read any of my other reviews, you know I like when protagonists have actual personalities. (Variable Barricade and Jack Jeanne, my beloveds.)
Honestly, though, the boring plot and protagonist could have been saved with better writing and more focus on interesting characters. Instead, you have eight romanceable guys, dividing what could have been decent characters into fragments of interest. There's not enough lore to sustain eight characters separately, so there's a ton of overlap in what you find out in each route, making the later routes you play super boring.
The game could have been improved immensely if they'd combined some of the character routes and had maybe five solid characters instead of eight barely fleshed out ones.
The worst part of this game is that it's so middling. At least with other games I didn't like, there were reasons to carry on — pretty art, fun dialogue, etc. Before playing Paradigm Paradox, my least favorite otoge was Even If Tempest, and that one was easier to get through because the system was so awful it made me furious. It was fun to hate it. But Paradigm Paradox is not fun to hate. It's just meh.
The real paradox of this game is how it manages to have so many threads and yet so little substance.
I did manage to finish all the good endings, so please find below my reviews of each character. Light spoilers abound.
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Hyuga Route (Spoilers)
Hyuga's route was so short and lackluster. Following the version of the common route where protagonist Yuuki is taken to the villain compound, she's introduced to the bad guys who live there and asks absolutely no questions about anything.
For no reason at all, Yuuki decides that she has to convince Hyuga to stop attacking humans — despite the fact that the other characters also attack humans — and goes along with him as he heads to Yuuki's hometown to fuck shit up.
(Side note: the town is canonically half a day's travel by foot from the villain compound, meaning every time the bad guys have attacked, they've traveled at least eight hours round trip. Why? This could have been solved by writing the towns closer, or established some sort of vehicle travel between them. It doesn't really affect the plot, but it's one of those things that made me realize the writers really didn't care lol.)
Anyway, Yuuki learns Hyuga's backstory during the long walk and then immediately runs into the very people Hyuga's trying to take revenge on. Yuuki gets in his way, resulting in him hurting her. He then decides he likes her and dedicates his life to helping her recover — even though he was attacking her through the entire common route?? Does it make a difference if it was an accident?
Anyway, she recovers, she says one thing that sets him off, and Hyuga goes right back to trying to attack humans. The same scene happens AGAIN, and this time Hyuga decides to quit attacking humans. Then he and Yuuki leave on a journey.
There's not really any romance in this route, and it could easily be read as a friendship route. Honestly, that didn't bother me too much. What really bothered me was the repetitive nature of this route, the lack of substance and Hyuga's 180 attitude change mid-route.
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Saibara Kamui Route (Spoilers)
This was the route that convinced me to finish the game. It was actually really pleasant. The pace slows down from the awful and expedited common route, and you get to actually meet Kamui and his grandpa. He seems to cozy up to Yuuki too quickly, but there's a decent explanation for it.
The dialogue is still pretty cringey, but I actually felt like I got to know Kamui as a character. The plot twist in this route was unexpected but really fun. Of course, I learned later that the same plot twist exists in nearly every route. But at least it was a fun reveal the first time.
I do think the ending was too neat. If it was that easy to defeat the villains, why don't we see the same technique used in other routes?
There isn't a lot of lore explored in this route, but with eight romance options, there isn't really a lot of anything explored in any route lol. Ultimately Kamui's route was just a sweet magical girl romance, and I was into it. And Kamui's grandpa is the best character in the game.
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Miyama Ayumu Route (Spoilers)
Ah, yes, the perfect student council president who is secretly an asshole. A classic.
This route starts off kinda weird, because to qualify for it, you have to get the scene in the common route where she hangs out with Ayumu in a classroom for a while. But during his first appearance on his route, neither character seems to acknowledge this happened.
This route introduces the adorable Ritsu, Ayumu's little sister and the only reason he's still breathing. She and Yuuki have a sweet friendship, though it's very underdeveloped because we don't get to see many scenes of them spending time together.
Yuuki has a little more personality in this route, but in a forced way. She doesn't like how Ayumu is treating his fans, and self-righteously demands he amend his behavior, which is just such a weird hill to die on for someone she barely knows.
This route follows the same arc that Kamui's does — Yuuki makes a good impression on Ayumu, he starts losing his powers, and he does something self-sacrificing. This route was less successful to me, though, because Ayumu just didn't seem to have much of a reason to like Yuuki. As in Hyuga's route, his opinion of her changes too quickly to feel natural.
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Yukinami Route (Spoilers)
Yukinami is more or less the yandere of this game, committing acts of unspeakable violence with no second thoughts and no concept of friendship or love. I was excited for this sort of dark character in an otherwise very surface level game.
Was it successful? Eh. I think Yukinami's cheery personality combined with his horrific lust for violence made for a pretty scary character at first. But after Yuuki learns his backstory and decides to pity him instead of fear him, the route takes a weird turn.
Yuuki treats him as more of a child from that point on, but remains attracted to him, creating a really strange dynamic. Like she's literally explaining basic concepts to him like a preschooler. It made me pretty uncomfortable.
Anyway, Yukinami changes his tune really quickly and decides to listen to Yuuki and not fight humans anymore, and that's the route. The romance was too fast and not well developed.
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Ayase Mihaya Route (Spoilers)
Mihaya is the only character who retains the same personality in his hero persona and out, so I did appreciate that. But man, this route starts rough with terrible dialogue and overexplained gestures. It felt like the writers didn't trust the player enough to understand when Mihaya was being nice.
This is one of the routes that really could have been highlighted if they condensed the number of characters. I'd have loved a longer version where Mihaya and Yuuki fight against the system together, but no, it ends before they get to do anything.
This was an alright route, but it highlights everything wrong with this game — namely that there are too many characters so the routes are too short and not fully fleshed out.
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Ibuki Route (Spoilers)
This route starts out the same as all the other routes, including the same (now obvious) plot twist. We already learned Ibuki's backstory in Yukinami's route, so there were no surprises to be unlocked for him, but we do get to learn about Yuuki's backstory, her parents and, finally, the mysterious Uncle Yashima she's been corresponding with the whole time.
One thing I really liked about Ibuki is his gender fluidity. Unlike all the other men who transform into women in this game, who treat their feminine persona as a secret identity, Ibuki seems to identify Moravia as part of himself. He doesn't need to be in her body to use his powers, but he feels more powerful in that form. I loved that!
This route actually does a pretty good job of making Ibuki seem scary. Unlike Yukinami, whose scariness came from his undeveloped sense of right and wrong, Ibuki seems to have already decided he's willing to make an enemy of the entire human race, and is just waiting for Yuuki to agree with him.
Despite being one of the better and more fleshed out routes, it ends too quickly, just like all the others. In an ideal version of this game, Ibuki would have been the true end character and gotten a nice, long, full route.
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Tokio Route (Spoilers)
Tokio doesn't make much of an impression in any of the other routes. The one thing I noticed about him is that his personality is very different in his superhero persona. I wondered if that would come up in his route, but it doesn't lol.
Tokio is meant to be the logical scientist of the game, smoothing conflict for efficiency rather than because he cares about Yuuki, and this is fairly successful. But for the character billed as one of the more important ones (at least by the icon on the switch which shows Tokio and Ibuki) Tokio's route doesn't actually provide any information we didn't already know from other routes.
The ending felt kind of true-endy, but it was too fast and too clean to have much impact. They basically were planning a heist and pulled it off with zero consequences. Why bother with even going through the motions if it's all going to go according to plan? Also, if they could just make all the researchers forget what they were doing, why would they not do it in every route?
There's a scene where Tokio asks to call Yuuki by her first name that didn't translate well at all because this game doesn't use Japanese honorifics. In English, he asks to call her "bud" which was so stupid lol. It's giving "Ayu, why are you such a freak?" from the English dub of Kanon rofl. But jealous Tokio is kinda cute. I didn't think his route was much of anything, but I did think he was one of the better characters in this game.
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Ryo Route (Spoilers)
I actually really liked Ryo's character. He's set up as the stoic, unemotional guy, but it turns out he actually has a sarcastic personality that only comes out when Yuuki gets closer to him. His affection for her happens too fast, but the pacing is bad in all the routes so whatever lol.
This is definitely the most expansive of the routes, as it's the only one that even mentions the outside world. As usual, Yuuki asks very few questions, and most of this route is her going from person to person and receiving scraps of information from each.
The main thrust of this route is that Ryo is not only a double agent for the Vectors and the Blooms, but also a triple agent, a spy sent from the ominous outside world to do ... what, exactly? He doesn't specify. But Ibuki makes the vague assumption that he's here to destroy Yuuki's world, and we're just supposed to make that leap along with him, despite no evidence. Of course, it turns out to be true, but it's just such lazy writing.
The end of the route was fine, I guess. I didn't think it went far enough. The character's just get ready for battle and then it ends.
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Grand Finale (Spoilers)
In the Grand Finale, I figured out why Ryo's route ends abruptly. It's because the finale is just an extended version of Ryo's route lol. It's literally the exact same plot, except the pacing is awful because there's a giant info dump at the beginning revealing all the plot info we already know from playing all the other routes.
The ending scene is just a big battle, but we don't see any of the enemies beyond a couple of planes. Are we really expected to believe that an entire army set to destroy all of post-apocalyptic Japan decided to focus their attack in one location? Also, they're just gonna give up after one fight?
There was just so little thought put into this ending lol. A properly mediocre ending for a mediocre game.
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Fav elder: Purdy obv
Fav background character: Mousefang (she appears on firestars quest) dont know why, she just seems cool to me. Maybe some day i might post my drawings of her.
Fav comic page: ig the one in The Rise of Scourge, page 69, where kills one shadowclan cat and he bleeds from his throat. Was not expecting that at all!
First contact to wc: Into the wild at the school library, was 12-14 yo ig not sure tho
Scene that made irrationally angry: ig it was on the begging of a dangerous path. Where Fire just gives up on telling shadowclan and the rest of the clan in the gathering, what tiger has done till then. It was so anticlimactic too.
Times ive cried: none./j
*unrolls scroll* ahem.
First it was when Fire brought cloudkit to thunderclan and the clan cats are shit about it. I was sensive at the moment i read that alright!
second, the ending of rising storm. They did not have the right--
Third time it was the begging of crookedstars promise, my dude. What the- bros got neglected by one of his parents after smth happened to him? Same. Hit like a truck at the moment. Best book ive read.
And prob on bluestars prophecy when ykw. Car scene, and mosskit. Ive tho i was expecting smth bad was gonna happen, it was still pretty good.
ships i dont vibe with for no reason: (at the new prophecy) no hate on specifically, i just didnt see any chemistry on leafcrow. Like. Why. (I am an avid mothpool shipper so yk, ive good taste/hj) it just felt like "im gotta throw leaf with another clan cat cuz plot reasons" (at least, until where ive read)
first map i watched: I'm Not Ready
First pmv: Two Birds - Smudge and rust or Time of Your Life [Fireheart & Whitestorm]
First amv: In The End by NekoVocalNote
first warrior OC: when i was 16-17 yo idw
how many paragraphs could you write about your favorite warrior cat before you ran out of things to say: 8-12
have you ever lost friends over warriors related topics: nope
what's the most 2010s wcforum era esque fandom opinion you still hold onto and will fight people over: Bluestar having long fur and Mothwing being a ginger colorpoint
are you still up to date / reading the new books? if not, when did you stop: still reading! Im starting the fourth arc now, there is no translated version besides the first arc in my country, so i got to learn english to be able to read the rest of the series.
were you ever on warriors amino? (if you were, i'm terribly sorry): no, but i was on a furry one. So not that far off
about how much do your family know about warrior cats, if anything: they dont like cats, so they just "um dont read one about dogs?" but generally they don't care.
give me a song you're surprised you haven't seen turned into a warriors pmv yet - and what character(s) you imagine it to: Snuff by Slipknot, with Bluestar and myb if im the one doing it, id slip some blueyellow in it as well. It would pass mid dangerous path and with flash backs to bluestars prophecy and rising storm. Actually, i might pick up the wips ive done about it..
fav warriors related youtuber: Northflowo
what's the weirdest crossover au involving warrior cats that you've made? (if you haven't made any, then what's the weirdest one you've seen?): dont know if it counts, its more the other series with cats instead of people. But the closest is, TWD(game) and KE. Nothing more than one or a few drawing about it tho.
if you could make any cat leader of any clan right now, who would you pick: id let as it is. The lack of trust and communication between them is what keeps a story going right,,
would you hypothetically go to starclan or the dark forest: starclan
what's the biggest series plothole that's bugged you: rose-tail on the first book just, not mentioned on the alliances and appear one time on the middle of the book to be never mentioned or seen again.
how many people have you blocked over innocuous, not at all important warriors related takes: none
what dynamic between two cats has got you up at night pacing for hours: blueyellow rn and mothpool back then
what's a cat you genuinely forgot existed until recently: rosetail on the first arc
fuck it. warriors ask game except the questions are all weird and niche as hell
👴 : fav elder?
❓️ : fav total background character (im not talking minor characters like say. whitewing or moonlight, i mean cats with like...3 lines tops)
📖 : fav comic page from any of the mangas and why
👶 : how old were you when you first touched a warriors book? howd it happen
💢 : what scene made you the most irrationally angry upon first reading
💧 : how many times have you cried over this wretched book series? any favorite memories
💋 : is there any ships out there you absolutely hate for genuinely no good reason at all. like its not problematic in the slightest, if anything it's one of the better ones, you just cannot bring yourself to enjoy it
🐾 : have you ever named a cat after a warriors character OR given a cat a warriors styled name? if so, tell us the story
1️⃣ : was warriors your first animal based fantasy series? if not, what series was?
👑 : when roleplaying (if you ever have roleplayed warrior cats), did you used to power play? be honest.
🗺 : first map you ever watched?
🖼 : first amv/pmv you ever watched?
🖌 : when did you make your first warriors oc? (if you say you've never had OCs, i dont believe you)
📝 : if commanded to, without warning, approximately how many paragraphs could you write about your favorite warrior cat before you ran out of things to say
💔 : have you ever lost friends over warriors related topics?
🌈 : what's the most 2010s wcforum era esque fandom opinion you still hold onto and will fight people over (things like scourges collar color, dovewings eye color, etc)
🆕️ : are you still up to date / reading the new books? if not, when did you stop?
📱 : were you ever on warriors amino? (if you were, i'm terribly sorry)
🏠 : about how much do your family know about warrior cats, if anything?
🎶 : give me a song you're surprised you haven't seen turned into a warriors pmv yet - and what character(s) you imagine it to
🎥 : fav warriors related youtuber?
❎️ : what's the weirdest crossover au involving warrior cats that you've made? (if you haven't made any, then what's the weirdest one you've seen?)
🗳 : if you could make any cat leader of any clan right now, who would you pick?
🌟 : would you hypothetically go to starclan or the dark forest?
🤔 : what's the biggest series plothole that's bugged you?
😱 : how many people have you blocked over innocuous, not at all important warriors related takes?
☯️ : what dynamic between two cats has got you up at night pacing for hours? (romantic, platonic, familial, etc)
🌫 : what's a cat you genuinely forgot existed until recently?
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Original Copy is on Quotev, for a better viewing experience and chapter by chapter reading head on over to my Quotev page @BobbyWolf3769 or click the link here
***
When a game is over and all hidden things have been found, what is there left to do? Move on. That's what you would have liked to have done after finishing the disappointing secret ending of a popular otome game. But when the story is over, and all things were said and done, you find yourself trapped in that very game. Faced with the task to keep everyone alive, can you make it to the end without falling in love?
Long read ahead
Chapter Nine
Mid-Morning Crisis
That night was probably the best sleep you’ve had all week.
It was around eleven p.m. when you finally woke up, you guess your mother decided to let you sleep in after all that you went through yesterday. Sitting up in bed, you stretched your arms wide over your head, humming in satisfaction, you actually felt good today, despite how sore your face and hand felt. You had a feeling today was going to be a great day. While yesterday didn’t pan out the way you expected, seeing as you found yourself back in the hospital, you still accomplished your main adjective and saved Makino. You did end up more battered and bruised than you expected, you were just glad to get past that chapter of your life, but now comes the more tricky part.
With the first week technically over, the actual plot of the game starts next week, and with it comes many uncertainties. Even though Akui hasn’t gotten his first taste of murder there is still the possibility he could end up killing someone anyways, he is at his breaking point after all. He’s been at his breaking point ever since Yuki first left him, and when she came back he became obsessed with the idea of keeping her to himself. Makino’s death might have been an accident, sure, but so was Suzuki’s. It was Suzuki’s death that really gave Akui a taste for blood, and he couldn’t escape the sickening sweet feeling he had after killing to ‘protect’ his love. Actively killing anyone he saw as a threat to him and Yuki. There was no doubt that, if you left him alone, Akui Minato would eventually kill someone.
With your mood temporarily soured, you left your bed and made your way to your desk. On it was pretty much the same contents as before: school papers, a cup full of pens and pencils, sticky pads, and your calendar. Nothing has changed on it, the date that every character died on is still circled in red. ‘So nothing changed even though I prevented Makino’s murder,’ you think to yourself, picking up the calendar. ‘Does that mean I have to stop each of them? Wait, but some of the characters can only be killed in certain routes. Even if this world followed the plot of the route with the most deaths, only five dates should be marked. Hold on, let me…’ Flipping through the calendar, you count every date that was ominously circled and came to the conclusion that ten dates were circled. Ten dates for ten different people’s deaths. Seven rivals, three love interests.
‘The only ending where everyone dies is the secret ending, but I stopped Makino’s death. There should be no investigation, no snooping around, no reason for Yuki to–’ your train of thought was cut off by your own realization. ‘Yuki has already met two out of the three love interests that I know of. Already, they have gained an interest in her, and, because I was so distracted with dumb Makino, I completely forgot that Suzuki was slowly growing attracted to Yuki this week. Have those two even properly met yet? And what about the other boys who fall for Yuki? Sure, I can prevent the bullies from harassing her so that they don’t die, but can I really keep the love interests from falling for her?
Akui is so sick in the head that I doubt it would take much for him to want to kill someone. At this point, what is the use of knowing the plot if most of it revolved around Yuki trying to solve a string of murders. Events, the investigation, and opportunities to gain favor with the love interest were all factors that prevented Akui from killing all willy-nilly, a fact I picked up in the secret ending, but now that I prevented the original plot, what’s going to stop Akui from killing someone one day out of jealousy. Saving Makino meant nothing, and I’m still gonna have to prevent so many more murderers, but look at how I turned out after just the prologue! I have been hospitalized twice already, am I really gonna have to keep this up for nine more people?’
As your mind began to spiral, you failed to realize how labored your breathing became, nor did you notice the quivering of your hands, and you didn’t even bother to care about the globs of tears rolling down your face. You didn’t know it at the time, but all those feelings of dread and turmoil that your brain was subconsciously burying were finally breaking to the surface. ‘How–how am I even gonna be able to keep doing this? I-I can’t, I don’t think–’ Feeling like the room was spinning, your eyes seemed to dart around before they settled on the brightly colored sticky notes on your vanity mirror.
One note in particular caught your eye.
‘You’ve got this!’
It was such a small and simple declaration, but reading it brought you clarity. It kept you together before you could fully fall apart.
‘Okay stop,’ you assertively thought to yourself. ‘Being pessimistic won’t get me anywhere.’ In an effort to try and calm yourself down, you laid your head down on the desk, savoring the feeling of the cold surface on your hot face, and closed your eyes. You took in a few deep breaths to try and stop your racing heart, to stop the shaking of your hands, and to stop the whirlwind of thought and emotions that were overwhelming you. ‘The timeline might be off now, but I can still do this, I can still figure out how to save everyone.’
Sitting up right, you reach into the very bottom of your junk drawer, and you pull out the notebook that you wrote down all of the original plot in. Your junk drawer was the only place you could think of where most people wouldn’t go snooping because of how cluttered it was, later you would buy a small lockbox to put it in. Opening it, you turned to the page where you neatly wrote down everything and began to analyze all the information. ‘Even if the plot changed, now that there is no murder investigation, there are still plenty of opportunities that I have to prevent Akui from wanting to kill one of the targets. School events, field trips, festivals, all points that didn’t necessarily connect to Yuki’s investigation, and if they don’t connect to the investigation then they will happen regardless. Now for the plot events that are connected….’ Uncapping a black pen, you draw a thin line through every situation that happened in correlation to Makino’s murder.
School was closed for investigation until Monday, crossed out.
Talk around town about Makino’s supposed suicide, crossed out.
The police released a report that stated Makino was actually killed, crossed out.
Suzuki changes econ partners…
‘Actually,’ you think to yourself. ‘Suzuki changes lab partners in home EC because Makino was his old partner, and she died, so he needed a new one. Class 2-A, our classroom, originally had thirty-six students before Yuki arrived. With her addition, the class became an odd number of thirty-seven, leaving her without a partner. That is until Makino’s death. With an extra spot open, Yuki became partners with Suzuki, fully kickstarting the romantic feelings he would grow for her. Romantic feelings that will get him killed.
How can I keep those two apart?
Even though Makino didn’t die, she was still expelled, and a spot is still open for Suzuki to become Yuki’s partner. It’s unavoidable, really, because I can’t ask to be Yuki’s partner since I already have one, who I don’t even remember because I have only been to that class one day this week, and I can’t trade partners because the teacher is the one who assigned them. Think, Y/n, think. There has to be something that I can do.’
Vigorously flipping through your notes, you try to come up with a solution, a plan, to keep Suzuki from pursuing Yuki.
“This is hopeless!” You groan, face flopping down onto your desk, hands limp at your sides. ‘I don’t have enough information about the guy to even try and formulate a plan. The only hard info that I have is that he goes missing next weekend, doesn’t show up to class that Monday, and his body was found a few days later. I don’t even know he got so attached to Yuki, the two of them only ever interact in home EC for some reason, and he asks her out on a date Friday afternoon. Surely that boy needs more than an hour a day of interaction to apparently ‘fall head over heels’ for someone.’ It seems the plot holes and irregularities of the story have finally come back to haunt you. ‘And of course she agrees because who cares about a murderer on the loose when you have teen romance in the air, not them apparently.’
Lifting your head up, you pinch the bridge of your nose in annoyance. “Great,” you scoffed quietly to yourself. “All this crying and thinking is giving me a headache.” Your eyes were squeezed shut in a pained grimace, and you softly began to message your head. It felt like every injury you sustained yesterday was throbbing.
“Ignoring him for now, what happens between now and Friday?” Still messaging your head, you think aloud to yourself. “Students are scared… bullies are quiet… Yuki starts investigating…” ‘But most of that happened because of the murder, people should be acting normal now that it never happened. There might be a bit of gossip surrounding Makino’s expulsion but other than that this week should otherwise be normal.’ The thought of a normal week allowed you to give a small sigh of relief. ‘So I don’t have to worry about psychotic people trying to hurt me, that should give me breathing room to figure this out and stop Suzuki before Friday.’
Relieved by the idea of having a normal week ahead, you decide to finish up marking in your notebook before you put it away. With a yellow highlighter, you mark every detail, or event, that relates directly to the murder mystery aspect of the game. As long as you did your job correctly then none of what you highlighted would be that important.
Feeling like you aged thirty years in the last thirty minutes, you robotically closed up and put away your notebook, burying it again at the bottom of your junk drawer. Despite it being mid-day, you just felt like going back to sleep. Of course you wouldn't actually go back to bed, to you it felt like a waste of time, so instead you decided to get ready for the day, the start of it wasn’t as great as you had hoped but you still had the rest of it to make the most of.
Lifting your gaze up, you caught a look of yourself in your vanity mirror. “Geez, I look awful.” You didn’t actually take a good look at yourself until just now. Your hair was ruffled and tangled, sticking up in various directions; your face was puffy and bruised, irritated from all of Makino’s assaults; your eyes were red and swollen, a faint black eye had formed under it. The bandage on your forehead would also need to be changed but you didn’t have any more supplies in your room, which was fine, you needed to go to the bathroom to clean up anyways. Right now you were a mess and not the hot kind.
Sluggishly, you left your room and were about to enter the bathroom that was across from it, but your mother calling for you briefly prevented you from doing so. “Y/n,” she hallard from down stairs. “Is that you?”
Pausing in your step, you replied, “Y-yeAh.” Your voice cracked mid-way, so you cleared the frog from your throat and continued. “Yeah, it’s me. I was just about to go to the bathroom.”
“Oh, okay. Well, your little friend came by this morning and dropped you off a package. I left it in the living room for you, so come check it out when you’re done.”
“Okay, I will.” Curious as to what the contents of the package were, you did your best to hurry and complete your morning route without straining yourself. You couldn’t use the products that you would normally use to wash your face, not with all the cuts and scratches that littered your face at least, so instead you opted to just use water and an antibacterial soap. Washing your face was probably the hardest part since you couldn’t get your cast wet, but everything else was pretty easy to do, brushing your teeth, changing your bandage, all were quickly completed. You ended up not doing anything to your hair, your head still felt too tender after everything that happened yesterday, and you were not willing to try and sort out your bird's nest.
Now that you were done you could finally satiate your curiosity. Making quick work of the stairs, you enter the living room and quickly spotted a small white box, with a yellow ribbon tied around it, sitting on the coffee table. After untying the bow and lifting up the lid, you realized that it was a little ‘feel better’ package that Yuki prepared for you. Inside was a small assortment of gas station goodies: a box of matcha flavored poki, strawberry wafer cookies, a strawberry flavored soda from a brand that you have never heard of, a box of yogurt covered raisins, a few boxes of milk chocolate candies, and a bag of dried fruit. There were also a couple of non-food related items too like: a brand new pair of fluffy socks, a packet of stickers, two blind bags from an anime that you have never seen before, and a handwritten card.
Picking up the card first, you read it to yourself.
‘Dear, L/n-chan, I hope that you are feeling better by the time you get to read this. I heard about what Makino-san did to you today, and I am so sorry that I wasn’t there to help you out. I promise that I will try better as a friend to stand up for you and keep you safe! (Did you know I have a black belt in Judo) Anyways, I have put together a few of my favorite snacks for you and a couple of other goodies (I didn’t know what you would have liked so I hope these will do :( ). Please get well soon so that way we can have a proper hang out and I won’t have to guess on your favorite snacks. In all seriousness, I hope you feel better soon. Sincerely, Kobayashi Yuki’
You almost felt like crying again, touched by Yuki’s kindness, but you already had a headache from the last time that you did, so you instead chose to indulge yourself a bit in the tasty treats she got for you.
“I hope you don’t just plan on spoiling your appetite with junk,” Your mother playfully teased. She stood by the door leading to the kitchen, hand on her hip, waiting expectantly.
“What? Noo…” The pitch of your voice raised as you nervously tried to play off the situation. “I was just lightly snacking.”
“Hmm, sure. Alright, Ms. Lightly Snacking, I have breakfast ready in the kitchen.” Your mother turned back into the kitchen. “Well, it’s more like a brunch, but it’s better than whatever you were just about to eat.”
You scrambled to put up the nice gift that you got before you hasten your way to the dining room. The same time you sat down at the table, your mother entered from the kitchen’s side door and placed down a tray of steaming hot food for you. It was different from the other breakfasts that she prepared for you previously this week. While those were a more traditional Japanese breakfast with white rice, tofu soup, a slice of grilled salmon, and different vegetables (which was very different to how she used to cook you breakfast), with this one you could tell she was trying to spoil you after yesterday. It was what you liked to call an American breakfast which consisted of bacon, easy-over eggs, hash browns, and a plate of pancakes. You also had a bowl of fresh fruit with yogurt. In true American fashion, it wasn’t the healthiest but this was supposed to be a treat anyways. It helped that it all was homemade, your mother would never dare to use box mix anything.
As you began to dig into your food, you chose to ignore the hovering of your mother. You didn’t need to look at her to know that her face held a more worried look than normal.
It almost startled you when she reached to fix your hair a bit. “Your hair is a mess,” she stated.
Putting down your fork, you responded saying, “Yeah, my head hurt too much to try and tame it.”
“Oh, my poor baby…” your mother sadly said, motherly cupping your face with her hand. “I’m sorry this happened to you, my love.” Tenderly, she rubbed her thumb under your slightly bruised eye. “Don’t worry though, I have already taken care of most of the legalities, we have court in a few weeks, so you will get justice.”
“Court?”
“Yes, I am suing them for all the trouble they caused you, and I am hoping to get a restraining order placed against that crazy girl.”
“Oh, okay.” Was the only way you knew how to respond to that before you went back to eating. You finished the rest of your brunch in relative silence while your mother left to quickly do the dishes. With your meal finished you took your dirtied dishes to your mother and sat down in the living room. You didn’t do anything in particular, you didn’t even put on tv, you just sat there in silence.
A few moments later, your mother peaked her head into the living room. “Do you want to do puzzles with me?” she asked.
You contemplated for only a second before you turned your head and said, “Hm, yeah…” And that is how you spent the remainder of your day, quietly completing puzzles with your mother until your father got home. That quiet afternoon served as a break that took your mind off of the inevitable reality that you will have to face. The day didn’t start off like you expected, having a midlife crisis at the age of seventeen really dampens one’s mood, but by the end of it you felt you could forget about everything. Forget about Suzuki; forget about Akui; forget about the world that you were stuck in. At least until tomorrow, you could forget about all your worries.
#anime#my writing#writers#web series#x y/n#male x reader#oc x reader#x you#x reader#creative writing#original writing#writers on tumblr#writing#isekai#x female reader#reverse harem#male x female reader#fem reader#reader insert#female reader#long reads#various x reader#oc x you#otome game#original character#long writing#x fem!reader#female protagonist#oc x y/n#oc writing
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2023 Year End List - #9
Paper Cut From The Obit - Celestaphone
Main Genres: Jazz Rap, Experimental Rap, Abstract Rap
A decent sampling of: Jazz-Funk, Psychedelic Soul, Conscious Rap, Jazz-Rock, Disco Rap, Progressive Rock
Counting down the list with yet another weird ass hip hop album, and there's still two more to go after this one, so strap in.
Celestaphone is the project of American rapper/producer Joseph Murphy. The guy raps in the way I might imagine the Joker (no, not that one, the OG one) would sound if he was whacked out on some really hefty stimulants and also an IT tech guy who plays D&D.
The dude's self-portrayal is so goofy and non-threatening that it makes some of the frankly insane abstract rap ramblings go down a lot smoother. Actually, I'm kind of obsessed with his persona - I would play the hell out of a video game staring this character.
According to his Spotify bio (Look, the guy hasn't done a whole lot of interviews), Joseph grew up around total music nerds, listening to Madvillain, Frank Zappa (checks out), and Kate Bush from an early age. And there is certainly a lot of evidence of a musically colourful mind on this latest project of his.
As far as I'm concerned, Paper Cut From The Obit is probably just the unhinged setlist of an in-house live jazz band meant to be playing for the rejected late night show that got cancelled for blatant sacrilege, put to record. Sound-wise, I think Celestaphone might've just invented "prog rap" on this thing, what with the virtuosic, ambitious jazz-funk production and clear prog rock influence, combined with sudden changes in rhythm that keeps me on the edge of my seat (if I'm not already up shaking my ass to the funk rhythms).
Also, just a silly little tip I discovered the other night - playing this while rolling around in Liberty City, speeding down the wrong side of the street is a whole aesthetic moment and the closest I've felt to being invincible in a while.
The jerky organized piano jazz rap chaos of "Jettatura" is disorienting. Feels like banging my head and seeing stars in a seedy jazz club in a city I'm completely unfamiliar with. Completely twisted magic.
"Small World" is a lyrical masterclass, plain and simple - maybe my favourite bars of the year. Musically, I'm getting vivid images of bouncy animated skyscrapers and blinding camera flashes and bright ass flood lights. "Imagine you looked at a tree just the way you look at your penis" is the most hilarious lyric of 2023.
"Tops Turvy" is a mix of classic funky clavinet and a plush, organic jazz beat that feels hella comfy. Floating up on the top cloud in a technical dreamy funk heaven, while giggling with the devil himself as Celestaphone pokes fun at the promises and overzealous claims of organized religion.
The instrumental "Chitauri Chip" is a glittering and mythical jazz-rock, dancing the flickers of an old and sacred flame. Has some desert-wandering merchant energy in the general vastness and mystery of its central riff, plus those golden brown acoustic guitar chimes shimmering like treasure in the sun's massive rays.
Also, would ya look at that? Surprise Armand Hammer feature on the more chilled-out "Tithes", along with underground avant-garde rapper sensation Moor Mother. Funny, I wonder if one of them Armand Hammer dudes is gonna appear one more time on a different entry in this list (hint hint). Incidentally, another one of the best moments on this highly leftfield record.
"Babies" is simultaneously one of the strangest choices for an album closer I've ever heard and exactly how an artist like Celestaphone would choose to end a record. It's, well, it's an ode to babies. There's elements of satire but also he's making a pretty good case for baby supremacy. That twangy guitar solo throughout the whole thing just accents how utterly crazy this guy is. I wouldn't have had it ending in any other way. A comical stroke of genius.
There is one or two tracks I would omit in the mid section, and the sequencing could've been spread out more seeing as how nearly every major highlight is on either end of this 16 track powerhouse. But still, enough of this is balls-to-the-wall crazy and infectious that I don't mind that it's got a longer run tracklisting-wise, and at only 43 minutes total runtime, no song every overstays it's welcome.
Yeah, honestly I'm mostly totally impressed by this record. Between all of the ambition displayed here and the major underground names he's collaborating with, it's really not a matter of if but when this guy blows up.
Paper Cut From The Obit is one of the most creative records I listened to in 2023, and nearly every second of it is teeming with mad scientist energy thanks to Joseph's immense presence as an MC and his immaculate taste in sexy fucking retro jazz beats. I'll have whatever this guys having, thank you very much - dude's got it all figured out.
9/10
Highlights: "Small World", "Tops Turvy", "Chitauri Chip", "Tithes", "They All Con It", "Jettatura", "Babies", "Erfurt Latrine", "Paintings of Panspermia"
#album review#music review#list#aoty#year end list#jazz rap#rap#hip hop#experimental hip hop#abstract rap#celestaphone#paper cut from the obit#2023#aoty2023
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Well, it’s not quite a master’s thesis, but this is (the first of) a series of posts on why Catra and Adora are the best love story in the history of kids TV animation and maybe the greatest love story in the history of TV. This may in some ways be faint praise - romance on TV is generally not very good compared with books or movies. Often it’s just some will they/won’t they sexual tension that is defused by getting characters together and re-heightened by breaking them up. TV is full of nearly shark jumping pointless dramas like Sam and Diane (Cheers, holy fuck am I dating myself, though that was technically before my time), Ross and Rachel (Friends, which was no Cheers) etc, but also some less annoying couples like Ben and Leslie (Parks and Rec) or Amy and Jake (Bk99) who are mostly just kind of cute and fun. Other shows, like the X-Files, teased viewers for years with unresolved sexual tension. In kids shows most romances are, appropriate for their target viewers, mild, sweet relationships based more on self-conscious flirting and blushing than on complex and conflicted feelings or deep passions - which is pretty realistic when the characters are young teens or even mid-teens. Some of these relationships are really well done - Finn and Flame Princess, Dipper and Pacifica (yeah I ship them), the early stages of Katara and Aang (before the showrunners imbued this childhood crush with cosmic significance), Steven and Connie, etc. Catra and Adora, though, are different. Their love story is not a side plot or a sub plot, it’s the heart of the show. It isn’t a childhood crush, it’s a very messy and passionate relationship between two young adults. She-Ra is an emotionally complex lesbian romance just as much as it is a thrilling action/adventure show. Everything about their relationship is baked into the show’s plot, its themes, hell even its musical score. The dramatic tension between Catra and Adora is not the result of stretching out a flirtation for ratings, but a coherent dramatic arc that runs through the entire show. As Noelle said, he made Catradora so central that execs couldn’t take it out without ruining the show. And the show is better for it. In this series of posts I’m going to try to show why, as well as showing why She-Ra is such a fantastic love story.
First off, let’s talk about how Catra and Adora’s character arcs are foils for each other, and how they come together and apart through the series. This is actually a post that I’ve been working on for a while but I keep summarizing the show rather than cutting to the chase, so I’m not going to recite many plot points so much as sketch out what’s going on with the dramatic structure at the time. But also, let’s talk about what each character’s arc is saying, and how they are commenting on each other. Spoiler alert: Catra’s arc is a subversion and critique of stories of empowerment through ruthless self-assertion and revenge, while Adora’s arc is a subversion and critique of chosen one narratives and stories of self-denial and self-transcendence.
When the show starts, Adora and Catra are shown as rivals and friends - their first scene starts the recurring motif of them reaching out for each other as one of them dangles above an abyss, as well as establishing their flirtatious banter and easy camaraderie. We quickly learn that these two young women plan to conquer the world together. These scenes and later flashbacks show Catra and Adora as deeply enmeshed in each others lives, to the point where neither of them (but especially Catra) have clear identities outside of one another. There is so much genuine love on both sides before Adora leaves, but also resentment, envy and fear, especially on Catra’s side, as well as a protectiveness on Adora’s side that deprives Catra of her autonomy. They are both being abused by Shadow Weaver - Catra physically and emotionally, Adora emotionally. It wouldn’t be too much to say that Shadow Weaver holds Catra hostage to control Adora (this is why critiques that Adora abandoned Catra to be abused are actually kind of messed up, since they accept Shadow Weaver’s premise that Adora is responsible for what Shadow Weaver does to Catra). In addition, Catra and Adora actually see the world incredibly differently. Adora already sees the world in terms of right, wrong and her destiny to right wrongs - this is why it’s important for her to accept the Horde’s obvious lies - she couldn’t keep living if she didn’t. Catra, on the other hand, sees the world solely in terms of survival and personal loyalty - everything for her is about preserving herself and the person she cares about - Adora.
Then, when Adora finds the sword, she leaves because it’s the right thing to do. Catra doesn’t even have a concept of ‘the right thing to do’ being something she should care about, or perhaps, something she can care about as an irredeemably evil, awful fuck-up. So at Thaymor neither one understands where the other is coming from, and Catra and Adora begin to part. This is the first turning point in their relationship. Adora chooses duty over what she desires, Catra chooses to protect herself (such as she sees it) and nurse her sense of betrayal and abandonment.
Their relationship until Promise is a kind of weird Frenemy thing that is fascinating to watch and sold me on the show. Neither one wants to fully admit to themselves that the other is now their enemy, neither one has given up on changing the other’s mind. Each is furious at the other, and desperate to see her again at the same time. There’s a lot of heartache and just as much sexual tension, especially at Princess Prom. Both of them come alive when they fight each other (more about that in a later post). But they’re already growing apart - Adora embracing her destiny as She-Ra, Catra rising in the ranks for the Horde. Adora now has the purpose she always wanted, plus other friends and a sense of being chosen to do something great, while Catra now has power - the means to protect herself from people like Shadow Weaver as well as the vindication she had always been denied, and even the opportunity to beat Shadow Weaver at her own game.
The next turning point is Promise. Holy fuck, this episode. It’s an episode that is even more heartbreaking after you’ve watched the show because you know just how much worse things are going to get, and yet, it’s a necessary part of both of their character arcs. Even through season 1 Catra and Adora had remained very much enmeshed in each others lives in an increasingly fucked up way as they grew apart but refused to turn away from each other. Even though they aren’t -exactly- a romantic couple (Adora doesn’t recognize and acknowledge her feelings until the last episode of Season 5), Season 1 of She-Ra is one of the worst breakups I have seen on TV. As I said in a couple of previous posts, this is the kind of shit that the Mountain Goats write songs about. Everything that was poisoning their love for each other even before episode 1 bubbles to the surface and combines with them fighting on opposite sides of the war to make a truly fucked up situation. In the end, it’s Catra that makes the choice to turn away from Adora. This isn’t a -good- decision. It’s spiteful, and destructive, and based on an outright deluded understanding of their relationship (inspired by Light Hope’s manipulations and her own issues), but it’s in some ways a necessary decision. Catra has been so wrapped up in Adora for so long that she isn’t going to be able to figure out who -she- is without cutting Adora out of her life. And the same is true of Adora.
But each of them do this in about the worst way possible. Catra embraces destruction, ambition, manipulation and outright cruelty, turning the tactics of her abusers against them and against everyone around her. She first triumphs over Shadow Weaver and manipulates Entrapta into trying to corrupt Etheria itself. Meanwhile Adora ‘lets go’ and commits herself to the self-denying mantle of She-Ra. Over the next several seasons, their respective paths will nearly lead both Catra and Adora to their deaths (in the Season 4 finale).
For the next season (counting season 2 and 3 as one) Catra and Adora are still closely linked, but as enemies. Still, there’s more than enough flirtation between them (that ‘Hey Catra’ in the first episode of Season 2 is something else), and especially on Adora’s side we see her hold back with Catra, and often take responsibility for the harm Catra inflicts, just like she had when they were kids. Yet they still drift apart - after facing off every other episode in Season 1, they spend less and less time on screen together through season 2 and 3. Catra continues her ascent to power and descent into villainy while Adora becomes more of a stressed out mess as she takes the fate of the world and the wellbeing of everyone she cares about on her admittedly broad shoulders. Catra’s one moment of vulnerability is rewarded by Shadow Weaver’s betrayal and her exile, then Catra triumphs in ruthless badass fashion through sheer desperation and aggression. In the Crimson Wastes, we see Catra at her most independent, and she almost seems happy. But once Adora shows up and Catra hears about Shadow Weaver, she’s sucked back into the worst of her resentments, and she makes very clear that being happy is less important to her than making sure Adora is miserable.
This changes everything. Catra completely breaks with reality and tries to kill Adora, herself and the world rather than lose to Adora and Shadow Weaver (I do think it’s important to remember that she does that after Shadow Weaver nearly kills her). Catra betrays everyone around her when she exiles Entrapta, threatens Scopria and lies to Hordak. Then she flips the switch. When Adora tries to fix things, Catra fights to her own death to make sure that the world disintegrates with her. For her part, Adora fights first to understand what is wrong with the world and then to fix it. Finally she tells Catra that destroying the world is her choice and she has to live with it, decks her, and then sees her off with a death glare once the portal is closed. With this, Adora writes Catra off even if, as she says later, she never never hated her. By doing that, Adora casts off the guilt that had dogged her and takes responsibility for her own life rather than someone else’s - this is actually a huge step for her, and one that will become more important in Season 4.
Season 4 is in many ways the nadir of their relationship. They only see each other once during the entire season, in Fluterrina, when Adora tries to blast Catra, much to the latter’s shock. There’s a sense in that scene that Catra is trying to have the same flirtatious enmity she used to have with Adora, and Adora is having none of it. Catra almost seems hurt by this, which is an early hint at how isolated Catra is beginning to feel. Catra spends the rest of the season at her highest and lowest. On the one hand she spends most of 12 episodes winning by every standard she has ever claimed to care about, besting Hordak himself in single combat and making herself co-ruler of the Horde and coming within a day’s march of ending the Rebellion. In many ways it is the ultimate empowerment fantasy - the abused young woman has defeated her abusers, showed up everyone who doubted her and forced everyone to respect her. But I think it’s striking that the show starts with her and Adora dreaming of conquering the world together and in Season 4 Catra nearly succeeds in conquering it alone, almost like she was trying to live out her old shared fantasy while proving she didn’t need her former best friend.
At the same time, Catra is clearly miserable. She’s always been unhappy, but in Season 4 we see her completely isolated and lying to herself and everyone who will listen in a desperate attempt to justify her actions. Turning the tactics of Hordak and Shadow Weaver against them to gain power and then against Scorpia and Entrapta to maintain it haven’t vindicated Catra, they’ve made her more and more alone as Entrapta is exiled and Scorpia drifts away. Meanwhile Catra reaches out to Double Trouble, and her interactions with them reek of a kind of desperate desire to have someone in her life (the feeling of their interaction is of an unhealthy casual relationship where one partner becomes emotionally invested and the other takes advantage of that while denying the other the closeness they desire). As people leave her, one after the other, it becomes clearer and clearer that Catra doesn’t want power at all - she wants connection, friendship, love, and power is a very poor replacement. As I said in my long Catra rant, Season 4 is both her ‘Walter White as a Catgirl’ season and the beginning of her redemption. Everything comes to head when Sparkles destroys everything Catra has tried to achieve, Double Trouble delivers those harsh truths and Horde Prime shows up and makes it all irrelevant, just highlighting how futile all her struggles and sacrifices and crimes have been.
Meanwhile Adora spends Season 4 becoming her own her and her own woman. After telling off Catra, she grows more and more disillusioned with Light Hope and critical of Glimmer (though the latter has more than a shade of her old habit of taking responsibility for others - Adora’s development is not linear). She’s gained the courage and confidence to strike out her own path, not just follow a destiny. At the season’s end she once again breaks with her best friend to do what is right, and discards the destiny that she was being prepared for. But in this case she isn’t chasing one packaged destiny for another, instead she’s making her own choice and literally shattering the thing that she thought gave her life purpose. It’s badass, and heartbreaking, and along with decking Catra and jumping after Catra into the abyss (see below) it’s the perfect Adora moment.
In many ways Season 5 starts with Catra and Adora farther apart than they have ever been. They aren’t even enemies anymore, they’re completely out of each other’s lives. And both Catra and Adora are lost at the beginning of Season 5 - Catra is useless and alone on Prime’s ship, completely defeated despite ostensibly being on the winning side, and she goes through the motions of her normal plotting without any particular conviction and none of her normal flair. Meanwhile Adora is even more miserable and self-destructive than usual, throwing herself at Horde Bots and working herself until she drops of exhaustion. In a very real way they both stay lost until they have a chance to help the other. Catra takes responsibility for what she’s done and what she can do, saves Glimmer (at least partly for Adora’s sake), apologizes to Adora, and sacrifices herself. Adora only seems to come alive when she decides to turn around, face Prime, and save the cat. And when she does, Catra and Adora’s arcs, which had separated so completely in season 4, come crashing back together to end the series.
Adora during Save the Cat is such a contrast with the uncertain, hesitant and self-destructive wreck we’ve seen so far in Season 5. This is possibly her craziest plan in 3 years of mostly cazy plans, but she never wavers or questions herself. Even when Chipped Catra appears and we see Adora’s heart break while we watch, Adora doesn’t back down or relent. She keeps at it even as the tears stream down her face. She fights better trying to save Catra without She-Ra’s powers than she fought at the Battle of Bright Moon with them. Catra’s just about as desperate - we see her cry and plead, and now is probably as good a time to any to point out how amazing a job both VAs did throughout the show, but especially in this episode, and how good a job the board artists did.
Seeing each other for the first time in a year, and only the second time since Catra blew everything up, Catra and Adora are probably the rawest and least restrained we’ve ever seen them. There’s barely any banter, no bravado, and no pretense that they are anything other than two women who desperately need each other (Prime doesn’t help with ‘You broke my heart’.) Then Catra is flung to her death, Adora jumps after her, breaks both her legs in the fall (we see her crawl to Catra, as though she couldn’t walk) and becomes the real She-Ra. It’s such a triumphant and deeply queer moment seeing a woman transformed into a warrior goddess to protect the woman she loves, and it’s the reason that, as dark as it is, Save the Cat is my Comfort Food episode.
Let’s not sleep on Taking Control, though. This episode is like a microcosm of what this show does best, especially the A plot with Catra and Adora. Catra’s reversion to lashing out at everyone and her refusal to be open to Adora shows just how much of a struggle this whole ‘being good and trying to connect to people’ thing is. Catra’s outburst gives Adora a chance to stand up for herself and refuse to be Catra’s punching bag, while also not trying to control her. Adora’s ultimatum gives Catra a chance to reach out to Adora (quite literally), and allow herself to be vulnerable. In this episode, we see just how far Catra and Adora have come since the messed up stew of their relationship in Season 1. Adora lets Catra be responsible for her own actions; Catra lets herself be vulnerable to Adora and takes responsibility for her actions. They’re both better people and better friends and better partners than they were, and the show has shown this in a strikingly nuanced and realistic way.
The important thing to note in the next few episodes of Season 5 isn’t just how much closer Catra and Adora get to each other and how much they flirt (So much. So much, y’all) but just how -happy- they are. We see both of them transformed in the other’s presence. Basically, since they’ve parted, both Catra and Adora have been defined in no small part by how miserable they often are. They have both had their triumphs and their lighter moments, but there’s been a sense of melancholy dogging both Catra and Adora since episode 1. And now that they’re together again, that lifts, somewhat. Catra’s verbal barbs have lost their venom, and she can openly show how much she cares for Adora and even Bow and Glimmer. She’s still herself - snarky, cynical, somewhat devious - but she’s not engaged in a self-destructive zero-sum struggle with everyone around her. Meanwhile Adora has spent 4 seasons being a neurotic and sometimes nearly joyless mess who takes responsibility for everything and often doesn’t let herself enjoy anything other than the odd BFS group hug (exceptions include trying to uh...impress Huntara and reveling with the butterfly ladies of Elberron in Flutterina). Around Catra, though, she’s a cocky, swaggering jock who gives as good as she gets. It’s a side of Adora we’ve only seen hints of before, and one that’s so much more confident and joyful even as the world is ending around her. Apart, Catra had tried to protect and vindicate herself with power and conquest, while Adora had tried to forget herself in duty and sacrifice. Together, they can be themselves again. This dynamic is crucial to the show’s portrayal of Catra and Adora’s romance because it doesn’t just show how much they love each other, but how they’re -good- for each other now that they’ve grown as people, and that they are so much better than they were when they were apart.
Until Shadow Weaver shows up. Their old abuser reintroduces tensions but even then things are different than they were. Now Catra isn’t just resentful of how Shadow Weaver prefers Adora - she’s protective of Adora, which is clearest in Failsafe when she calls Shadow Weaver out for being willing to sacrifice Adora. And while Adora takes the Failsafe, it isn’t to follow her destiny or because she has a death wish - it’s because she loves her friends, and she is the only one who has any hope of doing this and living (though Catra’s suggestion that Shadow Weaver take it is a good one). And finally, when Catra leaves Adora, it isn’t because she hates Adora, nor, despite what she says, is it because she really thinks that Adora chose Shadow Weaver. At least, not exactly. It’s because Catra loves Adora, and can admit that to herself, and can’t stay around and watch the woman she loves sacrifice herself rather than choosing Catra. Before Catra leaves, she asks Adora ‘What do you want?” It’s a question that echoes Shadow Weaver’s speech in Episode 1: ‘isn’t this what you always wanted since you could want anything?’ As much as Adora has grown as a person, and defined herself and stood up for what she thinks is right, she still has never answered that question - it’s never been ‘what do I want’ but ‘what do I have to do?’ and that’s how Adora answers Catra’s question. This is Adora’s last gasp as a self-transcending hero, letting go of what she wants (not that she ever dared articulate what that was) in order to do what must be done. And it nearly kills her and dooms the universe, because Adora can’t be the hero that she needs to be by being anyone less than herself.
But it’s losing Catra that inspires Adora to tell off Shadow Weaver for good (not that she’d ever really warmed to her after season 1). And it’s love for Adora that inspires Catra to stand up to Shadow Weaver and demand that she do the right thing. In both cases, Catra and Adora aren’t just standing up to their abuser, but holding her to account for the harm she’s caused, and it’s the love that they have for each other that inspires them to do this. In Catra’s case in particular her refusal to let Shadow Weaver weasel out of finding Adora is a much greater triumph over Shadow Weaver than beating her up and breaking her mask in Season 1 - it’s proof not so much to Shadow Weaver but to Catra herself that Catra really is better than this and that she deserves better than this. It’s not turning her abuser’s tactics against her, but truly holding her to a moral standard and demanding that she do the right thing.
And then there’s Catra and Adora together at the heart. Catra has already come back for Adora and stayed to the end, choosing to die with her even if she can’t share a life together (not out of some death wish, but because Adora needs her). And Adora, who’s been avoiding answering the question for three fucking years, finally let’s herself want Catra when Catra finally confesses her love (breaking the last of her self-protective shields) and asks Adora to stay -for her-. And by admitting what she wants, Adora can truly be at peace with herself and be the hero she needs to be, lesbianism saves the universe, The End.
So anyway, that’s how Catra and Adora’s stories are woven together and how they compliment and comment on each other. Narrativiely, Adora and Catra start together, come apart, find something of themselves, and truly find themselves and each other when they are reunited. Thematically, they are critiquing seemingly opposing narrative tropes - empowerment narratives and narratives of self sacrifice. But by showing the flaws in both types of story and showing how neither self-seeking empowerment nor self-negating self sacrifice can actually make us happy, She-Ra asks and answers more profound questions than most prestige dramas for adults do. I’ll get into how the show sells the idea that the power of love can bring us happiness (and save the world) in a future post. But next up, I’m going to celebrate just how much Catra and Adora’s relationship revels in ambiguity, complexity and contradiction and so tells a grown up love story in a kid’s show.
#she ra#she ra spoilers#she ra adora#spop#catradora#she ra netflix#she ra and the princesses of power#goat ship#long#meta
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Unprofessional
as promised, the MSBY manager AU 💕
MSBY Black Jackals x female reader
TW non-con, smut, gang-bang, nsfw(ish)
You second guess yourself, now that the Captain’s right here in front of you, fidgeting in your seat like a little kid sent to the principal’s office.
In all fairness, you were the one to ask him to come in early, figuring that it’d be easier to say what you needed to before everyone else arrived, rather than having it eat away at you while you waited for practice to end.
Yet under the scrutiny of his dark eyes, you wonder whether you should have just let it slide. At least for a few more weeks. Taking a formal complaint to the higher ups was a step too far, and you hadn’t wanted to bother the coaches this close to the start of the season for something so… trivial. Meian seemed like the better choice. He’d listen to you and be able to help; you trust the Captain and you know the team does, too. If he told them to back off, they would, you’re almost positive. But now that he’s here, there’s this nagging feeling of-
A hand touches your shoulder, and you flinch at the sudden contact, jerking back to the present.
“Hey,” he says, a slight frown marring his features. “Whatever it is, you can talk to me - don’t think I haven’t noticed you’ve been a little out of it lately.”
There’s nothing but concern in his eyes - no judgement, or irritation, and something inside of you eases just a fraction. This is Meian, right from the moment you signed onto the team - granted, only a few months ago - he’s done his utmost to make sure you’ve felt welcomed and part of the team.
You take a breath, offering him a small, tight smile. “I-it’s um, some of the guys- well a few, I guess…” your fingers twist in your lap, and Meian squeezes your shoulder lightly in response.
“Miya hitting on you, right? Getting a little outta hand?” he surmises.
And for a split second, you’re surprised. But really maybe you shouldn’t be. Miya’s the one who’s overt about it, drawling stupid, cheesy pickup lines whenever you walk in, slinging an arm around your side and dragging you close, all the winks and the innuendos about as subtle as a tank.
Of course Meian noticed, but that’s just how Atsumu is. He doesn’t bother trying to hide it because nobody but you seems to mind. And maybe, if that’s all that it was, you’d be able to grin and bear it, but it’s not.
“Yes and… no.”
His brows draw together. “No?”
Taking another deep breath, you begin to tell him everything. Miya’s incessant flirting, all the hugs and touches that fell just the wrong side of what you considered professional. They’re a tactile team, with one notable exception, and you understand that, but the way Bokuto, Hinata and Miya feel comfortable just grabbing you and dragging you around, interrupting you in the middle of whatever task you’re doing to make you pay attention to them is a little alarming.
And then there was the incident last week, when Inunaki had caught you smiling at your phone during their cooldown and called you on it, which drew the attention of the rest of the team - only to have Bokuto snatch it out of your hands and start reading through your messages. Of course, Meian was there for that, putting a stop to it only when the wing-spiker had started reading them aloud, much to your mortification.
But he hadn’t been there two afternoons later, when an old friend of yours had swung by to pick you up and you’d had to deal with half the team glaring daggers at him over your shoulder like a pack of overprotective mother hens.
Even Sakusa, who usually kept his nose out of the others’ nonsense, stood off to the side with his hands shoved into the pockets of his jacket, glowering at your friend until you both disappeared from sight.
The texts that blew up your phone in the hours that followed crossed so many lines, it honestly scared you a little.
Meian doesn’t say a word as you talk, the words flowing easier the more you tell him. It’s not that anything they’re doing is wrong per se. They’re not hurting you, and you think that aside from Miya, the team’s attitude is coming from a good place - some protective, irritating big brother kind of thing.
There’s nothing wrong with it, except the fact that you don’t want any part of it. You’re a professional and this is a job - a new one, an important one. If you ever want anybody to take your dreams of coaching a pro team seriously you cannot have so much as a whisper of anything less than absolute professionalism. God forbid, if rumours start spreading that you were sleeping with somebody on the team you can pretty much kiss your dreams goodbye.
At the end of it, Meian’s chin is resting on his fist, faint dissatisfaction pinching at his face, and for a moment, you’re worried that he’s about to chew you out for wasting his time - you know he’s stressed with the start of the season only days away - but he only sighs, leaning back in his seat and shaking his head.
“Thank you for telling me, I’ll talk to them.”
And it’s like this huge weight just falls off your shoulders and suddenly you can breathe easy. “Thanks, really,” you tell him, and the smile on your face is genuine this time.
“Anytime.”
—
You don’t know when he finds the time to pull them all aside, but the next morning when you walk into the gym and Bokuto catches sight of you, golden eyes widening in delight, he starts to bound towards you-
“Bokuto.”
-and stops mid-stride, face falling like a kicked puppy. His shoulders slump, glancing over his shoulder at the Captain, watching the both of you through narrowed eyes.
He doesn’t say another word to the wing-spiker, turning back around to continue his conversation with Adriah - something about tightening up their blocks before the game against the Adlers - and despite the fact you can see half the team’s attention drawn towards you both, none of them say a word either.
It’s strange, compared to the last few weeks, it’s suddenly like you’re a ghost. They thank you when you pass them their towels and bottles, and for once Hinata sits still when you help him tape up his ankle, though his eyes still follow your every movement with unnerving focus.
They’re polite and respectful, but unless you’re directly addressing them or they need something, it’s like you don’t exist.
Even Atsumu manages to keep his comments to himself when it comes time for the team to stretch out, though judging from the scowl on his face whenever he glances towards the Captain, he’s not particularly thrilled about it.
There’s one more day before game day, and they’ve got bigger things to worry about, but for you it’s like you can suddenly breathe easy. You don’t have to tiptoe around your own discomfort, you can just do your job and help them. It’s not that you hate them, not even Atsumu - though he does grate on your nerves at times - you just can’t afford to let them fuck this up for you.
They’re your team, and you’ll help them and you’ll stand on the sidelines and cheer and support them until you’re red in the face. You’ll celebrate with them and commiserate if they lose, but there has to be a line.
And maybe finally they’re realising that.
Meian sends you home while the others head off to the showers with a clap on your shoulder. “Go home. Today’s been long enough, and you need your rest. We’ve got an early start tomorrow.”
You don’t fight him on it, already feeling the exhaustion creeping through your body.
But after months in this job, it shouldn’t come as a surprise to find that by the time you’ve had a quick catch-up with the coaches about tomorrow’s training, changed and gathered up your things, you find yourself falling into step with Sakusa, freshly showered and also on his way out.
Dark eyes find yours, but he doesn’t say a word - at least until the two of you reach the big double doors at the gym’s entrance. “Do you need a lift home?”
It’s rare of him to offer, but you suppose that it’s later than you’d normally leave, the sun already disappearing beneath the horizon. Nevertheless, you shake your head, “No, it’s only a ten minute walk, I’ll be okay,” you say. And almost as an afterthought you smile and add, “Thank you, though.”
He regards you silently for a moment, but simply shrugs his shoulders, “Fine.”
Sakusa turns to leave, heading off to the carpark when a sudden thought strikes you, and before you can think better of it, you call out to him, “Your lineshots were incredible today, by the way. You played well. And please don’t forget we’ve got an early start tomorrow!”
It’s a pointless statement, on both counts. Sakusa doesn’t crave praise the way some of his teammates do, and you can imagine how little it means coming from you of all people. He’s also the most punctual, usually the first in, preferring to get stretched and warmed up before the rest of the team arrived. But the change in plans was kind of last minute and a reminder never hurts.
Sakusa pauses mid-stride, glancing back at you once more over his shoulder. “I know,” he says, and maybe it’s a trick of the light, but you swear there’s something different in his eyes as he stares back at you. Not angry per se, but… you can’t quite put a finger on it. It’s odd, you think, out of character for the usually aloof spiker. “Captain told us.”
—
It’s still dark when you arrive at the gym, and the lights are all off, not a soul in sight. That in itself doesn’t strike you as odd though, checking your phone you see that there’s still twenty or so minutes until you were all supposed to meet, but you would have thought that the coaches at least would’ve been here, or Sakusa maybe, if not Meian.
“Mornin’ princess,” a familiar voice drawls, and you jump a little at the sudden weight of his arm draping over your shoulders.
Atsumu’s smile is far too wide and upbeat considering it’s only a little after six in the morning. You’re used to a dead-stare, don’t-talk-to-me-until-I’ve-had-caffeine Atsumu, and it’s almost startling enough to make you forget the arm he has around you.
Either that, or you’re just bewildered that he’s actually arrived early for once in his life.
“You’re awfully chipper,” you mutter, trying to shove his arm off of you as you walk in tandem towards the gym. It’s a pointless endeavour - he replaces it a moment later, tugging you closer. “And early. Do you normally do this the day before the season starts, or can we expect to see you bright and early every morning for training?”
The corner of his lip quirks into a lazy smirk, and Atsumu laughs, “Nah, I’m actually late. All the others are already here.”
You’re halfway through fishing for the keys when he just pushes the door open, and you falter. “Wait- they’re here already?” you glance inside, and the lights are all still off and there’s not a soul in sight, but- “I thought Meian said we were meeting at 6:30.”
There’s something in the way that his smirk widens that’s almost unsettling, but he’s already pushing you forward, flicking on the lights as you pass.
“Oh, he did.”
Your eyebrows draw together in confusion, but it’s too early and you’re too tired to try and decipher Atsumu’s cryptic bullshit. He already has you on edge with how close he’s got you - you can feel the heat radiating from his body, the familiar scent of his cologne invading your nose. “Fine, whatever. Just- just put your stuff away, grab the others if they’re here and I’ll see you on the court in a few minutes.”
You try to shrug off his arm, but his grip only tightens, “Nope,” he says, firmly steering the both of you in the direction of the locker room.
“Miya,” you start, squeezing your eyes shut. You can already feel the beginnings of a headache taking root in your skull, but Atsumu just chuckles lightly, patting your shoulder.
“Relax, wouldja? Jeeze, yer so tense!”
With no other sound but the eerie echoing of your footsteps across the linoleum floors, his laugh is too loud, too grating. It sets you on edge, and you have to bite back a scowl of your own and remind yourself that you only have to put up with him a little longer - just until Meian gets here. Unperturbed by your silent irritation, Atsumu continues, “We know how hard you’ve been working lately. We came in early to say thank you, y’know, for everythin’ ya do for us.”
And for one split second, regret fills you, snuffing out the spark of irritation simmering through your veins. Here you are, seconds away from slapping the setter when he is - for the first time in his life - actually trying to do something nice for you. You sigh quietly, smoothing your expression over as he slows down and pulls you to a stop.
He lets you slide out from under his arm, your back to the locker room door, moving so that he’s standing directly in front of you. You open your mouth to speak, an apology on the tip of your tongue, but once again, Atsumu beats you to it. “Yer the best manager we’ve ever had.” He takes your hand in his, twining long fingers with yours and steps closer.
Too close.
“Atsu-”
“We really do care about you - love ya, even - which is why it kinda felt like a kick in the balls when the Cap came and told us ya wanted some space. Said we were bein’ too ‘overbearing’ and ‘inappropriate’, just cause we want ya nice and close.” Dark eyes harden, “It hurt us, baby. You gotta realise that.”
The grip he has on your hand is painfully tight, but you don’t have a moment to focus on that. Not as Atsumu sweeps forward to close the distance between the two of you, his lips crashing against yours. Hungry. Demanding. A tongue snaking between your lips, melding with your own.
His arm snakes behind you to open the door, and for a moment you’re stumbling backwards into the dark-
Only it’s not dark, not as the blinding fluorescent lights flicker on around you, and you’re not stumbling, not as you collide with a warm, muscular chest and strong arms find your middle to steady you.
“You took too long,” Bokuto whines, and you’re yanked from Atsumu’s hold and spun, barely having a second to register the gleaming golden eyes before he’s dragging you into a needy kiss of his own.
Dizzy, lightheaded, your heart thumping erratically, you can’t think straight as his hot, wet mouth moves against yours. Greedy fingers grope and squeeze at your body - utterly frozen in shock, pliant under his touch.
“Aw, quit yer whining, Bokkun,” the blonde growls as Bokuto finally pulls back enough to grant you a few precious gulps of air, gazing at you with a kind of love sick adoration that makes your stomach clench.
A scoff sounds behind Bokuto, “A bit rich, coming from you, Miya. The two of you just are as bad as each other.”
It’s then that you realise the three of you aren’t alone. Wide eyed, on the edge of hyperventilating, you glance over your shoulder to find two pairs of eyes watching; russet eyes blown wide, enraptured, and swirling black depths, narrowed and glaring over at the blonde.
Hinata and Sakusa.
It doesn’t feel real. Even with everything they’ve done so far, their possessive behaviour, their smothering affection - even the kisses, it feels like a fever dream.
Even as Atsumu’s fingers are tugging your jacket off and Bokuto drags you forward, you can’t bring yourself to accept it, to properly fight back against it.
(Not that it would make a difference. They’re professional athletes, and there’s four of them against one of you.)
When your eyes fill with tears, Hinata’s there to brush them away, smiling down at you as he shrugs his own shirt off. “Don’t cry, angel. We’re gonna make you feel amazing, just wait!”
His words don’t fill you with ease. They can’t, not when he has that manic excitement bleeding through his expression - the same one you know he gets when he’s lost in the game, flying across the court like the laws of physics don’t apply to him.
Hands are on you everywhere, teasing and exploring, too many to keep track of. Your clothes are pulled off, tossed aside and discarded without a second thought, and theirs follow suit. Fingers are tweaking your nipples and palming at your breasts, smoothing over the curve of your ass and trailing between your legs to play with your clit.
“So fuckin’ pretty, ain’tcha? Our pretty girl, gonna be such a good little cockwhore for us.”
There’s lips against yours, at your neck, trailing down the column of your throat with a pleased hum. And between the kisses, you think that you’re crying, pleading for them to stop and let you go, but nobody listens as you’re manhandled onto one of the benches.
Your legs refuse to obey you, trembling as you try to kick out and wriggle away, only for rough hands to find your hips and drag you back. “C’mon, baby. Be good for us, you’ve already made us wait so long.”
Somebody smacks your ass and you jolt, crying out, only for a hand to soothe over the welt, another squeezing at your hip in a mockery of reassurance. “Don’t make us have to hurt ya, sweetheart.”
It’s easier, you think, to just close your eyes tight and pray that any second now, you’ll wake up in your bed to the blaring of your alarm. But the moment they flutter shut, teeth digging into your bottom lip as fingers dig into your thighs, warm breath ghosting across your sex, a low voice whispers in your ear, “Look at me.”
And you have no choice but to obey, forcing your eyes open to find Sakusa standing to your side, stroking his cock. It’s pretty, you distantly think, and you suppose that it suits him. Well groomed, long but not terribly thick with a slight curve, flushed pink at the tip and glistening with the pre-cum beading at his slit. His other hand comes to rest on your cheek, cupping it with a gentleness that feels out of place, considering the hunger burning in the black depths of his irises.
He doesn’t say another word as he coaxes your mouth open and guides your head forward to take his cock into your mouth, but the low moan that escapes him as your lips wrap around his length makes you shiver.
Sakusa isn’t gentle as he fucks your mouth, his thumb stroking your cheek as fresh tears well, but it’s hard to focus on that alone when Hinata’s face disappears between your legs, his tongue laving at your cunt, eager for a taste of you.
It doesn’t take long for the other two to join, and you’re manoeuvred between them, forced to sit on Bokuto’s lap, his thick cock stretching you out while Hinata sits between your legs, diligently slurping at your folds, sucking at your clit, one fist wrapped around his own length, lazily pumping it. Sakusa continues to use your mouth to get himself off, uttering backhanded praise between instructions, hissing in pleasure when he hits the back of your throat and you choke around him, while Atsumu has one hand playing with your tits, the other gripping yours, forcing you to jerk him off.
It’s too much for your brain to take.
Your sobs and whimpers, already muffled thanks to the cock in your mouth, are lost to the symphony of grunts and moans, lewd squelching and the sound of skin slapping against skin. There’s too many hands touching you, too much pain fused with unwanted pleasure, overwhelming you as heat and panic and terror build up inside of you, and it feels like there’s an inferno burning beneath your skin, and you can’t breathe and you just want it all to stop, you want to wake up, and-
Suddenly, the door to the locker room snaps open, and all five of you freeze in place as the Captain stops dead in his tracks and eyes the scene before him.
There’s no possible way for Meian to misconstrue it, not with everything you told him. Not with your face flushed and teary, your eyes glazed over and all but broken from the sick, twisted debasement his teammates have subjected you to. You’re naked, your body littered in love-bites and bruises, spread out before him like a feast.
And still, your eyes meet his, silently pleading for him to say something and stop this.
Meian takes a single step forward and a muffled whine leaves your lips as the cock inside of you twitches insistently. Sakusa draws his hips back, pulling himself free from your mouth, and despite the burn in the back of your throat, you swallow and try to speak.
“Please.” It’s little more than a squeak, hoarse and choked, but it doesn’t seem to make a difference.
The Captain barely acknowledges that you’ve spoken at all, his attention fixated instead on your body; the way your pussy’s clenching around the base of Bokuto’s length, the tremor of your thighs under Hinata’s rough hands, the way your tits rise and fall with every quickened breath, your lips, swollen and beautifully fucked, glistening with spit before finally, those dark eyes meet yours once more.
And slowly, a grin breaks across his face. “You’d better hurry it up, the others aren’t too far off.”
#yandere haikyuu#yandere atsumu miya#yandere bokuto kotaro#yandere hinata shouyo#yandere sakusa kiyoomi#yandere atsumu x reader#yandere bokuto x reader#yandere hinata x reader#yandere sakusa x reader#tw non con#i honestly don't know how i feel about this one#but it's done#i hope y'all like it anyway#i'm posting it before i can overthink it
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hi!! could i get double chocolate and cherry with kaminari, shinsou and midoriya please?❤️
idk if i did this right so im sorry if i didnt!
to anon: hey anon, no worries! you did it perfectly :)) aww i love the characters you chose for this prompt, this is adorable. enjoy some fluffy times with these sleep deprived boys from a very sleep deprived writer <3
warnings: none! just some swearing and some bad sleeping habits lmao. reader is gn!
prompt: denki kaminari, hitoshi shinsou, izuku midoriya scenarios + “it’s okay, i couldn’t sleep anyways.”
denki kaminari
denki stays up late playing osu and minecraft
what can i say, he’s just a gamer man
so he’s honestly pretty reliable when it comes to you knocking on his door at late hours of the night
always the biggest cuddle bug, really happy that you go to him first out of everyone
literally drops everything for you hehe
lots of sleepy kisses too
“fuck! goddammit,” denki grumbled, shaking out his wrist as he had just failed the six star version of the intro of blend-s on osu. he had gotten rather addicted to the circle clicking game. this further resulted in denki staying up late on school nights, despite kirishima’s warnings of him potentially falling asleep in class the next day. it was fine, he could always borrow notes from you or jirou anyways!
as he went to restart the map again, a soft knock came at the door to his dorm room. spinning off his computer room chair, he prepared himself to be lectured by aizawa for the fifth time this week about breaking curfew. “aizawa-sensei, i know that i’ve been loud lately but i swear this time it won’t happen- y/n?” he stopped mid-sentence as he saw you standing on the other side of the door. “what are you doing up so late?”
you shook your head, immediately hugging his torso instead. you were clearly a bit distraught about something, but denki wasn’t a mind reader. he figured that from the way you were clinging onto him, it must have been a bad dream of some kind. “hey, hey, easy there! nearly knocked me over, huh,” denki laughed lightly, pressing a soft kiss to the side of your head before closing the door behind you. you clung onto him, face buried in the crook of his neck. it made a small blush dust across his cheeks, a warm feeling spreading through his arms as he held you close. “i hope i’m not bothering you,” you mumbled, to which denki hummed. “you never bother me, babe. it’s okay, i couldn’t really sleep anyways.”
the two of you stayed like that for a long while, denki swaying the two of you back and forth. you could feel gentle lips peppering the crown of your head with kisses. as your heart rate slowed, denki piped up. “wanna stay here for the night? my bed’s missing out on some action! and by some action, i mean sleep. i really can’t sleep.”
you snorted at his words, your eyes flicking up to his goofy yet endearing smile, his eyes bright yet a bit tired from late night gaming. he poked his tongue out at you, making you roll your eyes with a tiny smile of your own gracing your features.
“how could i say no to that?”
hitoshi shinsou
we already know he’s up at these unholy hours
not for any particular reason, just because he can’t really sleep
quite the insomniac that one
and the fact that he can’t sleep properly or well unless you’re with him
you smell like lavender in the morning too bc he puts it in his pillow to help him sleep, thank you
shinsou lay awake in bed, eyes trained on the ceiling as he waited for himself to fall asleep. it was no secret that he barely got any rest, so it was simply easier to just sit and wait until his body exhausted itself to the point where he simply fell asleep. staying as still as he could, he kept counting the amount of times he breathed in and out. it made him acutely aware of his surroundings. the crickets outside his room, the way the moonlight streamed through his blinds, the miscellaneous creaking sounds of the dorms. yeah, he definitely wasn’t sleeping tonight.
he didn’t flinch as the door to his room opened, blinking slowly as his eyes adjusted to the light spilling into his room along with a new figure. “y/n?” he asked, not bothering to sit up. “hey, are you up? sorry toshi, i couldn’t sleep,” you explained softly, allowing the door to close behind you as you tiptoed across his dorm room. his hair was sprawled across his pillow, deep violet locks hiding his hands situated behind his head comfortably. it showed off his arms that were built from training for when, not if, he ever got into the hero course.
a lazy smile crossed his lips at your words, his heartstrings being played by you so seamlessly. “it’s okay, i couldn’t sleep anyways,” he replied with a tilt of his head towards you. he moved over a bit in his bed as to give you space to lay down next to him. you crawled beneath his comforters, inhaling the scent of lavender as you did. apparently shinsou had said that the smell helped him fall asleep easier. strong arms wrapped around your waist, encasing you in a protective embrace as your head rested comfortably against his chest. the comforter was thrown over the two of you. you felt so much safer already.
his large hands were placed on your lower back, his thumbs drawing lazy circles on your skin as his breathing began to relax noticeably. hiding your smile, you cuddled closer to him. to this day, you had never seen shinsou fall asleep so quickly since that night.
izuku midoriya
baby is up studying for a test that’s in like 2 weeks
either that or he’s on an all might video spree on youtube and no that is not the first time this has happened, it is certainly not the last
he has so many stuffed animals in his room probably, like he just has them stuffed in his closet
the all might plushies stay on the bed tho
his cuddles are unmatched tho, change my mind
izuku was pacing around his room, vocabulary words spinning about his mind as he counted them on his fingers. he was mumbling definitions to himself, going over all of them in his head before referencing his notebook to make sure nothing went wrong. amidst his ramblings, a knock at the door made him jump to attention. “come in?” he called out, watching intently as he saw you come into view. his face showed relief, grateful to know it wasn’t aizawa or kacchan complaining about his incessant pacing.
“would it be alright if i sleep here tonight? i’m worrying about my grades and stuff again,” you rubbed the back of your neck with a small smile, trying to play off your question as relaxed as you could. it wasn’t exactly a secret that you had a crush on the boy in front of you. he was kind and humble, wanting to help as many people as he could despite all the circumstances that had the world against him. it was admirable. even now, he looked so concerned from the clear lack of sleep you’ve been getting these past few days. “of course you can sleep here. ah, wait! i have to, ah,” he stumbled over his words as you looked to the bed to see not one, not even two, but four all might stuffed toys on his bed.
“oh.”
midoriya’s face erupted with crimson, shoving the plushies into his closet as he sputtered out various excuses as to why they were there in the first place. when he turned back to you, you were giggling. not at him, but because of the entire situation in general. “you’re adorable, izu,” you told him gently. a light feeling bloomed in his chest upon seeing the smile you held for him. you looked so undeniably beautiful to him, the way your hair was a bit messy and how you stood in your pyjamas. while others, including yourself, would find that you looked completely normal, midoriya loved seeing you be so casual, so comfortable around him.
“you’re sure i’m not interrupting you, though?”
midoriya returned your smile with his own, stepping forward to intertwined his scarred fingers with your delicate ones. “it’s okay,” he murmured softly, holding your hand as if you were the most precious thing in the world to him, “i couldn’t really sleep anyways.”
all works © denkamis 2021.
tags:
@meilbox @honeykami @httpfirx @strawberrysalwa @hey-i-really-miss-you @smexy-goose @satis-kei
want to be on the taglist? see this post!
#bnha x reader#mha x reader#bnha scenarios#mha scenarios#denki kaminari x reader#denki x reader#hitoshi shinsou x reader#hitoshi shinso x reader#shinsou x reader#shinso x reader#izuku midoriya x reader#midoriya x reader#bnha drabble#mha drabble#denkamis.scenarios#denkamis.requests
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[Arthur Week, Day 3] Midnight Snacks
a/n: in which MC (ft. accomplice Dazai) wants to make the resident flirt, Arthur Conan Doyle, jealous. Why? Who knows! But what I do know is that it ends up working in his favor rather than MC’s... wait, what?
a/n 2: changed the title cuz it was bothering me xD nothing else changed.
My entry for @scummy-writes‘s Arthur Week!
Day 3: Coffee and Fudge || Writer’s Block
[Pairing]: Arthur x You/gn!MC, (pre-relationship)
[Characters]: You, Arthur, Dazai, Sebastian
[Word count]: ~2300 words
[Rating]: T
[POV]: 2nd Person
“...and all of a sudden, I hear Mozart yell ‘stop releasing chickens in my music room!’ but Dazai didn’t even flinch!” You brought a foam-covered hand up to your mouth to cover your laughter.
You and Sebastian were cleaning the dishes together after lunch time. You’ve made it a habit to catch up on your day and share observations with Sebas, as pretty much no one steps into the kitchen around this time.
Well, that is except—
“_____~!”
Except Sir Arthur Conan Doyle, naturally. He must’ve finished his writing session and been wandering around the mansion, as is his trademark since your arrival.
You closed your eyes, hoping the man would walk past the kitchen without checking. You weren’t exactly in the mood for flirty games with the mystery writer, especially not after dealing with a haughty music teacher in Mozart. Sadly, luck was not on your side, today.
“I’ll tell you the rest later,” you wipe your hands with a towel. Picking up the tray of plates and cups to put them in their rightful places, you didn’t pay the writer any mind.
“After this I gotta find Dazai,” you said as you opened a cupboard. Your turned around to find Arthur leaning on the door frame, and your tone shifted dramatically, “Oh! Arthur, funny to see you here.”
Sebastian knew that tone very well. It was your sickeningly sweet voice that you dedicated to either (a) dodging conversation, or (b) planning something against that person.
“I’d say the same to you, ___, but you’re always in the kitchen. I couldn’t help dropping in to check on my favorite bird,” Arthur leaned against the door frame, flashing you a grin and a wink.
“Oh please, don’t talk about birds after what happened this morning,” You caught sight of your target at the end of the hallway, “aaaand I have to go, see ya!”
You duck under Arthur’s arm while his guard was down. He twirled around to follow you, but you evaded him, calling out to Dazai. Arthur stood in his tracks, as he watched the japanese author stop for you, and you beamed up at him.
“Dazai-san, I’ve been wanting to ask you for something, if you’re… free,” you noticed mid-sentence that the chicken that was still nestled in his arms.
“Hm?” His piercing yellow eyes brightened, “I’ll always have time for you, Toshiko-san.”
“Bawk!” The chicken… agreed, supposedly.
You laughed sheepishly, “That’s very sweet of you, I was actually interested in learning about your writing style and get some advice. I’ve been going through some terrible writer’s block.”
“I was working on a short story earlier, it’s in my room. Want to come with me?” He began to lead her towards his room.
“I’m honored! I’d love to, Dazai-san.”
Oh yes, you were definitely planning something, Sebastian noted.
As the two of them walked away, Arthur stood glued watching the scene. Sebastian had been poking his arm the whole time, but he didn’t budge. Even shaking his entire arm didn’t spur any sudden movement from him.
“Sir Arthur. Earth to Sir Arthur,” Sebas continued tapping his shoulder and pinching his arm.
“Huh? Oh…” His gaze held an odd expression, one that Sebastian hadn’t seen from him before—a hint of sadness, maybe even frustration. But it was quickly replaced by his signature grin as he finally took notice of me, “Sorry, Sebas, I must’ve been blocking your path, got to go!”
And just like that, he scurried off.
After a moment’s pause, and after making sure the hallway was clear of esteemed residents, Sebastian did much the same, but in the opposite direction. He has notes to take, pronto.
~*~
You and Dazai sat in the lounge room, having passed by his room, and Dazai collected his writing material.
“You have really pretty hands, Toshiko-san. I’ve heard you playing in Mo-kun’s piano room, you’re a wonderful pianist,” Dazai held your hand delicately in his, as he ran his thumb over your knuckles.
“Thank you, it’s something I take a lot of pride in,” your heart swelled from the warmth of his compliment, “but I’ve been much more interested with writing as of late. Actually, I’ve always wanted to write a novel.”
“Oh? I admire your ambition. How can I help?”
“Well well well, what do we have here?” A third voice chimed in.
Right on time, as you expected.
“Have I interrupted your little rendezvous?” Arthur walked slowly and purposefully, as if he had caught them red-handed doing something they shouldn’t.
Internally, he was trying his best not to jump to conclusions. That would be uncharacteristic of him, after all. You weren’t tied to him in anyway, so there was no reason to feel so jealous that you went to Dazai for writing help instead of him. He didn’t even know about it!
So why was his heart pounding so loudly in his head while his eyes were fixated on their linked hands?
Dazai withdrew his hand, occupying it with his writing pen instead. He shot Arthur a smile with closed eyes.
“Of course not, we were just talking, Arty.”
“…Don’t call me that,” Arthur narrowed his eyes, “and second, I’d like to steal ____ now.”
“I’m sorry, Arthur, but I want to talk with Dazai a bit to improve my writing.”
Being shot down so directly caught Arthur off-guard; his insecurities getting a hold of him. For the first time, he found himself at a loss for ways to turn the conversation in his favor. At the moment, if he persisted, and you kept turning him down, he wouldn’t be able to let it down for the rest of the day.
Instead, Arthur straightened himself, fixing his tie, “Well then, I’m heading to the pub soon enough to find me a pretty skirt for the evening. Have fun, you two, I know I will.”
He huffed childishly, going out with a wave. Dazai turned to you with a polite smile.
“Do you think it worked?”
“Oh, he is definitely salty, thanks for agreeing to this, Dazai-san.”
“Any time, Yoshie-san, what are housemates for?” He smiled fondly at you.
“You’re a great actor, didn’t even flinch!”
“Ah, but who said I was acting?”
He got up with his writing tools and stepped out of the lounge before you registered what he said.
“Wait… what?!”
~*~
Later that evening…
…Well, more like around midnight, you just happened to catch the insomnia bug and were heading to the kitchen, as all people naturally do when they’re insomniac. You switched on the lights, thankful for the dimness of the lanterns in the kitchen. Scanning your options, your eyes settled on the coffee pot that sat quietly in the corner. Thoughts of a certain mystery writer gnawed at you, but you darted them away and walked past the coffee pot to get a glass of water instead. You leaned forward, filling her glass with bleary eyes that refused to slumber but also refused to open properly.
Suddenly, you felt a touch to your backside. Eyes cracking wide open, you spun around and swung your makeshift weapon of glass at your offender. The offending mop of ash blue hair felt the full force of the blow, and the glass shattered across the floor.
Well crap.
“Ow… If I’m not mistaken, I’d say you were trying to kill me there, ____.”
For the love—.
“Arthur what the hell were you trying to pull?! Bloody hell! You made my heart drop.”
In a flash, his body was pressed against yours, caging you between his arms and the kitchen counter. The crunch of the glass under his shoes was the only sound in the room. You saw a small stream of blood start to fall by his ear.
“I was going to prepare myself a midnight snack with my coffee, but it seems I already found one ready for a taste test,” he licked the back of his fangs.
“At this hour??” It was well past midnight by now, and caffeine was the last thing you’d recommend anyone at this time.
You felt his breath on your ear before he inhaled your scent. It was comforting to him as much as it was intoxicating to his senses.
He sighed, “____… I can’t get you out of my mind, no matter what I do.”
His arms circled around your waist, pulling you away from the countertop and flush against him, instead. All sorts of alarms were going off in your mind despite the drowsiness, with your instincts telling you to push him off.
“But then, you started avoiding me. And then… Sebastian and Mozart and even Dazai took you away from me,” he sniffled.
You pushed him off gently but still within his arms, as you stared at his face. There was a pink dust across his cheeks and a redness in the corners of his eyes.
“Arthur, are you… drunk?”
His frown flipped into a grin as he nuzzled his nose into your disheveled hair.
“Oh, don’t be silly, dear. I may have been out drinking, but I can bloody well hold my liquor. Theo can vouch for me on that.”
(a/n: no, he can’t lmao)
The sight of him in a somewhat vulnerable state, as well as the smell of his cologne, made it hard for you to properly fight him. Plus, you felt bad for crushing a glass cup on his head. Speaking of which…
“Is your head okay?”
“Hm…” He brought a gloved hand to his forehead, feeling a dull pounding in its wake, “I must say, you got me good, even the most daring fools never landed a hit on me yet.”
Just how thick is his skull to endure that?! You were both dazzled and frightened by their realization.
With one of his arms off of you, you took this chance to escape, but you slid on a shard of glass and would have fallen face first onto the floor had Arthur not pulled you against him and taken the impact of the floor to his own shoulder. He laid on his back, clutching you protectively against his chest. He groaned with pain, but he pushed it aside to check on you first.
“Clumsy tonight, are we, or are you seriously trying to kill me?” He chuckled wryly.
Before you could even blink, you felt your vision do a 180-flip, and you were suddenly beneath him, away from the glass shards that littered the floor. The scent of his cologne flooded your senses again, as he smirked down on you with a drunken lopsided grin.
“I was absolutely livid when I saw Dazai hold your hand. Was that part of your plan, darling? Well, I’ve taken the bait.”
You flinched, your body wide awake to every touch and caress of this man. You bit your lip to avoid playing into his hands. You were still in control of the situation, you thought. His lips descended to your jaw, barely brushing your skin, like he’s testing your limits. Instinctively, you sighed, unaware of the breath you’d been holding.
Ok, maybe you weren’t entirely in control, either.
“Arthur…” You commanded, trying to regain some semblance of control back.
This was not part of your plan, however, and you were quickly losing grip of all reason and logic. You needed to get him off and away from you before you acquiesced to his ministrations.
“But don’t worry, ____. I won’t do anything you don’t want me to.”
He drew back from you, staring down at you with an uncharacteristic tender look. He continued.
“The effect you have on me is not one I’ve felt with any woman I’ve ever encountered before. It’s confusing—maddening, even— and I can’t escape it… because I don’t want to,” he sighed in surrender, “I want you, ___.”
It was a look of pure love and affection that shone in his eyes. His half-opened shirt invited your gaze to roam his body, and his thick-rimmed glasses framed his features in such an alluring glow that outshone the dimness of the kitchen. His hair looked softer than usual, too. Your hand twitched at the thought of running your fingers through those ash blue locks. Your mind was thrown into a whirlwind with the influx of new information, one that dented your rationality. Your desire to get closer to him wrestled against your impartial stoicism, threatening to crack the armor around the stone gates to your heart.
“Hey Arthur,” you started, twirling a lock of his hair with your hand. It was ever-so-slightly damp; he must’ve bathed in le thermae earlier.
“Yes, ____?”
Damn that seductive voice of his, you shooed away that thought as soon as it entered. You chose to focus on something much more pressing at the moment.
“We need to get you bandaged up. You’re bleeding terribly from your head.”
~*~
It took a lot of convincing, but Arthur finally acquiesced to your persistent request.
“There, all done,” you stepped back from Arthur, who was sitting hunched over on his bed.
You were both settled in his room with his medical bag open on the desk and his equipment strewn all around. You didn’t exactly know what to do to treat Arthur’s wound, but you insisted on doing it for him… with copious amounts of instructions from him.
“I brought you some fresh coffee and fudge, as an apology.”
“At this hour?” He mimicked your tone from earlier. You rolled your eyes at his childishness.
“And here I am trying to make it up to you, and this is how you show gratitude?”
You huffed indignantly, ready to head out and leave the unappreciative writer to his own devices.
“Hold on, now,” he gripped your wrist before you could fully turn away, “you’re the one who smashed glass on my head, so you owe me a favor.”
“…a favor on top of tending to your wounds and bringing you coffee?”
“Oh, indulge me, won’t you? You did those of your own volition.”
You sigh, “Depends on the request, then.”
“Feed me,” he perked up with no hesitation or embarrassment in his tone.
You wanted to turn him down, to tease him about his child-like excitement, but you couldn’t resist his puppy dog eyes. Those eyes held a very powerful hold over you though you blame it on your own tiredness outweighing your better judgment.
“Alright…” You moved aside his things to sit next to him, leaning towards the table to drag the tray closer to yourself.
“Open wide, you incorrigible baby.”
#where does that put their relationship?#no idea!#what I do know is that Arthur is a happy baby#congratulations MC you played yourself#MC's plan backfires#accomplice dazai did his job#note: MC promised to help him build his chicken army in return#ikevamp arthur x mc#ikemen vampire arthur#arthur week#arthur week day 3#ikevamp arthur#ikevamp dazai#ikevamp mc#alby one-shots#ikevamp fanfic
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The Crew
The Stowaway
The Player Character - Found in a stasis crate on an otherwise routine job by Captain Akina and the crew of Adiona, you remember who you are and where you’re from but have no memory of the last two years, and no idea how you ended up in that crate. The Captain has offered you a place on the crew and to help you find some answers, should you want them. You know there has to be a catch, but you haven't discovered it yet.
The Stowaway’s appearance, personality, gender, pronouns, background, and skills are shaped by the player.
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The Captain
Keanu/Keahi Akina - Your first impression of Captain Akina is of someone fairly gentle, almost passive, but it doesn’t take long to notice the cunning and intelligent leader behind the serene demeanor. Adiona’s crew is completely loyal to their Captain, and Akina is loyal to them in turn, but no one seems to know anything about their life before Adiona.
Captain Akina is 6'3", with a statuesque build, and in their mid-30s. They have golden brown skin, black eyes, and shoulder-length black hair usually worn in a bun. Somehow, despite their line of work, they have no scars or distinguishing marks that you've seen.
Captain Akina can be male (he/him) or female (she/her) and is a romanceable character.
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The Second-in-Command
Taj/Taara Ahmed - Ahmed couldn’t be more different from the Captain if they’d done it on purpose. Friendly, outgoing, and charming, Ahmed is quick witted and silver tongued. They seem to be pretty open about who they are and why they’re aboard Adiona, a rare mindset for a mercenary, but there’s no way to know for sure how much of it is true.
XO Ahmed is 5’9”, with a compact build, and in their early 30s. They have russet brown skin, curly black hair (Taj wears his in a pompadour, Taara wears hers in a pixie cut), and warm brown eyes. They have a scar through their left eyebrow, and constantly make up new stories about how they got it.
XO Ahmed can be male (he/him) or female (she/her) and is a romanceable character.
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The Pilot
Quinton/Quinn/Quincy Elliot - Q is, in a word, shy. You get the feeling they aren’t used to people coming up to the cockpit to talk to them, and always seem a little nervous when someone does. Still, they’re friendly enough, and always seem happy to see you.
Q is 6’1”, though they appear shorter since they don’t often stand up straight, with a willowy build, and is in their mid-20s. They have dark brown skin, dark brown hair in shoulder-length twists, and hazel eyes. They also have a smattering of freckles across their nose and cheeks.
Q can be male (he/him), female (she/her), or non-binary (he/they) and is a romanceable character.
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The Mentor
Sun Jin - Your mentor and babysitter, Sun has been suspicious of you from the very beginning. They’ve decided to take you under their wing, both as a way to teach you the ropes of mercenary work and to keep a close eye on you. Sun comes across as gruff and sharp-tongued, but you’ve seen how much they care about the crew, and you’re starting to suspect that their dislike of you stems from concerns for the others’ safety more than anything else.
Sun is 6 feet tall, with a brawny build, and in their mid-30s. They have olive skin, black eyes, and buzzed black hair. They have quite a few scars that you’ve seen, including a burn scar over their entire right shoulder and bicep, and probably several others that you haven’t seen yet.
Sun can be male (he/him) or female (she/her) and is a romanceable character.
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The Doctor
Alastair/Allison “Mack” McTaggart - Mack is a little rough around the edges, but they’re a fantastic doctor, and deserve as much credit as the Captain does for keeping the crew alive. They aren’t afraid to tell people what they think, and their language is as colorful as their wardrobe, but they keep a cool head even under fire.
Mack is 5’3” and slender, and in their late 30s. They have pale skin, blue eyes, and strawberry blond hair (in a waist-length braid for Allison, short and slicked back for Alastair). They wear tortoiseshell glasses, and have made jokes about having a few tattoos, though you haven’t seen them yourself yet.
Mack can be male (he/him) or female (she/her) and is a romanceable character.
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The Mechanic
Cid “CJ” Juarez - CJ is, without a doubt, the smartest person on the ship. There are few people in the system with more knowledge about the inner workings of a ship, and none that know Adiona better. Somehow, they manage to stay humble, though their boundless curiosity leads to a bit of a reckless streak.
CJ is 5’6”, with well-defined muscles from years of lifting heavy machinery, and in their late 20s. They have tawny skin, green eyes, and short, wavy hair dyed red. Besides their hair, they have no other major distinguishing marks except a few minor scars on their hands.
CJ can be male (he/him), female (she/her), or non-binary (zie/zir) and is a romanceable character.
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The Passenger
Jon/Jane/Jack Smith - You have no idea what to make of Smith. They claim that they aren’t a part of the crew and are “just along for the ride,” but the Captain trusts them and treats them the same way they treat everyone else. You find it hard not to like them, though; Smith has a disarming smile and open, friendly demeanor. It’s almost enough to make you forget how heavily armed they usually are.
Smith is 5’8”, with an average build, and is somewhere in their mid-20s to mid-30s. They have gray eyes, light brown skin, and straight brown hair (in a crew cut for Jon, a bob for Jane, and a short undercut for Jack). They have a large scar across their left cheek, but no other distinguishing marks.
Smith can be male (he/him), female (she/her), or non-binary (they/them) and is a romanceable character.
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The AI
Harper - The Holographic Analysis and Research Platform, who prefers to be known by the name Harper, is an AI that was installed on Adiona by the ship’s previous owners and was left behind when they abandoned ship. No one knows how long she was left alone before Captain Akina came along, but it left her snarky and more than a little rebellious.
Harper doesn’t have a set appearance, usually preferring to be only a disembodied voice, but sometimes appears as an orb of purple light. Your choices through the game can influence the form she eventually chooses to take.
Harper is non-binary (she/her) and is a romanceable character.
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The Drifter
Rhys/Reese Walker - A quiet and kind traveler who sometimes takes passage on Adiona, though they never stick around long. They clearly have a shared history with the Captain, though neither of them are willing to talk about it. They always make a point to check in on you when they’re there, and seem to care a great deal about your well-being, as well as the rest of the crew’s.
Walker is 5’10” and heavy-set, just shy of 50 years old. They have medium brown skin, dark brown eyes, and salt and pepper hair (Rhys keeps his short, Reese keeps hers in a bun). Beyond an occasional pair of reading glasses, they don’t have any particularly distinguishing marks… or at least, none you’ve ever seen.
Walker can be male (he/him) or female (she/her) and is a romanceable character.
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The Ship
Adiona - A decommissioned combat freighter that Captain Akina has given a second lease on life. Named after the goddess of safe returns, Adiona is no longer a gun ship and serves as a passenger and cargo freighter… when not running from the crew’s bad ideas or picking up random stowaways.
Her shuttle is Abeona, named after the goddess of outward journeys, but the crew doesn’t usually have much use for it. The shuttle is mostly used for science experiments or an extra bit of privacy for the less sociable members of Adiona’s crew.
The ship is affectionately treated as a member of the crew, but it isn’t sentient (unless you count Harper, but she’d prefer you didn’t) and is not romanceable.
#partially stars game#the crew#the stowaway#the captain#the xo#the pilot#the mentor#the doctor#the mechanic#the passenger#the ai#the drifter
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Discussing the good and bad of Pokémon Journeys: Part “Chloe”
Time to discuss about the character that is still keeping me on board with watching Pokémon (2019)/Journeys despite having, cough, some issues with it. Let's talk about Chloe, also known as Koharu.
TLDR; I like how Koharu is handled so far, even if I somewhat wish there was more of her, and I believe I know what the intention with her is, and that is to show that the journey to finding your dream goal can be an exciting one and with possible obstacles on the way towards it. More under the cut, Journeys abverted as JN.
So. Let's start with how I became to like her character the moment JN002 aired, but also how her debut in JN001 has become interesting part of how Koharu used to love Pokémon, but then grew out of it. Which to me, reminds of people who grew with playing Pokémon games, cards, etc, but then as they got older, they grew out of it.
Anyway, as we all probably remember, both Gou and Koharu attended the Okido Camp as kids, where BOTH of the eventually meet Mew. From the very beginning, we're let known that Koharu is a daughter of a promising Professor Sakuragi, who's acquainted with Okido.
And we're also let known that the two are friends from before the camp, and I assume their games at Sakuragi's Lab involved playing as Pokémon or other stuff. She most definitely loved Pokémon and her dad's work back then.
But then when we fastforward to the present day as Satoshi, Gou and Koharu are all 10 years old, we see that this attitude has changed in Koharu. She's no longer interested in Pokémon that much, and the only Pokémon she accepts near her is their family 'mon Wanpachi. For me, this was very interesting approach, even if the "not interested in Pokémon" was done before with May/Haruka back in Advanced Generation series.
Even with this interesting approach, she was a side/supporting cast instead of main cast, which honestly felt weird to me as she definitely had a story to tell. But as I've been watching other shows lately, I kinda came to realise her approach reminds me of mid-season additions to cast, even thou her appearances nowdays are just a BIT more frequent, when before her joining the Research Fellows, she appear very seldomly.
Anyway. In JN011 we finally learn that, she pretty much has issues with people's expectations and how everyone assumes her to be very much involved with Pokémon just because of her dad's work. Truly, this would end up affecting her affection towards Pokémon, thou it's possibly not the whole reason for losing interest. She even admits here she's not sure of what she truly wants to do yet.
It's no secret that I'm a huge fan of goal finding journeys, as they are very relatable to me as someone who took 20+ years to find out what I truly want to do for living, so Koharu wanting to find something instead of other people deciding it for her is very good lesson.
So what exactly is the approach with Koharu from this ep forward? Showing her see Pokémon in different, totally new lights, figuratively speaking. She's shown to take care of a Pidove who broke its wing in a runaway flight, helped her lil brother Sota's friend, Nami, attend to a small children's Contest, and went to a Fossil Exhibition with Satoshi and Gou to learn about fossils. And I feel like that, this fossil exhibition event is what truly rekindled Koharu's interest in Pokémon again. As we all remember, she truly enjoyed that trip, and she, for the first time, got to see Gou bond with a Pokémon, that was rampaging just moments ago. And this episode, accompanied with JN050, are why I am currently thinking Koharu's end goal will end up being related to fossils. It certainy would be an interesting approach for a female cast character, and I wouldn't mind her having a chat with some other character who's also involved in researching fossils... (cough Gary/Shigeru cough)
Anyway. All of this seemingly lead up to Koharu finally meeting her very apparent soul mate: Eevee. I know, that most people were somewhat (or even totally) annoyed by the fact that yet another pokegirl receives Eevee as their Pokémon, and that this is just boring. While I understand the sentiment, considering Koharu's character: Eevee is the only Pokémon that actually fits her. Koharu is out there still figuring out what she wants to be. What she wants to do. And Eevee is the most relatable Pokémon for that kind of character: Eevee can become eight, and I repeat, eight, different evolutions. That's pretty much the same as having different paths to choose from when deciding your goal. And this specific Eevee has also not yet decided what it wants to do. It refuses to evolve. While in-game one could say this is because of the g-max factor, I highly believe this is purely done for the purpose of making Koharu and Eevee relate on a very, very personal level. So instead of Eevee having the g-max factor disabling the evolution (because let's face it, it's only done so people won't accidentally evolve their Gigantamax Eevee), Eevee is kind of, constantly pressing the B button to prevent it.
Now: what has Eevee exactly given to Koharu's character? A lot actually. When before Koharu would try to deny interest in something or try to say she has something else to do instead of a trip, Eevee is there to push her forward to try things out.
Like in JN050, Koharu is trying to priotize her School instead of a Fossil trip to Galar, but thanks to Eevee, who wants to go, Koharu gets the needed push to go and try out new stuff. I very much adored this scene in this episode, due to encouraging the "try out new things" approach in life. From this point forward, we then see Koharu join in on other trips like the Diglett Farm (where she definitely shined in team leading and got to experience the farming and team leader approach) and the Glimwood Tangle trip, that Koharu herself prompted to her dad and the boys, instead of being asked to join. Which reminds me of something else btw.
While Gou is shown to be very knowledged with Pokémon, Koharu is shown to know more about other fields like how plants grows, and what kind of soil is good. This is from either school lessons or from her experience with taking care of the school flowers. She could possibly be considered a good student, and btw, I very much like the approach of not making her a school dropout once she started joining in on research trips, and instead takes homework to accomodate the fact that she's missing out on lessons. This isn't unusual in real life, so I'm glad JN is actually showcasing this approach with both Koharu and Gou. Thou with Gou, he's pretty much always absent, haha.
Now, her latest episode with Kikuna was an interesting one. While Koharu's main point in the episode was kind of to be the angel of love for Kikuna (which failed horribly, love you Kikuna <333 ), I'd say there was another reason for her being in that episode with Kikuna: it was to let her learn of the possibility of meeting possible pitfalls in one's dream goals. That lesson was in Kikuna's story about how she almost gave up in becoming a researcher due to a mess up with an important presentation for a conference, but found the strenght to try again. It's part of reaching your dream goal a lot of the time. Even Koharu's mom, Yoshino/Talia, gave her the story of how she originally wanted to be a mangaka, but gave up on the dream and instead approached something similar. These are all very important life lessons in how working toward one's goal can either fail, or come accoss obstacles. It depends on the person whether they'll end up switching the goal to something else, or strive to go forward to get past the obstacle. As someone who had exactly Koharu's mom's experience longside having to take a long while to find one, I appreciate that Koharu's journey has been about learning the good and bad experiences of working towards a dream goal.
Now: has this storyline been executed well? Imo, it has, but it ain't perfect, as there are some parts where I'd like to see some improvement on.
One of them is with how it's sometimes unclear as what kind of character she is counted as. Is the a main character alongside Gou and Satoshi now? Is the still supporting cast? Is she a lower tier main character that won't appear every episode still? The latest option would appear to be the case, but it's not often that simple to see.
There's also the case of Wanpachi seeming like it was teased to be eventually becoming Koharu's first partner, but instead it ended up being Eevee. I think for most, before JN049 aired, people assumed Wanpachi didn't belong to anyone exactly and thus was free reign. But, as JN049 confirmed, Wanpachi belonged to Sakuragi himself. Which is sorta funny, as Wanpachi clearly loves him the least, haha. So, what exactly do they intend with Wanpachi? I think, that in time it'll eventually switch owners to Koharu, as it clearly loves her the most, but the journey there is still on-going.
Now, here's something interest to think about: I think Koharu not being in every episode has actually been benefitial for her, as she never gives me the feeling that she's taking anyone's time for herself, and her involvements in stories fit quite well. My current favourites for her are definitely her team leading in Diglett episode, which is JN052, and the Galarian Ponyta episode (JN055) where she clearly showcased that she's able to handle herself in sticky situations. Which is quite a beautiful detail, at least to me.
Now to quiiickly note her dynamics quickly, let's talk a bit about how she is a big sister. Like, for real. She's got a baby brother in Sota/Parker, and the two do seem to have good relationship going on. However, I really want to see more of this! There's way too little of it going on right now, and it's mostly been typical siblinghood. I'm so glad there's still full on family aspects in JN, which is what I loved in Sun & Moon so so so much, but I want to see more. MORE! MORE-
I already talked about how I enjoy her dynamics with Gou and how their childhood friendship is showcased so well, and yet I still grave to see more. The two know each other well, and Gou always, ALWAYS respects Koharu, while Koharu ain't afraid to tell what's on her mind to Gou. Thou, she also knows that Gou would judge her if she were to ask about Pokémon bonding tips. Dyamn.
Now: I want more of Koharu and Satoshi. The two def seemed to have a bit of a "uugh who are you don't talk to me" approach, but it naturally faded as they went on their first trip to Nibi City's Fossil Exhibition. And they've been in good relations since I'd say.
Also to quickly note, I love how Koharu has been mentioned in couple scenes as being the character who's taught them first-aid or told about jealousy and how one should take Pokémon's feeling into consideration (even if this latter one should be obvious to Satoshi but, I digress, Satoshi was way too focused on Riolu and just assumed Pikachu would be fine since they've been buds since forever).
There's also so much more I still want to learn about: how exactly did she meet Gou and why she decided to be friends with him, does she have other friends besides him (because I would assume so but she's never shown with anyone else), give us an episode that's focused on Koharu & Sota, let her see Satoshi battle as well (afaik, she has NOT), let her meet Alola Squad + other past companions, and oooh there's so much I want her to do and I see so, so much potential in her character and I really really REALLY hope the writers don't screw her up.
Now is that all I wanted to talk about regarding Koharu... I guess so. As you might have figured out by now: I almost have no issues with how Koharu is written. She's enjoyable to watch and, suprisingly, I find the pace of her story-telling pleasant and not too fast nor way too slow. Could it do well with a bit faster pace? Possibly, but due to me seeing her as sort of a mid-season addition akin to how Precure or Digimon do them, I'm fine with this approach. Considering the current pace, I think she'll end up finding what she wants to end up working towards to by the end of this year, or early next year. And, despite how many might fear, I highly doubt it will be Contests. As it's pretty clear JN isn't out there to promote mainline games feature-to-feature, but instead cherry picks stuff it wants to do. I'm still quite certain, that she'll end up becoming a professor of her own fields, possibly of fossils (which, considering DP's Underground feature, could fit very well in promoting this feature of the remakes). Maybe even become a team leader of a fossil researching team, as she definitely showcases the skills for it, for knowing soil, fossil digging and again, team leading. And I totally didn't figure this out while writing this post. :'D (I totally did.)
So. I believe I'll end this post here, as this is already quite long by now and, honestly, there's not much left to talk about. It really feels good for me to talk so positively about a character in JN, as it's no secret that I ain't the biggest fan of the show. However, Koharu's approach speaks to me personally, very well, and I so, so look forward to seeing how her journey ends up going, and where it will lead her.
So who's up next on the list of discussions? I think you guys can guess it.
And it's gonna be a doozy one. Oh man oh man.
Thank you so much for reading if you came this far, have a fantastic evening/morning/whatever, and take good care of yourselves!
This was Smiling Performer aka Aleira, signing out! PEACE!
#pokemon#pokeani#anipoke#pokemon jn#pokemon journeys#discussions#character discussions#koharu#chloe#koharu sakuragi#chloe cerise
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Detectives By Chance: Chapter 7- Hide & Seek
Summary of the Series: It was supposed to be a usual weekend for the four. Coffee, fun, friends and love. But an unexpected case changed their lives in a way they had never imagined. A mystery - a murder - many secrets… Will Ethan, Pooja, Alexandra and Mark, be able to survive? Or will the circumstances twist and break their lives forever?
A/N: Okay, let me get this straight. This is ALL Action and Miles being evil. The most happening chapter of the series, and my favourite chapter because it brings out that fighter inside Pooja. Also, a lil bittersweet moment because only 2 chapters are left, and then we are done. (And I am using my Wattpad cover for this chapter because A. I like it! and B. It gives me the dark feels that embody this chapter) Anyway, hope you enjoy it as much as I did when I wrote it!💛
If you enjoy the story, please like it, leave a comment or reblog. Your feedback keeps me going💕
Pairing: Ethan Ramsey X f!MC (Dr Pooja Sharma)
Word Count: about 4.3K
Rating: Teen
Triggers: Curse Words, Mentions of blood, murder Gun Violence
Disclaimer: PB owns most of the characters. I only own the OCs and my MC.
Prompt:- @choicesaprilchallenge2021 Day 14: Now or Never
CATCH UP HERE: Previous Chapter I Complete Series
It took all of her self-control as she prevented herself from throwing away her phone and breaking it into a thousand pieces.
Only the thought, the hope of a chance to save her Ethan, to save Mark and Alex, who were like family to her kept her going.
It was A Now or Never Moment for her.
Seconds later, Pooja's phone tinged. The screen lit up. She unlocked it to see the address that glared from her screen towards her. The address that hid all secrets and all proofs. The address which held the love of her life in who knows what condition.
She got into the car, entered the address on GPS and drove as fast as her driving skills allowed. Her mouth turned dry, face pale, beads of sweat on her forehead, her mind whirling through numerous unpleasant thoughts and a lingering doubt,
Will she be able to save them?
After what felt like a lifetime to her, Pooja arrived at her destination. A mid-sized mansion stood tall amid a deserted locality. The place was so muted, that the silence seemed to make voices. The winds gushed, chilling her bones. She stood in front of the black wood door. The silver handle's shine was unsolicited for her eyes. She took a deep breath.
Do this, for them. They are your family.
The thought repeated in her mind like verses of an orison. She let the ire, the woe to flood her soul and with fortitude and balance, she pushed the door.
He had kept it open.
The door clicked in place as she entered the devil's edifice. The interior was tenebrous, the conspiracy of silence etched deep in every wood and every wall.
"You are here"
The sudden sound caused Pooja to quail. The words resounded throughout the mansion, causing goosebumps to rise on her skin. The sweat on her body contrasted with the rigour of the air.
There was no doubt in her mind. Her caller was here.
Miles Danvers was here.
But... She Looked Around. Where is He? She looked around, maybe it was a mirage. She looked everywhere but there was no sign of him.
"Don't try, You won't be able to see me." The ominous voice struck again.
Another chill ran down her spine. The thought of Ethan being unaccompanied in the devil's edifice with the devil himself was unbearable.
Will I be able to do this?
"Awww, Tsk, Tsk, is little blossom scared? Did I give her a heart attack?" Miles spoke mockingly.
That was the last straw. She would never give him the satisfaction of having scared her. With as much courage she could muster she yelled,
"AHHHH! You ruthless, sinister, cruel, heartless, disgusting monster. What the freaking hell do you want? Why the hell are you doing this? You are a goddamn monster, you are a freaking BASTARD."
She stopped for a breath.
"Not only that, you are a coward. You are a goddamn fucking coward. You don't dare to face the consequences of your actions. Hell, you don't even dare to come out and face me. If you had the courage, you wouldn't do what you have done. Now come out, you ruthless bastard. Get the hell out and come and face me." Pooja screamed hysterically.
"What will you get by yelling at me, hmm? Will Mark and Alexandra be out of jail? Or will you find Ramsey? Which one, huh?"
"You're the one who is responsible for all of this. You disg-"
"Do you want to save them?"
She felt as if her heart had stopped. Her mind pondering with hundreds of thoughts, doubts, yet she waited with batted breath for him to continue.
"Le silence signifie le consentement."
"J'accepte" Pooja muttered. Bloody Show Off
"Hmm. Three Clues, Three tips, Three keys. Three is your lucky number, isn't it? So let's put your luck to test and see if your lucky number is lucky enough to save your dear ones" Miles challenged her with a mock that boiled her blood. Seeing her helpless was utter humour for his soul and he was cackling in joy.
She shouted, hurled abuses, banged her fists, but there was no answer, no reply other than "You are running out of time... Ha Ha Ha Ha Ha Ha...."
Her legs were giving out, she felt herself losing her balance, her steadiness. A chance, wasn't that all you needed? She heard her alter ego questioned her.
So good friends, like family, huh? Is this what you do for family, fall and bow to danger without putting up a fight? Is this what you did, when you fought for your mother, give up just like that?
Her sane mind was questioning her. No. She didn't give up then, She will not give up now. Maybe she will never make it out of here, maybe nor will they. But it was better to die fighting for them, than dying without even trying, striving for them.
"Miles", her steady voice, with power and courage, surprised him for a moment, but he wasn't shocked. This was Pooja Sharma after all. One who always stood for the right, even if it would make her lose her dreams.
"I am ready. And I hope you are too."
"Are you sure? This game can take that breath from you."
"Until it does, I will fight. For them"
A part of his mind already knew that she would win. But for his ego, accepting defeat was never an option.
"Fight all you want to. But winning is not an option for you."
"Time shall tell the answer"
"Alright, Two rooms to the left, and your search beginsss."
She ran. The worn-out door refused to give way to her. She pushed, but her strength was not enough. If only you had drunk that milk your mom gave you. Her mind swirled to the thoughts of her mother and she had to give a jerk to come back to the present.
"Seven minutes up already, and you're still stuck at the door. How sad!"
Cursing him under her breath, she upped her power and got ready to give a push just as,
Her fingertips felt a carving on the door. She had been praised for her impeccable sense of touch, but she never knew that it would come in handy in a dire situation one day.
Her mind, her heart, indicated that this was the clue, and she slowly, gently, moved her palm on the door. She got a slight trail of the carving and followed it further a few times. It took her about a minute to comprehend what it was.
A word. TIME. She was looking for something to do with time. But what? The place was so quiet that one would hear the ticking. But she didn't. Although auditory skills were never her strong point after she had a blockage in her left ear and had to go through five doctor visits to clear it, she was sure that there was no analogue clock around her. Her brain cells were running haywire when her shoes rubbed the floor. Sand had been spread around. Consciously.
Because on her trail from the main entrance to the door she was standing in front of right now, she was sure she hadn't felt sand anywhere other than this specific space. This was an indication, It had to be.
Time and Sand, Time and Sand, where do we find time and sand together. Time and sand... Her mind rushed frantically through a dozen options, none fitting the criteria, while Miles smirked at her foolishness.
And then, Oh shit, HOURGLASS! She practically jumped and nearly fell, as she comprehended the answer. With the newfound energy, she pushed the door, and it opened with a BANG! Her hand went to her pocket and she almost shrieked as she felt her phone, about which she had completely forgotten the moment she set her step in here. Taking it out and switching on the flashlight, she trailed into the room. Looking around and tripping on a dozen articles, she finally located the semi-broken hourglass. She held it under the flashlight and the words, upstairs, three rooms right, written in red, came to sight.
She glanced around the room once more, to make sure that there was nothing she was leaving out.
Her eyes stopped their search as her eyes fell on the five drawers of the broken cupboard on which the hourglass was kept. Only one of the drawers was in place, and that made it seem out of place in midst of all the chaos. She pulled at it, Once, Twice, Thrice, before it gave way. A blue file lay inside it. She picked it up, hoping to find some useful information and rushed on to the next step of her search.
On the other side, a corner of Miles's mind was terrified and nagged him to do something before it was too late, and he became the loser of his own game. But he just sat there, not moving an inch, as he watched Pooja running towards her next destination.
The next door, to her surprise, was pretty sturdy and opened easily. No catch this time? Unbelievable. As far as she had come to know Miles Danvers, setting up clues right in front of her eye was a far-fetched possibility.
She double-checked the exterior. Nah, nothing here, she was sure of it. Her silent steps fell on the hardwood floor as she looked around in the room for the clue. Her mind got distracted and worry came flooding back. Will she be able to save them? Was she even going to make out of her alive?
Suddenly, her foot struck something and,
"Twoooo Roooomsss Toooo Theee Rightttt..."
The Echo and her Shriek came almost simultaneously. And with the two sounds, mixed the third one of a cackle, from Miles.
The sudden rush of Adrenaline left her panting.
After a few minutes wasted in overcoming it, she kicked the weird machine once more. The Echo came again, this time clearer than the first one. But since, she didn't trust her ears, or maybe it was just her anger speaking, she kicked it once more.
Two rooms to the right was her next destination. She moved towards the exit, having checked the surroundings already and no clue found.
A few footsteps outside the room later, a thought struck her. She rushed back to the previous room, and using her flashlight, picked up the echo machine and checked it thoroughly.
And right her intuition was! A piece of paper stuck between the lined back. She took it out and unfolded it. It was a code.
M14-6D9
She looked around. There had to be something that opened with the code.
Wow! Such thorough checking! She rolled her eyes, berating her self.
And as she did so, her mind went back to every time Lex had called her the living image of the 🙄 emoji.
A light, sorrowful chuckle escaped her, along with a lone tear.
She let it drop and moved on to complete the mission she had partaken in.
She searched, and Nah, Nothing at all. Pooja doubtfully looked around. Was she missing out on something, or was it just another one of Miles' Red Herrings to mislead her?
Five seconds and temporarily deciding on the second option, she went out to the next room and thought of coming back to this later.
Pooja went to grab the surprisingly well-kept handle, and in a reflex pulled it back. The handle was abnormally hot. It felt out of nowhere. No fire, no nothing, how the hell was the door handle so freaking hot?!
Of Course, she couldn't twist and turn a burning hot doorknob and harm her chances of success. So, she decided on other ways of opening the door. She kicked, pushed, forced it with the tad bit of strength left in her, but the door didn't even budge a single inch.
Her ankle sprained with the forceful kicking, she sat down. Tears rolled down her eyes, but she couldn't decide why.
The pain in her ankle, the fear of failing or a mix of both?
But obviously, No pain greater than letting down those whom you love.
She couldn't comprehend the time she was losing as she sat there, crying silently. She slowly started to rise, but couldn't bother to wipe her tears. Wasn't this what Miles Danvers wanted to see? She let him enjoy his short-lived victory.
Forgetting that the doorknob was hot as hell, she held it, and before she could withdraw her hand, her eyes fell on a cuboidal machine stuck just below the spherical structure.
This time, she did wipe the water from her glassy eyes, to get a better look.
Pooja switched on the flashlight and looked closely at it. So this was the mini devil burning her palm. After a few minutes of scrutinizing the black box closely, her eyes caught a red button on the downside of it. She went on to switch it off, and as soon as she did, the faint, almost inaudible buzz coming from it stopped.
The devil had been silenced.
But she knew that it would take time for the knob to cool down. She searched her jean pockets, and luckily her baby blue handkerchief with a neat P Alekhya has sewn on it was there to save the day.
She folded the kerchief in half and with it tried twisting the knob. A Few failed attempts later, she slowly opened the door.
But as soon as the light fell inside the room, her phone and kerchief, both fell on the floor.
The floor swayed under her feet. In front of her on a one-arm broken couch, lay Ethan.
Her Ethan.
The only light-emitting source of the room now lay covered on the floor, preventing her from taking a better look. And she was shaken to the core by the way events unfolded, layer by layer, that there was nothing to say at all.
Her brain froze, all ideas drowning down the drain, her confidence uprooted by the pain she felt seeing her love like that. A Thousand thoughts spiralling in her mind, but she pushed them aside. Her knee bruised by the fall, her feet wobbled as she tried to get up. Garnering strength on an empty stomach & little sleep was becoming increasingly difficult for her, but she needed to go on.
Giving up was never an option
She got up and decided to look around for a way out of the musty building with Ethan, all while hiding from Miles' eyes. Because he had been keeping an eye on her.
Picking up her phone, she directed the light around the room. Raggedy and Unclean, her fingers clenched around her phone as she felt fury fill in her veins. If she didn't have morals, she would have killed Miles herself at that very instant.
There were no cupboards or drawers anywhere around the room. She strolled around with careful steps and heard dry leaves and glass crunching underneath her foot. Pooja looked at the floor, and seeing its condition, didn't hope to find anything helpful.
That's when her eyes fell on a piece of paper. She picked the dust-coated sheet which had become brown from its originally white colour. She tried opening it up using a single hand but ended up tearing it a bit. Pocketing her phone, she opened the sheet up gently and then took the phone out again. Flashing the light, she slowly went through the contents.
It was a map of the building, and she had never felt as grateful as she did at the moment.
She studied it closely, carefully and located a narrow stairway at the corner of the first floor, i.e. the floor she was on, that would lead her out of the building without having to use the main entrance.
She needed to take E out of here, at any cost. But how in God's name was she going to carry her Dr Giraffe alone, all while making sure Miles didn't have suspicions?
She made his unconscious body sit upright as the couch creaked. This broken shit isn't going to last much longer, she thought to herself. She couldn't take any chances of getting caught. Whatever you have to do, do it quick.
She bent and locked his arms around her neck. Then, she stood up slowly and an Uff! escaped her mouth. Wish I had paid attention to the weight lifting lessons.
Pooja lifted him off the sofa and enclosed his long, really long legs, around her waist. And as she started to walk, she stumbled back and forth, and almost fell, as she gained a stable posture. She slowly got out, making sure her shoes don't prompt the creaky floorboards to begin a musical. She scooted to the farthest edge of the floor and walked quickly to reach the darkest corner.
A walk of a lifetime and approaching the darkness, her eyes struggled to make out the door for the staircase. She trusted her intuition and slowly, very carefully, placed a foot in front of the other, as she made her way down. She worried that E might get hurt, and she would hate herself for the rest of her years if that happened.
The grey light at the end of the staircase was a ray of hope for her. She thanked her past self for parking the car closer to this side of the building as she hurried to place Ethan there. She felt her pockets and found the key faster than her expectation. She opened the passenger seat and placed E down on the floor because as much as she hated it, she couldn't take chances with Miles locating him in the car in case he came for a lookout.
Phew! She was relieved that whether or not she makes it out of the mess she had got tangled in, her love will be safe. Locking him safely in, she rushed back to the mansion.
On her way back, she rushed a bit too much, all while forgetting to switch on her flashlight. She tripped badly on the stairs and fell facedown. When she got up, the coppery taste of blood filled her mouth. She felt a blank space in her mouth. She had lost a tooth.
She made her way back and expressed her gratitude to God for letting her make this trip safely. She remembered to shut the door behind as she left and made her quickly to the room where Ethan was held captive. A mistake she had noticed the time she looked at the map was that she had entered the wrong room.
And it was a four-leafed clover for her.
She closed the door of the forbidden room just as her ears pricked up. Tips & Taps of someone's footsteps made her heartbeat rush as she quickly moved to the actual room she was supposed to be searching.
"Hmmm" Miles arrived behind her, hands in pocket. The room in front of her didn't have a door.
"So are you planning to spend the rest of your life chillin' here? That'll be a wonderful plan!" He mocked her and the list of the number of times Poo had wanted to punch him had just become longer.
"What the fuck do you want?" She hissed.
A lopsided grin told her that he was having the best time of his life tormenting her.
"No, I just wanted to check if you will ever make out of here or not."
"And what conclusion did you arrive at?" She mocked curiosity.
"I think- No, scratch that. I am sure, that this" He gestured around him, "is your Final Destination"
His grim laughter filled the place as he went around, checking his surroundings, especially the forbidden room.
Poo had smartly switched on the Make-Hot machine to avoid any suspicions. Seeing, rather, feeling that the door handle was perfectly hot as hell, he returned, and she let out the sigh of utmost relief.
Her heart was filled with gratitude as she thanked God, over and over again, as things turned out in her favour in a place where she had no resource & no help. Although she still felt as if she had been left on the battlefield without preparation or weapons, she used her skills to pave her way safely.
The last room, surprisingly well-kept, lay open before her. Please let me pass this last one, she let out a silent prayer and went in.
Flashlight on, she looked around. This time it was only evidence and no clues and keeping that in mind she carried on her search. A bed lay at the centre of the room. All around were shelves and cupboards which had been kept to mislead her and make her waste her time. A 40% charge in her phone and the clock telling her that she had only 20 minutes left to get out safely, she hurried away.
Quickly opening one drawer and then the other, disappointment flooded her as she failed to locate any file, folder, hell, even a piece of paper.
At last, all drawers, cupboards done and nothing there at all. She felt let down, her heart palpitated. She sat down on the bed and as she placed her hand, heard the very soft scrunch of paper. The stillness of the surroundings was the reason why she could hear it.
She quickened her actions and lifted all the goddamn blankets, to reveal a bunch of paper, half folded, half-torn. She gathered them all. Suddenly she felt something stuck behind one of the sheets. Turning it revealed a USB drive.
Fuck, this was her gold!
She rushed out, picking the papers and the blue file she had collected from the first room. She remembered to check back the second one and the M something code. When she tried to reopen the door, however, she failed. All her trials went in vain. Unlike last time, the door didn't even budge this time.
And then, the entire manor shook as the roar of a bullet echoed all around her. It had been shot just next to her foot, and she stood frozen at her place. She slowly turned around, and saw Miles, with the evil expression on his face appearing to shine in dim light, standing there with a gun.
Slowly, Stuttering, Pooja asked, "What, what, t-the h, hell do you think you are, are doing?"
"I said I will give you the clues, I never said I will let you get away with them. Why would I invite my danger, when putting you to the deathbed would be much, much, easier?" Miles Danvers hissed.
"You want to do a second murder, lose the chance to save your brother forever?"
At the mention of Mark, Miles did fall a little weak, but that passed in a heartbeat.
"Girl, if I really cared about him, I would have never plotted against him in the first place. Bringing you here, was just a ploy, a mask, so that I can finish all four of you and live my life in peace."
He moved forward, one step and the next, as Pooja tried to run. He held her hand with a bone-crushing grip and twisted her hand to her back and held the gun to her cheek. She tried to free herself as she cried out in pain. Her eyes widened as the cold metal touched her skin.
She had really walked into hell at her own will.
Pooja knew her twisting and turning will not be able to help her a bit. So she tried to remember the self-defence techniques she had learnt in her teens and using her foot, kicked him hard in the groin.
He groaned in pain and his attention shifted. Pooja taking the chance, ran swiftly down the stairs, only to slip down the stairs and land on the ground floor. She incurred painful injuries and couldn't move for a good minute.
Even as she mustered the courage to sit up, her body ached in extreme pain. She must've sprained something real bad. Miles was still withering in pain, and she took the chance to get up and slowly move towards the exit.
She dragged her foot and muttered to herself,
Just one more step, just one more.
This rhyme gave her the strength as she almost made it to the door and then
AAH!
Blood splattered on the ground as the bullet pierced through her left hand, and she held the door to support herself. Tears rushed out of her eyes as Pooja screamed in pain.
At least it was her hand and not her mind that had been hurt. Even in pain, she acted smart. Throwing away the files that she held in her right hand outside, she took out the pepper spray that she always had in her pocket and sprayed a good bit of it at the approaching Miles.
It was her black, powdered dynamite, her most powerful weapon.
Coughing, Sneezing, Stumbling, Miles let out cries of help and the gun was very soon forgotten.
Smirking through her tears, Pooja chanted, It's the end Miles, It's the end.
Getting out of there, She shut off the main entrance door on his face and collected all the papers with her non-injured hand. Dragging her foot slowly, she escaped, pride and contentment filled in her heart.
Whatever she did, whatever pain she received, all paled as she bathed in the joy of the possibility of finally being able to rescue her people, her persons.
She did it, for her family...
You never know how strong you are, until being strong is your only choice.
PS: I would have killed Miles myself if given the chance😡 Also sorry for this dark, twisty tale after my birthday. Anyway, I hope you enjoyed reading this mess and here's to hoping that you have a wonderful day ahead🧡! Love You!
Tags (Please let me know if you want to be added or removed!): @bbrandy2002 @whimsicallywayward15 @ohramsey @nervoussaladsludgeopera @trrfanaddict @hopelessromanticmonie @ilikemenbutonlyethanramsey @lovablegranny @bellcat2010 @gkittylove99 @kingliam2019 @starrystarrytrouble @3riche @chetachisblog @zoehanji @withbeautyandrage @drariellevalentine @mvalentine @aestheticartsx @angela8754 @schnitzelbutterfingers @ao719 @choicesstan1 @neotericthemis @arnikki-2406 @anotherbeingsworld @maurine07 @sophxwithers @twinkleallnight @choicesaddict5 @gardeningourmet @mysticaurathings @jessiembruno
#pixelberry choices#choices stories you play#open heart#playchoices#choices oh#choices open heart#choices stories we play#detectives by chance#my fanfics✒#choicesaprilchallenge2021#cac2021#pooja sharma#ethan ramsey#mark danvers#alexandra walton#ethan x pooja#open heart mc#open heart fanfiction#choices fanfiction#choices fanfic#choices#choices the stories you play#open heart ethan#open heart second year#open heart third year#choices oh2#choices oh3#open heart oc#ohsy#ohty
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Are Ya Winning, Gos?
“Just don’t get hit by rocks this time, okay?”
“Gee, I never would’ve thought of that.”
“I know,” Gosalyn says solemnly. “That’s why you keep getting anvils and junk dropped on you. We really need to get you a helmet.”
Gosalyn tries to teach Drake how to play Legend of Legends Quest.
Here on Ao3
“Uhg, are you kidding me!”
Drake blinks and looks away from patching his costume back together—again. He’d had no idea how many buttons Darkwing should’ve lost when he’d watched the show as a kid. He’s already had to put in a bulk order for them.
“Ahh!” Gosalyn drops her game in her lap and scrubs her hands over her face.
“Having fun?”
Gosalyn glares at him then slouches somehow further down into the couch. Drake makes a mental note to include some more stretches in their training routine. “I’m trying to level up my character so I can play with Launchpad and one of the Dewey’s brothers whose character is super OP but this stupid Routerrock monster just! Keeps! Killing me!”
Huh. He can honestly say he hadn’t been expecting that. “Sounds annoying.” He frowns. “They want you to level up before you can join them?”
“No, uhg, they’re both super nice about it obviously but I haven’t really had time to play since before—you know. And I don’t want to be carried!” She punches the back cushion of the couch. “I want to kill stuff myself!”
“Just what every superhero wants to hear from his sidekick,” he responds wryly, standing up and wandering over to where she’s sprawled across the couch.
Gosalyn sits up just enough to roll her eyes at him. “It’s video game, you—uhg, whatever, you probably have no idea what I’m talking about.”
“Oh?” he asks mildly, leaning his arms on the back of the couch and looking down at her. “You sure?”
“I mean, it’s—whatever, you don’t have to pretend to care, um, but. Basically, I’m trying to beat this big rock monster so my character can get stronger but there’s like, this trick to it that I just haven’t figured out yet. And it’s frustrating me. That’s all.”
“Sounds tough,” Drake says. “You must really enjoy playing to keep going after something so frustrating.”
She shrugs, looking away from him and down at the couch cushions. “I mean, it’s fun still, so.”
“Must be. Cool graphics, too. I like that ridiculously huge sword you’ve got.”
Gosalyn snorts. “Thanks. It was a quest reward.” She’s still pointedly not looking at him when she quietly says, “Do you—um, do you want to play?”
Drake blinks. “Really?”
“Well,” she starts, louder and brasher and attempting at blasé, “I’ve already died to this guy so many times not even you could screw up my character’s stats more, so.”
Drake rolls his eyes. “How reassuring.”
“But yeah, I mean. If you wanted to. I don’t mind.”
“Sure, okay,” Drake says, hurdling the couch and landing on the cushion next to Gosalyn. “Sounds like fun.”
She gives him a particular smile he’s been seeing more and more often as they get used to being around each other and he and Launchpad get to know her. It makes something warm and happy squeeze at his heart—he’s beginning to think he’d do pretty much anything to see her smile like that.
“Okay, so this is how you move around and stuff.” She makes her character spin around in a tight circle. “And these are the block and attack buttons. You can get the menu with this one, but please don’t use all my items or I’ll be very, very sad.”
“So you’re saying I should definitely use all those glowing potion things right now.”
“No!” She pushes at him. “God, you’re so annoying.”
Drake laughs and takes the controller from her. “Alright, alright, I promise not to touch them.”
She huffs and throws herself back on the couch then immediately leans back up again. “I’m out of PvP mode right now so if anyone else shows up you can just, like, ignore them. Do not chat with anyone, I—you know what, I’ll just disable that too.” She takes the controller back and navigates through the menu to toggle the chat function off.
“The amount of trust here is heartwarming,” Drake deadpans.
Gosalyn tabs down a few more rows and hesitates, then says, “I’m gonna set the camera on auto too, that’s probably a bit beyond you right now.” She clicks around, then hands the controller back over. “Okay! All set for what I’m sure is going to be a very entertaining fight.”
“Trust and confidence. I’m so touched.”
Gosalyn has left her character in a dark, narrow stone hallway. A line of torches dots the walls, dragging the player’s attention toward the glowing block of light at the end of the hall.
“So,” he asks. “Where am I going?
Gosalyn lets out a long breath. “Oh my god,” she mutters to herself. Drake makes a heroic effort and stops himself from laughing. “Okay, just keep going down the hallway. No—that’s the wrong way. Toward the light, Drake, please. This is already so painful.”
Drake does not snicker. He simply walks the character forward to the light and triggers the loading screen for the next area.
“Okay, so,” Gosalyn says as the shape of a large stone chamber renders onscreen. “There’s gonna be this big rock monster in this room—that’s who you’re fighting. He doesn’t have any minions so you can literally just focus on him and try not to get crushed.” She tilts her head. “I hope you’re better at that than you are in real life.”
“Are the continued insults really necessary?”
“Yes. Okay, see him? That’s the guy. Don’t let him—”
A giant rock fist crushes him immediately. It isn’t exactly what Drake had in mind when Gosalyn asked him if he wanted to play. He huffs.
Gosalyn hisses in sympathy. “See that—that’s not what I meant by don’t get crushed.”
Drake levels her with a glare. “I kind of gathered that, thank you.”
He taps through the character respawn loading page until it drops them back in the corridor before the monster.
“Oh, yeah, try again. Just don’t get hit by rocks this time, okay?”
“Gee, I never would’ve thought of that.”
“I know,” Gosalyn says. “That’s why you keep getting anvils and junk dropped on you.”
“That was one—that was tw—that doesn’t happen to me that often!”
“Oh, it super does,” she nods solemnly. “We really need to get you a helmet.”
“Now she’s all about helmets,” he says, moving the character forward into the battle area again. This time he darts away from the monster a couple times—but within a minute the character gets hit by not one, but two giant rock fists and the death screen pops back up.
“Yikes,” Gosalyn says. “This is just getting a little sad, actually, so maybe you can stop—"
“Wait,” Drake says, navigating his way back to the starting point. “Let me try one last time.”
“Uh, sure,” Gosalyn says. “But please don’t break my controller when you die again.”
“I won’t!” Die or break the controller, hopefully. “Look, I’ll make a bet with you. If I can beat this guy, you have to start helping me sew the buttons back on my costume.”
“And when you can’t?”
He makes a show of sighing. “We’ll get Hamburger Hippo for dinner tonight.”
She just looks at him, eyes narrowed.
“What?”
“I’m trying to decide if it would be unheroic to let you make a bet you can’t possibly win.” She squints. “Eh, I want Hamburger Hippo more than I care about that. You’re on.”
Drake restarts the character and runs forward to the boss area. Right. No item run with a mid-level character that isn’t his. Now that he’s got a handle on Gosalyn’s specific build a single Routerrock won’t pose too much of a problem. He won’t hit speed-run times, but that’s just fine.
His heart beats quickly in his chest. The payoff for pulling this off is going to be so good.
Gosalyn shifts beside him. “You know, this is kind of a hard boss so you don’t need to like, feel bad if you can’t beat it or anything. I mean, I haven’t quite managed it yet—”
The room loads and Drake immediately scales the wall. Gosalyn stills beside him.
Three minutes later and the monster is dead, stone figure dissolving away into pixels. Gosalyn’s character punches the air and starts counting up new XP.
“What.”
Drake finally lets his grin break through. “Probably would’ve been faster with those power ups you’ve got banked, but eh. Your ranged damage is actually pretty good, though, how come you haven’t tried sniping it while dodging out of its melee distance?”
“Buh—Because that’s no fun,” she says distantly. “Wait—what just happened!?”
Gosalyn’s staring between him and the game with a flat look of shock. Drake sets the controller back in her lap and leans back. “I’m a nerdy kid from the ‘90s, Gos. I’ve put more hours into Legend of Legends Quest than you’ve been alive.” He stands and stretches his arms above him. “Hope you’re excited to start sewing buttons.”
“You tricked me!” She cries, vaulting off the couch and throwing herself at his upper back. It knocks the wind out of him and they both go tumbling to the floor.
Drake groans into the rug. Ow. At least Gosalyn had something to cushion her fall.
“You Legend Quest sharked me! Liar!”
Drake wheezes face down onto the floor. “Oh my god, Gos, I’m not LP you can’t just —”
“Stop whining, you’re fine,” she says, but she jumps off of his back and scurries around to kneel by his head instead. “Or you will be until it gets out that Darkwing Duck himself is a scam artist. A con man. A frivolous fraud who lies to innocent children—”
Drake sits up with a groan, rotating his shoulder. “You really want that burger, huh.”
She sniffs. “What I want is for my hero to be a good role model. And yet,” she sighs dramatically, “I am let down. Literally.”
“Again,” Drake says, “I am neither LP nor a climbing wall.”
Gosalyn rolls her eyes and drops down to sit beside him. She doesn’t look at him, just bites her lip and fiddles with the string of her sweatshirt. Drake rubs shoulder and watches her with growing curiosity.
“Uh, you know, there’s a local multiplayer now,” she half-mumbles to the floor. “If you wanted to play again, or whatever.”
Drake swallows around the warmth spreading through his chest. “Would you—do you want to?”
Gosalyn gives a kind of half-shrug. “You know. It could be fun.”
He can’t help the stupid smile that spreads across his face. “I’d like that a lot,” he says, rolling to his feet and reaching down to help Gosalyn back upright. “Let me get my account code so I can log in as my main.”
She gasps and punches his arm. “You have a main? You know what main means? You are such a cheater!” She shakes her head with mock solemnity. “You’re a terrible influence on a growing young mind.”
Drake chuckles and rubs his arm. “Alright, we’ll get Hamburger Hippo. But only tonight! And you still have to help me resew buttons.”
She narrows her eyes at him. “Do you know how to get the Lightning Longbow?”
“Yeah?”
“Alright. Deal accepted.”
*
"...Your character is basically just Darkwing."
"I don't know why you're in any way surprised."
“God, you’re the lamest superhero ever. Even Gizmoduck is cooler.”
“Hey!”
*
Friend request received from GosaWin
Friend request accepted
#yes i don't write fic for a year yes i come back with ducktales family bonding#i just love them#ducktales#darkwing duck#drake mallard#gosalyn mallard#this one's mine kids
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