#they're like little aliens instead of actual people

[bbygirl-aemond]

Why do we refer to Alicent as a Hightower? Once she's married, didn't she become a Targaryen? Shouldn't she be called Alicent Targaryen ?

Okay so this is the consequence of the fact that none of the nobility or royalty in Westeros have actual last names the way that we understand them. Colloquially, nobles and royalty are often referred to as [first name] + [House name] (Alicent Hightower, Rhaenyra Targaryen, etc.) which makes it seem like the House names are last names. But they’re not actually, they’re titles. Kind of like how none of the British royal family have last names, just first names. And titles behave a bit differently from legal last names. Married women have equal claim to the House they were born into and the House they married into, and so can refer to themselves as either or. And they certainly don't seem to HAVE to give up their maiden name, no matter who they marry.

It’s entirely possible for people to claim multiple Houses in formal occasions. For example, Tommen Baratheon is referred to as “Tommen of Houses Baratheon and Lannister” during his coronation. But colloquially people only use one at a time. Married women usually have a preference for one or the other. There are examples galore of both options here. Olenna Tyrell and Lisa Arryn always go by their married names; Sansa Stark, Rhaenys Targaryen, and Cersei Lannister all go by their maiden names. Some women might use the two interchangeably, depending on their circumstances: Catelyn might refer to herself as Catelyn Tully while in the Riverlands, but Catelyn Stark while in the North.

Whether the married or maiden name is used comes down to a variety of factors, such as the statuses of the two Houses, the women’s sentiments towards the two Houses, and how deeply the women assimilate into the culture/family of their married House. When a woman is colloquially referred to by her maiden name, it is usually meant to reflect that she is perceived as rejecting the family she married into in favor of her original family. Alicent holds more closely to things associated with the Hightowers, such as the Faith of the Seven, and is largely derided by Team Black for being an “outsider” within House Targaryen. But this is only the case for informal labels.

Now, this flexibility does not extend to the formal titles of these women. When using their formal titles, they must use their married name. This is because there is only one “Lady X” at any given time, and it is a title reserved for the wife of the corresponding “Lord X.” This is true for men as well, by the way: Laenor was never “Lord Velaryon” because Corlys was “Lord Velaryon,” and only one person can hold the title at a time. So for example, Alicent wouldn’t be called “Lady Hightower,” even if she wasn’t married to a King, because the only Lady Hightower is the wife of Lord Ormund Hightower (who is also the only Lord Hightower). This is also why Rhaenys Targaryen is referred to as Lady Velaryon and never as Lady Targaryen.

As for Alicent, she's a bit unique because she married into the royal family in particular. Since royalty needs to feel important, they get their own rules that are a bit different from the rest of the nobility. The only ones with a claim to the name Targaryen are those born to a man with that name. The title of Queen is never attached to a specific House. Alicent’s formal title isn’t “Queen Targaryen,” nor is it “Queen Hightower,” it is simply “Queen Alicent.” But even if she'd married a Lord, she could very well still be known by the name Hightower.

[shoechoe]

man i am glad i didn't get the tumblr layout update

[pa-pa-plasma]

just finished watching Blue Beetle & the dude who's lines were 90% "my name isn't Sanchez" is listed as "Sanchez" in the credits

[shit-talker]

The only way I can rationalise people accepting literal children going out and fighting crime as Robin is if they don't think Robin is a real child.

I think it would be fun to see how Bruce would use that to his advantage in protecting his kids. Like, if people think Robin isn't human, if they instead think he's a spirit or a ghost, they are less likely to shoot at him, less likely to try and physically attack Robin because they think it would be no use.

The fun part would be deciding HOW they would do this. I like to think that Robin's domino mask doesn't have a hole for his eyes but instead is glazed over so that he can see out of it, but you can't see in. Maybe they install small lights in it so it looks like his eyes glow in the dark, because can you image how fucking scary it would be to just see these two sentient light-like eyes and just know the Batman must be lurking somewhere close by?

Maybe Bruce installs super strong magnets in their gloves because on the chance that someone does pull a gun on his kid close range, it would be a lot easier for them to grab the gun away if they had the force of magnetism on their side. Also, grabbing onto poles and other metal materials would make all the scaling on tall buildings a little safer. Obviously, they'd need a way to turn it on and off, but still. Can you imagine, you're in a warehouse and there are steel frames fucking everywhere and you look up and suddenly there's a child gripping onto one effortlessly? Horrifying.

Maybe they have a voice box. Want to scare people? Play this really ominous recording of a child's laughter that echoes just a bit too loud to be normal. Play this ominous screaming that seems too silent to be real. Play this ticking that seems to never end that induces stress and increases the chance of them messing up.

What would be even funnier is keeping this act up with the Justice League and other teams.

Batman doesn't bring Robin to these meetings at the beginning because he sees no need to involve a preteen in such matters, but at some point the subject does come up and it's sort of like; So, Bats, what exactly is the kid? Like...is he yours?

And Bruce (paranoid as fuck) doesn't want to admit to these people that yes, Robin is my son because hello? That's gotta be his biggest weakness, he would do anything to keep that kid safe and fuck them if they ever tried to hurt him to get to Bruce.

So, he tells them that he's a spirit sent to haunt him and remind the city of it'd failures and the Justice League just... believe him?? Because this is Batman, and why would Batman ever lie about something so, frankly, strange? And it's not a huge deal, like they're a team comprised of metas and aliens and literal godesses, so what if the one normal human guy has a weird little ghost child? Who cares if he cares about it like it's a real boy? Maybe the baby spirit has rights, too!! They don't know!

So, when the JLA gets more popular and becomes an actual, legal part of the American government, they're required to list all of their members. And they class Batman as a human, because that's obvious but next to Robin, they don't really know what to say or how to ask Batman about it, ao they just put "Unknown Child Spirit - TBD"

And then just... never change it?

So, they don't question why a few years later Robin seems to look entirely different, or why after that he changes again, or why Robin is suddenly a girl for a while before going back to a little boy. That's obviously just some weird spirit thing they don't understand, and it's not like Batman is going to explain it!

[sparrowlucero]

Instead of discourse about showrunners and lesbians and whatever, I'm gonna bring a different type of discourse...whats ur fav and least Dr Whomst monsters. Hard mode: only the practical ones.

ok so I do like all the obvious ones, I like the angels, I like the vashta nerada, I like the not-things, I like the eternals. Here's a few deeper cuts (focusing on the tv show specifically):

they peaked with these maggots. they rock. pretty sure they're made with taxidermy? really great puppetry. I really like this thing:

what a cool design for this kind of forgotten midseason episode.

this is such a fun design for a langolier-type monster. I love how their crest and tail gives them the silhouette of a grim reaper

The 60s cybermen rock. I feel like they're hesitant to use them often in the modern show because they do look very 1960s but I think there's something really uncomfortable and evocative about the cloth faces that's lost when they're cool metallic robots. The mix between looking like an old diving suit and the implication of there being a chopped up person inside is gnarly and I love it. Simple, creepy, iconic design.

My favorite design in the show is probably this:

The 456 from the spinoff series torchwood. They didn't need the puppet to emote or move a ton since it spends the entire season in a little tank obscured in mist, so they just went crazy with the design and made it really bizarre looking. Extremely top tier alien. Anyways, negative. I really don't like this satan. the satan kind of sucks. the impossible planet is great atmospheric sci fi horror; every image of build up in it is haunting and leagues ahead of the climactic scene where he meets the satan. It singlehandedly kind of kills the vibe.

Personally I would have just kept the actual appearance off screen, just have it be eyes in the dark or something. Apparently they also tossed around the idea that it would end up being a normal little girl who was chained up in the cave and I think that would have visually fit the rest of the episode better.

I'm really not big on the modern design for the sea devils (the green one on the right). I think the classic ones clearly took a lot of direct influence from real animals and generally is a pretty thoughtfully realized design, the modern ones seem like they were first and foremost using the classic ones for reference and didn't quite capture the nuance of the design. Sad, as I would really like to see design for these guys with modern puppetry.

I think this is actually a pretty contentious opinion but the work of the specific studio who headed this redesign generally wasn't my favorite. Apparently there was some sort of major, semi public falling out between the fx studio that had been working on the show since 2005 and the people who started running the show in 2018, and they were briefly replaced with a much less experienced studio. No hate to them of course (I think this was actually their first job like, ever, and a lot of the work was done in crunch time?) but the difference did stand out to me:

[ladyshinga]

I don't know what TV or movie writers need to hear this, but your main characters don't need to hate each other and be constantly bickering and snarky and shitty to each other for "drama" when you got things going on like a literal apocalypse, ghosts, demons, what-have-you. Speaking personally here? I am WAY more interested in characters who LIKE each other and treat each other well and the conflict coming from the ACTUAL ANTAGONIST ELEMENTS IN THE STORY. It makes me actually CARE when some one dies or gets in peril in general. When they're just cranky little shits the whole time I feel NOTHING when something happens to them. When your characters have been shitty to each other the whole time and one dies, I do NOT buy it when the others are all sad like "oh no 🙁" like really? Maybe show me first that they liked each other at ALL and that loss should mean ANYTHING to them. Or to the viewer!

It just feels lazy to me. You NEED conflict and drama and stuff for your story but instead of using the ACTUAL setting/villain/etc you just… have all your protagonists be assholes. It's BORING. Show me people who like each other and then also have to face off against some aliens or something.

[cybertron-smash-or-pass]

I know you made that post a while ago but actually imagining myself from an alien perspective makes me feel more confident about my body. Bots who hate humans probably wouldn't care, we're all same for them and they'd think we're complicating ourselves with this. But those fascinated with humanity wouldn't think anyone is ugly and instead be amazed at how differently developed we are. Looking at myself from a perspective of a big excited cybertronian scientist is much better than looking at myself through the prism what people want me to look like. I am human and that's amazing, this is the most important thing

Oh fucking absolutely.

I generally like to think Cybertronians would see us the way we see snails: small, fragile, disconcertingly sticky and soft, with hard structures in weird places, and it leaves them divided on whether we're cute or just kinda gross.

But even if you DO think they're gross, like. You ever seen an ugly snail? Of course not. Because we don't look at them like that, we aren't paying attention to if theyre too fat or too scrawny or if their eyestalks are too short or if their shell's not a good color. They just look like snails. None of it looks "wrong" unless they're, like, injured or something.

And to those that think us cute, they're not going to see the inherent variation in our species as anything but beautiful. How wonderful it is to be a soft little creature with traits that are uniquely mine, and how wonderful it'd be for an alien to study every variation I have with nothing but love in their spark.

[spider-jaysart]

For the Supersons week 2023 bonus prompt: In another life

@super-sons-week

(Click for better quality)

This is an au of mines called Species swap where Damian's an alien and Jon's a human instead. Besides my apocalypse one, this one is also one of my most faves! And for fun, I also named it Earth 59

(More under the cut)

Damian and the Batfamily, plus the Al Ghul's, are hero aliens instead of humans (though, the Al Ghul's are more like warriors here like Tamaraneans are for example) and Jon and the Superfamily are the humans in this au who save people on earth with their highly trained combat skills and helpful gadgets.

The Al Ghuls live on a far away planet called "Lazarus planet" and Damian grew up there with them (just like in his origin). All aliens there were trained to fight very skillfully. Damian too while growing up there was trained to fight very skillfully as well, since he's going to be the ruler of that planet one day when he grows up.

But then Talia had no choice but to send Damian to his Father's planet on his 10th birthday, since some vicious aliens from another planet had came to invade their home and wanted to assassinate all of their people during that day, so she had to do it to keep him safe until the war was over. She quickly leaves their planet and uses one of the mini traveling spaceships to drive Damian to Bruce's planet, which is Gotham. After landing there and finding Bruce, she leaves Damian there with him to be taken care of while she's gone.

So for the mean time while Damian has to stay on Bruce's planet, he begins to finally get to know his Father and finally learns about the rest of his unknown Batfamily members for the first time as well. And while all of that's happening, after some time, the Al Ghul's later win the war on their planet and Talia goes back to go get Damian. Though, Damian has already become attached and didn't want to just leave his Father and his other family so soon after getting to finally know them for only just such a short time, so Talia lets him stay a little longer because of that. After that, her and Bruce both later decide on an agreement about sharing equal time with him, letting him usually spend one week on Lazarus planet with the Al Ghul's and the next one on Gotham planet with the Batfamily so that it'll be fair

With the Superfamily, Jon, Clark, Lois, Kara, Kon, and Chris live on earth as humans and fight crime protecting people (just like the Batfamily as humans). They train a lot to stay strong and also own a lot of gadgets. And just like how the Batfamily would, they have things like a Superrang, Supermobile, and etc. They also all wear masks to hide their identities

Damian's never been to earth before, not even his Mother. Though, he's always heard stories from his Father, brothers, and Grandfather about earth and it's humans, since they're the ones who have actually been there before. He was always curious about what it was like over there but he never dared to visit it, especially since he was always told by his family that he wasn't ever allowed to because of certain reasons that could possibly endanger him

One day though, during a mission in space with his brothers when he was 12 years old, which involved a bunch of dangerous aliens who owned powerful electric, laser guns, he fell down to earth after being severely shocked and knocked out by a strong laser blast. He fell down in planet earth's direction, later crashing into a video game store while Jon and his family were nearby, busy dealing with a mission of their own. Jon, after hearing the crash, went to go take a look at where and what the loud sound was caused by and saw Damian just laying there knocked out in the store with the ceiling rocks on top of him, since he had destroyed the stores roof during his crash into the place

After the rest of the Superfamily found out about it, they took Damian with them to the Fortress of solitude to find out who he was (he was still knocked out), since they knew he wasn't from earth after looking at his unique outfit and long unusual sharp, large sword. As soon as Damian woke up, he tried to fight them and escape, feeling endangered since he didn't know them, but they calmed him down and then kept him inside of a clear cube that he couldn't break through at all with his super strength so that he could stop, which just got him upset again but even more than before

They let Damian out once they found out that he wasn't a threat and tried apologizing to him. Jon excitedly then tries to become his friend and tries showing him around Metropolis during that same day until they can get him back home. Damian's clueless about earth things and only knows a little bit about the things that his family has told him about it before, so Damian ends up curiously asking Jon a lot of questions about everything around earth and in Metropolis, while Jon tries to answer them all for him (he thinks that Jon is a very smart person cause he knows all the answers to his every question lol). So they both get to bond a little and know eachother better that same day (they also fight some crime together while walking around the city)

Meanwhile, the Batfamily and the Al Ghul family are both panicking very much and are trying to find Damian as fast as they can since he's still missing. So once the Batfamily and the Al Ghul's got to earth, they got into a mini fight with the Superfamily, thinking that Damian's in danger with them. But then Bruce remembers Clark being the same exact boy he had met as a kid when he himself accidentally crashed onto earth many years ago in the past and got his help to go back home, so it all gets figured out in the end and peace is quickly made between them both and all is finally understood

Both of Damian's family finally found him after that and tried to take him safely back home, but he refused and didn't want to leave since he found everything so interesting on earth, plus he was also just starting to like Jon too. After arguing back and forth, they decided that he could visit sometimes, but only with supervision from whoever is available to go along with him during those times to make sure he's okay. Damian was pleased with that decision.

So after everything and as time went on, Damian and Jon later became the duo team named Supersons and also best friends in the end too (with crushes on eachother)

Some facts:

Damian and the Al Ghul's are the ones who rule Lazarus planet since they're the royal family there

Those from Lazarus planet are called "Lazarens" and those from Gotham planet are "Gothamites", so that makes Damian a mixed alien who is considered a "Lazamite"

Most characters who are aliens in canon are now humans in this au instead

All planets like Tamaran and Krypton don't exist in space in this au and are instead just big cities on earth. Tamaran city is corrupted under Blackfire's control over it and Krypton is a city that was destroyed many years ago, so it is now abandoned and no one ever visits it

Damian is pretty reckless on earth while fighting and using his powers on humans who are criminals, since he's used to being that way when defeating enemies who are very strong like him back in space. So Jon has to sometimes remind him to be more careful about what he's doing and how he has to be more calmer when handling humans and certain other things

Just like how Damian always visits Jon on earth for patrol together or just hangout or have sleepovers at the Kent farm, Jon also visits Damian's planets sometimes too and they get to do many of those things together there as well

Damian wanted to find a way to be around Jon more though after becoming his friend, so after hearing that Jon goes to school in the early day, he immediately wanted to be registered in too (it's also because they don't have many schools in space for alien kids and he was homeschooled for years by Talia, so he wanted to know the experience too). Talia and Bruce didn't want to do it since they were afraid that he could get caught as an alien if he were to make any kind of mistakes around the civilians over there, but after being constantly asked over and over by their son and seeing how much he wanted it, they finally did it for him. The Superfamily decided to help him out by making him a holographic bracelet that makes him look human (which makes him look like how he always does in canon)

Damian doesn't have his canon pets with him in space in the beginning (only Goliath and Batcow who have some type of alien DNA in them) and has no idea what earth pets are like either because of this, but he does meet them on earth later on. After escaping their everyday cages, they all unexpectedly run out of a nearby pet shop while Jon is showing Damian around the city and they happily run towards the Boy Wonder. Damian prepares to defend himself since he isn't very trusting of them at first, thinking they are going to try and challenge him with an attack like other creatures he's fought before, but he was immediately met with the complete opposite after getting pushed down to the ground by them, getting a bunch of doggy and cat kisses to the face instead. This unexpected love from them quickly made him change his whole view on them, causing him to fall in love with their lovable, fluffy cuteness. The pet store owner tried to take them back inside, but Damian threatened him with his large sword so that he can leave them alone. It scared the poor guy away and Damian happily left with his new pets. After seeing that, Jon had to quickly go after Damian to tell him that's not how things are done on earth and that he has to actually go back and adopt them first for real instead of just leaving with them. After all of that, Damian later puts special collars on them (made by the Batfamily) that help them breathe properly in space so that he can take them home with him

When Jon gets married to Damian in the future when they're both adults, he also becomes a king on Lazarus planet too like Damian

In this au, Damian and the Batfamily destroyed Eberos (the creature from Dceased who was made by Darksied to start the apocalypse) before he could even do anything to earth

For abilities and other little things:

Damian has flight, Superstrength, Superspeed, laser vision, laser beams, and flame blasts that he can throw from his hands. And also, while it may be a learned skill for him in canon, it's actually a natural born ability of his to be able to imitate many voices in this au

Whenever he gets really mad, Damian's hair turns into flames until he calms down again

Lazarens have Lazarus blood in them, so whenever they get cuts or are severely injured, their wounds just close back up (after an hour) and they regenrate whatever part of their body they lost (which usually takes almost a month). They can also live up to 2000 years or even longer because of this. There are also multiple Lazarus pits on Lazarus planet

Damian's big sword is way too heavy to actually be held by humans, so only those with super strength like him can hold it. He can also transfer his abilities to the weapon while holding it during battle and make it light up in green fire, which helps him create bigger damage against enemies and make fast clean cuts through anything too

Not one of them, but Damian is allergic to these giant "shrimp" like creatures in space and will grow a big headache and will also be sneezing out whole fire breath sneezes as if he's a dragon if he's too close to them for too long. He can even take out almost a whole battle field with it too, that's how bad it is (inspired by my friend @paladin-of-nerd-fandom65 's headcanon where Damian is allergic to shrimp). After finding out about this allergy, Jon created an antidote for him that makes it go away faster whenever they bump into these creatures

Lazarens only fall in love once with someone and aren't able to go through it again with other people

Bruce is a Gothamite who is born with a lot of rare abilities that many other Gothamites don't have, so some of them were passed onto Damian too. They're: Super high intelligence, the super clear ability to observe things much better than a human as if they're like robots, astounding quick memory, and the ability to move any shadows with them when they need to stay hidden

Damian's system allows him to eat whatever he wants, especially weird stuff, without any kind of problems. He's still a vegetarian though and even tries to be one with earth food too (sometimes he doesn't understand what any of the meals actually are though and needs help from others to tell him if they involve meat or not)

[brendaareiss]

MORE HEADCANONS? FUCK YEAH BECAUSE I CAN'T STOP THINKING ABOUT THEM

-Andre has bacne. One of Cal's favourite activities, is sitting on his back and popping some of his pimples. He would always say "eww" "gross, dude!" but he won't stop. Andre would be hissing all the fucking time, because sometimes Cal forgots that Andre's a human and feels pain.

- Cal lent his skincare to Andre. He instantly said that "doing that shit is for faggots" and yada yada, but he actually uses it because WOW! IT WORKSS!

- Andre's natural body smell is really strong. Like, you'll instantly know it's him if he walks beside or behind you. (When he sweats, of course it's worse)

- Cal has really bad higiene. He only showers or brushes his teeth when he has to get out of home.

-(If they haven't shot up their school) they would enjoy singing "Take me out" and "Bring me to life" together (Cal's the female voice, Andre's the male voice).

- The kind of bullying that they've received is different. Andre's never received physical bulling, the bulling that he received was being alienated, getting insulted, people whispering really loud beside him and no-one wanting to be around him. The bulling that Cal received, was physical, but at least, some people could stand being beside him or some people liked him.

- Andre got braces when he was a kid, they've got removed when he hit puberty (at twelve or thirteen)

- Cal has been locked up in a mental hospital before, but even then, his parents didn't actually believe him. They thought he was doing it for attention because he was jealous of his younger siblings.

- This is potentiated because Cal doesn't actually like his siblings, he can stand his younger brother though

- Also, the relationship with his parents started to be WAY WORSE when his siblings were born.

- Cal's siblings names are Cassie and Carl

- Andre's relationship with his dad wasn't that bad, he just was more attached to his mother. (Immigrant dad's usually are more distant to their children, specifically if they're son's instead of daughter's. I'm saying this by being a child of immigrants too hehe)

- Andre brushes his teeth like REALLY HARD, there's usually a bit of blood in his toothbrush

- Andre prefers ass, Cal prefers boobs 🙏

- Cal is a little bit allergic to cats, not too much though, he just sneezes when he gets cat's fur near him

- Half of Cal's wardrobe were Andre's clothes first. Some of them, was actually given to him, other ones were stolen. The most recent ones are usually his pajama, because it still has Andre's smell.

- If you see them without belts, they're not them. Especially Cal (if he doesn't wear a belt his pants would literally fall down)

- They share pants, Andre wears Cal's because they're baggy and they fit him well, Cal wears Andre's because they're slightly baggy on him.

- Cal was spoiled as a kid, Andre was not.

- Andre's brother (Thomas) ended up being a drugaddict and dropping his studies. That's why Andre's parents (especially his dad) put a lot of pressure on him.

Yall are these enough? 😭

[foone]

There's a lot of different ways time machines work, you know? (I got slightly long talking about this)

There's always a lot of descriptions of how time travel works in different fiction, like if you have ripple-proof-memory or not, if you can change the past or not, if changing the past changes it for you or if you effectively create a parallel universe where it changed, but you're not there, you're still in your home timeline.

So many different little distinctions. Like, if time tries to main itself or not. Sometimes you pop a cap in some Austrian painter and immediately some other guy ends up playing the same role. Sometimes you do that and come back to a 2036 full of aliens who invaded in 1954 in this timeline and are currently fighting off a resurgent druid commonwealth of spellcasters.

Sometimes the way time works lets you effectively dupe-glitch reality: you put a gold bar in a box for an hour, then go back 1 minute and steal it from the past. now you have two: the one you had in the box, and the one you got from the past. And then you go back another minute, and there's three! Sometimes timetravel allows this, and sometimes this'll get you eaten by TimeMonkeys because you tried to twist spacetime into recursive four-dimensional knots.

I know at least one story* where time travel into the past was fine, so long as it didn't change the actions of humans. You could go back and build a house in the midwest US in the late cretaceous and it would be fine, because eventually an asteroid and a bunch of glaciers are going to flatten all that shit anyway, and it'll be a bunch of debris miles down that no one will ever encounter. But you send something back 1 minute and it makes you turn left instead of right, and you have split the timeline: there are now two of you fucking with time travel, and if the timeline gets split enough you will BREAK TIME ITSELF.

So yeah! Time travel is very fascinating to me, and a big part is because of all the different rules for how it works. Figuring out which ones are in play, and how they'll affect (or even effect) the story is a huge part of what I like out of time travel stories.

But I don't want to do that. I want a time machine with a dial and some switches**. Let me pick.

Do I want "I can go to the past and grab a spare Apple Lisa from a store in San Jose in 1984" and it doesn't affect the timeline at all, except now I'm one Suspiciously Mint Condition Apple Lisa richer***?

Or do I want "I go back and stop someone from getting on that plane" and I come back home and they're alive and they've always been alive and I can remember them at my university graduation?

There's a dial. I can pick it, and then I can fine tune it. This is a much more useful time machine than a bunch of the other ones people use in fiction, where they're all "no we can't, because of the Laws of Time." or "Time travel always has a price" or "if we do that it makes time worse when we get back so we go back and have to fix it" or such.

So much whining. Skill issue, frankly. Mine's got a dial. I just don't do that. Maybe you should upgrade? Trade in your Tardis, Time Egg, DeLorean, Hyperspacing powered-by-spinning-compasses-and-bad-geometry flying cars, Magic books, Flying Houses****, flying around the earth, running around the earth faster than light (or time?), falling into black holes, worm holes, going faster than warp 10, Magic Space Rocks Of Time That Are From Alien/Gods, Time Portals, That Magic VCR From That One YA Novel I Read Back In The 90s Where If You Hit Rewind It Rewound You Back In Time, and your assorted magic spells in for my clearly superiour time machine, because I thought to put a dial on mine and you just thought you needed the date and time. Pfft. I bet you don't even bother picking which timeline you end up on!

Oh, what's that? You didn't know you had access to different timelines? Wow. Mine's just got a little map, and I use the trackball to select which one. Actually... *I reach over and swivel the CRT away from you* Let's not have you looking at that, if you don't know about timelines yet that's basically spoilers.

Anyway... Yeah. What's your favorite set of weird time travel rules? One of the obvious silly ones is the Terminator universe's "you can only time travel in flesh, so no bringing guns, nudity is required, and robots have to get tricksy" rule. But I'm sure it's normal compared to some of the weirder stuff that's out there.

As for HOW you time travel, while there are many silly methods in use (a surprising number of which involve Going Fast in some manner), one of my favorite ways is in one of the later 80s Heinlein novels, where a Genius AI points out that the hyperdrive can do time travel, but just no one had realized or bothered to ask an AI until now. Out of universe, this is a hyperdrive from a common setting the author had been writing about since the 40s. In universe? nearly TWO MILLENNIA. No one had noticed it can JUST TIME TRAVEL in all that time, until an AI bothered to mention it because someone was like "boy, it's annoying we don't have time travel" within earshot (the first mission was to find christ (couldn't), and the second was to bang his mom. (he failed (for now) and died in ww1 (for now))).

I may be in a slightly rantly ADHD mood today. But that's the thing, with ADHD you have an impaired sense of time. That's maybe why I like time travel stories so much? Time is already a murky mess for me, let's get weirder with it.

* funfact: from the same author of the previous story I was referencing! "Time travel splits the timeline" is Strange Attractors (1990) by William Sleator, and "You can just infinitely dupe items by stealing them from yourself" is from The Green Futures of Tycho (1984) by my favorite YA author of the 80s-00s, William Sleator. ** It's my fantasy time machine, and my fantasy time machine has nice tactile switches and knobs. like most of my Fantasy Whatever Machines, now that I think about it. *** you don't want to know by how much. you will be happier to not know how much this 1 shit-ass computer would be worth today. **** Now with the mention of Flying Houses you can recontextualize the previous vague "magic book" entry as a clear reference to Superbook and The Flying House, two 1980s Christian Animes, because I am exactly that nerd.

[drdemonprince]

I think think about your piece How to Go Places Alone And Not Feel Like A Freak Looser (or something to that affect) quite often.

While it is uncomfortable, tiring, nerve wracking, to feel like or be the odd one out, I am at least used to the feeling. It takes nerve but (especially as a kid/teen) have always gone to things alone and, once I get over myself, enjoy not caring what anyone thinks about my presence.

As an (ever transsexualizing >:) adult, I am getting back into doing & dressing however I want in public (embarrassing yourself is inevitable, might as well enjoy life!). This is a funner, freer, outlook, but I hoped being more myself would help me find my people.

I’m used to the awful feeling of being an alien freak looser (real or imagined) so I can hype myself up to be in my own world when I’m out. But I wonder if doing this, and choosing events based on interest instead of demographics or friendship, reinforces my felling of disconnect with people. It’s easier to accept, and dress like, I’ll always stick out (be alone) than it is to imagine mimicking those around me.

I went to an explicitly cruisey new years night and instead of studying the crowd intensely trying to fit in, wore my shiny platforms, smiled at people, and danced just for the fun of it. Feeling good about myself and enjoying my experience requires an ‘eh fuck ‘em’ attitude. I can enjoy being in public seeing all my fellow earthlings but it does not feel social. And I realize, my time there felt anything but sexy. I wasn’t about to walz into the darkroom (let’s walk before we run), but I hate that I couldn’t feel comfortable in this place I’ve always wanted to be.

I return to the same questions everywhere I go: I can exist, but how am I supposed to learn the codes of a space when I can’t study (ruminate) from afar?

How could I ever be social when (even joyous and embodied) I can’t get out of my own head?

How do you know when it’s time to listen to your gut and when to play into a social game?

I understand what you mean about the duality between doing your own thing in your own little alien bubble and actively placing effort into connecting with the people around you (which often feels like it requires masking).

But, from my perspective, both of those are strategies for dealing with social overwhelm -- one is more dissociative, and the other's more compensatory. Both of them reflect a discomfort with the people in the space. And they're both perfectly reasonable ways to deal with such feelings! But the way to move forward, at least in my experience, is to continue attending events until you attain enough familiarity with them that you actually start feeling more comfortable.

You said you didn't feel sexy at this cruisy party, and certainly weren't ready to venture into the dark room. That's fine! You can work your way up in whatever order of activities is least intimidating to most intimidating to you.

The first few times that I go to a club, I need anywhere from a few minutes to an hour to get warmed up enough to really dance on the floor and take up a ton of space and make weird gestures. I spend a lot of time lurking in the corner or reading a book at the bar at first. After I've been there a number of times, I know the deal of the space better, recognize a few people, maybe have developed a rapport with the door guy or a regular, and it gets easier to branch out and feel more at ease in my skin. People intuit this and approach me more often when I'm feeling more comfortable, and my reactions have fewer exit ramps built into them (one of my protective instincts is to throw out a lot of conversation-enders that make people feel rejected, lmaoo good one me).

The same general principles I've described here can apply to any new social challenge, including a bar with a backroom where people are fucking. Show up again. Do your thing. Maybe find a spot to post up and observe, since you mentioned an interest in doing that. Bring a book or some knitting if you want, and wear whatever outfit helps you feel comfortable and good with yourself. The first few times you do all this, people may get strong "I'm Doing My Own Thing Leave Me Alone" vibes from you, as they often do from Autistics, and that's fine. You're still learning and acclimating from being there. After a couple of tries, head into that back room. It's not as exciting as you think it's gonna be. You might get to watch some fucking or you might just see a bunch of guys pacing around who are just as awkward as you feel that you are. But then you'll know what it's like. And then you just keep showing up, and observing and participating in small ways (watching is participation in a sex club!), and you'll get steadily more involved in the space and connected to the people each time that you do.

I've been going to pet patrol nights for a long time and I've only just now gotten to the point where I can chat up random people and get into hookups relatively easily, instead of just standing around mutely hoping someone will approach me. Bringing friends has helped a ton to relax me and make me seem more approachable to others, too, so you could try that!

for anyone wondering here's the full piece

[aq2003]

really love how throughout a lot of smith and jones martha is really skeptical and apprehensive towards ten (+ one of my favorite exchanges between them - "what, people call you 'the doctor'?" "yeah?" "well, i'm not. far as i'm concerned, you've got to earn that title."), not taking everything he says at face value, even doubting the fact he's an alien until over halfway through the episode.. And like. i really truly think the thing that wins her over isn't him kissing her or any of the other insane mixed messages he manages to send, it's this scene here, where he /earns that title/ in her eyes:

(+ david's bit in the commentary, where he says: "[the doctor] has actually sacrificed himself, and - i would say, that that final act of selflessness is what finally, eventually, welds martha to him. [...] and she now returns it. she returns that act of selflessness.")

this is what their relationship is built on. it isn't about martha being the second-best replacement to rose or a rebound or whatever. bc it isn't really about rose. it's about doctor-in-training martha meeting someone (quite literally, "the doctor") whose ideals she aspires to, and doing her best to be the same person to him as he is to everyone else. it's about ten in return admiring her intelligence and inquisitiveness and how she cares for human life, recovering his compassion, letting himself lean on her for support - and then remembering at the most inopportune moments that he's supposed to not need anyone and be on his own forever. And around in their little nightmare loop they go where they save each other over and over until one of them breaks

i've seen ppl look at martha and go "why she does she admire/why is she so in love with ten if he acts like that to her?" or something along those lines and like. it's not just the fact she's in love with him (in fact i'd argue she actively tries to push it aside post-gridlock). it's the fact that she knows he's the kind of person to put everyone else's lives/well-being over his own. she trusts him to save her when she's in trouble even though it's been like two days at most that they've known one another bc she recognizes that same "deep all-encompassing drive to help others" in him. and she also recognizes, much much earlier than him, that he needs someone to save him, especially when he's unwilling to save himself. and yeah for a bit she thinks he returns her feelings and is just playing hard-to-get, but she realizes pretty early on that this probably isn't the case, and i think that realization fully solidifies here:

(this is when she's listening to ten talk abt gallifrey). And idk it might just be me but i think this expression isn't just her empathizing with his loss. it's also guilt, for wanting something from him that he's clearly unable to give when he's wracked with so much grief. (and you see it in the next episode, where tallulah asks if they're together and martha says for certain that they're not, and that he doesn't know about her feelings for him. she keeps everything to herself bc she now knows that when he shut her flirting down at the end of 3x01 it was the genuine reaction of someone who a) isn't interested and b) is scared of getting close with someone else again)

freema described their dynamic as "she's keener than him" and i think about this all the time. martha doesn't really take what ten throws at her. what she does instead is constantly poke holes in his already-failing front of "i will show someone the wonders of the universe so i can ignore what is wrong with me". what she does is stand up and fight him when he tries to go off on his own. what she does is put aside her well-being in favor of helping someone - just like what she saw him do for the people in the hospital when they first met. tldr, that's the doctor and his doctor and rip martha you would've loved who's gonna save u now by rina sawayama

[suzukiblu]

Day six of fic NaNoWriMo, obligatory sugar daddy Tim/sugar baby Kon.

"You're bluffing," the thief says flatly.

"And you're fucking stupid if you think this is the play that's getting you out of here," Kon snorts, tapping a foot against the floor. "C'mon, man, give it up. I've got plans tonight." 

"Use the artifact!" the alleged "Mark" yells at the thief holding it. 

"Right!" said thief says, then . . . pauses, and looks embarrassed. "How do I . . . do that?" 

Kon looks incredibly unimpressed. Tim empathizes. Deeply. 

"You guys need a minute there?" Kon asks, raising an eyebrow. 

"Shut up!" Mark snaps at him. "Just use it, Lisa!" 

"I thought you said no names–" 

"Use it!" 

"Uh, right!" 

The thief chucks the little clay goat at Kon. Tim is genuinely embarrassed for this entire crew. 

Kon catches the goat one-handed, which is kind of a stupid idea, but letting it smash on the floor admittedly wouldn't look great. People over property, obviously, but Kon also historically has issues with property damage and letting the bad guys smash up ancient artifacts is not the best plan in general anyway. Especially given how often said ancient artifacts have ghosts or curses or apocalypses locked inside them. 

"Lisa!" the thieves all yell in horror.

"Was this the whole plan?" Kon asks, making a show of inspecting the goat. "Like, was this it? I can come back later, if you're still cooking on that."

Tim muffles a laugh with a snort. Kon definitely caught it, though, judging by his smug smirk. 

"Shut up, wannabe!" the thief still holding a gun to Tim's head snarls, which reminds Tim he should be pretending to care about the gun currently being held to his head. Honestly, he would in Gotham, but the only way this moron is shooting anybody is by accident. 

. . . admittedly, that is a concern, given the trigger discipline issue. Hm.

"Killing me would probably count as felony murder, just so you know," Tim mentions, glancing around the thieves. "Which you could all be charged with, not just whoever actually shot me. Plus I'm pretty sure stealing objects of cultural heritage from a museum is a federal crime."

He's completely sure of all that, actually, for obvious reasons, but he has to at least pretend to be a civilian here. Like, some effort needs to go into that illusion, if for no other reason than to avoid a Bat-lecture from Bruce or, worse, a Bat-"I'm not mad, just disappointed" from Dick. 

Or, worst, Alfred might make disapproving shortbread instead of approving jammy dodgers for post-patrol tonight. That'd be really unfortunate. Tim could really use an approving jammy dodger tonight. He's already going to have to write up a very annoying incident report of this situation as it is, and also deal with the mortification of getting his neck saved by a Super. There is no dignity in that. At all. 

He is definitely never telling the team his secret identity. At least not until he's absolutely positive Kon hasn't inherited any of Superman's eidetic memory, anyway. He's ninety-nine percent sure he hasn't, but that last percent is a definite concern right now. 

"No one asked your opinion, brat!" Mark snaps, though a few of the other thieves now look extremely uneasy. Tim makes another mental note about their crew's obvious lack of prep time and general planning and continues to be embarrassed for them. Museum robberies in Gotham are themed events with careful research and preparation involved, and frankly usually involve more thoughtful effort than whatever gala they may or may not be crashing did. Smash and grab is for convenience stores and small-timers. And these guys are definitely small-timers, but this is equally definitely not a convenience store.

Metropolis is so weird. Why anyone even bothers doing petty crime in it at all is beyond Tim. Maybe they're just banking on Superman being more concerned with natural disasters and alien invasions and rescuing cats from trees, which is a valid strategy. Same theory as splitting up and making a cohesive group into multiple targets.

"He has the idol!" Lisa hisses, glaring at Kon like she's not the one who threw it at him to begin with. Tim gets a gun barrel jammed into his temple again. He has no idea why Trigger Discipline: What Not To Do thinks that's, like . . . a productive thing to do. At this rate he's going to get a bruise or something.

Well, he's not actually doing it hard enough to hurt, admittedly, though Tim does keep expecting it to. The guy looks like he's putting his back into it, but the impacts continue not to actually hurt, so Tim supposes he's just trying to put on a show here. 

Well, at least he's putting in some effort, Tim supposes. That's something. 

"I really do have plans tonight, you know," Kon reminds them, raising an eyebrow at the thieves again. 

"I would appreciate you delaying those, actually," Tim mentions. "If you don't mind, I mean." 

"Oh, yeah, don't sweat it, dude," Kon says, waving him off. "These people are annoying but I'm not gonna ditch out on you here, that's not your fault." 

"Don't ignore us!" one of the unnamed thieves yells. "And give the idol back!" 

"I have no idea why you would expect me to do that," Kon says. 

"I'll shoot!" the thief holding Tim threatens, jamming the gun barrel into his head again. 

"I mean, I'm pretty sure that dude was right about the felony murder thing, so maybe don't?" Kon says, inspecting the little clay goat again. "Hm. This thing is actually kinda cute." 

"It is, isn't it," Tim agrees. "I thought it looked like a kid's toy."

"Oh yeah, I can see that," Kon says, squinting assessingly at it. "Like those chunky toddler ones?" 

"Yeah, like those," Tim confirms with a nod. "Fisher-Price, Duplo, that kind of thing." 

"I'll take your word on that one, man, my 'toddler' stage only lasted about half a day and I was sedated for it," Kon replies in amusement. Tim seethes internally and thinks very uncharitable thoughts about Cadmus. 

"I said I'll shoot!" the thief holding him says furiously, tightening his arm across Tim's neck. It's still not actually enough to hurt, but again, Tim appreciates seeing a little more effort. "Give us the idol, you stupid brat!" 

"I'm trying to help you out here," Kon says, looking exasperated. "You're just making shit worse for yourself the longer you keep this up. Put down the gun and let the guy go, you'll get a way lighter sentence." 

"Fuck you!" the thief shouts. "The power of the idol will protect us!" 

"The idol that I am currently holding, you mean?" Kon says, hefting it meaningfully. "The one that is in specifically my possession and not yours?" 

Tim does understand that talking people down is the preferred approach and Kon can't actually super-speed this problem away, but Kon could at least pretend to be taking this seriously. From his perspective, there's a civilian hostage with a gun to their head and an angry criminal with their finger on the trigger, but he's acting like there isn't any danger in the situation at all.

Tim gets the posturing thing and the general "cooler than thou" attitude Kon likes to present, but it's definitely not making any of the thieves calm down. Like, not at all is it making any of the thieves calm down. 

This incident report is going to be very annoying to write. 

"It's not yours!" Lisa shrieks at him. 

"You literally threw it at me," Kon says. "I only have it because you threw it at me. Also pretty sure it's not yours either, given all the screaming alarms and broken glass and the smashed-in wall I am currently standing in the wreckage of."

Tim starts wondering if maybe he should revisit his "tripping" plan. He doesn't really want to pull any Robin-esque moves in front of Kon, but also dying would really fuck up all that hard work he's put into being Bruce's emotional support sidekick. Also two dead Robins in a row could not possibly end well. Especially in such a stupid way. Especially in Metropolis. 

"You don't even know what you're holding, you idiot!" Lisa fumes.

"A toddler toy, I thought we established," Kon says. "'Doopler' or something?"

"Duplo," Tim corrects, internally calculating tripping angles. 

"That one, yeah," Kon amends. "Doppo." 

Tim, resignedly, thinks his determined commitment to pointlessly fucking up is adorable. Also still hates Cadmus and has the irrational urge to buy him a teddy bear or something, although Kon would definitely just think he was fucking with him if he did.

Maybe he could just smuggle one into his room and disavow all knowledge of its existence. That's an option. 

"Give us the idol now!" the thief holding Tim snarls, his face twisting in rage. 

"Yeah, no," Kon says. 

"You little–!" the thief starts to yell, and then his trigger finger slips. Tim knows this because the gun goes off right next to his ear. 

And right against his temple. 

Half the room screams and the thief yells and drops the gun, recoiling in horror. It goes off again as it hits the floor and a bullet shatters a historically-significant vase the way one should have shattered Tim's personally-significant skull. 

What the fuck?

"Shit, sorry, that was probably kinda loud," Kon says apologetically, wincing a little but otherwise looking completely unphased by all of that. Tim blinks, very slowly, and attempts to restore his resting heart rate. It's not a particularly successful attempt.

"Yeah, kinda," he says.

"Sorry, sound waves are harder to block," Kon apologizes, pointing at his own ear with his free hand, and Tim remembers the other's total lack of concern for any threat to civilian life this whole time and realizes that was because, from Kon's perspective, there wasn't any actual threat.

Huh. 

Well, that explains why neither the gun barrel nor the being choked thing actually hurt at any point, doesn't it.

"Oh," Tim says, looking down at the floor that they are, in fact, all still standing on. "Tactile telekinesis?"

"You've heard of it?" Kon says, looking pleased. 

"Once or twice," Tim says, managing not to say it too dryly. Kon looks even more pleased. "I didn't know you could use it like that, though." 

"Practice makes perfect," Kon replies smugly.

[thathomestar]

played through the black mesa blue shift mod, up through the xen chapter since that's all they've released so far. the mod aims to remake the entirety of blue shift in the style of black mesa, and boy howdy does it deliver on that, for better and for worse.

they actually establish a couple supporting characters, more security guards and scientists, which is nice. in the original game it was basically just dr rosenberg, so more named characters is a good change imo. feels like you're actually rallying people together to fight your way out of black mesa.

a weird thing this mod does is take away player control sometimes. i can understand it for specific sequences, like when the elevator crashes at the beginning or when you first teleport into xen, but it also does it for some mundane things too, like inserting a keycard into a switch. why? half-life's whole thing is letting the player be in control the whole time.

the first few chapters are well paced, but it starts feeling like its padding a bit when you go off to find dr rosenberg. you have to do this whole song and dance moving a train back and forth and turning it around properly on turntables to bust him out. they could have cut out some of the tedium there a little.

my problems really start when it comes to the xen chapter. the original blue shift xen chapter lasts for roughly 30-40 minutes for a first time player, though someone like me was able to speed through it in under 15. with the black mesa mod, they have stretched out the runtime of this chapter to 3 hours.

it starts off pretty strong, you're making your way through xen, taking in the sights and finding all the stuff the previous science teams have left behind. about 90 minutes in i was wondering when i'm gonna get to the focal point relay thing, the whole reason calhoun goes to xen in the first place.

but instead you keep detouring through black mesa outposts and alien factory things and it just gets so long in the tooth. it'd be one thing if you get to one of these places and you're there for 5-10 minutes at most, but you typically spend over 20, sometimes even 30 minutes at these places.

there's one bit where you inexplicably decide to jump on the back of one of the giant flying manta rays and it flies around for like 15 minutes like an autoscroller section until it gets shot down by alien railguns, and then you spend 30 minutes making your way over to and destroying the railguns. and the whole time i'm just like... when are we getting to the focal point thing.

so finally you get to the focal point relay and turn it on but it gets jammed by a signal so you spend another 40 minutes blazing through ANOTHER alien factory so you can blow it up and you make your way back to the focal point thing and the portal's open but alien controllers keep telekinetically grabbing you and yanking you away from it... and it's just so exhausting. i got burned out.

not to mention the weirdness with how they handle vortigaunts. so in black mesa they do this whole thing in xen to show that the vorts are slaves and don't actually want to fight you, but calhoun never encounters any of that stuff. for the first 2/3rds of xen in this mod, vortigaunts are constantly trying to kill you non-stop. then all of a sudden they don't attack you anymore. why? because i, the player know they're not really bad? why would calhoun know that? it doesn't really make sense to me.

xen is cool. i like xen. if you told me "we're adding more xen to blue shift" i'd be like alright that's cool. but 6-8 times more? that's way too much. xen in blue shift was never meant to be a long trip. calhoun was supposed to get in, find the focal point relay, align it, and leave, not go on a grand alien gallivanting adventure. that's for gordon to do.

[bogleech]

well, you made a fighting roster for one of your favorite things, bugs, so why not do your second favorite? HALLOWEEN.....but you don't have to if you want.

I actually did that of my own accord with concept sketches once but it was two years ago so a lot of people haven't seen it.

It started when I made up a Darkstalkers fan character; a "scream queen" (type of horror movie actress in the 50's) and Bug Eyed Monster duo, with some more move ideas:

But then I decided to just make a dozen monster fighter characters of my own like it was its own distinct game and not Darkstalkers:

Mermaid who was partially eaten by people who thought it would make them immortal, instead it killed them because she was poisonous but she doesn't know that so her ghost is stuck on a revenge killing spree that can never be satisfied

Cartoon werewolf in a zoot suit and punk rock vampire with boombox coffin, I didn't come up with storyline for them, I just needed a werewolf and a vampire

Frankenstein's daughter who put her brain into her own monster in order to defend humanity against her dad's creations and other supernatural threats, I decided on this partly because I'm not really into superheroes but they're one of the top most common Halloween costumes so I tried to make a Halloweeny one that I'd like

Nurse who accidentally transfused herself with cursed mummy blood. I made this one because there's a picture I drew when I was real little of a bleeding mummy with the words "MUMMY BLOOD" on it that child-me thought was the scariest picture ever, and also because I love the (mostly Japanese) trope of medical themed mummies. Also based on the fact that "sexy nurses" are a top selling Halloween costume and then that easily ties into a Silent Hill reference. This all felt creepypasta-like so she's also like a slendersman

Old fashioned Halloween mascot pumpkin man with a vegetable ghost gang, actually the ultimate villain of the setting and a monster that eats children

"Bogeyman" fighter inspired by edgy 90's comic books, a ragdoll scarecrow grim reaper clown. She's a manifestation of the fears of children, but in the sense that she exists to destroy whatever threatens them so her main goal is to kill all other monsters and especially the pumpkin guy

Entire zombie outbreak as one fighter, represented by a cute little fungus mascot, but every fighting move is performed by zombies coming and going from the ground

shapeshifting space alien disguised as a generic housewife, the human disguise would animate like a doll being played with by invisible hands

Ideas for extra-weird, secret unlockable fighters:

Photorealistic giant insect

Vincent Price parody and all his moves are obvious special effects performed by a film crew in the background the whole time

Mysterious entity in a "morph suit" because that's become such a staple of Halloween costumes. Changes into all manner of colors and printed textures for different moves or is the token "mimic" character.

Completely normal middle aged office worker who was on his way to work when he was accidentally caught in the monster brawl, battles on the power of pure blind panic. The tournament put his name down as "I'M NOT SUPPOSED TO BE HERE"

[shakingparadigm]

Hiiii!!! I’m relatively new to ALNST (as in I watched it all in one go in one night and cried) and I was wondering if you have any opinions or information about this,

What do you think about Till and Sua’s relationship? Do you think they’d share anything in common? Do you think they’d like each other? I’d like to think there’s at least one thing they share in common that’s led to be on good terms.

Sorry this is a bit long, thank you!

First of all, thank you anon. I've had thoughts on this for a while! Thanks for giving me a chance to talk about it!

Till and Sua don't often interact in canon, so it's pretty easy to assume that Sua would hate Till's guts because of his crush on Mizi (especially since that art of Mizi playing with Till includes Sua looking jealous on the side, sulking in the next page).

But something to note about the characters in ALNST is that they're actually quite respectful of each other despite the crush conflict (further seen by Ivan and Mizi being very friendly despite Ivan knowing Till loves Mizi). Everyone in the garden knew Till had a crush on Mizi, the goodbye notes state that it was very obvious.

Yet despite that one instance of Sua pouting at Mizi and Till together, Sua is never shown to dislike Till. In fact, she seems to be more conflicted with Ivan instead. In the few official arts we have of them together, they seem pretty neutral.

(Sua's collar is green, showing she's comfortable/doesn't mind Till. Till's collar is orange most likely because he's a little nervous/awkward.)

In the official Anakt Kit goodbye letters, Till and Sua write messages to each other. They're short and seem more of a polite gesture than an actual goodbye between friends, but nothenless it shows that they're pretty amicable. Till writes that Sua has a nice voice and that he hopes she gets a high score in Alien Stage, while Sua tells him to take care and that she'll see him there.

I think that Sua and Till actually have the potential to be pretty good friends, strangely enough.

As for similarities, there are quite a few!

The most significant similarity I see between Till and Sua is that they're both deeply sensitive. Due to this, they've developed different defense mechanisms in order to protect their feelings.

Till is actually known to be timid, rather closed off and "cold" to others. In an early stream, he's even stated to be the most timid character of the cast. He only reveals his energetic and fiery side when he's putting his full passion into something like performing his music, when he's provoked, or whenever Mizi is involved (she makes him "strong", the creators say). Of course this standoffish and aggressive behavior is a front for his softer, more vulnerable feelings. He was heavily mistreated as a child, which led him to become distrustful of most people. This plus other factors regarding his rebellious nature and more eccentric personality result in him being a "friendless idiot". Of course, once people get to know him they'll find that Till is actually quite the sweetheart, albeit a bit awkward.

Sua is quite similar in this way. The creators describe her as soft-hearted, which is why she tears up so quickly in the IvanSua comic and the aforementioned art of Till and Mizi playing together.

Sua, just like Till, seems to be mistreated by her alien guardian. Although to a less violent extent than Guardian Urak, Sua's parent is seen to aggressively handle her without care, grabbing her by the head and shoving her forward. She's also placed in uncomfortable clothing and neglected without consideration for her own feelings. It may be due to this cold and lonely upbringing that Sua learned to hide her emotions as a coping mechanism.

It's been said that getting to know more about Sua is very difficult, as she's closed off and only ever opens up to Mizi. She seems cold on the surface, but the truth is she is hiding her sensitivity so that she won't get hurt. Sua is also very timid in nature, seen in how she only writes in the corners of people's yearbook pages with small font, putting in extra effort to not take up too much space.

But just like Till, Sua has her bolder side. Occasionally she's known to say very blunt and suprising things that other people would not expect of her, and she feels very deeply for the people she cares about. Sua may be the more cool and collected half of MiziSua, but we must not forget that she was tender-hearted to the point where she could not imagine living a life without Mizi in it, thus her sacrifice.

Both Sua and Till's original colors are white, and both are the only characters in the main cast who have ear piercings/earrings. They're both prone to tears and play the role of "god" in their respective relationships.

Something I really like about the ALNST offrec/actor AU is that among all the characters, Till and Sua were chosen to be the seniors!! I found it really cute! Sua, who is the most petite and smallest of the cast + Till, who in canon is the youngest in age. These two are actually the experienced seniors of the actor AU! It's so fun to me lol

Anyways, sorry for all of this, maybe it was a bit much, haha. Till and Sua are my two favorites, and I've always seen similarities between the two of them. I think there's similarities across several of the characters in ALNST, actually, which I hope to talk about in the future!

Thank you for the ask!!