#they're so sweet i can't-

[thefabledpheasant]

One of my favorite merthur scenes is Merlin’s “I didn’t want you to feel that you were alone” and it’s so beautiful for so many reasons, but what I don’t see ever mentioned is the moments right after Arthur opens the doors. Merlin doesn’t look at Arthur or give any indication he’s awake until he says Merlin’s name.

I think it’s so special because he’s giving Arthur the choice of what he wants to do. He can leave Merlin there and be alone or he can ‘wake him up’ and have a friend. He knows Arthur might not want to engage with anyone after an entire night spent with his deceased father. It’s a beautiful, understated act of consideration, love, and empathy.

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]

[egophiliac]

LEON

LEON YOUR EYEBALLS

[gnomewithalaptop]

Rereading the Our Worlds at War tie-in again and God I miss their friendship every day

[retributory]

it's impossible to convince people to read scum villain unless you know them like the back of your hand because how do you tell a stranger that the ml holding the mc's corpse hostage and keeping it as lively as possible with qi is actually very heartwarming and tragic within the context of the story. you sound crazy

[dirtytransmasc]

I think I need MelVik connecting when Viktor was on his sick bed. they had been amicable before, maybe a little more than that due to their connection through Jayce and her presence around Hextech and such. but they weren't entirely friends. not yet.

and she goes to see him. perhaps she feels a tinge of guilt at assuming the worst about Jayce, or her bleeding heart makes her feel responsible for keeping Jayce out of the lab when Viktor had needed him. maybe Jayce needs to step out for a moment, and she soothes his worry by promising to sit with Viktor. maybe she just wants to be closer to the man that's so painfully important to the one she loves, wants to befriend him, wants to know him, all before it's far too late.

maybe it's a little bit of each.

but she goes to see him. she sits in the chair that Jayce has nearly worn a hole through, and keeps a semi-awkward distance between them, not knowing what is too close and too far.

this man is dying. he is dying and he has accepted that. he looks like a corpse. cold emanates off of him. he is something she doesn't fully understand.

she doesn't know how to approach.

but she does.

she greets softly and speaks softly and hesitates to touch, but rests a hand over Viktor's and feels how cold he is, even as a sickly warmth brews in his bones, leeching the warmth from his skin and the energy from his body.

he seems surprised she's there. it feels out of place. like the song and dance of their dynamic has shifted, and now he needs to relearn the steps. and now this is a dance of two, not three.

she will tell Viktor, in enough detail to be understood and not enough to be awkward, where Jayce was. because it feels right to confess. it's not an apology, but the avoidance of keeping something like a secret from a dying man.

Viktor will probably just nod and say something self deprecating, because what else do you say when your body is already making a joke of itself? before assuring her that Jayce is not his keeper, that she is not to blame, but even that comes off as some twisted attempt at humor. sue him for being sardonic as he lay dying.

but unlike Jayce, who will cringe at the jokes, she will hide a smile behind her fingers, muffling a soft, if not saddened, chuckle in her palm.

Viktor's eyes will light up ever so slightly.

she'll feel awkward once more. should she have laughed? was this playing into a complex? was this right of her?

Viktor will smile weakly.

she'll feel a little less awkward.

she will realize Viktor needs someone to laugh with. that Jayce, bless his soul, cannot be that person for Viktor. his worry has brewed too long. it's too strong.

but maybe a fresh face like Mel's can be there to smile when Jayce cannot. will laugh when Jayce cannot. can make cheeky jokes and pokes and prods.

the three fit together like 3 pieces of 3 broken puzzles. they fit together, not perfectly, but they fit, and create a finished object, even if off kilter her and uneven there. but it's ok, they're making due.

[royalarchivist]

Mine: Refer to me however you want!

Mike: Yeah, for me too. I think I use all pronouns too.

[They high-five and fist-bump each other]

Mine:

[via @barbmine]

[robby-bobby-tommy]

The parallels that hurt so much

They both jinxed the most important event in their lives trying to help...

They both lost their closest friends to this....

And both were abandoned and hurt in the worst way possible by the sibling they've looked up to....

They had good intentions, they were so young......

And they're the monsters others have created.

[technically-human]

John making Sherlock smile

@unculturedmamoswine made me aware of this scene from the most recent mailbag episode, and I COULDN'T not draw it. Thank you so much :')

Without hearing them, it's a bit hard to imagine what their faces are doing, but that gave me a lot of freedom and it was super fun!!

[thirddoctor]

For so long, I only felt what she wanted me to. Now I have to do it for myself, and I feel like I'm drowning.

[rmbunnie]

Something kinda tasteless about the way that alongside the concerns of "Batman needs someone to rein in his aggression/edginess" (mostly a meta concern,) "Robin is a symbol of undying hope right alongside Batman, Superman, and the police system," and "now that the thought's crossed my mind I think being Robin would be pretty sweet actually," one of Tim's points for why he should be Robin at the end of A Lonely Place of Dying is "we need to show the criminals of Gotham that they can't just kill Robin and expect to get away with it!" Because. They can. That's exactly what happened.

Using that line of reasoning, Tim makes the claim that the idea of Jaybin's life as disposable and inconsequential is heinous and bad, his killing something impermissible, but instead of disproving said idea they allow it to become true and devote their energy to making sure it doesn't become widely known as such. By covering his death up, they actually are permitting his murder to go unaddressed and deeming it acceptable, even taking away the opportunity for it to be consequential to anyone outside of Bruce's inner circle by not spreading the news. As much as we say "oh Bruce was a great dad because losing Jason crushed him" and "he almost considered trying to kill the Joker one time," he in all tangible areas did not do anything about Jason's death. Setting aside the question of killing the Joker or not, it's still shown in Batman Year 3 that Bruce's reaction to Jason's death in the time til Tim showed up was to hide away everything Jason owned and carry on with business as usual, a little angrier. Bruce didn't make any changes or actually evaluate anything in a significant way after the warehouse and Jason's death didn't warrant any tangible consequence, that's evident from reading the comic. I know some may disagree, and I acknowledge the room for interpretation, but in order to discuss Tim's reason we have to concede that it is explicitly written into this specific comic as something Bruce and Tim both recognize as fact, because it serves as the foundation that this reason is built on: there is good reason for the criminals to believe there would no punishment for killing Robin based on the actions Bruce did or didn't take in response. The concern about the public realizing there are no consequences for killing Robin wouldn't be reasonable if it wasn't true, if there actually were.

While they recognize that Jason's death came to pass largely without consequence, the fact itself is less of an issue to both Bruce and Tim than letting criminals actually find out that it doesn't have consequence. They know it's unjust, the notion that Jason can be killed without repercussion (and in making an effort to minimize his murder confirm it to be true,) but their concern isn't for what actually happened to Jason or the lack of proper response. At least on the vigilante side of things, the problem is public perception and continuing to uphold an image of Batman as just and diligent while permitting him to ignore injustice against those close to him. There's no efforts taken to actually disprove the idea that killing Robin would lack impact, what Tim proposes is just making it harder to prove right.

I think the best way to word what comes across tasteless for me here (aside from the side commentary on the unstoppable might of the institution of police and how it's an exemplar of heroism) is that beyond Tim's victim-blaming of Jason during his stint as Robin, (discussed in more depth by people who can word it better than me,) in the base text of a Lonely Place of Dying, it is foundational to the initial premise of Tim as Robin that part of his motive for being Robin hinges on accepting what happened to Jason as something that cannot be allowed in their pursuit of justice or go unaddressed for reasons completely unrelated to the actual harm, and then intentionally erasing the event and the way in which it was allowed and did go unaddressed. No matter how much it's claimed in later comics that Bruce was faultless and Jason doomed himself, Tim's Robin came to be at least in part (in-universe) as a cover-up for the lack of action taken about Jason's death, and by extension as an effort to overwrite his time as Robin and an individual entirely. And thought it wasn't the way his character viewed it, Tim wasn't passively complicit in it or going along with a poor grieving man, the intentional and deliberate erasure of Jason as a murder victim and the injustice of his posthumous treatment was part of his opening pitch.

[mydarlinglaszlo]

ok so i was really waiting for someone to gif the mika/jules scene at the end of 21x02 cause i unfortunately do not know how and i wanted to reblog it badly so ig a screenshot will suffice for now. ahhhhhhhh. it was such a short scene but it was!! so much!! to me!!

this was so soft??? them coming back to mika's house wearing civvies so they were together after work? the song in the background was so good. they were obviously holding hands or something before that. and jules stopping her for a moment before they're heading inside. the forehead touch. the way they were about to kiss before they heard Kwan playing video games (so it was obviously late). I'll forgive Kwan for the blocking cause my boy is Going Through It and I did love that they joined to keep him company, and mika helping jules beat him?? GOD!! 🥺

i love them sm!! why are they giving this to me now when midori is about to leave the show. i should not get invested in her and jules. but alas i fear it is too late. idk there is just something so sweet about them :(

[antiyourwokehomophobia2]

I have long since taken the mantra "write what you want to see" to heart, but I've just gotta say that it's kind of upsetting that gay movies seem to only fit two extremes. There's one end where the characters never kiss (or kiss once) or have sex (even implied). It's very sweet and clean and PG. The other extreme is like. Orgies every 5 minutes. Cheating. Abuse. Promiscuity.

It's just like. Y'all know that letting gay people have sex doesn't mean they can't be sweet as well, right? That man who shows up at his boyfriend's door with flowers and takes him to a nice dinner can fuck him (and only him) later. They can be married with a beautiful idyllic backdrop and still want each other carnally. Lesbians can make flower crowns and go for late night drives and write love songs and pick flowers and eat pussy? Monogamously.

I just really feel like people think there's some dichotomy where one side is "sweet = sexless" and the other is "sex = promiscuous low life"

[ministarfruit]

day 7: come back soon ♡

(femslashfeb prompt list)

[veinsfullofstars]

“Quit laughin’, ya bastard, I’m dyin’ over here! Get me some starsdamn milk, for cryin’ out loud!”

(ID: Kirby series fanart comic of Dark Meta Knight and Daroach, in which lunch is interrupted by a disagreement on spicy food and some improper use of the Sharing mechanic. Transcript below the cut. END ID.)

Based on a personal headcanon that DMK enjoys spicy food and Daroach vehemently does not.

Started 04/06/24, finished and updated 04/09/24, updated for color correction 11/02/24.

---

Transcript:

Panel 1

*DMK and DR sitting side-by-side enjoying some lunch together - a sandwich for the thief, a plate of spicy curry for the knight. DMK (his mask pushed up to the side of his head, bits of curry stuck to his face) idly eats his meal with a fork as DR picks up and scrutinizes a small bottle of hot sauce the knight had set aside, a brow raised in disappointment.*

DR: “Ultra spicy,” huh? Blech. How can you stand this stuff, Dark? Like, can you even taste anythin’ anymore? (Besides pain?)

Panel 2

DMK: Aw, c’mon, it’s not that bad. Here, want a bite~?

*setting his fork upright in the curry, DMK pushes his plate aside and turns towards DR with the most mischievous expression, reaching up to grab the collar of his cape. DR turns his head sharply, dropping the bottle and the sandwich, as the knight starts tugging him towards him.*

DR: What’re you-? Hey! No! No! Don’t you friggin’ dare, Dark, I swear to Nova-

Panel 3

*DMK stands up and yanks DR down towards his face, a hand clasped on the back of the thief’s head to hold him there. DR flinches (VFX: two large exclamation points), knocked off his feet and holding his paws out in surprise. A wisp of steam rises from between them, curling into a little pink heart at the top. Text reading “*Face-to-Face SFX*” hovers behind DMK.*

Panel 4

*DR jerks away from DMK, red-faced and doubled over in pain, his eyes squeezed shut and his tongue hanging out with a fresh red burn on the end, steam emitting from his face in puffs. He frantically fans at his mouth with one paw while shoving DMK away with the other.*

DR: (breaking the dialogue bubble in places) AAGH!! Ow! Star-burnin’ son-of-the-void what is wrong with you piece a’- aaaughh dammit stars dammit ow ow ow ow!!

*DMK cackles, leaning away with one arm held up against the rat’s pushing paw, one eye shut and mouth stretched open in a wide smile, a single incisor prominent within and a touch of blush at the corner. Text reading “HA HA HA HA HA HA HA” hovers behind him surrounded by laugh lines.*

[feroluce]

SCREAMING CRYING SOBBING COUGHING UP BLOOD-

NO ONE GETS BOOTHILL LIKE DAN HENG GETS BOOTHILL

I was so horribly, deeply enamored by this line-

Fun extra bonus:

because not only does it bring up once again that Dan Heng is uniquely capable of seeing Boothill past all his posturing and showboating, that he can peer straight down into Boothill's core and so easily decipher who he is and what he stands for and read the methods behind his madness where so few others seem able to, but it also means that reticent, no-small-talk Dan Heng talks about Boothill to other people-

that I switched my game to the original Chinese text to see what would translate through. And.