#they're honestly everything to me

[b1gwings]

GOOD LORD i have not been able to think about anything else but Fig's undying devotion to her friends since last night's episode. I wonder if she's actually going to persue the paladin stuff, and if she does I wonder if they're going to make her a custom oath??? i know mechanically, oath of devotion is pretty versatile, but ALSO it would be so cool to find something that's so Fig. the way you could combine the warlock "relationships & agreements" stuff to an oath.... her love for her friends is so powerful :(

[fennthetalkingdog]

This is a neopronoun/xenopronoun positivity post! If you see this, tell me what your neos are!! >:3

I mostly just go by he/they but I also go by xe/xem/xyr and other canine-themed neos!

[somnimagus]

canary tree

[id in alt text]

[justanintrovertedweirdo]

"Gangle's too shy to speak up."

We're winning with this episode abstragedy shippers!!!

[isthatacalzone]

me: *seeing people yell about how they did Glintshore & Percy's death in the show*

also me: ..................anyway

[chasedeys]

joe ja’marr and tee’s entire thing with tee’s contract and agent change and possibly sounding off each other’s contracts and using each other as leverage for their extension is like when all three of them went bald in succession but on high end expensive drugs. do you get me.

[thenotoriousscuttlecliff]

Seeing people say that we never see the Doctor and Ruby talking for more than 30 seconds makes me think 73 Yards and Dot and Bubble has just clouded their memories because the first four episodes of this era are almost nothing but the Doctor and Ruby talking and bonding.

Yeah, the Doctor-lite episodes meant we haven't had as much lately, but so many are going on as there's been none at all, as if every episode before 73 Yards was like Rogue where they were mostly separated in their own plotlines.

[dollypopup]

I think it's interesting to look at the 'Mr. Bridgerton' scene as a backdrop for the eventual mirror scene. Firstly, in the fact that I think we've kind of misinterpreted it.

So many people are of the mind that scene's purpose to 'drag' Colin, but really, that scene has 3 primary functions. The first is to inform Colin that Penelope is aware of what he said of her, thus opening the door to clearing the air between them and providing an avenue for which Colin can apologize. The second is to establish the ground that they are currently on: Penelope has given up on the dream of Colin Bridgerton, in particular the perfect prince that can do no wrong, and has made it clear to him. It also creates distance between them that they will bridge.

But the third, and to me the most wrapped up in the mirror and the inner workings of their relationship is that it reveals how Penelope feels about *herself*. It's not necessarily an echo of what the ton considers her as, after all, we have a lot of evidence indicating that, for all intents and purpose, people aren't *unkind* about her, but rather that they ignore her. Audience members recognize this as Penelope's own shyness being the cause, she is often sitting off on the sidelines or not really talking to much of anyone, in the books she's referred to as the 'one who doesn't speak', and her LW business takes her away from being a character in the action of the ton to a bystander, kind of a self-fulfilling prophecy of sorts that perpetuates itself. Pen felt unseen so she became LW to have some power, but then LW herself must remain unseen and Penelope continues to be by design of her own making.

No, I think what it really reveals is that Penelope has incredibly low personal self esteem. We as a fandom has lauded that scene as her dragging Colin, saying that he's cruel and calling him Mr. Bridgerton is absolutely meant to create distance between them, but I don't think she's dragging him.

Because the person she is *actually* dragging here. . .is herself. And it is a general theme in her life. In Whistledown. Aloud. Even with Marina, when she complimented her, she assumes that she's lying. When Edwina says she's wearing a pretty dress, Penelope puts herself down and doesn't believe her, even when the compliment is genuine. In truth, Portia is not seen as being particularly unkind to Penelope. At least, speaking as someone who's mum was *awful* about my size and weight and outfits, Portia is. . .overall rather mild. She's not KIND and loving, not by a long shot, but she's also not targeting Penelope only. She's plenty mean and critical to Prudence, too, even to the point where she foists her off to her own cousin as a pawn piece. Penelope has low self esteem because of a lot of reasons, she's bullied by Cressida (I think a lot of girls are, she was pretty mean even to Daphne in S1) and her family isn't very tender to her, and she's not being pursued at every turn, but part of it is also her own perpetuation.

Listen to what she says "Of course you would never court me" "I embarrass you" "I am the laughingstock of the the ton". She sees *herself* as an embarrassment. She puts *herself* down. Arguably, more so than the ton does. She's meaner to herself than anyone else is, aside from Cressida. And honestly? Looking at Colin's face there. . .he is HURT that she considers herself this way. That she's projecting that onto him. Yes, he's hurt that he hurt her, of course he is, he never wants to hurt her. And yes, he's ashamed that he said he wouldn't court her the way he did and that in doing so, he validated her fears that she is unloved and unwanted, but also because. . .she already feels that way about herself. She's felt that way for years. And it's painful to care about someone, to see them as wonderful, and realize. . .they don't feel the same about themselves at all. I don't think Colin is out here feeling so wounded over the fact that she called him cruel and won't refer to him by first name anymore, but that he's most hurt by what she says about herself.

Because he *doesn't* see her the way she accuses. She says she never expected him of all people to be so cruel, but he feels the same way. He never expected her to be so cruel to *herself*. He wants to go somewhere private, not because she is an embarrassment, but because he wants to have a private conversation with her. Maybe assure her. Maybe explain himself. Maybe hash it out. But god Luke Newton's acting. . .he is *aching* for her. And it feels like he's going to do those lessons not in atonement for what he said (thank god) but to genuinely help his friend who thinks badly of herself. To lift her up. It's not about him at all, not about earning forgiveness, but about elevating Penelope. And that's. . .fuck, I just find that's just so heart stoppingly beautiful.

You can see, in that scene, how much he cares about her. How deeply and genuinely he adores her as a person. And just how painful it is for him to know he has validated, whether on purpose or otherwise, how poorly she feels about herself. How low her self-confidence really is. She is giving him a glimpse into the cracks of her heart, and when he sees them, he wants to reach out with both hands and make it feel better. Make her feel better.

After she says 'even when I change my entire wardrobe', he looks so fucking crushed. So 'don't say that'. So 'you really believe that?'. So 'God, I hate that you think that way'.

Because regardless of it all, he does love her. It's not romantic yet. It's not sexual yet. But he genuinely, truly, from the bottom of his heart, thinks she's wonderful. That was evident even in the 'purpose' scene. Every time Penelope opens up and reveals a facet of herself, he likes it. He likes her barbs and her dreams, he likes talking to her. He likes her. And he feels awful that he hurt her. And he feels awful that she's hurting herself. He loves her. He wants her to love herself.

And that's where the mirror scene comes in. Because the mirror scene isn't about sex, not really. Not entirely, at least. The mirror scene is about *intimacy*. The mirror scene is about being seen. Not just her seeing him, or him seeing her, but for Penelope to see *herself*. In a way, through his eyes. Because hers are biased rather negatively toward herself, which is evidenced in the 'Goodnight Mr. Bridgerton' scene, and in so many little moments we've already gotten where she's literally looking down on herself, feeling down. She doesn't necessarily *like* what's in the mirror, but he does. Because he likes *her*. And he wants to show her that he does. Show her that he finds her beautiful and have her recognize that in herself.

The 'Goodnight Mr. Bridgerton' scene is about Penelope revealing how she sees herself. The mirror scene is about Colin showing her how *he* sees her. The Goodnight scene is about Penelope thinking she means nothing to him, that he thinks of her the way she thinks of herself, that this is how everyone thinks of her, and the mirror scene is a direct response to that: No, he doesn't. No, he doesn't think she's embarrassing. No, he doesn't think she's a laughingstock. No, he doesn't think she's unappealing. And he doesn't think she should, either.

And he's going to show her that. Not just tell her, but show her. The mirror scene is so often a focus on Penelope, so much of Polin is in Penelope's focus, but approaching it from Colin's perspective and his motivations is so fulfilling, too. It's a glimpse into them in conversation, and a demonstrate of how Colin loves her. How Colin loves in general, openly and earnestly and altruistically. How he encourages her to be braver and more confident in herself, bolstering her because he just likes her *that much*. How he finds the most fulfillment and satisfaction in caring aloud. The mirror scene is a demonstration of his heart in reflection.

When Luke Newton said the first word that came to mind with the word 'Mirror' was 'Exposed', he doesn't just mean physically. He means emotionally, too.

God this couple is so fucking good.

[srnileforme]

WE ARE (2024) | EPISODE 11 bonus:

[dewwshi]

BEAUTIFUL HORSE SONG MAGIC SPELL !!! 🩷🎠

[radiantaerynsvn]

johnaeryn: to build a home

happy 25th anniversary to farscape and to these two

[bear-cubs-art-things]

What if I told you Husk is short kitty

[vaguely-concerned]

btw my headcanon for sophia amell in veilguard is that she has been 'oh no... I think your letter got lost on its way to me first warden... too bad, I'll just stay here in amaranthine until I hear from you, then.... is this a letter I see before me...... a tragedy. I can't read all of a sudden. my eyes. you sent a messenger? my messenger now I'm adopting them. no message received sadly try again'-ed all summons to go to weisshaupt, so she's in denerim with alistair when stuff starts to go to shit and at least they spend the impromptu superblight together. they may both be right on the edge of the calling (? we just don't know!) and ferelden might be about to fall, but at least they're king arthur and merlin-ing (erotic and romantic connotations) it up together at the end of the world and kissing and holding hands about it. and what more could I hope for for them. that's what beating the odds looks like for wardens I think.

there's a particular incident where she saves his life through the power of spirit healing and. maybe the guiding hand of Something that seems to still reside in the petals of the rose he gave her that she's worn in a little glass vial around her neck and that have not withered all these long years, and it inspires actual myths and romantic literary traditions and folk ballads and all sorts of nonsense that outlast them both. neither of them care tho they're just. hugging right now. drenched in darkspawn blood like the old days. resting their foreheads together. taking every moment they may have left just to be together. whatever you do don't go without me. wherever you go let me go too. and with you let me be buried, and where you go after that let me go with you then as well. (of course. of course. after all of this, where would I ever go without you. the one good thing about the blight is that it brings people together. the one good thing is that it brought me to you.)

[moregraceful]

wait the dubs game tonight was against the mavericks...macklin and wsmith out there watching klay vs steph...no way wsmith knows the Narrative he's too down deep in new england but macklin was IN those trenches.....do you think he looked at will and promised himself it wouldn't end like that between the two of them. do you think he looked at will and then down at the court, and then back at will and told himself, with all the anxiety of youth, that no matter what happened, him and will would never end the way klay and steph did...that he'd look to his right and will would always be there no matter what

[kevindavidday]

nathan wesninski's weapon of choice being a cleaver is so funny to me 'cause women in my family like to have their very own favorite cleavers. like i'm not saying they have one and they use it, i mean like they need one specifically as their cleaver. still have my grandma's and it's this massive thing that looks honestly pretty terrifying?? i get neil's fear fr fr if some barefoot guy was like i'm gonna getcha and had that thing™ in his hand. i'd cry too

[snz-thoughts]

GOT MY BLORBOS TOGETHER‼️

So, Snehan being half-human half-vampire has a ton of allergies that affects them throughout the day and their partner, Squalo finds their sneezes (and al the mess) so attractive one day... unique as much 'cause he's a Shark, they don't sneeze neither (barely) get sick and such. The frequency of Snehan's sneezes started to sound like music to Squalo's big ears eventually so yeah, he's one of us snzfvkers fellas!

thanks a LOT again again and again to @roguesnezblog for making this commission (and one of my fav scenarios w them too) come to life!!! Support her in any way you can too ♡