#they're going to college??

[caitlynkirammansburner]

YOU GUYS DO NOT KNOW how excited i am for the sixth pjo book. like rick has said himself "It's not meant to be a world-ending adventure, it's just a day in the life of a demigod." it is literally a slice of life canon pjo book with the og trio. and they're just gonna be doing random shit in new york. like cmon

[lotus-pear]

free will is drawing ur two favorite characters together and making them gay

[puppetmaster13u]

Prompt in Memes 5

Once more, have a prompt entirely in memes because I'm too lazy to properly write one right now lol.

[beanghostprincess]

Let Usopp and Nami dress more casual please 🙏🏻

[zarla-s]

I saw this post about how Engie was probably born into generational wealth and I can't stop thinking about it.

[patreon]

[bizarrelittlemew]

calling it right now that season 3 starts like this

[egophiliac]

they're baaaaaack

[nelkcats]

Lost Contact

Danny fell in love with Bruce Wayne in college. If he was completely honest with himself he didn't even know about Gotham or the outside world by that point, he just knew he had to get away from home for a while and complete his studies.

He didn't expect to run into a playboy billionaire who was supposedly very dumb at his college; Danny knew better, he could tell the difference between the act and the real Bruce, someone truly thoughtful, caring and very smart, but no one but him noticed so he didn't say anything.

They became very good friends despite their obvious latent crush and on graduation day Danny was about to confess when he got a call from home asking for help with the GIW. The halfa had no choice but to say goodbye not wanting to get Bruce in his mess.

When he returned to Gotham months later he learned that Bruce was gone, his butler informed him that he would be back but didn't know when and the halfa returned to Amity in disappointment. He decided to take over the Realms for a while and distract himself with all the responsibilities he had been avoiding.

Years later he was called for a college reunion. Danny was very nervous, he hadn't kept in touch with the outside world but his core was still glowing for the billionaire, he wondered if Bruce would remember him.

Despite his plan to confess his old feelings (and pretend they no longer existed), Danny was unable to do anything but look at Bruce who greeted him with a smile and a small child at his side. The halfa grimaced, maybe he was married?

Bruce seemed excited to see him again and exchanged his contact, asking him not to go off the radar again, the halfa felt a little guilty about it. They continued to communicate over the years. Danny noted with amusement how his crush kept adopting children and calling him for a dinner at the mansion.

[edorazzi]

More Thunderbirds Are Go comics! 🚀✨

It's been a while but I've had the first two lying around for months waiting to post a full set! In which neurodivergent John sets off people's AI detectors, gets bullied for his fashion choices, and Penelope battles with her conflicting standards when it comes to Gordon...

[amelia-yap]

I have discovered your Derg AU/Dragon Weiss and I’m very much in love. Thank you 🙇🏻‍♂️🙇🏻‍♂️

glad to hear that! im very much obsessed about her and she holds all my brainworms captive

[a-storytellers-wish]

Zahra & Noor's dynamic as shown in memes

I've always wanted to share how exactly Zahra and Noor pair with each other, and I feel like I can just best explain it by doodling them into memes XD

Admittedly, many of the planned dynamics and interactions I planned for them are inspired by the other Asha/Star dynamics from the other AUs. The third one, in particular, was inspired by the art-focused Asha and the music-focused Star dynamic; and I think that dynamic would be a very fitting dynamic for a story that is also a celebration of what are basically animated musical films.

Also, the idea of both quiet people, one who is shy and keeps to herself while the other who is literally mute, actually have so much to say and are most comfortable at expressing it through art is so cool.

Also the irony of Noor talking in visual language but is more into music and sound while Zahra can talk and sing but is more into visual arts and language??? Yeah I can already imagine an AU where they work together as partners to make an indie animated musical film/show XD

[zehl0w]

Our father who art in genzen

[luxaofhesperides]

Human/Mer AU + Bioluminescent Siren Duke ; requested by @justwannabecat!

The human hadn’t been in his territory recently. 

He wasn’t attached or anything, but Duke had started to look forward to seeing him around. It was equal parts exciting and terrifying to be under the curious, watchful eyes of a human who could so easily be dragged down into the depths. 

He knows he shouldn’t be doing this. He shouldn’t be indulging this human’s curiosity, trying to lure him closer time after time. Holding the attention of any human is dangerous; Duke’s heard the stories plenty of time. He’s seen the damage humans can do even more. 

There’s just something different about this human, who never dives too deep, who smiles at him and leaves little gifts in the tide pools tucked away from the rest of the beach, hidden from sight. Or rather, usually hidden from sight, since this human is the only one to go there. 

It’s foolish, but Duke actually misses his human. 

It’s not the first time he’d been gone for long stretches of time, but something feels off. There’s worry curling up at the base of his throat, making him swim to the surface more frequently. Steph had given him a look when she caught him, but didn’t say a word. She shouldn’t, really, when she’s been sneaking up to the surface for her own human friend, some small, dangerous human with dark hair and hands that speak more than a voice.

He’d seen her, just once, when he had gone up to splash water and his human then swim away.

Somehow, things felt easier back then. Like the horrors of the world couldn’t reach them among those tide pools. 

It’s reached them now.

Duke’s not expecting to see his human when he swims up to the surface. He’s expecting another quiet night, an empty beach, a dark sky with only the moon casting its lonely light down onto him. 

But when he swims up, his eyes go to a figure on the beach instantly. 

Even from this distance, Duke knows: that’s his human.

He doesn’t think before he’s swimming over, pushing himself faster than he’s ever gone before. It’s low tide, so he can’t get as close as he wants and can’t reach most of the tide pools at all, but it gets him close enough. Human and merfolk vocal chords are different; he can speak in water, but can’t make more than a few hums in air, and humans can’t really do anything in water at all. 

His human is sitting with his knees tucked into his chest on the beach. He’s hiding in his clothes, a hood pulled over his head, but he looks up when Duke drags himself onto the sand. 

Duke can see bruises. Dried blood. A stray tear slipping out of his eyes. 

He wants to ask what’s happened? But all that comes out is a low crooning noise. 

His human laughs, a quiet, bitter noise that makes Duke’s chest tighten uncomfortably. “Hey,” he rasps in a low voice. “Been a while, hasn’t it? I hope you’ve had a better time than I did.”

Duke can’t reach his human. The distance between them isn’t great, but it’s too much. He’s already partially out of the water, hands sinking into the wet sand just out of reach of the waves, and he can’t get any farther out. He reaches a hand out, silently pleading for his human to come closer.

The move makes his human soften, some of the hard edge of tension in his body melt away. He gets up and walks into the water, then sits down next to Duke, taking his hand. 

“I missed you,” he whispers. 

If they were underwater, Duke would be able to say I missed you too. Don’t ever go away so long again. But his human is in no shape to go underwater right now, so Duke presses his hand against his lips and hums lightly. 

They sit in silence for a moment, and Duke realizes that he’s never been this close to any human before. It doesn’t feel dangerous. It feels like relief, to finally have his human in his reach, safe from the rest of the world. 

He gives him human another moment, then reaches out and carefully pushes his hood back. His human allows it, blinking at him slowly. Without the shadow of the hood, Duke can clearly see the bruise coloring his cheekbone and the cuts going down his temple to his jaw. His split lip is still red with blood, and what little of his throat isn’t hidden by his clothes reveals more bruises wrapped around the delicate column of his neck. 

Duke ghosts his fingers over each of these injuries, hating how easily humans hurt each other. His human leans into the touch despite how it must hurt, something devastating in his expression. 

Who hurt you comes out as a questioning trill. Somehow, it gets the point across.

“It’s alright,” his human says. “Really. I’m not even that hurt. It’s just been a long few months. We never talk much, so you wouldn’t know this, but I have to fight a lot of people. Perils of being a hero, you know?”

Duke knows about heroes. More specifically, he knows about mer heroes. He’s considered being one himself, but the currents shifted and he ended up more a loner, banding with the other rejects of the city to live in the fringes and help only those who wander out too far from the marginally safer waters within. 

He hasn’t heard of any human heroes, but then again, he doesn’t know much about humans at all. Nothing beyond the stories all parents tell their children to scare them away from the surface, or the horror stories kids tell each other in the middle of the night when they want to scare each other.

He hums again to let his human know he’s listening. His human has such a nice voice. Why haven’t they done this before? 

It’s always been a push and pull between them, carefully keeping their distance but always circling back to each other. Duke would let his human swim with him, and his human would let Duke sit safely on the other side of a tide pool, tossing sea shells back and forth between each other.

They don’t even know each other’s names. 

He wishes, just for a moment, that he could go back in time and do things better. But he’s happy here with his human and he doesn’t want to lose this either.

He’ll just have to make the best of what he has. It’s how he’s always lived after his parents disappeared.

“This really isn’t that bad,” his human says, “I’ve taken worse hits before. It’s just that I couldn’t transform before the attack started, so now my human form is bruised too.”

…Human form? The more Duke hears, the more questions he has. 

Duke hums at a lower octave, placing a hand over his human’s chest. 

His human laughs lightly. “Yeah, I guess we’ve never really talked much about ourselves, did we? I’m human, don’t worry, just not all the time. I… actually, I died a few years ago. But I came back partially. So I’m also half dead still and I can transform into a ghost to fight threats. I’m a hero called Phantom. Actually, Danny Phantom since I was stupid enough to just give out my first name when I started out. In my defense, my brain was still a little fried.”

There is so much he wants to say to that. He tries, and makes a series of low hums and clicks in the back of his throat, staring at Danny (he finally got his human’s name!) incredulously.

“I promise I’m fine,” Danny continues. “It was just a bit rough. As soon as I get some time to recover, I’ll be good as new! And I really did miss you, you know. Didn’t even go home first, just come straight here.”

That’s honestly really sweet. Duke hums again, a lighter pitch, and takes hold of Danny’s wrist and tugs him towards deeper waters. 

“What? You want me to go in?”

Duke nods, already shuffling his way back out of the sand. 

He expects to look awkward during the process. What he most definitely doesn’t expect is for Danny to easily pick him up and walk them both into the ocean.

Listen. Duke is not a small mer. He’s big. He’s got a long, heavy tail and wide fins going down his back, his forearms, and the sides of his tail. It’s a struggle for him to fit into seaweed nests with his friends during the colder seasons, often left to balance on the edge with his tail hanging out. His friends struggle to pull him through the water with his weight. His parents weren’t able to hold him much after he started growing.

None of this matters to Danny, who acts as if Duke weights nothing at all. 

To his great embarrassment, his fins flare in appreciation for Danny’s strength. He was not expecting a human to be so strong, but Duke’s not about to lie to himself and say it’s not attractive. 

He trills to Danny, who laughs again, then falls into the water, taking them both under. 

Duke doesn’t hesitate. He grabs hold of Danny and swims them further out. He stays close to the surface so Danny can rise for air as needed, but he makes no move to leave Duke’s side even after a few minutes.

He glances back, concerned, when he sees that Danny is watching him with dark eyes, not breathing at all despite being conscious.

Danny holds up a finger and closes his eyes. Two rings of light appear around his waist, then split apart and pass over his body. Instantly, Danny’s body becomes lighter, as if Duke’s hand is grasping at a current on the seabed. His hair turns white and his eyes glow from how bright of a green they are, but there’s something inhuman about his features now, something that makes him look different beyond just physical features. 

Well. Danny did say he could transform.

Now that they’re underwater, Duke can finally speak. The first thing he asks is, “What was that?”

Danny grins at him. “That,” he says, speaking with ease as if he’s not underwater at all, “was my transformation. And this is my ghost form. Quite the look, isn’t it?”

“You can talk down here?! Also, hi, my name’s Duke. Since I never introduced myself.”

“Ghosts can do a lot of things,” Danny answers with a cheeky grin. “It’s nice to finally know your name. I’ve been calling you glowfish in my head this whole time.”

“Glowfish?”

“Yeah. Because you, you know,” Danny gestures vaguely at him, “Glow.”

Duke glances down at his back fins, which are indeed glowing. They flare a bit from embarrassment, which just makes the dots of light lining the fins more visible. He doesn’t glow a lot, keeping a tight hold of that ability, but sometimes it comes out anyways when he’s feeling especially happy.

And apparently, he’s always very happy around Danny. 

It’s a good thing Danny doesn’t know what that means, because if anyone of his friends found out, they’d laugh at how obvious he’s being. Drawbacks of being somewhat bioluminescent: anyone familiar with mers who have this feature know exactly what the glow means. 

“Right,” he says just a beat too late. “Well, now that we know each other’s names, can you tell me how you really feel? Those injuries didn’t look too good.”

“It’s fine, really! I take harder hits all the time.”

“That doesn’t mean it doesn’t hurt.”

Danny doesn’t answer for a long moment, then sighs. “Yeah. It still hurts.”

“Stay with me for tonight,” he says. “You’ll be safe. You can rest and heal and I’ll keep you safe from anything that comes looking for you.”

“You don’t have to—”

“I want to.”

Danny doesn’t put up much of a fight. He must be exhausted. “Yeah, alright. Take me away, Duke. You know, this is like those stories about sirens luring sailors down into the depths.”

“Well, I am a siren.”

“Wait, really?”

“Yeah. I take after my mom. She’s the one who taught me how to sing.”

“I guess it’s a good thing we’re friends so I don’t have to worry about being dragged down to my watery death.”

Duke snorts. “Good thing you’re already a ghost then. Not much I can do to you down here.”

He swims down, heading towards a small cavern in a sea rock that he’s claimed as his own, leading Danny into it. The light from his fins illuminates the entrance and the rocks within, a narrow passage that goes in for a few meters before opening up into a larger space full of carefully tended to seaweed and starfish decorating the walls. 

There’s a nook tucked away in the back wall where he’s set up a seaweed bed, the plant braided together into something more solid. It’s big enough to fit his tail, which means it’s big enough for him and Danny. 

“Here,” he says, helping Danny down. “Get some sleep. Then you can tell me about what happened in the morning and we’ll take it from there.”

“I’m glad you’re here Duke,” Danny whispers, curling up on his side.  He holds Duke’s hand, twining their fingers together, and it’s as nice as it is strange to feel how cold Danny is in this form when he was so warm as a human. 

“I’ll always be here for you. You just need to come back to me.”

Danny hums, but doesn’t answer. It’s alright; Duke’s used to his loved ones leaving. He knows he can’t make them stay. All he can do is hope they return one day.

It’s been a long time since he’s had anyone in his home. There’s a communal cave where his friends stay that he visits when he gets lonely, but this place used to be for his family. Now it’s just him.

Him and Danny. 

The last time there was song in these walls, his mother was still around, singing him lullabies. 

Looking down at Danny, curled up and so strangely fragile looking, Duke feels the song build up in his chest. It slips out in low, soft notes, an old melody passed down through generations of their family. 

He sings Danny to sleep.

He sings and sings and sings until all his nightmares are soothed and dawn is almost upon them. 

It’s all he can do, so Duke sings and hopes it’s enough to keep Danny close to him for just a little longer.

[okayto]

Woman storms into the library this afternoon, demands the students working the desk tell her if we use this one digital resource (database?), and if we don't then she's going to protest!!!

We do not, in fact, use RandoQuest 9000, and the woman is staring at the student worker like she's trying to set the worker on fire.

Is she a student? No. Alumni? Employee? Any relation at all to the college? No.

Isn't there someone who can assure her that we will immediately begin using RandoQuest 9000?! Student worker calls the current reference person. Gets as far as "There's a lovely woman here named Renee—" before reference person sighs heavily. "Tell her no. She's already emailed the director multiple times."

She demands to know where the next nearest college library is before leaving. Without protest.

[tricoufamily]

geoffrey's parents, the osters, betty and ralph

[thatstoomanysausages]

My favourite activity to indulge in recently in non-stop binging The Crane Wives' songs, especially the new album, and tallying how many times I can somehow link the lyrics to Desert Duo.

At this point it might be a talent of delusion, and I am winning.

Here is a list of lyrics in the newest album that I am particularly delusional about (it's long. It's 2am)

(btw it's every single new song. I am tired as fuck)

Scars:

"All the love, all the kindness, all your best-laid plans/Couldn't stop me from becoming the way that I am" (3rd Life reference referring to Scar inevitable turning red despite all of Grian's plans to keep him alive and safe)

"A fatal fault at the start/Tell me it's inevitable that I'd end up with scars" (3rd Life, when Scar is quickly killed in the beginning by Grian)

"Nothing could have been done/Is that right?" (3rd Life. Conversation between Grian and Scar after the creeper prank)

"Nothing could have been done" (3rd Life. After Scars falls to red)

"Nothing could have been done/Is that right?" (3rd Life. After Grian kills Scar with his own bare hands)

"End up with scars from falling/Down, down" (3rd Life, Grian's final death via suicide)

"We were always meant to fall apart" (Not even one specific series. Every single one of them actually.)

Bitter Medicine:

"Are you ashamed of me, or did you buy what I'm selling?" (3rd Life reference about Scar's scamming nature and Grian's disappointment that hides the fact that he's charmed by Scar. Every. Single. Time.)

"Made my bed but I'll sleep anywhere, anywhere" (Wild Life reference. I think we all know. Pillows smelling like waffles? Yeah.)

Higher Ground:

"I gave up the truth and now I can't take it back" (3rd Life. Grian telling Scar that he was the one that brought the creeper over. Or. Double Life Grian if he ever told Scar about his Secret Soulmate. OR. Wild Life, Grian telling Scar literally anything about the wildcard)

"I didn't wanna hurt anyone" (Oh.)

"The corvids are calling/Warning the forest a predator is approaching/Am I in danger, or am I the threat" (Grian is often characterised as a corvid if not a parrot. Basically any scenario in Wild Life where Grian is warning Scar about the wildcards despite the fact that he is at fault of making them happen)

Predator:

"What were you thinking?/Shouldn't you know better?/You opened a door for an apex predator" (Any scenario in which Scar welcomes Grian into his home and doesn't think twice about the danger the other could be harbouring. His trust for Grian is unimaginable)

"I keep forgetting the lessons I've learned/So I keep getting hurt" (Before Scar won, he never remembered what had happened with Grian, so he went back to him for safety multiple times, teamed with him, didn't mind his company, not knowing the dangers that Grian represents just by existing)

"Your heart is a nasty place/I'm afraid to say no to you" (...Yeah)

"Keep your lies and your denial/I am fighting for survival/My heart is a changing shape/What if I said no to you?" (DOUBLE LIFE DESERT DUO TAKE ME HOME. The 'changing shape' line implying that their soulmates could change their soulbound partners if they really wanted to, and could adapt to being with another if they desired it)

"You took advantage of another anxious people-pleaser" (I can't keep doing this. Honestly, depending on your point of view, this could go either way for them in varying seasons, they're doomed in every universe)

"I keep forgetting that you wont learn/So I keep getting hurt" (And now it switches to Grian on this paralleling line. He forgets about Scar's undying loyalty and falls into the trap of his safety every time, only to come out hurting him or not protecting him like he swore to in 3rd Life. This line goes so hard)

Say It:

"Say it/If it's over, say it/So I can move forward/Please don't leave me in the dark/Praying for a wayward spark" (This whole chorus screams them. They won't communicate. They never officially separate from one another, always somehow intertwined, but neither will finalise their allyship. I need therapy)

"I'm haunted by your tenderness" (3rd Life Grian traumatised by the half-hearted hits Scar was giving because he was letting Grian win, he never wanted to fight, he felt Grian deserved to win because he had done so so much for him. He was completely smitten)

"And if we meet as strangers again/Would you refuse to meet my eyes?" (Grian internally questioning Scar after he killed him in the 3rd Life finale, harbouring more guilt than he can comprehend, literally)

"You know I'm loyal to a fault" (Scar and Grian interchangeably in 3rd Life...)

"I will sit here waiting/Waiting for the axe to fall" (Scar submitting his life to Grian after they are left the last two alive. And also, if you're insane for Treebark, there is a glaringly obvious implication of Martyn feeling incredible guilt after axing Ren down to red, even if he asked him to.)

Mad Dog:

"Keep looking for the end of the tunnel/Never seems to get any closer" (The two waiting as winners for the games to end and alongside it, their suffering as well. They will never be free from circling around each other, over and over and over again)

"We both know the ship is gonna sink/But I keep reaching for the shore/Never seems to get any closer" (They both keep reaching towards each other, knowing that they will never truly be able to be together, especially after the first time where they did, and it ended horribly for them)

Arcturus Beaming:

"My sanctuary to worship the pain" (References the panda sanctuary that Scar built to help the soulmates heal their bonds, only to never complete its purpose with the two that needed it the most, ironically including the one that built it)

"And I am tired of forming a cliff face/Inside of my chest now" (Grian remembering jumping off of Monopoly Mountain and the weight that it now burdens his heart with. This line is diabolical with the right context)

"I'm grieving all that I gave" (Both of them grieving the sacrifices they made for one another, their sacrifices only making their relationship more strained overtime)

"A mirror image of us here, but they're pointing up at our sun and/Asking themselves/What exists beyond, beyond, beyond, beyond?" (Other versions of themselves in different life series looking at their 3rd Life selves and wondering what it was like to be so tightly allied)

"But there's still time, it's not too late/Nothing will change until I change" (Grian's attempt at teaming with Scar in Limited Life, savouring the time he had with him before killing him. He will never change their bond, he is always destined to kill him one way or another)

Time Will Change You:

"Planting hearts in a grave/Pray they grow after it rains" (Grian burying all his allies, hoping that as he digs their graves, he can heal their broken bonds, the cracks only caused by himself. This can unfortunately apply to a lot of Grian's allies, but Grian and Scar's relationship tries to heal itself each season)

"Someday/Time will change you/You'll leave behind what doesn't move" (Someday Scar will remember and he'll leave Grian behind once he realises that Grian was never able to move on, and that his heart is still stuck neck deep in the sand where both their bodies laid at the end of 3rd Life)

"Give me a chance to get this right/I'm learning how to let go" (They're learning, but they'll always fail, no matter how many chances)

Black Hole Fantasy:

"There's a black hole in the living room floor/I keep trying to ignore, but it's growing" (Their need to team and interact is overwhelming, and the longer they ignore one another, the larger their need will get)

"If love is just a chemical reaction/Is there a pill to take? Something to quell this ache?/ Is this the real thing or a distraction/Is it worth the risk?/My life would detonate" (Mmmmmm I'm losing it here)

"I'm on my way to your house, I can't wait anymore" (Yeah.)

"My knuckles hesitate an inch away from the door/What happens when it opens?" (They've spent so much time apart and away from one another that they feel fear that the moment they reconnect, it won't be the same as it was in the desert)

"And on the other side is another life/A version of me with a spark in her eyes that I don't have" (Looking back to 3rd Life when everything was simpler and happier)

"You pull me in your arms and I feel your heart pounding/I take a step back to catch my breath/And we look at each other and double over/And laugh, and laugh, and laugh" (Yeah. Just yeah. This whole verse makes me sob)

Red Clay:

(Already I want to make a link to 'red' and Scar's existence in 3rd Life being very red)

"Blistering sun, my sweat soaking my clothing" (THE DESERT???)

"We don't have to do this the hard way" (We don't have to battle to the death bare handed. We don't have to.)

River Rushing:

"I know I can't grow with a hand around my throat/Hold yourself steady/Whenever you're ready" (Reference to their fight to the death in 3rd Life)

This entire song is just a narration of their fight honestly and it makes me violent.