Tumgik
#not that it means much. basically everything i draw has a different coloring style whether i want it to or not pfft
somnimagus · 4 days
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haejjoon · 1 year
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Hiiii
First of all I want to say that I love your art and I really admire it. It has kind of make me want to go back to drawing again. I used to draw a lot a few years ago but I stopped because I became unhappy with my progress. Now I want to go back to making art but I'm insecure about it because I'm worried I'm too old to start again (I'm 19) and whether I'm capable of relearning it properly. Do you have any tips about where to begin to learn art basics (specifically anatomy)? I would appreciate any advice.
Hello!!! Firstly thank you so much for the compliments, it really does mean so much <333
I'm nineteen, too! Of course you can start art again. I've taken a lot of breaks in between my own art, too, and it's only very recently that I started enjoying making art again (after .... like.... a year or two. lord) so I really do understand how you feel. But we're nineteen years young, and have so much time ahead of us to get back on our feet.
In my experience, improving comes quickest when you focus on one very specific skill at a time—and I mean SPECIFIC. Practicing gestures with torsos only, the muscles of the upper arm, skeleton heads in different angles. I've been studying arm anatomy (and only arm anatomy) recently, and I'm already miles ahead of how I used to draw arms in the past.
If you want a specific step by step on how I personally draw anatomy, I don't mind sharing a quick tutorial! But for general advice—form follows gesture, and gesture follows movement. The biggest mistake someone can make while drawing a body is focusing on the accuracy of the muscles/bones before getting the flow of the gesture down.
Even if the anatomy looks a bit wonky with the gesture, it's important that you capture the movement of the pose first, and then build muscle on top of that. Proko on Youtube has a very good quick drawing series on this, and explains it way better than I do, but that's the gist of it.
Also, PLEASE always use references! I know that hearing that gets old, but it's really important. If you'd like, I can make a quick tutorial on how to use references properly, too. Reference everything—pose, lighting, even art style if you're looking to switch things up (i have about 10 different tabs open on my computer with different artists I admire so I can reference their art religiously).
Speaking of referencing art styles, it's important to gather a bunch of artists you like in terms of style, and not just one. The trick is to separate them by skill—"this artist is for lining refs", "this artist is for anatomy refs", "this artist is for face refs", etc, etc.
And to jump off of That: I find that with anatomy, looking at other peoples' anatomy studies on pinterest is also very helpful. Obviously you should be referencing from real life too, but with art, it can be difficult to pin down what to put on the page and what to leave to the imagination. You wouldn't want to actually draw every single muscle in the arm individually, right? So I go and look at other artists' anatomy studies to see what they keep and what they don't keep.
(usually i find them on pinterest, and they look smth like this. the color coded ones especially help me.)
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I'd recommend learning gesture and anatomy first, then building off of that to learn how to draw faces, then lining/coloring, just so that you have a solid base to work off on when it is finally time to color. (also because coloring/lighting requires a fair bit of how body anatomy works as well!!)
But yes, that's all the advice I can give from laying in my bed. I hope it helped somewhat, and if you'd like tips on how to do something more specific, I'm always willing to draw it out or go more in depth ^^ Best of luck on your art journey!
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while i'm on the subject of ori and the blind forest, one of the biggest differences, for me, between ori and hollow knight, is that ori really doesn't have boss fights.
for the most part, ori isn't really a combat game the way hollow knight is. all of the challenges are really speed and platforming challenges. there are enemies and you do have to kill them, but they're really not the focus of the game - the platforming challenges and puzzles are. there are two characters i would consider "boss-like," in that they are antagonists that you have to defeat to move the story forward, but you never fight either one directly, you just work around the environmental/platforming puzzles they present to you.
whereas hollow knight is like. MOSTLY bosses, mini-bosses, and combat encounters. the only real platforming challenges in hollow knight are all technically optional - they unlock special characters and certain endings and give you achievements/rewards, but they're not necessary to complete the actual main plot of the game.
what's interesting is, i would say this is actually reflected in the visual design of both games!
in hollow knight, the backgrounds and scenery are gorgeous, yes, but they're mostly very muted, dark colors, and it's pretty easy to miss your first time round when you're focused on fighting enemies and trying not to die. each area has a sort of "standard" platform look that's essentially a tile set that gets repeated. certain visual elements from the background, like the round cobble-like texture, crop up in platforms in almost every location. areas that are off-screen or beyond the scope of the room are just pure black.
in comparison, the enemies are all extremely varied and unique, and the solid black outlines in the 2D art style draw a lot of attention to them. they are usually more brightly colored than the backgrounds, and while there are certain reoccurring enemy behaviors (for example, the flying enemies that wind up before shooting rapidly at you, or the patrolling enemies with weapons who take big swings at you) they all have unique designs for the different areas. all the bosses and mini-bosses have unique designs, attacks, and behaviors, each presenting a different kind of challenge to the player.
ori's visual approach to enemies and environment is almost the exact opposite of hollow knights. as far as i can tell, there are maybe a dozen or so basic enemies in the game, who are essentially just re-colored and given a couple of attack and hp upgrades depending on what area they're in. they aren't rendered particularly differently from the background, with about the same color saturation and level of detail, meaning that it's actually fairly easy, imo, to accidentally run into enemies because you just didn't see them. movement is pretty much the only thing that distinguishes them from being part of the background, and some of them don't move very much until they're attacking. ori's camera is also fairly zoomed-out compared to hollow knight's, which means it's harder to see details on the enemy designs.
however, the broader perspective that the camera gives you means that you see much more of the environment and setting at one time. backgrounds in ori are lovingly rendered - as are the platforms and levels themselves! where hollow knight has floating platforms which just grow out of nowhere, almost everything you can walk on or cling to in ori and the blind forest has a logical reason for being there, whether it's a branch or a mushroom or a platform suspended by rope or magic. there aren't many repeated or repetitive elements to the platforms, either, especially when it comes to "natural" platforms like branches. off-screen or inaccessible areas are artistically rendered with texture appropriate to the environment - hidden areas can be found behind background elements that blend seamlessly in with the rest of the scenery. ori and the blind forest feels like you're walking through a painting, not a video game level.
oops this was a very long rant.
TL,DR; i just find it very neat that the visual design of both games tells you what you will be focusing on - hollow knight's emphasis on character design tells you that enemies are going to be your main focus, while ori's loving devotion to the setting lets you know that this is mostly going to be environmental puzzles and platforming.
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yevgeny-tehp · 2 years
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Yevgeny Tehp RP Info
Basics
Name: Yevgeny Tehp
Age: 108
Race: Veena Viera
Gender: Male
Sexuality: Pansexual
Children: None that he knows of
Relationship status: Single
Server: Crystal, Coeurl
Physical
Build- Yevgeny has a build of lean muscle, mostly from his days training. He is built more for running and moving quickly in general than fighting head on. 5'9', 165lb
Hair- He takes a lot of pride in his hair and enjoys putting small ornaments on it, particularly small rings or cuffs on his braids. It falls to about his mid-shoulder blades and is bright white, with small hints of purple throughout, along with at the tips of his ears. On his right side, he styles his hair in long bangs to hide his eye.
Eyes- His left eye is violet like the tips of his ears while his right is a pale shade of blue. He hates the differing colors and considers the lighter side to be 'wrong' given the purple on his ears and in his hair.
Marks- There are a series of triangle shaped tattoos on his nose and under his right eye. They hold no meaning for him, but he uses them to distract from his lighter colored eye and draw people to the other side of his face.
Personal
Parents- His mother is still alive, but he has not seen her since leaving the village. He does not know about his father
Siblings- None
Profession: While he puts on airs about helping people in need, he is a pure mercenary at heart and only does what he does for the adulation that comes afterward. If it helps someone, great. If not, whatever. He will pretend to care about a client, whatever their station, just to get more connections and greater reputation.
Hobbies: Hair piece. He has a fondness for decorative ornaments and keeps a few choice ones in his bags. His collection is small as he tends to hold onto only his favorites and sell the least enjoyed once he finds a new one he likes more. However, he doesn't tend to wear them very often. Reading. It doesn't matter what he's reading, he will find the nearest place to get hold of everything from local news to trashy novels. Before leaving his people, he had never had much access to reading materials, all of his focus going to his job defending the land. Free of that, he now reads as what he feels is a form of petty rebellion.
Traits
-Extroverted / In Between / Introverted -Disorganized / In Between / Organized -Close Minded / In Between / Open Minded -Calm / In Between / Anxious -Disagreeable / In Between / Agreeable -Cautious / In Between / Reckless -Patient / In Between /  Impatient -Outspoken / In Between / Reserved -Leader / In Between / Follower -Empathetic / In Between / Apathetic -Optimistic / In Between / Pessimistic -Traditional / In Between / Modern -Hard-working / In Between / Lazy -Cultured / In Between / Uncultured -Loyal / In Between / Disloyal -Faithful / In Between / Unfaithful
Possible Hooks
-Another Job: Yevgeny finds work where he can, but his general lack of care for money means he's willing to use his skills for anyone if he thinks the ultimate goal will get him praise. The most consistent way he has found to do that is through bounty hunting style work. If your character wants someone brought back, has/had dealings with criminals/slavers/unsavory sorts, or is one of those people, this could work well
-Night Out: When he does have money, he likes to spend it. Impulsive and sometimes rash, Yevgeny gets himself into a good deal of hedonistic situations, whether at bars or brothels or anywhere else. If your character hangs out at, or works in, such an establishment, this may fit.
(I'm always open to discussing others!)
About me, the player
Hello! I go by Mako, I'm 28, she/her. You can contact me here or in game, whichever is easier! I'm open to rp-ing on Tumblr and have done so with other characters for many years. As for FFXIV, I'm very new to rp-ing in game and still learning.
(info will be added as necessary)
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How do you go about designing robots? They all look so cool
TL;DR If you want to design a robot, that means you probably have ideas as to what a "cool" robot is. Find out what you think is cool, think of any backstory you think makes sense, then use existing robot designs as inspiration to figure out the visuals.
I wrote up something really long and rambly, and I'm gonna leave those extended thoughts below anyway; I apologize if this gets too dense and wordy, but to be frank I still gloss over way too much in it, as it's a really big question to answer without being reductive and frustratingly vague, or on the flipside making entire-ass tutorials/process essays on how I made all of my robot characters. I also made a guide for designing ruppets before that sort of answers your question, but I warn you that it's purely text, in-case you were hoping for some visual tutorial.
In any case, on with the ranting.
Honestly I'm more of a worldbuilder, so when I get this question I immediately jump to answering it from a storytelling perspective, not a simple "how to design a badnik" tutorial kinda thing. Robots are made for specific purposes. If they lack purpose, this can be a glaring issue, or a great trait towards your robot's backstory. Figuring out the backstory is pretty crucial, and the sooner you know that, the sooner you'll be able to ride your intuition and figure everything else out.
There's a LOT that can go into it, but there's two aspects, visual and descriptive, both of which are kinda the same thing but kinda not.
Descriptively, good robot design depends on the setting and the story told through text, and depends mostly on whatever one's heart wants above all else.
I come up with a premise I really like/want, and then ask questions to rationalize/reason backward to justify it. What do I want? Why, in its own universe, does it exist?
With these answers, you can figure out how to answer the visual question: How would this thing look like, then?
Possibly my most popular design, Splats, can answer these questions with both a visual and brief-enough flavor text to supplement her. Hopefully.
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1. What did I want? A modern version of Splats, a scrapped Sonic 1 badnik. I thought it'd be cool. People apparently agree.
2. Why, in-universe? Why was Splats upgraded? She was meant to be scrapped in-universe, but didn't get the memo. Used abandoned eggman factories to repair and upgrade herself.
3. How, visually? How would she look like, then? I took elements like her thighs and tails and eyes, and made them more mechanical, taking some inspiration from P-Body from Portal 2, badniks in Sonic Colors, and toys with springs in their torsos. Also, of course, I took inspiration from artwork of Splats as well. Bash these together, and you'll likely get something like this. I wanted to stay somewhat faithful to the distinct shape language of the original, while adding something new and refining it as well as I could manage.
Another example, this time in my own OC canon: K-55, a one-off design I whipped up for fun.
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1. What did I want? I wanted to draw a funny bird robot that had a serious/morally messy profession. The concept is funny to me.
2. Why does he exist in-universe? He wasn't built to look like this specifically. He was more of a standard robot for basic tasks that modified itself to look this way due to an eccentric personality. He has an eccentric personality because having certain quirks in robots can lead to them being creative problem solvers. This has a side-effect of them often dressing themselves up in different ways, whether alienating or appealing. That basically gives me the excuse to make him look as weird as I want.
3. How would he look like? A mess. Visually, he has a bunch of noticeable funny shapes working together to create a distinct, odd outline. His face is a bit wall-eyed, and he has a strange "hair style", which imply strange tastes. With the clear implication that he wasn't designed purposefully like this by anyone else, the design sends clear messages about his personality, and how unhinged he is.
One last example: Kaita, my beloved.
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I wanted a cute, strong, robot wolf woman with a very friendly personality. The idea of a robot wolf woman is absurd on many levels, but I reason she was made as a weapon of sorts, but got misused and now lives her own life. This answers What she is and Why she exists, so lastly, there's How she'd appear as. In her case, I basically just figured she'd look like a furry terminator with exposed internals in some parts, large claws, etc.
There's many different ways to go about that, but by answering the previous questions of What, Why, and How, I can at least not go in blind as I develop the visual aspect of her design, and see if I'm being faithful to the concept. "Nice Terminator Wolf Lady" is basic in premise, but with tons of room for experimentation in execution. I designed Kaita years ago, and only in the past two or three years did she really look consistent.
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I am against the "Americanization" of fandoms.
What this applies to
Holding non American characters (and sometimes even fans) to an American moral standard. This includes
Refusing to take into account that, first things first, America is NOT the target audience, so certain tropes that would or would not pass in the west are different in Japan.
Like seriously, quite a few of the jokes are just not going to pass or hit, because they require background information that is not universal.
Assuming all American experience is standard. (This could mean watering down just how much pressure is placed on Japanese youth irl by saying that sort of thing is universal (while it is, to a degree, Japanese suicide rates are pretty fucking high because of how fast paced and work heavy some of their loads tend to be), and it's really annoying and rude when someone is trying to speak out about how heavy and harsh the standards are placed on them to succeed just for some American whose mom occasionally yells at them to do their homework dropping by to say "it's like that everywhere")
Demonizing (or wubbifying) a character using American morals, including and up to harassing fans over their interpretations or gatekeeping whether or not a character "should" get development (while you shouldn't do that fucking period, it's rude and annoying- this is specifically for the people who use American standards without acknowledging the cultural gap between them and, you know, the fucking target audience) ((Like seriously, saying "It's different in Japan" is not the end all be all excusing someone's actions, but sometimes the author didn't immediately think that maybe (insert vaguely universal thing) was that bad or that heavy of a topic before they put it into their media. If you don't want to see things like that? Pick a different series and stop harassing the fans))
Getting mad at or making fun of Japan's attempts to satirize their own culture. (A good example is Ace Attorney! To most of us, it's just a funny laugh can you imagine if courts were actually like that- guess what? Japan's are! (Not that America's are actually that much better, they just look good on paper))
Making America/American issues the center of your fan spaces
(Usually without sharing or bringing light to the issues that other countries are going through)
Your
Experiences
Are
Not
Univseral!
Seriously, very few things across America, even, are universal. Texas things the hundreds are nothing while Minnesota's like "oh it's only thirty degrees below zero"- so for fucks sake, stop assuming that all other countries work in ways similar to America.
It's good and important to share Ameican issues with your American followers, but guess what? America isn't the only country out there, and it's certainly not the only one going through bullshit. Don't pull shit like "why's no one reblogging this?" or "why should I care about what's happening in (X country)?"
Don't assume everyone lives in America.
Stop assuming everyone lives in America.
America is not and has never been the target audience for anime, and it's certainly not the only country outside of Japan that enjoys it.
Like I said above, sometimes Japan attempts to satirize its own culture. We can't tell what is and isn't meant as satire, because it's not our culture.
Social media activism can be tiring and maybe you don't have the energy to focus on things that are out of your control, but, if someone tells you about the shit they're going through, don't bring American politics up.
For the neurodivergent crowd out there thinking, "But why?" it's because a lot of social media, especially, is very heavily Americanized- sometimes to the point where people assume that everyone is American. Not to mention, it's disheartening. I'm sorry to say, but you're not actually relating to the conversation, you're often diverting the focus away from the topic at hand. Even if you mean well, America is heavily pedestaled and talked about frequently, and people from other countries are tired of America taking precedent over their own issues.
Don't divert non-American issues into American ones. Seriously. It's not your place. Please just support the original issue or move on.
Racist Bullshit
This especially goes for islanders and South Asian characters, as well as poc characters (because, yes, Japan DOES have black people)
Making "funny" racist headcanons. Not fucking cool.
Changing the canon interpretation of an explicit character of color in order to fit racist stereotypes.
Whitewashing or color draining characters. Different artistic skill sets can be hard, yes, but are you seriously going to look at someone and say "I don't feel like accurately portraying you or people that look like you, because it's difficult for me." If someone tries to correct you on your cultural depiction of a character and/or their life style, don't be an ass. (If possible, it would be nice for those that do the corrections to be polite as well, but it does get really frustrating).
Seriously, no offense guys, but, if you want to persue art, you're going to need to learn to depict different body types, skin colors, and/or ethnic features.
On that note, purposefully, willingly, or consistently inaccurately portraying people or characters of color (especially if someone in the fandom has "called you out" or specifically told you that what you're doing comes across as racist and you continue to do it). If you need help or suck at looking things up, there are references for you! Ask your followers if they have tutorials on poc (issue that you're having), whether it be bodily portrayal, facial proportions, or coloring and shading. Art is so much more fun when you can depict a wider variety, and guess what? Before you drew the same skinny, basic, white character over and over, you couldn't even draw that!
Attempting or claiming to DEPECT CULTURAL ACCURACY within a work or meta, while being completely fucking wrong. ESPECIALLY and specifically if someone calls you out, and you refuse to fix, correct, or change anything.
*little side note that the discussion revolving art is a very multilayered conversation, and it has quite a few technical potholes, which I'll bring up again farther into this post.
Fucking history
Stop demonizing or for absolute fucks sake wubbifying Japanese history because UwU Japan ♡0♡ or bringing up shit like "you know they sided with Nazis, right?" It's good to recognize poor past decisions, but literally it's not your country keep your nose out of it. And? A lot of decisions made by countries were not made by their general peoples. Even those that were, often involved heavy propaganda that made them think what they were doing was right.
Seriously, it's not your country, not your history. Unless you have some sort of higher education (but honestly even then a lot of those contain heavy bias), just don't butt in.
^^^ this also goes to all countries that are NOT Japan (specifically when people from non American countries talk about their history while in fandoms and someone wants to Amerisplain to them why "well, actually-"). When we said, "question your sources," we didn't mean "question the people who know better than you, while blindly accepting the (more than likely biased) education you were given in the past."
What this does NOT include:
Fanfiction
FANfiction
FanFICTION
FANFICTION.
Seriously, fanfiction is literally UNPAID WORK from RANDOM FANS- a lot of which who are or have started as kids. ((No, I'm not trying to excuse racist depictions of people just because they're free, please see above where I talk about learning to grow a skill and how it's possible tone bad and get good, on top of the fact that some inaccuracies are not just willful ignorance))
"Looking it up" doesn't work
"Looking it up" almost never works
Please, for fucks sake, you know that most all online search engines are heavily biased, right? Not to mention, not everything is universal across the entirety of Japan. You want to look up how the school system works in Hokkaido? Well it's different from the ones in Osaka!
Most fanfiction is meant to be an idealized version of the world. Homophobia, transphobia, misogyny, ableism, and racism are very prevalent and heavy topics that some fan authors would prefer to avoid. (Keep in mind, this is also used by some people in those minorities often because thinking about how relevant those kinds of things are is to them every day).
A lot of shit that happens in writing is purely because it's an ideal setting. I've seen a few arguments recently about how fan authors portray Japanese schools wrong- listen, I can't tell you how many random school systems I have pulled from my ass purely because (I need them to interact at these points, in these ways). Sometimes the only compliment I can think of is 'I like your shirt' or sometimes I need character A to realize that character B likes the same thing as they do, so I might ignore the fact that most all Japanese schools require uniforms, so that I can put my character in a shirt that will get someone else's attention.
Sometimes it's difficult to find information on different types of systems, and sometimes when you DO know those things, they directly rule out a plot point that needs to happen (like back on the topic of schools (from what I've seen/heard/read- which guess what? Despite being from multiple sources, might still be inaccurate!) Japanese schools don't have mandatory elective classes (outside of like gym and most of them usually learn English or another language- I've seen stuff about art classes? But the information across the board varies.), but, if I need my character to walk in and see someone completely in their element, I'm probably not going to try and gun for accuracy or make up a million and two reasons as to why this (non elective) person would possibly need something from (elective teacher) after school of all things.)
Some experiences ARE universal- or at least overlap American and Japanese norms! Like friends going to fast food places after school doesn't /sound Japanese/ or whatever, but it's not like a horrible inaccuracy to say that your characters ate at McDonald's because they were hungry. Especially when you consider that the Japanese idolization of American "culture" is also a thing.
Also I saw someone complaining about how, in December, a lot of (usually westerners) write Christmas fics! Well, not only are quite a few of those often gift fics, with it being the season if giving and all, but Japanese people do celebrate Christmas! Not as "the birth of Christ," but rather as a popularized holiday about gift giving (also pst: America isn't the only place that celebrates Christmas)
But, on that note, sometimes things like Holidays are "willfully ignorant" of what actually happens (I've made this point several times, but (also this does by no means excuse actual racism)), because, again: plot convenience! Hey what IF they celebrated Halloween by Trick or Treating? What if Easter was a thing and they got to watch their kids or younger siblings crawl around on the ground looking for tiny plastic eggs?
Fanfiction authors can put in hours of work for one or two thousand words- let alone ten thousand words, fifty thousand words, a hundred thousand words. And all of these are free. There is absolutely no (legal) way to make money off of their fanworks, but they spent hours, days, weeks, months- sometimes even years- writing. It is so unnecessary to EXPECT or REQUIRE them to spend even more hours looking up shit that, no offense, almost no one is going to notice. No one is going go care that all of my combini prices are accurate or that I wrote a fic with a Japanese map of a train station that I had to backwards search three times to find an English version that I could read.
Not everyone has the attention span or ability to spend hours of research before writing a single word. Neurodivergent people are literally a thing yall. Instead of producing the perfectly pretty accurate version of Japan that people want to happen, what ACTUALLY happens is that the writer reads and reads and reads and either never finds the information they need or they lose the motivation to write.
^^^ (This does NOT apply to indigenous or native peoples, like Pacific Islanders or tribes that exist in real life. Please make sure that you portray tribal minorities accurately. If you can't find the information you need (assuming that the content of the series is not specifically about a tribe), please just make one up (and for fucks sake, recognize that a lot of what you've been taught about tribal practices, such as shit like human sacrifices or godly worship, is actually just propaganda.)
Not to mention, it often puts a wall in front of readers who would then need to pull up their OWN information (that may or may not be biased) just in order to interact with the fic ((okay, this one has a little bit of arguability when it comes to things like measurements and currency, because Americans don't know what a meter is and no one else knows what a foot is- either way, one of yall is going to have to look up measurements if they want to get a better understanding of the fic)). However, a lot of Americans who do write using 'feet, Fahrenheit, dollars,' also write for their American followers or friends (which really could go both ways).
On a less easily arguable side, most fic readers aren't going to open up a new tab just to search everything that the author has written (re the whole deep topics, not everyone wants to read about those sorts of things, either). Not only are you making it more difficult on the writer, but you're also making it more difficult for the reader who's now wondering why you decided to add in Grandma's Katsudon recipe, and whether or not the details you have added are accurate.
Some series, themselves, ignore Japanese norms! Piercings, hair dye, and incorrectly wearing ones uniform are frowns upon in Japanese schools- sometimes up to inflicting punishment on those students because of it. However, some anime characters still have naturally or dyed blond hair some of them still have piercings or wear their uniforms wrong. Some series aren't set specifically in Japan, but rather in a vague based-off-real-life Japan that's just slightly different (like Haikyuu and all of its different prefectures). Sometimes they're based on real places, but real places that have gone through major changes (like the Hero Academia series with its quirks and shit).
Fandom is not a full time job. Please stop treating it like it is one. Most people in fandoms have to engage in other things like school or work that most definitely take precident over frantically Googling the cultural implications of dying your hair pink in Japan.
Art is also meant to be a creative freedom and is almost always a hobby, so there are a few cracks that tend to spark debate. Like I said, it is still a hobby, something that's meant to be fun (on this note!)
If trying new things and expanding your portfolio is genuinely making you upset, it's okay to take a break from it. You're not going to get it right on the first try and please, please to everyone out there critiquing artists' works, please take this into account before you post things.
I'm sorry to say, but, while it gets frustrating to see the same things done wrong over and over again, some people are genuinely trying. If it matters enough for you to point out, please offer solutions or resources that would possibly help the artist do better (honestly this could be said about a lot of online activism). I get that they should "want" to do better (and maybe they don't and your annoyance towards them is completely justified- again, as I said, if this becomes a repeated offense and they don't listen to or care about the people trying to help them, yeah you can be a bitch if it helps you feel better- just please don't assume that everyone is willfully ignorant of how hurtful/upsetting/annoying a certain way of portraying things is), but also WANTING to do better and ACTUALLY doing better are two different things.
Maybe they didn't realize what they were doing was inaccurate. Maybe they didn't have the right tutorials. Maybe they tried to look it up, but that failed them. Either way, to some- especially neurodivergent artists- just being told that their work is bad or racist or awful isn't going to make them want to search for better resources in order to be more accurate, it's just going to make them give up.
Also! In fic and in writing, no one is going to get it right on the first try. Especially at the stage where we creators ARE merely in fan spaces is a great time to "fuck around and find out", before we bring our willfully or accidentally racist shit into monetized media. Absolutely hold your fan creators to higher standards, but literally fan work has so little actual impact on popular media (and this goes for just about every debate about fan spaces), and constructive criticism as well as routine practice can mean worlds for representation in future media. NOT allowing for mistakes in micro spaces like fandoms is how you get genuinely harmful or just... bad... portrayals of minorities in popularized media that DOES have an impact on the greater public. OR you get a bunch of creators who are too afraid to walk out of their own little bubbles, because what if they get it wrong and everyone turns against them. It's better to just "stick with what they know" (hobbies are something that you are meant to get better at, even if that is a slow road- for all of my writers and artists out there, it does take time, but you will get it. To everyone else, please do speak up about things that are wrong, but don't make it all about what's wrong and please don't be rude. It's frustrating on both ends, so, if you can, please try not to escalate the situation more.)
Anyways, I'm tired of everyone holding fictional characters to American Puritanical standards, but I'm also tired of seeing every "stop Americanizing fandom" somehow loop into fanfiction and how all authors who don't make their fics as accurate as possible are actually just racist and perpetuating or enabling America's take over of the world or some shit.
Fan interpretation of published media is different than fan creation of mon monetized media. Americans dominating or monopolizing spaces meant for all fans (especially in a fandom that was never meant for them to begin with) is annoying and can be harmful sometimes. Americans writing out their own personal experience using random fictional characters (more often than not) isn't.
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tendermiasma · 4 years
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i’m not even into overwatch anymore but i just wanted to say I ADORE your art style and hope to develop my own into a similar semi-realism leaning...have you made a post about your art journey? I’m assuming I just need to buckle down and do anatomy studies but any tips are very welcome!! Ty for your time <3
Oh man thank you! I’ve never made a comprehensive post about how I got to *gestures* whatever this point in my art this is, and I definitely sat here wondering what “art journey” means for me since I always feel like I’m stumbling around so I’ll answer as completely as I can. But a great way to develop a realism-minded eye is to draw from photos and life. Everyone in the world has said it over and over but it really gets it done, it’s not any more complicated than that. It’s how I started when I was little and it’s not something I planned, but the Legolas posters were right there so how could I not? Your own non-realism “stylistic” touch will bubble up whether you want it to or not and that’s a beautiful thing. It’s not something you need to look for because it happens on its own, whether it’s you seeing something another artist is doing that you like and assimilating it into your work, or it’s your own unique way that you absorb information from the world and use it to solve problems in the drawing in front of you. Some new artists also still have the idea that using references is cheating-- I’m not blaming them, sometimes this weird thing is circulated by more established people as well-- but this is a very small minority. Please use references. I’d be lost without them. The Castlevania team has a giant collection of references for faces of every character from every angle, props, etc. and I always have a second screen up with 10 different sheets of whoever I’m drawing. Feeding yourself info is essential to getting better. Look at how other artists handle something you’re having a problem with too. If they’re doing a similar pose or something, study their drawing and ask yourself what specifically, extremely technically about that drawing is convincing-- what marks are where, and what is the quality or direction of the strokes? Try it out on your own drawing. If you’re stuck, become aware of if you’re holding on too tightly to what you think something should look like. I have to remind myself this as well. Really try to let go of the idea you have in your head about how something works and simply try instead to draw what you see, even if it feels weird. The results are often pleasantly surprising. 
I have a funny relationship with studies. You seem to be looking at them like a chore and I feel the same way. It’s impossible for me to sit down and just draw something over and over, disconnected from emotion or a larger narrative. I think a wonderful way to “study” is to incorporate those studies into a project that you wanted to do anyway. I’ve used my minicomics to get better at background painting or specific figure poses that I needed for the story but wasn’t sure how to do. I’m a very “oops I need it now better learn TODAY” kind of artist, if that suits you better than buckling down and doing anatomy studies for hours. Both are great ways to improve, but you have options for how to get there. 
In terms of how much time I spend drawing.. well lol it’s a lot. I almost typed “but I don’t do it every day” but yes, my jobs have made sure that I do (I tend to separate personal drawing and job drawing). But the truth is, to get better, a lot of very focused drawing time is important; how much of it is up to you and your schedule. You can sit down for 6 hours and doodle or you can sit down for 3 with an extremely critical eye. It’s about the volume of time as well as focus and I don’t have a clear answer for it, but I can point to one specific year in my life where I made artistic progress like I’ve never seen from myself since. I drew a comic with regular updates during that time and, looking back, the art was not good. But the point was, I was drawing for 7 hours a day after work, at least 5 days a week, and actively looking to draw things that I hadn’t done before or knew that I wasn’t good at, and the result was that every single update was almost like it was drawn by a different person-- readers noticed and commented on the progress as well. It was very much an art bootcamp and I wouldn’t have the skills I do at this point if I hadn’t done it. It’s important that you’re loving what you do if you do it for yourself! That’s how you get through big projects and continue to be excited with where you are. Love is one of the most important motivators and discipline-keepers in art, in my experience. Draw what sets your brain on fire and attack it wholeheartedly even if it’s really weird or niche, not what you think you should be drawing, and you’ll improve a million times faster.
Art journey in terms of what I’ve done with my life (if this is what you meant from the beginning I’M SORRY I’m just trying everything you might have meant) uhhh I haven’t been to art school. I have no idea what my relationship with art would be like now if I’d had any formal training and I don’t really dwell on it. I could either be a testament to being able to get by without it or an example of someone who has no idea what she’s doing at all and lacks many basic foundational art skills. I have an architecture degree. I love architecture, I love the language of space we build for ourselves, and I’m truly, deeply glad for that eye-opening and often grueling experience, but I think my current field is a much better fit. Before animation I worked as a graphic designer mainly drawing storyboards for commercials and internal-industry stuff-- lots and lots of quick colored sketches (one of our main clients was a big glass company and my god I never thought I’d draw so much glass in my life). I was able to do that job due to the skills I developed through personal work. Maybe I’d be a hundred times more powerful if I went to art school! Maybe I’d be completely burned out and bitter and not drawing anymore at all! I just don’t know. I have friends who have had both experiences. Whether you choose art school or not it’s best to keep tabs on if the art you’re currently making brings you joy. Joy and struggle aren’t mutually exclusive. Oftentimes I’m drawing something I care deeply about but it’s VERY FUCKING HARD and I’m frustrated but it’s worth it.
I also do everything while being very scared of the thing. I have a lot of deep-seated anxiety that I’m constantly trying to root out and my brain compulsively twists things around into why I can’t do something, why people secretly know I’m below-par and are just too nice to tell me, how I’m “tricking” people into thinking I’m better than I am, etc. It’s so bad that my first thought when I was initially offered the art test for my current job was to say no; not because I didn’t want it so badly it hurt, but because I thought I’d be too much of a disappointment.  After completing the test I spent an hour figuring out the most gracious way to apologize for not being enough. It’s common, but not something to accept and we’re all working on it. I just thought it was important to mention because art is also a mental journey and forces you to do all this navel-gazey shit in order to advance, and feeling like you are Not Enough is rife in the creative community. The work feels entangled with my value as a person because art is a massive part of my life. Something I’m learning is that I don’t have to be confident or sure of myself all the time. This ensures that the process is usually painful and frightening. Often there’s no way to make it less painful or frightening, and I just have to hold my breath and do it. An oddly comforting thing to me the past couple years is to remind myself that the scary thing I’m about to do won’t be the scariest thing I’ll ever do. I implies both that this isn’t the pinnacle of my progress and also that I will inevitably get over it. If you continue with art you’re going to run into things like this and I guess if it was me it would’ve been helpful to know I’m not alone in it.
I hope that maybe answered some of your questions, maybe? If you have some specific questions feel free and I’ll try my best. Hope you have a good day/night!
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YGO Analysis: Protagonists and Rivals, the Pivotal Relationship (Part 1)
There are a variety of relationship archetypes that come with any genre. Their importance, meanings, and depiction come with a strong and wide variety even from within their own genres or franchises. Rivalries are a constant across several media; only coming with different faces depending on the reason for the competition between two characters. Action movies, shows, etc tend to have major rivalries between the protagonist and a character that is both their opposite and their equal (whether or not they’re actually an equal truly depends on the piece of content but shhh). This relationship can be a strong driving point of plot related events, and one of the finest examples of that is the Yu-Gi-Oh franchise with its growing number of rival relationships that are distinctive in their own ways— even while they’re following a very set pattern.
General Overview
Compared to many other rivalries— in shounen works especially— there’s a lot about the way Yu-Gi-Oh goes about theirs that struck a surprising chord with me. Thankfully, each spinoff doesn’t give the viewer an exact clone of the rivalry that started it all, regardless of how popular Seto Kaiba and Pharaoh Atem are. There’s also a notable lack of anything feeling generic or far too in line with tropes, following them safely down to a T. Each one has a flavor that allows for viewers to have their own favorites which can range from cold and intense to warm and soft.
Duel Monsters crafted certain characteristics and behaviors within each dynamic.
Obsession: Each rival has a focus on the protagonist that they don’t really give to any other character. The intensity of it changes with each pair, however, and can sometimes involve stalking the main character, oftentimes thinking about them, or more mildly, simply talking about them a lot in private to someone else. Another staple to their obsessive behavior is going to absurd lengths to get the attention of the protagonist, something which they’ve displayed as a thing the rival can get pretty greedy for.
Plot Importance: If a YGO series isn’t well made or structured, the main rivalry is likely not going to be a very good one. When done spectacularly, their relationship can be what causes major events to unfold and hinge on which is par for the course with this franchise. Basically, rivalry quality and series quality play very important roles.
Friendship: Typically, they start out as enemies or strangers. Whatever it is, they’re not on great terms right away, but through a connection/understanding of each other that no others have, they become unlikely (and even unconventional) friends. Their bond is meant to be seen as one of the strongest in each series and are often each other’s greatest influence. On top of all of that, it’s normally the protagonist who longs to befriend the clearly broken inside rival. Which has a high tendency to end up with them being upset at offers to help and understand them being harshly rejected.
Soulful Connection: Duel Monsters is a card game with in-universe lore heavily pertaining to duelists’ souls, and the concept of them in general. It’s no surprise that the protagonists and rivals can end up with bonds that cause them to feel like soulmates. Yet, there are times when that connection becomes extremely apparent and more overt. First duels between them tend to have the protagonist being able to read the rival, seeing parts of him that don’t line up with what he says and leaving them to wonder why they’re so closed off or who made them act this way. Of course, this comes as a huge shock to the rival along with their ego. This in turn fuels the need to aid the rival; meanwhile, this character zeroes in on the protagonist.
Key Similarities: Regardless of how seemingly dissimilar they can be in beliefs, attitudes, intelligence, and their very dueling styles, these two are meant to have something that draws them to each other unlike anyone else. This showcases a common unbreakable thread that keeps them bound. It can be anything from pride to shared background experiences to having a hidden heart of gold.
Paralleled Features: Red versus blue is an age old trope that makes itself known in YGO. If the two aren’t clearly in line with that, they have several other opposing color differences such as one wearing darker colors while the other wears lighter ones. One of each of them could also be paler than the other either slightly or blatantly.
Sun/Moon, Light/Dark: Another common trope, that comes with some diverseness across the board. The protagonist can be made out to be something bright and life-saving similar to the sun, and this can be openly stated or strong hints to this can be thrown in. In the eyes of the rival, the protagonist can be seen as their light in the darkness. Someone who thrills them, serving as this unique person who can make them feel more alive and can even stop them from sinking too deep into metaphorical darkness.
Respect and Trust: These two are cornerstones of every dynamic. Without them, everything falls apart. The rival has a lot of difficulty navigating the idea of trusting others but commands respect he often doesn’t receive. The protagonist comes in to teach them better and be a guiding force much like with aiding them in friendship.
Separately, the rivals share traits modeled after Kaiba.
A lust for power (usually the result of never having any true power in their own lives)
A physical design that depicts them as being bigger, taller, and overall more masculine (in a few cases they’re even a year or two older)
Dramatics in their gestures, speech, fashion sense, dueling methods, and interests
A cold and aloof personality in which their stoic nature causes problems in whatever relationships they have
Cards are mainly very imposing and dark creatures
Difficulty with honesty and containing aggressive feelings
Being a part of a higher social or economic class (something which weighs on them and can be the source of a huge portion of their grief)
Dueling style will almost exclusively be focused on dominating the opponent through beat down
Experiencing a tragedy that forever changes parts of themselves in ugly ways
Protagonists are similar to Yugi and/or Atem, but unlike their less kind and closed off counterparts, there're plenty of times in which they’ve deviated far from the norm.
A more open heart to kindness and letting people get close, along with the urge to help others
Designs make them smaller and shorter than their rivals with a softer appearance that welcomes instead of rejects
A warmth and hope that can irritate the rival
Are more likely to use cards that feature cute monsters
Tragedy can strike them, but it’s treated like a source of strength or something that greatly influences what they do (can come with less hurtful coping mechanisms)
[There seems to be a common tactic when it comes to hiring the Japanese voice actors for the protagonists. They don’t have the experience of several roles, and voicing a YGO lead character is their first big hit].
These dynamics are easily my favorite part of each series, and one of the things I look towards the most when a new series is announced. Finally taking the time to write out an analysis and composing my thoughts feels nice. The next parts will be dedicated to actually looking at the specific relationships instead of talking about them generally.
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regencysims4 · 3 years
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did you ever furnish von osterly estate in your game? also do you have any tips for furnishing and building homes? I have a Pinterest board but nothing ever comes out
hi :) I remember fussing with a floor plan and throwing some furniture in there, but I don't have that build in my game anymore. but there is a floor plan and interior images for Osterley Park, which it was based on, in its section on my houses board on Pinterest! and you're in luck if you're particularly fond of that build, because it's the setting of a very sweet movie, The Grass is Greener, that shows you through the house. I also have a brand-new section full of floor plans (that I had previously kept private since they're not all from the period); anything is useful to get an idea of proportions, flow, and how spaces can be divided.
I'm not honestly sure I can give any tips that will help, but I can walk you through my process(es) and something might be of use! and my Pinterest has boards for interiors, residential exteriors, community lots, floor plans, furniture, and art, which I hope can be helpful! there's like three thousand pins total lol why am I like this
how I build:
> collect as many pictures as you can of a building, then pick a facade and go off! I tend to build a single wall as the front ground/first-floor facade and add windows and doors before building the whole shape of the building; it's easiest if you get a feel for the proportions first when you're working from an image, and then you can use that knowledge to add the other walls for that level, and then the other levels. using the window bays as a unit of measurement always helps me: you'll often have more than one of the same, so get that window and its surrounding walls right, then you can replicate that little room as many times as you need to fill out your walls. pay attention to stairwells, making sure you have reasonably-sized landings, a window for light/atmosphere, can get to each part of the house without too far a walk, all that. i like to have a shell of a building before i do anything else, and i try not to do too much laborious exterior ornamentsation before i try out a floor plan in case the room proportions need changing. > look up whether there's a floor plan or any architectural design drawings for what you want to build, because if there is you're in luck. you can use the room tool to make each of the rooms and then adjust them until they make the shape of the building; or inversely, get an aerial view of your lot and build the shape you see, then divide it into rooms according to the plan. when building shibden hall I went absolutely nuts and used the size in pixels of each room in the floor plan images to convert to numbers of in-game tiles each room should be - this is insane and you can totally just guess. once you've placed all interior walls, doors, and stairs you're in good shape.
how I furnish:
> once I have walls up inside the shell of the house, I place basic furniture in the rooms to denote what each room is (a bed, a couch, a desk, a dining table, etc). each room needs windows, doors, and a fireplace if it doesn't have them; then i start placing larger furnishings to create the layout of the room. it's easiest for me to go from the bigger things on down – placing sofas and coffee tables, then living chairs and end tables, then rugs and decorations. more historical building means keeping lighting (and heating/cooling) in mind: writing desks often go near windows, reading chairs go near fireplaces, and little tables, shelves, or torchères can go wherever your sims would need to see; and for homes classy enough to afford them, I tend to place wall sconces and chandeliers first according to the architecture of the bare room. outside-in is a good way to work if you can't visualize the layout of furniture: line the walls with bookshelves, cabinets, counters, fireplaces, mirrors, side tables, whatever; place chairs, tables, or sculptural pieces in front of windows; and then build in from there. since it's sims, I get kitchen (stove, fridge, sink, counter), bathroom (bath, sink, toilet), and bedroom (bed, dresser) squared away first so that all the necessary functions are usable. hypothetically, decor and clutter go last, but there are no rules in creativity ;)
general tips
when in doubt, do a bunch of googling/pinteresting, and then just copy what you see!
whatever inspires you will motivate you, so if a color scheme, furniture style, a set of CC, or any detail sparks joy, don't be afraid to start from there.
zoom out! when you're staring at a screen for a long time, ya lose perspective. literally zooming out and asking myself if where everything is makes sense always helps me.
if you're wondering why your build doesn't look quite right, the answer is usually proportions: changing wall heights, roof pitches, window sizes, and especially the wall length/amount of space between corners-windows-doors-et cetera (relative to the size of said architectural details) often fixes it!
watch filmed-on-location tv/movies and look up filming locations. built sets often have wonky unrealistic proportions and although interiors and exteriors are sometimes shot different places, a period piece shot in a real historic place gives you a feel for how spaces are lived in (plus it's fun).
did any of that help anyone? I can try to answer any question, the more specific the better, to the best of my ability!
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keyofjetwolf · 4 years
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Bonus Question Answers! (non-anime animated noms)
This was SO. FUCKING. HARD. This question went so much better than I expected, and I’m only sad I lack the artistic skills to make it all a reality.
Below, my PAINSTAKINGLY selected top answers, If yours is listed below, you’ve earned an entry in a random draw to win a GIFTENING liveblog OF YOUR CHOICE
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Q: The Senshi suddenly find themselves in a very different animated world. Which cartoon power (think Looney Tunes) do they each now possess?
*  Usagi can make literal rainbows happen when she smiles.  Rei can set anything on fire with her mind (she feels a bit cheated because she can do that at home too).  Ami can write down anything in her special notebook and it literally changes reality around her (she does not share this with her fellow Senshi, because she knows the full weight of this power.  She did, however, write Michiru having a bad hair day for just one day.  Just one.)  Makoto has the ability to pull out any ingredient she wants from any pantry/door/closet.  She usually uses this for cooking purposes, so she won't have to purchase groceries.  Minako has the ability to mimic any voice in the world, whether she has heard it or not.  Hijinks ensue.  The Outer Senshi sensibly escaped from the new animated world right after Michiru recovered from her bad hair day.  They don't speak of the experience. -- @amberlilly  [The whole thing was so solid, but what absolutely sent it over the top for me was Ami using her powers to fuck with Michiru in the most petty benign way, which is EVERYTHING.]
*  Usagi is definitely rocking the exaggerated tear gushers.  Ami can pull charts/diagrams out of nowhere at any time.  Rei combusts when she gets sufficiently mad.  Makoto has birds fly around when she sings while cooking or cleaning.  Minako breaks the fourth wall to make jokes and asides to the audience.  Chibi-Usa is somehow able to walk through ludicrous danger without getting touched, because the censors won't allow kids to be hurt in this show. Haruka can make girls melt into puddles of goo with her flirting.  Michiru can summon a servant at any time to take care of an unpleasant or potentially dirty task for her (including to take the slapstick comedy for her).  Setsuna has access to the script.  Hotaru just sort of appears sometimes, just standing there, silently and menacingly, but never does anything on-screen (though you may hear the occasional off-screen screaming).  Oh, and while I'd like to say Mamoru gains the power of inexplicable entrances... he kinda already has that one.  --Darkcloud k'California  [Again, I loved all these, but particularly Chibs saved by the censors, Michiru’s poor hapless slapstick avatar, and everything about Hotaru, thank you.]
*  Usagi: The power to be found charming by every character she encounters and somehow escape all consequences and damage by simply remaining oblivious, a la Tweety Bird.
Rei: The power to explode, reducing her surroundings to charred wasteland, but remain relatively unscathed (perhaps a bit singed)
Ami: The power to grow multiple arms, hands, and hundreds of fingers in order to do tech stuff
Makoto: The power to punch someone through a brick wall, possibly several, and into someone's family dinner. It's always some surprised-looking family's private event. Often the same family.
Minako: the power to, Bugs Bunny style, apply lipstick and seduce ANYTHING. Which, according to her, is a power she already has.
Haruka: The power to run off a cliff and keep going until she looks down. She never learns to not look down.
Michiru: The power to stick a pin into any other character and cause them to deflate like a balloon
Hotaru: She just gets to actually be used. It is thrilling.
Pluto: She will observe this strange planet from afar with her huge telescope and breathe the Martian air and look great in a kilt and Roman-style helmet. --  @incorrecttact  [Your set-up and punchline delivery style on all of these was perfection, and I legit lol’d at Mako and the poor family she continually interrupts.]
* to make dynamite go BOOM (Rei obviously); to have their opponent chase them to the point where they're floating in midair and then their opponent falls 5000 feet but they calmly walk back to land (like Wil E Coyote & the Roadrunner) (Usagi); the power to blow kisses to their opponent (which are clearly poisonous and end up killing the chap) (Minako); the power to have their opponent's entire arm shattered if they try to even punch them lightly on the arm (Makoto - this is canon anyways, but moreso exaggerated here hehe); to open a book and start reading it out loud and words start showing up on screen, confusing tf out of their opponent (Ami - also canon already)  --@midnightdrops  [Each of these were great, but Usagi and Mako as you described them totally sold me.]
* usagi: can now float on yummy aromas, so long as they lead her somewhere tasty! the others play a quick tournament of jun-ken-pon each time it happens to determine who will be responsible for steering her from blissfully drifting into traffic. again.
ami: is now possessed of x-ray vision! only she can neither turn it off, nor control its intensity. she is working on developing a set of goggles to dampen the effect, and secretly hopes they will make her look like geordi laforge.
rei: rei-chan is now blessed with the power of song! her heartfelt melodies soften the malice of even the most one-dimensional baddie, and influence public policy on a global scale. international success life, yo! i guess she's really a hard worker!
makoto: has become something of a cartoon cupid! in a poorly-ventilated room, her mere presence has bystanders declaring their love for one another within minutes*; and her decadent wedding cakes are the hit of second marriages across the country. *all of them so like her old senpai, and none of them falling for her, alas!
minako: employs her considerable powers of confidence and charm to convince the others she now has access to Plot Manipulation, mainly by engineering and taking ownership of a series of happy accidents. her real power is to literally jump out of her skin when she's startled*, and she has no intention of EVER letting the others know about it.  *minako discovered this new ability while she was changing a roll of toilet paper, and a spider dropped onto her hand. the leader of the inner senshi had never been so horrified. her bones were so slick and cold, her skin a hideous unwiped pile, and then THE SPIDER CRAWLED INTO THE PILE and she STILL doesn't know if it ever got out and sometimes her skin itches REALLY bad and you know what let's stop talking about this right now okay???
setsuna: can now manifest a giant pencil and erase the enemy! but doing so would be breaking The Greatest Taboo, and leave her impaled upon the pencil.
haruka: her new empathetic ability is remarkably similar to Ma-Ti's "heart" ring (Captain Planet and the Planeteers, 1990 - 1996). basically, she's just like really soft at you, and it inspires you to take more positive actions toward yourself and the world at large? she protests about wishing she'd received something tough and intimidating, but secretly is very moved by being made an instrument of kindness.
michiru: her intuition has mutated into fourth wall awareness, and the subtlety with which she makes this known to you is SO GODDAMN UNCOMFORTABLE OH MY GOD
hotaru: can now not only communicate with inanimate objects, but also render them permanently animate! you should have been there during the princess tutu crossover episode when she met lamp-chan - they're STILL inseparable, and chibiusa is SUPER jealous. speaking of which,
chibiusa: can now use hammerspace to store her endless series of magical geegaws and weird animal boyfriends.  -- @rasiqra-revulva  [Dude, you have got to stop making me snort laugh, it’s RUDE. Pure solid gold, every word, with a special nod to Haruka, MICHIRU, and Minako’s extended tragic cartoon backstory.]
* Usagi - like her name suggests, she is now Bunny. By which I mean she is now a very pink and blonde bunny (somewhere between Bugs and Oswald the Lucky Rabbit), but with super-elastic limbs to accompany her new form. Ami - Magical Science Powers up to and including ‘mix one brightly colored liquid in flask with another brightly colored liquid in flask, explosion, get hammer.’ Rei - An infinite supply of dynamite she can pull out of nowhere. This shouldn’t be as useful as it is. Mako - Literally suplexed a giant metallic youma not just untransformed, but before she has Senshi powers at all. I fully believe she could lift an anvil in canon. Minako - While Usagi looks like a rabbit, Mina now has the supernatural trickster abilities of Bugs Bunny. Implausibly effective bad disguises, persuasion, showing up out of nowhere. Chibs - Now that gun from her first appearance is a real gun, but it shoots anything from normal bullets to pies in the face to live birds. Pluto - The fourth wall is a real and tangible thing. Pluto can not just break it, but control it. If she wants to remove a layer of cel or suddenly turn things into sketch, she can do it. If she wants to teleport, she can skip in the animation. If she wants to suddenly appear as a Roger Rabbit-style cartoon in a live action field, or vice versa? Yeah, she can do that too. She basically uses this power to warp the layers of her cartoonish reality for pastry acquisition. Haruka - You’d think it would be Roadrunner speed. Haruka thinks it will be Roadrunner speed. But no, it isn’t. Space Jam is Looney Tunes, and Haruka’s power is Basketball. Michiru - Another power that’s just canonical: Wealth. Ridiculous, tremendous wealth. Hotaru - The funniest thing for Hotaru to be in a zany cartoon world is Even More Spooky. Nothing changes except the artstyle and a ridiculous supervillain cape.  -- Regalli  [Pluto, man. Fantastic and brilliant and I legit WANT THIS. Also though, Hotaru with a cape.]
*  Usagi gains the ability to eat anything and everything like the Tazmanian Devil, though she shares none of his aggressive personality; Minako enjoys fucking with people by bending reality (you know, diving into painted tunnels and stuff like that); Ami is able to utilize and test unreal technology without harm, like jet boots, massive bombs, tornado seeds, etc.; Mako uses body manipulations to change her size and shape--especially for blocking attacks to protect people or grabbing people (coupled with her immense strength); and Rei is the only one aware of the audience beyond the Fourth Wall... She tries not to talk to them but sometimes she just can't help it, especially when Usagi is getting on her nerves.  -- @thehubby  [I said pander to me, and you absolutely did. I can’t stop thinking about Rei trying not to make fourth wall eye contact, then just whirling around all “CAN YOU FUCKING BELIEVE THIS SHIT??!?” and as it turns out, that IS precisely what I wanted.]
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I’ll be drawing for the bonus liveblog around the start of THE GIFTENING 2020 (currently looking to be Monday, 11 January 2021). Each bonus question is another chance to earn an entry, so keep those answers coming! I CAN ABSOLUTELY AND SHAMELESSLY BE BOUGHT.
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konpithepuppy · 3 years
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[TRANSLATION: POTATO 05.2021]
7 MEN SAMURAI SOLO INTERVIEW
Scans not mine
Neither an English nor a Japanese native speaker
Feel free to correct me, thanks
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LOVE AT FIRST SIGHT
A gravure of 6 people who gives off a wonderful aura that seems like will make you fall in love the moment your eyes meet. In the interview, the members's value towards "love at first sight" is highlighted. (The interview was done at the middle of March.)
Questions:
Q1. Does love at first sight exist?
Q2. What specific first impression of a girl has a good impression on you?
Q3. What is the item that you fell in love at first sight and bought it?
Konno Taiki
A1. It is relatively possible (LOL).
But, not just based on the appearance, I may also be attracted to her inner side. I think I will find her cute when I try talking to her and will find out that she is an honest and airheaded girl. Basically, since I want for the move to come from me (T/N: lit. push myself harder), so on the contrary, I don't like to be told, "I fell in love with you at first sight." Without suddenly asking her contact address, I want to do things step by step (LOL). And then, when I also think that it is okay on her side (T/N: lit. she's good), I want to confess to her finally.
A2. Since I like someone who is an airhead, I can recognize if the person is an airhead or not on the first meeting. Since there is something that impresses only me (LOL). Being too much of an airhead is a problem but I like someone who is an airhead to an extent that I can tease. When she said something wrong, I want to pester her saying, "Can you try saying it again?" (LOL).
A3. I like a lot the black bomber jacket that I bought last year. I like the color black, and I came to like simple styles too. I first saw it in the internet but I am the type who buys things that I have seen in actual so I went to see it at the actual store and bought it there.
Recent Happening
I want to go and buy spring clothes but I refrain from going out too much so I can't go and buy...An email from the brand that I like came saying, "Our new collection is out" and I desperately want those (LOL). I buy sweater and parka every year but this year I am greatly troubled [whether to go out and buy or not]!
Nakamura Reia
A1. It totally exists! Since the personality shows on the face, if I like the face then I will like the personality too I think. I think the type of person I will like depends on the situation I am in at that moment. Like, I think a person who seems kind when I am tired is nice, and I will be attracted to a person who looks like I can have fun with when I am in high-spirit. But, on the contrary, I might get turned off at the person who falls in love at me at first sight.
Since I am putting a fake face in front of a person who I am meeting for the first time (LOL). It is not the first impression but I feel really being liked when the person responses back to me as an answer to my approach.
A2. More than being fixed with clothes that are in trend, I like better a person who shows "I like this!" with her clothes and small accessories. I want her to be a nerd of something. We will be excited together if we have the same hobby, and if we have different hobbies, I want her to teach me her hobby. For example, I am an indoor type but if she likes fishing, I want for us to try doing it together.
A3. A black setup with a dragon embroidery on it. It is very stern (LOL), but the material is very soft and it feels good wearing it, and I don't have to think of a coordinate so it is easy to wear. I often wear it to the filming site of 「Gekikaradou」.
Recent Happening
I bought a Pachira and started to raise it. Honestly, I wanted an animal but plants are cute too! I usually place it at the entranceway. But I sometimes bring it next to the window so it well get some sunlight.
Yabana Rei
A1.There is. It's just that I am shy of strangers so it takes time for me to make some move. I will consult for roughly a year (LOL).Or perhaps I should say, as long as there's no proof that I can make a move, it may take forever for me to make a move. If it will strangely destroy our relationship then it is better to just stay as friends. Even if a girl falls in love with me at first sight and approached me, I am thickheaded so I will probably not be able to notice it. I will not know if I will not be clearly told, "I like you."
A2. A person who can behave. For example, I like someone who stays silent in a quiet establishment, or someone who can read the room. Also, I think I will be happy with someone who has the same hobby as mine. Like we happen to like the same genre in music. My tension will rise the most with a person who likes cars.
A3. I don't think I am the type who buys impulsively at things that I fall in love at first sight. Even though I falll in love at first sight at something, I'm the type who will think properly about it. The black bass with a drawing of a bird that I bring on stage until now is a bass that I found by chance in an instrument shop. Even though there are other choices, after thinking too much about it, I thought, "The appearance of this one is cool after all," and I went to buy it the next day.
Recent Happening
3 more days and my sticker as a new car driver will be removed! Among the members, Taiko, Konpi (Konno), and Rinne-kun rode already but Taiko and Konpi are substantially banned from riding [my car]. Since they went on a rampage inside the car. They misunderstood a person's car with a jet coaster (LOL).
Motodaka Katsuki
A1. I don't fall in love at first sight but I think 1st impression is important to an extent. I think I will gradually like the person, who I thought is nice during our first meeting, while getting to know her. I am bad at dealing with someone who falls in love with me for the first time! But I am worried that that person will fall in love with another person (LOL). But if that person asked me, "Should we grab for a delicious meal?" I might be lured with food...(LOL). Moreover, I will be like "I know a shop with a delicious taco rice" and it seems like if I was told about something I am a maniac of, I will definitely talk about it.
A2. I am interested with the lips. With natural color, it has a sense of cleanliness, and lips that are not dry is nice. Things like lipsticks with loud colors, I don't like that much those that are shiny. A color that is close to a bare lips has a good impression in me. Wanting to kiss those lips without thinking, lips like that.
A3. I fell in love at a flounder in a fresh fish market and I bought it. Since its body is big, I was thinking that I could fillet it into 5 fillets. I filleted it into 5 fillets immediately at home, and I broiled some in the burner and I also made sushi.
Recent Happening
Abe (Ryohei)-kun gave me a parka from a brand I thought was good before. Before the filming of 「Q-sama!!」, he casually gave it to me saying, "Oh, which reminds me, here." I was really happy but it is super valuable that I can't wear it (LOL).
Sugeta Rinne
A1. I often think, "This person is cute" (LOL). But, I definitely do not tell it out loud! Finally, when I liked her inner side, I might be the type who will advance to being a boyfriend from being a friend. Even if how cute the person is, I don't like those who use words like 「w」
「草」 「sore na」 in mails (LOL). (T/N: w = laugh (LOL), 草 = literally, it means grass but people in the internet use it like "w" which means "laugh (LOL)" because "w" looks like a grass) Conversely, I will be a happy if a person falls in love with me at first sight, but I will completely doubt and ask, "Really?" If I am invited as a friend and gets confessed to, then my suspicions may loosen.
A2. A person who has silky hair, light makeup, and without colored contact lens. To exert a great amount of effort to be pretty is wonderful, but I think I like it better when it is not overly done. I like a neat and tidy person who looks good in white tops and denim pants!
A3. Before, I often fell in love at first sight with clothes, but I have a lot of failed purchases from buying clothes without trying them on. Like, when I bought a black long tee with a lion print on it, it turned out to be a dress for ladies (LOL). What I am currently aiming at is a sneaker with orange print on a white background. Since I haven't tried it on, I plan to buy it after I tried wearing it.
Recent Happening
Since I don't move extremely in the stage play「Hidamari no Ki」, my muscles toned down. My belly is protruding because of gastroptosis, so I was asked "Are you full?" during the dressing of Hakama (LOL). I must go back to training.
Sasaki Taiko
A1. There is. Isn't love in this world is approximately like that? I think there's not much of those who advance from friends to lovers. But since I want to know things about the other party, I want for us to exchange messages for around a month. And then, I want to meet the parents. Since it seems like we can properly date if I know the parents.
A2. A girl with pretty legs. I maybe looking at the legs more than the face. I like those girls who take care of their legs. But that doesn't mean I like girls to wear mini skirt, I am on the pants side. Lately, I think I came to like those pants like flare pants where it is tight in the thigh area.
A3. A large quantity of water from a large supermarket. 500mL of water came in a set of 40 bottles and it was very cheap. Also, I impulsively bought toilet paper. I bought so many that everything can't fit in the house so I gave some to my high school friend (LOL). Since I got my driver's license, I can now go in the supermarket alone and I go there around once a week lately. It feels like, "I've become an adult~." My next aim is the big potato chips!
Recent Happening
In the "Taiko Challenge" in ISLAND TV, when I uploaded a video of putting candy into a carbonated drink, I was surprised that the official account of the candy tweeted about it. Moreover, it is in English. Isn't that amazing? A CM may come after that...it will be my advance to the world. I might really do it! (LOL)
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lucidpantone · 4 years
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Visitations Preview Chap 5: The Finale
**Go and grab your tissue box. You’ll really need to stop being so emosh. @cph-dreaming @fehmyn @hopetofantasy @cleocc @msmesasha​. If I forgot to tag you am sorry. It’s only one memory and that's all you're getting.**
Disclaimer: Same rules apply.
Italics is the past. If not, it's August 15th at any point in the day I chose to drop you into.
“Just one?” 
“Yeah” Robbe responded, acknowledging the cashier.
“To Amsterdam?”
Robbe nodded.
“1st or 2nd class?”
“1st please.”
“That will be €54”
Robbe shoots the cashier a nondescript smile as he sticks his credit card into the card reader and enters his pin to complete the transaction. The cashier hands him over the purchase receipt and signals for the next customer to proceed. Robbe begins to walk away and clumsily walks back a couple of steps and asks “In what direction is platform 3?”. The cashier signals towards the left hand side exit of the post office. Robbe sees the platform in the distance as he exits the store and runs towards it with a couple of minutes to spare before departure. He makes it in just the nick of time and settles into a window seat, anxious to reach his final destination.
The nostalgia of his final stop always caught Robbe off guard. Every time he came back here whether on his own, or with him, everything seemed to have stayed exactly the same since the first time. This place was a strange kinda of place wrapped up in its own personal deja-vu. Housing an unknown poltergeist where earthlingly oddities roamed and mother nature dared to roll around with the solar flares of the sun between her legs. A consequence of all the zygotes that got produced here seasonally. Robbe really didn’t care though, he loved it here, he always found himself here. There was something about this place; rudimentary in its makeup at best but possessing a sense of serenity,  with a dose of mystery, even some romance, a portal to another universe. This place always felt like home. Robbe would visit old haunts, walk the dunes of time, revel in the taste of sodium in the air. He’d hit up familiar store stalls, check out the best vantage points but eventually he’d always find himself back at their old place.
It was restaurant style. Not the fancy type made out of linen.It was white with miniature clams embossed atop, 2ply, 15 inches across but folded down the middle, then folded into 4’s and then once more to emulate the size of a standard envelope. Robbe had seen them in different colors but most people in the world only saw them in that pearl white that the standard restaurant napkins were made of. He just stared into the pattern recalling the day when this senseless artifact became an urn that stored the ashes of his love story.
“This is so stupid, I mean it's basically a pipe dream. It’s never gonna happen.” Sander told Robbe as he pulled out a marker from his back pocket.
“Come on just do it for me.” Robbe begged. Sander chuckled because he knew once Robbe made a request he was going to appease it.
“Okay…. So my dream tattoo shop would look something like this.”  Sander drew out three squares lined up horizontally next to each other like carriages on a train atop the restaurant napkin.
“So the whole concept would be based on the idea that it wouldn't even look like a tattoo shop but a gallery space. Operationally it would be a place of business but functionally it would double up as a tattoo shop/community art space. You know people always associate tattoo shops as these dark and dengy out posts but when you’d walk into mine you’d be flushed with a burst of light making the whole place feel airy. Like a sense of wholeness or something.”
Robbe found Sander’s light up smile endearing as he walked through his imaginary tattoo shop schematic. Robbe rubbed the top of Sander’s hand with his thumb encouraging Sander to continue explaining his future’s prospects.
“I love the way you think baby. You're always so thoughtful and creative.”
“Like I said it's never going to happen but you never know right….life is full of surprises.” Sander was downplaying how much he wanted this future to become a reality.
“No no no. Don’t say it’s never going to happen. We’ll find a way to make it happen.”
“Oh are you going to learn how to tattoo now?” Sander gave Robbe a cheeky grin because Robbe couldn’t even draw a rectangle correctly. Well at least not yet...
“No but I’ll find a way to chip in. I could run the reception or something.” Robbe knew that wouldn’t be much help but that's the best his nineteen year old self could come up with at the time.
“Promise we’ll find a way to make it happen?” Robbe always did this to Sander. Whenever Sander lacked belief in himself Robbe would make him promise on whatever desire he was discounting.
“Only if you promise we’ll do it together?”
“Deal, I mean that’s not a hard request. You know I always keep my promises.”
Robbe and Sander both giggled because both of them knew that Robbe’s promises never faltered. Robbe was the most reliable person Sander knew. Sander couldn’t help but indulge Robbe’s interest in their never gonna happen future.
“Anyways I’m thinking the color scheme would go something like white in the gallery, black in the tattoo shop and then maybe an entry to a garden or patio area.”
Sander rambled on and on about how eventually the gallery space could host events or have fun community sessions. He could teach art to youths since he knew how much art had helped him when he was younger. He had completely mapped out the potential of a place like this and the excitement in his voice was insatiable to say the least.
Robbe loved hearing the sound of Sander’s voice in this particular amped up pitch. It was so tranquil and soothing to him.
“Excuse me, do you need this? It was stuck in between the euros on top of your bill.”
Robbe looked up from the napkin and took inventory of his surroundings. He had got lost in his own memories again. It was becoming a frequent occurrence as of late. He looked up at the waitress who was attempting to hand him over a waxy piece of textured paper. He thanked her and took hold of it.
It was the post office receipt.
Robbe had almost totally forgotten about the dread of having to text Luc to let him know he had mailed back his stuff today. Specifically his GIRL brand skateboard that he adored so much. They hadn’t spoken since their break up but as Robbe went to grab his phone to text Luc he saw a text from Kes.
“Sorry, this is awkward but Luc asked me to ask you if you mailed back his stuff yet?”
        - Kes
“I did it today. It should get to him in 3-5 days. I mailed it 1st class.”
“Umm how’s he doing? Has he said anything to you?”
        - Robbe
“Look, That's my best friend.I don’t want to get involved. All he said to me was that you weren’t ready to invest in love….”
       - Kes
Luc always had a way with words. Always knew how to make Robbe feel guiltier than he already felt. Luc was as blunt as a knife's edge so when he stabbed you he made sure it was torturous and never swift.
As the waitress laid down Robbe’s change from his paid bill he took one final glance over to the broken down booth that he and Sander used to call “their spot”. It stung seeing it empty but he still smiled at the memory of his younger self sneaking the diagram that Sander had penned atop the napkin into his brown jacket. Not knowing then that eventually he’d get to remind an older Sander that sometimes dreams do come true.
The walk back to the house on the beach was refreshing. A light zephyr surged around the pier’s promenade creating an idyllic breeze that seemed to galvanize the local pelican community into flight. The whole ambiance of this beachy hideaway gave Robbe a much needed reprieve from the conflict ensuing in his mind. A litany of doubtful thoughts with no real answers. Continued avoidance was working so far in his favor but Robbe knew that Sander’s patience would wear.
They hadn’t spoken much since the break up. Sander had stuck around for a few days after the initial night to keep Robbe company but the whole ordeal lacked morality. They'd lay in bed together watching TV while Sander just held Robbe tightly. Practically bruising Robbe’s arms. Every few hours Robbe would be stricken with a wave of guilt over what he had done to Luc and he’d need Sander to fuck it out of him. The situation was dire and the irrational had somehow become the rational. Robbe needed to get his shit together and stop his dopesick lifestyle. Sander could not become the dragon he needed to chase to stop the withdrawals. He didn’t deserve that. Robbe had done what he had done and he needed to learn to live with it.
He did eventually kick Sander out after 4 days of this delirium stating that he needed time and space and he just needed Sander to respect that for now. He also called his boss explaining the situation and begging him to forget his resignation. Robbe was lucky that the firm was understaffed and had just signed on new business because otherwise Thibaut would have never agreed to it. At least that was one crisis averted, his apartment on the other hand was in shambles. Everything was in packing boxes and everything needed to be rehoused which was a painstaking process but he did it. It took him a couple of weeks but he did eventually put the pieces of his life back together. Finally waking up one morning after a three week haze with an impulsive craving to head to the house on the beach. Robbe wasn’t sure why he needed to go there, he just knew that it was calling and thus why he now found himself wandering down the promenade on his lonesome. A sherbet sky as his backdrop.
Robbe welcomed the change of scenery of his beachy escape. A part of him loathed his apartment now it was covered in a slime of memories he could not scrub away. Though the house on the beach was nothing more than some worn down furniture he welcomed the opportunity to grab his guitar and lay out on the garden bench outside his room and just strum the night away. It was that time of the day anyways. Sander and Robbe barely spoke or texted during this reflective period but they did communicate in the best way they knew how. See these siloed lovers had their own traditions. Sander had established it but Robbe had developed it. When either one of them didn't feel like talking, usually Sander they communicate in their most comfortable non-verbal formats. For Sander this was his usual set of drawings and for Robbe it was always his guitar. So keeping in line with their usual pattern Sander would text Robbe pictures of his drawings daily and Robbe would return to sender a voice clip of whatever chorus he had strummed together for the day. So that was what he was in the middle of doing when he saw it.
Robbe looked out onto the rainbow sherbet sky; it was an apparition in the distance. He blinked to make sure it wasn't an illusion then a second time for confirmation but it wasn’t a trick of the mind. A figure began to materialize over the sand dunes in an all black attire sporting some laced up Doc Marten’s.
Robbe’s body tensed up. How could it even be possible that he was here too... but as soon as the affliction of concern took over him it quickly dematerialized as the apparition in the distance came into focus and took on corporeal form. Robbe definitely didn’t know her but he couldn't stop observing her. She had a juggernaut presence, he was in awe, curious too but more so because she felt so familiar. Her lavender pinkish locks stood out; they helped frame her face with a dose of softness which was in opposition with the rest of her appearance.
She made a b-line towards Robbe’s direction approaching him with haste. She passed the candy strip ballards and walked onto the wooden planked walkway that paved the entrance of the house on the beach. She stopped at the teal colored Kalise cooler. She opened it and evaluated whatever she found inside and walked right over to the wooden garden bench where Robbe sat legs up strumming his guitar. Robbe shifted his focus downward in an attempt to avoid her gaze.
“Are you the manager here?”
Robbe looked at her completely bewildered recalling the previous time he was asked that same question. Before he had time to think of a cheeky retort she interjected into his thoughts.
“I just wanted to pay for a beer from the cooler”
Robbe kicked his legs off the bench and sat up.
“Oh those are mine actually but feel free to grab one. Free of charge of course”
Robbe shot her a wink.
She was pretty, he thought. Robbe had to double check his senses for a moment. He had never been drawn to a woman like this before. He took a moment to evaluate his entire life choices but it definitely wasn’t that. It wasn’t that kind of connection but there was something about her. It's like his body was reacting to some strange paradox in the universe that had hashed out this otherworldly eidolon sitting in front of him.
“Ummm do I have something on my face or something?” She asked as she brought the rim of the bottle to her lips.
“No…” Robbe replied with a hint of embarrassment in his voice.
“Ok so what are you staring at?”
“Shit sorry, you just seem so familiar. Am just trying to put my finger on where I may have seen you before. Are you from around here?”
“Do I sound like I am from around here?” She slapped back with a hint of sarcasm.
Robbe felt like an idiot as soon as the sentence left his mouth. She clearly had a heavy accent and she definitely wasn’t from around here. Her dutch was terrible but conversational. Her whole vibe screamed from somewhere south.
“So whose heart did you break?”
“What?” Robbe scoffed in disbelief. The reminder of guilt sinking him back into his seat.
“Come on..a pretty boy like you strumming his guitar with this as his backdrop” She pointed out to the sherbet bleeding sky; currently highlighting a color mixture of tangerine and cadmium rouge.
“A bit cliche don’t you think?”
“How’d you know I broke someone’s heart and they didn’t break mine?”
“With a face like that. You’re definitely the culprit.” Robbe was blushing but he didn’t disagree; he just stretched out the bottom half of his jaw in a slight twitch.
“Come on I can smell the guilt coming off you? Trust me I should know, it’s my favourite scent.” The pretty girl shot him an eyebrow raise to check Robbe’s temperature. Making sure she hadn’t offended him.
“I don’t even know you….”
“That’s the best part. You can tell me everything and I’ll be honest with you”
At first this sounded ludicrous but then again Robbe hadn’t told anyone the events that had actually occurred that had caused his downward spiral. He was deeply ashamed of how he handled everything and couldn’t bear to see the judgement across Jens or Lia’s face.
“I am Robbe, perpetual dumpster fire of a person. What’s your name?”
The pixie doll apparition shot her focus downward and whispered out, “Whatever you want it to be Robbe?”
“Pick a name for me?”
Why all the mystery? Robbe thought to himself. A didactic approach, Robbe could recognize a fellow strategist when he encountered one.
“No no no, you don’t get to do that. I can’t be the only one telling my secrets.”
She scoffed.
“Fine fine. Call me C.J.”
Robbe pulled a face, “That is not your real name.”
“You said you wanted a name, you never said anything about it being my real name. Take it or leave it.”
God she really did remind him of someone.
“Ok Robbe, I kept my end of the bargain. So tell me your secrets.”
Robbe rolled his eyes at her. There was something about her that was positively unbearable but also highly comforting.
“I recently broke up with my boyfriend…..” Robbe murmured out. She waved her hand in a circular motion indicating to Robbe that she wanted more details and to keep going.
“Because I think i'm still in love with my ex….”
“You think? Or you know?” C.J. questioned.
Robbe put his guitar down on the side of the bench and buried his face in his hands as a display of his frustration.
“I gather that means you know.”
C.J. pivoted her entire body towards his and scooted over rubbing Robbe’s shoulder very lightly. A strangely intimate gesture to exchange between strangers.
“It’s okay, I mean it's not, but you know what I mean.” C.J. attempted to quell Robbe’s worries.
“Ok your gonna need another beer so you can tell me what happened.”
C.J. got up and scurried to the Kalise cooler and hurried back with a beer in hand.
Robbe took a large gulp as soon as she put it in his grip.
“I slept with my ex-boyfriend as soon as me and my new boyfriend broke up”
C.J. shocked her head back and forth as a sign of some weird understanding.
“How long after the break up?”
Robbe buried his face back into his hands. He didn’t want to look at her reaction.
“Like an hour…..”
Robbe clearly heard her shocked snort which was preceded by heavy coughing.
“Sorry, choked on my beer there for a second. An hour? How? Did you drive a ferrari to his house?” She was definitely mocking him now.
“No he was waiting on my doorstep?”
“You got him delivered? His not takeout Robbe.”
“But I gotta admit you Belgians are impressive. We don’t have those types of delivery services from where I'm from. At best you can get a lukewarm pizza to your doorstep.”
Robbe looked at C.J. who was clearly trying to ease the tension and crack a joke. Robbe felt a genuine smile come across his face. He’d been struggling to get one of those to appear as of late.
“Look, I am not gonna sugar coat it. You're a real life asshole.”
“Excuse me?” Robbe responded a bit offended.
“Yeah I mean who breaks up with their boyfriend and has their ex delivered to them within an hour? Kinda of an asshole thing to do.”
“You know what, I don’t need to explain myself to you.” Robbe’s tone had hardened.
“You don’t, but you want to, right? I know because I've been there. Am the biggest asshole I know.”
“So here we are two of the biggest assholes drinking a beer together. Cheers!”
C.J. tapped her beer onto Robbe’s.
Though his instinct was too feel offended by the words coming out of C.J.’s mouth his heart and his head felt a bit of relief finally letting it all out. No matter how ugly his truths sounded out loud.
“Have you ever done something like that yourself?” Robbe questioned C.J. hoping for a bit of camaraderie.
“Not something like that but I’ve put my girlfriend through some serious bullshit. Why do you think I'm in some foreign country driving towards home?”
C.J. pointed at herself, “Total asshole remember”.
“Look Robbe when you're young, a teenager even. You can make mistakes like that and people give you the benefit of the doubt but when you're older everything counts. It's harsh but true.If you keep messing up at our age you become a pariah, a write off, beyond repair, ready to be put out to pasture.”
“But at the same time life’s complicated. People are complicated. Your love story sounds complicated. So ask yourself this, would he really stick by you through the good times, the bad and the motherfucking worse? Because everyone swears they would but in reality that’s not really true. They have no idea how bad it can really get. How bad you can really get. So I’d ask yourself this, would he fight for you? No matter the outcome?”
Robbe just stared at her. He kept wanting to say something but he couldn't seem to construct a sentence. Then it clicked like osmosis.
“You remind me of him, you know. The way you talk. Your whole vibe.” Robbe did a wax on/wax off gestures in C.J.’s direction.
“Who knows..maybe we’re the same person. Do you believe in parallel universes?”
Robbe's head violently spun around. A tidal wave of deja-vu was submerging him. He just nodded in confirmation. Robbe was definitely a believer of parallel universes.
“Yeah I thought so. Kindred spirits and all. We tend to find each other.”
Robbe knew what she meant. It was weird but somehow he felt like they had been here before.
Robbe and C.J. just sat there in silence for a while watching the colors of tangerine and cadmium rouge disappear into midnight hues. Robbe occasionally strumming some chord changes into the air. C.J. humming out some impromptu melodies both go them going back and forth discussing guitar legends that one another should check out. Until it was time for their rendezvous to end.
“I should go. I have a long drive ahead of me tomorrow.”
Robbe frowned a little disappointed. He didn’t want her to leave.
C.J. noticed and pouted in response. Both man and woman giggled into the breezy night. Before C.J. stood up she left Robbe with a nugget of truth as she drank the dregs of what was left of her last beer. Wiping her mouth down on her long sleeve shirt as she finished her drink.
“Robbe……” She sounded somber.
“The world never wanted people like you and I to be lovers. They bullied us into becoming fighters and we’ve been trying to get back to loving ever since. Just look at our past”
“My advice, look out for the small stuff. Signs. You can build a foundation off those. If you’re willing...”
C.J. began to get up from the bench.
“You’ll be fine either way Robbe but if you do have someone worth fighting for I try to protect that from the world. Remember through the good, the bad and the mother fucking worse. No matter the outcome.”
Her words struck a chord in Robbe.
“Promise me if you find that. That you’ll jump?”
C.J.’s dark brown eyes felt like they were pinning down Robbe’s soul down. Holding him to some unknown truth but he couldn’t say no to her.
“I promise” Robbe affirmed.
C.J. smiled and quickly broke the seriousness of the entire exchange.
“Right time to go. This was great. Best one night stand of my life. I didn’t even have to put out.”
“Are you ever just normal?” Robbe teased.
“What’s so great about being normal… am an enigma Robbe.” C.J. began to walk down the wooden sandy planks when Robbe shouted out to her.
“Hey, How do I find you again?”
“You don’t Robbe. This was just a random anomaly. We were never meant to meet in the first place.”
Though normally this would seem like a brush off. Robbe somehow understood the dyadic transaction that had just occurred.
“I guess we’ll meet again in another universe?” He let out.
C.J. stopped dead in her tracks.
She twirled back around, her entire self looking back at Robbe and said.
“I’ll be waiting for you.”
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mythiica · 5 years
Note
A-Z NSFW headcanons for Kiro from Love and Producer / Mr. Love Queen’s Choice please :))
Title: A-Z NSFW AlphabetFandom: Mr. Love Queen’s ChoiceCharacter: KiroGenre: HONHONHONWarnings: MUCHO HONHONHONKinks: all of themIntended Gender Audience: Female Audience Word Count: 1379 wordsPOV: second personOther comments: WOW okay this was fun af to write – some things are pretty short, but others might have more detail! 
A = Aftercare (What they’re like after sex)
Wants cuddles and will give you massages, even if you don’t ask for it
Depending on how tired you are, he will draw a romantic bath for the two of your to share 
The bath would be complete with candles and epsom salts 
Kiro praises you continuously and gives you many kisses as well
Ready to offer you something from his collection of snacks (somehow hidden under the bed?)
B = Body part (Their favourite body part of theirs and also their partner’s
He takes pride in his hair, how fluffy it is, and deep down he likes to see the blond bouncing as he fucks you because it is a measure of how hard he’s going 
Kiro knows that he looks cute, but he’s got a devilish side as well when he can show off
Safe to say that Kiro really can’t pick a favorite body part of yours because he loves all of you
Perhaps he is impartial to your soft lips, especially when they are slightly swollen from sucking on… well you know what
C = Cum (Anything to do with cum basically…)
Gets all giddy when he cums on your chest, it probably makes him hard again to see the white dribbling down your chest
He’s got natural charm, but likes it when you ask him to cum on you
D = Dirty Secret (Pretty self explanatory, a dirty secret of theirs)
Has fantasized about taking you on set props 
Like a throne he had for a music video: plus and red, he wanted to lay you over his lap and finger you as you grinded against the velvet 
Considered doing it, but decided it probably wasn’t sanitary (and would leave stains) 
E = Experience (How experienced are they? Do they know what they’re doing?)
He might seem like he doesn’t have experience, but he knows his way around certain toys 😏 
Kiro has had sex before, a few attempts here and there, but he is often busy with work anyways 
F = Favourite Position (This goes without saying. Will probably include a visual)
You sitting on the edge of the bed, legs spread, him thrusting into you as you lean back
He likes it when you wrap your legs around him and hold him close 
Anything that allows him to see your face is amazing, but will occasionally opt for doggy style
G = Goofy (Are they more serious in the moment, or are they humorous, etc)
Goofy boy or serious daddy, sometimes there is no inbetween 
He will crack a joke if there is a not-so-sexy sound
Expect tickle fights to turn into sex, and sometimes visa verse
When he does get serious, he’s in The Zone™
H = Hair (How well groomed are they, does the carpet match the drapes, etc.)
Ultra groomed and matching! 
Has made jokes about dying it different colors though (please no, Kiro)
I = Intimacy (How are they during the moment, romantic aspect…) 
Kiro considers sex to be really intimate with you 
He pushes everything else out of his mind, whether it is something about work or the future, he wants to be in the moment and share it with you
The romantic aspect can be super heightened, but he sees “casual” sex (no fanciness added) to be just as special as going full out with special things 
J = Jack Off (Masturbation headcanon)
Has become the master of getting off quickly because his day is scheduled to the minute 
Quite enjoys getting off in the shower: any mess is cleaned up quickly, temperature play is fun to do, and feels twice as awake after doing it
Won’t really take the risk of doing anything where he films unless he can’t resist 
K = Kink (One or more of their kinks)
Cosplay: especially if it’s one of his favorite characters or you’re wearing something of his, very much a turn on and he likes it
Kiro indulges in buying cheap cosplay outfits and dramatically rips them apart to expose your body
L = Location (Favourite places to do the do)
Bed - feels the most ‘at home’ and comfortable because he can focus on you and you alone; also considers how loud its creaking as a measure of his strength 
Occasionally his dressing room (if you convince him) 
M = Motivation (What turns them on, gets them going)
Motivated by you
Not much else to say that Kiro loves you and fantasizes about you often, so any opportunity to do the do with you is something that will motivate him to finish his other work faster
N = NO (Something they wouldn’t do, turn offs)
Would never want to do something you are not comfortable with
The first few times the two of you are intimate, Kiro is constantly making sure that you feel alright and are not in pain
O = Oral (Preference in giving or receiving, skill, etc)
Is down to give or receive, but has a special place in his kinky heart for giving 
Kiro may be known for singing, but hearing your voice when you cry in pleasure because of what he’s doing– it makes him so happy (and hard) 
P = Pace (Are they fast and rough? Slow and sensual? etc.)
Depending on what type of sex it is, Kiro can go fast and hard or slow and sensual
If you’re particularly into one or the other, just ask! Kiro is understanding and will give you what you want
Q = Quickie (Their opinions on quickies rather than proper sex, how often, etc.)
Impartial per say
If the mood is set, but there is not a lot of time, Kiro would not be opposed to having a quickie
Usually happens in his dressing room or a nearby closet
R = Risk (Are they game to experiment, do they take risks, etc.)
Probably too shy to do something ultra risky publicly
If it’s experimenting with toys or different positions, Kiro will be very excited to try things!
S = Stamina (How many rounds can they go for, how long do they last…)
Depending on what he did that day, Kiro can give up to 2/3 rounds of oral, or a full out session where he uses all of his energy
T = Toy (Do they own toys? Do they use them? On a partner or themselves?)
Kiro has a few toys that he knows how to use on himself, but he wants to learn how to use them on you
Wouldn’t mind you using it on him, but might ask for it in moderation
U = Unfair (how much they like to tease)
When Kiro gets into his Serious mode, he can be very unfair and tease you a lot
Teasing can be in the form of edging or simple dirty talk teasing
V = Volume (How loud they are, what sounds they make)
Vocal baby
Whether he is subbing or domming, topping or bottoming, Kiro tends to make a lot of noise
Depending on what is happening, Kiro can moan, groan, mewl, pant – it’s a colorful array of sounds, all showing the pleasure he is experiencing 
He likes showing off vocally because it’s a measure of the pleasure he’s feeling
W = Wild Card (Get a random headcanon for the character of your choice)
Kind of enjoys it when you roll condoms onto him (more so than him putting them on himself)
Makes him get all giddy like oh yes we are doing this
X = X-Ray (Let’s see what’s going on in those pants, picture or words)
Picture-esque cock, pretty pale but with a blushing tip 
Not super veiny, but slightly above average length + slim
Has a pretty pronounced (and sensitive) ridge
Y = Yearning (How high is their sex drive?)
Medium to high sex drive but you can boost it by doing something that turns him on
Would consider it a treat to spend a fully day just having sex on and off 
Z = ZZZ (… how quickly they fall asleep afterwards) 
Probably takes a while to fall asleep usually, but of course it depends what happens during a session
If he worked all day and then made love to you, expect him to pass out quickly (without meaning to) but he will 100% nuzzle against your touch even in his sleep
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inknose · 4 years
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mdzs read diary part IV, the end
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It’s inspiring how much self care wwx is gonna finally get now that his husband will go along with whatever he does, so he’s gotta look out for lwj’s well being if not his own. that is emphatically the STUFF
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dragging my hands down I face as I read this, after all these chapters of getting up close and personal with ghouls bleeding from every orifice, slaying ancient beasts, rebelling against the entire cultivation world, the two of them are absolutely paralyzed by middle school crush sleepover math
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chicken
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he actually drew kissy doodles .... he....
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IDK I THINK I JUST DOCUMENTED THIS PART CUZ I WAS STILL SCREAMING you cant expect me to have very useful things to say at this point
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this is torture you are both so mushy you are so GONE
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This part really stood out to me, it’s an attitude I feel like wwx implies with his inner narration a few times but most clearly says here: he’s not one for allowing himself to exaggerate how bad his circumstances are/could be even a little bit - he’s already lived through some extreme low points and found a way to keep going, so he never makes sweeping statements about what he couldn’t live without (Inner JingYi: you’re supposed to say you’d be lost without him here!!!) Instead he seems to accept as a given that being alive doesn’t guarantee him any pleasantness or joy at all, and as a result his feelings toward being in TRUE LOVE are surprisingly pragmatic, but also colored with such gratitude. There are a lot of things in the novel that struck me, like this, as being just a little to the left of familiar tropes/sentiments, and were more touching for it. Whether it be the influence of culture difference as opposed to what I’m used to reading in most western romance stories, or MXTX’s unique outlook, or a combination of both, it was really refreshing and made me pause over it. Not “I can’t imagine living without you” but “I could be living without you, but instead I get to be with you and I think that’s the best thing that could happen.”
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ADJFDKFJ THE UST BEING SO STRONG THAT EVEN THE VILLAIN COMMENTS ON IT IN THE MIDDLE OF EXECUTING HIS EVIL PLANS IS ONE OF THOSE THINGS THAT WILL NEVER FAIL TO MAKE ME LAUGH MY ASS OFF. hes like god damn! here I thought I had problems
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it was at this moment that I realized we were doing this Now... I’m still recovering. What a scene. I am so glad I saw the most incredible fanart soon afterwards, bc the fact that someone has already drawn a perfect comic of this part means I don’t have to
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I love you so much, you are so annoying, you are perfect... I like how he’s been experiencing openly requited love for all of ten minutes but he’s already figured out how to weaponize it to piss people off
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doing!!! his!!! job!!!!!
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ahh... it’s a really good story. JGY is a great character. One of the most interesting differences for me between drama watching vs. novel reading experience is that without an actor to bat his vulnerable doe eyes at you and smile faintly with his cute dimples, the book does not go much out of its way to try to lull the reader into a false sense of security around him or *endear* him to you the way the show does. But just by seeing events through wei wuxian’s POV, its still enough to evoke pity or understanding towards him. The overall impression is a bit more detached though, there’s less emphasis on the spectacle of how he could manipulate everyone closest to him and more of a general feeling of resigned tragedy that everyones the worst on this bitch of an earth.
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I CANNOT DEAL WITH YOU FOR EVEN ONE MORE SECOND!!!!
I clearly paused to take note of less and less parts at the end & the extras due to: a) too excited to reach the end b) too spicy to photograph and c) too sleepy cuz I kept reading in the middle of the night. but I absolutely took the time for Bro We Are Teens appreciation corner:
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I’d absolutely read 40 more extra chapters of their monster-of-the-week field trip antics.
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god... poor Jin Ling now basically has to deal with divorced parents that talk shit about each other to him whenever he is saying with one of them. except they are both his uncles. just a disasterhood of all uncles from start to finish. AUUUGH wei wuxian and jiang cheng have fucked me up completely, I dream of them reconciling but I also REFUSE to believe it would ever be easy. let me know if theres a fanfic that absolutely tortures you for decades before they hug
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HAHAHA oh no this man ain’t making it to immortality thats for damn sure. HE’S JUST GONNA TRY AS HARD AS HE CAN HIS WHOLE LIFE NOT TO LOOK AT HIM BUT THEYRE *MARRIED* SDLKFJSF ohhhh it’s too funny, like... the mundane domestic family drama IN the fantastical swords and sorcery setting is what really ratchets up these things from amusing to fucking hilarious I think
aaaa the end... final random thoughts? No not final, I would like to please keep discussing at length and exhaustively, all the time please - CQL has gotta be one of the best TV adaptations I’ve seen. ANY adaptation of anything would be lucky to be so good!! reading the novel has just made me appreciate it even more.
- I don’t think I can do justice to what I find most fascinating about comparing the two versions briefly, to do that I need to get drunk and ramble at my friends for hours but... the condensed version is something like this. Really all the significant differences between the two versions (besides the ones which can be attributed to censorship and therefore aren’t worth discussing) are a side effect of the structure of how the story is told - there’s barely anything changed arbitrarily. Aside from having a cold opening, the drama sticks to a very linear version of the story, and I think for a TV show or film, that’s probably the best way to do it. We see everything, we get shocked and tricked and betrayed and surprised along with the characters, we feel the biggest impact at the climactic scenes having experienced all the build-up. The novel on the other hand is not only much more non-linear in WHEN we learn bits and pieces of information, but that information is also obfuscated under wei wuxian’s multiple layers of Unreliable Narratoritis, which are as follows: 1) difficulty remembering things because of personality/avoiding painful memories/actual memory loss, 2) No Homo Goggles still on, and 3) a wry sense of humor that makes the reader unsure of how much they can trust his attitude toward things, especially near the beginning. The experience of reading is a puzzle the reader has to mentally piece together through all of the above listed camouflage, and the puzzle itself is a three-sided mystery: One - How Bad of a guy was Wei WuXian really, and how exactly did all the bad stuff in his life go down; Two - wangxian epic pride & prejudice gambits; Three - political murder mystery. (I love stories like this btw... though I fully admit I’m glad I watched first this time bc it might have taken me a long time to tackle otherwise.) Because of this, where the drama wants to pull you in and submerge you in all the most potent emotional parts, the novel in direct contrast deliberately side-steps around these things and asks that you hurt yourself by filling in the blanks. In fact the more intense emotions and painful memories involved, whether it be his relationship with jiang yanli, his DEATH, the darkest days of war times etc, the more the novel evasively withholds details. I actually really like both styles of storytelling but each one is obviously way better suited to its medium. ANYWAY.... THATS BASICALLY WHERE MY BRAINS AT WHILE IM READING GAY SWORD WIZARD BOOKS
- The extras are so saturated with domestic married bliss that it’s a good thing I stopped taking pictures because I’d just take a picture of every page. this is too much for me to take... I did jump the gun a few times and read a few fanfics while I was still mid-read of the book (I tried to hold out but alas I am mortal) and at one point after finishing I was like “wow what fic was it in where lwj says something cute and wwx kisses him in public but they’re in the corner of the restaurant so no one really sees... OH NO WAIT that was actually in there.” and ... and that’s the LEAST OF IT... *stares into the distance* theyre married wow
- I ofc couldn’t help but see a few vague blogs beforehand so honestly I was braced for something like, wildly ooc for the sake of porn to happen in the extras... I definitely appreciate how the incense burner porn interludes could be uhhh a lot for many people and not my personal cup of tea in terms of smut however [here follows the words of a poisonous frog who has dwelt her whole life in the rainforests of BL] the concept is also surprisingly SWEET SDFLKJF like wwx sees lan wangji’s darkest mixed-up violent teenage fantasies and he’s just like aww babe you had a crush on me!! just... good for them
- I swear I’m not gonna rehash every cute married thing they do but wei wuxian grading papers in the tub........................rEALLY GOT ME
- I want to Draw - ok thats enough if I keep going I’ll just write “wei wuxian grading papers in the tub” seven more times probably
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shenlongshao · 4 years
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GGS Redesign Analysis: Millia Rage
This is super long overdue, but welcome to another part of the GGStrive redesign analysis! Last time, I did Zato, which can be found here.  Now it’s time to do Millia Rage!^_^ MILLIA RAGE ------------------- “How is it possible she keeps getting prettier?!” and “She looks so gorgeous!” is what the majority of people said after seeing Millia’s reveal trailer. Since she has a few designs in the past, I’ll be talking about each one starting with her look in Guilty Gear: The Missing Link.
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(Here’s a direct link to see it bigger https://i.imgur.com/dR9DBod.jpg) Millia’s initial design has a simple, yet unique and retro type style. The height and width of her collar conveys the traits of being mysterious, distant, and reserved. The short bubble sleeves of her form-fitting, white leotard displays a hint of her feminine and elegant side. Layered over the leotard is a sleeveless, short blue overalls dress with hip-high slits. On her arms is long, fingerless gloves with double metal plates. On her feet is ankle-length boots with blue frontal metal plating. Sometimes, she would try to conceal herself with a long, beige cloak when venturing in public. The primary aspect of her design is her blonde hair, which the majority of it is her Forbidden Beast called Angra. And lastly, there’s a thick, blue headband to compliment her look. Before the events of the 1st game, Millia was an orphan until being raised by the Assassin’s Guild and forcefully given Angra(it hasn’t be directly stated what she lost in exchange, but there’s some implications on what it might be). The style of her black gloves shows she’s combat ready while the style of her clothing tells of her valuing the aspect of able to move freely. Although the training and traits of an assassin has been instilled in her, the blue and white color scheme conveys how much she wanted to get away from that lifestyle. I think this design was good for its time, but I’m glad it was improved in Guilty Gear X. Next is what was her iconic look.
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The concept of Millia’s original design has been kept and updated rather than a complete change. Her long, black fingerless gloves and her ankle-length boots is the same. However, one of the changes is she wears a black leotard underneath instead of white. There’s also the design of her high-collared, short-sleeved dress. It has two buckle straps within her bustline and at the helms along with blue trim. I notice how white is the dominant color this time instead of blue, so l’ll be gathering the color personality traits that fit Millia. Color Personality of White:  https://www.empower-yourself-with-color-psychology.com/personality-color-white.html Having a personality color white means you are neat and immaculate in your appearance, in the presentation of your home and in your car, almost to the point of being fanatical.  You are well-balanced, sensible, discreet and wise. With a personality color white, you are cautious, practical and careful with money. You think carefully before acting - you are definitely not prone to impulsive behavior. You tend to have a great deal of self control.
You are confident, poised and self-assured when at your most positive, but can also be very choosy and fastidious when the mood strikes. You can be very critical of yourself and others (in your need for perfection) - but you try to be fair and impartial as well. You are self-sufficient and a loner - you don't want or need help from anyone. However, you may also experience times of loneliness because of this trait. You may be wishing to create simplicity in your life - perhaps a wish to re-create your childhood, lost youth and happier times in your past life.
You can be quite sexually prudish with your need for self-control and perfection. You hide your flaws from others to give an impression of perfection. You may appear to be shy, but you do have strong beliefs about most things and love the opportunity to air those beliefs. The challenge for you is to be open-minded and flexible and to communicate your needs and desires. Color Personality of Blue: https://www.empower-yourself-with-color-psychology.com/personality-color-blue.html You are conservative, reliable and trustworthy - you are quite trusting of others although you are very wary in the beginning until you are sure of the other person. At the same time, you also have a deep need to be trusted. You are not impulsive or spontaneous - you always think before you speak and act and do everything at your own pace in your own time. You take time to process and share your feelings. You are genuine and sincere, and you take your responsibilities seriously. Having a personality color blue means you have a deep need for peace and harmony in your everyday life - you don't like having your feathers ruffled. You would benefit from daily meditation and quiet time for reflection, introspection and self-discovery. You appear to be confident and self-controlled, but may be hiding your vulnerable side. Being a personality color blue means you are generally fairly even-tempered, unless your emotions take over - then you can become either moody and over-emotional, or cool and indifferent.
You can be rigid - you like to stick to what is familiar to you and it is hard to sway you from your path - you stubbornly do things your way even if there is a better way. You need to have direction & order in your living and work spaces - untidiness and unpredictability overwhelm you. You don't like to draw attention to yourself - you prefer to be in the background. Color Personality of Black: https://www.empower-yourself-with-color-psychology.com/color-black.html You are independent, strong-willed and determined and like to be in control of yourself and situations. With black as your personality color, you may be too serious for your own good - bring some colour into your life to lighten you up - life should be fun. With a personality color black, you may be looking for protection from any negativity that surrounds you. You may wish to create an aura of mystery and intrigue, as in the sexy black negligee. You may be going through a stage of self-denial, not allowing pleasure and joy into your life. You hold things inside and are not good at sharing yourself with others, possibly out of fear. You are methodical in your work, making sure everything is completed as required, down to the last detail. You may have lost sight of your direction in life and are going through a very negative phase. These perfectly describe Millia and like the improvements to her design. Story-wise, Millia was still on the path of severing ties with her teacher/lover Zato and the Guild. But she wasn’t able to fully live peacefully due to Zato’s body got taken over by Eddie. The biggest change is how Zato got revived by the Conclave, which stirs the mixed feelings she has for him and forces her to deal with her feelings and what to do with her life; meaning a change in her design.
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This is the first redesign of Millia’s look that really accentuates her feminine nature and hint of Russian heritage. The style of her hair is different with side-swept bangs and layers extending beyond her cheeks(without Angra, her hair grew to her shoulders). There’s still hints of her previous look with the style of the long-sleeved coat dress she wears. It now has the added detail of decorative button within the orange tie saying “Curiosity killed the cat”(she likes cats and chasing them). She still has the high collar and how there’s a single buckle with a loose strap wrapped around her lower shoulders. There’s two buttons near the black cuffs of her sleeves and helms of her coat dress. Her gloves are much shorter and this time, is white with orange trim. The black leggings and the white, ballerina-inspired shoes displays her elegant side. The Russian style hat has the labels Z1-28 and 13; Z for Zato and 1-28 referring to his birthday and 13 for the years they were together. The most interesting part of of her look is the main color is golden yellow. There’s also some hint of orange, so let’s see what it means for her. Color Personality of Yellow: https://www.empower-yourself-with-color-psychology.com/personality-color-yellow.html You analyze everything, all the time, and are methodical in your thinking. You have a strong independent streak in you, and are selective with your choice of friends, keeping a small group of close and like-minded friends rather than being involved in team events or large social gatherings. You communicate well on a mental level with like-minded people, but can become bitter and sharp-tongued if crossed. With a personality color yellow, you can be stubborn but dislike pettiness and spitefulness of all kinds. You like to think you are intelligent and well educated, with knowledge about many topics. You are a smart dresser and always dress to impress. Color Personality of Orange: https://www.empower-yourself-with-color-psychology.com/personality-color-orange.html You are friendly, good-natured and a generally agreeable person. You are tolerant and accepting of others just the way they are. You enjoy being physically active, particularly in the outdoors, whether it's simply going for a walk, or competing in high level sporting competitions. I love this design for her because of how well it shows her style and personality. My only complaint is it’s way too much yellow, XD. But Millia has went through a major character development with the realization there is some good moments during her time in the Guild, such as people she formed connections with(Zato, Slayer, and Venom). That instead of running from the Guild, she decides to return and vows to be the next leader to reform it. She concludes that a simple, normal life is not what’s meant to be. It’s really basically a poor excuse for her to keep appearing in future games, lol. Thus, it’s time for to have another redesign, which I’ll begin with her face.
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The structure of Millia’s face looks softer with slightly rounder cheeks and smoother chin to emphasize her femininity. I notice how she’s given a distinctive nose shape rather than giving her a standard female nose. The tip is smoother and the bridge of her nose has a elongated curve. The most pronounced feature of her face is her eyes. Not only is it similar to style of the older GG games(like X2), but her eyelashes are thicker. It conveys of her being mature, elegant, and confident. Another thing I noticed about her eyes isn’t the same shade of blue like Ky’s in the previous games. Lighting does have a huge effect on how a color appears, so I did looked at Ky’s under the same lighting and stage; Ky’s is pure blue compared to Millia’s. Next is seeing the rest of her upper body.
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(Link to see it bigger https://i.imgur.com/19919qD.png) There’s some things kept from her Xrd SIGN design like the button that says “Curiosity kills the cat”  and “Z1-28″ and “13″ on her hat. The material of her Russian hat is fur like a traditional one, once again wanting to highlight her nationality. The style of her clothes is drastically different with wearing a formal black blouse with orange trim and the details on her new, form-fitting dress coat. Below the bust area, the printed words on it says “Ivy Traditional”, which is mostly like the name of the clothing brand she’s wearing. There’s buttons from the front beginning from her stomach downward and buckle straps around the sleeves and the outer center on the upper part of the coat. Accenting the look is a orange scarf attached and wrapped around her shoulders. An interesting detail around one of her sleeves is the strap with the tag “P.W.A.B.”(I circled it in the picture). Considering what happened in Revelator(1 and 2), it must be relating to what Millia’s goal is and has a high position. Surprisingly, there’s no full picture of her yet so I’ll have to show a screenshot instead.
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She also seems to have kept her black leggings, but have different shoes. Now she wears high boots with orange trim at the bottom. Millia’s primary color is French beige this time, so let’s look at the color personality.(I had to go to a different site) Color Personality for Beige: https://colorogy.com/beige-color-meaning.html You are modest about your achievements. You can keep secrets and confidences. Your understated and low key persona can fascinate and intrigue other people. You come across as enigmatic as you say little and leave a lot unsaid. You keep your cool even in difficult situations. People are drawn to your calmness and inherent tranquility. You have an indefinable quality that adds to your allure and this can mean you are always or frequently surrounded by admirers. You prefer to play by the rules and being ethical is one of your priorities. You are a true friend and a loyal partner in your relationships. When it comes to friendship, it is not a hectic social life and a long list of friends that you look for or want for yourself. You are happy and content with a small, trusted group of friends. Loyalty is something that comes naturally to you. You are loyal and expect the same in return. You have the ability to grasp new ideas and concepts quickly. You amass knowledge for wisdom and for knowledge’s sake. You are interested in everything that goes on in the world and in your areas of interest. You are much in tune with all that occurs in your immediate environment. You are responsible and dependable. You are introspective and enjoy discovering meaning to your beliefs and way of thinking. When you start something new your intention is always to take it to a logical conclusion. When you become interested in something you burn with ideas and energy to get what you want. You are protective about your loved ones. You are even protective about the welfare of perfect strangers. You may take up a cause that inspires you and quietly do your bit without mentioning it to anyone. Seeing someone else miserable or suffering in some way can cause you emotional distress and take the shine off your day. Refined and sophisticated define your personality perfectly. This reflects in every aspect of your life, your fashion sense, your lifestyle, your behavior and your choices. Even when you encounter difficult, irate or rude people, you may not retaliate, as you believe undignified behavior is below your dignity. You get content with the way your life is and resist major change. You enjoy being in your comfort zone and are reluctant to step out of it to face the unknown and have different kind of experiences. You think of and plan for tomorrow. You have goals and ambitions that you plan to achieve and have a concrete plan in place. The efforts you put in towards achieving all that you want in life are consistent. You don’t back down; come what may, when you really want something. With Millia taking on a high position role and how she wishes to make a positive change in the Guild, wanting to be with her allies, etc. The color beige definitely fits her, especially since it also describes traits she has since the beginning. There’s Venom, whom they used to not get along, but have learned to put the past behind them. Zato, her mentor and the one she loved, whom she still deeply cares for, etc. It’ll be interesting to see how her story unfolds and how she takes on this role. All of Millia’s designs have been great in their own way and love how her Strive design takes it a step further. She’s more beautiful than before(which I didn’t think was possible, lol), her professional and elegant style highlights her personality and growth as a person, and love her striking eyes. I’m really glad yellow isn’t her main color anymore because I felt it was too overpowering, especially with her hair being also yellow. Beige is a much better color and compliments very well. Rating: S + + +  (Gorgeous~!) 
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creaturecarnival · 4 years
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Gogomaggedon Part 1
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If you were a child between the ages of 4-12 in the late 2000s/early 2010s, chances are you’ve at least heard of Gogo’s Crazy Bones. Rebooted from a series from the 80s and 90s, (which we won’t be talking about because I didn’t grow up with them and to be quite honest don’t like them all that much) these funky plastic fellas were sold as collectible figures for kids, and their hyper-stylized chibi charm was certainly hard for myself and many others to resist! They were also intended to be used as pieces for various games, but I think I speak for most of my fellow Crazy Boners when I say that the main draw was the collectibility. For this review, I thought it might also be fun to give them all a rating out of 5 based on how I personally feel about them! I dunno! We’re trying new things! Mixing stuff up! It’s what we do here at Creature Carnival! So let’s get started with this Gogomaggedon because holy shit are there a lot of these little bastards!
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Name: Mosh
Description: Super kind. All the Gogos want to be friends with Mosh.
Ability: Magic Smile
First, we have the main mascot of Gogo’s, Mosh! Every Gogo has a short little description and “ability” which serves to give us a little peek at their personality. Additionally, each Gogo comes cast in at least 5 different colored plastics as well, but I’ll be taking the one they use in the sticker pictures (courtesy of the Gogo’s Crazy Bones Wiki) as the “official” color. In regards to Mosh, the cynic in me really wants to be all, “Boring!! His main personality trait is that he’s nice? Lame!!!” But it’s a kids toy god darnit, and he’s just so gosh-damned cute! I love his little white tummy and his funny head-nubbins and his asymmetrical eyes and big bracket-shaped smile :] He’s just such a lovable whatsit! I would absolutely be friends with Mosh, and he makes for a great face for the franchise. Also, his name seems to imply that he likes to mosh, which is kind of hilarious to me.
4/5
What? Mosh is evolving!
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Name: Moshi
Description: Avoids confrontation. Always brings goodness and peace.
Ability: Peacekeeper
That’s right! Series 2 of the modern Gogo’s franchise is called Evolution, and while I’m not exactly sure of the finer details, basically they just reused all the molds and put different prints on them. Also, the gimmick for Evolution is the fact that half of the 80 Gogos in the series are molded in translucent plastic with embedded glitter. Pretty striking! What’s the Series 1 gimmick, you ask? We’ll get to it, don’t worry! Maybe not in this review, but we’ll get to it! OKAY, with that out of the way, I’m so happy for Moshi’s transition! It’s almost a complete transformation, what with the anime-style face and everything! I honestly find the unevolved form more charming, but I still think Moshi is pretty undeniably cute.
3.5/5
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Name: Nasako
Description: Always cool because he has a special scoring technique.
Ability: Double Fast Hook
Nasako is a funny little boxer guy. That’s really all I can say. Not even his description is giving me anything to work with here, I mean, come on. What does that even mean.
3/5
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Name: Nasoki
Description: Tries to make everyone laugh. Sometimes his looks scare the others a little bit!
Ability: Joker
Now a funny little boxer clown guy, you say? That’s more like it! And with x-eyes and an old-timey one-piece bathing suit no less! Looks like Nasako finally decided to finish Clown College and get his degree! Good for him. Good for him. 
4/5
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Name: Sato
Description: Ready for the fight. Where’s the ring?
Ability: K.O. Punch
Sato is, in my opinion, a much better-executed funny little boxer guy. The absence of any facial features other than a big ‘ol sneer is very charming, as well as the single white star. It’s not clear whether that’s an eye or a marking or what, but I always read it as an eye, and I think that’d be pretty cute.
4/5
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Name: Satori
Description: Always watchful in case action is needed.
Ability: Watchful Eye
Speaking of eyes, it seems one has come to dominate Satori’s entire head! The description tells us that they apparently act as some kind of sentry in case action is needed, but doesn’t say if they ever actually take action. Personally, I like to think they have some kind of eye beam that they can fire like “Beam of 10,000 Fists” or something like that.
4/5
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Name: Okori
Description: Nobody knows what he eats, but whatever it is, it isn’t doing him any good.
Ability: Eating
Okori’s main deal seems to be eating but I can’t really say for sure. Wish they’d made it clearer. He kind of reminds me of a bug-eyed Domo. Remember Domo? I remember Domo.
3/5
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Name: Oky
Description: Maybe some indigestion gave him a mushroom face.
Ability: Fungus Fury
I love how non-committal that description is. Like whoever wrote it was just like, “I don’t fuckin’ know, maybe some indigestion did it. Who gives a shit.” I for one am a big fan of this grumpy ‘gus. Maybe the reason the description reads like that is that Oky doesn’t give a shit either. Do you think his ability is some kind of spore blast or berserk mode or do you think it’s just him being generally aggravated? Even though I love cool special attacks, I find the latter more endearing.
4/5
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Name: Tori
Description: Clever and fun. He likes to be the boss.
Ability: Jumps Walls
I always read that tan shape as a big smiling mouth, but on closer inspection, it’s presumably just a hole in a mask which reveals a very uneasy expression. As far as my opinions on this guy go, he’s cute, but also relatively bland.
3/5
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Name: Racetor
Description: He loves sports and can calculate how to win any race.
Ability: Numeric Memory
This is a marked improvement in my opinion, as Tori has apparently turned into some kind of robot with what I assumed to be a speedometer for a face. However, as the description indicates, he’s some kind of sports statistics whiz, so maybe it serves some other function? Either way, I get the feeling this guy is probably banned from most sport betting circles, but maybe he doesn’t even care. Maybe he’s just satisfied knowing how it’ll all fold out, and he doesn’t need anything else. Pretty sweet design overall, even for how simple it is.
4.5/5
Aaaaand that’s all for part 1! See, there’s 80 of these buggers per series, so I’m gonna have to try and divide this into digestible chunks. It’ll take awhile this way, but let me know what you guys think! Is this a good number to do in a single review, or could I go for more? Or maybe it’s even too many! I can’t really know unless there’s feedback, so I’d really appreciate if you could take this straw poll. It’d really help!
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