#this all came about because I was thinking of the powers of the North and South Dragons

[derpinette]

sometimes i will get bored & go through someone's entire blog since its creation

[quibbs126]

No but honestly, can we talk about Snow Sugar Cookie and their wand? It’s been mentioned as a wand that can create creatures that don’t melt, and their jelly questions who the original owner is and what they’re doing, there’s clearly more to Snow Sugar Cookie than what they seem

Like, we theorize about the Strawberry Jam Sword and its origins, but I don’t really see people talking about the Snow Sugar Wand, though maybe that’s just me

Not to mention the whole “unknown secret ingredient” bit in Snow Sugar’s story description. Like, what is Snow Sugar’s lore? I want to know

Actually speaking of the Strawberry Jam Sword, anyone else notice that the wand Snow Sugar uses in their Snowy Black Rabbit Royal Outfit (which is basically evil Snow Sugar) has a red gem that looks suspiciously similar to the one in the Strawberry Jam Sword? I dunno, just something interesting I noticed

[anghraine]

I know I've ranted about it a million times, but every time someone brings up Roman, Byzantine, and Egyptian inspirations/influences on Gondor in more mainstream Tolkien fandom spaces (not me, because I don't even talk about it off Tumblr/DW), it seems like there's always someone who gets super weird and defensive about it. I've seen so many "well actually there's no need to consider any influences outside of England, mythology for England blah blah" responses.

And it's like! Oh, you want to play the decontextualized Tolkien quotes game? How about this one:

“But this [the setting of LOTR] is not a purely 'Nordic' area in any sense. If Hobbiton and Rivendell are taken (as intended) to be at about the latitude of Oxford, then Minas Tirith, 600 miles south, is at about the latitude of Florence [in Italy]. The Mouths of Anduin and the ancient [Gondorian] city of Pelargir are at about the latitude of ancient Troy [in Turkey]. Auden has asserted that for me 'the North is a sacred direction.' That is not true. The North-west part of Europe, where I (and most of my ancestors) have lived, has my affection, as a man’s home should. I love its atmosphere, and know more of its histories and languages than I do of other parts; but it is not ‘sacred’, nor does it exhaust my affections. I have, for instance, a particular love for the Latin language, and among its descendants for Spanish ... The progress of the tale ends in what is far more like the re-establishment of an effective Holy Roman Empire with its seat in Rome than anything that would be devised by a 'Nordic.'”

Or this one:

we come [in ROTK] to the half-ruinous Byzantine City of Minas Tirith

Or:

In the south Gondor rises to a peak of power, almost reflecting Númenor, and then fades slowly to decayed Middle Age, a kind of proud, venerable, but increasingly impotent Byzantium.

Or:

The Númenóreans of Gondor were proud, peculiar, and archaic, and I think are best pictured in (say) Egyptian terms. In many ways they resembled ‘Egyptians’ - the love of, and power to construct, the gigantic and massive. And in their great interest in ancestry and in tombs. […] I think the crown of Gondor (the S. Kingdom) was very tall, like that of Egypt, but with wings attached, not set straight back but at an angle. The N. Kingdom had only a diadem (III 323). Cf. the difference between the N. and S. kingdoms of Egypt.

Or:

Thank you very much for your letter. … It came while I was away, in Gondor (sc. Venice), as a change from the North Kingdom

Middle-earth is not equivalent to England, or northern Europe in general, and Gondor especially is not northern at all!

[nthspecialll]

I think we sometimes as a fandom tend to hyper-focus on certian characters' backgrounds simply because we like the character when in reality other characters who might not be as interesting has way better backstories, because no, Javier, Arthur and John are not the only ones with sad backstories

Like why does no one talk about what happened to Leopold's sister? Why does no one talk about young Lenny tracking down and killing folk? Why does no one talk about Javier actually in a way working for the government for a while and the reason why he killed that powerful military man? Why does no one talk about why Dutch is called Dutch and not by his actual first name? Why does no one talk about Bill's worst childhood fear coming true? Why does no one talk about both Swanson and Micah saving Dutch's life or that Tilly is also a murderer?

Anyways here is a full explanation of all the Van Der Linde gang members backstories.

Sean MacQuire

Sean Macquire and his father lived in Ireland possibly with more family but had to flee because the English (who were at the time in charge of ireland) were chasing them. They fled for their lives and they were in Boston for a month before his dad was shot in his sleep, showing the remaining Sean that there was truly no honor or shame in the world.

He was then sent to a reform school, which we all know was abusive and a living hell, so he ran, living as a low-life thief, he was a teenager, when he in a bar somewhere in North Elizabeth saw Dutch and Hosea and liked Dutch's watch. He followed the two into an alleyway and threatened them at gunpoint, however they laughed at him and told him to shoot, so he did, except the two others had noticed him first and taken the bullets from his gun. Sean started crying, thinking they were going to kill him but instead of doing that they gave him a home, a place to belong.

Lenny Summers

Lenny's grandparents as well as parents were slaves and his mother was born on a cotton field and taken away from his grandmother, who hadn't even known she was pregnant, immediately. His grandmother was then told to simply get back to work.

After the civil war, the old overseer kept making advandages towards Lenny's grandmother, to a point that in the end she needed to kill him and just barely escaped being lynched. Lenny's mother never saw the grandmother again.

Lenny's mother later met Mr Summers who was an educated man and taught Lenny to both read and write, however when Lenny was 15, his dad was beaten to death by several drunk men. Lenny stole a gun, tracked and hunted down the men, shooting them and showing no remorse even years later.

Kieran Duffy

Kieran Duffy's father was an Irishman who came to America with a dream of farming. It was there that he met Kieran's mother and not long after having Kieran, they both passed due to Cholera and not shortly after that the stables that he worked at to support himself threw him out. He decided to join the army to support himself but it didn't last long before he quit due to it "not working out well."

After returning from the army, he fell into work with a bunch of unnamed outlaws, though they all passed away, leaving him alone once again.

At some point he ran into the O'Driscolls who gave him a choice, to ride with them or to get killed, esencially forcing him to join them and work as a stable hand for them, though he was at the bottom of the latter simply working with the horses before being kidnapped by Arthur Morgan and joining the Van Der Linde gang.

Leopold Strauss

Leopold Strauss was born into severe poverty in Austria and his family struggled heavily with food. By the time that Strauss was only twelve, his older brother was beating up nightwatch men for whatever cash and food scraps they had on them. By that time Strauss's father had already sold his younger sister Anna, by the age of nine, into bonded labour to be able to provide for the rest of the family.

When Stauss was seventeen he was sent with his uncle to the US due to health problems, however the hellish sight of Brooklyn gave Strauss's uncle a heart attack on the spot, leaving Strauss alone in a forgein country. To survive he began doing illegal money scams and after doing so for years Dutch picked him up.

Tilly Jackson

Tilly Jackson was the daughter of a slave and became an outlaw by the mere age of twelve, running with a gang called the Foreman brothers who kidnapped her but after murdering the leaders cousin after he made advandages on her, she had to flee. She returned to her mothers workplace but found that she had already passed.

Later Tilly ran into Dutch Van Der Linde and as he was already taking care of John Marston and Arthur Morgan, he took her in, becoming just as much as a father figure to her as to the boys.

Micah Bell

Micah Bell was born directly into a life of crime as his father Micah Bell jr was a petty but ruthless and violent outlaw. Already when Micah was 17 him and his father were on run from the law as they had slid Jean and Roscoe Briggs throats and later hung them as well. His father was also his primary partner in crime, however he also seemed to have teamed up with his brother Amos a few times as well, however Amos regretted his past life and started a proper one with wife and children and threatened to kill Micah if he came close.

Micah had several partners in crime later in life, including Joe and Cleet who appears later in the game, as well as a fellow named Norman.

Micah runs into Dutch Van Der Linde in 1898 in a bar as Dutch is trying to sell some stolen goods, however the deal doesn’t work out and Micah steps in to help Dutch and save his life, earning a place in the gang.

Bill Williamson

Bill Williamson, also known as Marion Williamson, was born into an abusive family with a father who lost his mind to alchohol, even going to the point of mixing moonshine with whiskey. Watching this Bill always feared falling in love with liquor and suffering the same fate.

Bill always showed signs of being more of a troubled kid and being sent to a reform school did not stop him from building s solid criminal record as a kid.

Bill would later apply to the military and serve in the 15th infantry, fighting against the native americans before being dishonorably discharged for deviancy and attempted murder in 1892. For a year after he lived rough, truly falling in love with liqour and stealing from people om the side of the roads, one time being robbed himself by a "woman" (likely a cross dresser or genderqueer person).

In 1893 Bill tried to rob Dutch and got angry as the man simply laughed at him, however he calmed down as he was allowed a spot in the Van Der Linde gang.

Daniel(?) "Dutch" Van Der Linde

Dutch's mother was an english woman named Greta and his father a dutch man who lived somewhere near Philadelphia who fought in the civil war and died, which is why Dutch hated southeners.

Dutch's nickname rumors to come from his father's desperate attempt at keeping touch with his ancerstory.

When he was 15, he left home due to troubles with his mother whom he never got along with and simply saw him as a disobedient and troubled kid. He wished for freedom above all so to gain this he started a life of crime and in mid 1870 met Hosea Matthews.

(Second edit: I am not 100% sure Daniel is his true name, thus the ?, however I found it on his wiki page and added it)

Hosea Matthews

Hosea was born in around 1844 and lived the majority of his earlier life in the mountians, growing to love fishing and hunting. His father was mostly absent, living a life of "sin and debauchery that would make an emperor blush." Hosea saw his dad only about three times in his life but loved him none the less.

He tried to make his way with comedy as a stage actor, however he turned to petty thieft, stealing from his audience and later others in town. He was caught by the sheif stealing a chicken and sentenced to be hanged. Luckiy for Hosea the town folk saw it as a punishment too cruel and a riot broke out which ended with someone shooting the noose around Hosea's neck, allowing him to flee.

Mid 1870 Hosea found Dutch sitting by a campfire and decided to rob him, however found that Dutch had already robbed him. Hosea feared for a moment for his life but it ended with the two of them laughing it off and teaming up.

Molly O'Shea

Molly O'Shea was born into a wealthy Irish family, set up to live a proper and educated life, however she quickly got bored and showed little interest in the life set up for her, so she ran off to America in search of adventure and excitment. At some point she ran into Dutch Van Der Linde and found an interest in him and his life style, only to later genuiently fall in love with him.

Arthur Morgan

Arthur Morgan was born to Beatrice and Lyle Morgan in northen US. His mother died in his early life and he never really got along with his father whom there are rumors was abusive. Lyle lived a life of petty crime and was arrested and executed. Arthur saw his father die and although not having the best relationship, Arthur kept his father's hat and picture.

In 1877 Arthur was 14 and a wild delinquent. He ran into Dutch and Hosea, being picked up and taken under their wing, taught not only the ways of crime but also skills like reading, writing, hunting and so on.

Uncle

Uncle was born in Ohio (insert Penelope Braithwaithe shutter) with the only family present being his parents who died when he was nine and an "uncle" named Jeb whom Uncle hints at being a pedofile.

After his parents death he was on his own and was forced to a new city where he had to care for himself, and from that time to the game start in 1899, we know he has been married at least twice.

Uncle tells many stories of his past such as going to Africa and being worthshipped like a god by the locals, however the truth of these stories are highly doubted due to his tendency to lie. He does tell stories of being a "one shot kid" in his younger days, the truth of these also being doubted, however it may have been his tricket into the Van Der Linde gang.

Susan Grimsaw

Along with Hosea, Dutch and Arthur Susan was one of the founding memebers of the Van Der Linde gang, having run into Dutch during a poker game where both he and she found interest in one another, causing the curious couple and their unruly son to stay in the area a bit longer, paying poker long into the night while Susan sat on Dutch's lap.

Having gotten into a romantic relationship with Dutch, Susan was allowed to join the small group and even stayed when Dutch moved on to Annabelle, now serving as a form of housemother, making sure that people did their work, took properly care of themselves and made camp feel like home.

You can also hear Susan talking to Mary-Beth one time in camp, admitting that she had a fiance once however he went to heaven.

John Marston

John Marston was born in 1873 to an illiterate scottish father born on the boat to New York and a prositute mother who died during his birth. At first John lived with his father who constantly spoke of Scotland and his love for the country, however he was blinded in a bar fight south of Chicargo and later died when John was eight. The true cause of his father's death is unknown however John was told it was a barfight.

John spent a few years in an orphanage before running off and living on his own, at the mere age of eleven commiting his first murder by shooting a man, though he claims it was not his fault.

At the age of twelve John had been caught stealing from homesteaders who planned to have him hanged, however Dutch stepped in and took him under his wing.

Orville Swanson

Swanson used to wrok as a Clergyman but after indulging in the "earthly pleasures", being seduced by alchohol and sex, he lost his family, job and in the end faith, though he desperately tried to regain it.

At some point or another he fell in love with a woman named Margaret, though she was already married, so he simply added bigamy to the list of sins he had already commited. When the two of them were in San Fransisco, the law finally caught up wth them and while she fled onto a ship headed for Shanghai he was stuck and never saw her again.

Under unknown circomstances Swanson came to save Dutch's life and due to Dutch's debt to Swanson he was allowed to join the gang.

Mary-Beth Gaskill

Being a woman of good nature, Mary-Beth did not struggle getting close to her victims after having found herself needing to find a living in the streets. Due to her looks and personality she could with ease fool the richer men into thinking they were saving a poor maiden in need while her fingers slipped into their pockets.

It was through this that Mary-Beth got in trouble with not just the law but her victims as well. One night she had gotten a few foul men on her tail that she ran into the Van Der Linde gang who saved her and asked her to join them.

Charles Smith

Charles Smith was born to a Native Mother and a free African American father, all three of them living fairly happily with his mothets tripe together with a few other free men before the US army chased them away.

They continued to live together but a few years later Charles' mother was captured by the army, leading Charles' father to fall into alcoholism and a deep depression.

At the mere age of 13 Charles left his father and began to live on his own, becoming a supreme survivalist from an early age.

Some point during the late 1898 ran into the Van Der Linde gang in the Grizzlies and joined them.

Simon Pearson

Simon Pearson's family were whale hunters and although Pearson wished to follow in their footsteps it did not go that way due to the whale industry having lessened by the time that he got out of school. Having been forced to look for new employment options, Pearson joins the Navy where he even managed to get stranded for fifty days on a ship filled with plauge, watching his friends and coworkers slowly drop one by one.

After having returned from the Navy Pearson begins to struggle financially and takes a loan, however unable to pay it off loansharks comes after him and it is during one of these attempts at getting to Pearson that the Van Der Linde gang saves him and brings him to camp as a cook.

Abigail Marston

Abigail Marston, originally born Abigail Roberts, was orphaned at a young age and started roaming around bars, scraping whatever few coins she could take from folk before starting a work of prostitution, making an earning by selling her body and at some point running into Uncle at a bar who introduced her to the gang.

Now living with the gang, Abigail still worked as a prositute up until falling pregnant with Jack Marston by John Marston.

Josiah Trelawny

Josiah Trelawny was born in England though he has no memories of his life there, he later imigated to America where he starts working as a conman and trickster. It was during this line of work that he met yhe Van Der Linde gang and joined them bur with a special advandage as he, unlike the others, was allowed to appear and disappear as he pleased, always knowing when Dutch planned to cut him off and return with a big hit.

Josiah has a family living in Saint Denis concisting of a wife and two sons named Tarquin and Cornelius. Just as with the gang, he would disappear on them for months.

Karen Jones

Karen Jones lived as a scam artist in her early years and absolutely loved the outlaw lifestyle and hoped for a bit more which partly drove her to accept the Van Der Linde gang's invitation, hoping to achieve more.

Javier Escuella

Javier Escuella was born in Mexico to a drunkard father who worked for Allende' (a main antagonist in rdr1, a military man) uncle. When he was young he saw his own uncle as well as four other separate men get casterated and fed to pigs for simply suggesting fair wages for their work.

Javier moved on to become a violent and known bounty hunter and revolutionary, fighting against what he saw as a corupt system.

Javier ended up killing a powerful former military man for a woman that he loved, fearing for his loved ones life he fled to America where he knew no english and had no work or food, leaving him starving.

It was in America that he ran into Dutch as they both were trying to steal the same chickens. Dutch took Javier in, fed him, gave him a family and a life, leading Javuer to idiolize Dutch also for his revolutionary ideals.

At some unknown point someone attempted to kill Javier, leading to him having a prominent scar on his throat.

Sadie Alder

Sadie Alder grew up in a harsh envioment and from a very early age learned how to hunt and ride to care for herself, things that Jack Adler fell in love with. The two of them married september 1896, moving to a ranch in Ambarino where they had three happy years of marriage before the O'Driscolls arrived at their cabin.

[captainzigo]

i’m making some of my edgy ocs from when i was little. “the alicorn experiments.” they are victims of pegasus ethnofacists that were planning to take over equestria. the pegafascists all lived in a one of a few cities that were like cloudsdale but they moved around a bunch like with the seasons. the capitol was called the north wind. their war machines were just called storm clouds and they were like blimps but the balloon was a cloud and they had cannons that shoot lightning. they hated the new democracy like the other regressive post-celestial monarchist movements, but they used it as an excuse to advance their supremacist ideologies.

mistletoe was a voluntary experiment. he’s an insider defector spy. all the pegafascists names are based off of Christmas because I thought it was really funny when I was little. all of these pegafascists idealize the old pegasopolis in the same way that Nazis, or other fascists idolize ancient civilizations like notably the Romans. but since pegasopolis is mostly remembered in the context of the heartswarming tale, they have a sort of christmas fascism (lol christofascism) I don’t know, it made a lot more sense to me when I was a child. It’s still a little funny though.

i was really into starwars at the time (more so than i normally always am) so of course the bad guys i made up were fascists with huge war machines. but i think fighting fascists is awesome. and unfortunately something some people seem to be forgetting.

the alicorn experiments were them trying to make an alicorn basically by variously sewing together a unicorn and a pegasus. they had other things they tried like cloning and magic too. they wanted to create a new royal line because the celestial sisters stepped down and they regard twilight’s creating a democracy as her forfeiting her rule. (i came up with these guys years before the sisters retired in the show, so at the time it was just because they didn’t like them) but that’s not how alicorns worked so the experiments are just a bunch of righteously angry misfits with weird powers that i can pull protagonist character from. the pegafascists really only care about pegasi and form some other plan to appease the monarchists and/or ultra religious in their ranks.

[windupaidoneus]

ok ive slept (thinks about this harder)

been thinking abt emet teaching hilde black magic during shb. why not. he would already have been learning it... more potential for misery & angst afootttt

[jonsnowunemploymentera]

The thing about Jon that a lot of people forget is that he is actually a rather well known figure all around Westeros. I don’t think it’s incorrect to say that he’s Ned’s most famous kid by a large margin, and perhaps even one of the more famous teens in Westeros; especially now that he has become Lord Commander of the Night’s Watch and his reputation has began to stretch to a different continent. Because of his very unusual origin - being honorable Ned Stark’s bastard son by an unknown woman - his name has been passed around in noble houses across the entire continent. He’s not some random kid from the North that no one has heard of. The majority of people may not have seen him, but they have at the very least heard of him.

I bring this up because people tend to act as if Jon would be automatically scoffed away by just about everyone if his true parentage ever came to light. After all, they say, why would anyone believe that some random kid from the north is a Targaryen prince? But this is not really true. Jon is not a random kid. His father was one of the most powerful men in the entire land. And not only that, but Ned’s reputation as an honorable man with no fault ensured that the scandal of begetting a bastard was known by everyone who is someone. The thing is, readers tend to ignore a very large gaping hole in the story when it comes to public perception of Jon’s parentage. People all over Westeros have been talking about Ned and his bastard, but no one can agree on the mother - this is actually important!

Most people would not have questioned Ned to his face, but they too want to know who Jon’s mother was, even if it’s just for a little bit of gossip among nobles. Jon’s parentage is a mysterious puzzle that a lot of people have tried to solve themselves. Catelyn hears one answer in Winterfell, but Davos hears another on his way to White Harbor. Edric Dayne from Dorne says a different name to Arya, while Cersei and Robert (who both live in KL) hear different things. That there’s so much variation all around Westeros is actually proof that a lot of people are talking about this one issue. And Ned’s refusal to name a woman may actually end up having unexpected consequences when someone finally mentions the name “Lyanna Stark”.

So I would like to push back on the belief that no one in Westeros would care about the R+L=J reveal or that they would immediately write Jon off. GRRM deciding to keep Jon’s mother an in universe mystery that is the topic of constant conversation will have major payoff. While I could see some being incredulous, it’s absolutely not a foregone conclusion that most people will choose not to believe it. And it’s not a foregone conclusion that this reveal will only matter to the Stark kids and no one else. Sure GRRM is playing with fantasy tropes, and Jon squarely falls under the hidden prince/king. But something that makes Jon quite different from a lot of his genre counterparts is that he’s not an unknown figure who shows up at the last minute to claim the crown. Jon is not an unknown entity. He is well known, it’s just that very few people have dared to think too deeply about the very large elephant in the room regarding his origin. But I’d imagine that if R+L=J was to be revealed, it wouldn’t be too shocking for a lot of people. It’s not so far fetched that honorable Ned Stark actually chose to protect his sister’s son.

And in regards to GRRM playing with fantasy tropes, Young Griff always comes up in conversation as Jon’s foil. People say that he will be the one to be believed because he looks the part of a Targaryen, whereas a random kid from the North won’t be believed because of his brown hair and grey eyes. Jon doesn’t look like some random unrecognizable Northman. He very specifically looks like a Stark! And anyway, is Jon’s story - that Ned took him in after his sister died and raised him as his own under the protective banner of House Stark - any less believable than Young Griff’s - that Varys had the foresight to save him and whisk him off to Essos before the Mountain bashed his head in? Until now, people have never heard of Young Griff so they’ve never had the opportunity to ruminate over and gossip about his origin story. But they know Jon. And they know about Rhaegar and Lyanna. And Jon looking so very undeniably like a Stark (like Lyanna Stark!) could perhaps work in his favor.

[patrickzvveig]

The Hunger Games is such an interesting series but I'm always floored by how genuinely good and smart it is. I think it's easy to look back at the absolute nothingness that the YA dystopia genre became and curse out all of its leaders, but The Hunger Games was always a smart and interesting series that even in the first few pages of its first book gripped the reader with possibility.

And I think that's why it continues to be successful and loved in a way that even its popular contemporaries are not. Because there's nothing about the world it takes place that seems strange or impossible, yes even with the child murder games. Katniss tells us that Panem has formed from the ruins of North America, the countries of which ultimately fell due to conflict caused by climate change and lack of resources. Not only is this situation not impossible- it is literally probable, and seems more likely each year we go by the with our leaders pretending the climate crisis is not real. Like North America didn't fall under an evil "foreign power" who took away American (specifically the United States') values. This world wasn't formed over night. It emerged out of the brutality and greed of the world we currently live in.

And even with The Hunger Games as an event, the world still seems so immersed in this reality. It helps that events similar to this have taken place throughout history. The comparison between Rome and the Capitol is not exactly subtle, but it helps ground the Capitol's brutality in a very real history. Using this sort of barbarism as punishment AND entertainment (even to the ones being punished) has happened throughout history, and happens now in ways that are more concealed. Also, the Hunger Games being used as a reminder of the Capitol's control over the districts and a tactic to dissuade rebellion (with the idea that they will be crushed if they try to revolt) MAKES SENSE.

And making sense is why it is so successful. You know what doesn't make sense? Dividing the US into 5 character traits and making people who have more than one *dangerous,* or any of the other strange and contrived plots that came after it in the wake of its success. It works because its possible, and in a sick way, rational. It reminds us that humans can be brutal, and greedy, and evil. But they're not stupid. It's not improbable or even ineffective (for the rich at least) to create this world. class difference MEANS THINGS, and drives the conflict. It's the USA if we keep going down this path and ignore our impending doom.

[annymation]

Reimagining the characters in Wish

(Part 3- Star/Aster)

ITS THE MOMENT WE’VE BEEN WAITING FOR!!!

HERE COMES THE BOYYYYY!!!

Ahem… so yeah welcome to part 3

If you haven’t seen them yet, here’s the links for part 1 and part 2 where I talk about how I’d rewrite Asha and the villains respectively.

Star may be the most challenging character to reimagine since… All I have is the personality displayed on the Star we DID get, a song we all collectively headcanon as Asha x Star love song (At All Cost Demo), and my imagination… In a way that just makes things more fun too.

Now remember there’s no definitive version of this character, he never came true so there’s limitless ways we can interpret him.

Some may imagine him mute, some may imagine him as a wacky character like the genie, others may imagine him more soft spoken like the blue fairy, some may imagine him as Asha’s love interest while others may prefer them as just friends, or even have him look like her grandfather, there are no wrong answers.

So here’s how I imagine him to be like:

The Star 💫

What’s a Wishing Star?

- Before we start talking about our star boy, I think it’s important we establish what a wishing star even is, so let’s begin.

-Star is an entity from another plane of existence, a wishing star, a being whose only purpose is to listen to the wishes from mortals that can see him and other wishing stars through their night skies. They listen to the wishes from mortals and provide some guidance in subtle ways.

- A wishing star is born, or rather, gains consciousness, once someone looks to them and makes a wish from the bottom of their hearts, once the star receives their first ever wish they are no longer just a celestial body of gas, they become a new wishing star, they gain a purpose, and develop their minds just like how a human would.

- As the years pass the star becomes more wise, more equipped to help the person who wished upon them for the first time.

- For a wishing star to grow up it may take a while, that’s why most people wish upon bigger ones who are already fully developed and clever enough to know exactly how to help.

- It’s not a wishing star’s job to GRANT a wish immediately, in fact, they’re incapable of doing that, their magic can only go as far as the hope and perseverance that resides in their wishmaker’s heart.

- Things that the mortal would consider just luck could actually be the works of a wishing star putting them in the right path.

- If the person loses hope in their dream then there isn’t anything the star can do, but if they remain determined then the star can help them go far.

- So a wishing star job is to just… stay in the sky, look down upon their wishmakers, give some subtle magic intervention here and there…

-That is, when they’re wished upon at all, otherwise they just stay there doing nothing.

- However… In some rare occasions, wishing stars can do a lot more than just give a subtle magic intervention from the distance. Sometimes, when someone truly well intentioned makes a wish with all their heart… The wishing star gets the power to do some extraordinary things.

Personality

- Star, or Aster as I’ll be calling him in this rewrite, which is a non-binary name meaning “star”. I’ll be referring to them with (He/they) pronouns.

- Aster is a very young and inexperienced wishing star, in fact, counting with Asha’s wish, Star only got TWO wishes in their whole life. And he’s still working on granting that first wish he ever got 18 years ago.

(Haha I’m sure that’s not foreshadowing for something really sad)

- Because of that he’s often treated by the other stars as sort of a younger sibling or a little kid.

- I think I should just get this info out now: Aster is NOT the north star, that big, bright and iconic star we know from the Disney movies, nope, Aster is actually a small itty bitty little star that you can barely see, that kind of star you probably wouldn’t pick to wish upon, most choose the brightests and bigger ones.

- So who’s that big, bright and iconic star? Well, in the beginning of our story… That star doesn’t exist, like, it’s literally absent from the sky… After all, we're seeing that star's origin story :)

- We’ll get to that when we get to that, back to Aster tho.

- Aster is a lot different from the other wishing stars, while they’re these benevolent and wise entities, Aster is more of a naive and curious teen who’s fascinated with the world below them.

- No one wishes upon him EVER so he gets a lot of free time to just watch humans do human things and animals do animal things, and he loves it.

(He’s like Ariel and Quasimodo lmao)

- When he gets to earth he’s very excited to help Asha, showing appreciation for her wishing upon him through a lot of physical contact, often hugging her and holding her hand without him even noticing. (Asha at first is confused but she gets used to this behavior pretty quick)

- Although Aster is naive and overly excited they’re no fool, he can be very clever and creative when it’s necessary.

- He’s also not a fish out of water like Ariel when he’s on earth, they understands human customs and how things work, since he watched everything from the sky… Although nevertheless they’re delighted to see everything up close.

- He may be smart, but at first, they don’t really know how to guide Asha in the right path to make her wish come true, after all he’s a very inexperienced wishing star, and freeing a kingdom from an evil sorcerer king and queen is no easy task.

- But regardless he doesn’t let his own insecurities get to him, and remains optimistic they’ll figure it out, together.

His personality is reminiscent to Disney guys such as: Quasimodo, Peter Pan, Prince Philip (yes really, rewatch Sleeping Beauty, that boy has a lot of personality), Alladin and Hercules.

Main Traits:

- Optimistic and kind

- Naïve

- Protective

- Curious

- Energetic

- Secretly very insecure

Powers

I think it’s important to establish his abilities before we get to his backstory and all that jazz.

What he CAN’T do

Just like how Movie Asha did in her job interview, let’s get his weaknesses out of the way first.

- Sooo… don’t get mad but… Star won’t be a shapeshifter in my version. I don’t want him to feel too much like Maui or the genie. So he’ll stay in the shape of a princely looking boy the whole way through.

- He can’t teleport, would make things too easy, also there’s a plot reason I’ll explain later.

- Can’t materialize real things out of thin air, only things made of star dust so they don’t really have any utility other than to create fun visuals during music numbers or when he’s explaining stuff.

- Can’t hurt anyone, this one is VERY IMPORTANT for plot reasons I’ll talk about later on.

- Can’t make a wish come true with the snap of his fingers, he’s a star, not a genie.

Weakness: Dark Magic, hopelessness and Asha getting hurt.

What he CAN do

- Stretch and re-shape his body. He may not turn into animals but his body can regenerate and squash and stretch around (haha get it? Like the animation term), like he’s made of star dust. Have this piece of concept art as an example:

- He can Fly and make other people and objects fly too

- Unlock doors, may seem random now but I’ll explain in a minute.

- Bring plants to life, and make them grow bigger, and I mean like “make a flower the size of a house” bigger.

- Make animals talk, but the animals only keep talking IF they so desire, if that’s not something they wish for then the magic fades away with time.

- Tho he naturally understands animals and any other living thing in their own languages.

- He can feel other people’s wishes, not all the time tho, he has to make a conscious effort to see what’s that person’s deepest desire.

- His body is warm like a small sun, so he can give warm hugs… that’s a power, yes.

- Aster may not teleport, but they can move really REALLY fast

- Uncorrupt wish bubbles, I mentioned in part 2 that Magnifico twisted most the people's wishes, those wishes that are changed are called “Corrupted wishes”, Aster can change those wishes back to what they originally were.

- Create dreams, is that too much like the sandman from rise of the guardians?… Im still keeping it.

-Get inside drawings, This is just for a scene I imagine Aster shrinking and walking around inside Asha's sketch book, I think that's cute.

- Make a human disguise, I'll elaborate more on this when we get to talk about his design.

- He can grant wishes “but Anny you just said earlier he can’t—“ yes yes I know… he just grants them in his own unique way.

What gives him strength: Hopes and dreams

(Undertale reference? More likely than you think)

A wishing star purpose is to serve as a guide, that provides some magic intervention so that the wishmaker has the means to get to their goal.

As such, the stronger Asha’s hope, perseverance and passions are, the stronger and more limitless Star’s magic becomes. Like his magic abilities are charged up by Asha’s beliefs, the more she wants something, the more he can do for her.

Now, let’s talk about how Aster and other wishing stars that come to earth function, and to do that, we gotta go waaaaay back to another wish granting character in the Disney catalog.

The Blue Fairy- What can we learn from her?

- We all know the blue fairy from Pinocchio, she is in a way the closest thing we have in the Disney canon that resembles the concept of Star, so I’m considering them as both the same kind of entity, they’re both wishing stars.

(not the same character tho, and I’ll get to that soon don’t you worry)

- You would think a character we see so little about doesn’t provide a lot of context, but she actually gives us a pretty good idea about what wishing stars can and can’t do.

- First thing she says when arriving is:

“Good Geppetto, you have given so much happiness to others. You deserve to have your wish come true.”

- From that, we can interpret that wishing stars only assume a human form and help those who are truly pure of heart and have spread kindness to others. Like Asha.

- Geppetto wished for Pinocchio to be a real boy, a human boy, but the blue fairy couldn’t grant that wish, because the only one who could make himself a real boy was Pinocchio himself.

“To make Geppetto’s wish come true will be enterely up to you. Prove yourself brave, truthful and unselfish, and someday you will be a real boy"

- So, am I saying that Aster will just fly up to Asha and say “it’s all up to you to save your people… GOOD LUCK! 😊” sparkle some magic on her and leave?

- Well no although that would be funny, he’s not gonna do that, in fact, Aster will act way differently compared to the Blue Fairy.

- Although Aster can’t immediately make the people of Rosas “Have something more than this” he will do everything in his power to help Asha with anything she needs, and stay by her side the whole way through… Not at all what the Blue Fairy did.

- Lets say the Blue Fairy did exactly what a wishing star is supposed to do.

-She didn’t let herself be seen by anyone except Pinocchio and Jimminy Cricket, she only gave Pinocchio a few instructions and then left it all up to him, and even then when she went a bit beyond that to inform him that Geppetto was inside a whale she did so by sending a note… Almost like she couldn’t go back again to tell him personally… Interesting huh?

(I know the reason is because the animators would lose their minds if they had to draw that sparkly effect on her dress a third time but let’s pretend there’s more to it okay?)

- So we have her being the best role model of a wishing star… and then we have Aster...

-Doesn’t even know where to begin with helping Asha, chooses to stay on earth more than a day instead of just giving cryptic advice and leaving, was seen by multiple people aside from just Asha and Valentino, and worse of all, falls in love with his wish maker… yeah dude broke several rule… And the other stars ain’t happy about that.

- You could say the scale of Geppetto’s wish and Asha’s wish are way different, one just wants a son and the other wants to defeat two evil monarchs.

-But the stars don’t see it that way, to them every wish should be treated equally and it’s not their purpose to mingle with humans and change the course of their history.

- So you see, while the Blue Fairy could go back to the sky and then reappear anywhere she wanted… Aster won’t have that privilege.

-If he goes back to the sky he’s not coming back down, because the other stars won’t allow it, not after he broke their rules.

- Aster knows all that, because he can hear them talking to him, warning him to stop and go back to the sky… Aster keeps that information a secret from Asha for as long as they can…

- He knows after he’s done helping Asha they’ll never see each other again, but that’s fine, he’s willing to break every rule to help her…

- Oh also there’s a scene in Pinocchio where the Blue Fairy opens a lock to free Pinocchio from a cage… that’s why I said Aster can unlock doors… okay moving on to our boy backstory.

Backstory

Yup, Aster has a backstory. And it all started in one fateful night:

An elderly man was taking a walk, carrying his granddaughter in his arms, she was just a few weeks old, but he couldn’t wait to show her how beautiful the stars looked that night.

He sat with her on a thick tree branch, and even though she couldn’t understand him, he was so happy telling her the names of each constellation.

In that moment, it seemed like everything was perfect.

But then that moment ended… He heard screams, and smelled smoke.

The elderly man ran back to his home, only to find it completely engulfed in a fire.

His granddaughter was now crying in his arms as he watched some neighbors trying to put down the fire, but to no avail.

His son and daughter-in-law were in there, he lost them both in an instant, the pain he felt in that moment was immeasurable.

In that moment of sorrow all he could do was look up, between the thick smoke he saw it… a small star.

With all his heart, Sabino wished upon it

“I wish my dear granddaughter, Asha, never feel such pain and sadness as I’m feeling in this moment”

A new wishing star was born.

Those words were the first thing Aster ever heard, it took a few years for him to even know what they meant, but as Asha and him grew older, he started to understand them.

He tried his best to make Asha as happy as she could be with the little that he was allowed to do.

Sometimes giving her inspiration for her drawings, other times sending her nice dreams after a bad day.

But he felt like he was failing her, no matter what he did, Asha would still go through sad times… Specially after her grandfather passed away.

Aster treasured every happy moment that he saw Asha experience, her making new friends, getting better with her drawings, dancing during wish ceremonies. Aster would shine brighter every time she was happy.

Point is: They were connected the whole time, and Aster already knew Asha even way before she wished upon him.

To be clear he wouldn’t just stay up there looking at Asha all day, he was also interested on everything else on earth in general.

But then, we have Asha’s 18th birthday, the day she had to give away her wish.

Aster knew what was really going on in Rosas, about what happened to most of the people’s wishes, and although that also saddened the other stars they all agreed they couldn't intervene unless someone from Rosas wished for their help.

So you can imagine how happy Aster was when Asha wished upon HIM, of all the stars, she looked at him and asked for his help! What are the chances?

If you could listen to them, you’d hear all the stars collectively whisper “oh…this might not end well…” as Aster flies down to earth going "YYYYYPIIIEEEEEEE!!!"

A Star Who Wishes To Be Human

- I’ve made it very clear that Aster is different from the other stars, for the reason that he’s so young and so fascinated with life on earth.

- But there’s more than that, see, I mentioned before Aster can’t hurt anyone, and that’s not because he’s some holier-than-thou pacifist, it’s because his magic literally CAN’T hurt living beings.

- Because his magic is made of ✨hopes✨ and ��kindness✨ and ✨everything nice✨, so even if they literally make a sword with his star dust, all it’ll do is give Magnifico some tickles.

- And Aster hates that.

- He wishes he could be more useful to Asha… wait, “wishes”?

- That’s silly, a star is not supposed to “wish” for anything, to have wants, that’s a human thing... And yet here he is wanting to protect Asha in any way possible.

- This drive to protect Asha runs even deeper than just the wish he received from her grandfather or the wish she made, Aster feels as if it's a wish that comes within him.

- Aster would question why they feels this way, is it love? Can’t be that right? A star can’t fall in love…

- The same way a star can’t taste food, or smell the flowers, or feel temperature…

- But Aster wishes they could, Aster wishes he knew what food tasted like, what was the smell of the flowers and the morning dew, but most of all… Aster wished he could feel Asha’s warmth, the same way she feels when they embraced.

- This would be Aster internal conflict for most of the movie. They’d realize that they can’t be with Asha forever, but Aster wanted to at least confess his feelings before they went to enact their plan to defeat the king and queen, that’s when we’d get “At All Cost”.

- Soooo a bit of a spoiler to this rewrite, I’m basically telling a story all out of order at this point, but here goes, Aster does become human by the end, after the king and queen are defeated, the stars realize that punishing Aster for breaking their rules wouldn’t be fair after he did so much good, and also because some of them can’t stand him so they decide “hey, let’s leave him there” and just ask him to return his magic back to the sky.

- Once Aster accepts, his magic would be turned into a brand new star, that shines brighter than all the others, because it carries all the magic that Aster accumulated by helping Asha and all of Rosas. And thus we’d get an origin story for THE wishing star.

Design

Aster has brown skin, sparkly freckles and blond hair that shines and moves almost like a candle.

He dresses up as a prince, with the classic cape we see in classic princes like in Snow White and Sleeping Beauty.

They choose that form because he recalls that Asha used to read a lot about princes that would help princesses in need, so he thinks it's fitting to at least looks like one to help Asha

"But I'm not a princess"

"I know, you're just pretty like one!"

A itty bitty detail I didn't mention until now: Aster would be hand drawn animated, while everything else would be 3D, and his animation would change as the movie progressed.

By change I mean he'd start in a very sketchy looking animation, like it's being drawn very frantically to reflect how excited he is to help Asha, but as the movie progresses he'd be drawn with more detail and with more fluid movements.

This would serve to both represent his character development, showing him becoming more mature and learning what it means to be human, and also a reference to how Disney's animation evolved over the years.

He can make a human disguise, as I mentioned earlier, but that would require him to keep his magic hidden somewhere, in this case, a round stone that holds his cape together on his chest.

Once his magic was all kept inside this stone he'd turn into a 3D animated character, however his movements wouldn't feel... quite right, like he'd be animated in a different frame-rate compared to everyone else, so you could tell he was struggling to make himself move like a human, and people would be able to tell there was something off about him.

In the end when he turned into a human for real he'd become 3D animated with the right frame-rate, and his hair would no longer be blonde, but rather brown, like his eyebrows (Tangled reference? yup)

Final Thoughts

This was DEFINITELY the hardest one to translate my thoughts into words! My gosh this took so long to write.

Don't know if you could tell but I'm very passionate about this scrapped idea of a human looking star falling in love with our protagonist, and no it's not just for the ✨aesthetic✨.

I don't think it's wise to throw a romance when writing a story just because you feel like it, a romance needs to progress both the story and the characters involved, think of it like how Naveen learned with Tiana the importance of working hard, while in turn showing her that life can also be fun. They complete each other, and I want the same for Asha and Aster.

Asha needs to learn that she shouldn't feel guilty for wishing more for herself, she worries too much about others and what others may think of her that she forgets her own self worth, and Aster shows her that she not only can wish for things for herself, but she can also accomplish anything she sets her mind to. From becoming an amazing artist that can give movement to her drawings to the leader of a rebellion against two evil monarchs, she can do it all.

Meanwhile, Aster needs to learn that what Asha's grandfather wished upon him is an impossible task, for Asha to always be happy, that's impossible, because sadness is a part of life, its a part of being human, and that's what he learns, what it means to be human, to fail, get up and try again. As a wishing star Aster always knew that humans had to fail a bunch of times before having their wishes granted but he could never imagine how hard that actually was, and Asha's perseverance even with all odds against her is what makes him love her even more.

I talked a lot about why Aster loves Asha, so I should probably mention what Asha sees in him too. Asha get's a lot of laughs from Aster's innocent reactions to natural things on earth, like how dazzled he is seeing the sun rise for the first time, how he just stops and starts chatting with animals and plants like a damn disney princess, or how he randomly starts rambling about how some constellations don't look at all like the animals they're named after "Like, seriously, why did they name that one a lynx? That's obviously a snake hehehe"

But most importantly she loves how caring he is, how he's supportive and passionate about her interests just as much as she is, and how he makes her feel safe, and in turn she wants to protect him too.

I'm honestly debating with myself how I want Aster to go about the information he has known Asha all his life, like, I imagine he'd probably want to hide the fact because he didn't want to talk about the sad tragedy that led to her grandfather wishing upon him, yes Asha knows about the fire but he doesn't want to remind her and make her sad, because remember, at first he doesn't understand that sadness is just part of life.

But then like, would he pretend to not know her? Or would he be like a ghibli character and just nonchalantly say "Oh yeah, I’ve always known you" and never elaborate on that until the story demands it?

… Great, now I just had the idea of Aster functioning like Haku from Spirited Away, like they don't remember where he knows Asha from because he forgot what their previous wish was now that he’s granting a new one, let's say stars can only remember one wish at a time, then as he gets to know her better he starts to remember what his first wish was, and things start to make more sense.

I don’t know, like that’s cute but might be a bit too complicated, y’all tell me, I’m throwing ideas and seeing what makes sense, this whole thing is me asking for feedback after all.

Honestly I think the idea of Aster knowing Asha the whole time works because it not only gives a better explanation to why a star came down from the sky to help her, but also gives more sense to the lyrics “you still amaze me after all this time” in At All Cost.

Welp, I think that's all I got, thank you so much for following along with this series, and don't worry I'm not over yet, there are a few characters to talk about before I start sharing the actual script of this rewrite.

Thank You For Reading!

[shadowandlightt]

Of Nightmares and Memories | Twelve | Azriel x Rhys' Little Sister! Reader

Series Warnings: Kidnapping. Mistreatment. Cursing. Pining. Violence. Depression. Talks of suicide. Eventual smut

Part One Part Two Part Three Part Four Part Five Part Six Part Seven Part Eight Part Nine Part Ten Part Eleven

You laughed as you walked through the forest with your mother and Michaa, your maid. Though, you almost could have believed she was your father’s bastard daughter. In another life, maybe she could have been your sister. You were on your way to meet Rhys, before continuing on to the War Camps to the north. 

You hated The Illyrians and their prejudice, but you loved your brother, Cassian, and Azirel. Although you weren’t sure if you’d see Az or Cass on this trip. It’d been too long since you’d laid eyes on them though, and you were aching to feel their arms around you. 

“How much further?” You groan, dropping your wings slightly, “Can’t we just fly?” 

“You know the winds are too strong today, my love,” your mother informs you softly, “I think we’d all father fly anyway, you know how much Michaa loves it.” 

The young woman only grinned and turned her eyes towards the sky. She was Illyrian too. Wings unclipped thanks to having been born in Valaris. Why she wasn’t in Illyria you weren’t sure, but you were glad to have her. Your life wouldn’t be nearly as fun without her by your side for all of the trouble you caused. 

You close your eyes for a moment and reach your power out, focusing on the soft shadows that lurked by the trees. You weren’t as good at commanding them as Azriel, but you had a small kernel of that power dwelling inside you. Something your father knew nothing about. 

I’m coming, you willed them to say. Before searching for their master. You felt his mental shields, just as strong and powerful as he. You stroked down those shields, gently, sensually. Begging for entrance to his mind. 

I’m in a meeting, his voice fills your mind. 

I plan on sneaking into your tent this weekend.

And you swear you can hear him groan. Not in frustration, but in wanting. You can feel it rippling through his mind. You smile down at your feet, heat rising in your cheeks. You knew the effect you had on him, just as he knew the effect he had on you. You were playing a dangerous game. 

Your father would likely kill Az if he ever found out. Which is why you had to get good at sneaking in the shadows, using them to conceal you from prying eyes. You were a quick study though, and was beginning to master the skill. Az was always proud of you when you manages it. 

Don’t get me in trouble today, he warns, although not sounding very convincing, I doubt the Lords would like it very much if I start smelling like I want you as badly as I do. 

You pause, nearly tripping over a fallen log. Your mother gives you a knowing smile, seeming to understand who you’re talking to. She only knew because she once caught Az sneaking out of your rooms just before dawn. Her and Rhys had been out flying all night and were just returning. She only smiled and turned around, wishing you both a goodnight as she went. 

I doubt my brother would like it very much. 

Minx. 

But you can hear the laugh in his voice. It fills your head and your chest, filling the void that always seems to be there when Azirel is not near. You rub your chest subconsciously, feeling that void a little more today knowing you’ll be seeing him in just a few short hours. 

“Rhys will winnow us to the camps, won’t he?” You ask your mother. 

“Yes dear, he’ll winnow you and Michaa first and then come back for me,” She tells you once more. 

I want everything with you, Az. 

I want it all too. 

You smile to yourself, knowing he meant it. If only your father wasn’t the male that he was, maybe you’d be allowed to follow your heart. Free to love whoever you wished. Not be sold for breeding when the time came. But you were still young, only eighteen. Marriage was still a good while away, thanks to your mother convincing him you still had growing up to do. She was right in some ways. 

“Pay attention to where you’re walking, Y/N,” your mother warned you, “Your Shadowsinger will still be there once we reach our meeting point.” 

You blush ferociously, heat flooding your cheeks so much that it radiated from them. Michaa smiled and let out a little laugh. She knew too, of course. You two sat up late most nights, when you weren’t out flying together, and talked about the Shadowsinger and just how wonderful he truly is. 

He’d seen such darkness already in his life, but yet his smile was still so beautiful it took your breath away. Sometimes that smile was reserved only for you. Sometimes you felt as if you were the only fae alive that got to see it, and you were okay with that. With the thought that he only smiled for you, and sometimes Cassian and Rhys. They were his bastard brothers after all. You were different though, you’d never seen him as a brother. From the moment you met him, as young as you were, you knew he was destined to be something else to you. You could already feel that strange tug in your chest, pulling you towards him. 

I’ll see you soon, you promise him, sending images of the two of you curled up together into his mind. 

You can practically feel him smiling against your skin, can practically feel him against you. You bite your lip, trying to regain control. But he seems to caress you in his mind, making you go weak in the knees. 

You pull away from his mind, noting how he seems to leave a small spot open just for you to return whenever you feel like it. You smile to yourself as you continue to walk. You wished you were strong enough to winnow more than one person, so you could just winnow to the camps and be done with this walking. 

But you weren’t far from the halfway point where you were supposed to meet Rhys. You would probably have to wait on him, seeing as he was apparently in the middle of training a new unit, but he would come for you one way or another. And he would take you to Azriel, whether he wanted to do so or not. 

But the shadows swirled around you as you reached a clearing. Your mother and Michaa falling silent. The whole world fell silent it seemed like. The shadows swirled, reaching your ears as you sniffed the air around you. 

Run, they said, run far and run fast. 

“Mother?” You question, smelling several distinctly male scents lingering in the air. 

She didn’t get the chance to reply before an arrow shot through her wings, causing her to scream out. You screamed too, seeing a flash of blonde hair in your vision, before arms came around you. Your wings vanished, too afraid of what might happen to them. But your mother, Cauldron, your mother’s wings. 

They grabbed Michaa next, holding a blade to her throat. You felt the cold steel kiss your own neck as lips caressed your ear. 

“Don’t scream,” He said into your ear, “Or I’ll slit your throat.” 

You swallow thickly. Fear gripping every part of you. You forgot the training Cassian and Rhys and Azirel drilled into you. Forgot that you weren’t a helpless little girl, that you had powers too. But all you could think of was the fear that gripped you and the smell of blood, your mother’s blood. And the realization that you were going to die, one way or another. 

You wake with a start, jolting up in your bed before hurtling yourself into the washroom nearby. You empty your stomach over and over again, before the sound of your bedroom door makes you stop. Cassian is by your side in an instant, rubbing your back. 

“I have them too,” He confirms, “Every night.” 

“I’m sorry I woke you,” You say softly, feeling the nausea fade. 

“I was already awake,” He sighs, sitting down on the floor across from you, leaning against the bath, “I heard you scream.” 

“It was that day,” You confide in him, “In the woods.” 

“We don’t have to talk about it,” He tells you slowly, “I don’t want you to have to relive it.” 

“I relive it every day. Everytime I close my eyes, it’s there.” 

His eyes soften at you. He reaches a hand out for you to take. He’d been too far away that day to get anywhere near you. He couldn’t have made it even if Rhys called for him. He didn’t know it happened until it was too late. He made it to the clearing not long after Azirel and Rhys, having flown as quickly as he possibly could. 

“It was Lucien,” You spoke after a long while, “I slept with Lucien.”

“You don’t have to tell me,” He replies softly, “You did what you had to do to survive.” 

“I did it to survive,” You agree, in your own way trying to convince yourself, “It kept Tamlin from darkening my door.” 

He sighs deeply, knowing you’d been through more than any of them. You watch as he gets to his feet, wings tucked in tight, and holds a hand out for you, “C’mon, let’s get you back in bed.”

You take his hand and allow him to pull you up before slowly walking you to your large bed. Big enough to accommodate wings, you realized. Big enough for more than one winged person. You had a lump in your throat, because once upon a time that was all you could’ve asked for. 

You climbed into your bed, allowing Cassian to pull the covers up over you before he walked to the other side and crawled in. 

“What are you doing?” 

“Not leaving you alone,” He said gruffly, curling his arms around your stomach and pulling you to him, “We all know you slept better when Az was in your bed, but seeing as he’s at The House of Wind, being an ass, I’ll just have to do.” 

You swallow and nod. Trying to fight the blush on your cheeks at his admission. You knew, of course, that he knew about you and Az. He hadn’t made his knowing very secret over the years. But was always smart enough to lose his tongue whenever your father was around. 

Now he didn’t have to worry about that. Your father was dead. You didn’t mourn him the way you mourned your mother. You didn’t feel the need to mourn him in that way. He wasn’t a loving man. He was the opposite of your mother. 

“Why won’t you fly?” Cass asked softly. 

“It hurts too much to try and summon my wings now,” You tell him honestly. It seemed that tonight would be the night to let all of your secrets go. 

“Hurts too-” 

You cut him off by rolling over onto your front, your nightgown cut low enough in the back to reveal two long scars stretching down your back. You know the moment Cass saw them, because he went rigid and sucked in a deep breath. He reached out, fingers carefully brushing the top of the scars. 

“Hurts in more than one way,” You confirm, “Emotionally, and physically. The scars are thick, right where the wings should be.”

“You didn’t heal?”

“Faebane.” 

He rolls you back over so you’re on your back now. You refuse to look up at him, refuse to meet his eyes. You can feel him staring at you though, you can almost feel his emotions rolling off of him in waves. 

You shake your head and roll back over on your side, “I’m tired.”

You feel him nod behind you before wrapping you back up in his arms. You melt into his arms, missing the feeling of being held by someone. Maybe that’s why you turned to Lucien all of those years ago. He was there and he was in pain too, and needed someone to help him move on. He was sweet and gentle and not at all like his ruthless brothers, or Tamlin. 

It just seemed to work between the two of you. There was no love between you, no true feelings. It was physical, and that was it. He would occasionally try to go to bat for you against Tamlin, but much like how he was with Feyre, he would never really push his friend for fear of what would happen. 

You fall asleep quickly, and do not dream again. 

 You wake in the morning to the sound of a door opening and a low growl. Fear rips through you and you refuse to move. Even as arms retract from around you, even as the male next to you sits up in the bed. 

“You don’t get the option of being mad,” you almost let out a sigh of relief at Cassian’s voice. 

You were in the Night Court, you were safe. 

“You’re in her bed,” Azriel growls. 

“All because you weren’t here,” Cassian shrugs, or you assume he does, “She needed you, and you were sulking because she did what she had to in order to survive.” 

“You know nothing about what she did,” Az growls again. 

“They carved her back,” You feel Cassian shudder in the bed, “Two long lines, right where her wings should be, like they carved her up trying to get to them.” 

You wanted to tell them that he was right. That’s exactly what they did. They carved you up like a piece of meat trying to find your beloved wings. The thought made you want to vomit again. But you refused, you refused to let them see you like that again. 

“Get out of her bed.”

“Brother, you know I’m only here to help her,” Cassian said softly, “She needed someone. Preferably you, but I made do.” 

The bed dipped as Cassian got up, leaning over long enough to brush a kiss on your forehead. It’s a simple gesture, but he’d been doing it since you were a small child, maybe even before then. 

“It was Lucien Vanserra,” Cassian said softly at the door, “Which I thank the Mother for. Because at least he still had a heart, before Amerantha came. For all he’s worth, he was a good male, once upon a time.” 

Azirel growls again and shuts the door in Cassian’s face. Az’s shadows make their way towards you, curling around your body as Az slowly moves closer. You know they’ll tell him that you’re awake, but maybe he’ll ignore them and let you continue this farce. 

“I’m sorry,” He said pulling a chair up to the edge of your bed, “I should have handled things better yesterday.”

You finally peel your eyes open to see him leaning over, hands folded on your bed. You want to reach for those hands, those beautifully scarred hands. You wanted to kiss them again, like you used to do all those years ago. But it didn’t feel right anymore. 

“I shouldn’t have said what I did,” You admit, “It was wrong of me. I aimed to hurt you, and that’s something I promised I’d never do.” 

His head shook slowly, “I hurt you too. I promised I wouldn’t let you go. And instead I turned my back on you the second you said something I didn’t like.”

You prop yourself up on your elbows and reach over to brush a few strands of hair out of his eyes. You missed his eyes, so telling to you and cold to everyone else. The Shadowsinger of the Night Court, violent, cold, and deadly, yet so soft and warm to you. 

“I love you, Azriel,” You admit softly, feeling his shadows gather on your back. 

You knew what they were doing, even if he didn’t, but you didn’t try to stop them. He would want to see them eventually. But not this morning. Not when you already felt so laid bare in front of him. 

“I know you do,” He leans forward to kiss you, “I love you too. C’mon, Rhys said he should be back today. And Mor is waiting downstairs to eat breakfast with us.” 

So you find yourself sipping on coffee and eating a rich pastry with Mor when Rhys, and a very soaking wet Feyre and Amren slam into the floor of the living room. You all shoot to your feet. Moving towards the three quickly. 

“What the hell happened?” You questioned. 

“I’d like to know the same thing,” Rhys stated. 

“Did you get it?” Is all Mor can think to say. 

“Get what?” Your head rips to her and then back to Rhys. 

“Nothing.”

“No!” You yell, “Not nothing! Obviously not nothing. What happened in Summer?” 

And then you hear it, you hear the book.

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[threepandas]

Bad End: Cold War

The receiving room was beautifully furnished. Neither overly ostentatious nor fussy in design. But it had a... coldness to it. This entire god forsaken building was, artfully hidden fireplaces be damned.

And it wasn't just the temperature.

The North may be a cold place, but the people there had always been a hardy one. Kind, if stoic. Not the sort for empty words and flamboyant gestures. So to see a building like this? One so very, very COLD? It spoke of something rotten. Something gone terribly wrong and far beyond control, hidden away out in the countryside where no one could stop it in time.

And it had.

And it DID.

And oh, how we SUFFERED for it, didn't we?

I didn't understand what went wrong. I knew, KNEW, because I was no fool, that the Story would change. Since I was remove a load bearing antagonist, how could it NOT? But... well, I did not wish to die. Certainly not for some other girl's love story. I refused to suffer. To be humiliated. To lead a life of pain and degradation. Just so she might frolic about with men, only to ultimately end up on the throne.

She would either have to find her way to greatness on her own merit, or settle of mediocrity. But it would NOT be built upon the back of my suffering. I gracefully bowed out. Took leave of the stage. And? Comported myself as befit a daughter of my house.

They were not... the most open. In fact, they struggled to connect. To offer or even receive comforts of any kind. But my family LOVED with a fierceness that would lead armies and burn nations. We were ABSOLUTE. And we? Stand TOGETHER. Always.

I would never forget. No matter how many days pass by. WHO I first saw when I opened my eyes. Clustered around my tiny form, rumbled and undignified in a way I would never see them again, with eyes that shone with such RELIEF. I never saw my mother's make run like that again. I half believe she hopes I do not remember.

But I DO.

And I always will.

In the Story, my character was a terror. Haughty and cruel. Sadistic. A wealthy brat that played God right up until all her sins came due. She drove a great deal of the early plot. I? Did none of those things. I threw myself into being a good daughter and a shining reflection upon the parents I loved.

I took my etiquette lessons seriously, to the delight of my teachers. My school work was promptly finished and followed by clarifying questions, to the joy of my tutors. I was polite to my peers. Overlooked their embarrassing early fumbles and mistakes. Helped them navigate social disasters with dignity. Promised nothing yet remained approachable.

My prospects had been ABYSMAL in the Story. It was part of the Narrative's punishment, I think. Though in hindsight, it is an ugly thing to do. A wonder I ever found such a story interesting enough to read. I imagine, it is the difference between tales and lived events? Nonetheless. My father was FLOODED with letters.

My poor mother absolutely HARRASED. Not an outing could go by, without SOMEONE mentioning their DEAR, SWEET son or nephew. To maintain proper appearances and neutrality, I was forced to attend more party's and events then I EVER wished to see.

I felt like a slab of meat up for auction. A show pony. But I also knew it was temporary. That I need only keep an eye out for a good, respectful man. Listen to the rumor mills. Discreetly bribe a few servants for information that "everyone knew". It was, after all, the way of things.

Should have been, the way of things.

But trouble started. Strange infighting, that started between boys and escalated to entire households. Tense, unspoken, lines dividing garden parties that only the day before were amicable. The Protagonist and her Harem of powerful players? Were BLIND to it.

Two of them were PRINCE for God sake! How had they been RAISED, that they could not feel the sudden shift in the socio-political landscape of their Father's court? He certainly could. And it clearly unnerved him. Yet? The Harem, each son's, each HEIRS, of some powerful position? Seemed both blind and deaf to all but the painfully obvious.

And even THAT? Was apparently unconnected to each other in their empty little minds. Had they nothing but flowers and glitter between their ears? One had to assume.

People were... accidentally forgotten. When invitations were sent. Then deliberately. Then OPENLY. Then? They were SNUBBED. Events deliberately scheduled on the same day, at the same time, as another. So all of polite society would have to CHOOSE. It was escalation.

And if it had been on or two houses? It would have been scandalous. Depending on the house, perhaps even worrying. A handful of houses? The king might have tried to get involved. Forcefully mediate. But it... it was somehow so much WORSE. Was EVERYWHERE.

Like someone had carefully examined the entirety of the Court for fault lines, then SWUNG. Some silent, careful, machination that left everyone at everyone's throat. Divided. Weak.

Easy to manipulate and control.

I could not for the life of me find the source of it all. My social season becoming swiftly more and more dangerous. Politically charged. People pushing and PUSHING for alliances I could not and WOULD NOT give without consulting my family. The capital was no longer safe. So... I quietly left.

Letters of vague excuse. Family matters, cousin so-n-so in their time of need, I'm sure you understand. Too late to stop me and under the cover of darkness.

It... I tell myself it is not my fault. That it would have happened either way. That I could not have known. But... but guilt is a heavy thing. It sits like lead in your gut. Like chains around your soul. They were waiting, I think. More, I suspect. Because...

Because the capital all but EXPLODED.

The carnage was IMMEDIATE. Not even a full day later, at a hunting party, the heir to one house shot the second son to another.

He did not survive.

The powder keg finally sparked and it all went up in flames. Alliances that had stood for centuries, shattered. Brother turned against brother. A wedding turned into a bloodbath, as the bride turned on both her family AND the groom, escaped into the night. Fights broke out everywhere.

The festering tension that had gone for so long unspoken? Could no longer be ignored. Would not, be ignored. The king was helpless to stop it all. The gaurd could only do so much. The fluffy, happy, empty headed little world of comfort the Protagonist knew? Was shredded to pieces.

It became starkly clear that the royal family... couldn't handle it.

That their heirs were... Weak.

Captain of the Gaurd, the Prime Minister, even the King's strongest supporter, the Duke of the East, ALL of them had... weak and ineffectual heirs. One or two could be a failing of parentage, but all together? They had let someone sabotage their sons. Make them puppets to be used and discarded at convenience.

The natural suspicion, of course, fell to the one most benefiting from said son's empty headedness. Much to the Harem's horror. No! Not their beloved shared girlfriend! That the world was burning around them? Of no consequence. But upsetting their darling little mouse? Unforgivable!

It was an act of true, genuine, paternal love; that those fools were banished by the king. They would have been killed horribly had they remained.

My family and I? Retreated to our lands. We had enough to survive. Our House and our People came first. We sent no messages, we received none. I practiced my frankly terrible embroidery. My maids gently CORRECTED my frankly terrible embroidery. The country BURNED.

Powerful people were picked off, one by one.

And wouldn't you know it? A new star was rising from the chaos. A voice of reason. Charismatic. Driven. Handsome and powerful, with the bloodline to match. Conveniently allied already to all those people who had replaced the Old Guard in government! How very serendipitous. That those positions should just... open up, like that. That he just HAPPEN to have such qualified people at the ready.

What ARE the odds?

My House knew our monster know. We watched. Careful. As he smiled and smiled. One hand open in welcome, the other? Holding a knife, hidden just out of sight. The king saw him for what he was. And the monster saw a worthy foe in the king. They were, after all, both very Dangerous men.

It was likely swordsmen duel.

Deadly steel clashing, shining, swift as it dances, from attack to defend to attack again. Experience versus youth. Power against power. The king was an old dragon, stood against a tiger come to see him dead. And though the dance was breathtaking? In the end... the dragon was old. Tired. And not the man he had once been.

The tiger won.

The king died in his sleep. Of... natural causes. No one believed it. No one dared say otherwise. The crown princess ascended the throne. She had played the game well. Taken after her Father. Been neglected in favor of her idiot brothers. In the Story, she was to be married off. A side character never to be heard from again.

It seems she was not content with such a fate.

Now she was Queen.

My family and I applauded. Polite. I hoped it marked the end of the strangeness. So many had died. So much had changed. Surely... surely it was over, wasn't it? But then? In the cold light of the early morning hours? A letter. Pristine and on a fine paper. Sat like a viper upon the table before us. A bomb.

My Father had stared at it, over steepled hands, like if he glared long enough? It would simply catch fire and burn away. The Monster's crest. Pressed lovingly into the wax. What... what did That Man want with us?

I watched him grit him teeth. Run his letter opener through paper like he was imagining jerking it across flesh, slitting the bastards throat for DARING to threaten his family. I held my mother's hand as he read. Watched his grip on the pages go white knuckled.

He didn't even tell a servant to burn it.

He slammed his chair back, in a terrible fury, and marched straight to the nearest fireplace to consign the letter to the flames. Over his dead body. Was his announcement. I... I had a terrible feeling it might be, whatever was on those pages.

The letters kept coming.

My Father burned them all.

Then? Trouble started.

And I did not need to see history twice, to know how it would end. I got up early. Waited near the damn GATES. My Father could not burn the letter before I read it, if I was there first. It... it was a marriage proposal. I... I did not understand. Why? For what POSSIBLE reason would he...?

It did not matter though, ultimately. I would be saying yes.

For my family? Anything.

And so I packed. My Father knew he couldn't stop me. I was entirely too much his daughter. It was why he had burned the letters. I was doing exactly what he would have done. He vowed to kill him. Slowly. Held me a swore. He would make me the loviest widow to ever live. My Mother promised to go look up family recipes for poisons. For rats, of course.

I loved them so, so much.

I LOVE them even now.

It is why I sit, back straight, fragrant tea untouched, in this cold but beautiful receiving room. I wear my best dress. The one that makes me look coldly beautiful. Elegant but untouchable. I feel like a winter spirit in it. Something made of ice and bone. I wear it when I want to feel stronger. I don't know if it's helping.

If I hold myself still. Count my breathing and do not think. I can almost... ALMOST? Slip into a trance, I think. Let my mind unfocus. They are keeping me waiting. It's a power play. So be it. You will find me unaffected. Bored even, by your petty displays. I stare peacefully into nothing. A statue in a silent room.

I hope I fucking unnerve them.

Confident footsteps. How quite has it become, that I can hear them, even through the door? I do not turn my head. Note absent-mindedly that the tea before me has long grown cold. This whole damn place is cold. I dispise it. The door is opened for the master of this house. I pointedly do not greet him.

"Aaah~, So COLD" He sing song's, almost chiding, it'd be nearly playful if not for the hint of something darker threaded through his voice. He has an almost victorious little bounce to his step as he approaches. "But then again, I already knew that, didn't I? Frigid, untouchable, and unfeeling~ Now? Now you're MINE~"

He laughs. There is something half disbelieving, half euphoric in the noise. Like he's finally gotten everything he's ever wanted and doesn't know what to DO with himself. He invades my space. Looms. Eyes a touch too wide as he stares. Drinking in the sight of me sitting before him, like he can't believe it's real.

"Do you know, snowdrop? How long it TOOK? What I had to DO to achieve this? Ha ha!" The grin that spills across his feature is unhinged. All I can do is sit, tense and frozen before a madman, as he speaks. "The WHINING, the COMPLAINING, the 'what about meeeee'~! They never shut UP! Wretched and pathetic to the last, they panted after you like DOGS."

Hands slid from his pockets, to come to rest on either side of me on the arm rests, bracing and caging me in. Trapping me as he leaned down. Entirely too close. He smelled like winter air, sharp but clean. His eyes were a blue grey so hauntingly pale, they seemed to bore straight into the soul.

"But they were so GREEDY. So DESPERATE for power. It was EASY, to play them like fools against each other. Make them DANCE. And worth it. Because I get what I wanted~ The brat get her silly little throne, and you?" His grin was all teeth. One hand coming up to rest on my head. "Now you can NEVER escape me."

The hand slid, slow and fingers splayed, downwards. Possessive as each finger brushed, stroked, the side of my face. My jaw. My neck. His eyes following it down with something that could only be blatant lust. His grip tightened around my neck. Not enough to choke. Just, it seemed, to prove to himself that he COULD.

His thumb rest again my pulse, facinated.

Sliding back up to cup my chin, gently forcing my head up, so I had no choice but to meet his eyes. His eyes were dilated. I glared.

"I am going to RUIN you." He whispered, sounding entirely too reverent. As though it were some act of worship he had planned. "Take you apart at the seams. Pretty, pretty little thing. Mine, all mine~"

"I saw you first, you know. You couldn't even be bothered to look at me. I tried all night. That's when I KNEW. I was going to hunt you down. MAKE you mine. Marry you and destroy anyone and anything that stood in my way. And I DID~♡"

"I'm going to have each and every part of you, Darling. Love you and love you until you can't HELP but love me back. We are going to be BEAUTIFUL together. You don't have a choice~♡"

[coriphallus]

DA: The Veilguard Spoiler Review pt3 - Politiks

oh my little void in this world wide web, we are really in it now.

a little PSA before you read this word vomit, i am from westernmost middle east, and that will inform much of what i know about the topics i discuss. i wont know about race politics of america or the intricacies of it beyond what i can see online but as an immigrant i do have some perspective on western experience. so when i talk about heavy topics it will come from a foreign place. i do understand and admit that i cannot ignore that BW is a north american studio and that colours every theme they touch.

so there are two angles to approach this, 1st is to assess DAV on its own and 2nd is to assess it as a part of a whole and continuation of a franchise.

lets get 1st out of the way, its safely uncontroversial beyond taash's story. and eff-plays voiced my feeling verbatim on that subject more succinctly than anything i can possibly write.

2nd is very, very grim.

every DA game that came before had been interlaced with politics of its world so severely that its absence is disorienting. every game you were given the choice to change the political landscape of the countries youre playing in, for better or for worse. even the 2nd game with its vastly smaller scale sees hawke trying to navigate through their life as an immigrant, even at the games climax you are given a choice to drastically alter how this uprising will be remembered and it tells hawke that there are no half measures, they need to pick a side.

"Slavery or no, flesh is always for sale."

in my very first DAV playthrough i picked a shadow dragon elf, i didnt give her any backstory as i though being an elf in minrathous would shape her world view regardless.

first scene i got when organising my room rook pulls out the SHACKLES of a slave shes freed as she reminisces about how much good shes done, and puts them on her bedside. then proceeds to talk to a book and say "everybody looks down on elves but we were here first >:c"

(at this point i rerolled my character so i dont yet know how shadow dragon background plays out.)

at the very beginning of the game we see similar shackles and varric informs us that solas hates slavery, hes been freeing them.

when we make it to minrathous we learn that these people in neves circle have been freeing slaves.

alright so, the heavy handed deliveries aside, what purpose do all these scenes/expositions serve?

well, it makes these people look good. we know theres slavery in this part of thedas and these people are fighting against it not by any elaborate means but dont worry kitten <3.

[i had to look up the english for some of these terms so feel free to correct me if im wrong] patterson describes slavery as "one of the most extreme forms of the relation of domination, approaching the limits of total power from the viewpoint of the master, and of total powerlessness from the viewpoint of the slave". death of the soul, death of what makes one human -and for the purposes of this section- death in the eyes of state. slavery has such a long history that predates early modern colonization of africa by thousands of years. it is a staple of human history and where we have come from shapes what we are now. we can shun it, call it abhorrent but we cant pretend it never happened. theres always been people dead in the eyes of state.

heres the uncomfortable truth, there aint never been enough steel in the world to hold every hittite or mittani slave. to assume slavery is people getting abducted and put to irons is as naïve as human trafficking being a rando ruffying you and hauling you across the sea in a crate. yea, it could happen but 99% of the time its just a waste of time to physically hold someone against their will by force. and this idea makes us think its this far off thing that happened thousands of years ago by bad individuals doing very comically bad things, which is a very deliberate choice, because to depict period accurate slavery would be to portray social and economical classes, and that would be confronting how little we've changed in certain aspects.

people were born into that caste, shaped by it, worn down by it, and abused by it systematically.

in DAI Dorian says something -apparently- very controversial that i dont think this fandom has fully unpacked, and i aint gonna do that here either because im not remotely qualified. he likens the working class of south to slavery of north, theres no way to engage with this argument in any meaningful way, even as an elf, and in general people brush it off as dorians pro-slavery rhetorics.

try as DAV might to disregard, we actually did meet an ex-slave and trafficking victims on three separate occasions, and the games have set a premise already. we got to talk about their unique circumstances, and they were handled with some measure of dept. maybe you liked them, maybe you didnt, but you knew them and that makes a difference. they had agency in their own stories. a far cry from DAVs nameless faceless props for righteous gentiles to circle jerk about.

but, sure, lets tell ourselves showing them would be too gratuitous.

can you imagine how batshit insane it would look if zevran kept the belt her husband used to beat isabela with as a trinket, to display in his tent? that scene with rook disturbed me more than most anything in this entire franchise and coming from an anders supporter, thats saying something.

this is how little the writers were willing to engage with their source material. this is how little they are willing to engage with the world around them.

which makes the next blunder inevitable.

alot has been said about the absurdity of elves feeling responsible for the events of DAV, but maybe this hasnt been said enough; this is a blatant fascist rhetoric.

i will spell it out though, even though i never thought it needed to be said, the social performance of accountability indicates that the party who has done harm has benefited and continues to benefit from that harm, this is why reparations are paid, and thats what "check your priviledge" means. elves in DA have never benefited in any way from the warmongering of evanuris, they were enslaved by them.

to say that these people should feel some sort of responsibility towards what befell dwarves is a fascist rhetoric used irl to offload responsibility and divide and alienate the opposition further from eachother.

i cant tell you if this mouth piece is same everywhere but i know a few people who have clocked it immediately so im gonna assume it was obvious. and truthfully, i wouldnt even be annoyed if i thought it was intentional. genuinely, one of my favourite games is an unapologetic military propaganda whos protagonist would make ayn rand write sonnets about, and the game knows what it is. but no, i fully believe the studio tried to address the criticism they got about their lackluster handling of elves and either completely misunderstood or willfully disregarded the experiences of marginalised peoples that the games drew inspiration from.

the writing is so hollow beyond horrible dialogue that when writing an enby character whos also multicultural they didnt even notice the parallel theyve created. i know this because after an entire plotline about their struggle with binaries their story concludes with a binary decision on their culture. this just confirms to me that any dept this game has is completely accidental.

imma level with yall i dont subscribe to the belief that you need to have some type of experiences to write some type of characters and i find that "ofc a white person wrote it so..." response very tired because yea we should be allowed to expect more from white people. i too had OCs of different cultures that i wasnt very familiar with and handled poorly, but unlike me, a company can afford a consultant.

i played greedfall recently, and sure the maori tattoos were a shit decision, and im disappointed that after all the criticism they still stuck with it, and yes maybe its story was not sensitive enough but you know what? as the person whos recommended it to me said, i rather have a story who boldly engages with its own themes than one whos terrified of them. say what you will about its shortcomings but at least at the end of that game you can have an ending where the colonizers leave for good, and yes their plague is not healed but the narrative doesnt punish the natives for their isolationism. i am glad that the game allows that catharsis to its players.

DAV could have had 300 well thought-out endings and still not please everyone, but the endings they chose to include directly implicates the group theyre trying to appease and its literally just people who either want to punch or kiss solas, thats how fucking deep they think their fanbase it. not the people who wanted to end slavery, or achieve equilibrium with beings no matter how alien they are. or people who wanted to see a culture connect with its roots etc etc.

and maybe they were right, many people have been enjoying this game immensely and i am just, so fucking jealous. i wish i liked this game and enjoyed it and didnt want to tear out my hair every second i spent in treviso. i wish i wasnt seething white knuckling my sink like an insane person when a little kid wrote to crow rook that hes recruiting orphans now. i wish i had any belief in this game to read that as satire.

at least i wish i felt any form of vindication when i immediately realised this game was going to be a soulless cashgrab that unashamedly uses the name of a popular IP to push a sub-par product earlier this year, i just spend 80+ hours watching a company parade the carcass of a franchise i loved and beat it like a pinata as it continuously slapped me on the face with a botched wax figure of it.

i just feel this profound sense of sadness. i wish this game didnt exist. and no i dont feel any kind of brand loyalty, even when i actively enjoyed their work i didnt but i definitely dont now, not after 3 consecutive games that theyve delivered with more or less the same problems. as the company is today, i dont care whether bw survives or not, its been made clear time and again that the bw i liked is long gone and bw today is clearly not interested in making games for me.

even as i write this i dont feel fuelled by my anger for DAV but by the love a have for what came before. i still think the story deserved better, the fans deserved better, the people who contributed into making DA universe what it was before DAV deserved better. and, as rook told harding, our anger is justified.

but, hey. hair looks really good.

[k-s-morgan]

"many people insist he was in the Blitz ( I don't mean fics, I don't mind that, I mean in canon discussions) so my post was specifically for the Blitz. For the 40's bomb, that you brought up, not my post, Tom left soon after, 7 days after. And as for the '44 bombings- Tom has already killed 4 people by that time- FOUR. I think it's safe to say death and suffering of the people around him wasn't one of his concerns.

Tom's fear of death doesn't have to come from bombing. Plenty of people fear death that had never been bombed. It is stated that his fear of death is because he thinks himself above all humans, it's in relation to his power, he says this to Dumbledore at 11 BEFORE ww2 started. He already said 'mom can't have been a witch because she died'. But yes, this post was about Dumbledore not sending Tom into the Blitz, like many people say, as if Dumbledore personally delivered Tom to the Nazis."

What do you think about this argument? I've written fics of Tom witnessing the Blitz. I thought that it was canon but I have had people argue that it is not. What do you think?

Hi! That's a really interesting topic, but one I came to dislike because it feels like most people have very black-and-white takes on it. I actually got involved in one of such conversations just recently. Maybe even the one you quoted from? I don't recall at this point.

Since I prepared a lot of materials for ATLWETD before writing it, I can give you a full answer supported by the research and some news clippings. It's going to get long, though!

So, first - the Blitz. Indeed, Tom never had to face it. It lasted from September 7, 1940 to May 11, 1941, and Tom spent this period at Hogwarts. However, the Blitz was neither the start nor the end of London bombings - and bombings of the surrounding areas and UK in general.

Citing from Mark Clapson, "Air Raids in Britain, 1940–45":

"A common misconception of the Blitz in the United Kingdom is that London was the only city under attack from September 1940 until the Nazis also turned their fire on other cities and towns in mid-November. Yet even before the Blitz on London began, other urban areas in the UK had been attacked from the air.

As the Battle of Britain drew towards a defeat for Germany, the first significant raid on a major British city took place in Cardiff and Newport on 10 July when over seventy German planes attacked the South Wales docks. In July and August, Birmingham, Coventry, Hastings, Liverpool, Newcastle and Southampton were all subject to air raids, signifying that when the main Blitz on the provinces began, industrial and coastal towns and cities were going to be key targets for the Luftwaffe … As Tony Mason shows, the first raid on Coventry had been on 18 August 1940, when both industry and housing were bombed."

Most of these locations are within the 200-300 km of London. Hastings is less than a 2-hour drive away. People don't live in a bubble, so hearing and reading about the bombings getting closer had to be terrifying for a child-Tom.

Now, getting even closer to London. The timeline taken from this website:

"16 AUGUST 1940

A series of raids were leveled against Norfolk, Kent and the Greater London area with airfields as the main targets, including Manston.

London suburbs were bombed, including Wimbledon and Esher, where shops and houses were hit. Bombs on Maiden, Surrey, railway station killed staff and passengers and put both lines out of operation. To the north, Gravesend and Tilbury were attacked, and bombs fell on Harwell and Farnborough aerodromes."

Tom would have definitely experienced the impacts of these bombings at least in some ways because the sound of explosions travels miles ahead. People would be in an increased state of panic, not knowing if London was going to be the next target any other second now.

A photo of the news clipping from August 17, 1940, titled: Germans Bomb London Suburbs:

From this website:

"A still earlier, and better recorded, raid took place the night before, on 15 August. 30 bombers targeted RAF Croydon aerodrome, which was then considered part of Surrey rather than London. Several people were killed, with damage to the aerodrome and nearby housing."

The distance between Croydon aerodrome and London is just 10 miles. Again, this is something the impact of which Tom would have very likely heard personally - add to this the feeling of fear and uncertainty over when and where the next attack is coming, and you get a recipe for a serious psychological trauma. Tom was only 13 at this time.

From the same website:

"Many sources state that the first bombs to drop on London landed in the early hours of 22 August 1940, affecting Harrow and Wealdstone (technically not then in London, but within the London Civil Defence Area). These caused damage to two cinemas, a dance hall, bank and houses, but nobody was killed. A further strike on 24 August [in London] killed nine people, and prompted retaliatory attacks on Berlin."

So, by these accounts, Tom experienced the bombing of his city directly at least once and likely heard the impact of bombings from the suburbs at least twice. Could be more - there were several bombings close, and we have no idea where Tom was in those specific moments. He could be taking a walk to the West End, going to the suburbs with his orphanage, and so on.

He was lucky to miss the bombings that followed (until 1944), including the Blitz, but I really hate when people dismiss the psychological impact of seeing your city in ruins, witnessing the massive destruction, and not knowing whether the bombs are going to drop again today. It's not like the Germans announced, "Hey, the Blitz is over, you're safe now!" Of course Tom thought he might experience another bombing, and of course this thought scared him.

The summer of 1944 was terrible for London because that's when the V1 were dropped. Quoting from The Blitz Companion by Mark Clapson again:

"Yet during the summer of 1944 worse was to come, and it would manifest itself in a frightening new weapon. For some months rumours had been circulating in Britain about a flying bomb that had no pilot and which could be guided almost mysteriously through the air at great speed to attack the capital city. This was the V1, the ‘V’ standing for vengeance … The V1s killed over 5,000 people and injured 15,000."

The timeline for these attacks is here.

This one is trickier, though, because based on Harry's era, by 1944, Tom already came of age by wizarding standards. So there is an argument that he could finally use his magic and leave London. On the other hand, he was still a minor by Muggle standards, and we have no idea what Hogwarts rules and laws of his era stated - meaning that it can all be up to interpretation.

For those who prefer to imagine that Tom was there: maybe back in 1944, a wizard had to be 18 to be considered an adult, and the limit was dropped closer to Harry's era. Or there was a rule stating that Hogwarts students must continue to live in their assigned places up until they graduate, especially in a Muggle world - because if a minor disappears from Muggle care when they are still enrolled in a magical school, it could trigger the involvement of authorities, which might be something Hogwarts would want to avoid.

We can't make strong arguments here because the canon says nothing about these details. So, if someone wants to imagine that Tom missed the bombings in 1944, there are very logical reasons to support such a view, but if someone wants him to have experienced it, it's also easy to imagine.

Either way, whether Tom lived only through the bombings of 1940 or both 1940 and 1944, to deny that he was affected by the war is to reject the most basic human psychology, in my opinion. Anyone would be terrified when they are surrounded by destruction and death, when they are confronted with the idea of their own mortality and when they feel helplessly trapped. And Tom saw the war horrors every summer even when there were no bombings.

I'm a war victim myself, and I don't feel safe on the days my city is not attacked. Because I know that the situation can change every other second. The psychological effect of bombings is devastating even when you aren't physically affected.

Does Tom's trauma justify his canon actions in any way, though? Of course not. Did his war trauma cause his fear of death? I think it was definitely at least some part of it. How couldn't it be? It's exactly because he considered himself above others is that his fear could be this amplified. He probably hated sitting stuck in a dangerous zone with the people he despised, threatened by the beings he didn't consider proper humans.

Maybe the war didn't give birth to Tom's fear of death, but I think it obviously contributed to it heavily since, again, he was living in one of the very targeted places, and he lived through at least one London bombing.

Also, yes, I do think Dumbledore and Dippet were absolutely abhorrent for sending an orphan child to a war zone when it was so easy to give him shelter. They were responsible for Tom's well-fare, and this responsibility shouldn't disappear in the summer. Tom could have easily been killed - again, it's not like the Germans announced when they were going to bomb or not bomb London and other areas. Letting him stay at Hogwarts or finding some family to take him in - or an inn! - would have been beyond simple.

Dumbledore also definitely knew Tom is related to a Slytherin bloodline, so there had to be families willing to take him in for this alone. Sure, it could be dangerous in other ways for a child as self-focused as Tom, but he was still a child, and his safety had to come first.

Finally, there is an argument that Tom was moved along with other children from London since it was supposed to be mandatory. This is also something that can be looked at from different angles. The reality of people following a law always differs from the theory of it. There were many issues with evacuations at that time. About 7,736 children died in London from the Blitz alone - not everyone could evacuate, especially the poor. Maybe the Wool's lucked out, maybe not. There are claims that only children within the ages of 5 to 14 were evacuated. But also, if Tom was moved, then there is no telling if he was more or less safe there since the location is unknown. It once again depends on what a specific person wants to imagine as a part of his life.

Now, anon, as for your fics in particular: if you wrote about Tom witnessing the Blitz, it's all right - I mean, the entire universe of Harry Potter is made up. Maybe, in a world where these characters might exist, the Blitz could have happened differently - why not? We have no idea about the dates of HP canon-Blitz. The events there don't have to take place in our specific world.

So, strictly speaking - yes, it's not canon, but more in relation to our world than to the world of HP.

[anghraine]

I originally compiled a set of quotes about how Elrond and his children are not identified exclusively as Elves a couple of years ago in a reblog, but I wanted an easier version of my post for reference, so here it is:

The distinction between Elves and half-Elves is most glaring with Elladan and Elrohir, but there’s an interesting description of Elrond as great among Elves and Men, as if (despite his fate lying with Elves) he’s both/neither. And, of course, when Aragorn wishes for Elrond as he goes about healing, he describes Elrond not as a better healer because he’s an Elf, but because “he is the eldest of all our race, and has the greater power” (ROTK, “The Houses of Healing”).

In addition, I think the language used around Elladan and Elrohir is really interesting. When they show up with the Dúnedain of the North, Legolas says of them, “they are fair and gallant as Elven-lords; and that is not to be wondered at in the sons of Elrond of Rivendell” (ROTK, “The Passing of the Grey Company”). They are like Elven-lords because they’re Elrond’s sons, but not actually called Elven-lords.

When we actually see Elladan and Elrohir, we hear: “So much alike were they, the sons of Elrond, that few could tell them apart: dark-haired, grey-eyed, and their faces elven-fair” (same chapter). They look as fair as Elves. But when the Grey Company, including Elladan and Elrohir, goes to the Paths of the Dead:

“The company halted, and there was not a heart among them that did not quail, unless it were the heart of Legolas of the Elves, for whom the ghosts of Men have no terror” (same chapter).

Later, as the armies of the west make their way to the Black Gate, we hear:

“And from that evening onward the Nazgûl came and followed every move of the army. They still flew high and out of sight of all save Legolas…” (ROTK, “The Black Gate Opens”).

Even the random minstrel of Gondor at the Field of Cormallen addresses those present at the victory celebrations with:

“Lo! lords and knights and men of valour unashamed, kings and princes, and fair people of Gondor, and Riders of Rohan, and ye sons of Elrond, and Dúnedain of the North, and Elf and Dwarf, and greathearts of the Shire…” (ROTK, “The Field of Cormallen”).

So the exceptional nature of Elrond and his children does seem a) accurate, given the exclusion of Elladan and Elrohir from generalizations about Elves, and b) very generally understood and accepted.

Oh, and there’s also Tolkien’s extratextual translation of Elladan and Elrohir’s names:

“Both signify elf+man. Elrohir might be translated ‘Elf-knight’; rohir being a later form (III 391) of rochir ‘horse-lord.’ Elladan might be translated ‘Elf-Númenórean’” (Letters 282).

Rohir is “a later form” of rochir because it’s Gondorian/Númenórean usage. The El- in both names and the suffixes indicating 'mortal man' clearly refer to Elrond’s family—so for instance, Elladan can only be considered a Númenórean of any kind through Elrond. If, as Elrond’s sons with a fully Elvish woman, they are not considered Elves, this can only be all the more true for Elrond himself.

[roykentschesthair]

The IGN article came out detailing the three choices that you can import and I have an opinion and I’m not trying to fight, this is my opinion and my opinion only and if you want to have a gentle and respectful discussion that’s fine. But if my feelings or tone get policed I’m gonna block you because I’m an adult and I’ll say what I want to say in my blog.

Three choices is a cheap cop out to force the Solevallan narrative and create a narrative around Solas that he’s some sad poor defenseless boy just doing his best.

It is in fact a spit in the face of returning players, especially those of us that have been around since Origins.

But what I am most upset about, besides the sadboi!Solas narrative they’re pushing, is that only these three choices mattering in a game that is as close to a direct sequel as this franchise has had is really shitty writing.

It’s weak narrative structure to think that decisions made in Inquisition have zero world impact just because you’re slightly more north on the continent.

Especially considering the Inquisitor is IN THIS GAME.

The Divine matters, therefore Cassandra, Leliana, and Vivienne’s stories matter

Bull could be dead, which makes if the Inquisition siding with the Qun matter.

Blackwell can be dead and or a Warden, which considering we’re going to Weisshaupt matters.

If the Warden is alive (the person credited with like the single handed ending/prevention of the 5th Blight) matters when we’re going to be interacting with Wardens.

Morrigan having a demon baby matters

Who rules Orlais (considering Brialla can be the true power) matters

If the Inquisition sides with Mages or Templars matters.

The Well of Sorrows matters because someone has the Flemthyal soul/magic

Who you left in the Fade matters (at least to Varric even if not all of Thedas)

But I think, most of all, this soft reboot of the franchise is a very odd and ultimately poor decision considering they’re making it as close to a direct sequel as possible. This is not the game to start over with and considering they’ve already fired a majority of the DA devs and writers, I wouldn’t be surprised if this kills the franchise.

I really hope I’m wrong. I am still going to play but almost all of my excitement is gone, not least of all because the Solavellan fans I’ve interacted with have been NASTY about it. (Not all solas fans but a vast majority that I’ve seen)

[ulysses000]

I didn't see au about Niji running away from Germa so……

Niji escaped from Germa as a kid after Sanji because as Sanji escaped, Judge became more demanding on the brothers' training. Specifically Niji got a lot of flak because of his bursts of electricity. Sometimes in a fit of emotion, he could knock out the entire staff and half the equipment nearby… "And the son of the great Judge should not be so weak and incapable." …… So Niji decided to run away to make a name for himself and prove to his father what he was worth.

He travelled around North Blue for a while, tearing himself away from his father, who immediately put a bounty on him because "bandits have stolen his son, bring him back at any cost". So on one island he ran into Hawkins and his crew. He noticed that there was a GODdamn HUGE tALking CAt!!!! WHo ALSO LEtS OuT LIGhTNiNg BoLts!!! Niji decided to follow them for a bit and when the moment was right, got closer. Niji was almost immediately in contact with Faust, Hawkins was suspicious because "hmm……. you remind me of someone…… okay…….." Since Faust wasn't born on Zou, he didn't have a vivre card, but Basil made a couple of predictions, calculated the path by the stars, a couple of rituals and sent Niji on his way.

When Niji did get on the fucking elephant, he ran into Carrot, who immediately dragged him over to the others. Like "LOOK AT THIS FUNNY-LOOKING GUY!!! HE'S GOT EARS!!! HE'S A BLUE BUNNY!!!" In the end, yes, Niji stayed with Zou. He trained with Pedro for a long time, so he was able to fully master his modification. Carrot became like his annoying little sister because they spent a lot of time training. Also went to the Musketeer Patrol because, thanks to the care and attention of those around him, he realised that his power should serve to protect, not destroy.

He would have lived there in peace and harmony, but Jack the Drought came along...

Niji fought for the Minks like a beast, like hell, generally super because due to his modified body he is more resistant to poisons. Anyway Niji fights off Jack, but all his mates are on the verge of death because of the poison, but then………………… Sanji shows up.

They were both shocked to see each other, but decided to put off the "family greetings" for later. But I think after everything, they had a weird conversation about what's even going on in style: "Why the fuck aren't you under our “daddy's” skirt?" "None of your fucking business, I thought you were dead a long time ago." "Shut your mouth! I've been nursing your mates back to health!" "Well, thank you for fucking saving my family. Fuck no! I'm not thanking you, I'm thanking your raccoon." "……" "…..." "Family?? ………" "Oh, shit…."