#they're in LOVE!! there are many different kinds of love!!!

[meredithgran]

About Newspaper Comics

An ask cross-posted from Cohost, which is not long for this world.

Anonymous User asked: I would like to know your opinions about newspaper comics

This is a very choose your own adventure kind of question. Am I meant to speak about the art or the business of newspaper strips? The current state of newspaper comics or their century-spanning history? Stream of consciousness it is.

Newspaper comics were the original dream for me before all other dreams. I fell in love with Garfield and the story of its success, and wanted to make a syndicated strip at an early age. Later, I fell in love with Calvin and Hobbes - itself a lesson in craft, history and business - and abandoned the syndication dream for “art by any means necessary”, and dove into webcomics. (There were a few more steps along the way, but that’s the basic trajectory and not uncommon for my age.)

In the 80s and 90s when I was dreaming Garfield dreams, syndicated newspaper strips were already dying. They’d been jam packed so tightly into rectangles in the comics section that no room for great cartooning remained. The schedules were brutal, the audience was broad and apt to complain, and the aging comics legends were phoning in or delegating their work, so even the full-page Sunday strips were gridded and lifeless. Even fresh new artists (rare as they were) were hammered creatively into the shape of the paper. The death of most major newspapers from the late 00s onward spelled the end of Garfield Meredith's dream.

The thing is, Garfield Meredith would be very pleased with the present day. Comics are bountiful, they're free to read online, and they're all accessible from a single app. Even better, the creators interact with their audiences day and night. In comics we have safely returned to the late-stage newspaper syndication model, after a brief "art by any means" era, with 24/7 access to the creators as a bonus. It goes without saying that most of the money these comics generate goes to the platform. As more people discover online comics, the memory of any other model has faded. Comics is a pushover industry, easily steamrolled by detached parties with money.

So what do we do? I'm afraid that's not what this post is about. Mom's tired. My heads is not really in the comics game anymore, and big tech & our rotting internet is a problem everywhere. But I think discussions about our history as cartoonists and comics appreciators - and an acknowledgment of what is disappearing - is important. It's no surprise that Bill Watterson's stubborn refusal to license, adapt, or needlessly continue his creation past its prime shocked me and many others onto a different path. I think it is useful to be a high-functioning crank in your own age: to fully accept the now without forgetting past possibilities or drawing a border around the future.

And of course, we mustn't let current trends tame our wild imaginations or our command of the craft. We have been given the tools to create beauty and make sense of life, and these creations - not the platforms that indiscriminately corral them - are worth sharing.

[originalwinnerfanfish]

And here is the last part

Predaking - Oh, my fiery boy! I have so much to say about him…

He was probably the main reason I got into the Transformers fandom when I was a kid. My thoughts were like: It's a dragon! And a robot at the same time!? And he turns into a hot looking man!?! *mind blown*

Of course, over time I realized that behind the beautiful cover, he was a rather naive and very foolish character with a storyline too much like Dreadwing's. But despite all this, I still love him. Predaking is a real gem of the third season, and perhaps the coolest character in the entire series, and you can’t deny it!

In the WOF version, he is a resurrected dragon from the extinct skywing tribe. Being the largest dragons in this AU, their tribe was the most powerful on the continent until it completely died out due to a wave of cataclysms.

So, Predaking is a real giant compared to other characters. And, in the final addition, he is firescales! Because it’s BADASS!🔥

(and actually, because he gives me pretty strong Peril vibes)

Unfortunately I couldn't give him a bright color, so his firescales nature is shown through glowing areas on his body, creating the effect that he is literally burning from the inside. I also just noticed that his face looks very much like a skull, and I tried to pay attention to this in the design by giving him dark spots around the eye sockets and nostrils

Hardshell - I don’t wanna draw some random insecticon, so I chose this guy. Here I will be short. He’s appears in only two episodes and died almost immediately. He’s more of a plot tool than a real character

His stripes look cool, but drawing them wasn’t easy at all (I hate floating shapes). I wanted to make him look more like his beetle form, adding a big front horn and green plates on his neck. I also think that insecticons should be more different in coloring in this version

Skyquake - Same story - appeared in one episode - died in the same episode. Most of the fandom remembers him only as a zombie from the shadow dimension, and it's kind of sad. I believe he had potential. I always imagined Skyquake as the "brawn" in a duet with his brother, while Dreadwing was more of the "brain". And it would be great if we were shown this contrast, giving Skyquake a chance to prove himself in at least a couple of episodes

His design is, as expected, almost the same as his brother, but I still decided to add some small differences in details to make it more interesting

Vehicons - STEEEEEEVES!

I like these silly dudes)

I didn't want to make them actual clones or something, so here they're just regular nightwings and icewings, but they may look the same because of the iron masks that hide their faces. Like many other dragons, they are victims of a war they may not have wanted to participate in. Actually, in that case their deaths don’t seems so meaningless and even give the autobots actions a darker subtext (although I believe in the theory that they could simply pretend to be dead on the battlefield (I really want to believe in that))

I know there are still a few possible undrawn characters left, like Skylynx and Darksteel or Unicron, but that's probably enough for me. I'm happy with my closed gestalt)

[queerprayers]

I’m unemployed dropped out of school before I reached high school and am unbaptised. Does God care about someone like that

Welcome, beloved, to the blog of a high school dropout who walks dogs (but has never actually been employed anywhere), and was baptized as a baby and so did not have any choice in the matter! God cares about both of us, and has given us ways to serve Them in our own lives, as we are now.

Your employment status can obviously matter quite a bit in terms of survival, because of the world we live in, but itself has no bearing on your relationship with God. Whatever the reason you don't have a job, you have a life worthy of care, from those around you and from God. Being employed has never been a Christian focus--devoting your life to God has. Capitalism has changed so much, but please know that the ways the system (and those misled by it) shames you do not reflect the will of God. No human system can decide your worth.

Your level of education, similarly, doesn't say anything about you that God cares about. I dropped out of school for health reasons--whatever yours are, even if you don't feel they're good, whatever! High school was invented like 200 years ago, and has nothing to do with God's care for you. Education is holy--reading, talking to different kinds of people, learning about history and the natural world, thinking about God. This knowledge is in schools but it's also everywhere else. I'm not telling everyone reading this to drop out of high school, but I am saying that there are so many beautiful paths without it. I would also point out that in many places, there is support for people who left schooling early--my city, for instance, has free GED (high school equivalency diploma) programs. If that's something you want to change (of your own volition, not because God will care about you any differently), it's very possible that you can.

Baptism is the most easily changed thing on this list, if you seek it. Most churches require some discussion beforehand, maybe a class to learn about the denomination, but there aren't huge barriers (and there is no test of worthiness). If it's not in your future, for whatever reason, I can still tell you God cares about you, fully, as you are. Baptism is lots of things for lots of people--a symbol, a physical manifestation of grace, a welcoming into a Christian community, a sealing of a covenant--but it has never been the first moment of care from God. That has already passed--it was the first moment you existed. To say you need to be baptized for God to care about you is to say that God doesn't care about anyone from any other religion, or about those who die before baptism--what a sad life that would be. What a limiting belief.

I don't know you, but I have faith you treat others well. I have faith you wouldn't tell me God didn't care about me because of my job or schooling. So don't do that to yourself. I hate to break it to you, but you have no say in the matter. It doesn't matter how worthy you are, or how much you're succeeding by our current society's standards. God is love, a love which keeps no record of wrongs, a love which does not weigh with the measures of this world, a love which cannot be contained in the rituals of an institutional church, a love which does not require knowledge or action or belief to surround us. We are saved by this love, not by a diploma or paycheck or a pastor's words.

Go in peace, beloved. Glorify God with your life, not with someone else's. And anyone who tells you that there are limits on God's care is not talking about the God of the Bible--who works through the underdog, who turns any idea of worthiness on its head, who picks the younger son and the tax collector, the unwed mother and the poor father. God comes to where we are, and takes us by the hand.

<3 Johanna

[ninyard]

i am a BIG supporter of create what you want for your own joy, so absolutely do what you would like to do for the trial!! no one should be pressuring you to do it a specific way unless that’s how you Want to do it.

but if you were asking about what we’d like… personally i would love to see the whole trial as much as possible (i really don’t want you to overwhelm yourself) especially for higgin’s and nicky’s parts!! i like when we see more than just Big Main Parts, especially bc you flesh it out so well <3 sometimes it’s even more hard hitting when it’s Not from the people we expect, you know?

also, thank you for making the socmed aus!! they make me giggle and kick my feet every time, and also wail in agony and clutch at my chest… you have the range <3

GOD i wrote a whole long ass response to this and i didn't realise until too late that my phone was going to die </3 and it died </3

But it was something along the lines of I'm really glad that the general consensus seems to be to do all five days of the trial, or however many days it ends up being, from start to finish. For me personally it'd feel unfinished if I skipped parts just to get to the ~interesting~ parts, and I think if I'm going to make something like this then I want to show it all.

It's not this deep, but I guess it's like... It's fucked up. People are making memes about a murder trial involving rape and other things that are just not funny at all. And skipping parts just to get to "GOD NEIL IS SO CHAOTIC ON THE STAND" or whatever feels,,, insensitive? Unjust?? I don't know

but people are also doing that shit in real life. About real people, real trials, with real victims and real perpetrators. Sensationalising trials just because it's a celebrity on the stand, or it's an "interesting" murder trial or whatever. People are making memes and jokes about them. And people are making their own minds up about the verdict because of it. I want to show people who think Aaron's guilty because of something the cop who arrested him said. I want to show people who think Andrew is an unreliable witness because of something Higgins says, somebody who thinks Aaron isn't guilty because a forensics team mentioned something about the crime scene that they don't think sounds right. I want to make this from the outsider view on the publics reaction to a trial, and specifically people who almost idolise Aaron, or Kevin, or Neil, or Andrew. People who don't see them as human, but as celebrities, as people who are supposed to be perfect. People who see a trial like this and think, "it's okay for me to make jokes about this, or to post about this, because they're just famous people. They're not like real people to me."

People are at home becoming twitter lawyers and making up their minds based on what they read or see online, and it almost separates the reality of the situation from the "characters" that people create out of defendants and victims. You see people hopping on bandwagons or hate trains or whatever when it comes to these kind of public trials. People making clips of something "funny" a lawyer or witness said for the sake of content. People making temporary celebrities out of the judge and jury and legal representation. For what? For likes?

I guess what I'm trying to say is that I want to show the different sides of how people actually react to trials like this without becoming insensitive to the fact that trials like this,,, do actually happen. But by making a fan tweet a joke about murder, I'm making that, I'm thinking of the words that go into the tweet. So it's tough. And again I know it's not that deep, but that's kind of... most of the reason why I've been putting it off? Because it's hard. It's hard not to feel like it sensationalises those kinds of things. It's hard not to feel like "God, am I just making fun of this situation here?" while also being reminded that yeah, maybe, but people actually react like that.

So is it worth the tumblr post to make memes and tweets out of something that happens irl, and affects real people? Is it insensitive, or is it just fandom stuff that isn't perceived in an insensitive way at all, because it is just that, a fandom post?

[ineffablejackass]

Alright I'm gonna try my hand at explaining a couple tmagp theories I got hanging around in my head

First, the Archivist isn't Jon, at least not fully. I think in mag 200 when all the fears were implied to have moved on to another world/dimension/universe/whatever, and (seemingly) took Jon and Martin (and quite possibly Jonah Magnus) along with them, the Eye part of Jon split off from him, Steven Universe style if you will. I think the reason it's one of the least human externals we've seen so far is because it took Jon's human-ness with it (something something about Jon being inextricably linked to the Eye bc he kinda sorta helped it win the last time around).

Which brings me to my second theory..

I don't think the fears are the same at all in tmagp compared to tma. BUT I think the Eye might be the same, maybe even the only surviving from the fears' last iteration in tma (bc it won the last time around maybe the Archivist wasn't subject to the same change). I think when they shoved off to a different world, all the fears, except for the Archivist, changed in some way. I feel in tmagp they aren't operating on the same rules as they were in tma, one main factor has changed, they aren't feeding specifically on fear. I think they're feeding on desire and obsession. Many of the episodes we've seen in tmagp so far deal with a want of some kind that goes too far, a few cases that come to mind are Ink5oul (wanted fame), the painter lady that fucked herself up (wanted to be beautiful/perfect) and the scientist guy that made some dude's skull explode (desire for knowledge, maybe related to whatever the Eye is now). And I think it just makes sense for Johnny to flip the fear thing on its head for this series to change things up, if so, good on him and Alex bc that's a fucking genius way of exploring the same ideas but in a different vein. And if not, still good on him, Alex, the rusty quill team, and the guest writers because this series is awesome so far

Anyway those are my thoughts, I'd love to hear what others think! :)

edit: also sorry that some of this theory-dump is worded weirdly, I typed this up kinda late at night so my brain was not up to proper working capacity lol

[nicosraf]

I hope its alright to ask for writing tips, i know you have plenty on your plate already so definitely disregard if this is a lot to answer. Was there anything you used that helped you develop characters during the writing process? Like guidelines or tips or even other books?? I wanted to take on writing for fun but I'm quickly realizing there is a lot of,,,, planning and learning that goes along with the writing process. I feel like I have so many ideas and if I don't get them out I will soon explode 🥴

Hello! I always like answering writing questions!

I don't use guides! I've mostly got my own method now, but I've been writing for a long time, and one day, you'll probably have your own method too. I can share with you how I make characters, but try different things! Experiment!

(I also want to emphasize that if you're writing for fun then don't worry about it being good. If you're writing seriously, also don't worry about it being good. Write bad characters, if you want. Do what makes you happy and the work will always be good.)

My rubric for a character, in order of importance (for the most part) is: immediate relevance, themes, arc, background, attributes.

(Note: this isn't the order in which I come up with a character, just how I plot them).

Let me use Rosier as an example of how I typically think of character construction (Note: this isn't exactly how I thought up Rosier)

Initial idea: Lucifer needs a kind figure in his life, maybe someone he lives with. Not Michael. I want him to have a strong platonic relationship. Next idea: Maybe he'll stay kind while Lucifer worsens as a person. Next idea: He should fall but not because of a sin he committed. Next idea: He's older than Lucifer. Next idea: He had a life before Lucifer, too. Next idea: Something, something, fruit. It shows up everywhere in the (imagined) story. Fruit angel? Next idea: Messy, messy feelings about sex.

I start sorting this out as per my little guide:

Immediate Relevance: A platonic relationship for the protagonist, someone who will bring fruits to the Earth. Now what can he bring to this book?

Themes (with an eye for Rosier's relevance to the plot (and its own themes) and the most plot-focused characters' themes): Unconditional kindness, fruit and devil, no ambition, loss of innocence, weakness, not desiring sex (opposed to the theme of others and the book itself), unwillingly creating (while some others are desperate to create), falling from choice, demon who isn't a good demon. How can we structure these themes into a story?

Arc: Rosier, the fruit angel, happily takes newborn Lucifer in. He loves the paradise where nothing ever happens. He has a situationship with the angel who will become the demon of lust. He suffers at Lucifer's hands but forgives him. He loves him. But he doesn't do enough. He suffers at Asmodeus' hands. He chooses to fall. He cares for Lucifer's body. He creates a body for Asmodeus. He follows his friends (again) to a cave of demons. He doesn't want to be alone. He chooses demonhood, despite his kindness. But how can this arc happen to him? (There's a seperate checklist for an arc in my head, with the most important part being "Kill your character." It doesn't have to be literal. Kill them in the sense that they're no longer who they were at the start of the story.)

Background: This arc can only happen because of who Rosier is. And a person is their life, so what is Rosier's life? He was born out of a nova in the sky like a fruit. God hugs him tight, but he won't remember, and God will never meet him, not really. [More about Rosier's background here; this post is getting too long]. What has his background shaped him to be?

Attributes: Is kind, is patient, has learned to be happy with the bare minimum, has learned to make excuses for people. Loves fruits (obviously), likes baking, is fussy. [So on]

You see how all these things build into each other? It's like writing a book in itself. Actually, I think writing a plot and writing a character are very very similar! Because a story is a narrative — a collection of scenes/lines with a beginning and an end, each scene typically affecting the next — and a life is a narrative too — a collection of experiences with a beginning and an end, each experience affecting the next.

You might be curious why "Arc" is above "Background"; again, this isn't the order in which you should come up with a character or anything, but I find that placing big (author-ly) importance on the arc happening in the book/story itself can keep you from falling into the pitfall of "backstory of character is more interesting than what theyre currently up to in the plot." (Also this rubric isn't 100%. Sometimes you have to move the importance of things around. Sometimes a minor character should only have immediate relevance and attributes.)

I hope this is helpful! Good luck!! But please don't worry too much... Just have fun! Write a sexy character and see where they take you

[adorablebanite]

Were your Durge/Tavs inspired by characters from other movies/shows/literature?

Lilla's neither; she's more of a "side character," but here are her biggest inspirations!

Judge Anderson (DREDD): Lilla is a Knowledge domain cleric - supported by her Patron Bane (introduced by Gortash, of course). Anderson can read minds, and Knowledge clerics have the same ability, as well as other Banite-adjacent abilities like Command, and Dominate Person. She's obviously going to be different than the other Banite cleric NPC's in game, as her job is to specifically protect Gortash (she protecc but also attacc).

I wanted her to be bookish, prim(in public👀), and an over achiever - essentially a prime example of professionalism, as the boss is trying to be a politician 😈

I really like Judge Anderson's innocent competence, so I wanted to keep that Lilla's front-facing demeanor; even when her arc does stray away from the good moral alignment after being hired on by Gort - in which her moral alignment clearly gets influenced by him, but she realizes later it's literally just in her blood to be a Banite!

---

Lee (Secretary) -I love the innocent-to-confident character arc, (as you can probably see by the Judge Anderson arc as well,) but let's be real, Lilla was originally created for a smut so I could waggle my brainworms, and the Secretary holds a special place in my heart.

The movie greatly inspired Awaiting Further Instruction, and I really enjoyed having Lilla go through an adventure of finding her nature, with the help of Gortash, of course. You've got the pathetic Dom, and the pathetic Sub, and while they're both actually pathetic, they find a security in each other's world that even though it's unconventional and twisted, it brings them comfort.

---

GoGo (Kill Bill): obviously vastly different from Anderson, so you can kind of see how the arc goes - and while I don't make Lilla nearly as sadistic as GoGo, she still does have a little streak of it when it comes to anyone who is threatening, insulting, or impeding Gortash in whatever way.

Lilla's demeanor can quickly switch from prim/professional/sweet, to taking personal pleasure in dispatching a rival for Gortash, depending on the level of the crime. Like him, she has a personal perception of justice that greatly aligns with his, and if she has been sicced on someone who has wronged him, she will sentence them accordingly. This can range from playful banter/underhanded threats and blackmail, to abruptly decapitating a goblin mid-sentence because he said something uncouth about Gortash.

My vision for her was the "loyal sidekick of the mob boss," and I find it extremely fun giving her a more interesting role than "yes master, no master," specifically for smut purposes.

---

Scleritas Fel (BG3) : LOL Yes, my initial idea was: "Why can't Gortash have a little minion like Scleritas Fel?" And here we are 😅🫣

I didn't want to rip off the concept of Scleritas directly, but Lilla is still intrinsically tied to Bane because he made her - not like Bhaal made Durge - but more of a "secret, experimental ritual commissioned by Bane, conducted in the outskirts of Calimport where some Banites conceived a person designed to seek out and serve his Chosen, but she ended up being too loveable and the Banites couldn't stand treating her like Banites should, so they wiped her memory, sent her to an orphanage, and offed themselves in shame," kind of way.

Obviously Bane was also ashamed by his botched experiment, so they have a shaky relationship, but that's all been settled in the fic 😇

Ultimately I wanted to write something fun for Gortash - and give him something nice! Lilla is very nice, and likes him very much (bordering on obsession), and is actually very useful in many ways beyond smutty silliness! She does a lot of research, spies, transcribes, organises dossiers/blackmail material, and pretty much oversees his political campaign and businesses (legal and otherwise) while he does the big-boy-chosen work.

I'll do one about Destri (Durge) soon too 🥰

Now that I've prattled on, I'd love to hear about other people's inspiration for their OCs, if they have them!!

@melvinthedepressedrobot

@kaava

@obuoliukai

@walkerdraws

@ennissg

@beecreeper

@newtia

@sankttealeaf

(I have to rush now but I want to hear about everyone so please tag me if you end up doing this and you're not already tagged so I can see it!! 🙏🙏🙏)

[steddieunderdogfics]

This week’s writer spotlight feature is:  dartlekey! @dartlekey has 11 fics in the Stranger Things Fandom and 9 of them are in the Steddie tag!.

Our anonymous nominator recommends the following works by @dartlekey:

If you were church (I'd get on my knees)

RUSH! (T4T REMIX)

At a medium pace

With great power

"I read the "with great power" series not long after I got into the Steddie fandom and was instantly like "I need to raid this author's other fics" and subscribed to them. No regrets for that choice!!" -- Anonymous

Below the cut, @dartlekey answered some questions about their writing process and some of their recommended work!

Why do you write Steddie?

For me, Steddie hits that sweet spot of strong characterization but woefully underexplored details, both for the individual characters but also their dynamic with each other in canon. That makes their relationship the ideal writer's sandbox - since they're both so fluid, you can explore the characters through each other, showcasing many different and even conflicting facets of each other while still retaining their original characters and behaviors. Either of them can be rich or poor, famous or an everyguy, Gay or Bisexual, Dom or Sub, Top or Bottom, Trans in any direction - the details are up to you! 

What’s your favorite trope to READ?

I love a good slowburn friends-to-lovers fic. It needs to be a specific kind for me though - I'm not much one for prolonged pining, but I love it when the friendship is explored in such depth that the next step feels like an inevitability. Watching that deep platonic affection turn not-so-platonic, that's the good shit. 

What’s your favorite trope to WRITE?

My specialty as a writer, I think, is crack treated seriously, or crack with a twist. Usually the first question that sparks one of my fics is “If X happened, would that be hilarious or what?” and then the second is “But if it was because of Y, would that be fucked up or what?” I think you can see it best in If you were church I'd get on my knees (what if Steve was a stripper at Eddie's stag party BUT it was actually a social commentary on queerness and sexuality in the face of religious oppression), but it's in At a medium pace too (what if Eddie couldn't move his arms because of injury so Steve “has” to jerk him off, but it's actually about how growing up queer can warp your perspective on healthy sexuality) , or even in Don't look back (What if Eddie had to dom Steve for plot reasons, but it's all body horror and trauma and spiraling codependency). 

What’s your favorite Steddie fic?

I don’t think I could name one all-time favorite, because what I enjoy most about fanfic is that different writers bring different character interpretations, storytelling styles and plot ideas to the table, which I find incomparable. I have enjoyed many of the well-known classics, of course (pukner I owe you my life--), but let me use this chance to give a shout-out to some less well-known masterpieces! My top three underrated fics are Three Days on the Red Planet by CaptainHoney/@grandmastattoo on tumblr (retro scifi, gritty but humorous hopepunk, every single fic of theirs is a certified banger but I love this one the most for some reason!!), Love dirty men alike by wrenowich (chef au, an ode to kitchen culture in all its griminess, I love a detailed backstory plus Steddie being wonderfully weird about each other), and That’s just wasteland, baby! by fastcardotmp3 (post-s4 apocalypse survival, sweet and aching and tired and yet hopeful, made me cry in the best way). 

Is there a trope you’re excited to explore in a future work but haven’t yet?

One that's pretty unique to the steddie fandom, or perhaps general stranger things fandom, is “if canon event x had happened differently/hadn't happened at all/had happened to a different person, how would the rest of canon change?” I still need to work out a lot of details in my head, so that's all I'll say for now, but it's something I'm very interested in exploring.

What is your writing process like?

Much to the horror of fic writers everywhere, I don't do first drafts, I just write out everything in detail, scene by scene in chronological order. I edit as I go, and consider the many-numbered, often unplanned writing breaks an important part of my process - when I let the written portion sit for a while and the unwritten ideas percolate in my brain for a bit, I often end up with new plot points or solutions for problems I've been having! And when that inspiration strikes, I can write anywhere - on the train, during lunch break at work, in the vegetable aisle of the grocery store… I have gdocs on my phone and I use it liberally; I'd say I write at least 80% of any given fic on my phone. 

Do you have any writing quirks?

Apart from the hot mess I just described, I'd say it's that I never use Beta readers. I'll occasionally ask friends to help with specific details if I need an expert on certain subject matter, but I've found I get very grumpy and fussy if someone pokes at my plot (even if or rather especially if they’re right lol), and I don't want to subject anyone to that. 

Do you prefer posting when you’ve finished writing or on a schedule?

For oneshots or series comprised of single-chapter fics I like posting as soon as I'm done, but for multi-chapter works I've recently found that starting to post only after I've finished most (if not all) chapters beforehand improves the quality of the story! Since I tend to integrate new ideas or shift around plot points a lot while writing, I often end up in completely different places than my original concept, so if an early chapter isn't posted yet I can retroactively edit it to add foreshadowing or tone-match the end of the work, remove loose threads and suchlike. Don't look back is a good example of how this has worked out for me; comparatively It don't bite (Yes it do) - which I wrote and posted chapter by chapter - is tonally all over the place. 

Which fic are you most proud of?

Naturally I love all my babies, but I consider Don't look back my magnum opus - both because it is the longest fic I've ever written (13 chapters and 90.000 words in total, that's practically a novel!) and because it's the most plot-rich, labor-intensive, and overall serious in tone. I even worked in subplots about the rest of the cast, so it almost reads like its own season. I wrote it for last year's Steddie Bigbang, which means there's also a gorgeous accompanying artwork by @the-chilly-kat. 

How did you get the idea for With great power?

At the time I'd seen a few marvel AUs floating past me on the tumblr timeline, usually with Steve as Spiderman and Eddie as the human component of Venom, and having just recently seen the Venom movie depicting the rich relationship between Eddie Brock and the symbiote, it surprised me that most left the symbiote as its own character, and not substituted one of the ST main cast. The symbiotic relationship of Stobin immediately came to mind, though I also still loved the idea of Steve as Spidey - then I remembered that in the Toby McGuire movies, the two are not mutually exclusive, and it all spiraled from there. Eddie as Deadpool just made sense - immortal wild-card with a dubious moral code but a heart of gold? Obviously! Plus Spideypool is, of course, a classic ship. 

When writing With great power, what was something you didn’t expect?

I actually got several curious comments about the sex toy Steve uses in Because the night - a grindable or grinder, which is a flat-ish silicone structure, usually ribbed in an interesting way, that one can grind against to get off (as the name suggests). I thought it was pretty common, but apparently it's not very well known!

What inspired  RUSH! (T4T REMIX)?

Oh, it's my time to gush! Because the idea for the first work actually came about from a late night conversation I had with the beautiful, amazing, wonderful @maikaartwork, back when we were, how should I say, in the courting stage? Seeing as we met through the Steddie fandom, I decided to write Baby Said basically to seduce them - and I am happy to say it worked, as we've been dating for over eight months now and are planning to move in together next year! Both works from RUSH! - T4T REMIX (and the secret new WIP, shh) are thus somewhat inspired by our conversations and our t4t relationship, but also by the many interesting and different trans people I've met over the years, and trans solidarity and relationships in general.

What was your favorite part to write from At a medium pace?

The small-talk in between position changes - no, really! I love a mindless marathon-fuck story as much as the next person, but there's something very sweet and intimate about those little breaks in sex, the pass the lube, move your leg a bit, what's for dinner later of it all. That's where you see that emotional connection - there's no admission of crushes or big love confessions in this fic because it's right there in the details.

How do/did you feel writing RUSH! (T4T REMIX)?

Honestly, it's just really really fun and self-indulgent. The Steddie dynamic in it is so bitchy, all the bickering makes me laugh even as I'm writing it. It's also just really fun to write about the trans experience in a way that is curious and loving, and reflects all the very different and yet similar ways people experience living in a body that defies expectation. I've loved all my fellow trans people sounding off in the comments about their own transition experiences, it's wonderful to have such a fantastic community!

What was the most difficult part of writing If you were church (I'd get on my knees)?

Curiously enough, not the many religious trauma bits! Much like Eddie in the fic, I'm only church-freak adjacent - I grew up in a non-religious household but with extended family that were extremely catholic, so the odd juxtaposition of being occasionally close to but definitely not involved in what is pretty much cult behavior inspired much of this fic. The most functionally difficult part to write was actually the wedding - as an aro-spec & trans relationship anarchist, church weddings have never been relevant to me, so I had very little idea what actually goes into one! Very little of the research I conducted on the topic actually made it into the fic, but hey, the more you know. 

Do you have a favorite scene and/or line from any of your fics?

People keep asking me that, and I never know what to answer! If I had to pick one, though, maybe the last few paragraphs of Don't look back - where you can see the tragedy coming, but there's no way of stopping it, because it was always going to end this way. And then Eddie's last words before the end of the fic call back to the title as well as the general theme of the fic - it just all comes together for such a crescendo of an ending. 

Do you have any upcoming projects or fics you’d like to share/promote?

Yes, actually! Coming soon in the SteddieBang'24, me and my lovely artist @hawkinsleather have been working hard on a 20k post-s4 fic called A glimpse of your canvas, which is about closeted transfemme!Eddie, women's solidarity, and Steve's very confusing no-good trip to the gay bar. Both With great power and RUSH! (T4T REMIX) have another WIP pending which I'll eventually finish (I promise, I'm just easily distracted!!), and for those who are still mad about Don't look back’s open ending, I'm almost done with the sequel, which features a lot of bad decisions by all characters involved, the healing power of community, and a bit of accidental child acquisition. 

Outside of these questions, Is there anything YOU would like to add?

Given the chance of this platform, I would like to notify my readers that I'm a terrible procrastinator when it comes to replying to comments, but I read and cherish every one of them - and repeat commenters, I see you, I love you, I am chewing on your arm like a dog with a bone!! I would also like to thank the steddie fandom in general for giving me the hottest partner known to man or God, and for the many friendships I've been so fortunate to build here. Talk about transformative works, am I right? <3 

Thank you to our author, @dartlekey, and our anonymous nominator! See more of dartlekey's works featured on our page throughout the day!

Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!

[stardreamerl0ve]

yes i ship dream and hob gadling. yes dream is aroace. what of it

[ruvviks]

finally got around making a proper outfit reference sheet for nathan! he likes wearing dark clothes which really emphasizes just how pale he is. he was a STEM developer at MOBIUS for nine years what did you expect </3 click for higher resolution and to get a closer look at all the details! outfits from left to right: his gear for the evil within 2, 1am convenience store trip, his mobius gear, and an improvised outfit for my own fictional the evil within 3 =^)

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@jacobseed, @swordcoasts

[pharawee]

—I've dreamt of a man spending time with me. We seemed to be so intimate that I feel strange myself, as if we'd been intimate for so long.

Bright Rapheepong as YAI I FEEL YOU LINGER IN THE AIR 💮 Episode 2

[bloomingbluebell]

hi im ranting (positively! this game kills me but in a good way) about breath of the wild again

i know it's controversial but i love the way the story of the game is told. because you start the game in the middle, perhaps near the end, of the story. the game is entirely through link's perspective and he wakes up knowing and remembering nothing. in turn, the player starts off knowing nothing. the past is revealed as the story goes along, and the player learns about the past and about the land as link does. there are little tidbits about hyrule and about the calamity scattered across the land. an old woman in hateno village tells you of an age of desolation that she grew up in. the travellers you see on the road are younger people because they're described by older characters as more bold, whereas the older characters grew up being told to never leave the village, it's too dangerous outside (compare this even to tears of the kingdom, where travellers are more common because the land has been safer. even older characters have left their home to travel elsewhere (not including the lurelin villagers)). battlefields are still strewn with old rusty weapons and deactivated guardians that no one but monsters will go near. myths and legends about the princess and hero have been passed down, to the point where their legitmacy is questioned and everyone has a different opinion on them.

it's environmental storytelling. it's things like seeing drawings and a bow in zelda's study and seeing a child reading a storybook with a hero that wears a blue tunic similar to link's. it's the stories that the villagers share about old myths that turn out to be true. it's the ruins scattered across the land, long since overtaken by monster camps but still unmistakably being houses that people once lived in. it's the utter lack of civilization anywhere remotely near the castle and the feeling of dread in the ruins of the town that surrounds it. it's a kingdom entrenched in its past, with no ability to move away from it until the calamity is finally defeated.

[sundial-bee-scribbles]

trying to psych myself up to finally do oc refs by doing fandom-related refs instead: volume 1

wanted to update my yuma from whatever tf this au is so he was a bit more unique... takes inspo from a lot of different things while also trying to be its own sorta thing? which is fitting given the au ;)

bonus chibi now that i'm also figuring out how tf to do chibis lol:

[amelikos]

I love when they casually reveal that Spinel hasn't stopped tracking the main trio once in this arc.. retroactively makes some of the past lighthearted episodes of this arc have a worrying edge to it, because you just end up wondering how long he's been watching, or if he was already watching at that point etc.

He is also even apparently keeping an eye on the Brave Asagi being repaired. He followed Friede around without his knowledge a while ago too. He just knows everything, and could act but just doesn't strike until the time is right.

I wonder if he is the one orchestrating Liko being separated from Roy and Dot in HZ064. The preview mentions that she is separated from them. And next ep will be exactly fifty episodes after HZ014, which was also when Spinel lured Liko away from the RVT to steal her pendant. He used her kindness against her by sending a fake ad about that one spice Murdock wanted. He spied on their conversation in that episode and used that bit of dialogue against Liko because he knew she would be exactly the type to want to go get that spice because it would make Murdock happy. Maybe he is creating some kind of diversion to separate Liko from her friends in the next episode. It wouldn't be the first time he messed with people's phones or other devices.

[my-thoughts-and-junk]

thinking about superheroes unfortunately

[plumbley-bee]

I genuinely wonder if I'll ever be fully over my cherry magic brainrot. It's everything I ever wanted in a romance manga like what's after this?