#thinking about that lesbian again

[facelessoldgargoyle]

Amy Dallon as the Minotaur

The Metatextual Monster: how reading Amy Dallon on multiple levels is necessary to understanding her.

I'm gonna be real, this started out as a daydream about drawing Taylor as Icarus, but I care way more about the Minotaur, and Taylor isn't the Minotaur. Possibly some art about this to follow, but I type faster than I draw. ~700 words.

How many of you have read House of Leaves? Wikipedia. The most important thing to know is that House of Leaves is three stories, which occur nested within each other. The story at the heart is a documentary about a house in which a closet door suddenly appears, which eventually grows into a hallway and then a labyrinth. The next layer is a blind professor's commentary on this documentary, which was discovered scattered around his apartment after his death. The top layer is the chronicle of a tattoo artist trying to reconstruct the commentary. All this to say: it is a book about meta-commentary, which makes describing its themes difficult.

In House of Leaves, the professor has tried to remove all references to the Minotaur by burning the pages of his notes about him. The tattoo artist writes down everything that failed to burn, and indicates that it was burned using red, struck through text. The Minotaur is a character which does not exist, but he haunts the book.

On the top level, he represents the constant editing, rewriting, and destruction of the book itself. Down a level, he is a monster who is stalking the characters in their minds. A claw mark is found next to the professors dead body. Down a level, he's the guilt and shame growing within each author which they project into the house. The labyrinth in the house is a black hole, it signifies nothing, but the human mind impresses its own ideas and image into it.

I'm now realizing that I've written three paragraphs without mentioning Amy once. Shit. Ok. The good stuff.

On the level closest to the text, Amy the character is the malformed, rejected child. When her malformation makes itself known, she is permanently rejected and confined in an inescapable prison. Like the Minotaur in House of Leaves, her ghost haunts the people who fear her and obsess over her. They can't stop thinking about her (Victoria) despite how that obsession only hurts them. When Amy's status as monster can be instrumentalized, it is, like how the Minotaur of myth was used as a method of execution for the youth of Athens. She's set free and used once again.

On another level, Amy Dallon haunts Worm. Her arc is fully fleshed out, and it is tragedy. Like the Minotaur, on one level she must been seen as symbolic. She represents the self-destruction of the nuclear family. In one version of the myth, the Minotaur is the bastard son of Minos. The king did not sacrifice a bull sent to him by Poseidon, and so the queen was cursed to fall in love with the bull. Here, the Minotaur represents the ultimate perversion of the natural order. The king did not honor the god, and so the wife did not honor her husband, and so the child did not honor his mother. Amy represent the same overturning of the natural order. Carol hated the daughter, and so the daughter destroyed her sister. These stories suggest that the so-called natural order actually has something deeply wrong with it!

On the top level, Amy is a scapegoat for the audience. Like the Minotaur in House of Leaves, the reader projects their own hatred on her; they treat her with the same lesbophobia as the text does, if you read her a layer below the symbolic critique of the family, if you read her as a character. People consistently write about her as having an incest kink, or other deviant, highly stigmatized fetish. People post about her being dirty, or ill-intentioned. This reading accepts her as ontologically evil, rather than a product of an oppressive structure. The exact form of the Minotaur (deviant, dirty, ill-intentioned) varies from person to person. He acts as a Rorschach, illuminating what the observer finds offensive.

Like the Minotaur in House of Leaves, Amy must be read on multiple levels. She is a character, she is a metaphor, she is a mirror. Isolate any of these levels from the other, and they fail to make sense. Separating the symbolic from the personal is often what leads people to falling into the trap of projecting lesbophobic narratives onto her!

The Minotaur is out to get you, and Amy is too.

[facelessoldgargoyle]

It’s all about the contamination!!!!

thinking about the Carol interlude again. 3 things.

1) One of Amy’s desperate fixes being to erase Victoria’s memory, something she genuinely regards as a healing kindness (Amy noooo why did they skip the psych rotation when they put you through your child labor residency nooooo), which is indicative of a very “Dallon” ideology; to Heal is to restore a Natural and Correct state is to Remove Contamination (the contamination being any speck on a smooth white canvas, the contamination being her); also some major projection happening where she’d kill to magic away her own Gross Evil Vicky Feelings so of course Victoria will appreciate having that stain gone! It’ll be like it never happened! She’s cleaning up after herself, doing what she’s supposed to do! Everything will be just fine after this. For sure. No it’s not a trauma cope fuck off. For sure for sure.

2) Always drives me bonkers fucking insane that her original plan was to spend the rest of her life healing people as payment, that she says it plain and loud in front of Carol and Sarah and god and everyone and the implications still fall on deaf ears. The worst punishment she can think of for herself is doing exactly what she’s been doing for years of her life. Max-security prison is her compromise. What the Fuck. We all know it’s fucked up but what the fuck.

3) The way she slips up and calls Carol “mom” when she’s trying to plead with her. Let’s all kill ourselves

[inkskinned]

yesterday while feverish i wrote about how boats can moor next to each other like pigeons, cooing with the gentle rap of water against their hull. you once said that that the way i see things - birds in the water, feathers in marina paint - was "childish and naive." you said i'd been misdiagnosed - "it can't all be adhd. you might be just kind of stupid and lazy."

i still do certain things like how you taught me - turn the pillow case inside out before putting it on. drive defensively. hate myself entirely.

the prompt for this poem is "mahler's fifth." i wish it wasn't, but mahler's fifth was our song. it ended up in my book. every person that knows your name has promised me they'll give you one swift rabbit punch, right to the face. dean read the book and showed up on my front porch, drenched in sweat from running the 8 miles at 4 in the morning. he was shaking. pacifist and gentle - he works with children - i'd never seen him furious. a punch isn't going to do it, he said, and then said i'm sorry. i had to come to see if you were okay.

mahler's fifth was mine first, like my girlhood. i like the way each movement piles onto the next movement, each instrument bleeding into the next. i like the horn version the best. before i met you, i danced to it on grass still-wet from sprinklers.

later you would tell me that the way you heard it was somehow better. you understood something in it that i couldn't quite wrap my fingers into. once, on our anniversary, you asked the classical music radio station to play it for us. we missed hearing it because we were fighting. one of the things people get wrong about abuse is that sometimes victims are, like, brutally aware of the stupidity of our situation. what do you mean that you thought i wasn't good enough for you? you? you're just... nothing.

sometimes people can pull the poetry out of your life. i watched my words become clothesline, and then thin out into kite twine. i watched you chew through every good syllable of me. so many good songs and places and moments were ruined. i am glad you didn't like most of my music - less to tie back to you.

but still mahler's fifth. the music swells, and i am 21 and throwing up in a bathroom on my birthday. a woman i will later refer to as lesbian jesus runs a cool hand down my back, her perfect pantsuit starch-pressed. she told me to leave you. she said - and this is true, and not an invention of rhyme or fantasy - i'm you from the future.

i am 22, and i got home from an award ceremony, and i remember you telling me - you act so proud of yourself when you're actually so fucking embarrassing. i took you to disney world. you took my virginity. i gave up visiting spain for a week with my family - i instead choose you, to spend the time just-cuddling. you called it "our fuck week." the music swells. it probably should have been a red flag that for about 3 years - i just gave up on crying. my grandfather died and you said nothing. my uncle died and you ghosted me for 3 weeks. you said i need to protect myself from your ongoing tragedy.

every so often i come back to the memory of one of our last afternoons in person. i had just told you that i wasn't going to law school, despite the free ride - i was going to join a creative writing program. master's in fine arts. i was going to finally do it - i was going to follow my dreams. this blog was already internet-famous. however reluctantly, i would occasionally refer to myself as a poet. i got into umass amherst's writing program for fiction authors. it is one of the the top 5 programs in the country.

wait are you seriously considering actually attending that? dumbfounded, you turned completely towards me in your seat. for the 3rd time in our relationship, you almost crashed the car. you actually want to be a writer?

the first time i went viral, it was for a poem i wrote about you:

he wants to say i love you but keeps it to goodnight because love will take some falling and she's afraid of heights.

every time i see that, i want to throw up. you weren't in love with me, you were in love with the control you had over me. a little truth though: i am afraid of heights. you caught a rabbitgirl and skinned her alive.

mahler's fifth still makes me sick.

give me that back. give me back music. give me back everything i had before you. give me back fearlessness. give me back bravery. give me back a scarless body.

give me back what you took from me.

[lazycranberrydoodles]

transfems your wangxian

[uncanny-tranny]

Periodic reminder that unless a person specifically and clearly tells you it is okay to tell others they are trans or queer, you should err on the side of caution and assume they do not want you to tell people (especially random people!) about their transness or queerness.

You have no idea, generally, why somebody doesn't talk openly about their trans or queer status, and you have no idea, truly, how somebody might react to that information. The most progressive person out there is still capable of harbouring incredibly negative thoughts about somebody's queer status.

[spacebubblehomebase]

Shit post!

Don't take this too seriously, but LMAO XD. -Bubbly💙

[f1shart]

*clawing my way out of a deep dank pit or something* erm hai guys..College gays1!! 💗

ive been playing a little early strangetown and starting thinking up college hcs for these gyals theyre still kids in my game.. whatever. im the planner

★ rambling below ★

ok first, ages since theyre all fucked up in game: Instead of the twins being older than all of glarn's kids, they're only a year older than lazlo which Yeah would mean glarn got mpregnant and disappeared from the house for some months to hide it (idiot), dropped the twins at his lovelorn ex-wife's house, and returned home to his "normal" kids. They'd otherwise be in their mid-late 40s living with these recently graduated young women and like for what 😭 As of 2004 they are 26, erin is 24, and kristen is 23. she skipped a grade so she was a college freshman at the same time as eri ^_^

but anyway this drawing is set in 1998 HERE ARE THEIR MAJORS: Lola in poli-sci, Chloe in philosophy (she never fucking chose), Erin in psychology, and Kristen in public health but in-game it would be biology stop i wanted them all to begin with P beacuse. silly. kristen's mom, being an older and more traditional parent, wanted her to pursue a career in medicine but after her death kristen got the courage to choose the major she wanted, which was <whatever major gives you a boost in athletic LOL i havent checked>

gah i didn't mention but college is where the 4 of them met :3 I'm thinking of placing them in this university because i want it to be pretty far from strangetown hence the Actual Grass, plus kristen isnt actually from there so mission u may be closer to her hometown? maybe? Post-graduation they all get a house together because of their money situation even though chloe is a bitch to kris and erin 😭 (kris doesnt mind though eheh... my idea is that her and chloe had a fling in college but while chloe is a romance sim and does not gaf, kristen is still a bit hung on her) (i dont necessarily ship them tho im a diehard misten/lost waters/whateverthefuck fan OK. kris is a simp for pretty femmes & i cant exactly blame her...)

I LOVE HER!!! toothy ass grin god that face is just meant to be butch i can fix you kristen loste my beloved

[red-moon-at-night]

okay the whole vase is great but something about Helen sitting on Aphrodite's lap as she wraps one arm around her shoulder and brushes her leg with her hand, staring into her eyes like that... as she is persuading Helen to go with Paris (while Peitho aka persuasion stands behind them) is so incredibly iconic.

and gay. toxic yuri, if you will.

[rottengurlz]

try to be gentle when you are ripping me apart 🔪

w/ @kashisun

[carlyraejepsans]

yuri warriors you have my axe

[rubyrubyrubytuesday]

once again thinking about

anthy watching akio lose, his castle and his illusion of being a prince crashing and throwing herself in front of him VS anthy watching akio lose, his castle and his illusion of being a prince crashing and being thrown in front of him.

sacrificing yourself vs being used and sacrificed.

[facelessoldgargoyle]

thinkin about those lesbians again! God I love working with guache

[facelessoldgargoyle]

The crucial underpinning of all of this is that Amy is not allowed to have a separation of identities the way that other capes are. There is no Panacea the way that there is a Skitter; there’s just obligation. Some compartmentalization would have helped Amy massively! Instead, she wakes up at 3am to pace the NICU.

this may or may not make a lick of sense but my approach and the one that makes most sense to me when it comes to analyzing amy is to start at panacea, double back to amelia lavere, and then proceed to amy dallon, instead of going for the obvious route and starting at the last point. panacea is huge. panacea, not ‘amy dallon,’ is the identity where she’s forced to rest all the weight of herself (up until she sheds it). i don’t think it’s possible to understand what it means to “be” amy without first getting incredibly familiar with the expectation that goes into her cape identity (and other people on here, I think, have talked about the nightmare of civilian/cape identity blurring under new wave). it’s a level of moral responsibility above and beyond what anyone else in her life has to handle. there is no existing equivalent to it. to stop being panacea is to let the pooling blood accumulate until it fills you up to your lungs or you transform into something monstrous and gilled. like.

and when you peel that away, get a look at the girl underneath the healer, yes, you see amy dallon, but amy dallon very simply wouldn’t exist without amelia lavere — it’s not just chronology, it’s not just her first identity or the name she used to have, it’s the ghost rattling around in her bones and Fucking It All Up. it fills every silence in her adopted home, hangs behind every unspoken accusation, marks every subtle and unsubtle ostracism. it’s the second obligation of blood after what she does as panacea. that’s what sets the stage for amy dallon, and that’s what creates the end result that people come face to face with: the unwanted, underloved girl clawing like a kitten up the leg of the only person who’s never swatted her away, molded into an irritable, unpersonable teenager whose bottled-and-shaken romantic longing explodes into a gory mess of heartbreak, confusion, and disgust. that’s how you get from point A to point B with her. to me.

[napping-sapphic]

Cannot even begin to express how badly i need a relationship where i ask them to bring me some comfy clothes and they bring me their own clothes instead of mine

[jjkyaoi]

a photographer told chappell to shut the fuck up at the vmas and she, rightfully, shut that shit down and told HIM to stfu. and now suddenly she’s the massive bitch AGAIN who can’t handle publicity and needs to be taken down a peg. hjmmm.. it’s almost as if, you guys are all for women speaking up for themselves and fighting against unfair treatment specifically from men until it’s not an imaginary scenario you’ve conceived in your mind and it actually happens and they aren’t perfectly nice about it. uhuh. uhuh. don’t mind me js taking notes

[thepersonperson]

I just want to say that I really love your analysis on Gojo and Sukuna a lot.

Can I ask for analysis of Sukuna and Yuji dynamics? It's okay if you take awhile to answer this.

(Answered as of JJK 262 using TCB Scans.)

Oh boy this one is fun!

I see Sukuna and Yuji as opposite sides of the same coin. They both have the same kind of tools but wind up at completely different conclusions because of their own personal biases.

By the way, thank you for breaking my brain anon. I'm going to consider this yet another part of my attempt to grasp Sukuna's character.

Sukuna's Loneliness Part 3 (Sukuna's hatred of Yuji is jealousy.)

Part 1 Part 2 Part 4

Click images for captions/citations.

Yuji and Sukuna's Shrine

Gege does this really clever thing where kanji used to describe a Cursed Technique (CT) have multiple readings, especially if you look past the initial proposed reading. In a way, this is teaching you how to read the text. The face-value reading, albeit true, hides another reading underneath.

Dismantle comes from the kanji 解 (Kai). This kanji can mean to unravel, to explain, to understand, to solve, to cut. It’s first introduced with chef knives which pushes the reader to interpret the meaning as “to cut”. However, this doesn't mean it's not carrying the other readings at the same time. The cutting is not simply cutting, it's a purposeful unraveling in search of an answer—in other words, dismantling.

Another good translation of 解 (Kai) would be Dissect. Though dismantle gets across a similar feeling, dissect invokes a more intimate and purposeful imagery to the cutting. Both of translations are good in their own ways. It's a matter of preference for which is better.

My point here is that the technique itself indicates the user is trying to understand something closely. The surface reading isn't sufficient for the user, the insides, the guts are what they're after. Both Yuji and Sukuna embody this desire to understand others in completely opposite directions.

Yuji, Human Golden Retriever

Yuji is wholly devoted to understanding others. He unravels the hearts of those around him by being himself. Similar to Sukuna, he also mimics people he admires. Not only in battle, but casually as well, pair bonding with just about anyone who will let him.

The mimicry aspect of Yuji here is very important because it demonstrates he is trying to understand other people on their own terms and not his own. Yuji engages everyone as themselves and accepts them as they are. Him having no braincells is a boon because it means he can absorb others' with ease.

I'm extremely fond of Yuji's pair bonding with Gojo in particular. In great length I've explained how Gojo's inability to deeply connect with others since his breakup with Geto was isolating and dehumanizing. Yuji is the first person since then to match his energy exactly and without question. Usually other characters get irritated with his shenanigans and can't follow him in conversation. Yuji consistently keeps up with him in that regard even if he's confused. In this way, Yuji has done the impossible, he has gotten past some of Gojo's emotional barriers and connected with him.

This type of seemingly impossible connection is not limited to Gojo, my other favorite being Junpei. Up until Yuji meets him, Junpei is effectively groomed by Mahito into hating other people. Mahito teaches him distrust and to see human ugliness first. Junpei starts to believe everyone is rotten and therefore ok to kill. But Yuji meets him by chance and does this:

All that time Mahito spent molding Junpei into someone worse flies right out the window because Yuji wins him over by being genuine. This is the crux of Yuji's character.

Yuji's Unyielding Spirit

Just about everyone is won over by Yuji's persistent unending good boy energy, even the people who try to kill him (Megumi, the Kyoto students, Choso, Hakari, Higurama, etc.). His most interesting converts are Higurama and Hakari in my opinion. This is because Yuji's steadfast devotion to others defies their world views.

After a lifetime's worth of heartbreak as a public defender, Higurama believes that deep down all people are hideous (similar to Junpei). He's ready to kill Yuji until he takes the blame for something he didn't do. It so thoroughly shakes him that he has a meltdown over the chapter and ultimately concludes he was in the wrong.

Yuji doesn't try to make Higurama understand him here. All he does is be himself and it forces Higurama to undergo character growth that ultimately results in him understanding Yuji.

Yuji does the exact same thing to Hakari but in a different way. Hakari believes in the selfish types who are passionate in their own pursuits. He's a lot like Sukuna in that way, he straight up calls Yuji boring for doing things on the behalf of others.

Yuji doesn't care though. He's got a clear goal and he's chasing it. Hakari knocking him down over and over does nothing. Unlike with Higurama, Yuji explains exactly how he sees himself and that if Hakari can't handle it, he'll keep getting back up until he accepts it. And it works. Eventually Hakari can see the "fever" of someone who is nothing like him.

These two converts best illustrate how Yuji is the embodiment of unwavering humanity. He does things for other people and he will keep doing things for other people even it brings him pain or death. If you don't understand that kind of mentality, he'll let you pummel him until you do.

Also notice how he never once tells his converts they are wrong to think the way they do. This acceptance of their differences is very important and will be coming up later.

Yuji's Love

Yuji connects with others through mimicry (and so does Sukuna). This, of course, is an expression of love. But what really sets his love apart from others' is his ability to perceive people and their emotions—he notices things about them no one else would.

I include the bout with Panda in this collage since their entire conversation occurs nonverbally. Yuji infers how Panda is feeling and what his goals are by sparing through a fake duel. All of this shows that despite Yuji's low general intelligence, his emotional intelligence is unparalleled. In a way, this ability of his to read others is him taking after both Kenjaku and Sukuna. But he doesn't use this insight to torment others, he uses it to befriend them.

This understanding of others is not limited to those Yuji is friendly with too. Hated people and things are something he is willing to engage without hostility.

I'm using the anime screencap because Yuji immediately accepting cursed objects, Sukuna's in particular, as something to be cherished instead of scorned really needs to be talked about more. And of course his acceptance of Todo (who is just like Sukuna for reasons we will get into later) is nearly just as important as him understanding Sukuna enough to utilize him against Mahito. These are both people, despised by most of the cast, that Yuji is willing to accept and work with on their own terms.

I often use the lens of analysis in which Umineko gave me: "Without love it cannot be seen." This is referring to how one needs to set aside their negative biases and assumptions to properly see the motives behind an action. It's sort of like giving someone the benefit of the doubt in your attempt to understand them. I think Yuji is the personification of this concept. And that's why Sukuna cannot stand him.

Sukuna, King of Miscommunication

The way in which Sukuna goes about understanding others is the polar opposite of Yuji and deeply perverse. It's like how a shark uses its mouth to explore the world. Instead of using his words, Sukuna uses his cutting to feel others out. And much like a shark, the exploratory bite and attacking bite are extremely different in action despite both resulting in the same level of harm or death when experienced.

Take notice of how happy Sukuna is when cutting his playmates. He doesn't kill them immediately and uses the information from his slashes to gain a better understanding of them. This is how Sukuna interacts with the world.

It's easy to dismiss sharks as evil since their bites do harm to humans no matter the context. But if you try to understand them on shark terms, they're actually pretty adorable. In other words, without love it (shark cuteness) cannot be seen. Please keep this in mind as I attempt to convince you Sukuna is peak gap moe.

Sukuna's Affection

Sukuna is very similar to Gojo in that he displays affection in very bizarre and unpleasant ways. But unlike Gojo who just verbally assaults people, Sukuna straight up assaults them. He's more than happy to give people compliments for their efforts, but it comes at the price of enduring his violence.

As you can see some of these compliments coincide with attempts to teach his opponent how to be a better fighter. And this is where Sukuna's affection shines the most—when he reaches out to his opponent and tries to connect with them and understand them through battle.

However...every single time Sukuna tries to bond with someone this way, they try to kill him. It's kind of hilarious.

He tries to connect with the Finger Bearer, a curse of all things. Rejected.

He tries to connect with Megumi after showing him his heart. Rejected.

He tries to connect with Higurama after cutting his limbs off. Rejected.

He tries to connect with Maki via an unhinged high-praise yapfest. Rejected.

No one here engages Sukuna's dialogue. They ignore his words entirely to focus on killing him. The only time anyone listens to him is if they're Uraume, actively dying, or Kashimo.

As you can see, Sukuna primarily expresses affection through violence. It's always accompanied by a smile and sometimes a backhanded compliment. No one can recognize this as affection because getting bit by a shark hurts regardless of intent. That being said, this affectionate violence differs greatly when compared to the violence inflicted out of aggravation.

Sukuna's Pickiness

Sukuna shows his displeasure through cutting as well. This usually occurs when people reach out to him without his explicit permission. Though Sukuna is eager to form bonds with others to some degree, he absolutely loathes when expectations are thrust onto him by another party.

That kind of relationship is transactional and not between equals. They don't want Sukuna for himself, they want Sukuna for themselves. Yorozu is the epitome of this and Sukuna treats her accordingly.

Notice how in both of these instances Sukuna's expression is the furthest thing from pleased. Yorozu does recognize his loneliness but disregards how he wants to deal with it. Sukuna cuts her to keep her away from him, not to understand her, and she doesn't get it. (Also note how he refuses to use his Shrine on her in their battle. Which we’ve established as Sukuna’s tool for understanding others. He wants so little to do with her it’s funny.)

Mahito also winds up on the receiving end of "get the fudge away from me" slashes despite initially bonding with Sukuna over Yuji's suffering. They inadvertently disrespect Sukuna's boundaries through unwanted contact, much like Yorozu, leading to this reaction. (To be fair, having your soul touched by a stranger sounds pretty upsetting.) Framing Sukuna's dislike of Mahito as an annoyed hostess vs a touchy patron in joke panels is a great way to illustrate how much he values this particular boundary.

Once again, Sukuna's expressions are very clear in their disgust. These cuts are to be read as hostile. When Sukuna cuts others in this manner, he is not trying to understand them.

Sukuna's Missed Connections

Now that we know how to read Sukuna's intent through how he cuts, we can also read his mood during fights and infer how he feels about other characters.

Jogo

In this post I kind of went over why Jogo wound up being favored by Sukuna. But let's break it down some more.

Jogo started in Sukuna's doghouse. His body language, facial expressions, and treatment of Jogo initially indicates Sukuna categorized Jogo amongst the likes of Mahito and Yorozu (he did touch his face without permission). Then Jogo said he wanted nothing of Sukuna, and everything changed.

Sukuna smiles at him and plays with him in the exact same manner he tried to with the Finger Bearer and Megumi earlier. He tries to coax Jogo into going all out while taking the time to figure out why he doesn't.

And perhaps learning from past mistakes, or Yuji (though he'd probably never admit it), Sukuna engages with Jogo on his terms—fire power. This mirroring is a show of respect and an attempt to learn more about Jogo.

This is the first time we see Sukuna do such a thing. And in return he gains a deeper understanding of Jogo for it while seeing him off into the afterlife.

Another first for Sukuna, he makes a meaningful connection through combat with Jogo who listens to him and accepts him as he is. Sukuna gasses him up while simultaneously putting him down, eventually ending on a genuine compliment, believing Jogo could've become an equal to Gojo Satoru. ...And then that blossoming relationship burns to ash by Sukuna's own hands.

This is where Yuji succeeds and Sukuna fails. Yuji's love builds and Sukuna's love kills.

The main takeaways from Sukuna vs Jogo are:

>Sukuna's facial expressions are a strong indicator of how he feels about someone. (Glaring at Jogo initially when he felt disrespected and then smiling at Jogo when he became interested in him.)

>Sukuna will offer aid to those who don't demand it of him. (Promising to kill all the humans in Shibuya on Jogo's behalf and giving permission for Jogo to boss him around if certain conditions are met.)

>Sukuna holds back during fights with those he wants to understand. (Playing with Jogo and trying to coax him into fighting harder.)

>Sukuna mimics others as a form of respect. (Fire vs fire showdown.)

>Sukuna is interested in the internal logic of his opponents. (Asking why Jogo doesn't use his domain and being intrigued by his attempt to become human.)

Keep all of this in mind as I use these points to revisit Sukuna's biggest missed connection.

Gojo Satoru

Jogo and Gojo as names are interesting in that they're inverses of each other if you go by the hiragana in Japanese. I think this was deliberate. It's not a coincidence that Jogo is someone Sukuna learned he was compatible with through fighting. Nor is it a coincidence Sukuna tried to understand him on his own terms in a way that killed him. This fight winds up being a blueprint for how Sukuna attempts to connect with Gojo Satoru.

The culmination of Sukuna's attempts to understand someone other than himself is Gojo Satoru. A whole 6 months in the making, the effort Sukuna puts towards others doesn't compare. He saw the potential in Megumi and found Mahoraga, blowing up half of Shibuya to tame it. He stole Megumi's body and subjugated his soul to obtain it, using his sister/Yorozu as calibration. And he explicitly states all this was for cutting through Gojo's Infinity.

All this prep work to kill one guy, and his loved ones are tormented for it. Gojo's prized student, Megumi (who Gojo treats like a son) is bathed in curses for days and has his sister murdered by his own CT. Sukuna picked through Megumi's memories as a part of this strategy, which means he has access to these two conversations.

A very selfish dream on Gojo's end, the desire for an equal he saw in Megumi more than any other student. In other words, a little piece of Gojo's internal logic that reveals a path for exploitation. And exploit it Sukuna does, deliberately wearing Megumi's face to mess with other sorcerers.

But that's probably not the whole truth here. Though Kenjaku and Yorozu understand Sukuna to an extent, they don't understand him fully. It's definitely true he used Megumi's face to better subjugate his new vessel and throw off Gojo. And it wouldn't be wrong to assume Sukuna did this out of malice. However...

Without love it cannot be seen gives me a framework to view these actions as something beyond hatred towards Gojo. It allows me to entertain a hypothetical where this a twisted display of affection. But it doesn't give me the evidence for this. So for this dissection, I'm using another important tool from Umineko: "Flipping over the chessboard." This refers to how one should try to see things from a different perspective.

For example, many people interpreted "The one who will teach you about love is..." during their fight being about Gojo trying to teach Sukuna love.

I decided to flip over the chessboard and came to the conclusion: The one who will teach you about love is...Sukuna.

I supported this claim with the conversation where Sukuna teaches love to Kashimo while alluding that Gojo needed teaching. And now I flip over the chessboard again. If Sukuna sees himself as a teacher of love, was Sukuna vs Gojo an attempt at education?

I reread the fight again and found this:

It's very clear that the one being satisfied in this instance is Gojo and by Sukuna. This battle is technically everything Gojo hoped for from Megumi. The potential of the 10 Shadows is maximized, Mahoraga is tamed, and the Infinity Gojo has longed for someone to pierce since Toji is obliterated.

The one satisfying him now is...Sukuna.

The one who will teach you about love is...Sukuna.

The parallel syntax and a definitive answer. I'm more confident that this is how the blank is to be filled. And that's why I don't know how to interpret this fight anymore.

This story repeatedly emphasizes how selfish Sukuna is. It beats you over the head with how self-centered and uncaring his conduct is. So why is it that he has seemingly gone out of his way to satisfy Gojo on his own terms?

There's not enough information. Did Sukuna hold back with Gojo because Megumi was still resisting him, or was it an attempt to mimic Yuji and connect with him? Did he use Megumi's body and face after reading his memories to better torment Gojo or was it give him satisfaction?

So I flip over the chessboard and go back to Jogo.

Gojo didn't ask anything of Sukuna just like Jogo. Neither of them asked to have their strength validated. Sukuna is the one who came after them.

Sukuna expressed his gratitude towards Jogo for wanting nothing of him by helping him with his objective. He killed all humans in the area as he promised and gave Jogo a chance to ask for more. Instead of slaughtering Jogo instantly, Sukuna played around with him while trying to understand him, all smiles, both backhandedly and genuinely complimenting him as he died.

...And it appears that Sukuna has done the same thing for Gojo too.

According to this post 龍鱗 (ryuurin) translates to dragon scales and "describes the basic application of Limitless, a strong defensive barrier like the scales of a dragon." This reference is also Buddhist in nature likening these scales/Gojo to a "dangerous divine power/authority", aka someone more than just a fish.

Now take this hidden meaning and Sukuna's 6 month long obsession with cutting through Infinity. Take how he describes the World Slash as something that reaches its target by making them the center of Sukuna's world. And remember that this solution is a modified Dismantle—the tool which Sukuna uses to connect with and understand others.

Sukuna made Gojo Satoru the center of his world in an attempt to understand him. He cut through Infinity in the exact way Gojo has always wanted to satisfy him. This could be read as flirtation since Sukuna has told Kashimo violence is how he loves. Just as he did with Jogo, Sukuna killed Gojo with his love.

The biggest difference between how Jogo and Gojo are treated is the complete lack of Sukuna in Gojo's afterlife. Jogo let Sukuna in and they bonded in death. Gojo seemingly kept Sukuna out, choosing to be surrounded by those he felt close with as a teenager, and waxed on about how it's hard to be understood. The irony is staggering.

It's possible that Sukuna expected Gojo to let him in during death so he could learn the unspoken secrets of his most favorite plaything. There’s also the possibility Sukuna was privy to Gojo’s afterlife scene and became acutely aware Geto still had Gojo’s heart entirely. (I don't think this the case since Sukuna is bright-eyed and smiling after that sequence.) Either way, Gojo failed to realize Sukuna was trying to reach him and inadvertently rejected him.

I flip over the chessboard again, revisiting Sukuna's lecture on love to Kashimo assuming that Sukuna attempted to teach Gojo love and failed. And now I don't know how to interpret his conversation with Kashimo either.

Is he simply saying love is worthless because all he values is strength? Or is he lamenting that each and every time he has tried to love his heart has been trampled? Could it be both?

Sukuna loves eating and humans are amongst his favorite meals. In that way, he does need someone else to be satisfied. Yet he insists on the contrary all while looking for companionship with anything that moves. Sukuna has gone his entire life not caring for others. But his fights with Jogo and Gojo demonstrate the opposite. Post-Gojo death, his expressions are ones of boredom and he is far more depressed. When his opponents most resemble Gojo, his smile returns.

Sukuna is too much like Gojo here, his 2 birds 1 stone approach to obfuscating his true feelings makes him very hard to read. It really doesn't help that instead of saying "I love you" Sukuna cuts people to pieces with a smile on his face. Forget about the gap moe. Sukuna is the most tsundere of sharks.

Umineko no Naku Koro ni (When the Seagulls Cry) is a visual novel about a person who is fundamentally misunderstood by those around them. They desperately want to be loved without being perceived, believing themself to be unworthy due to trauma and immutable characteristics given to them at birth. Instead of telling anyone these feelings directly, they play games akin to torture. They torment the ones they love over and over in hopes they'll see through their actions and understand them.

The Uncle vs Nephew Problem

What does Sukuna's inability to socialize have to do with Yuji? Well...everything. Remember that similar to Yuji, Sukuna rejected Mahito—the manifestation of the hatred between humans. Symbolically, this suggests Sukuna doesn't hate humans as much as he appears to. And from how he interacts with others, this may be the case.

Sukuna tries to be himself to connect with others and fails miserably. But Yuji? He breathes and makes 10 friends instantly. And even worse, he can fight others to understand them without killing them. Either with words or with fists, Yuji can make the connections using the very tools that isolate Sukuna.

So Sukuna falls back on isolation being strength. It's fine that he's all alone because it's what makes him strong. ...And in complete opposition to that philosophy (which is a huge cope), Yuji grows through his connections with other people.

Isolation vs Cooperation

Yuji is the undisputed king of running duos, in part because he can decenter himself at will to sync up with others. It doesn't matter how well he knows them or how long he's been around them, he will find a a way to be the best support they've ever received.

Sukuna doesn't believe in this kind of cooperation or other people. But he still respects Gojo and Megumi who do, so why does Yuji piss him off? I think it's because Yuji rubs his ability to love and grow from others in Sukuna's face, constantly.

Whether he's trapped in his body or on the receiving end of his friendship beatdowns, Sukuna has been present for each and every bonding moment Yuji has through fighting. Sukuna has an involuntary front row seat to Yuji's defiance of everything he stands for.

He's forced to watch Yuji learn how to Black Flash by cooperating with Todo. And since then, Yuji has learned to proc it with anyone he pairs up with.

Near death and with Nobara? No problem.

Things look hopeless and the shiestiest guy around is barely hanging on to his dead mentor's memento? 2 Black Flashes.

Yuji is even able to sync up with a guy he's never met, whose name he doesn't know to pull off this.

And of course we can't leave out Todo Aoi himself who maximizes Yuji's black flash efficiency.

This shakes Sukuna to the soul because holy fudge, Yuji is starting to become just as strong as him without mercilessly abandoning his humanity.

And that might mean Sukuna was wrong to suffer isolation in the pursuit of strength. That would mean Sukuna endured a lifetime of misunderstanding and loneliness for no greater purpose. In fact, he might be stronger if he had someone else to grow with. Which means he could've had love and strength.

That's a painful reality to confront. It's no wonder most of the black flashes Yuji lands on Sukuna are over his broken heart.

Selfishness vs Selflessness

Earlier I claimed that Sukuna and Todo are the same kind of person. This is because they're both extremely egocentric individuals who categorize people worth their time by boring or interesting. They both hate taking orders from the people they deem boring and go about understanding people through combat. And just about everyone hates them for being this way. The difference between them is Yuji and restraint with their opponents. (Todo doesn't outright kill the boring people, he just beats them half to death. And though he beats up the interesting people too, he allows them to grow for the next time.)

Note how Yuji matches Todo's communication style. He chooses to learn about Todo through combat and their relationship grows along with their strength, all without death. Yuji understands Todo and Todo understands Yuji. This is exactly what Sukuna has been trying to do.

Now Todo sees Yuji as his brother, aka someone with the potential to rise to his level and beyond. He doesn't mind at all that Yuji fights for others and Yuji doesn't mind that Todo fights to stave off boredom. Their relationship shows that someone as selfish and isolated as Todo (aka Sukuna) is capable of coexisting and growing with someone.

Sukuna rejects this on principle, going out of his way to destroy Yuji's bonds and ideals. He mocks his cog mentality and lectures him on this weakness. But like the fraud he is, Sukuna copies Yuji and obtains greater power by becoming obsessed with someone other than himself.

His fight with Gojo and the preparation up to it mirrors everything he hates about Yuji. Sukuna learns all about Gojo Satoru to find a way to kill him. He engages the fight on Gojo's terms and reaches out to satisfy him. And worst of all Sukuna grows through this—he upgrades his CT by making someone else the center of his world.

The fact this happened means Yuji was right about everything, so all Sukuna has left is denial. Yuji is boring, he's a brat, he's weak, he'll never reach his level. Because if he does, well, Sukuna's entire world view falls apart.

We saw this with Higurama and Hakari vs Yuji. Both of them eventually accepted that these differing ideas can exist together. Sukuna can't be like them since he keeps borrowing Yuji's tactics instead of sticking to his own ideas. He's defrauded himself and Yuji has to pay for this.

Rejection vs Acceptance

So that's the rub. Yuji is strong and properly loved through his unwavering good boy energy alone and this breaks Sukuna's brain. It's hard to read this as anything other than jealousy since Sukuna is watching Yuji obtain the things he's been denied using the exact same toolkit. And though Sukuna rejects Yuji for this, Yuji accepts Sukuna for what he is, just as he does everyone else.

All Sukuna has do is accept that Yuji's way of thinking is just as valid as his. But he can't since they're too similar. Yuji's existence forces Sukuna to confront a reality he's not emotionally equipped to handle. Instead of facing these emotional problems head on, he buries them and blames everyone else in a combination of envy and denial.

Deep down Sukuna knows he's in the wrong, otherwise Yuji's punches wouldn't shake his soul.