#third intermediate

[nowoolallowed]

Bastet with Nefertum figure, sistrum, and basket - Met Museum Collection

Inventory Number: 17.194.2214 Third Intermediate Period–Late Period, 945–600 BC Location Information: Location Unlisted

Description:

Although the head, made separately, is now missing, this goddess is identifiable as Bastet. The striped robe is characteristic of the goddess, as are the sistrum and basket she holds. The small statuette with a lotus crown represents her son Nefertum.

[blueiscoool]

An Egyptian Faience Sekhmet Third Intermediate Period, 21st-22nd Dynasty, 1070-712 B.C.

[artifacts-archive]

Lionness Headed Usekh, So Called "Aegis"

Egyptian, 1290-664 BCE (Late New Kingdom-Third Intermediate Period)

Silver was not easily obtainable in Egypt and was probably more costly for ancient Egyptians to acquire than gold.

[dwellerinthelibrary]

Three lioness-headed Bastet amulets from the exhibition Ramses and the Gold of the Pharaohs at the Australian Museum. The leftmost one is made of rock crystal and sits on a golden chair. The others, standing with arms by their sides, are made of gold and come from the tomb of Psusennes I's general, Wendjebauendjed.

When: Third Intermediate Period, 21st Dynasty

Where: Egyptian Museum, Cairo

[lionofchaeronea]

Ancient Egyptian stele (painted wood) showing a certain Ankh-auf-Mut adoring the seated deity Osiris. Artist unknown; Third Intermediate Period. Now in the Worcester Art Museum, Worcester, MA.

[theancientwayoflife]

~ Statuette of Anubis facing a kneeling worshiper.

Period: Third Intermediate Period to Late Period, 25th-26th dynasty

Date: ca. 747-525 B.C.

• Translation from the source: May Anubis, give life, health, long life and great and good old age to Wdja-Hor-resnet, son of Ankh-pa-khered, whose mother is Ta-gemiw(t), who is born (made) of the Mistress of the house, Hy-inty for Pen-pa-djew. May Anubis give life to Wdje-hor-resnet, son of Ankh-pa-khered. May Anubis, who is before the place of the divine booth, give life, health, strength, a long life, and a great old age and happiness to the son of Ankh-pa-khered, whose mother is Ta-gemiw(t), who is Mistress of the House, Hy-inty for Pen-pa-djew.

[devinwolfi]

dean walked. trudged. army crawled. so buck could run. i believe this. i shant pit them against each other. however dean still shoulda. in a just world they both woulda

[saepiae]

lost the post but that one lace choker crochet inspired me to make my own

[kismetmoon]

thinking about concepts with exwhylians’ third dimensional forms and / or flatland lines’ intermediate forms when converting from 2D to 3D bodies,,

[ID: five traditional black ink doodles of concepts for Exwhylian lines and shapes from Gravity Falls, all on beige paper backgrounds.

In the first image, an Exwhylian line is shown. It has a thin body shaped like an upside-down tuning fork, with thin pointed feet and a long torso. It also has a long thing tail with a star on the end. It has a star-shaped head with one blank eye. It is stood upright and slighting smiling.

In the first image, it is a line similar to the one in the first image, except is feet are more rounded and it has a raindrop-shaped symbol on the end of its tail. It is standing and tailoring its head to the left. Its feet are held close together and its tail is curled out to the left side.

In the third image, it is a line wearing a large triangular cloak. It has a circular head with a larger blank eye, a small point on top of its head, triangular eyelashes at either side of its head, thicker pointed feet and a plain tail. It is standing facing the viewer with no expression and its tail can be seen peeking out from under its cloak on the right.

In the fourth image, it is a line with a similar body shape to the one shown in the first image, but it has small hooks on its feet. It has the same tail as the line in the second image. Its head is a circle with another circle around it, a sharp point on top and a blank eye. It is posed as though it is hobbling along, titling its head over to the left.

In the fifth image, it shows a line and an isosceles triangle sitting together. The line has a larger circular head with a small eye and a similar body to the above described line. The isosceles has a black body, a long tail with a flame-shaped end, a circular blank eye and stubby legs.

End ID].

[barbucomedie]

Funerary Stela from Luxor, Egypt dated between 650 - 640 BCE on display at the National Museum of Denmark in Copenhagen, Denmark

Baba, daughter of the priest of Amu Bes-n-Mut, praying to the sun gods Amun (left) and Re-Hrakhte.

Photographs taken by myself 2018

[normalbrothers]

"i waited for ya" and "i can see you, dad" aren't that much different i think

[nowoolallowed]

Book of the Dead for the Chantress of Amun Nauny - Met Museum Collection

Inventory Number: 30.3.31 Third Intermediate Period, Dynasty 21, ca. 1050 B.C. Location Information: From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Meritamun (TT 358, MMA 65), burial of Nauny, first corridor, inside Osiris figure, MMA excavations, 1928–29

Description:

This papyrus was part of the burial of Nauny, a Chantress of the god Amun-Re who died in her seventies. She also bore the title "king's daughter," which probably means that she was a child of the High Priest of Amun and titular king of the Theban area, Painedjem I.

On the papyrus are images and texts from a number of spells. The central scene illustrates Spell 125, better known as the Judgment of Osiris or The Weighing of the Heart. Nauny is in the Hall of Judgment. (...) Behind Nauny stands the goddess Isis, both wife and sister of Osiris. She is identified by the hieroglyph above her head.

[blueiscoool]

Lotiform Chalice Third Intermediate Period Ca. 945–664 B.C. From Middle Egypt, Tuna el-Gebel region; From Egypt.

The fragrant blossom of the blue lotus is a common motif in all forms of Egyptian art. Because it opened its petals to the sun each morning, the flower became a symbol of creation and rebirth. During the Third Intermediate Period, faience chalices derived from the shape of the blossom and other faience delicacies were decorated with relief scenes evoking a constellation of myths having to do with the birth of the king as child of the sun god out of the watery marsh environment, and thus the renewal of the world out of the flooded land anticipated with the beginning of the Inundation at the Egyptian New Year.

[artifacts-archive]

Amulet of the Goddess Sekhmet

Egyptian, Third Intermediate Period (about 1069–664 BCE)

With the head of a lion and the idealized figure of a woman, this amulet depicts a powerful ancient Egyptian goddess. Ancient Egyptians—both living and dead—wore amulets of gods and goddesses to bring protection and health. These included depictions of deities in their human, animal, or mixed forms. This amulet represents one of several goddesses who appeared in a hybrid leonine-human form, likely Sekhmet, a goddess of pestilence and divine violence. In Egyptian mythology, Sekhmet acted as the Eye of Re, the daughter and protector of the sun god, Re. She had the ability to make enemies fall sick or heal those who were afflicted, so she would have provided the wearer of this amulet with protection from disease and other dangerous forces.

[dwellerinthelibrary]

The weighing of the heart, from the Book of the Dead of Aaner. A green Anubis kneels amidst the scales, holding the deceased's heart, which also appears on the scale's right-handed tray, with a little Maat goddess in the left tray. Plenty of offerings sit in front of Anubis. To the right, Aaner holds his eyes and his mouth (that is, the hieroglyphs which represent eye and mouth -- he still has an eye and a mouth in his face!).

When: Third Intermediate Period, 21st Dynasty

Where: Egyptian Museum, Turin

[lionofchaeronea]

Anthropoid coffin (wood, paint, and stucco) of Prince Amenemhat. Artist unknown; ca. 1186-945 BCE (20th or 21st Dynasty, late New Kingdom/Third Intermediate Period). From Amenemhat's tomb in the Meketre Valley near Thebes; now in the Metropolitan Museum of Art.