#they're very interesting

[cutter-kirby]

well fellas i thought about chara dreemurr for one second and now i need to replay undertale

[meat-pvppet]

Hi yes just gonna share this hc i have

So

The mantis tribe right

I feel like theyd have a pretty rich culture when it comes to art

Specifically dance and music where they tell stories of hunts or smth to younger mantises through dances and celebrations

The dances also kinda help mantises choreograph and apply the movements to actual fighting n shit (cuz that is how it is irl and also just cuz the mantis lord and sisters of battle fight and kinda the traitor lord fight ig is often compared to a dance with a rythm)

And also idk im projecting my own experiences as someone from a Filipino tribe

[dirtplace-tunnel]

13 for the ask thing

13. rank the clans (excluding skyclan, including bloodclan)

this is mostly based on how much i like their territories as well as their whole clan aspects in general:

1- Riverclan

2- Windclan

3- Thunderclan

4- Shadowclan

5- Bloodclan

6- Starclan

[notbecauseofvictories]

I'm re-reading the Discworld series for reasons, and honestly the most relatable part of reading these as an adult is how many of the protagonists start out being tired, used to their little routine and vaguely disgruntled by the interruption of the Plot. Sam Vimes wants to lie drunk in a gutter and absolutely doesn't want to be arresting dragons. Rincewind is yanked into every situation he's ever encountered, though he'd much rather be lying in a gutter too. (Minus the alcohol. Plus regretting everything he's ever done said witnessed or even heard about fourth-hand in his whole life.) Granny Weatherwax is deeply suspicious of foreign parts and that includes the next town over; Nanny has leaned into the armor of "nothing ever happens to jolly grannies who terrorize their daughters-in-law and make Saucy Jokes"

Only the young people don't seem to have picked up on this---and that's fortunate, because someone has to run around making things happen, if only so Vimes and Granny and Rincewind have a reason to get up (complaining bitterly the whole time) and put it all to rights. Without Carrot, Margrat, Eric, etc. these characters don't have that reason; they're likely to stay in the metaphorical gutter and keep wondering where it all went wrong or why anything has to change.

............well, that's not quite true. You get the sense that Vetinari knows how much certain people hate the Plot. And as the person sitting behind the metaphorical lighting board of Ankh-Morpork, he takes no small pleasure in forcing the Plot-haters specifically to stand up, and say some lines.

[welcometogrouchland]

[ID in ALT] I've made posts before about Talia/Dick co-parenting Damian moments (will never happen but let me dream) and this came to me in a vision. Took me ages to finish for some reason 😭 and then even longer to post

[poorly-drawn-mdzs]

Ghouls night out

[First] Prev <–-> Next

[wardingshout]

Zelda goes mushroom girl

[vaguely-concerned]

the contrast in lucanis' early game responses to bellara and davrin are sooo funny and also quietly devastating. the vibe is like

BELLARA: heey so... how are you feeling lucanis? generally, I mean. or specifically, if you'd rather talk about something in particular! well, you usually don't, so no worries if not, you know, no pressure, only if you'd think it'd maybe, I don't know, help! I know it doesn't always. but ah, um... are you -- alright? (in the pantry. we should probably stop asking you about this but are you sure you're alright in there? it's where the parsnips live. and you now, too, I suppose! just... you and the onions. and a demon. sorry, didn't mean to remind you! you see I'm only asking because um for a second there I thought the dark circles under your eyes were actually bruises and it jumpscared me a bit)

LUCANIS (tired but soft): I'm fine, Bellara. Really. Don't worry about me.

VS.

DAVRIN: So hey lucanis. just out of interest. what the fuck is your damage anyway. why are you like this

LUCANIS (at his most 'orders one black coffee and drives away' and also honest): Well you see Davrin since you're asking: I am in hell. Also go fuck yourself.

[hexcoreviktor]

I thought I wanted us to give magic to the world.

[starry-bi-sky]

wolfpack. aka: if not friend, then why friend-shaped?

"Hey-- uh, Danny?" There's an almost imperceptible tremor in Tucker's voice.

Danny doesn't look up from what he's doing, his pencil scritching across his notebook as he tries to do another quadratic formula question. "Hm."

"What's -- uh -- what's with the dogs?"

He looks up now, and finally sees where Tucker is -- standing in the doorway of his room with an ashy look on his face and a skewed, nervous smile. He's got a white knuckle grip on the doorknob. Sam is wide-eyed behind him, and using him as a partial meat-shield.

Danny looks down to the two giant ghost wolves sprawled next to him lazily. One large green one with his head in Danny's lap, letting him use him as a prop-up for his notebook. Another equally large black one splayed against his hip, sleeping on her side with her head tilted inward to his calf.

Automatically, a grin tilts across Danny's face, and he lifts his notebook up to scratch behind the green one's ears. He opens a lazy eye, one that is bloody red with a ring of yellow around the pupil, before slipping it shut and leaning his head into Danny's touch. "This is Sirius and Procyon," he says, and reaches down to scratch Sirius' belly. "And they're not dogs, they're wolves."

"Great," Tucker says, his voice suddenly much smaller and faint, "Love that distinction."

Sirius makes a great big groan, and Danny's grin widens, his heart swelling with fondness. His hand slips away from her belly, and before he can put his notebook back down, Procyon pushes his head up his lap until his ear is against his stomach, demanding pets now too.

Sam peeks her head up from over Tucker's shoulder, "I think what Tucker's asking here is what are they doing here, Danny."

He shrugs, scratching under Procyon's chin. "They kinda just showed up. I tried sending them back to the Zone, but they keep returning." And they were weirdly intent on just following him around, which is the only reason he gave up on returning them. They weren't causing trouble, and they knew how to hide around the living. Plus, he just loves dogs. "So now I have two wolves living with me."

This, oddly enough, did not do anything to calm Sam and Tucker down. Tucker's mouth purses into a thin line, and he presses the sides of his palms to his lips in prayer. "How have your parents not found out about this?"

Danny wordlessly raises his hand, and his sleeve slides down to reveal a thin chain bracelet hooked around his wrist. He whistles sharply, and both Procyon and Sirius jerk their heads up to look at him, ears pricked up and eyes alert.

Silently, he points to his wrist and rattles it twice, and in unison both wolves stand up and pounce. Instantly, they turn into a respective, opaque black and green mist that swirls around the bracelet and forms into two, flat wolf charms.

Both wolves are posing in the stereotypical wolf howl, with little stars indented on the sides. Procyon's charm has the Canis Minor constellation engraved on it, while Sirius has the Canis Major.

Danny faces Sam and Tucker, and points at his wrist. "Like this."

[captain-astors]

The Crown Prince

[zu-is-here]

who are you without your battle body?

[secriden]

Just going to cry again (see: my previous post about the parallels between the storage room scene and the abandoned factory scene) about parallels and juxtapositions in the store room scene vs the one in Styles bedroom:

Both these scenes have such a tone of desperation and are characterised by an overflowing of emotions, but in drastically opposite directions.

(Note, some of what I say in this post directly relates to concepts and themes I talked about here, so it may not wholly make sense without that context.)

The scene in the storeroom is filled with frustrated desire. Fadel kisses Style because he wants Style's body and also wants to take his frustrations at Style out on his body. He doesn't need to look Style in the eye (and in fact very intentionally only does so only in small snatches) because this isn't about a connection as much as it is about a release. Fadel's kisses come fast, hard, and are intended to bruise more than to adore.

But episode 5's scene is filled with much more quiet and tender sort of desire. Style is kissing Fadel so much more slowly and purposefully. He keeps looking back at Fadel, checking in to see how he feels and whether Fadel is enjoying it. Everything Style wanted in Episode 3, he now gives to Fadel here, pours the secrets of his knowing and choosing Fadel anyway into the way he presses his lips onto Fadel's skin. His kisses linger, they carry a weight but are not gentle, and contain meaning that Fadel's kisses couldn't in Episode 3 because in all honesty they were relative strangers back then.

There's also the way there's such a ferocity and carelessness in the way Fadel starts the encounter in episode 3 that is juxtaposed beautifully by the slow, tender, almost hesitant way Style slides his lips onto Fadel's. Both of them are in such different headspaces, between these episodes and its especially evident in the way they care so much more about the other person's comfort and how intentionally they showed that to the audience.

There's hunger present in both scenes but what this hunger is focused on is so drastically different. In the storeroom, they're both mainly focused on a physical release; its primal and visceral but lacked emotional resonance. Fadel gives Style what he knows Style wants (that hint of danger, with the hand on his neck), but its not because he really cares about what Style wants on anything more than a physical level. In Style's bedroom, however, Fadel is drunk (intentionally and by his own design) and desperate to open himself up to Style on an emotional level. Meanwhile, Style wants that desperately too, but knows that Fadel shouldn't because of his own terrible secret. So this kiss is what they both will allow themselves - an honesty and a hunger for this deeper connection they can only share in act but not in words.

In the storeroom, Style wants Fadel to want more than his body but knows (or thinks) he can't push for it yet, so he remains passive, lets Fadel do whatever he wants, lets him turn and shove and place Style how he wants because at this point, this is all Fadel will give him. Here, Style is passive in spite of what he wants. But in the bedroom, Fadel is passive because it's what he wants; he wants to let Style do whatever he desires to and with Fadel's body. He wants to lay himself as bare as he possibly can, which is only physical, and so he does.

And because the encounter in Episode 3 lacked that emotional connection, the focus is merely their respective releases. There's a sense of two people trying to find pleasure and 'finish' while remaining emotionally disconnected despite actively having sex with each other. Because in some ways, they didn't really need each other in that moment to get there (there's actually a lot of truth in what Fadel says about it being easier to just jerk off alone). In sharp contrast, the scene in Episode 5 isn't focused on the destination but on the journey. Style is taking his time and Fadel is letting him - Style is choosing to worship Fadel's body, with his fingers, with his lips, to respond to his vulnerability with gentleness and tenderness and adoration. The goal has stopped being about finding a release, it's about allowing both these men to revel in the giving and receiving of pleasure.

The point of these scenes is to show to us the ways in which Fadel and Style have grown to care for and, dare I say it, love each other in ways that are so purposefully portrayed by showing the nature of their physical connection. Because the ways in which these scenes are the same and yet so wholly different showcases how their touches are now no longer merely tied to their senses any longer, but also to their hearts as well.

[zizzy-rie]

Made these instead of studying :v

[sherrymagic]

Wait until I find out who that boxer is.

Aou Thanaboon as MEK and Boom Tharatorn as DECH MEMOIR OF RATI | GMMTV2025