#this entire dialogue is from FAITH btw

[juniemunie]

And no wonder, for even Satan disguises himself as an angel of light.

[saradrawing]

I can't express how magnificent this scene seems to me.

The entire episode is a work of art in which everyone has their moment of glory. But these minutes that Goemon and Lupin share are masterful.

With very little dialogue and many looks full of feeling, it makes you feel real terror, it puts you fully into the hearts of the characters. It's terrifying to see the stoic Goemon so scared, his eyes say it all when Lupin explains him the terrible idea of ​​cutting the elevator's counterweight. The way they both talk before the jump, Goemon's voice shaking. The sweet way in which Lupin tries to reassure Goemon with his usual little smile, downplaying the matter, hiding that he is also terrified.

The way they both look at each other. The way Goemon jumps forward to grab Lupin, dislocating his shoulder in the action (later he wears a sling, and I don't think it's just because of the pain in his wrist).

It is a moment to see on the big movie screen, where time and breathing stop for them and for us, those who suffer on the other side of the screen. I get tears in my eyes every time I see this scene.

I think that most of current film blockbusters should watch this episode, and this scene, because it has a thousand times more emotional charge and more visual power than all of them together. Apart of course from the glorious animation, the use of monochrome when the scene freezes and the action itself, the elevator falling out of control and the jump that neither of them can miss.

One of Goemon's dialogues in the Spanish dub: "Lupin, don't worry, you never know... what... can happen. As soon as it's daylight and they discover this hole, I will protect you, even if it's with my life."

And Lupin trusts him with his life, in a leap of faith.

Lupin the third part 2, episode 148: The Target Is 555 Meters Away

btw, I think it's important to notice that this episode happens after "Goemon's close Call".

[wastingstarsss]

Florence and The Machine lyric prompts

Hey y’all, to continue my newfound series of dialogue prompts (entirely self indulgent btw) I’ve composed a list of prompts from the High as Hope album, because it’s one of my favourites. Enjoy ❤️

“You have to be an angel”

“I’m so high”

“I hear your heart beating in your chest”

“Love became an act of defiance”

“Hold onto each other”

“I’m always down to hide with you”

“I started to starve myself”

“I didn’t have to call it loneliness”

“Tell me what you need”

“The way you use your body, baby”

“You’re the best thing I’ve seen”

“How could anything bad ever happen to you?”

“I thought that love was in the drugs”

“You don’t have to be afraid”

“It doesn’t get better than this”

“I forgot my name”

“Do you know what I have seen?”

“Everything I ever did was just another way to scream your name”

“Do I have to let it go?”

“What do I know?”

“You need a big god”

“You keep my up at night”

“I still like you the most”

“You’ll always be my favourite ghost”

“Sometimes I think it’s getting better”

“Shower your affection”

“Are you still awake?”

“you’ve been staying out so late”

“I was screaming at my father”

“I was kissing strangers”

“I want you so badly”

“I’m so tired now”

“I cannot walk away”

“I’m sorry I ruined your birthday”

“This is the only thing I’ve ever had any faith in”

“I don’t say it enough”

“You are so loved”

“We haven’t spoken in a long time”

“I believe her”

“You’re a real man”

“How’s that working out for you, honey?”

“Do you feel loved?”

“I think of you often”

“Are you afraid?”

“It’s such a wonderful thing to love”

“I believe in you”

“I cannot get you close enough”

“You can always find me here”

“Let me hold it lightly”

“How does it feel?”

“I dreamt last night”

“It didn’t hurt at all”

“I’ve always been in love with you”

“I must confess, I did it all for myself”

“The loneliness never left me”

“I can put it down in the pleasure of your company”

“At least we had it for a moment”

“For a moment we were able to be still”

“This will be entirely forgotten”

[rawliverandgoronspice]

Ok so weird thing: Puppet Zelda. I mean, it was pretty obvious as a player Imo? But what I don't get: The tears show her ONCE! and it's the scene right before Ganondorf gives Sonia a backbreaking back massage. It's alluded to that she (he) did some other weird stuff to mess up for Sonia and Rauru, and it's not expanded upon at all. I was so put off by that, because it feels like that would have been a big chance for ACTUAL character development for ALL the characters from the past. What did P-Z do? Where was Ganondorf? Was he hidden, or was he inside the castle? How did Sonia react to it? How did Rauru react to it? How did Sonia catch on? Why was it only Sonia and Zelda confronting P-Z? Why wasn't Rauru somewhere hidden as well? I doubt Rauru would have dismissed such a serious accusation. Sonia confronts P-Z, Zelda comes out, then Rauru lies in wait to check for extra danger. The time it takes for Rauru to arrive also kinda makes me think he wasn't that far away? P-Z is a cool concept, but I'm still just so baffled by the absolute "non-story" they built by alluding to her bullshit.

Okay so. Yeah. I completely, 100% agree, and I want to use the opportunity to air out a very particular complaint I have not really seen a lot of people talk about, because I just rewatched that scene and I am shocked all over again.

The teacup scene, after Ganondorf submits, is, in my opinion, horrendous. Like not because of secret Problematisms (though yes also this, we just saw them asking their enemies to kneel and the very next scene they're having a little tea party with cake between royals while armed guards protect them and it's not supposed to be a red flag and it's wild to me), but because the actual writing, at a craft level, reads like a first draft at best. There are three narrative information beats that matter in this entire scene:

The war has stopped

Zelda wants to help her ancestors and not only return to her own era (??? okay, she already did and the problems are technically over already as far as they know??? and it's not a choice she's making since she still can't master her powers and never learn to btw)

Rauru learns Link's name

I'd argue the only real important thing is that Rauru learns Link's name, and it could have been done in a much more interesting and dynamic way.

Instead the scene just goes on and on with lore dumps that never go anywhere, reiterations of the bond between Zelda and Sonia we had already established, dialogue that is... shockingly bad...

Actually, let's examine just one case: "Ah. I can see that you have absolute faith in him."

Like, just, general pro-tip: if you use "I can see that X" in dialogue and it's not ironic or used as de-escalation and just there to reiterate what we have just immediately established, cut that line. It's doing nothing, it's dead weight, it's just grinding the pace of a scene to a halt for no reason (unless you want it to be about stagnation, like I could see a David Lynch dinner scene where every character restate each other's actions by saying "I can see that you really like the gravy." over and over but it's not.... very applicable to more generic situations). This is writing 101, and the scene is full of these nothing sentences that go nowhere and establish nothing about the characters or the world and set up nothing and pay off nothing and it's driving me wild!

(also it does my least favorite thing in game writing aka the game praising the player character for an unreasonable amount of time, but I realize this is a pet peeve and not as important but it always makes me roll my eyes incredibly hard when it's not earned and it wasn't earned or useful here, the fact that the scene ends on everyone being like yaaay link!!! is... completely disconnected from the actual story happening in the past and shouldn't be the focus of the characters at that moment --it would be more powerful if Zelda used Link as an image of strength to inspire Rauru after Sonia's death later, for example)

It's a scene that completely undermines the tension built in the previous memory, makes the timeline of events confusing, and it leaves a ton of questions open, like: where the hell is Ganondorf? What is he doing? What did Rauru mean by "keeping him close", if he isn't actually close? Do they think he returned to the gerudo lands while he actually stayed hidden in their palace to do his Puppet Zelda shenanigans? I don't know! There is no way to know, because we're being told about teacups and how Link is amazing instead of anything relevant to the plot!

So yeah. Would have *gladly* done away with that teacup scene and focused more on a very tense moment of Sonia and Puppet Zelda where she acts very suspiciously and maybe aborts a first attempt at stealing the stone that goes nowhere, and this is when Sonia catches on that something is off? Honestly, I would also have killed for an actual scene of tension between Zelda and Ganondorf where they, like. Talk to each other. Instead of this actual current version of the story where they never do. And maybe this is how he realizes that she has a special connection with Sonia and it's how he tries to get her.

But yeah. Sorry, I kind of hijacked the ask into a "this damn teacup scene!!!" *shakes my first at clouds*, but I think it mirrors the thought that priorities were not given to the actual tension points laid down in the story. Puppet Zelda inherently calls upon ideas of fear of imposture, of abuse of power, of insecurity, of a twisted version of what Hyrule *could* be, which is so interesting and ripe with conflict and counterpoints.

I would have done unruly things for a Zelda arc where she is struggling to be a ruler and she's still very insecure and wrecked by guilt over the Calamity thing and feel disconnected from the land because of the whole "being locked 100 years away fighting a demon" thing and her daddy issues, and this is this insecurity that Ganondorf picks up on and preys on by trying to dismantle Hyrule using her very image as he plans his Big Comeback, and our role is to unite all of Hyrule against this weird nasty caricature of her created by an envious man who was furious to see his rule rejected and his rebellion considered less important than peace, then go to her acknowledging the immense and unjust sacrifice she made becoming a dragon and being like "hey Zelda we all love you and we will all fight for you because we made the choice to believe in the future you want to build" and it would have been soososo powerful and I would have perhaps shed a tear or two or ten. ;_;

[optiwashere]

This is a big one for the Asheera replay.

Context if you've missed things so far: I'm replaying the game as Asheera again for a combination of inspiration, reminders of characterization, and also to solidify how Asheera feels about a lot of the major companion moments in-game. I'm also way farther than this now so I'm probably going to speed up what content the replay posts cover...

Before we get to the main event, I wanted to go over some of Asheera's high level thoughts on the companions so far!

Karlach - Fast becoming good friends. Lots of silly banter shared in camp, on the road, basically wherever. Asheera enjoys hearing Karlach's stories about Avernus whenever she's willing to share them; it gives her better perspective on her oath. To see what some would call a monster, a woman that was on the frontlines of the Blood War, and call her friend?

Lae'zel - Still tense, but Lae'zel is coming around on Asheera. Asheera respects her in combat, the crèche is still a possible cure, and she still knows more than anyone else in the party about illithids. Side note, but Lae'zel thinks the situation between Shadowheart and Asheera is pointless given their condition. It's not even physical? Why bother?

Shadowheart - Growing closer, and the rest of this post kinda goes into why. Asheera is starting to hear her faith as zealotry and that's concerning, but it's also... sad? Asheera hears in her words something that triggers the redeemer's instinct to search for more than what's on the surface. She doesn't respect Sharrans (who would?) and she wonders what lies behind the fanaticism.

Wyll - He's everything he ever said he was and more. Asheera thinks he's just a good guy, and that's honestly something she needs on her side. He's quite flirtatious too, which is a fun break from fighting. She doesn't swing that way, but it's fun watching him fumble with literally everyone in camp.

Gale - Asheera is glad that she was wrong about Gale. He really is just eccentric. Maybe a bit egotistical and prone to overexplaining himself, but he's been a decent man so far and he did explain the entire magical item eating problem pretty quickly. Being able to trust a wizard is always good!

Astarion - He's just fascinating. He's an asshole and a blowhard, but he's at least open about it. That at least gives her something to work with. The whole "pretending not to be a vampire" schtick was getting old anyways. Plus, imagine the look on her fellow paladins' faces when she tells them she actually had a chance at redeeming a vampire spawn? That's worth the effort alone.

Now. Time for Shadowheart and her "oh btw, I worship Shar" reveal. Which, you know... wasn't obvious by the armor she wears to begin with or the gigantic purple tent with Sharran iconography stitched into it. It's always good to have confirmation!

But seriously, this is a really major moment for the Asheera/Shadowheart relationship.

After Asheera hears this confession, I have to just headcanon that Shadowheart's tent doesn't have the iconography on it. Otherwise this being a "reveal" is completely lost for me. When she first mentions it, Asheera is definitely surprised. Yeah, Shadowheart can be annoyed when Asheera acts altruistically, but it's never been something that comes between them really.

She said 2 in this dialogue by the way. It's a moment where she wants to put all their cards on the table. After a somewhat long discussion, Shadowheart then says something that completely changes the tone of the conversation:

At this point, Asheera sees Shadowheart. Really, finally sees her. Not the "shield of secrecy" that she preaches blindly, mindlessly regurgitating things she's been told about Shar. Right here, she sees pain in every word that Shadowheart says about her Dark Lady. There is a purpose to it all, that's what she wants to believe.

Not the pain. None of what Shadowheart says here is actually about loss, pain, or suffering. What Shadowheart yearns for is purpose and meaning. That's all Asheera hears, and her heart breaks for this woman that she just thought was going to be a distraction during their adventure.

It's also so massive for Shadowheart's characterization for the same reason. She's so deluded that she then starts spouting propaganda that's completely and totally false...

Like, Shadowheart?

Baby?

Shar advocates for literally none of that lmao. Sharrans destroy things that aren't Sharran and call that idolatry, they worm their way into organizations with assassination and manipulation to control them, and heretics are anyone that will not accept Shar. The level of brainwashed this girl is operating on with this dialogue is wild and it remains one of my favorite convos in the game even on replay.

For Asheera, she hears the absurd self-justification in Shadowheart's words. She is almost melancholic throughout this conversation except when she's talking about Sharran ideals. Suddenly, she becomes angry. Like it's a learned response from decades of abuse to force her into the mold she's been randomly chosen to fit.

Asheera's heard zealots before. At this point, even if their situationship never becomes anything more, Asheera is convinced that she needs to know more about this woman's pain. Maybe there is a way to help her?

Side-note: Shadowheart's defensiveness towards her own abuser is so fitting that it's kinda hard to watch on replay, knowing what we know about her entire arc. "So long as it has meaning..." what if there is no meaning, Shadowheart? What if it was entirely arbitrary?

That's what Asheera's thinking during this.

Furthermore, when Asheera learns that she's had her memory deliberately suppressed — and combined with the pains from the wound on her hand — it's basically red flags galore. She's not used to dealing with someone so thoroughly... unaware of her own situation. Asheera is very much a "charge headlong into the situation" type person for the most part, even if charging means a discussion rather than a fight.

Yet Shadowheart thinks that she can have everything she ever wanted if she appeases her own abuser. Horrifying.

I find this single approval tag so fucking telling. The approval tags can sometimes be broken and multiple in one branch can be directly contradictory depending on the sort of "route" you're trying to bring a companion down, but there's no alternative approval/disapproval in these choices. Everything else is neutral, but this one touches her.

Like, at this point we all know that Shadowheart is a deeply wounded person that wants to believe in something so that she four decades of suffering was for something, but the fact that she approves of you offering to help her with her wound is so... there's an entire essay to be written there.

It's unreal. She goes on and on and on about how Sharrans must remain free of all but their love of Shar. Her (perverse, abusive) love of Shar is literally physically symbolized in the stigmata she carries.

And she approves of Asheera trying to ease that pain? I think Shadowheart rationalizes this as Asheera trying to help her be a "true" Sharran and avoid the pain altogether, but that's not what the dialogue says. Nor is it Asheera's intent. Her intent is to help her ease the pain.

Now, there's lots of ways to read Shadowheart's wound as a depiction of chronic pain, and I don't want to take that away from folks. Love that for y'all, but in "my canon" and with Asheera specifically this is a moment where Shadowheart reaches out, hand held open hoping for anything or anyone to reach back, and Asheera is the first person that doesn't swat her away in fear or call her a failure for not adhering to her religion.

She takes Shadowheart's hand willingly, ignoring all the traps and knives Shadowheart's set up to protect herself. Why was sharing everything so easy? Secrecy is supposed to be what Sharrans need, after all. Why was it so easy for someone to listen to the way she speaks and for them to say, "I'd be lying if I said [Sharran faith] didn't sound convincing."

So long as it has meaning, right?

Also, I keep forgetting to take screenshots of Asheera's Dream Visitor and since they were brought up in one of the Companion!Tav asks...

Here she is in the character creator because I think the next time I see this character they will look quite a bit different lmao. Seeing this person in her dreams doesn't startle Asheera, it's not uncommon for her to dream about this person but then this dream version of that person begins speaking strangely. It makes Asheera immediately distrustful of this thing, whatever it is, once it starts speaking freely and saying things that this person would never have said.

[scarwasright]

Pls tell me Scar & Ed are going to interact more at some point oh . My God I loved that entire exchange it was so TENSE ur dialogue is always so good .. also forgive me if this is incorrect but did Ed imply that he thought Scar & Lust were Fuckin(tm) .. “shacking up” “benefits” hm .

Ed and Scar have deeply opposed worldviews, and a big centerpiece of that conflict is who is granted personhood in their eyes. Ed treats homunculi like alchemic byproducts, in large part because most of his stubbornly held beliefs are the ones that maintain what few comforts he still has: If Sloth is a mistake that must be corrected, she isn't his mom, even if she is his responsibility.

When this worldview is projected onto Scar, nothing about him and Lust getting along in any capacity makes sense. Ed genuinely can't conceive of a reason Scar would want an abomination of alchemy to remain alive because he has also internally villainized Scar's hatred for alchemy. He chooses to see Scar in bad faith because it's the path of least emotional resistance, and it never dawns on him that Scar might feel elevated sympathy for people who have been mutilated by alchemy, even after everything Scar has done for Al. Even after he has been told that killing Nina was an act of mercy. He assumes an exaggerated REPULSION OF THE UNHOLY, and the only potential explanation left is that she has to be slonking him silly style on the side. Because he knows there's Weird Emotional History, obvious presumptions an uncritical teenager would make about Lust, and Scar breaking the expectations Ed has written for him.

This is a characterization choice I partially pulled from fandom's perception of Scar, btw. If Scar and Lust were acknowledged as being of remote importance to each other at all by fandom, it was always denoted that he saw her as some kind of Foul Sex Monster, which is just patently not supported by canon. It's fandom projecting how they think a religious brown man would react to his sister in law turning into a goth zombie. He doesn't have a bad word to say about her in the show until she tries to coax him into letting an innocent kid LITERALLY explode lmao

Ed and Al will definitely continue to Be Around. I've got some stuff going with them.

Also thank you I'm glad you think my dialogue is good ;_;

[adelaidedrubman]

[ask-delivery opossum]=> ᘛ⁐̤ᕐᐷ 2, 4, 5, 6, 7, 12, 13 and 15 (saying Jestiny for four won’t count btw 🤠)

LOOK AT THE LITTLE OPOSSUM. copy pasting stealing that. THANK YOU GIGI sending you and the opossum kisses<33

2. Who’s your least favorite to write?

hm. joseph’s voice is annoying. sorry to this man love him and all but. get different speech patterns. “mine is the face of truth!” who talks like that i’m going to kill you. i can write him in “on” public persona mode well enough but... things like last wildfire chapter when i had to make him a source of factual info dump? pain suffering. jacob is also not that personally easy/fun to write for me compared to others but i don’t have the same sense of “am i doing this wrong???” as i do with joseph so it’s less stressful.

4. Which character(s) do you love to hate?

i would say john but that also kinda feels like cheating tbh? i feel like all john writers hate john at least a little. nature of john. i love to hate him in the sense of he’s annoying and i enjoy making him suffer. joseph is also fun to put through it although it’s usually more in backdrop. still. funny when he suffers.

5. What’s the easiest thing to write for you?

also john. nature of john writing. i’m pissed off and annoyed the entire time but his pov feels second nature to me at this point so. what can you do

in terms of genre, definitely comedy. there at least has to be some undertone of humor in most of what i write. also dialogue. especially johnjess dialogue. shrek voice it’s getting them to shut up that’s the trick

6. What’s the hardest thing to write for you?

probably like. genuine fluff? like i can do sweet moments but it always has to be in spite of something. also scenery descriptions are still a bitch to me after all these years. OH and action. i fucking hate writing action scenes.

7. Do you plan everything out before you write or do you sit down and go with the flow?

i’ve only very recently started forcing myself to properly outline as wildfire has gotten unwieldy and i’ve begun reaching crucial enough no turning back plot points that it genuinely would be like “oh fuck!! house of cards collapses!” if i forget something. even then i have like. the next three chapters outlined and it’s in notes app and it looks like this (example from last chapter, it was this to draft one with no inbetween steps):

in general i do plan a lot out though sort of. combing things over in my head even if i don’t write it down. and i have most major plot points of wildfire decided already. like i have a very clear image and language in my mind for the Final Scene. we’ll see if i get there. for oneshots i tend to just vibe because they’re more about having a little fun and flexing the muscles for me anyways.

12. What is one character you love but rarely/never write? 

i guess not rarely/never but i don’t write faith nearly as much as i want to. i mean, tbh i guess i write faith more than fandom average lmao and she was like. the first character i ever wrote when i joined the fandom. but still not as much as i want bc a lot of it stays in drafts or is eclipsed by. you know.

i wish i’d gotten to write jess black more, i can’t believe ive only done one scene she’s probably my second favorite gfh.

13. Is there one character that always fights you when you try writing them?

JESTINY. the most i ever sympathize with john is when i want to get her to do something very simple and she explains to me the convoluted thirty five step intricate ritual it will take to get her to do it and i want to pull my hair out. like girl. sit on the fucking hay bale already.

15. What two characters did you never expect to work together?

well, in the sense that they don’t... mary may and jestiny. like they were always supposed to have most of the beef they have in wildfire (particularly in that mary may was always supposed to be a representation of jessie’s genuine breakdown in ability to empathize with Nice, Normal Folks) but i guess i didn’t expect their frenemiship to be as popular as it is or have as much chemistry to it? chemistry in the sense of lack of chemistry. but they have a compelling dynamic i didn’t fully expect. the real slowburn is when mary may finally gets to punch jessie in the face so hard.

[ezomind-the-other-one]

Weird Answers from a Writers

1. What font do you write in? Do you actually care or is that just the default setting?

don't care, the default Google Docs one

2. If you had to give up your keyboard and write your stories exclusively by hand, could you do it? If you already write everything by hand, a) are you a wizard and b) pen or pencil?

yeah I was born before everyone had a personal computer also I'd use a pen

3. What is your writing ritual and why is it cursed?

I procrastinate on my actual paying job to write and this is cursed for obvious reasons

4. What’s a word that makes you go absolutely feral?

"rather"

5. Do you have any writing superstitions? What are they and why are they 100% true?

no superstitions, only faith

6. What is your darkest fear about writing?

no one will like my stuff

7. What is your deepest joy about writing?

i like my stuff

8. If you had to write an entire story without either action or dialogue, which would you choose and how would it go?

no action, all dialogue

9. Do you believe in ghosts? This isn’t about writing I just wanna know

only the one that live in people's heads

10. Has a piece of writing ever “haunted” you? Has your own writing haunted you? What does that mean to you?

Terry Pratchett has haunted me; several decades after reading I still remember the sentences, situations, and meaning.

11. Do you believe in the old advice to “kill your darlings?” Are you a ruthless darling assassin? What happens to the darlings you murder? Do you have a darling graveyard? Do you grieve?

no my darlings get a happy end always but I will make them work for it

12. If a genie offered you three writing wishes, what would they be? Btw if you wish for more wishes the genie turns all your current WIPs into Lorem Ipsum, I don’t make the rules

The ability to write intimacy without feeling weird, time to write and more words in my head, I'm not a native speaker and I don't know tat many words.

13. What is a subject matter that is incredibly difficult for you write about? What is easy?

difficult: intimacy, see above

easy: outside chat-style POV

14. Do you lend your books to people? Are people scared to borrow books from you? Do you know exactly where all your “lost” books are and which specific friend from school you haven’t seen in twelve years still possesses them? Will you ever get them back?

i don't know any people well enough to lend books i am an actual ermit

15. Do you write in the margins of your books? Dog-ear your pages? Read in the bath? Why or why not? Do you judge people who do these things? Can we still be friends?

no marks on my books but i put them down open with the spine up.

16. What’s the weirdest thing you’ve ever used as a bookmark?

the fleeting memory of what page I was at

17. Talk to me about the minutiae of your current WIP. Tell me about the lore, the history, the detail, the things that won’t make it in the text.

uh well the horny parts are probably not going to make it to the text (see points 12-13) and I'm certainly not having an epiphany and change my ways on this tumblr post

18. Choose a passage from your writing. Tell me about the backstory of this moment. How you came up with it, how it changed from start to end. Spicy addition: Questioner provides the passage.

omg this is getting difficult

19. Tell me a story about your writing journey. When did you start? Why did you start? Were there bumps along the way? Where are you now and where are you going?

i've had stories in my head since I was five but the thing that finally sent me over the edge a few months ago was reading a PWP on ao3.

20. If a witch offered you the choice between eternal happiness with your one true love and the ability to finally finish, perfect, and publish your dearest, darlingest, most precious WIP in exactly the way you've always imagined it — which would you choose? You can’t have both sorry, life’s a bitch

I'd ask the witch were she trained for that kind of knowledge and do that in addition to writing

21. Could you ever quit writing? Do you ever wish you could? Why or why not?

no no no

22. How organized are you with your writing? Describe to me your organization method, if it exists. What tools do you use? Notebooks? Binders? Apps? The Cloud?

lol it's a set of google docs and my brain no system only vibes

23. Describe the physical environment in which you write. Be as detailed as possible. Tell me what’s around you as you work. Paint me a picture.

my old couch for actual writing but plotting is always with me, especially in public transportation.

24. How much prep work do you put into your stories? What does that look like for you? Do you enjoy this part or do you just want to get on with it?

a few online searches but I'm a simple writer my good omens fanfics don't need that much backstory. Althoug I did search for the name of a malware contest recently.

25. What is a weird, hyper-specific detail you know about one of your characters that is completely irrelevant to the story?

it will become relevant in the future

26. How do you get into your character’s head? How do you get out? Do you ever regret going in there in the first place?

actually it's my characters that come into my head, dwarves @ Bilbo Baggins's style

27. Who is the most stressful character you’ve ever written? Why?

not enough data for an accurate answer (yetà

28. Who is the most delightful character you’ve ever written? Why?

Haven't written that many OCs but the ineffable idiots from good omens are a joy to write about.

29. Where do you draw your inspiration? What do you do when the inspiration well runs dry?

A mystery for the ages. Good thing I can just wait out the no-inspiration moments because i have a day job speaking of I should probably go back to that.

30. Talk to me about the role dreams play in your writing life. Have you ever used material from your dreams in your writing? Have you ever written in a dream? Did you remember it when you woke up?

nope

31. Write a short love letter to your readers.

i love u i miss u where tf are u when you're not commenting on ao3 ? can i come visit u there

32. What is a line from a poem/novel/fanfic etc that you return to from time and time again? How did you find it? What does it mean to you?

too many to list

33. Do you practice any other art besides writing? Does that art ever tie into your writing, or is it entirely separate?

art no but my work kind of seeps into my writing (i'm science-adjacent)

34. Thoughts on the Oxford comma, Go:

leaving that one for the native speakers and people who actaully know shit about language

35. What’s your favorite writing rule to smash into smithereens?

wait there are rules ?

36. They say to Write What You Know. Setting aside for a moment the fact that this is terrible advice...what do you Know?

I know nothing

37. If you were to be remembered only by the words you’ve put on the page, what would future historians think of you?

wow she really liked good omens and the word "rather" hu

38. What is something about your writing process YOU think is Really Weird? If you are comfortable, please share. If you’re not comfortable, what do you think cats say about us?

no I'm always having a perfectly normal one when i write

39. What keeps you writing when you feel like giving up?

never felt like giving up but then I only started a few months ago

40. Please share a poem with me, I need it.

The tiger He destroyed his cage Yes YES The tiger is out

@chdarling im bad at tumblr, reblogging confuses me but i hope this gives you a chuckle

Weird Questions for Writers (because writers are weird)

1. What font do you write in? Do you actually care or is that just the default setting?

2. If you had to give up your keyboard and write your stories exclusively by hand, could you do it? If you already write everything by hand, a) are you a wizard and b) pen or pencil?

3. What is your writing ritual and why is it cursed?

4. What’s a word that makes you go absolutely feral?

5. Do you have any writing superstitions? What are they and why are they 100% true?

6. What is your darkest fear about writing?

7. What is your deepest joy about writing?

8. If you had to write an entire story without either action or dialogue, which would you choose and how would it go?

9. Do you believe in ghosts? This isn’t about writing I just wanna know

10. Has a piece of writing ever “haunted” you? Has your own writing haunted you? What does that mean to you?

11. Do you believe in the old advice to “kill your darlings?” Are you a ruthless darling assassin? What happens to the darlings you murder? Do you have a darling graveyard? Do you grieve?

12. If a genie offered you three writing wishes, what would they be? Btw if you wish for more wishes the genie turns all your current WIPs into Lorem Ipsum, I don’t make the rules

13. What is a subject matter that is incredibly difficult for you write about? What is easy?

14. Do you lend your books to people? Are people scared to borrow books from you? Do you know exactly where all your “lost” books are and which specific friend from school you haven’t seen in twelve years still possesses them? Will you ever get them back?

15. Do you write in the margins of your books? Dog-ear your pages? Read in the bath? Why or why not? Do you judge people who do these things? Can we still be friends?

16. What’s the weirdest thing you’ve ever used as a bookmark?

17. Talk to me about the minutiae of your current WIP. Tell me about the lore, the history, the detail, the things that won’t make it in the text.

18. Choose a passage from your writing. Tell me about the backstory of this moment. How you came up with it, how it changed from start to end. Spicy addition: Questioner provides the passage.

19. Tell me a story about your writing journey. When did you start? Why did you start? Were there bumps along the way? Where are you now and where are you going?

20. If a witch offered you the choice between eternal happiness with your one true love and the ability to finally finish, perfect, and publish your dearest, darlingest, most precious WIP in exactly the way you've always imagined it — which would you choose? You can’t have both sorry, life’s a bitch

21. Could you ever quit writing? Do you ever wish you could? Why or why not?

22. How organized are you with your writing? Describe to me your organization method, if it exists. What tools do you use? Notebooks? Binders? Apps? The Cloud?

23. Describe the physical environment in which you write. Be as detailed as possible. Tell me what’s around you as you work. Paint me a picture.

24. How much prep work do you put into your stories? What does that look like for you? Do you enjoy this part or do you just want to get on with it?

25. What is a weird, hyper-specific detail you know about one of your characters that is completely irrelevant to the story?

26. How do you get into your character’s head? How do you get out? Do you ever regret going in there in the first place?

27. Who is the most stressful character you’ve ever written? Why?

28. Who is the most delightful character you’ve ever written? Why?

29. Where do you draw your inspiration? What do you do when the inspiration well runs dry?

30. Talk to me about the role dreams play in your writing life. Have you ever used material from your dreams in your writing? Have you ever written in a dream? Did you remember it when you woke up?

31. Write a short love letter to your readers.

32. What is a line from a poem/novel/fanfic etc that you return to from time and time again? How did you find it? What does it mean to you?

33. Do you practice any other art besides writing? Does that art ever tie into your writing, or is it entirely separate?

34. Thoughts on the Oxford comma, Go:

35. What’s your favorite writing rule to smash into smithereens?

36. They say to Write What You Know. Setting aside for a moment the fact that this is terrible advice...what do you Know?

37. If you were to be remembered only by the words you’ve put on the page, what would future historians think of you?

38. What is something about your writing process YOU think is Really Weird? If you are comfortable, please share. If you’re not comfortable, what do you think cats say about us?

39. What keeps you writing when you feel like giving up?

40. Please share a poem with me, I need it.

[gayathreya]

kanguva fixit fic time

okay i've seen it multiple times now and while i don't hate it, i think it's mediocre-below average and it is filling me up with sooo much frustration cos.. it doesn't have to be. there are relatively easy fixes for the script when this much effort has already gone into the production design and setting! i don't mind waiting 2+ years for a suriya film, but i just hate it when i do that and it's bogged down to be another loud action entertainer, a genre i thoroughly despise more and more these days as i age. i say i don't hate it, but tbh... the more i think about this film, the more i'm starting to dislike it.........

SO... I'M JUST GONNA WRITE SOME BULLETPOINT PARAGRAPHS ON FIXING IT THE WAY I AS A FAN WOULD DO i think it will help process some more of my frustration with it after my lbxd reviews. the 3 biggest problems i have with the film are direction+editing (i consider these together, and by extension, the lack of patience and fleshing out given to the worldbuilding which deserves it), the sound and screaming dialogue (also, really, part of a director's failing) and the abhorrent cameo, so my points will seek to address that most.

we open with the present, yes? actually, i think the fact there's this timeline is fine, unlike quite a few saying it wasn't needed. i disagree because if your main plot is about reincarnation, you MUST have different timelines, because the whole mythos and trope of reincarnation is the unfulfillment in a past life coming back to haunt you in the next. there is something that needs to happen, and the related souls cannot rest until a wish is met. if you don't want the present portion, the core plot itself has to change, which meh, i don't want to put in this much effort into thinking about this film cos it irritates me.

i don't want or need to change the entire story cos idc about this film to put in that energy, but one of the first marketing failures is that they seemed almost embarrassed to admit it was a reincarnation story, which i don't get at all. reincarnation themes are one of the biggest and most easily acceptable ideas in indian mythos and storytelling.. why would u be embarrassed about it? there were actual interviews where the background crew involved kept saying it was an ''interesting'' connection and straight up lied that it wasn't reincarnation, which is the main reason why so many fans were coming up with different thoughts on what the key plot was; namely, an immortality curse/boon affecting hero and villain directly and how the elements of faith and the kid tied into that. none of this is true, ofc, and that's fine, i won't slam the film for not giving me what i myself thought. but if they had said this from the start, which isn't even a spoiler cos it opens with that instantly, people would have had a clearer mind going into it. false marketing is worse than no marketing, and i'm still seething about all the bullcrap they uttered about it

my issue with the present timeline really is just the sheer dogshit idea of their jobs and conflict. we didn't need francis as a bounty hunter, he could've just been some guy working a normal job with his ex-girlfriend and he stumbles across the kid, who also didn't need any of that science fiction biomedical shit ripoff to happen. he literally could've just been A RANDOM CHILD who is abused or used in some bad fashion, whom francis accidentally meets and wants to save, cos their bond doesn't let them go. idk, i think these are simple things that could make any movie better, cos it wipes away the unnecessary shit and over the top bs with tech, we don't need that. i have no idea why directors do not want to keep their films simple to focus on the core emotion, instead wasting so much time and money to have hired guns and soldiers in loud explosive action scenes. action sequences and soldiers btw, which were reeeally bad cos the english dialogue writing was horrible

just think about how this portion in the intro and climax could've been soo much better if it was stripped down. none of the aeroplane nonsense and high tech trucks and guns and random white thugs like what is the fucking reason!!! only shitty directors who can't write hide behind needless extravagance. and siva is definitely a shitty director who can't write. i would much rather the kid be a child who is under a kidnapping ring, no matter how cliche it sounds, cos it's still miles better than uhhh *checks notes* giving him mutant superpowers after his brain has been operated on. wowz so cool da. is this 1990.

like this just makes me so angry thinking about it, this artificial inclusion of a sci fi trope, when the film already looks so ugly in that horrible ai intro which looks so ghastly and obviously fake. for that alone, i'm almost at the zone of saying i'm happy this flopped. on top of obviously using ai to ''enhance'' suriya's voice in other languages as they said... like bro.... FLOP DESERVED. if an actor can't even be fuckin arsed to learn the dialogue and DUB IN A FUCKING STUDIO FOR HIS OWN MOVIE??? then piss off. if i were a fan of his from telugu lands or something i'd feel honestly deeply cheated and hurt. what's to stop anyone from saying he doesn't even need to dub in tamil anymore? we have his fake voice coming from a computer that they clearly believe is acceptable to throw into other languages, thinking that emotion and inflections are worthy of their audience. do the same in tamil then. how about it. such lazy, horribly unethical filmmaking deserves to be thrown to the dogs. fuck gen ai use in art and fuck studio green and fuck everyone who agreed to that shit

the period portion... where do i start, man. what a mess. why wasn't there any breathing points.... why didn't we have any lull in the screenplay. that's the first thing i would change, and anyone disagreeing cos they want to make it ''racy'' or ''crisp'' needs to be kicked to the curb. you are not a child. have some patience. horrible filmmaking style that does nothing but induce a headache. i just mentioned this elsewhere but even slow paced 3 hour films would get fans, because there'll be something in there to warrant a revisit. but fast paced vomit spat out onto a script won't, cos there's no rewatch value at all. i have very minimal interest in sitting down to rewatch this cos the scenes are all just blurring together and i can't even catch a breath to analyse anything. imagine if we just had suriya in pain, suffering, a film exploring his psyche about his guilt, betrayal, both physical and emotional hurt, perhaps a disability from the stab wound... just nothing. fucking give me 10 mins of suriya crying or having his wounds tended to, it'd be better than this trainwreck garbage of scenes whizzing by that i can't even separate. i really... HATE!! editing like this. i haven't seen worst editing in a suriya film except in singam 3. this is almost on par imo

there were so many things mentioned in interviews by suriya/the team that never happened on screen. suriya for example, talked so much about the aspect of faith and their deities, how the different clans operate with different economics, worship, even their disposition in relation to their worshipped elements.... sorry, these are either flat out lies or more likely, things told to him in passing that siva never bothered to fuckin put in script. they never had any prior script reading, btw. suriya legit said siva writes his dialogue early morning at 4-5am, and at 7am or so he's given the papers and thrown into set to act. well of course this film is gonna be shit, brother. what else did anyone expect!!! no practice, no script reading, no chemistry between actors to act out and perform, no voice modulation and testing that's why every other scene it's him shouting alternately and pissing all of us cos we can't even watch a movie in peace.... saying ''they're tribals'' as an excuse for the constant shouting is also such a poor understanding and dehumanisation of our ancestors, who also had calm, peace, quiet love and contemplation, in their longings or beliefs. this actually isn't a movie. it's a reels fest for instagram and tiktok wanker teens. it's clear siva didn't think of his whole as a film, but merely events and moments to stitch together, cos there's no way in hell any competent director would create a film like this otherwise. can't stand films crafted solely for events and spectacle, cos where is the character drama and arcs of highs and lows? even an amateur writer would know this.

speaking of breathers... what i really want in films is vulnerability and fragility of the hero to be depicted. i legit couldn't believe my eyes after what happens in the interval, cos i was so sure once that betrayal happens, we'd be spending the next 10-15 mins of suriya hurt, in both physical and emotional pain at his failure in taking care of the boy and convincing him of his good will. i thought we'd see kanga struggling to walk or fight, one of his arms useless to him now, but... notHING EVER COMES FROM THIS!!! we just continuously get pulled into narrative plot point after narrative plot point. there is no time at all to be spent on exploring kanga's psyche.. a better writer-director would certainly think about this. siva didn't. even the present timeline when francis dislocates his own thumb, i thought it would come up - the idea of casting self-injury on himself this time to save a boy who stabbed him in the past, it's almost poetic. but... nothing. just fucking nothing. where is the literary value and tension and poetry that all this potential has???

this obviously extends to all the other moments the movie could have slowed down and added more dialogue or atmospheric tension - the burning at the stake, the rock of justice, any of the worship and politics and economic push and pull these clans have with each other... instead, we get literally nothing apart from ''evil blood clan'' who hates ''good fire clan'' BRO WHAT ARE THEY EVEN FIGHTING FOR!!! what is their conflict? there's no point of moral or philosophical discussion point at all between these clans in the film. this also ties in to the first crime - koduva killing 100 (-99, really) men, and the fallout from that. why not just make him kill 1? then wouldn't there have been an actual avenue to discuss capital punishment and revenge, and eye for an eye vengeance or rehabilitation? where's the conflict point in executing a piece of shit who murdered ONE HUNDRED PEOPLE?! this could've so easily been turned into commentary on how one views justice and crime against the backdrop of tribes. the audience is given nothing for us to think about their sides and who to root for, what mistakes or crimes they may have committed against each other, or any kind of conflict in their faiths or ideology that one goes against. just typical one-dimensional bad guy who hates the typical one-dimensional good guy. you spent almost 3 years making this.. this is what you came up with?? fucking juvenile. even a beginner writer would be embarrassed to put this out. obviously, this happens when your whole team is just thinking about how to make hero mass entry and cOO0llLL YOuTh gEN Z moments, rather than expanding upon the world and potential themes to flesh out. there is no point saying in every interview siva has great knowledge in tamil literature. so fuckin what. none of that shit matters cos his writing isn't literary at all. this looks like a grade school paper a child puts out for what makes a ''cool'' hero and nothing more cos they do not have the capacity for literary analysis.

the cameo.... watha i'm pissed as f. i cannot tell u how angry i was watching that shit first day. sooo stupid and unnecessary, completely spoiled the expectations of waiting for rolex/dhilli clash on screen just cos siva had a stupid idea to make this into 2 parts which didn't need to be. FUCKKK YOUU, MAN!!!!!!!!!!! this should've just been a single, longer movie, and with kanga failing both his promises (protecting the boy like he promised his mother, and letting himself be killed by him), should've just killed himself in the climax. it would've been a great ending for him actually as it intercuts with the present (i did like the intercut of both timelines in the climax actually, i think this is the only portion where the editing is done decent), where in one time we see him throw himself to the sharks to be ripped apart after his failure, and in another time he manages to save the boy from whatever it is, and maybe even inadvertently dies in the process because of the kid due to a past sin of his own in the role of the present kid's harsh life, but dying happily so, creating a bittersweet tragedy of broken promises mending itself in another lifetime. this could've easily been made up to be a tragic literary piece on reincarnation and promise, and it would've worked. idk. i'm just spitballing. it's not that i've had a long time to think about this, these are very basic things i already thought of almost immediately after my first show, and i'm just stumped no one else in that whole shit team bothered to take a step back and think to make this more compact into 1 solo film. if everything just has to be about milking money from the audience and dsp blaring shitty loud music every second, then fuck you.

i think this got longer than i intended. there're still so many other problems apart from direction and editing, pacing, but these above things are the biggest ones for me. cos even with the extremely painful and poor quality bgm by dsp, i also believe it could've been naturally avoided if given a slower film, and he wouldn't have made this so loud for no reason. it'd be very natural for a md to provide quieter moments if the scenes themselves are softer with more intimacy and atmosphere, not stitched together from all high moments, which ofc would only make his job louder.

so many dumb fight scenes... the opening francis fight and editing style with coloured words and childish intercuts (sorry idgaf i am a thallumaala hater because i am not 12 years old thinking this is cool).. the croc fight.... which served literally ZERO PURPOSE. no really. they even dared release a video on that making, to show how much HarDWOrK they put in for it, making a river and animal from scratch, painting and animating it, and it's like ??? tf for???? the only bit that served was to make the boy injured, and to make kanga take care of him leading into the mannippu song. this could've been achieved in soo many other ways... poruva could've been bitten by a dangerous insect. he could've eaten the wrong fruit. he could've slipped and fell down a bad ravine or cliff that looked inviting but is actually deadly. LITERALLY ANYTHING else would've saved them so much time and money, and yet still prove and highlight the same idea to the audience that the forest they've been exiled to is dangerous and not easy to survive in. nothing though.... just nothing.

i can't believe i'm still talking about this given how frustrated it makes me and how lazy i feel these scenes are written in for what they think is mass appeal. spectacle, scale, budget, visuals.. NONE of this substitutes good, calm pacing and editing and story. man, i'm tired. ok whatever i'm done

[makeste]

regarding Best Jeanist, Dabi, and all of that

@kaleswagdragon​ I hope you don’t mind me posting this comment and my response as its own post, seeing as it quickly got out of hand and sort of morphed into a whole entire essay.

anyway, so! you say that it’s a mischaracterization, but it’s really not, though. I mean, props for bringing up the cultural context of Japan, in which the honne-tatemae culture of covering up anything that might lead to any sort of conflict -- even if it means harming an innocent victim in the process -- is a very real issue. so given that, I understand why so many people are interpreting Jeanist’s statement in a “how dare you bring this family shame to light” sort of way. and Caleb’s “dirty laundry” translation doesn’t help, given the “we’re more embarrassed than actually concerned about this” feel of that particular phrase, which he apparently chose just because of the clothing pun without really giving much thought to any other implications.

but in the actual Japanese, the meaning/context is somewhat different. here’s a link to a twitter thread clarifying the original spoiler translation, and breaking down the actual Japanese dialogue.

I think the meaning here is very clearly “you waited until the public’s faith in heroes was already wavering to bring this down on them as a final blow.” if he was simply criticizing Dabi for publicizing the Todoroki family drama, he would have stopped with that first sentence. the two sentences afterward (“you waited until everyone’s faith in heroes was wavering, when the damage would be too great to handle”) make it clear that what he’s actually calling Dabi out for is the way that he basically weaponizes his story into the perfect political tool to finally take down the heroes. which is an observation that we as the readers can verify for ourselves as being true. look at how he so carefully edited the footage of Twice’s death. look at the contrast between the way he acts in the video, compared with the homicidal glee we see from the actual Dabi in real time.

Jeanist is notably the only one who is able to get the same perspective as the readers here, since he’s the only person who’s physically present in Jakku with the real Dabi, but is also able to hear the video being broadcast. meaning that he’s able to hear both video!Dabi’s calm, prerecorded “I’m just a concerned citizen trying to look out for a society being taken advantage of by the ones charged with protecting it” speech, and actual!Dabi’s “hahaha fuck you Endeavor I’m bringing the whole country down even as we speak, well anyway time to kill you all” reality. he alone can see that stark contrast between the concerned whistleblower act Dabi is putting onscreen, versus his true attitude of “I don’t actually give a fuck, I just want to eradicate the heroes and make my dad suffer.” basically, Jeanist is the only one who can see that juxtaposition, and see Dabi’s reveal for what it really is, seeing as Dabi literally spelled it out for Endeavor and the others. and so he’s calling him out on that.

and he’s not wrong to do so. it’s clear that a lot of fans vehemently disagree with this, but being an abuse survivor doesn’t excuse you from having the same obligation as every other human being on the planet to try your best to be a decent person, which at minimum means not going out of your way to hurt other people. I say this as someone who’s experienced abuse, which shouldn’t need to be a disclaimer honestly, but I guess that’s how it is these days. anyways, though, I have, and I know a lot of other people who have as well. it’s a terrible, awful, exceptionally shitty thing to experience, and it affects everyone in different ways. and every single person who goes through something like that deserves help and support and time to heal, and it’s a tragedy and an injustice that Dabi, from what we have seen, never got any of that.

but that doesn’t excuse him from still being held to the same basic standard of “hurting other people is shitty” as everyone else. it doesn’t mean he gets a free pass. it doesn’t mean that anyone who says “hey, Dabi using his trauma as an excuse to murder people is kind of fucked up” is an abuse apologist. and it doesn’t mean Horikoshi is an abuse apologist for writing him that way, for that matter, because guess what? sometimes people who are abused grow up to become abusers. that’s just a fucked-up thing that happens sometimes. and pretending like it doesn’t is ironically not all that different from that whole “sweeping things under the rug” concept you mentioned earlier. it does happen, and I think it’s important to acknowledge that, because acknowledging it is one of the necessary steps to take in fixing it.

this attitude of “if someone was abused they should be absolved of responsibility for their actions” that I’ve seen in some posts is taking the concept of “abuse often has a profound impact on people’s mental health, and that should be taken into consideration before judging them too harshly for behavior that they can’t always necessarily control”, and twisting it into this nice little loophole that people can use to duck accountability whenever it’s convenient. but being abused doesn’t give you the right to abuse other people, is my point. nothing gives somebody the right to do that.

and Dabi is hurting other people. he waited ten years to tell his story specifically because he wanted to use it to make others suffer. and, putting aside the part where he’s trying to engineer the downfall of society as a precursor to the mass destruction he and his pals have planned, he also broadcast the story nationwide without the consent of the other abused parties involved. which I’m not saying he didn’t have the right to do, mind you, because it’s his story as well as theirs, and he has the right to tell it. and the right to make his abuser’s crimes as public as he wants, if that’s what he decides. but it also ignores the question of what his mother and siblings might want, and the fact is that they’re also survivors, and so in theory should have the same right as Dabi to choose their own healing process, and decide exactly how they want their abuser, who like so many abusers is also a close family member, to be held accountable. anyway, but all of that is obviously very, very complicated and I don’t think there’s a clear right or wrong side as far as this part of it all. it’s not a situation where everyone can be happy, which unfortunately is often how it goes.

anyway, I’ve kind of meandered pretty far from my original point now, so my bad. my points are, basically,

(a) I think the linked explanation does show that Jeanist is chiding Dabi for using his trauma in this specifically scheming and destructive way, as opposed to saying “shame on you for not being a good little victim and staying quiet”, which would be a ridiculous thing for Horikoshi, who’s explored the topic of abuse more thoughtfully than any other mangaka I’ve read, to randomly have one of his protagonists say.

and (b) the people calling Dabi out on his shit aren’t all smug victim-blamers who have no sympathy for what he has been through. the latter point (and a lot of this post, actually) isn’t particularly directed at you btw; it’s more of just a general statement brought on by some of the discussion that’s been going on these past few days.

anyways, I actually like that the fandom is talking about all of this! I just think it’s a very complex subject, and an even more complex situation currently in the manga. and ideally, people would try to acknowledge that complexity when discussing it, rather than simply picking a side and doubling down on it no matter what, or shooting down the whole thing as problematic writing just because isn’t a neat and tidy situation where you can simply say “oh, person A is right and person B is wrong, that’s it, end of story.” it’s not, unfortunately. it’s a messy clusterfuck of a topic that’s only going to get messier as this plot continues, so hopefully we can all just sort of brace ourselves for that lol. this is really just the tip of the iceberg, I think.

[bonesandthebees]

Aight, I’m past the hardest exams, so now I have some energy to come screaming. The flashback/dream. Tiny Nikki meeting tiny Wilbur. Who thought that was a good idea? Like I get that the intention is that the kids will trust her more than an adult. But as present Nikki said, she spent most of her life on Eldingvegr and her loyalty lies with Tommy and Wilbur. Which is logical because they literally grew up together. The Themisians never even stood a chance.

Also, baby Tommy. Eret holding baby Tommy and scolding tiny Wilbur like a parent might do. They really just watch them grow up and basically parented them. As far as they had time to cuz the boys were left alone a lot growing up. And they still betrayed them because they wanted to keep the throne. (probably because they thought Tommy wouldn’t be capable, which now that I think about it, they did kinda try to check if Wilbur thought Tommy was capable and definitely asked his tutors before going through with it. Which hurt even more because it was a vote of no confidence in a 15-year-old)

Then we get to the AE. Jack is hilarious, I love him. Also, some more Tommy being oblivious to how much shit Wilbur gets for being a bastard and how much it hurts him. AE have diplomats from different planets that permanently stay there? Cool. The way the entire Empire works is kinda cool. Though it’s still an empire and once it starts to fall that economic control is really gonna screw some planets. Also Aimsey! Flosium is such a cool name btw. And they are plant people that use photosynthesis to eat! I love scientific worldbuilding. Ranboo being an apprentice covered in gold to really mark his status. I wonder how he got into that position.

Lastly, the negotiating. Swear counter: 4 (5 if you count damn). Wilbur is so full of spite and I’m here for it. More Phil playing with his food. He has decided Wilbur is the most interesting. Mostly because he’s the one they are actually negotiating with and everyone knows it. Probably because being a bastard makes him interesting. Bonus points for so clearly loving his younger brother despite him being incompetent. Maybe Phil has picked up on the fact that Wilbur would be a better King. Also, commenting about how Wilbur has been trained well (like he’s a dog), has me thinking that Phil might be trying to figure out what will make him snap. Since calling him a bastard and laughing in his face isn’t enough. Neither is calling him a child or inexperienced.

Anyway, I was gonna write a short ask, yet here we are. My apologies. Also sorry in advance if I spelled any of them names wrong. I never read names correctly and trying to spell them has proved that once again.

-🌲

yeahhh the themisians really fucked up on that front lmaooo

eret wasn't a parent to either of the boys but they were forced to kind of take the role as one for the two of them. it wasn't the same, but wilbur and tommy needed some guiding force in their lives that wasn't just servants taking care of them, so eret ended up becoming that kind of mentor figure to them both. but then of course the desire for power combined with a lack of faith in tommy's ability won out in the end, hence the betrayal. really hits harder when you remember how long eret has known the two of them for

i love writing jack manifold's dialogue so much it's literally so stupidly fun

originally I was going to have aimsey take vitamin D pills to supplement sunlight and then i was like wait I can just make them photosynthesize lmao so all they need to eat is a little lamp in their pocket :) idk why I decided to make aimsey a flower person I just thought it fit their vibes

honestly I don't count damn as a swear but we'll include it for the swear counter so hooray!

you don't need to apologize spruce anon i love your long asks it makes me very happy to see :D

[levymcgarden55]

[I.D: A compilation of posts and quotes about love. From top to bottom:

Tumblr user 'princes-heels' says, "Remember that love will always come back to you. In a different form, different person, different touch. But in any way, love will always come back."

A simple drawing of a person taking their heart from their chest and throwing it away with a smile. This person then receives one heart, then two more, then so many their whole chest is filled.

Tumblr user 'inkskinned' says, "I want to be so kind it echoes backwards in time and undoes the things that hurt you. I want to be so kind it radiates from me. I want to be so kind that I make someone else find faith in humanity again. There's not much I can do, I'm small and weak and I only know so many words. But I know I can be kind. And sometimes, I believe, that changes the world."

Two lines of lyrics from an unnamed song: "Nothing in the world belongs to me; But my love, mine, all mine."

Tumblr user 'littlespoonsokka' says, "Oh and btw the love was there and it changed everything. If you even care."

Tumblr user 'boymiffy' says, "[tearing at my hair] No love however brief is wasted, no love however brief is wasted, no love however brief is wasted."

Tumblr user '2aminhouston' says, "Any love I made you feel is yours to keep."

A meme image of two skeletons facing each other, their faces nearly touching, edited to say, "Love be like, 'I will end in heartbreak or death.' My partner in life, you made the pain of existence worthwhile."

Tumblr user 'theviralwitch' says, "I think you should tell people how important they are to you not because they could leave at any moment, but because they're here now, and it's worth saying."

Tumblr user 'noodle' says, "Love is the most important thing ever." In a reblog to their own post, they add, "Not just romance. Just having love in your heart."

Tumblr user 'criterioncollectiongirl' says, "Just so you know everything in the entire universe is always about love and when it isn't about love it's about the absence of love. Hope this makes sense."

Tumblr user 'fatsoupy' says, "Eye-opening Tumblr post for me included the words, 'People are meant to be burdens,' as in humans rely on and support one another and it's not a bother it's our purpose; to love and be loved in return. So if you're ever think you're being annoying just remember we were made to love and it's going to be okay."

An image of an unchecked box next to the sentence, "Remember that you can't save everyone." Added beneath it is a second box, this one checked, reading, "Remember that you have to try."

Tumblr user 'mjalti' says, "You think you're waiting for love to find you when it reality it has saved you in a thousand different ways since the sun rose today."

A quotation reading, "What I regret most in my life are failures of kindness. Those moments when another human being was there, in front of me, suffering and I responded... sensibly. Reservedly. Mildly."

Tumblr user 'jb-blunk' says, "In this terrifying world you continuously have the power to offer someone else a little relief. Why would you withhold that. Do you remember what a little relief feels like? It feels like a lot."

Tumblr user 'ponchopeligroso' says, "Every single person you know has something in their life and past that is probably worth collapsing to the ground in an uncontrollably sobbing heap over, so be nice to each other and tell good jokes."

Tumblr user 'headspace-hotel' says, "The theme that always resonates me the most in stories is, 'The world is cruel; therefore I won't be.'"

Two lines of text in quotation marks - possibly dialogue, possibly quotes - which read: "I'm useless alone." and, "We are all useless alone. It's a good thing you're not alone."

Tumblr user 'cheruib' says, "Why is it SO incredibly sweet when a stranger smiles at you like. I don't know you but here's a piece of happiness in this crazy world. I'm giving you this smile because it's all I have to offer, and I want to offer you something. You'll forget my face, probably, but you'll remember this, at least for the rest of your day, or the afternoon, or your lunch break. Hope you had a good day. Hope the rest of it is better."

A picture of a slip of paper on which is written, "To love and win is the best thing; to love and lose the next best. Lucky numbers: 2, 42, 54, 30, 56, 44." Below it is another slip of paper, on which is written the title, "Urgent", and then two Chinese characters, with their pinyin - "jí" and shì" - next to them.

A set of tags from an unnamed user, reading, "#Maybe the nature of humanity is that we think being cool and lonely will gain us love. But the paradox is that love is attained through #embarrassing yourself by asking for it instead."

Tumblr user 'tordenvejr' says, "Vulnerability is clumsy but it's the only thing worth anything." / End I.D.]

On Love and Community

@princes-heels // ? // @inkskinned // mitski, my love mine all mine//@littlespoonsokka // @boymiffy // @2aminhouston // ? // @theviralwitch // @noodle // @criterioncollectiongirl // @fatsoupy // ? // @mjalti // george saunders, congratulations, by the way// @jb-blunk // @ponchopeligroso // @headspace-hotel // everything, everywhere, all at once(2022) //@cheruib // ? // ? // @tordenvejr

[oumakokichi]

What's your opinion on Kaito and Maki! I don't know if anyone's ever asked this before (sorry if yes) Ur blog is epic btw!

This question is pretty recent, so I feel like this is a great one to kick off with getting back into writing full meta! I know in the past I’ve answered a few brief questions on how I feel about Momota and Maki respectively, as well as their relationship in-game, but I don’t know if I’ve ever written at length about the two of them.

I also don’t know whether you want my opinions on them both as individual characters or their relationship together, so I’ll probably touch on both aspects! This ask will obviously include spoilers for the whole game, so I’ll talk more under the cut!

Momota and Maki are definitely two of the most important characters in the game. Both their dynamic with each other, as well as their eventual friendship with Saihara, are pivotal plot points that come up again and again. Momota’s good intentions and attempts to help Maki come out of her shell and self-imposed isolation from everyone else are initially met by her with skepticism, distrust, and a feeling that he’s being incredibly overbearing and putting his nose where it doesn’t belong—but in the end, she does find herself pulled in by his unrelenting optimism and offers of friendship.

As Momota helps Saihara begin to overcome his anxiety and self-doubt by pushing him forward and reaffirming that he believes in him, Maki also begins to face some of her own demons. Like Saihara, her issues are rooted in deep-seated trauma from a young age, though hers is considerably more severe as it concerns both physical and mental child abuse, as well as a life filled with violence and murder.

It’s interesting, because both Saihara and Maki struggle with what I would call self-loathing, but go about showing it in completely different ways. They both doubt their own ability to do anything right and feel that they’ll only hurt people in the end, but where Saihara overcompensates for this by trying to please everyone and being afraid of saying no, Maki’s approach is much firmer: she tries to shut everyone out completely, keeping everyone at arm’s bay in order to prevent any attachments from forming in the first place. As someone who lost pretty much everything at such a young age, she’s clearly afraid of the same thing happening all over again, as well as wary of anyone who might try to get close to her, only to attempt to “take her out” in the same fashion that she’s had to kill people her entire life.

Momota’s persistence in striking up a friendship with her is therefore really, really interesting. It’s the first time in Maki’s life that anyone has ever been so adamant about wanting to get to know her. Considering how harsh and unfriendly she initially is, as well as the fact that her talent is revealed to everyone by the end of chapter 2, it would make complete sense if Momota wanted nothing to do with her, in her opinion. She’s used to being alone, and she’s already convinced herself by that point that it’s preferable to the alternative.

But Momota is a character who fundamentally refuses to take no for an answer. This is simultaneously both his best and worst trait, in my opinion: it’s literally right in his catch phrase, whenever he claims that he’s going to reach the stars someday. He runs purely on the idea of faith and belief. There’s no middle ground with him: either you trust someone implicitly, regardless of everything stacked against them, or you don’t. Shades of grey, especially at the beginning of the game, are virtually nil. It’s a very “shounen protagonist” sentiment that winds up being somewhat challenged for him as the game goes on.

He’s interested in Maki, and wants to know why she closes herself off in her research lab. When the finger is pointed at her in chapter 2 and she falls under suspicion of murdering Hoshi, he defends her even at the expense of making himself look worse, and even to the point of claiming that he would “bet everyone else’s lives” that she’s innocent (a line which was completely omitted in the localization and dub, but which you can still hear him say in the jp dialogue of the chapter 2 trial).

There’s absolutely no evidence to back Maki up or support her; Momota’s defense on her behalf stems more from the fact that he hates Ouma’s equally black-or-white “guilty until proven innocent” approach, and resents the attempts at mutual suspicion and paranoia that Ouma tries to force between them. Momota is, in a word, stubborn. He figures things out by “feel” or “intuition” and is extremely slow to change his opinions even when facts and evidence are presented before him.

Again, this can be a good trait: his loyalty means he’s the last person who would ever throw someone else under the bus, and it’s the main reason he succeeds in getting closer to someone as emotionally closed-off as Maki at all. It’s less of a good thing, however, in later chapters like chapter 4, where his stubborn refusal to look at the facts genuinely endangers everyone’s lives in the trial and results in a huge blow-out that threatens his friend group with Saihara especially, but really with the whole training trio.

It’s this stubbornness of his that really baffles Maki. Initially, she doesn’t know what to make of Momota’s attempts to befriend her. She assumes he must be reckless, or stupid, or both, to want to get close to someone as dangerous as she is. But as she gradually begins to let her walls down and starts opening up despite herself, it’s such a nice change to see her eventually starting to believe in herself and view herself more positively as a result of Momota’s own belief in her.

I think momoharu as a ship works really well and has potential specifically because of these themes of “self-love” and “believing in yourself” that come up in the main game’s narrative again and again. And unlike the dynamics between Momota and other characters, such as Saihara, I feel like Momota and Maki are on much more of an even footing, where the two of them can view each other as equals and aren’t afraid to challenge each other whenever one of them is in the wrong about something.

For example, Saihara and Momota have much more of an imbalanced, sometimes one-sided friendship. That’s not to say that they aren’t both extremely important friends to one another—but between Saihara’s inability to say no to people and Momota’s tendency to take charge and view himself as “the hero” while everyone else is his “sidekick,” their relationship becomes incredibly uneven very quickly.

Add to this Momota’s unspoken jealousy of Saihara’s talent and his pivotal importance to the rest of the group in trials, and it gets even messier. I’m reminded of the chapter 4 trial, when Saihara really goes against Momota’s opinion on something for the first time by proving that Gonta is the culprit, and Momota is livid. Even when all the proof is laid out before him, and even when he knows, logically, he feels so betrayed by Saihara’s lack of “belief” in him that his underlying jealousy bubbles up and he lashes out. The localization considerably dulled the impact of this, but in the original Japanese dialogue, Momota even stops referring to Saihara by his first name for a long time, referring to him much more coldly by his surname from the end of chapter 4 until the latter half of chapter 5.

Momota and Saihara never feel as though they’ve really escaped that “hero and sidekick” dynamic until the very end of chapter 5 when they say their farewells, and even then there’s a real hesitance with Saihara to call Momota out when he’s wrong or ask for an apology even when Momota owes him one. If the game had explored more of Momota’s jealousy and feelings of inadequacy compared to Saihara, I would have really loved that, and I feel like there would be real potential to explore how they could eventually be on even footing… but as it stands, in canon we don’t really get that, and most of Momota’s shortcomings and flaws are somewhat brushed aside after his death in favor of Saihara remembering him more fondly.

This isn’t to say that Momota doesn’t have any flaws when it comes to how he interacts with Maki, of course. His character has a lot of “toxic masculinity” baggage, including unironically believing really outdated things like “women shouldn’t be fighting, they should be raising children,” or thinking that women are inherently weaker physically and more fragile emotionally than men. Luckily though, Maki often consistently proves him wrong on all of these points: her ability to wipe the floor with him during their training sessions is of course part of it, but it’s worth noting that she’s also considerably more level-headed than Momota is in many ways.

Where Momota is superstitious and afraid of the occult to a comedic degree, Maki remains the rational, down-to-earth one who doesn’t believe in such things. Where Momota is prone to letting his pride and temper get the better of him and refuses to speak to Saihara or apologize for the things he said during their fight in chapter 4, Maki is the one who attempts to push them into interacting with each other again, and believes that Momota is being much too childish about the whole ordeal. Again and again, Maki proves Momota’s outdated and harmful stereotypes about women wrong, and isn’t afraid to poke fun at him or get exasperated with his bullshit whenever he’s being kind of a dick.

Her relationship with Momota works specifically because of how much it feels like the two of them are on a more even footing. Where Saihara somewhat meekly accepts the “sidekick” role, even when he thinks it’s unfair, Maki doesn’t really accept it or go along with it in the first place, beyond showing up for training sessions. And when she gradually begins to develop romantic feelings for him, it feels authentic—particularly because it ties back into the idea of Maki learning to believe in herself the same way that Momota has believed in her from the start.

Deep down, Maki is someone who fundamentally believes herself not only undeserving of, but borderline incapable of love. She feels as though any human emotions she might have once had were stomped out of her from a young age and that absolutely nothing remains, to the point where she says “even Kiibo is more human than she is.” This self-loathing and dehumanization are the main reasons she keeps people at arm’s length: she simply thinks she doesn’t deserve any kindness, and that even if it’s given to her, she doesn’t know how to reciprocate in turn.

Her entire character arc is about unlearning this, and gradually coming to accept that she does have the capacity to love, including love for herself and for others. I’ve seen some people who believe Tsumugi when she claims in the chapter 6 trial that she “gave Maki those feelings for Momota” for the sake of the show, but I feel that believing that at face value really doesn’t do justice to Maki’s autonomy as a character.

Even if Tsumugi somehow did insert those feelings there (which I highly doubt, especially considering how she blatantly lies about giving Momota his illness too despite pretty obviously not knowing he was sick prior to chapter 5), the whole point of Maki’s confession to Momota in chapter 5 and reaffirmation of those feelings in chapter 6 is that she eventually comes to believe that they’re her feelings, and no one else’s. As someone who was denied any free will or choice for her entire life, her coming to view Momota as someone precious to her, as well as herself as an individual capable of making decisions and loving other people, is an incredibly powerful arc of character growth. I honestly really love to see it.

And it’s clear that Maki coming to love and value herself as an individual is exactly what Momota wanted to see from her. We don’t really know if he reciprocated her romantic feelings or not since he dies without really giving her an answer. I personally think he spared her an answer because even if he had said he reciprocated, it only would’ve hurt her worse to see him die immediately afterward.

But what he does make really clear is that he fully believes that because she could come to love him, she could also eventually come to love herself. Whether it’s romantic or not, he clearly cherishes her a lot as a person and wants her to be happy. He wants her to live on as herself, and not any of the roles she’s had to take thus far in order to survive. She eventually does do this, and I think he would’ve been absolutely thrilled to see it happen.

All in all, I feel like momoharu has a lot of potential for character growth (both for Maki and Momota), as well as for cute moments, comic relief, and all around as a feel-good ship. Momota definitely has some issues to work out with misogyny and toxic masculinity, and while it’s certainly not Maki’s job to hold his hand and walk him through those things, she’s the type of person who doesn’t mind putting her foot down and telling him no when she feels like he’s crossed a line, which is exactly the type of dynamic I like to see in relationships.

Anyway, I’ll wind this up here. This was a really fun question to go into, thank you again anon! I had a lot of fun getting back into the swing of writing meta, and I’m glad I got a chance to write a little more about my thoughts on momoharu, and Momota and Maki as characters.

[bethanyeliseart]

Rise of Skywalker, a movie I genuinely loved!

Ok so I've had almost a full day to think about my thoughts on Rise of Skywalker. Right from leaving the cinema, I knew that I loved this movie! Sure it had it's flaws but every single Star Wars movie does and I like to think the positives outweigh them. It had amazing cinematography, the adventure was there, and all the emotions that come with Star Wars.

SPOILERS AHEAD

I think first I'll talk about the flaws because I love ending things on a cheery note. First, Rose Tico was pushed to the sidelines and I wish we got to see more of her character arc. I think after seeing the backlash some fans had for Rose, JJ was afraid to have her in the spotlight. She could've done more. I would've liked to see her interact more with Finn even platonically. And interact with Rey.

Second, I'm a huge Anakin Skywalker fan so part of me feels like they disrespected his arc in this movie with Palpatine being back. I kinda felt like it was all for nothing. But then I did see some other reviews that said he brought balance for a long time, but balance isn't permanent. So that post brought me some peace on that, thanks to who wrote it (I can't remember who, sorry!).

Third, Ben Solo's death. So I'm not sure if I just hate it because I loved his character or if it really wasn't a good decision. Star Wars stuck to their algorithm of redeeming the villain but to only kill him seconds later. We already saw this with Anakin. Did we have to see it again? Then again it was really meaningful that he sacrificed himself for Rey. Maybe he's still alive somewhere, idk I'm in denial still.

Ok so now onto things I liked/loved which is a lot, but I'm not good with reviews so I might not name all!

First I must say that I loved Rey and Ben's relationship and chemistry. There isn't too much dialogue, but you can see how much they care for one another through expressions. Props to Adam Driver for conveying so much in just looks and actions. The way he looked when he found Rey's dead body was so heartbreaking. He looked so vulnerable.

Also the way Rey was so relieved to see Ben after he brought her back. She smiled like he was this bright light. And oh my, my heart fluttered when they kissed. It's probably just me being the huge romantic that I am, but that was one of my favorite parts. From the beginning they had a strong emotional connection. In TLJ we can see how strongly they feel for one another. Ben wants her to be by his side constantly and really opens up to her. Rey does the same. She let's her self open up about her past and desire to belong somewhere/someone to Ben. In my mind, the buildup was there. It saddens me that it had to be a tragic romance, but Star Wars always has that tragedy. Ben also showed that hope leads somewhere. Rey held onto hope that he would return to the light and he did. He was at peace when he died.

Second thing I loved was the trio of Rey, Finn, and Poe in this movie! We have been waiting to see them all in action together since TFA. And JJ did not disappoint. The banter between the three flowed nicely and was comedic. It felt like a family. It was also so nice to see Rey interacting with Poe! You can tell they have spent a lot of time with each other. For those who think Rey is alone, she has these two guys for her family.💛

The scene where all the ships showed up last minute gave me Endgame vibes and I loved it. Especially when the main theme started.

The entire be with me scene in the throne room was chilling and awestrucking! (wow that first part of that sentence just threw back to GoT😨) When Rey looks up into the sky and the lightning fades to the calm and serene stars I too felt so relaxed. The soft music was so lovely, John Williams never fails. Hearing the jedi voices was what had me smiling like an idiot, especially hearing Anakin's voice saying "Bring balance as I once did". (I guess that's proving that his arc wasn't completely ruined). I would've loved to see Hayden Christensen, but I appreciate that we got to hear his voice.

Was anyone else so surprised to see Han even as a memory? It's not even that I was surprised because of how it goes into the plot, because it makes perfect sense for Ben to look back and remember his last interaction with his father. His father would be the key in him returning to the light. It just surprised me because I did not expect Harrison Ford to show up on set of Star Wars ever again😂. It was a very nice and welcome surprise though. From the moment he killed Han, you could tell Ben felt regret and remorse. I also loved that Leia reached out to her son one last time, showing Ben that his family has not given up on him.

LEIA! It was so awesome to see her training as a jedi with a lightsaber! That flashback gave me so many chills. I loved how Leia continued to train Rey even though she knew she was related to Palpatine. It shows that Leia doesn't judge someone based off blood. Leia loved Rey and had faith in her. People can't help where they came from.

It was so sad to see Leia die but we all know it was going to happen. Chewie's reaction was so emotional and made me shed a tear. The galaxy will remember Princess Leia and Carrie Fisher forever.❤

The Ending

Overall, I loved the ending. Sure I'm still devastated that Ben is dead, but looking at the big picture it was good/satisfying.

People are saying that Rey didn't grieve Ben and she moved on too quick. I think she knows that he will always be with her because no one's ever really gone. He is one with the force. (Ngl, part of me likes to believe he is alive out there somewhere or waiting to come back).

Also as I said before Rey still has people she loves! Finn and Poe are still alive and there for her.

This is just the way I saw it, but I don't think Rey plans to stay on Tatooine very long/permanently. Rey didn't start and end the same way. She has a family now (Poe and Finn) and knows who she is. I think she went there to pay respect to the Skywalker family, it is where it all started with Shmi and her son, Anakin. She buried the lightsabers because they are no longer needed (her new lightsaber is beautiful btw) And don't hate me, but I don't mind her calling herself Rey Skywalker. She felt a deep connection to the family and both Luke and Leia took her under their wing. She doesn't care for/need the name Palpatine. It's not who she is. Which brings me to people being mad that Rey wasn't a nobody. I respect their reasons and everyone is entitled to their own opinions, but I don't think it hurt her character arc. Rey being related to the worst Star Wars villain and still not falling to his dark ways shows how strong she is! She defeated him and brought balance once again to the galaxy despite being his blood.

The ending shot was beautiful and was a perfect way to end the Skywalker saga. The binary sunset and theme was ethereal. It's how the movies started and it's how it ended.

Star Wars is tragic, romantic, and hopeful. This movie showed all of those things. We lost Ben but he felt love again with Rey. Hope was restored with him turning back to the light and Rey defying expectations of a Palpatine. Personally, I loved this movie so much and it did not let me down.

Feel free to add anything you liked about the movie!

[inmyarmswrappedin]

Now that Nora's season is coming to end, what are somethings that you want for amira's season

Hi 😁 I bet you thought I’d never reply to this ask! Well, after you sent this in MARCH, I am finally posting an answer. 

Btw, I did the same for Nora’s season, and as a note, I’m a white European and an atheist. If any of this is offensive or not my place to say, I preemptively apologize.

1) I would like for Amira's arc not to be about being Muslim. That is, Cris' arc isn't about being bi, it's about learning (and accepting) that she's more than the fun friend. That she has and can offer more to the people in her life. Nora's arc isn't about being a feminist, it's about not being so set in your first impression of someone that you don't notice red flags or don't notice them trying to be better people. Same with Eva and not being defined by her mistakes, or about Viri and her financial situation. And I would like the same for Amira.

2) I think one common denominator of all Sana seasons so far is that they've shown the mains doing something that people assume hijabi can't do when it's more like they're systematically excluded from participating. For Sana, it was basketball. For Imane, it was dancing. For Amira M, it was boxing. I joked on twitter that Amira N's thing should be binging TV shows and eating junk, proving that hijabi are really like anyone else, but on a serious note, I'd like for Amira's thing to be photography (and maybe modeling? since Amira's friend was taking pics of her).

3) A scene where Amira explains how she can be a feminist and a hijabi both, just so we as a society have that scene to point to when the question inevitably comes up again. Seriously, I feel like that's one of the questions I most often see people asking Hajar.

4) I want the association girls to have their own youtube channel. Or at the very least, their own instagram and/or twitter account. I would love for them to post memes punching up about their experiences.

5) I feel like, much like with trans narratives, there's this "acceptable" narrative for hijabi in mainstream society, which is: the character made the decision to cover after coming up with solid reasons to do so. I.e. she made the decision early and can defend it with inarguable rebuttals. It's like women can't be trusted unless they know 150% what they're doing, be it covering, or dating a girl, or going vegan, or any number of things. I really appreciate that Amira started covering just because it felt right, and she's finding meaning in it after the fact. I would like for this to be a thing in her season, that she's still figuring herself out, that she's not already an Islamic scholar.

6) I also think that's what makes her stand apart from the other Sanas. I feel like (maybe with Zoya's exception), none of the other Sanas would entertain a crush on a white guy. They'd have never drunk or flirted (like we know Amira used to do). It's like they're not allowed to fuck up, or can only fuck up in acceptable ways, like engaging in a flirtation with a non Muslim only because they didn't know he wasn't a Muslim, or had booze at home, but it wasn't theirs, etc. I'm hoping that they've made Dani a love interest specifically to explore this idea (and not because they wanted to whitewash a character or give less time to an actor of color).

7) On that note, SKAM Hajar brought up an idea that, because the hijab makes them super visible, hijabi are perceived as ambassadors of Islam, expected to be able to answer any question about Islam, but also that people will judge all Muslims based on whatever mistake they individually make. I would like for a potential bench scene to allow Amira to say that it puts major pressure on her to feel like she can't make any mistake, because every Muslim will be judged based on her making a mistake, having a shitty day, being in a bad mood, not wanting to be Muslim wikipedia that day, etc. That sometimes she just wants to be Amira, not Islam personified.

8) I would like for Dani's character to represent not just white society, but also childhood, the safe choice, the choice her parents would love, and for Sofian's character to represent not just Moroccan culture, but also like... SEXY risk, independence, novelty... Because I feel like when I see Muslim girl/Muslim boy/white guy love triangles in fiction, the Muslim guy is positioned as the boring choice (but still incredibly wrong because he's abusive or maybe even secretly gay and forced to beard by his parents), the safety, the guy you'd bring home to your parents, whereas the white guy represents independence and carving your own path away from your parents.

9) Just once, I would like for a Muslim character to say, "what do you think of Catholic priests abusing kids?" to someone asking them what they think of such-and-such Muslim majority country doing such-and-such to its citizens. Bonus points if it's Sofian's character.

10) I would like for Dilan to get an insta and a storyline. And for that storyline to connect to Amira's.

11) In general, I would prefer that parents be kept to a minimum (not to get rid of them entirely, of course, but to be kept at the level they've been in other Sana seasons). I just have never thought the point of Skam was the parents. And I get why they have a larger presence in a second gen kid, but I, personally, am more interested in what they represent in the main's life, rather than in giving them a lot of face time.

12) And, on that note, if they do with Amira what I've outlined above, I don't think there's a necessity for Amira to have siblings. Particularly if eskam isn't going to continue after this season. I think it'd be far more interesting if Amira's character contained the elements of figuring her identity as a Muslim living in a Western country that Elias, Idriss and Essam had. (And maybe that way Dani is both Yousef and Elias, stealing not just one role for an actor of color, but two! lmao)

13) I really hope that the obligatory evak s4 side plot be kept at a minimum tbh. I'm really not interested in a) Eloy coming back to cause drama, b) Amira's friend causing croana drama because she's Joana ex or whatever, c) a physical fight breaking out because of (perceived) homophobia.

14) I want Amira to tell Cris that amiris es lo más real que hay. 😭 I would love it if, as a parallel to Cris' season, Amira doesn't tell Cris about her interest in Sofian's character at first because she's afraid of her reaction, only for Cris to be supportive of whatever she chooses to do.

15) I would be so fucking happy if eskam adapted the "is your faith stronger than your lust?" scene in this season. I have always wanted to love that scene, because how often do you get a scene where two girls get to talk that long and that much (even in Skam most of the iconic dialogue scenes between just two people aren't between two girls in the squad), but I just haaaated the purpose of the scene in Skam.

16) I would cry buckets if we got a scene like Det Beste fra Islam where Amira and Sofian's character both talk about what Islam means for them. Particularly if Sofian is introduced as not the Perfect Muslim Man, but it turns out he has THOUGHTS about religion.

17) And, finally, I would love for the unquestionable villain of the season to be a white guy. If the villain is going to be a woman, then I would want her to be Cris' mom, not a high school aged character. Not because of white feminism yayyy! but because I think the major issue Sana seasons have run into before is that the showrunners want to touch on white girls being the problem, but they also don't want to villainize white girls. So we have stuff like Sana inviting Sara and Ingrid (of all people!!) to Eid, Imane apologizing to Ingrid (of all people!!), random one clip white women attacking Amira M (and the Kiki/Amira friendship of course), etc. I'd just rather they didn't have girls doing shitty stuff to Amira N, if they're going to go back on it. Which they inevitably would, because eskam's overall message is sisterhood.

Bonus clips

18) I would love it if Skam España was like, "you thought we were dropping storylines left and right? Nope!" and resolved long standing mysteries like who was behind Eva's hate ig, who had the pills, who outed Cris to the school, who's the owner of the keys that were left behind at GSC, and so on. Will die if it turns out to be Ramón!

19) I want Joana to get that job she wanted so bad last season!

20) I would love for Emma to show up and come out as a lesbian, just as a last hurrah lol.

21) I don't feel strongly about which couples should be endgame and not (other than not Dani/Amira hghvvh please), BUT in my most embarrassing fantasies, I want Skam España to hire Alejandro Reina's irl boyfriend to play Lucas' boyfriend for the finale. Not because I can't separate fiction from reality or anything, but because when I thought Lucas would be getting a season, I wanted his boyfriend to be a poc, and I was highkey buttmad that they hired random white bread when they could just as easily have hired a poc.

22) I think it would be really cool if Inés got a clip on her POV, but I don't think we're going to get it. I think all bonus clips will be from the squad's POV, i.e. Eva, Cris, Nora and Viri. Not even Joana.

23) I want a Mallorca special or episode so bad, and I will be so FUCKING ANNOYED if we don't get it. Seriously, I can't imagine the team didn't feel betrayed when they watched Skam for writing purposes, and didn't get their russetide. So they should know how angry we would be if we didn't get even a little bit of Mallorca time.

[kanohivolitakk]

Some notes on my Legends of Metru Nui rewatch I did half-asleep

I watched the finnish dub so first voice impressions. The voice direction was good but the dialogue translation wasn’t always the best (more on that later) Lhikans, Mataus, Nujus and Dumes voices were much better/more fitting than the english ones, with Lhikan probably having my favorite voice in the entire movie (Matau close second btw). Makuta and Vakamas were sliightly better in finnish than in english but the english ones were really good as well so I’m not sure. Whenuas was on par with his english one, but still great. Nidhikis voice was quite good but I go back and forth whether or not I prefer it over his english one (I THINK I do but he suffered the most of the translation issues, more on that later) . On paper I prefer Krekkas finnish voice BY A LONGSHOT but the way his voice was directed was really strange and uneven so left a bit sour taste in my mouth. I didn’t really like Nokamas that much for some reason (tho its funny that her VA voiced Jessie from Pokemon in the first few seasons here). She and Onewa were the only ones where I can say for certain I prefer their voices in english by a mile

Also fun fact: In the finnish dub Whenua and Makuta share voice actors, ditto with Nidhiki and Nuju (Lhikans VA also voiced Sidorak in Web Of Shadows)

Now for the movie itself: I love the story it wants to tell of six heroes raising to the odds against them in a deceptively dystopian society and find the heroism in them in absence of a hero. I also do think its a decent kids movie but I do feel the movie suffers from tonal inconsistency as well as some pacing issues (kinda)

Out of all the movies I feel LOMN is the one thats the most “THIS IS A PART OF A LARGER STORY” for me. While the stuff thats only in the books isn’t mandatory (and I think it was right move to cut it) the movie feels like it happened in a day which honestly REALLY makes suspension of disbelief hard for me (I mean this is a scifi/fantasy story with a robot cast but I digress.)

While the movie has a decent “flow” a lot of time it suffers from like...feeling a bit rushed. There isn’t always time to breathe. THIS ESPECIALLY is true with characters. Like I get a big part of thismovie is Vakamas character arc but with how many othe r characters we have to juggle the movie kinda, pushes him aside when the other toas learn their powers and then “WAIT HE GOTTADO STUFF TOO” at the climax

The main issue for me is by far the tonal issues.The movie tries to be both a fun action movie and a darker more somber tale but just... It doesn’t always really do the darkness well.  Sometimes the scenes just are too silly and the dialgoue too direct and/or wooden for it to work as it was intended.

This is where I bring up the finnish translation. Like while it is faithful some parts were translated in a really silly way that made it hard for me to take the movie serious. Like for instance, during the “Lhikan gets attacked by the Dark Hunters at furnace” when Nidhiki holds Vakama hostage to get Lhikan surrender he says “hi there brother” instead of just “brotherrrr” like in the original version that just made me cringe out of second hand embarassment. The movie has a lot of a bit silly stuff like this. Could be because of my language but still.

Speaking of action??? Is it weird that for an action movie Bionicle has very little fighting. Like sure there is some but a lot of time the characters just, dodge each others attacks. There’s also the fact no one uses weapons instead launching energy weapons around. I wonder if this was mandated by LEGO, considering MOL did something similar (Kohlii match of death anyone?)

AThat being said I still do like the movie: I still think the characters are great and are among the better casts in Bionicle, even if they don’t always utilize them well. The score is still great and there are a few good if not great parts there

Also rewatching this movie made me realzie how much I love Matau: hes a joy and by far my favorite Metru. Just such a great fun being of chaos I love him so much

If I wasn’t so in love with best boy Lhikan and a certain traitor spider I would just say “Matau best character” but GUYS DEF in my top 5 toa now. as well as top 10/15 overall faves haha

But ye had a good time, just wish it was a miniseries instead of a movie so it wouldve had time to breathe and not rush the story in 1h 15 mins. Would’ve helped the story a lot tbh