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m1d-45 · 2 years ago

Note

I'm not sure if reqs are open, buy if you, can you please do something like this, but the reader is a teen? (15/16?) (Just like me irl lmao) (sorry if reqs are closed and for my blindness) ._."<3

still too young

a/n: straight up had no idea what to do for this one, so heres a vague assortment of headcanons about it. thank you for your request, and yes, they’re open!

word count: ~1.5k

-> warnings: spoilers for inazuma and the first sumeru archon quests, spoilers for albedo and razor lore, uhh people are unnecessarily rude to you, they kinda don’t see you as a person due to the nature of this situation—not all of them, but a major chunk. they’re simultaneously very obsessive and very lax. bad format.

-> lowercase intended!

taglist: @samarill || @thenyxsky || @valeriele3

< masterlist >

right off the bat, things are going to be a lot different even as they’re very similar. when your main—who will be referred to as the favored for simplicity—finds you in the field, they still behave the same. theyre still going to be convinced that you’re the key to their god’s forgiveness, and though they’re surprised at your age, they don’t miss a beat. you’re too old to be so easily convinced, but you’re still too young to be wise enough to say no.

you’re tucked in the corner, a hilichurl’s club held tight in your shaking grip.

for the sake of this, we’ll say that you’ve been intentionally avoiding them, unwilling to taint your opinion of them. now youre cornered, and you doubt that teyvat can knit the bushes behind you tight enough to delay them. you don’t want to fight them, you don’t, but their weapon was still on display, shining in the early morning light as their shoulders heave with exertion.

they follow your eyes and dismiss it, carefully approaching you. the blessing of their god is lesser this time, but still powerful enough that they’re on the right track.

“hello,” they say, and introduce themselves. it’s useless, considering you know them already, but it’s not as if they know that.

when they prod for your name, you don’t answer, not even to give a fake one, and they frown. you do seem scared.. maybe they should try this from a different angle?

“i’m not here to hurt you,” they whisper, taking another step closer. “i promise.”

you’re too tired to think of resisting.

sumeru

• starting with this one first: no way in hell the akademiya is taking you seriously once it registers

• not a chance.

• the sages are welcoming(ish) at first, willing to allow this version of their savior—for who else could save them from their ‘god’s wrath?—to be… like this, but that must be because you want to better influence the young, right? you want to be relatable? this, all this is because you want to better be able to understand and talk to the newest generation, right?

• they’re like a corporation on twitter. that’s the nicest way to put it

• once they realize, through one mean or another, that no, you’re just young, this isn’t an alteration to your form, you’re being dismissed. you’re not their god, they don’t have to pay attention to you. they don’t have to pay attention to your odd sense of humor and whatever ‘based’ means in your eternally complex context. all they have to do is make you happy and keep you safe.

• (you’re not. to either.)

• to the sages of the akademiya, you’re a means to an end.

• if, by chance, you’re a tighnari / collei main, you’re a lot better off! they’re kinder, protective to a fault. you quickly become commonplace in gandharva ville, and integrate a lot easier. they’re probably two of the few to register you as the actual creator, but that’s mostly because theyre the ones who patch you up most often. it might take a while, but stick it out.

liyue

• more people who will laugh at you </3

• ningguang is the leader of liyue in every way that matters, and i just… i can’t see her taking a teenager seriously. you could lay out a 3-page, mla formatted—not that she’d recognize it—essay with cited sources, but she’d dismiss it all under the grounds of a minor grammatical error in line 4 of paragraph 5. oh, and it’s below the required word count for a report submitted to the qixing, so jot that down. you could use the words.

• in her mind, you’re just another task. something else to take care of, one that admittedly takes priority since you’re from their god, but still. she feeds you, makes sure you have clean clothes and aren’t sick, she keeps you safe, but it’s all hollow. keqing doesn’t care for you all that much—her creator’s on thin ice anyway—and though ganyu is kind, she can’t do much outside of bringing you a bundle of qingxin whenever you’re down(always). to the liyue qixing, you’re an assignment. one they can’t fail.

• if you’re a childe main, i’m sorry.

• if you’re a xiangling main, you have a chance at normality. she’s pretty strange but will be unlikely to turn you in or be harsh about it.

• if you’re a hu tao main, you also have a chance, just do your best to convince her not to bring you to zhongli. please.

• if you’re a zhongli main i’m sorry.

• can’t believe i almost forgot xiao, but i don’t feel i need to say much on the topic except for asking what color you want your shackles to be /hj

inazuma

• WOOO BOY

• R.I.P. to you, you had a nice run, good luck ever being able to leave the tenshukaku. the second the shogun sees you, it’s game over. to her, the people and environment are too inconsistent, too changing, too dangerous for somebody of your caliber. she’ll insist with iron eyes and a steel hand that you’re to stay there, where they can keep you safe. to her, the creator was the ultimate symbol of eternity—after all, what else is constant but creation? what else is certain besides the fact that new life will flourish, live, then die again?

• i’ll be one of the first to insist that ei =/= the raiden shogun, but it still stands that ei was still the one to give the shogun her commands. when she said to enforce eternity, her word was law, and when she says to keep you from leaving, she still carries that weight to her voice. what she says goes, and she says that you are to stay there.

• if you’re a kamisato main, rip.

• similarly, sorry to all the thoma mains.

• kazuha’s technically from inazuma so i’ll put him here: you have the best chance with him alone. the crux seem kind, but beidou is.. close with ningguang.

• if you’re a heizou main… play your cards right.

mondstat

• honestly? your best chance at living an okay life.

• they’re a nation of freedom! that isn’t to say they won’t vehemently press against you leaving the city—or springvale, if you’re smart about it—but you will have the most freedoms. they keep you from the kitchen and training grounds, but if you’re really interested then kaeya and jean might set up a very, very child-proof mock training set up for you. lisa also has a giant library, so guess what hobby you have now. sucrose and albedo may or may not let you watch—from a very safe distance with 10ft of protective barriers—and it’s a toss up as to whether diluc would even let you leave the manor, let alone mondstat.

• albedo mains are royally screwed. like you have a negative percent chance of ending up okay in this certain hyper-specific au. either he’ll keep you for evaluation and minor experimentation, or he’ll find out some way to keep you in the city / monitor your location. as a master(?) of khemia, he has a heavy interest in the creator. if you’re his chance to understanding it, them, and himself better, you are not leaving.

• quick fire: lisa mains have no chance, jean + noelle mains have an okay shot, and amber mains have a ~32% chance, diluc and kaeya mains are on the thinnest of ice. if you’re a diona main i have several questions but the only important one is who do you think she’ll turn you in to?

• if you’re a razor main 1) i love you keep up god’s work 2) you have one of the best chances! he’s not really involved with many people, just pray that lisa doesn’t find out about you. same goes for bennett, though he may be suspicious after a while and turn you in(his bad luck fades when you’re around sorry i make the rules)

• if you’re a venti main…. uh.

550 notes · View notes

misterewrites · 3 years ago

Text

Mystery at the Salt-Irons

Hey everyone! E here with a new chapter! kept you waiting huh? Haha sorry it's been a busy few weeks. Nothing serious but I had to keep starting and stopping this chapter so it threw me off but it's here, it's ready and I hope you enjoy it!

I have some special guests in this story, some ocs made by my friends because you know what I can so I will and honestly, they were really great oc ideas guys. so keep an eye out for @hains-mae and Biz_fantasist OC(I don’t know if she has a tumblr but it’s late so I’ll edit it later)

That's it for me! I hope you are all stay safe, keep your loved ones safe, wash your hands, wear your masks, push to give everyone the vaccine cuz this is getting ridiculous. I hope you have a great week, thank you for reading. I deeply appreciate and feel free to share it with your friends, give me feedback. Reblog and comments all that fun stuff! Thanks and I'll see you soon!

Here’s the chapter over at Ao3

https://archiveofourown.org/works/30599756/chapters/85394095

Here’s the story from the beginning if you’re curious what this is about

https://archiveofourown.org/works/30599756/chapters/75486005

and here’s a list of all my work both original and the various fandoms I write for

https://archiveofourown.org/users/MrE42/works

Summary: Finnrick is called to solve a mysterious case as per his job as the city's only Private Investigator wizard but as he sinks deeper into the case, the more it seems that something is happening behind the scenes. Of course with an old friend in town and dark magic surrounding the case, Finnrick is as busy as ever. Ain't no rest for the wicked.

-----

The Salt-Iron Flats weren’t anything special on the surface: An unassuming apartment complex on the north side of Newton Haven, the only thing most people remembered about the place was how the price tag hurt their souls.

Of course, unlike the general housing market, the Salt-Irons (affectionately referred to by the locals) actually had a very reasonable reason for fetching such a high rate: The salt and cold iron baked into every single brick that formed the building.

If you weren’t in the magical know, you’d think it utterly insane that you’d be forced to pay such a large amount of cash because some weirdo decided to make a new age artistic statement with bricks. Of course, if you are aware of the greater community at large, you’d knew you were paying the insanely large sum because someone decided to make the Salt-Irons the single most protective location in the city.

Most mortals have forgotten their history, their lore and collective knowledge passed down throughout the generations: Why their ancestors used to place lines of salt in front of the door and windows, why the elders always suggested to the braver, recklessly youthful family members to carry iron whenever they ventured through the wild.

Outer beings were repelled by salt and iron. No one really had an idea why fae, angels and demons weren’t fond of salt or iron and there's been plenty of arguing about the subject but all in all the fact remained they did not do well when faced with either.

That was the main reason Finnrick didn’t find himself in the north side of town often.

Well that and the zealous Gate Keepers. Those guys were freaks but between them and the Salt-Irons being the only supernatural community up here, Finn never got a case from the area.

Until today.

The Salt-Irons were great at protecting you from any outside threats that wished you ill will: It didn’t protect you from anything you decided to bring in with you.

It was five in the morning when Finnrick got the call. The M.R.R.D representative didn’t have much to offer beyond the address and floor but he thanked her all the same.

Finnrick yawned tiredly, stretching the tension out of his neck while he sipped his coffee. He let out a sigh of relief as the sun slowly rose into the sky.

The Salt-Irons was a twelve story tall building painted a ghastly pale green that made Finnrick sick just looking at it.

“People are paying how much to live in that shade? I’d ask for discount if I were them.” Finnrick laughing to himself, making his way into the apartment complex.

Luckily the interior was much nicer than the outside: Everything was well kept and cleaned. Not a single speck of dust in sight and the wooden stairs didn’t creak when Finnrick placed his foot on them.

Which was good given Finnrick needed to go up seven flights of stairs.

Finnrick wheezed a little, wiping the sweat from his brow when he reached the seventh floor. He glanced down the hall one way then the other as he began to search for room 707 which basic deductive reasoning suggested should be around the corner.

Finnrick crushed the empty foam cup and tucked it into his coat pocket as he made his way to 707. It was a simple wooden door and immaculately spotless just like the rest of the place. He rose his hand and gently rapped on the door.

No response.

He frowned, checking if he was still alone in the empty hallway and rose his hand towards the door frame.

His eyes glowed with a blue energy as he whispered softly “Revelis”

The door gleamed with a bluish hue for a moment before fading away without a trace.

No protective spells laced over the frame so the only thing Finn had to worry about now if it was locked.

He tried the knob, unsurprised when it swung open silently.

“It’s not breaking and entering if someone’s expecting you” Finnrick justified to himself as he pushed the door in.

He nearly staggered backwards: The air tasted thick and foul like something had been left rotting inside. His skin prickled with anxiety, a chill running down his spine with each step he took further in.

Finnrick took deep, calming breathes while doing his best to ignore the bitter taste that seem to cling the air within.

He noticed the trail of footsteps, perfectly preserved in what appeared to be black dust leading deeper into the living room.

“Hey da! You here?” Finnrick called out, carefully stepping closer “You and ma still married?”

There was a deep grunt of acknowledgment before a voice responded “Sorry son, we’re divorced now. She got custody of you.”

“Well fuck. I guess I’m going to be eating kale and poorly cooked spinach for the rest of my life.”

Garrus Valka was not in fact Finnrick’s father, adoptive or otherwise. He was actually one of the highest ranked officers of the Magical Rapid Response Department: An elf clocking in at 200 years old with richly tanned skin. His bluish gray hair was slicked back in his preferred style. Garrus’s had his back turned to the detective but Finn knew his sliverish gray eyes were deep in concentration as he took down notes about the surroundings. His beautifully inhuman features were marred with a scar on the right side of his face: burnt skin on his cheek, healed by time and various surgeries. An old war wound though Finn never got the full story.

He was dressed in typical M.R.R.D fashion: Dark blue windbreaker, jeans and a blue shirt with the words “Powered by coffee and spite” splashed across the front. His Winchester rifle was slung across his back, ready for any action that may befall the elf.

“Drift.” Garrus greeted teasingly while offering a hand.

Finnrick gave it a playful shake “Da. So is mom here or she trying to smite pigeons again?”

“THEY TRIED TO STEAL MY HOTDOG!” Garrus’s partner Eden screamed from another room “I SHALL BRING MY GOD’S WRATH UPON THEM!”

“You know when they mean justice.” Finnrick called out “I don’t think they mean against winged rats.”

Eden chuckled darkly “You know not their sins.”

“Okay.” Finnrick nodded despite the fact she couldn’t see him “If you say so. What happened Da? Aside powerful necromancy.”

“Powerful necromancy” Garrus replied cheekily “and missing persons.”

Finnrick rose an eyebrow “Persons? More than one?”

“Two: A father and son. Richard Charles and his son Richard Jr. Recluses it seems. Neighbors hardly saw them. Mostly kept to themselves.”

Finnrick pursed his lips thoughtfully “Any magical abilities?”

“They’re not on records if that’s what you mean.” Garrus answered “Never signed up in the academy, not registered with The Council. If they were practitioners they didn’t tell anyone.”

“So what was the spell? I just smell the remnants of spookiness.”

“Hadn’t noticed the rest of the room huh?”

Finnrick frowned before finally getting a good look at the rest of the room: Every inch of the apartment was blanketed with the same black dust that he found in the entrance way. Inches and inches of the substance and that wasn’t the strangest part.

Everything was bent at different and odd angles: chair with crooked legs, the wall clock warped and twisted, the fridge leaning like someone folded it in half. Floorboard reached for the sky and walls split inward.

There was a common misconception about magic. Most people thought spell casters, especially wizards, could command reality to their wills. That magic was capable of impossible feats and it was as simple as snapping your fingers.

The truth was all magic, ranging from divinity to free range nature, was performed on a micro scale. Practitioners did not alter reality but rather shortcut it. Throwing fireballs was as simple as rapidly heating the air until it combusted. Turning invisible was less about vanishing completely as it was bending the light around you to not be seen. Magic was rooted in reality and imagination. If you had the magical strength to perform the magic, the magic often followed your lead.

Of course there were spells that required much more than magical hand and willpower. Powerful magic, like summoning outer beings or raising an army of zombies, required both time and materials. Magic was like any other energy: you needed enough of it to perform what you wanted. The human body could only generate so much magic without dying and resting was necessary to replace any expended in the use of spells. Materials were guidelines for the spell. Feathers for anything with flight, ash for fireballs etc etc.

The other thing needed was to gather energy and store it for the spell’s use. There were different ways to achieve this: Wands, talismans, potions were basically magic soups. The most efficient way to gather energy was the wizards preferred way: Circles.

Finnrick eyed the room closely this time, murmuring under his breath about angles and trajectory. Garrus paid him no mind, well familiar with the private investigators methods.

“If this went like that” he gestured to the wall clock “and that went here.”

Finnrick glanced about, carefully walking about as if worried he was going to step on a landmine.

“Here.” Finnrick found himself staring at a spot in the middle of the room “Ventus.”

He gestured with a hand and light breeze filled the room. It brushed away some of the dust covering floor, revealing the outline of a half melted metal ring.

“What is it?” Garrus turned curiously

“Spell circle. The source of the explosion. I’m willing to bet it’s custom made. Copper, steel. Maybe some bits of tin couldn’t stand the surge.”

“No iron or sliver?”

Finnrick shook his head “That’s for containing or repelling monsters. Necromancy is more about drawing in the evil entities. Or sucking out life.”

Garrus sighed tiredly “Don’t touch?”

“Only if you want to live to see retirement. Might have some pent up magic ready to blow outwards.”

“Understood. I’ll call in our guys. I’ll let you know if something comes up.”

Finn nodded gratefully while pulling out a vial and motioning to the elf “Mind if I do?”

“Be my guest, you might find something we’d miss.”

Finnrick smiled gratefully before scooping up some of the dust and sealing it within the vial.

“Take care Garrus, stop fighting birds Ma!”

“Flying rats!”

-----

The cafe was lively despite being early but that was no surprise given it was Mother’s. Mother’s was the single best food establishment in all Newton Haven and if anyone disagreed, they were allowed to have their opinions.

They were also allowed to be wrong.

Finnrick paused in the doorway, breathing in the scent of well cooked eggs and sweet lemonade. The pop and sizzle of heated grease brought a sense of comfort to the hard working private investigator.

“Finny Drift!” Maddie Copperstone called from behind the counter “How’s my favorite customer holding up?”

Maddie was 40 years young with tastefully curled dark brown hair. Human, little on the short side but fierce. She wore a simple red blouse and jeans, both stained with flour that the apron around her waist did not prevent.

Finnrick bounced over cheerfully, reaching over the counter to give the matron the biggest hug he could muster “I’m good Maddie. Working a case.”

Maddie’s brown eyes searched his face carefully “You always working Finny. You resting as much?”

“Scout’s honor.”

Maddie let out a disbelieving chuckle “You weren’t ever a Scout.”

“Honorary scout after I stopped that bear from eating them.”

“Thought it was a giant raccoon.”

“Yes but people don’t take giant raccoon seriously. He here?”

Maddie clicked her tongue disappointingly but motioned to the booth at the far end of the establishment “Rest.”

Finnrick rose his hand in surrender “After.”

“Never you mean!” Maddie shouted after him.

Amos Frye hadn’t changed much since last he was roaming around Finnrick’s neck of the woods: Handsome with soft gray eyes that reminded Finn of gathering storm clouds. His long black hair was tied in a messy bun held up by a golden pin, a braided strand hung loosely near his face. His beard was much shorter than what Finnrick remembered though he noted the unkempt split ends indicated that Amos hadn’t trimmed it in a few weeks. His iconic dark red sleeveless jerkin and black jean combination would look ridiculous on a lesser man but had allowed the monster hunter to show off his muscular frame. His brown skin was a bit more pale than usual so no doubt Amos had been operating at night lately.

“Finnrick, you cheeky bastard! I am so glad you came!” Amos beamed happily, his various bangles and bracelets clinking together in equally joyous celebration as the two shook hands.

“Amos! Happy to see you.” Finn beamed brightly as he slid into the booth across his old friend “Why though? Family trouble?”

Amos’s joyfully gleam turned dark for a moment.

“No. Have you…?”

Finnrick shook his head quickly “Not a word. Sorry, I hadn’t meant to…”

Amos waved the apology away “No worries cuz. I understand why you’d think that. Coming across the pond isn’t a spur of the moment thing and Os has always been the black sheep of the family. I suppose no news is good news.”

“Right.” Finnrick cleared his throat awkwardly “So what’s the trouble? I doubt you’d call me up for a nip and chat.”

“Rightly so.” Amos confirmed, reaching into the bag at his side and pulling out a folder “Hunting business as usual cuz.”

That made sense: Amos was the latest of a long family whose specialized business was monster hunting. The Fryes had been striking at things that went bump in the night for centuries ever since the first Frye defended the folk of some underground society.

Amos was an average wizard if Finnrick was being generous. That was not a slight against his old friend, it was a matter of fact: Amos spent most of his time honing the physical aspects of his profession which was obvious given the size of his arms. Any spells he knew were purely for defensive or preventive measures so he often communicated with Finnrick for higher quality and complex spellwork.

Finnrick took the folder from Amos and began pouring over its contents.

Most were quickly scrawled notes Amos had noticed about his quarry: Long sliver hairs, canine in nature. Large paw prints found in the areas it had been sighted, far too big to any natural wolf. Wulfvur and werewolf were hastily written and as quickly crossed out. A pattern of hanging out in wild areas, often forests and swamps.

There were pictures too: flashes of sliver, blurs of fangs and muzzles darting in and out of camera frame. It was always a distance away, sprinting deeper into the wildness. It was hard to tell from the photos but Finn guessed it might’ve been 10 feet tall at the very least.

“Why we hunting wolves now?” Finnrick asked curiously.

Amos flagged down the waitress “Contract given to my pa. It was hanging around the marsh lands of the jolly old isles. Someone wanted it gone.”

Something wasn’t clicking with Finn “and you followed it here? From England?”

“Nah cuz” Amos gave a cheeky grin “I tackled it through a portal and found I illegally crossed into America.”

“Ah.” Finnrick nodded in understanding “Fae.”

“Fae?” Amos frowned thoughtfully “I thought that too but I never heard of any snarling wolfie breaking into homes and snatching out wee younglings in them old folktales.”

“Fae are weird.” Finnrick shrugged “Their whole shtick is not making any sense. I had to expel a cat the size of a bus once. Double decker tall.”

Amos whistled in appreciation as he scratched his bread “So fae. Slippy fellow as you can tell. Whatcha recommend?”

“What’s the contract?”

“Banishment. It’s looking like wolfie ended up in the wrong part of town.”

“I think you mean next town over. Fixed a pattern yet?”

“Not yet but I wasn’t looking for one.” Amos admitted “Thought I was tracking some mutant. Fae changes a lot. Magical circles?”

“Easiest way to catch it.” Finnrick agreed “Sliver for sure. Iron would hurt it and based on your files, it hasn’t done anything than thin the local wildlife population. No need to anger mister big bad wolf.”

“Good call. I got some talent to handle a few circles but tracking is not really my speed.”

“I’m on a case but if you swing by the M.R.R.D, maybe they’ll loan you a wizard.”

Amos let out a disappointed sigh “I need to take care this sometime this year Finny. Bloody bureaucracy probably set me back a month at least.”

“There’s always Jaime but she’s pretty busy at work.”

“Jaime huh?” Amos smiled mischievously “I haven’t talked to your sister in a long time.”

“I will curse you.” Finnrick playfully threatened “And not no simple hex either. I’ll make you bald.”

Amos gasped dramatically, clutching at his hair protectively “You wouldn’t dare mate.”

“Shinier than the sun.”

“Okay, okay” Amos conceded “I’m kidding. She’s with Casey anyway. Good couple. Cute couple. He still hopelessly selfless and she still trying to fast track her way to power?”

“Yep.”

“You gonna fix that?”

Finnrick shook his head “It’s their lives. Their choices.”

“Idiots.” Amos chuckled “the lot of them.”

“All you need is love?”

“Spoken true the gospel of my land.”

-----

A few hours later with a brainstorm session completed and a promise to help out the next day, Finnrick left Amos to his work and continued with his own.

It was noon now and as the sun rose high in the sky, Finnrick found himself at the Grimyard.

The Grimyard was the premiere spot for all things magical in Newton Haven: Rows and rows of shops specifically catering to the magic community. The streets were paved with century old cobblestone and the buildings here were various hues of faded brick and mortar. It was easy to get lost in the Grimyard if it was your first time as the Grimyard did not spread out, it stacked downward. Layers upon layers of the Grimyard were actually underground to allow those with issues against the sun to sell their goods and services at all times of the day. Don’t let the dark fool you, anyone with worthy talent or product was here in the Grimyard.

Normally Finnrick would wander around a bit, checking out the various businesses and protective wards around the mile long patch of land but he was on the clock and the sooner he began to figure out what was going on, the sooner he could stop it.

Luckily for him, his destination was right here on the top floor of the marketplace. Specifically furthest back corner.

Knightly Ore was ran by the Knight family. Originally they only sold rare metals and ores which were necessary components for some of the more complicated magicks. At some point the owners expanded into selling more alchemical materials and eventually brewing potions, salves and such for a fee.

Despite decent business, it was the most rundown building in this part of the Grimyard: Broken window shudders with the paint faded down to the original shade when the business first opened decades ago. The humble black door was crooked and creaked whenever it moved

Finnrick knew the owners fairly well but here wasn’t here for them. He was here to see their son.

He pushed past the building, ducking into the alley that led to the lot directly behind the shop.

“Halt!” A voice called out “Who seeks the Brewmaster of the Grimyard?”

“It is I, Finnrick the detective. I got money and I need work done”

The Brewmaster was Theodore Knight, an incredibly talented alchemist who didn’t have the same opportunities Finnrick did: He was pretty tall for his age (14 or 15, Finnrick lost track once or twice) but clearly a teenager given his short lavender hair had a few strands dyed red. His eyes were an unnatural pale blue, paler than the blue of the sky. He wore the usual attire Finn often found him in: A sleeveless dark blue hoodie with a fist sized red gem clasped in front just under his neck and a lighter shade blue t-shirt. He wore black finger-less gloves gripping his brown messenger bag slung around his shoulder. A matching brown pouch hung around the waist of his gray cargo shorts and his brown boots were kept clean despite his place of business was in an alley behind his parents shop.

Theo jumped out from a hidden shadowy corner of the lot “Finn, whatcha got for me now?”

Finnrick reached into his pocket, showing the eager teen the vial that held blacken dust within.

“That’s it?” Theo scoffed, rolling his eyes “I was expecting something…...cooler.”

He took the vial and raised it to the sun. Theo gave it a rough shake and watched it carefully for any properties the strange substance would display.

Theo frowned, clearly unsatisfied by what he saw “You brought me ash? Plain ash? It’s your money but even I think it’s a waste.”

“It’s ash?”

Theo shot the detective a look that screamed how obvious it should’ve been “Yes, ash. Thicker than what I’ve seen but ash all the same.”

Finnrick bit his cheek thoughtfully.

“Look Finn, you know my rates. I dunno what you want me to do but standard fees apply.”

“I’ll paying double.”

The Brewmaster’s eyes narrowed suspiciously “Double for ash? What’s so special about it?”

“Oh nothing." Finnrick pretended to look disinterested “Aside it was taken directly from a crime scene: Necromancy and cast via a half melted spell circle.”

It took Theo a minute to allow the implications of what Finnrick said to sink in. His eyes shifted from suspicion to wild excitement.

“Really?!” Theo clutched the vial like it was his first born child “Necromancy really doesn’t like many alchemy processes. It’s not going to be easy for me.”

“I know right?” Finnrick grinned impishly “It’s almost like I’m going to have to pay double for it.”

“Yeah, you’re gonna have to….” Theo pouted unhappily “Ha freaking ha. Okay smart guy, pay up.”

Finnrick handed over 50 gold. Theo took it eagerly, his eyes lightening up with glee.

Theo paused for a moment, his face turning oddly serious for a teenager.

“It might take me awhile depending on what you want.”

“I want to know what’s in it. Necromancy requires specific ingredients. After that it’ll be easier to track the seller.”

“And the buyer!” Theo blurted out excitedly “Smart.”

Finnrick ruffled his hair playfully “I wish I thought of it. You keep this up and you’re going to run me out of business.”

“I’ll text you when I have something.”

“Pleasure as always Theo.”

“It’s Brewmaster.”

-----

It was 2 in the afternoon when Finnrick made his way back to the Salt-Iron. He stood outside the complex, tossing the remains of his pizza into his waiting maw and crumpling the can of soda he was drinking before tucking into his coat pocket.

“What’s this?” Finnrick asked, utterly confused by the crushed foam cup he pulled from within “Oh right my coffee. I’ve been really at today.”

Finnrick wiped his hands clean and made his way inside the Salt-Iron once more, mulling over the details of the case as he ascended up the stairway.

Blacken ash cast by a spell circle. Both father and son missing with no indication where they went too. Recluses and rarely seen. Necromancy within a threshold.

It was hard to tell how deeply the father and son were involved in spell. Someone who had access to the apartment was behind it no doubt. Spell circles were the most consistent way to cast magic but they took time to build, set and channel energy. You didn’t build a spell circle without knowing exactly what you plan to do with it.

The nature of the magic was also a mystery: Dark magic had various applications and not a single one was good. Finnrick hadn’t much experience with that branch of magic but there was nothing logical about the aftereffects: Ash spread throughout the apartment, clinging to everything like a second skin. There was no signs of an outward blast given that nothing bent in the same direction. Everything in that room decided to twist in whatever wayit felt like. If the spell was supposed to draw in something then chair legs and wall tiles would’ve been pulled directly towards the circle.

“Curiouser and curiouser Alice” Finnrick spoke to no one in particular.

He was on the fifth floor when he noticed something odd.

Finnrick raised an eyebrow as the skies outside the window darken, black and stormy.

A thunderstorm it seems.

Finnrick peered out the window, glancing upwards to see what was going on.

Dark clouds swirled directly overhead. Rain began to lightly drizzle as the skies boomed. Thunder and a moment later lightning trailing across the gathering storm.

A thunderstorm that formed directly above this building.

Without warning.

“Well that’s not ominous.”

Finnrick made the mistake of leaning closer to the window, peering around to see if he could see where exactly the storm was coming from when it happened.

“Watch out below!”

Finnrick noticed three things in that moment: First, was of course, someone shouting to watch out below. Second was the distant sound of claws scratching something wooden, the walls perhaps. Lastly was the thudding of something falling down quickly and towards him.

Finnrick rose his hand, pivoting on his heels in time to see something crash into him.

It wasn’t much of a contest: Both Finnrick and whatever slammed into him broke through the fifth story window and went sprawling into a freefall.

#My story #Mirror's Edge #Original Work #original story

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nicetwin1 · 3 years ago

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Ok, I know people like going over lore, and criticizing characters and sometimes getting really into the story, but like...does anyone else just watch lore streams and just have fun with it? Like, I love the lore, but I don't really like to over think it or go into every character action, or try and see it from every angle. Hell, I don't even care if the lore is a little messy, because i just like watching people have fun. Including the fandom itself.

Like, was doomsday arc a little wobbly sometimes? Sure, but I saw stuff go boom and that was enough to make me watch. Same for the eggpire. Its wobbly, but I just like watching it because I love watching people be annoyed by vines covering their houses, or trying and failing to blow up the egg multiple times.

Or like when the characters interact, I don't really care what's going on because they're all very entertaining in their own ways. I love Technoblade's streams because they aren't all that heavy and I don't have to worry about his character getting hurt or too edgy. He's also hilarious and just fun to listen too. He's great for when it gets too serious.

I also love quackity's lore streams because its interesting to see him rise to power. It's also cool how he can make his actions, (which are dark af sometimes), kinda funny. I also enjoy how he presents his lore like a movie. It's very creative and stands out.

Then you get cute little side stories like foolish building a mansion for ranboo and tubbo, and then the building gets out of hand and he slowly goes insane and starts burning down giant dolls of people, or how George meets a god and the god follows him around for the hell of it, or puffy blows up the community house for the chance for diamonds. Not to mention Karl and his whole time travel plot, which is just so much fun to watch.

Or how Ranboo and Tubbo adopt Michael and they just decide that he's never getting hurt. Or how Friend the sheep had caused so much happiness and sadness by just existing. Like, I love how everyone just feel in love with this sheep, (including me of course.) Then theres steve the bear and Carl the horse, who are all beloved by fans.

I also love how fans interact with the story as well. I love the fact that sometimes we're birds bothering Phil, or voices in Techno's head, or ender particle's for Ranboo. I love that each person has their own way of viewing their fans.

I also love how the diffrent chats are kind of like their own thing. Techno's chat demand violence and blood, but they also demand Techno take breaks and take care of himself and bother him until he listens to them.

Ranboo's chat is weird sometimes, but they also remind him to drink water and go to sleep when he stays up too late. It's also hilarious to see them panic anytime Ranboo mentions enderwalking.

Phil's chat have accepted their roles as crows, and now fly off diffrent chats to bother him anytime something goes wrong, like Tommy's chat flocking to Phil anytime Tommy's in trouble. They also love his wife and get excited anytime they see her, which is cute. I like to imagine little crows bobbing up and down excitedly every time they see her.

Foolish's chat often requests he burn things down, while also going wild over a man dancing In a shark onesie. They also had a marriage arc i think? Idk, they're wild.

I adore Niki's chat, because they are usually super nice and supportive, and are just a pleasure to be around.

I just think that while it's important to point out negative's, I just wanted to talk about some of the good stuff in the fandom as well. Sorry for the ramble.

#dream smp

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kaylorrehabcenter · 4 years ago

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Rating Every Song on Fearless Based on How Gay it is

Hello friends! I still have a few song analyses in the pipeline (and one on Lover the album) but today in honor of Fearless (Taylor’s Edition) being announced and Love Story being released in a few hours I thought I’d do something fun to celebrate!

And you know what? Fuck my usual disclaimer, I am the word of god here. Try and change my mind about any of these. I dare you. (I kid I kid this isn’t that serious and you’re free to disagree <3)

1. Fearless 15/10

Everything about this song is so fucking gay oh my god. This isn’t a fruit, this is a whole ass edible arrangement. As a small rural town Gay (my hometown has a population of less that 4,000 and where I’m living now has a population of 2,500) this uh. Hits.

“And I don't know how it gets better than this/You take my hand and drag me head first, fearless”

Y’ALL

The idea of falling in love with someone who makes you less afraid of your homophobic small town…….it’s getting to me.

“My hands shake, I'm not usually this way but/You pull me in and I'm a little more brave/It's the first kiss, it's flawless, really something/It's fearless”

This is making me emotional, I'll be honest. I see so much of my friends and my experience in high school in this song.

This quote I found on genius is from when the album was released on BMR’s website.

“When I wrote ‘Fearless,’ I wasn’t dating anyone. I wasn’t even in the beginning stages of dating anybody. I really was all by myself out on tour and I got this idea for a song about the best first date. I think sometimes when you’re writing love songs, you don’t write them about what you’re going through at the moment, you write about what you wish you had. So, this song is about the best first date I haven’t had yet.”

This just screams baby Tay writing gay folklore to me, about the gay stories she wish she had. Notice how there are no pronouns in this song??? Fruity I’m telling you.

All that to say. I’m crying because the linear note says “I loved you before I met you” and I want to go listen to Long Story Short and cry now.

2. Fifteen 1/10

Objectively pretty straight as she’s singing about her and Abigail’s dating boys in HS. And Taylor got with a senior guy. Good for her I suppose.

Unless he was one of the shitty ones in which case.

“This is life before you know who you're gonna be”

This however, is a cute line and the whole song makes me warm and nostalgic. You can also hear her crying after the line “and Abigail gave everything she had to a boy who changed his mind” which makes me emo and I’m sure will take on new depth after Abigail’s divorce and hurt me even more.

Other highlights that make me sob include.

“When all you wanted was to be wanted/Wish you could go back and tell yourself what you know now/Back then I swore I was gonna marry him someday/But I realized some bigger dreams of mine”

Bigger dreams of hers indeed :’)

(Also how can you say she’s a gold star lesbian when this song exists. She was obviously dating boys in high school and even if you think she’s a lesbian. Comp het is a hell of a drug kids.)

3. Love Story 8/10

Tried to change the ending indeed.

This is THE Taylor Swift song, and maybe it’s the nostalgia talking but damn I still love it. Written because she wanted to change the ending of Romeo and Juliet (how anyone likes RandJ enough to want to rewrite I have no clue.) and/or because her parents didn’t approve of a guy she was seeing. (according to genius, it would’ve been too early for Joe J so it could possibly be Boys Like Girls frontman, his image did clash with hers and they did release some cute songs together. However if you want my take it’s probably folklore about Emily, take for what you will)

This song has very oft gay vibes with the ‘They don’t approve of our love angle!’ but uses male pronouns so points redacted for that. HOWEVER this is a very early use of ~the male perspective~ in Taylor’s songs and for that it deserves all the love.

“ So I sneak out to the garden to see you/We keep quiet, 'cause we're dead if they knew/So close your eyes/Escape this town for a little while”

More rural town angst!!!

Nothing gets me more than rural town angst.

“Romeo, save me, they're trying to tell me how to feel/This love is difficult, but it's real”

Originally the lyric was “this love is different”. Granted I do not remember the source, i’s just lore implanted into my brain, but make of that what you will.

“"Marry me, Juliet, you'll never have to be alone/I love you, and that's all I really know/I talked to your dad, go pick out a white dress/It's a love story, baby, just say "Yes"”

Marry me Juliet from the male perspective :)

Also worth noting. This is Karlie’s (and Kim K’s lmao) favorite Taylor song which. While basic as hell. Makes this cover sad as hell to this former Kaylor. (thanks @swiftgron-get-married for the tears <3)

Also not to make this about a man AGAIN but the secret message is “Some day I’ll find this” AND SHE DID IM CRYING.

4. Hey Stephen 1/10

The one thing Camilla Cabello and I have in common is loving this song, so I have to live with that for the rest of my life.

This song is very painfully straight.

How can you think this woman is a gold star lesbian.

The only noteworthy thing is that this is one of the few songs she confirms who it’s about. The secret message is “Love and Theft” which is the name of a country music duo who went on to open her Fearless tour. Which, does make me side eye this song a little bit.

Still a cute song.

“Hey Stephen, boy, you might have me believing/I don't always have to be alone”

5. White Horse 1/10

Oh look. It’s track five.

You know maybe this is just me being a bitch but in my ranking of track fives this is. Pretty low. Maybe on the bottom.

Like I don’t have a lot to say about it.

She’s going through it over a guy. He was a cheating dickweazel.

“'Cause I'm not your princess, this ain't a fairytale/I'm gonna find someone someday/Who might actually treat me well”

“Try and catch me now, oh/It's too late/To catch me now”

These lines hit though!!

And she found Joe!! Who treats her well!!!! And she isn’t the princess, she’s the prince who dropped her sword and knocked on her door!!! But this time if they come for them she’s ready!!!

Yes I will make every song about Long Story Short <3

6. You Belong With Me 5/10

Ah yes. The other THE Taylor Swift song.

You know. If I went to a high school with a cheerleading squad. And I had a crush on a cheerleader. I would blast this song. So for that it gets a 5/10. Otherwise. Fairly straight and fairly iconic.

7. Breathe 8/10

Well. We know this one is about a woman. (Emily Poe for those not in the know. Ha. A rhyme!) That alone has an 8/10. And it’s the first time she has a featured artist so bonus points for that!

It was nominated for a Grammy and it fucking lost to Jason Mraz. When’s the last time you thought about Jason Mraz.

I will not have Kaylor feels on a fucking Fearless song but damn is it VERY easy.

“Never a clean break, no one here to save me/You're the only thing I know like the back of my hand”

“It's 2 A.M, feeling like I just lost a friend/Hope you know it's not easy, easy for me”

Also this bridge? Goes off. HIGHLY underrated.

8. Tell Me Why 3/10

You know. Maybe this album isn’t as gay as I once thought.

This song does bop though, not as good as her other angry songs on this album. But I can vibe with this you know. Why are you being an asshole mysterious man.

“You could write a book on how to ruin someone's perfect day”

This has to be one of baby Tay’s best burns. Damn.

“Why do you have to make me feel small/So you can feel whole inside?/Why do you have to put down my dreams/So you're the only thing on my mind?”

Men ain’t shit kids. However, bonus points for the shade.

9. You’re not Sorry 1/10

Ok, ok. Maybe this was a foolish endeavor.

Because yet again we have a very straight song. A good song. That was on Taylor’s episode of CSI. But oh dear. Very straight. Gets a measly one point. We started this post off so very very gay but damn. We seem to be nearing the end on a very straight note.

10. The Way I Loved You 20/10

Hey Remember what I said about this album being very straight.

WELL THAT WAS A LIE.

Is this a comphet album or am I projecting.

This is one of my favorite baby gay Taylor songs. Her masterful use of pronouns (he is sensible! And so incredible! And all my single friends are jealous! But I miss screaming and fighting and kissing in the rain, when it was two am and I was cursing your name!) makes the other person she’s singing about completely vague, while we know she isn’t happy with whichever guy she’s dating.

Mayhaps an early reaction to PRomances?

Either way this song is so good, truly an underrated gay gem I mean. Look at it.

“Breaking down and coming undone/It's a roller coaster kind of rush/And I never knew I could feel that much/And that's the way I loved you”

AND THE BRIDGE. Do all of her gay songs just have kickass bridges?

“He can't see the smile I'm faking/And my heart's not breaking/'Cause I'm not feeling anything at all/And you were wild and crazy/Just so frustrating/Intoxicating, complicated/Got away by some mistake and now…”

Damn. I’m imaging this with 2020 vocals and fucking ascending.

Also please watch the live performance of it from the Fearless tour. It’s such a damn shame this got cut from the movie and some woman in the front row is wearing a cowboy hat. Everyone is holding up those cameras everyone had to have before smartphones. Taylor is being endearing. It’s a good time.

11. Forever and Always 6/10

Bonus points for the ~drama~ of it all. Added last minute to the album? The iconic throwing of the chair in live performances?? All of it very dramatique and for that we stan.

Still pretty straight.

Also Joe Jonas responded to the song and why do I find his response so damn funny. “It’s part of being a musician, I guess. You write songs about each other.”

This is another song where the idea of Taylor’s grown up vocals on this is………..whew

12. The Best Day 0/10

This gets zero points because it’s about her literal mom.

Still makes me cry.

God bless Andrea Swift indeed

13. Change 13/10

We start the official tracklist with a gay song. We end it with a gay song.

We will ignore that it was originally written for Scott and BMR and instead induct it into the hall of gay pride anthems, as it should be.

“We're getting stronger now, finding things they never found/They might be bigger but we're faster and never scared/You can walk away, say we don't need this/But there's something in your eyes says we can beat this”

“This revolution, the time will come/For us to finally win/And we'll sing hallelujah, we'll sing hallelujah”

The music video is cringe though lol

14. Jump then Fall 10/10

This song is gay because I choose it to be. <3

Like. Picture baby Taylor writing this song and playing it on her guitar to a girl she has a crush on telling her that she’ll protect her and they’ll be safe and in love and happy together. Gah, maybe I’m ~projecting~ but this sweet ass song always gets me and is EASILY in my top five Taylor songs. Super underrated and hecking cute.

“We're on the phone and without a warning/I realize your laugh is the best sound/I have ever heard”

Like. Look at this shit.

“I watch you talk, you didn't notice/I hear the words but all I can think is/We should be together”

Tell me this is about the first time you get a crush on a girl and she’s your best friend and she’s amazing and beautiful and you realize you kinda want to kiss her and you hope she wants to kiss you too.

“I had time to think it oh, over/And all I can say is come closer/Take a deep breath and jump then fall into me”

And she’s the Romeo who's going to protect her!!!!! She’s the knight in shining armor in this song and I love that for her??

“The bottom's gonna drop out from under our feet/I'll catch you, I'll catch you/When people say things that bring you to your knees/I'll catch you/The time is gonna come when you're so mad you could cry/But I'll hold you through the night until you smile”

I won’t divulge into full on analysis here because. This is what this post is about but PLEASE listen to this song more. It’s such a gay little gem.

15. Untouchable 9/10

How does she make a cover sound gay.

It sounds so gay.

“You got to come on, come on, say that we'll be together/Come on, come on, little taste of heaven”

Gaaaaaaaaaaaaaaaaaaaay

16. Forever and Always Piano Version 1/10

This song gets 1/10 because I don’t like it. There. I said it.

17. Come in With the Rain 3/10

I can see why this is a bonus track. It doesn’t hit me as much as the other songs on the album.

But damn if I don’t want to scream sing this one driving down a high way.

18. Superstar 7/10

You can’t tell me this song is about a man. I simply won’t entertain the idea.

You cannot prove to me that this song is about a man. There is not a male pronoun in sight.

>:)

19. The Other Side of the Door 6/10

Is this song about having a fight about being in the closet? Probably not. Will my gay little brain make it about that? Yep!

And that, funky little queer pals, is my gay rating of every Fearless song. Like and subscribe, #t3atmidnight

#long post //#fearless the album #gaylor #what do i tag this for it to show up for peope??#gay rating

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eat0crow · 4 years ago

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Not So Dead

Summary: Kakashi’s regretted a lot of things in his life. More than he can ever hope to put a number on. He never imagined not being more philosophical would make its way onto the list.

Notes: Written for @amusl02 as part of the @akatsuki-gift-exchange. I”m so sorry this is late!

You siad you wanted angst so I tried to be emo about it :D

_____

Kakashi’s never cared enough to worry about whatever bastardization of the afterlife his soul would end up in.

Most shinobi’s don’t as a general rule. How can they when they stain their hands with enough blood to fill hundreds of small basins for a paycheck? Sure, there’s a few like the Hyuga and the Uchiha, whose clan lore glamorizes battle so much they have a clear picture of their soul’s destination. But the general population of nins are more than happy with understanding that wherever their souls go...it can’t be anywhere good, and leaving it at that.

Avoiding the afterlife is a much more pressing, present, concern.

But fuck if the information wouldn’t come in handy right about now. He’s regretted a lot of things in his life. More than he can ever hope to put a number on. He never imagined not being more philosophical would make its way onto the list.

He should have listened to Sasuke when he’d had been explaining, in excruciating detail, to Naruto and Sakura just where the departed go, last night when they set up camp. He would have, but the temptation to remind Sasuke that technically, he was oversharing clan secrets, had been at the tip of his tongue and—

Seeing Sasuke start to open up, even if it was over something morose like death, with progress that was downright groundbreaking for him, kept Kakashi from saying anything. He’d never heard the boy talk even a third as much. So what was the harm in him giving away lore.

Sasuke is the clan, it’s his right to decide what gets guarded fiercely and what gets given away freely.

Tuning the kids conversation out, while immediately satisfying, evidently, had been a mistake. Because Kakashi has no fucking clue where he is. Probably not hell? He feels like his soul would be a lot more tormented than it is right now, if it was. Definity not heaven. Not ever heaven. Not after Rin. Or Obito. Or Kushina. Or Minato. Or—

All he knows for a fact is that he isn’t alive anymore. He can’t be. And it’s not the darkness that’s telling him that, not the nothingness or the weightlessness or the cold that seeps into his bones and bites at him harder than the chakra exhaustion that knocked him out had.

No, it’s none of that.

No.

It’s Obito that lets him know that he’s no longer part of the world of the living.

Obito, who’s older than he was the last time Kakashi saw him, who’s his age, which makes sense and doesn’t at the same time. Death, he supposes, gets to make its own set of rules. Whatever they are, aren’t nearly as important as the fact that Obito is here.

Not as the boy Kakashi remembers, who’d been sunshine and summer, warm smiles and endless hope. Or even as any of the variants he’s spent years creating as the answers to half his ‘what ifs’.

No, he’s here and all hard edges. Mangled and torn and cold and so much more beautiful in that he exists. That he’s in front of him. Kakashi has missed him, more with every precious person he’s lost, and the longer he’s lived. Seeing him with his arms crossed, with an orange, swirled mask dangling from his side that screams Naruto, is like stepping back in time. He feels like a genin. Albeit one with slightly more trauma, not to say he didn't already have his fair share than.

The glare on his face is like none of the expressions Kakashi can remember from his friend, but exactly what he always imagined when thinking about them meeting again in the next life. It causes a weird sense of validation to flood him. How could any of the people Kakashi failed possibly do anything but hate him?

Saving Kakashi was the last thing Obito had done, and for what? Him to turn around and kill Rin? For him to shove his hand through her chest and carve out her heart with lightning? Obito loved Rin, in every way he couldn’t. Didn’t want to, for that matter. Kakashi was happy to let her love him, if it meant she was happy and stayed in his life. Existing in her life, being her friend, was enough—all he was capable of.

Rin, was a butterfly. She was always destined to outgrow him once she found someone who loved her back, in the way she wanted and not just in the ways he could manage. She deserved to. Rin was amazing and wonderful and worth so much more than team seven.

He’d have been more than happy to let her fly away, if fate hadn’t been a bitch that decided thirteen was old enough for her to die.

“Bakakashi.” There’s a warning in Obito’s voice, his eyes are murderous, and it goes against every single one of Kakashi’s instincts to stay where he is. Not that he thinks he can move much. Apparently dying doesn’t come with a healing session, he still has all his injuries, and he feels just as drained as he did in Wave.

“Obito,” he finally says, he’s doing nothing to disguise any of the complicated knot of emotion that’s had more than a decade to tangle up from his voice. Maybe Obito will hear it and be able to understand them more than Kakashi himself does.

All he knows is that he’s feeling something.

Whether it’s a good something remains to be seen.

Though, he doubts that he can be part of any something that’s good.

Naruto, Sakura, Sasuke, they’re proof of that. He’d worried so much about them getting to keep their childhoods, he hadn’t actually prepared them for the reality of shinobi life. Despite team 7’s history of cursed C ranks, he’d let them take this mission with nothing more than academy skills and D ranks under their belts. Fuck.

And now he’d gone and died on them. He’d left them behind in the middle of Wave with no one.

Desperately, he hopes they have the common sense to terminate their mission and return to the village.

Realistically he very much doubts they do.

“Pay attention to me, God damn it,” Obito hisses at him, voice sharp-edged and dripping with venom. He’s standing at Kakashi’s feet, kunai angled toward his throat. When did he get there? It’s hard to focus in wherever the fuck they are. “I guess some things never change, huh?”

“That’s not true,” he answers, he can’t stop himself. It’s Obito. No amount of post mortem introspection is going to prevent him from being at least a little bit of a bastard to him. “I’m taller than you now.”

Obito’s breath catches. He freezes, goes impossibly still, his fingers curling around the hilt of his knife so tightly his arm shakes. “You don’t get it, do you?” That’s not his angry tone. No, Obito's beyond that. This is his furious one. The one Kakashi never actually heard but always assumed he had. “Unbelievable. Fifteen years. After fifteen fucking years, here I am, a living corpse standing over you with a knife to your god damned throat and you still won’t take me seriously.”

“That’s not true,” Kakashi says, only, his words come out thick, slurred together around his tongue and the black spots thickening in his vision. “I always pay attention to you.”

How could he not?

Above him, Obito looks seconds away from dismembering him. He says...something. All Kakashi can hear is the rush of blood in his ears. Whatever cutting remark that Obito has to say—that Kakashi deserves to hear—is lost over the sound of his breathing.

He doesn’t want to pass out. Not when he’s just gotten Obito back and there’s a good chance he’ll wake up somewhere else, alone. He doesn’t know how this whole afterlife thing works. He’s terrified that if he closes his eyes, he won’t have the chance to find out.

It doesn’t seem to be up to him, though. The darkness keeps slipping into his vision, the cotton clouding his brain getting thicker with every second he forces himself to stay conscious.

The last thing he sees before he's swept away in the waves of chakra exhaustion is Obito’s face, hovering inches from his own with something that might have been concern flashing across it.

Kakashi’s next return to the land of the not so living (purgatory?), is a bit easier. There’s less of the bone-deep cold from before and more of the floating sensation. Like he’s stuck somewhere with just enough gravity to keep him steady in one place. He doesn’t hurt as badly, the only aches he feels are the ones he’s always had. It would be stranger for him to wake up with them gone, so he counts himself fully healed.

He pushes himself up into a sitting position, his muscles stiff and protesting even with the simple movement. His side is tender, but, considering Kakashi remembers his ribs being broken by that fucking overgrown sword, it’s nothing more than an inconvenience.

“It’s not the same if you roll over and die,” a quiet voice says, off to his left. Kakashi blinks, his mask is gone, so is his hitai-ate. All he can do is run his hands over his face and blink the last bits of sleep from his vision. Obito’s breath doesn’t catch when he turns to look at him, which makes sense, assuming he was the one to take his mask off in the first place. And really, who else is there to do it? “I have to be the one to kill you.”

“Sorry,” he manages after what feels like a small eternity. His brain hasn’t caught up with his tongue just yet. “You can. If you want to.”

Keeping his shoulders intentionally relaxed, his movements loose and lazy in a way that takes effort, Kakashi reaches toward his thigh, grabbing the tanto still strapped there. For a moment he weights the blade in his hand. It's standard issue, the same one given out to all jounin. Nothing remarkable about it.

Handle out, he offers it up to Obito.

And Obito stares, for a long endless moment that stretches into the next. Around them the landscape echoes the tension in his shoulders, the dark grey nothing rising up into jagged peaks, sharpening with every fraction of tension that makes its way into his frame. “Just like that. After everything, you’re not going to fight back?”

“I would,” Kakashi says, looking away first. “If it was anyone else.”

“Then why?” Obito asks, searching.

Kakashi cuts him off before he can continue. “Because you deserve to. Obito, I’m the reason you died, if anyone has the right to run a blade through me it’s you.”

Long, spindly fingers curl around the handle of the blade, and even though they don’t touch his skin, Kakashi can feel the phantom sensations of them across his hand. “I’m not killing you for me, dumbass.”

Kakashi swallows hard around the lump in his throat. He still doesn’t turn to face him. It’s weird seeing Obito with only a single Sharingan flashing red in his face. In a way, it’s a bit like seeing his own reflection mirrored back to him, and Kakashi has never been good with looking at his own face. “I know, and if Rin or Minato or Kushina was here I would let them kill me, too. But they’re not.”

“So what,” Obito scoffs, harsh and cruel as he throws the tanto sheath. “I’m the consolation prize? A get out of jail free card? I’m here so I might as well absolve you of your guilt like a convenient little escape-goat, is that right? Do you even care?”

Obito laughs. It sounds like a sob. Like something wretched from a wounded animal that’s hurting and has been hurting for so long it’s forgotten how to feel any differently. Kakashi hates that sound, he really really hates it.

Before he can help himself, Kakashi turns, grabbing the hand not clutching the blade between them in a white-knuckled grip that looks painful, and pulls. The tanto goes chattering forward and Obito is mashed against him into something that might resemble a hug and what feels more like a lifeline.

“Of course I care,” Kakashi says into the crown of Obito's hair. He smells like clay and metal and something not quite natural that doesn’t matter nearly as much as his warmth against his chest. “You’re not an escape-goat Obito. You’re the one I owe the most to. I’m sorry I couldn’t find some way to make it up to you before I died and ended up here.”

Against him, Obito stiffens further, pushing away with bony elbows that dig into his stomach until clawed fingers make their way into the skin of his shoulders. Obito holds himself there, arms-length away and propped up enough for Kakashi to have to crane his neck to make eye contact. “Wait. What? Kakashi, where the fuck do you think you are?”

“I’m not entirely sure,” Kakashi says, doing his best to make his voice come out breezily. “I don’t know anything about the afterlife”s geography.”

Obito pinches his side, hard. “You’re not—Bakakashi—I’m not dead. Neither are you.”

“Wait, what?”

“How you—this whole time you thought you were dead?” Obito shakes him, throwing his whole body weight into moving Kakashi’s upper torso. “You were going to let me kill you a second ago!”

“In the metaphorical sense.” Kakashi raises an eyebrow at him, the confused look on his face natural with not even a bit of exaggeration. “I figured after you got your justice, I’d move on to whatever hell comes next.”

“You were bleeding when you came here. You’re sitting in a patch of dried blood right now.”

“I haven’t died before, I don’t know how death works.” Kakashi shrugs.

For all he knows the afterlife could just be a really bland version of...well life.

Maybe if he wasn’t recovering from the after-effects of what he now knows for a fact had originally been a concussion, he’d be a lot more suspicious. Probably not though, because even without the head injury he’d have a lap full of Obito and there is absolutely no way he could be skeptical about his living or dead status with his arms around the ghost of a boy he watched die.

“My heart's beating, you idiot.” Obito protests, reaching down and placing Kakashi’s palm flat against his chest. On reflex, Kakashi tries to jerk it away, the only time he ever touches anyone's chest is when he’s tasked with carving out their heart. Obito’s grip is crushing, though. He holds his hand there firmly in place, not allowing even a fraction of give. “Don’t you think It would be a lot more still if I was a ghost.”

Kakashi wants to say he doesn’t know. Wants to point out that he can’t feel Obito’s heartbeat through the overwhelming panic that's nipping across Kakashi’s skin—and fuck, if he didn’t already have enough triggers, he should have expected to have a little trauma surrounding this. He can’t get the words out of his throat, though. Not through his breathing, that’s coming out in harsh pants. Not over the panic attack that had no business ruining this and is a good chunk of time past due.

For his part, Obito just watches him through it. Immovable as he keeps his grip welded around Kakashi’s wrist.

Eventually, after however long time takes to move here, he forces his mind to steady itself and compartmentalize this into the little boxes in the far-off corners labeled do not revisit. When he finally does feel, not okay, he’s too shaky for okay, but solid, he makes the effort to feel what Obito’s trying to show him.

When he does, he’s met with the steady thump of a heart beating under his hand. It feels like a bird, beating its wings—and that’s enough of the fragile animal metaphors for today, thank you very much. “Oh. Oh you’re real.”

Obito blinks at him, and the final bits of anger that have steadily been falling away, drains out of him. “Yeah,” Obito breathes, letting go of Kakashi’s hand, finally, and slumping forward, back into his arms. “Yeah, Kakashi, I’m real.”

“You’re alive,” Kakashi whispers. His grip must be painful, but he can’t stop himself from tightening his hold. Afraid that Obito will slip away as some figment of his imagination the second he eases up. “You’re alive.”

“Come on now,” Obito huffs. Something hot makes its way to the crook of Kakashi’s neck. He can’t be bothered to check and see which one of them is crying. “You didn’t think I’d actually let Iwa kill me, did you?”

Yes.

Yes, Kakashi very much did. If he had suspected for even a second that Obito was still out there, somewhere, alive and whole, he would have hunted him down with enough vigor to make his ninken jealous.

But saying that feels cheap when actions speak louder than words and enough time has passed for anything along that vein to ring as hollow platitudes.

Kakashi thinks Obito expects him to get angry at him, to demand to know where he’s been for the last fifteen years. Don’t get him wrong, Kakashi wants to know, he really desperately does. But the answer isn’t nearly as important as the fact that Obito is alive and whole and with him, so instead he settles on asking, “Where is here, then.”

Obito lets out a breath, slumping impossibly more against him. “This is a part of Kamui. Somehow when you exhausted yourself, you managed to find your way into the pocket dimension created by the Sharingan. Since we share the same set, we can access the same place. You’re lucky I was already here. You really would have been dead if I wasn’t.”

“Oh,” Kakashi says, simply. He supposes, in a way it makes sense. Their Mangekyou can banish objects, it has to have a place to send them to. Maybe he caught himself in the reflection of Zabuza’s water prison.

Kaskshi closes his eyes, content to just hold Obito there. It’s not like he’s gotten the chance to be close to anyone recently, physically or otherwise. So while he’s hyper aware of every inch of skin Obito is touching, it feels good. In a reassuring, alive, kind of way.

They lapse into a comfortable silence, the only sounds around being their combined breathing which quickly takes the place of white noise.

Obito’s the one to break it, turning his face against Kakashi’s chest and looking up. “Hey, Bakakashi, if I asked to kill you right now, would you let me?” His voice is soft without the venom in it, with nothing to hide the uncertainty.”

Kakashi doesn’t have to think about his answer before he responds, “Yes.”

He’s not his father, he’s not about to throw himself down on his own blade just to run from his ghosts. But, he thinks if one of his ghosts, the one that’s not quite dead yet, wants him to be, that’s okay. It’s different.

“You’d really give me your life, just like that?”

“Just like that,” Kakashi agrees, because it really is that simple. For him at least.

He hopes though, that Obito will want to wait just a little bit longer to kill him. Kakashi’s waited so long to see him again, he’d hate to have to wait until the end of Obito’s life to do it. Though, that would be fitting, in an ironic sort of way.

“In that case,” Obito starts, moving to stand up. Kakashi helps him the best he can, supporting him with a gentle hand against his back even if he misses the warmth instantly. “Will you come with me?”

Part of Kakashi wants to ask Obito what he means, won’t he come back with him? Back to the village, to Konoha and….and a stone carved with the name of almost everyone that made the place a home.

A large part of Kakashi, the part that makes him bite his tongue, reminds him that Obito’s had fifteen years to make his way back to the leaf. Back to him. If he was going to return to the village it would have happened by now. No. If they’re going anywhere it’s going to be on Obito’s terms.

This time it’s Kakashi’s turn to chase after him.

So he doesn’t have to think about it before responding, “Okay.” The only thing truly holding him back is….Naruto, who won’t get another instructor who will look at him as anything but a monster and fuck, he can’t abandon him again, not after finally being allowed to see him. And Sakura who’s going to be flushed out as a paper nin, which is a complete waste of her potential. And Sasuke, who’s going to be snatched up by Danzo’s grimy hands the second he comes back to the village with no one to keep him in the light and away from the shadows and— “But I have some kids I need to pick up first.”

#naruto #crow writes #obito uchiha #kakashi hatake #kakaobi #kakashi x obito #akatsuki gift exchange

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parachutingkitten · 4 years ago

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Season 5 Analysis

STANDARD DISCLAIMER: I am going to be applying the concept of criticism to a TV show you presumably love and adore as much as I do. If you do not want your idea that the show is immaculate to be challenged, I would not advise reading past this point.

Additional Disclaimer: This includes criticism of Nya’s arc, so if you’re the type of person to get catty about this subject, turn back now.

Mood for this season: It’s spoopy time.

You don’t need to, but if you are interested, and haven’t seen my analysis of past seasons, you can find those here:

Pilot - Season 1 - Season 2 - Season 3 - Season 4

You can also find all of these, and future installments, on my blog using the tag #analysis

Hey everyone! I’m still doing these things! Let’s see, when was my last one? Over two years ago...? Yikes, I owe y’all an apology. I really didn’t mean to put these off that long. Anyway, get ready to hate me, cuz although (for the most part) this seems to be the fandom favorite season… I think it’s overhyped. I know, don’t kill me. I’ll explain myself. I don’t think it’s bad or anything, it’s very well structured, but I definitely wouldn’t rank it among my favorites. First, for a little context, I am making a one second of every ninjago episode video right now, so I’ve been binging the series and all it’s shorts back to back, so I think I’ll have a bit more to say about connective tissue between seasons, and hopefully you guys can look forward to more of these analyses between now and the new year when I’m releasing that video. I’m also officially a film major now so… sorry if I come of as extra pretentious or get too deep. Anyway, let’s jump into the thick of it, shall we?

Plot

This is probably the area I have the fewest number of complaints about. This season has a breakneck pace and it keeps everyone busy. I think that’s why people like it. Everyone’s favorite has something to do. Which brings me to the question… which ninja’s season is this? Lloyd is on a lot of the promotional stuff, but he’s possessed and out of the picture for over half the season, so that can’t be right. Cole turns into a ghost, and the season is a ghost season, but that can’t be right cuz I don’t know that I’ve ever heard anyone claim it was his. Nya reaches her true potential, maybe it’s hers? Well, she does have a large b-plot, but she is consistently not a part of the a-plot. Kai has a whole thing with being protective of Lloyd, he has his fear of water, maybe it’s just another Kai season? Thing is, it’s no one’s. It is an ensemble season, and I think that’s a healthy thing for ninjago to keep doing. The more we label certain seasons for certain ninja, the more complaining we’ll get about who’s turn it is for screen time that we’ll miss out on telling a good story. Also, If the season is focused on a ninja you don’t like, you are less likely to like the season (see my next analysis for that can of worms). Again, this season tells it’s story really well. Morro directly ties into the ending of last season, and Nya’s getting water powers was foreshadowed the season before. That’s some cool connective tissue to start. The opening episode establishes the three different things the ninja will be looking for, and for once they’re actual tools instead of a series of weapons, blades, masks, whatever. I like that. Jay has some really good humor, Zane has his speech changes, Kai has his irrational fears and protective instincts, Cole has his ghost angst, Lloyd has to deal with his father’s passing, Nya is a new water ninja, Wu has a shop to run and a student to reconnect with, even Ronin has an arc about developing morals and gaining friends. There’s the mystery about how to deal with the ghosts, what the rules are, there’s the leader subplot, the ninja’s money situation, and lore of the different realms, they even worked in Skylor and Borg, there’s a lot of cool stuff going on. This is a tightly woven script that manages to include a lot of new concepts that you get pretty quick. I don’t feel like there’s even that much fat to cut. The opening is a little slow and strange, and the cloud kingdom episode feels a little unnecessary, but I do like the idea of visiting a different realm early in the season so the audience isn’t caught off guard in the climax. Again, the plot all works for me, it’s the other stuff I find myself pretty meh on.

Characters

Ronin

I’m pretty sure Ronin is the only new (non villain) character introduced. I like him a lot. Ninjago needed a true wildcard to shake things up and be unpredictable. I also think he’s pretty nicely woven into the action of the plot. I think his introduction is a bit strange. Like, the ninja already know him, but we’ve never seen him before? Just the way they talk about him sounds like they’re quickly recapping who this guy is for those who missed previous episodes. It’s fine if the ninja already know him but either 1) Introduce or foreshadow him a season earlier or 2) Introduce their dynamic to the audience before it becomes plot relevant. Maybe the ninja are grumbling about him being a nuisance while tea shenanigans are going on or something. Or maybe you have a scene of him stealing the scroll and making snarky remarks about the ninja while he does it. Idk. just something so his sudden plot relevance isn’t out of nowhere. Also, I don’t hate his and Nya’s dynamic, but I know a lot of people love it, and I’m just not totally here for it. Is he supposed to be a father figure for her? Mentor? Frienemy? Just plain friend? (love interest???) it’s not super clear and I could have used some clarification. I also like his use and tie to the next season, so overall, well integrated character.

Nya

I’m adding in Nya here cuz she goes through a major character change, and how she’s handled is one of the things that rubs me the wrong way about the season. A lot of people will probably disagree and/or hate me for this section of the analysis so… here we go! The thing she has to get past to reach her true potential is fear of failure (supposedly) and the solution to that is to just… not care as much? First of all, I know this isn’t supper important, but the fun thing about the ninjago elements is that every elemental master matched up personality wise with their element. Jay is the energetic master of lightning, Kai is the hothead master of fire, Zane is the calm and calculating master of ice, Cole is the strong and dependable master of earth, Lloyd is the literal child master of energy. This especially goes for all the new season 4 masters. So what qualities are often associated with water personalities? Well, serenity, control, flexibility, elegance, patience… calm. You know, like a Zane type character (the element directly adjacent to hers). These are things that Nya isn’t - or at the very least don’t define her. (there’s also something to be said about water and its ties to more feminine qualities, which Nya has been actively shown to reject, but I won’t go into that rant here.) She was designed as the fire master’s sister, and when you try to fit a fire personality into a water shaped character mold… it doesn’t exactly mesh well. It doesn’t make sense. But, like I said, whatever. Maybe that’s the point? Like she has to change her personality to be more in tune with water? Sure. But let’s talk about this fear of failure thing. Because that’s the stated thing that dialogue tells us she needs to overcome. But when has Nya ever been afraid of failure? Fear of failure means avoiding doing something because of fear. Nya is ridiculously persistent, always has been (you know, fire personality). She tries training when no one tells her to, she makes her own alter ego to try and be a hero and save the people who would constantly tell her she wasn’t ready. Wu says she only wants things that come easy, but that’s never been her character before now, she has carried the team with her tech, research, and covert ops that no one forced her to do, all things which are not easy. Fear of failure is usually characterized by what if questions. If Nya is so afraid of failure, why don’t we hear her saying stuff like “but what if I’m not strong enough, what if I can’t save them in time, or worse, what if I lose control of my power and end up hurting people?” Cole shows much more of a fear of failure this season surrounding his insecurity about being a ghost. He wants to sit out from missions because he’s not sure he’ll be able to do it - he’s afraid of failure. But whatever, the writing isn’t clear at expressing her true setbacks, but she does display a real problem that a lot of people have and I think could have been well done if set up correctly. She shows an undying persistence that gets her too close, and makes her increasingly incapable. She lets her frustration hinder her progress (again, fire personality trait), and I think that’s interesting because I don’t think ninjago has done this character arc yet. The supposed solution to this problem is that she just needs to… care less? And yes, I kind of see where they were going with this, we sometimes cloud our natural potential by thinking about it too much, but saying “you need to stop caring” is the absolute wrong way to word it. Caring is not her problem, the problem is her control over the emotions that come from her caring. Caring is a good thing, and teaching kids that if you’re ambivalent about your problems, they’ll go away is not a good message. What she needs to do is take a step back. She needs to take a break, stop to think, and look at the big picture instead of hyper focusing on the roadblock directly in front of her. The usual and much better wording of the moral I think they were going for is “stop overthinking things”. Teaching kids to look at a problem from a different angle and give themselves time to cool down is a great thing. And just think of it, in the climax she could have this ah-ha moment where she steps back and looks at the bigger picture - the whole town, surrounded by the ocean - and gets the idea to sink the preeminent into the water, you could even easily tie that back into the bucket exercise, and that’s what triggers her true potential rather than the current… I’m honestly not sure what. Random flashbacks and the end of the season approaching quickly. Alternatively, you could tie it more directly into samurai x, and make her struggle with letting go of the past and allowing yourself to give up something good in your life to progress to something better. Anyway, I don’t think this was a bad decision long term, she needed to be solidified on the team as a full fledged ninja, I just think this season doesn’t handle the transition that well. Anyway, whatever, I’ll be waiting for your hate comments in the notes.

Romance

Um… there’s none this season? Like there’s a few Wusako moments that are still as weird as they were in season 2, but they’re really not prevalent. There’s also the Jay seeing the future thing which has some weird implications next season (again, some interesting connective tissue between seasons), but that’s about it. Maybe that’s part of why I don’t love this season? Like where’s the pixane? Lol, I’m kidding. But maybe that’s why a lot of people do like it. If you don’t like the canon ships… this is a nice little safe haven for you. Rare for a majority of the series.

Villains

So Morro is a good idea… in theory. I know he’s the fandom’s favorite edgy boy, but idk I think the brand of angsty teen they ended up with was more of an angsty 13 year old than 17 year old. His voice is really grating and I always want to yell at him to just… go get some cough drops. Stop throat screaming, use your diaphragm man! Also, everyone goes on about his last minute redemption, but as far as season 5 goes, he has like half a second of a change of heart. Literally, when Wu comes over and he’s drowning, he’s still being a persistent little idiot like “you never cared about me nooooo!” and it’s only at the last possible second that gives him the crystal, and even that he does it kind of saltily. The preeminent is pretty cool, I like her concept, her design, all that. All the other ghosts are fine I guess. Nothing super memorable out of them, although their aesthetic, especially when there’s a bunch of them swarming around is pretty cool. One last thing was I never understood how Morro “becoming the green ninja” worked and what exactly it was that… did for him? Like he didn’t actually get the power of energy, right? I don’t remember him using it. Did just him defeating Lloyd make him the green ninja? How does that transfer work? And why did he need it to take over the world or realms or whatever? Like I get that it’s supposed to give him more power and what not but idk, it wasn’t super clear. That’s a minor thing though.

Climax

Pretty cool. I like the ATMOSPHERE. Green light is a hard thing to use and justify correctly, but it works really well here, especially with the dark kinda gray blue sky complimenting it. When the preeminent starts walking into the ocean, it’s genuinely terrifying, but you understand exactly how it works and why she’s strong enough to do it. Nya’s true potential is again a little out of left field and could have had some better motivation put behind it. Like what is it Nya learned in that instant? To not be afraid to protect people? She’s… been doing that. Idk. I’ve hit on that enough for now. Overall, there was good variety. I like the green ninja fake out, I like the realm hopping, I even like the little Garmadon visit and Lloyd getting the robe. I feel like we didn’t need a part one and two, you could have had different titles. I mean come on. But hey, now we know, if Pix had only been there, the whole climax would have been wrapped up in like 10 minutes apparently. Pix for the win.

Humor

Really good. Like I’m surprised how much I laughed. Jay wasn’t annoying humor, it was good stuff, there were some good running gags, there’s a solid fourth wall joke about who the lead ninja is at the beginning of the season. Overall, I am pretty impressed. My favorite joke was perhaps the bit where Jay is sarcastically positive, the voice acting is just really solid. Then again, there’s also the whole Borg scene where he roasts half the ninja, that’s solid stuff right there. There’s just some really solid character interaction this season and the humor feels a lot more natural and less forced.

Drama

Okay, we’ve got a lot this season. Y’all know how I feel about Nya’s arc by now. It does not work for me. Ronin’s relationship with her is alright, but kind of comes out of nowhere. Ronin’s solo plot about kinda working for the ghosts works. Cole’s ghost angst works for the most part, although I wish he would have actually skipped a mission and then gone in to help save his friends once they can’t do it without him. That was probably the most solid drama of the season. The other main thing we have this season is Kai’s whole… fear/protective streak. This also doesn’t really work for me. Like, I get that Lloyd and Kai are friends and stuff, like his whole true potential was centered around Lloyd. But like, why does it have to be framed so weirdly? Sometimes in trying to make it seem like Kai is protective of him, it seems like the other ninja just like… don’t care about him? Not all the time, but there are some weird vibes. Also, it doesn’t really go anywhere. No one learns anything about themselves from this subplot, nothing comes of it, there isn’t really a payoff. Also, Kai has yet another irrational fear, this time of water, which really comes right the hell out of nowhere. They try to explain it away like “Oh, Kai feels powerless and so water can get to him” but like… what? That’s the exact situation he was in at the end of season 2 and he seemed perfectly content to literally swim across the ocean (which um… what do you mean the sworn protector of ninjago can’t swim?). Where is this coming from?! Again, it doesn’t really go anywhere, there’s not a point where he has to learn to confront it or he grows because of it. It’s just pointless stuff added cuz the writers like giving Kai vague trails to try and develop him. The cloud kingdom is kinda cool. That last minute twist about them working with Morro is… stupid and unnecessary though.

Spotlight Episode

I really like the Spinjitzu master tomb episode. Some cool riddles, I like the first two rooms a lot. I do think the third room is a bit strange. Like, the clue was “don’t look ahead” and the solution was to look beneath them, which is the exact same solution as the previous room. Like, you already have magic ice that shows the future, why not play into that? Don’t look ahead could maybe mean don’t look to the future, the opposite of that being the past. Maybe they have to draw on their past adventures to solve it somehow? Learning from the past is a good lesson, right? But overall, I really like it. Some real solid humor this episode. This episode has the sarcastic Jay optimism, Kai totally stalling for time, Zane dealing a pretty sick burn on Cole, just a lot of fun stuff. I like it. It just has great energy and nothing feels like it’s drawn out for too long.

Misc

The aesthetic this season… can be inconsistent, but the main ghost vibe displayed in the opening theme is really solid and I really like it

Speaking of the opening, Ghost wip is great and the opening in on par with last season’s (which is my fav) for sure

Ice age references… okay.

Chima references…. OKAY...

Okay, but like Deepstone can… kill ghosts? Or not? Is it just something ghosts can touch? It’s supposed to be like water in weapon form, right? Like that’s how I understood it when they first introduced it. Wouldn’t the deepstone bars kill Ghoultar then? And then like, Cole’s bike is made of deepstone. He uses it as a weapon. Wouldn’t it kill him? It kills other ghosts when they touch it. How… how does it work?! I need answers!!!

The captain of the steam boat says they’re going as fast as possible, but later Ronin comes in and cranks it up like twice as fast… that always bothered me like, why would he lie about that? Who is this captain and why is he so chill about everyone’s lives?! And then later Wu cranks it up yet again, like the ship had slowed down to it’s previous speed. What the hell is happening with the controls of this ship???

So pissed that the nasty CGI nightmare cloud monster that chases the ninja is named Nimbus. Totally forgot about that. I have an OC with a cat named Nimbus… I promise, there is not going to be a stupid twist bout the cat being the monster thing in Mists of Fate. That would be very stupid.

I was all excited that season 13 gave us minecart chases, but I totally forgot season 5 gave us one first. I really like the return to the caves of despair btw, good reuse of a known location.

How many times this season did we do the:

Kai: Oh, I don’t like water, I can’t do it uwu Cole: ...You serious?

Thanks for reading! And if you got this far… I don’t know. I would love to hear your thoughts if you have any! These are just my opinions, so don’t think too much of it if you disagree.

-Kitten

#ninjago #analysis #ns5 #ninjago possession #parachuterants

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honourablejester · 4 years ago

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Ideas for Sorcerers (D&D)

I do love a bit of innate, chaotic magic, the forces of the world writing themselves onto people. Whether said people wanted them to or not. Heh. I will admit I’m a bit more attached to the ‘touched by cosmic forces’ angle for the sorcerer, it’s really great for backstories, but the bloodlines are also fascinating for the ‘family lore’ and ‘really adventurous ancestors’ ideas. So!

I’m mostly focused on the classic sorcerers and then the horror-adjacent sorcerers, because I’m me, and we know what I like. Apologies to fans of the Divine, Storm or new Clockwork sorcerers!

Draconic

Because dragons (and dragon ancestors) are the best. There’s a lot of fun and aesthetic with choosing your dragon ancestor too. The little scales you get with draconic resilience just make for some really cool-looking characters.

I love the idea of mixing ancestries with a draconic sorcerer. Compare and contrast. For example, a tiefling draconic sorcerer with gold dragon ancestry! Combining a ‘tainted’ bloodline with a respected one. Maybe the clan lean heavily into the lawful reputation of gold dragons, as well as a sort of internalised racism against their own darker ancestry as well. They view the fact that they were once favoured by a divine dragon as proof that their bloodline can redeem themselves of their demonic pact/ancestry, and they lean towards lawful occupations, city watch, soldiers, clergy, etc. So your sorcerer has a bit of internal conflict going on. (Also, a red tiefling with gold scales is an awesome look – tiefling skin colours with dragon scale colours is a really fun combination)

Other cool-sounding ancestry combinations: high elf & white/silver ancestry, for that ethereal immortal feeling (also fun to add stereotypical dragon traits with the white dragons, in that you’re an ethereal immortal who really holds a grudge and does not do ‘forgive and forget’), half-elf & green ancestry, for a strongly outcast, political bent, halfling/gnome & copper ancestry, because if you’re going to go for a tiny trickster you might as well go all out …

Or we have my old favourite, a tortle sorcerer with (somehow) a dragon turtle ancestor, because great-grandpa Uhok never met an older and (significantly) larger lady he didn’t want to pursue, and great-grandma Korthalok was honestly rather flattered. (Yes, I am aware that dragon turtles are not high dragons, but they are intelligent, and they’re probably innately magical/elemental enough to put a bit of magic in the bloodline)

Shadow Magic

The sorcerer’s gothic option! I do love it. Your magic comes from a strange, grim shadow realm, either because you were touched by said realm, or one of your ancestors was an entity from said realm. You get a demonic shadow hound, teleportation from shadow to shadow, and later an actual shadow form. Lots to work with there.

I feel like there’s a lot of Lovecraftian, Dreamlands, William Hope Hodgson sort of feeling here. The dark touch of a strange realm. Emphasis on isolation, desolation, alienation. Loneliness. This is also the subclass where I really, really like a later-life coming into your powers, a traumatic event causing a normal person to suddenly develop horrifying magic.

So. Any of your gothic/cosmic horror backstories. You were kidnapped and subjected to a horrific ritual. You were created in a horrific ritual (hi Warforged!). You suffered a severe, inexplicable illness as a child, and remained pale, half-dead, and possessed of strange powers for the rest of your life (I love the shadow sorcerer quirks list). An insane ancestor entered the Negative Plane and your line was almost annihilated by the resulting Nightwalker, but you somehow survived. Your parent was an extremely powerful magic user studying the Shadowfell, and you only realised much later on in your life that your childhood ‘imaginary friends’ were actually Sorrowsworn (Lost and Lonely?) that haunted your ancestral home and that your parent was somehow keeping from killing you. You tried to steal from a powerful, vindictive wizard, who flung you into the Shadowfell for your temerity, and you don’t fully remember how you survived. You slept in a barrow as a dare when you were younger, and an allip whispered secrets to you that lead you to dream of a dark realm, dreams that seemed to gradually change you as you ‘recovered’ …

This entire subclass is just very much ‘go nuts on the horror tropes and have fun’. I love it dearly.

Aberrant Mind

A new one from Tasha’s, but the other Lovecraftian/horror themed sorcerer subclass now. Which is perfectly fine, because I can always roll with more Lovecraftian horror! If shadow magic was themed strongly towards undead, Aberrant Mind seems strongly themed towards aberrations. Body horror and psychic powers! Boo yeah!

I do like the suggested origins. Particularly the parasitic twin and the imaginary friend ones. I think there’s a lot of fun to be had with those. Aberrant mind does feel more … on the science fiction end of horror, more than the fantasy? There’s a different flavour compared to shadow magic. We’re talking alien abduction and Carrie-esque childhood trauma here. Particularly when you get to the higher level actual physical transformation elements. Bit of Akira in there, bit of Innsmouth. So.

I’m liking characters who are a bit ‘aberrant’ on their own merits, even before their powers kick in as well. The outcasts from the get-go. The albino half-orc abandoned by the tribe as a child and befriended/kept safe by their possibly-imaginary flumph friend. The fallen aasimar whose blessings allowed them to survive where their stillborn twin did not, but who still feels the touch of a ghostly hand in theirs (I’m not sure how well it fully gels, but I feel like an Atropal is a very interesting concept to lay alongside this – stillborn gods and blessed, aberrant champions – celestial guides and the whisperings of parasitic twins … not sure how well it fits, but there’s a lot of crunchy concepts there)

Also, there’s your chance to have some fun with the Underdark races. Duergar, Deep Gnomes and Drow. Or sea races, when we have fun with Aboleths. Or non-sea races who still had a bit of fun with Aboleths, if we want to fully embrace the Innsmouth vibes and have normal land-based elves/humans/halflings who come over all Deep-One in the end. You come from a quaint little village on the coast, where the coming-of-age ceremony involved something of an opening of the mind. Nothing to worry about, everyone does it where you come from. Yes indeed! Heh.

And then, to bring us back to the less-horrifying end of sorcerers, and to revisit my childhood in a big way, we have:

Wild Magic

Schmendrick the Magician! Sorry, I grew up on The Last Unicorn, you’ll have to forgive me this. (Is Schmendrick actually part of the inspiration here, I’m wondering?)

But honestly, wild magic really lends itself to down-on-their-luck characters, running ahead of their own chaos, or striving to learn to control their powers. Or, on the flipside, incredibly laissez-faire types who decided to just roll with and eventually enjoy or perpetuate a little chaos. So. Tricksters, shysters and earnest young things trying to do their best.

So. You could do a straight Schmendrick. A down-on-their-luck kid who really, really wants to be a real wizard, a great magician, but their magic just will not cooperate. It has a mind of its own, and their struggle is learning to either minimise or lean into the chaos and power of it. (I like a background as a tailor/seamstress for this, partly because of animated Schmendrick’s memorable patchwork robes, but also as a little practical detail in that, if you can’t trust your magical mending not to do a ‘Sorcerer’s Apprentice’ on it every damn time, you probably would learn to darn your socks the old fashioned way)

For a variation, you could do a bit of a snake-oil salesperson sort of deal. A down-on-their-luck sorcerer turned shyster/criminal to make ends meet. Wild magic works very well as a sort of bloodline curse, bad luck and chaos following a family. A woman of the Witchbottle clan pissed off an archfey way back when, and so every girl born to the line since has struggled with wild magic. So the clan tends to move around a lot, both individually and as a whole, and individual members of it tend to work around their inevitable getting run out of town for magical mishaps in their own ways. The clan has a lot of travelling entertainers, salespeople, criminals, etc, and tend to be very loyal to each other, even if they don’t see each other all that often (concentrations of wild magic in a single area tend to be bad for said area, so family gatherings are discouraged near civilisation).

And then there are your straight trickster characters. Ones with a more philosophical approach to chaos, a belief that you should be able to deal with the unexpected, and that maybe other people should be helped along in experiencing and dealing with it too. I like bards for tricksters, but wild magic sorcerers work very well too. Heh.

I know Wild Magic might not be the most functional of the subclasses, but it’s got a direct line to my childhood, and I feel like it’s still a really fun idea.

In summary? I like the squishy spindly magic people. They’re fun.

#d&d #dnd #sorcerers #character concepts #long post #fantasy #dark fantasy #horror #lovecraftian #i do love d&d's more horror-leaning elements

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queenofeden · 4 years ago

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okay so look, i wasn’t going to make a post about this because i genuinely didn’t think it was anything worth making a post about “publicly” but apparently some people disagree and i’m petty enough about this to not want there to be any confusion on where i stand.

i really enjoyed the new prologue update, and the changes made to the routes (minor ones, and i’ve only play tested nadia and julian so far to see them but they are there) to reflect them. i really enjoyed the last update they made to it as well. i always enjoyed the prologue, clearly it’s what got me into the game in the first place. i found it engaging and fun to play and i enjoyed the characters immediately off the bat.

however that prologue was written a long time ago. 2016 if i remember correctly, and a lot about the game has changed since then. the prologue, even up to yesterday, was still full of what i would consider hanging plot threads and characterizations that simply no longer reflected or suited the game that we have today. a game which i love very much and still actively enjoy the direction of.

i really want to thank @raquellle-arcana for their post on the matter (linked here) because it was the first one i saw that reflected my same excitement amidst and field of far more negative feedback, but especially for this quote,

“I love that they went back & changed it, like that to me, shows how much they still care, & that the creators genuinely want to improve & nurture their game”

this is what it comes down to for me. as a creative and a creator, i think it’s really important to be able to look at work u have made, work you’ve been proud of, and still acknowledge that it can be improved. this is not a published novel that lives in perpetuity, this is an interactive narrative game. as the narrative progresses and matures and expands, things that used to be priority no longer are and that is okay. looking back on where the characters and the story were based on the information given in the art book vs where they are now is fascinating to me, and i love seeing how the game has evolved and grown. i agree wholeheartedly that it does show a genuine love and care for the game on their part.

it shows that they want and continue to want the game to be relevant and enjoyable, that they want the “new” routes to have more substantial representation, that they wanted to integrate the new plot lines into the prologue in a way that made them make more sense as potential outcomes as opposed to “well they just had to make them different from the original 3″. i don’t know a single writer or artist or any creator that doesn’t look at their old works and wish that they could change things or, if they had known then what they know now, go back and adjust for it. the devs have the opportunity to do that, and i’m glad that they continue to take those opportunities to make their game, a living document if u will, the best version of itself that it can be.

(cut for length bc i continued to ramble and also potential spoilers for the new content)

i love that asra and mc’s relationship is well established now, i love that so much of the story and lore feels organically given and much more show and not tell. i love that asra’s characterization feels more consistent with how he is in his and other routes instead of the hinted but never actualized “ominous, dark, and vaguely spooky” angle (which don’t get me wrong, is a really valid and interesting version of asra that i do love to play with but tonally it just didn’t work with where he’s ended up now).

i love that julian is no longer so bent on a revenge angle that is never concluded in his route bc it was no longer relevant. i love that his background and involvement is more well integrated. even so far as his acknowledgement of malak, not as his magical familiar obviously, but just in that he’s clearly important to julian specifically. the wanted posters were one of the things i loved best about the first prologue update, just that little bit of information felt like the sun parting the clouds so far as world building and i’m glad that kind of thing was expanded upon even further with him.

i love that nadia’s motivations are much clearer, and that her characterization is much more in line with her morals given in the text. truly, i felt that she read as so much more competent in this newest version, something i never doubted about her, but really seeing it so early made a huge difference to me. i’ve always been a nadia main and i have loved her from the moment i set eyes on her, but i i’m well aware that many people do not feel that way and never get to her route where many of the criticisms no longer hold water. i’m hoping that this is no longer the case. it makes me happy to see her relationship with lucio cleared up, that thirst to prove herself is made very apparent, but at the same time so is her genuine compassion and kindness. the explicit statement that the masquerade is no longer a celebration hinging specifically on the murder of julian makes SUCH a big difference. nadia states over and over in her route that that is not the kind of ruler she wants to be so it’s lovely to see that reflected. she is a woman searching for the truth, no matter what it is, something that the high priestess would be proud of i think.

i could go through and itemize everything that i loved about what they’ve done, but we would be here for 12 hours and nobody wants to read a post that long, i know. to mobile users, i’m already sorry lmao.

but listen, much as i am excited about the new stuff and the updated stuff, i do understand being disappointed at things that have been taken out. i do, i really do. i also loved feeling julian up, but on the whole i also acknowledge that scene as deeply fanservice-y. that’s not a problem by any means, but it’s also something that i think shows the devs and their growth as writers to potentially be able to look back on that and say, “this was fun and we liked it but it doesn’t actually serve the story in an appropriate way anymore”. that takes a lot of maturity, and i think that maturity is reflected by the state of the prologue now. it feels much less at times like a “silly, horny otome game” and more like a proper visual novel with a lot of meat to it. and there’s still plenty of room for the fun horny stuff. it’s littered throughout the routes and not at all absent in the prologue, just, i think, integrated in a far more natural, gracious way.

i felt, on the whole, at least so far as my MC’s personal characterization, that in the old prologue i was much more wont to pick paid scenes bc i had bought them and i wanted to see them over whether they actually made sense narratively in my version of the story, or whether my apprentice would actually do them. i didn’t feel that conflict anymore, anything i wanted to do, i felt i was able to do and with a level of choice i was comfortable with. not only did the canon characters feel more “in character” now, but i would argue that MC feels more like a real character far more quickly than they used to.

i’m sorry to the people who feel disappointed by the new updates, or that in some way the game has been “ruined” for u. your opinions are yours, and your decisions with what to do next are your prerogative. media consumption and how someone interacts with it is a deeply personal thing. i only wanted to speak my mind and make this post if only because these attitudes were all i was seeing, and i was suddenly inundated by the negative reaction and it was upsetting to me. it made me angry. i’m still a little angry, and i could certainly cite and quote a bunch of the nonsense i’ve seen spouted off in just the last few hours alone but honestly, i’m too tired for it and i’m liable to get catty and petty.

what it comes down to is this, the new update made me excited about the game again, it made me want to replay everything with fresh eyes, it made me want to dig my fingers into the lore again, it made me want to talk and play and enjoy canon for what it is after being very much more consumed with aus lately. i want to openly thank NH and @thearcanagame for continuing to make a game that is fun to play, a story that is engaging and keeps me on my toes, and for sharing something that they’re clearly proud of and want to continue to be proud of. that level of responsibility and dedication to their work is inspiring to me as a creator and as a fan, and it makes me proud to be even a tangential part of the whole of it. i hope that over the months and years, the game continues to update and improve and build upon itself, even if for whatever reason i’m no longer around to see it.

#arcana blogging #that's that on that i'm not here to play disc horse with y'all #grandma is tired go back to ur salt mines kids

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unproduciblesmackdown · 4 years ago

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i am SO delighted to hear that the "detective and five people trapped on an elevator and one of them is the devil" movie is real and you saw it. also while trying to send this i accidentally clicked the Unfollow button (and then promptly refollowed), sorry about that

lmao i maybe wouldn’t’ve noticed, love Tumblr Notifications and how like, they display different on desktop vs mobile and the way it Condenses them is only so helpful cuz sometimes some of them only display for 0.2 seconds while i’m on mobile and it hasn’t Refreshed in a way that reshuffles everything and i can’t view that particular [Like from a certain person or smthing] ever again lmao like i hate this, it’s bad, just like that movie about people trapped on an elevator and a detective has to get them out and has to act fast b/c one of them is the devil

it is so stupid first of all like. it’s just overall not a great movie from Any of the angles it’s playing like. first of all the Detective is only around b/c he’s solving a nearby murder / death and making like. corny dumb “oh this is a Smart guy” observations about the Scene and someone is like “oh hey @ cops you’re already on the premises, come solve the mystery of Elevator Broke” like i don’t think that’s how it works and also i can’t even remember the reason they find this issue That pressing pre-realizing And One Of Them Is The Devil. maybe someone dies right off, idk. there is conflict on the elevator so naturally that’s a whole other thing like, we’re all trapped in this elevator together and maybe one of us is untrustworthy and liable to be dangerous to the rest of us like, i don’t know the Contrivance that makes these people think anything has to be done but just Stand Around for a while but it’s you know. that whole Thing where there’s a premise of “some shit is happening to Incite Conflict amongst strangers who are trapped in a bad situation together and they’re all apparently raring to judge each other’s moral fiber to decide who deserves Suspicion vs Protection.” but also, one of them is the devil

meanwhile on the outside it’s this dumb Cop Mystery Drama where this rando guy apparently sets aside the death he was investigating earlier to solve this elevator situation (i think eventually it’s revealed that that death was tied to the elevator situation all along. i think that the devil killed the guy. or something) and also, maybe there was Coincidentally some kind of heist going on at this place b/c i remember at some point the detective (and some partner there too involved in all this) like, find some tools hidden in a bathroom like “aha this was Used to do [whatever]” and despite having no idea what the details are i Know i remember this b/c of at the time going “oh my god that is so dumb Nobody Would Do This / this makes no sense” lol like. writing not great. and this was maybe Not the devil, but a regular separate scheme to. do something

also there’s some aspect where Main Cop has some tragic backstory and is like, not over it b/c it was so painful. i think maybe someone like hit and run his wife or something like that. you know how it goes. spoilers in that i think the person that the devil is here to kill (more on this devil assassination thing....) was Behind That somehow lmfao so it’s like really??? is that our resolution, that people’s stories are Converging in a very serendipitous way b/c the devil would like to give people emotional catharsis......idek. look, spoilers, this old lady who “dies” in the elevator relatively early on turns out to have been The One Of Them Who Is The Devil, Act Fast. and it was this weird thing where the devil is like “grr whoever i’m even here to Get in the first place is just Such A Bad Person that uhhh i guess i came here in person to take them to hell” like.....what tf kind of Lore......this is definitely going with “aaaah the devil is evil” approach, not any more kind of Neutral figure, but then in the end apparently the evil devil is just really Judgey and Disgusted by someone being A Bad Person like??? you ought to love this shit!!!!! and anyways the detective learns that One Of Them is The Devil b/c when they take him up to the security camera display hq it’s like a) look at this scary Moment where the elevator camera feed gets staticky and a scary face appears for a moment (im not sure if i could see what it was supposed to be lmfao) This Means Something and okay oh my god i reread the plot summary b/c for the life of me i couldnt remember the ending, it is so stupid oh my god

okay so first of all the Dead Person the detective was investigating had left like a suicide note like “i am killing myself b/c um. the devil approacheth” like wow okay right off the bat? amazing foreshadowing. why does this person Know this?? and why should he care b/c the devil is here apparently for a Special Soul Collection like, this has nothing to do with you, random guy?? you don’t even need to worry like. just stay home from work to avoid the fairly minor problems that occur (like MAYBE one guy dies in the course of this story but i think it’s a little ambiguous, meanwhile whoever Really Dies in th elevator was i think due to like, suspicion and infighting lmao. idk maybe the devil killed a few of them. it’s weird) but yeah the highlight is this

everyone please enjoy this scene. security guy ramirez is explaining the Devil Expertise courtesy of Where I Come From where toast falling jelly side down is evidence that the devil is hanging out in the elevator.

while looking up “devil toast” the result immediately after that one was “the devil takes the toast” which is a devil takes the hindmost ytp which i feel is really fitting

it kind of undercuts the stakes i think when not only is the devil only sorta gently radiating Bad Luck but also is just super Righteous but like. yes it turns out that the devil is here to Claim a guy on the elevator was the same dude who Hit N Run the detective’s family (wife and kid apparently) those years prior......except like, it wasn’t even like oh he assassinated them On Purpose, it’s apparently already a Known Detail that although they ~never knew~ who killed detective joe’s family (idk what his name is idc) there was a Note left on the scene like “sowwy :(” like really? this is the Big Bad that the devil made a special corporeal visit for??????? and then, get this, when the devil is like “i’m not a dead old lady, i’m the devil, and i’m here to Get you b/c you accidentally killed a couple of people and i, the devil, am really disgusted by how sinful you are for that” the guy is like “yes that was me :’( i’m sorry” and then the devil is like “ah fuck you’ve Repented. i can’t take you to hell anymore. bye” like what!!! why did he only have to feel bad about it to get out of this whole situation when obviously he Felt Bad in the first place b/c he up and left a note like “[grimace emoji] aaa my bad” like, did he have to apologize To The Devil?? the lore i s2g. Jelly Toast Rules operating here i guess.

anyways then the detective who witnessed this i guess is like “wow the guy who killed my family all those years ago but i’m still sad about it.....well i’m gonna arrest him now. but also, I Forgive Him.” oh and also for a while there the detective was so gritty he didn’t believe in The Devil b/c the vehicular manslaughter apparently made him think that human nature was evil enough to not need the extra help. so now he’s made the arc of getting uh, emotional closure on his family’s death by forgiving the dude who i guess super crashed into them on accident, And gets to know that the devil is real actually and he’s on the elevator but now Not b/c he was like “ah jeez thwarted by this guy uh, feeling bad about the accidental deaths even though he felt bad in the first place” and there was no other point to the detective being there b/c he didn’t Really do shit except i guess drive this sideplot where you are led to believe he Might figure out who the Bad Guy on the elevator is. (it is the devil. one guy has a crime record or something but, spoilers, he is trying to turn his life around with some good honest work as a security guard or something. idk)

it was amazing and very stupid and i was continually indignant b/c the writing was dumb and made no sense and just so fucking corny throughout. the entire movie is called “devil” and i remember it was like “tf is ‘devil’” and as soon as it involved an Elevator i was like omg omg is this And He Has To Act Fast Because One Of Them Is The Devil, and it was, so that was exciting. it was a dumb waste of time but also it was not b/c it was *slightly* so bad it’s good. mostly Not Even. but just watch the toast scene there b/c like. i think that’s this movie’s #1 contribution outside that post about the plot summary.

#Thank You for this excuse to go on for a while about Devil (2010)#it's also weird it feels more like. mid 00s than that #anyways i appreciate you as always #just the shot of the toast going Thwack on the floor followed immediately by other guy going ''what are you - what are you Doin...'''#SO good

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winterune · 5 years ago

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A Long and Late Review on Tenki no Ko

Seeing clips of Tenki no Ko or listening to Radwimps' OSTs for both Tenki no Ko and Kimi no Na wa, I'm always struck with this lacking feeling...this sense that something is incomplete. It's not that I don't like the movie. I do. The visuals were great. The songs and music were awesome. Just that...there's something that's not there and I'm not quite sure what (there's a tl;dr at the very bottom btw)

I remember that the first thing that came to mind after I got out of the cinema after watching it was: "it's not rounded" (if that's even the correct term haha). Remembering Tenki no Ko now doesn't give me that feeling of contentment like other Shinkai movies. My friends liked it. One of them even cried. They said that it was better than Kimi no Na wa, that they liked it better. One of them, who doesn't like Kimi no Na wa, said that Kimi no Na wa was too mushy, too melodramatic, too unrealistic, whereas she thought that Tenki no Ko felt like a lot better. And I don't really know why I can't feel, or even understand, the way she feels, because I don't think the movie has any obvious flaws. It's a good movie. I just...feel slightly disconnected with it.

OK, maybe I came into the movie still with Kimi no Na wa expectations in mind, but I don't think it was that bad. I mean, I've liked Shinkai for a long while now. I love 5 cm per second and Garden of Words before that. I'm not going to compare all of his works to Kimi no Na wa. Maybe with Radwimps doing the music and having the same character designer made it easier to fall into that trap, but I tried not to.

What felt disconnected to me were the characters. Taki and Mitsuha felt much more rounded and grounded. Even the side characters were given distinctive personalities that the world feels alive. Yes, the story can be seen as too mushy and wishy-washy and melodramatic, but well that's Shinkai. His movies are almost always tear-jerkers that plays with our emotions. But, that's ok, because I feel with the characters. I understand where they're coming from. I know their stakes. So when we reach the climax, the tears just started coming out of their own accord.

In Tenki no Ko, for one, we never know about Hodaka's background, and I think that the way you receive the movie will depend on your interpretation of Hodaka's character. At the start of the story, we're immediately dumped on a ship in the middle of the sea with a huge storm going on. Hodaka's a runaway, whose reasons he didn't want to disclose throughout the entire movie. We gathered that he ran away from home, his parents were looking for him, and the only thing he would tell us is that hr was chasing after the light.

Now, what is this light? Is it a metaphor? Is it a real light? From the way he looked as he was riding his bike chading after the light until he stopped at the cliff, it can be assumed that he may not havr a great time at school, at home, or both. He might have been bullied. His family didn't understand him. So he wanted to run toward the light. OR, the dirt and exhaustion on his face could just be due to him riding his bike through the hill and maybe fall down the dirt once or twice. In that case, "the light" he's chasing could just stem from an adventurous side of him, and that's also why he ran away with not much of a preparation. But we don't really know, do we? It's all up to our imagination and interpretation. They tease us with a possible back story, only to back track and say "it's hard to say."

However, because we were never shown his back story, we don't know what his goal is. What does he want? What does he hope to happen or find by going to Tokyo? It's all cryptic, but I don't really have any problems with cryptic, implicit messages--if they'd given us at least some signs on whay they want to tell. Because of this, I still don't understand the significancies of some plot points except them only being plot devices with no other purpose whatsoever (I'm looking at you, gun and detectives).

Hodaka had the most lack of back story and that hinders me from being sympathetic toward his cause. All I know from him is that he's just some kid who runs away from home with no intentions of going back, trying to make a decent living under some journalist kind enough to take him under his wing, and by some random chance, he falls for a girl meant to be a "sacrifice to save the world." *palmface* Yeah, it's good and all, but it's only plot plot plot and more plot. Even that ending felt somehow cheap and ended in a cliffhanger. It's just--uuunghhhh!!!! I can't symphatize with Hodaka at all.

Hina, however, was better. She was given a short but suffice back story enough to get me invested in her. In a bid to have a walk under one sunny day with her sick mother, she became what was later turned to be a "human sacrifice to save the world." Now, this is where it gets interesting. On my first watch, I had no idea what thr movie was trying to tell. On my second watch, however, I at least understand that this is more or less Hina's story than Hodaka's. With Hina getting caught up in the events of the universe. Something that has happened from time to time. And there was always a sacrifice to be given "to set the world right again" and it just so happens to be Hina in this present time. Only, Hodaka doesn't want to let Hina go and he goes to great length to get her back.

This, in return, reflects another prominent plot point regarding the journalist helping Hodaka out (I forgot his name), especially on his grief and mourning toward his late wife. A wish to meet someone--a loved one--again, one more time. I think this is the central theme, what's with this being the main conflict and the climax and all. Heck, I think Radwimps' main theme (Ai ni dekiru koto wa mada aru kai) is about that.

Several other side characters also receives good writing, especially the journalist's niece. Even Nagi didn't have that much personality in my opinion (I still hate the detectives and I have no idea why they are there. Heck, why is the whole gun subplot there in the first place, except for being a plot device to have Hodaka run for his life? Oh! And having a gun that one time he thought he was protecting Hina 😂)

Having said that, I'm not saying that the story was bad. No. Far from it. The story was actually really cool. I love the whole Japanese lore thing with the rain god and all. And how the current events are only something happening in a chain of events that have happened for centuries. Hina isn't the first sacrifice the people had to offer to stop the rain. That is something I love. However, I think the world building could have been explained more. I wanted more info on the fish things and the huge spheres of water that were just floating in midair before bursting and drenching everything beneath it.

Even though I said the movie was only plot plot plot, it's not that I didn't enjoy it. The first half was all fun and good while the second half got really intense and I found my eyes glued to the screen. Hina's disappearance and the climax were two of my favorite scenes. The Grand Escape scene was also really well-done. Also, the songs felt really in tune with all the scenes :)

There's one more thing I need to mention: the movie had 2 upbeat songs, and in each song, Shinkai used too much of a sudden upward camera angles showing the clouds (OK sorry I don't know how to describe that 😅). Like, "the song's playing! Here're some clouds :D" 😂 It got really annoying.

*sigh* I think that's about it. A late review on Tenki no Ko. TL;DR the movie's good. The visuals were great. The songs were so in tune with the movie that it was really nice :D The story was cool, though it could have been tweaked a little bit more to make it more cohesive. My main complaint is with the characters, mostly Hodaka. His lack of back story hinders me from understanding his goals, from understanding him, hence I simply can't symphatize with him. At all. Also, that ending. Sure I get that they're trying to say "things are bad, but there's no point in mulling over it. There's no room for regret. What's done is done. All we have to do now is move forward. So, as long as we have each other, we/everything will be fine." And then Radwimps' Daijoubu starts. Yeah, I understand what they're trying to say, but it just feels weird and off and out of place and feels like a cliffhanger. Still, overall, I enjoyed the movie, albeit slightly confused at the overall theme they're trying to convey, and frustrated at the incompleteness of it (lol sorry don't know if that's a proper term).

#tenki no ko #weathering with you #makoto shinkai #shinkai makoto #tenki no ko musings #anime #musings #anime musings #reviews #anime reviews

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changeling-rin · 5 years ago

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Hi! I was wondering, what are your thoughts on the different Zelda games? Not a ranking or anything, just what did you like/dislike in each game/franchise as a whole? And how did you come up with the personalities of the characters for DL? Thank you!

Oof. Oh, you’re gonna make me Longpost, aren’t you. Yeah, okay. You asked for it.

Skyward Sword/Gen

-I both love, and hate, the motion controls. On one hand, I have never felt more epic than when I personally stabbed my sword into Demise’s head. On the other hand, I have never felt more frustrated when my wiimote would misinterpret my swings and I would subsequently die. Contrary to popular opinion, I actually like Fi. Her design is beautiful, her theme is gorgeous, and her goodbye to Link is one of the most beautiful yet heartbreaking moments in the entire franchise. The origin of the Master Sword, in my opinion, might be one of the best things to come out of this game.

Gen’s personality came about mainly as the foil to Lore and Dusk’s pre-existing dynamic. Lore is the spastic one, and while Dusk is definitely somewhat of the straight-man, he’s much more likely to roll with it unless it’s drastically damaging. Gen, on the other hand, will avidly apply common sense to anything and everything, and since Lore very rarely follows common sense, Gen morphed into his ‘conscience’, so to speak. His predilection for healing was a side-effect of me dying a lot in his game and spending more on Red Potion than probably anything else, and also because the group needed a medic and Gen was definitely the most take-charge character I had who would do that sort of thing.

Minish Cap/Speck

The Picori are the cutest things, oh my gosh. I do, however, suspect their violent and painful end in BotW - if they’re the ones who put the Rupees and Bombs and stuff in the grass, and there’s no such things in BotW… Aside from that! I adored the concept of shrinking down and having the entire environment change on you. It was such a unique way to make an old area new again. On the flipside, I loathed the Kinstone sidequest with a passion. I never did manage to match them all.

Speck was basically me saying to myself, ‘He’s a tiny person. How do tiny people see the world?’ And then he turned into a quiet, shy kid who tries very hard not to be a bother and looks at problems from a completely different angle than most people. This is why he always second guesses his words - he’s by far the most frequent user of ‘um’, ‘uh’, ‘ah’, ‘oh’, etc, and this is entirely on purpose. Tiny people, by nature, will do whatever it takes to make sure the bigger people don’t get mad enough to smush them - a bit morbid, I know, but if you think about it… This is also where his habit of stabbing the eardrum came from. Where most people wouldn’t even think of it, Speck just saw a really good access point and a whole lot of convenient fabric handholds to get him there.

Four Swords/The Four

I have actually never been able to get my hands on a copy of the original Four Swords game. I know. I’m a disgrace to the fandom. However, I have done extensive research, and I can say that by far my favorite concept is being able to deploy a Bow-Wow in the direction of my enemies. I literally cannot imagine it without cackling.

The Four were the result of me having two sets of Four Sword Heroes and desperately needing some way to tell them apart. It took a very long time for me to decide to play up the hive mind aspect, but once I did everything clicked for them. Rather than being split individual aspects of the original Link, the Four are literally a copy-paste of OG Link’s personality with only tiny variations between them, which led to the decision to make them somewhat quiet and awkward about their synchronization. People rarely accept what’s unfamiliar to them, and to be honest the Four probably have one of the more ‘tragic’ backstories. They may or may not have been chased out of a town or two due to a couple misunderstandings about the source of their hive mind. (My babies, I’m so sorry I did this to you I’m a terrible author whyyyyyyyy)

Ocarina of Time/Ocarina

By far, one of the most investing stories in a game. Ganondorf is fabulously evil, 10/10 would thwart again. Music, of course, is beautiful. The travel mechanic, on the other hand, I am not a fan of. Trying to get somewhere before getting the respective warping Song is tedious at best, and the sheer amount of time it takes for me to swap between Young and Adult Link is just… it’s a hassle, is what it is.

Ocarina is a little kid in a Big Person’s body, and I write him accordingly. He’s the wide-eyed boy in a brand-new world. He’s naive to a lot of things and oblivious to several others. He and Mask have a bit of an odd dynamic because of this - Ocarina will basically gravitate to wherever Mask is as a sort of unconscious instinct, under the unrealized assumption that Mask means protection. The ‘Little Brother’ mentality, if you will.

Majora’s Mask/Mask

THE MOON. THE FREAKING MOON. I will never be able to play this game without feeling vaguely stressed and unsettled the entire time and THAT FREAKING MOON is the reason why. Very compelling plot, 10/10, but WHY. Aside from that, the music is fantastic, Majora is Creepy To The Max and we so rarely get that in Zelda games so I am on board, the transformation masks are probably my favorite mechanic, and your heartstrings get yanked on several times with the Goron Lullaby quest and Mikau’s entire storyline.

Mask evolved directly as the opposite to Ocarina, with the caveat that he is directly aware of Ocarina’s unconscious ‘Little Brother’ mindset - Mask just happens to be sincerely uncomfortable with the ‘Big Brother’ role. He’s more knowledgable, more experienced, and this was done explicitly to be in direct contrast with the fact that he looks like a little kid. He’s Ocarina’s opposite in every single way, and it’s fun to have them play off each other.

Twilight Princess/Dusk

Probably my favorite game, art-style-wise. There’s some things that Twilight Princess does fantastically well artistically, not to mention that it contains one of my favorite characters of all time. Midna is awesome and there’s nothing that will convince me otherwise. I actually think the wolf mechanic is a really good way to make new problems within old areas - but I will admit, the bug hunts can be tedious. And that one escort mission can go jump off a cliff. But I adore everything about the concept of a Twilight Realm, and even though Ganondorf comes in and kinda shafts Zant out of the way, he’s fabulous enough that I can accept it. They are, after all, both marvelously evil.

Dusk’s personality came from me thinking back on everything that happens in his game and promptly deciding that: he either went a little insane to deal with it all, or he had the lowest level of crap to give that I’d ever seen. Obviously, I decided on the latter, and I’m very glad I did, because from there that allowed me to build the faux-duo-actually-triad leadership between him, Lore, and Gen that works so very well. I kinda ended up putting a little of myself into Dusk, in that he’s very reserved and will think about what he says before saying it. Of course, I had to incorporate the wolf somehow, and the way that was the most fun for me was to bring some of those traits over into his hylan form. One of these was me interpreting the howling mechanic as Dusk being a naturally good singer, and we all know where that led.

Four Swords Adventures/Red, Blue, Green, and Vio

The loss of the Bow-Wow hits me deeply, but we do get horses so that helps a little. Also, it surprised me a little how similar this game is to the predecessor, Four Swords. There’s a couple plot differences, Shadow Link is a thing, but for the most part it follows a very similar pattern and I kinda wish something different had been done. It’s fun having more than one weapon to swing around, but not quite as much without other people to play with. The one thing I have to say about Zelda multiplayer games is that, without actual multiple players, it’s just… not as fun.

I freely admit that large parts of Green, Vio, Red, and Blue’s personalities came directly from the FSA manga - particularly, the subversion of color expectations by having Red be the timid one and Blue be the aggressive one. You never see that nowadays, and I immediately pounced on it. Vio and Green had slightly less large chunks of manga personality, but I basically ripped their inner-group dynamic wholesale. Their individual interactions though, those are all me. Blue and Vio just seemed like natural bicker partners. Red’s Adorable Puppy face evolved out of the sheer amount of times the manga had him on the verge of, or shedding, actual tears. And Green naturally needed to be the exasperated leader keeping them all in line. It all just sorta flowed from there.

Link to the Past/Lore

The originator of such musical classics like Kakariko Village, the Dark World theme, and Zelda’s Lullaby, and I thank this game for making these songs so good. I adore the way that the Dark World can take the entire freaking country of Hyrule and turn it into something completely new. But there were some times where I wasn’t sure where to go? I don’t know if it was me or not, and it could have been. I might just be bad at inferring destinations.

Lore is the direct result of being the target of four entire games, and me thinking to myself, ‘Now how does a normal person deal with something like that?’ The answer was, of course, that they throw normality out a window. Lore is my way to have fun, and also to let out every random impulse I’ve ever had but never acted on. In a way, Lore is me, but without all the inhibitions. Sometimes he ends up being a direct conduit between my brain-thoughts and the page. That aside, I also gladly seized the opportunity to bring something different to the group, which is how the different languages came in. He’s the only Link who actively, within his games, visits other countries, and there was no way I could pass that up.

Oracle of Ages/Oracle of Seasons

They remind me of Pokemon titles. “Here’s these two games! With the exception of some minor details, they’re exactly the same! Combine them for a special surprise!” I do think the Subrosians are adorable though. And of course, shout-out to Veran, the only explicitly female villain the Zelda franchise has ever seen. Maybe someday you’ll get a friend to help you out in that testosterone-filled mess. Maybe someday.

Link’s Awakening

Far sadder than I anticipated it being. Also, the Bow-Wow returns! Clearly the best thing in the game. On the bad side - I don’t remember which one it was - there was this one dungeon that just… for the life of me I could not get it to make sense in my brain. I don’t know why. I also don’t remember what the solution was. Very engaging story though, the Windfish mystery kept me engaged right up to the Big Reveal.

A Link Between Worlds/Sketch

The painting mechanic is just. It’s so clever. The entire landscape is transformed with a single dimension shift and I loved it. I was kinda skeptical about the same map as LttP, but then Lorule happened and I was pleased enough with that to accept it. Ravio and Hilda are fine additions to the LoZ family and I wholeheartedly accept them - also, the Lorule Castle theme is one of the best songs in the franchise, fight me. One thing I do remember is this one boss battle, I think with some sort of Manhandla plant? It took me at least ten or so tries to get past that thing. Really didn’t enjoy that one.

Everything intentional about Sketch evolved from his painting ability, this being his phobia of water, his tendency to use stealth in a confrontation, and his continued sidetracking with artistic ideas. At some point though, he turned into one of the most sarcastic Links in the bunch, and I’m really not sure how it happened. But it seemed to fit him for whatever reason.

The Legend of Zelda/Realm

I regrettably have not been able to get my hands on this one either, but I have watched a play-though. My observations are as follows: Where is the map. How did anyone figure out where they were going in this game. I don’t understand how that wall was supposed to indicate it was bomb-able. How did people play this game without getting too frustrated to continue. On the bright side, the dungeons seemed to be very well-laid-out, and the bosses, while repetitive, were pretty memorable. I suspect I would get lost within the first ten minutes, though.

Realm is directly based off of my above observations. I am firmly of the opinion that absolutely nobody can make it through the original LoZ game without getting lost at least once, and this resulted in Realm’s absolutely abysmal sense of direction. Consequently, I made him hopelessly optimistic and cheerful enough to make the sun jealous, because the only person who could put up with those sorts of mishaps is the person who can just get right back up and keep going. Also, the fact that I myself and severely directionally challenged means that writing Realm comes very easily.

The Adventure of Link

I have not played this one either. I apologize. That said, I dislike the switch from top-down to 2-D scroller. In comparison with literally every other game in the franchise, AoL feels the least like a ‘Zelda’ title. Though, for the invention of Shadow Link, I award at least few points.

Wind Waker/Wind

It’s adorable. It’s somehow a very dark and serious game disguising everything behind a cute and cartoony art style and even though I can recognize it I don’t actually care. The story is engaging, Tetra is the Best Pirate, and the ocean makes it feel so big. I do think the sailing mechanic can be a bit time-consuming before the warp travel kicks in, and I actually feel like Ganondorf went down too easily, maybe?

Wind is based off of sailing, basically. I took the amount of time it takes him, in-game, to get places and decided that he has the patience of a saint. Also the bafflingly ability to stay awake for three days straight, but that hasn’t come up in DL, so. Because of this, he’s usually pretty content to let conversations evolve without much input from him, unless he’s got something important to say. And of course, he’s got the Wind Waker, which resulted in me making up an entire magical classification system to explain why he’s so good at controlling the weather, accompanied by an entire chapter-length head canon about the relation between the weather and music. Ironically enough, for all that Wind has no instrument of his own, the fact that he’s a conductor means he’s actually the most musically talented of the whole group.

Phantom Hourglass

I wouldn’t call it a worthy sequel to Wind Waker, but I honestly don’t think it’s too bad - with the exception of the Temple of the Ocean King. First time, it was kinda fun. Second time, less fun, Third time, getting repetitive. Fourth time, getting annoying. Fifth time, and I was really done with that mechanic. The remixed Sailing Theme was good though, and once I got past Linebeck’s surface personality I liked him pretty well too.

Spirit Tracks/Steam

I have never played this one, but the concept seems fun. The riding-a-train song is amazing. This Zelda is probably the most fleshed-out that the character has ever been, and I dearly hope she can take the position of ‘companion guide’ again someday. Or maybe even ‘protagonist’, who knows? I do dislike how vague Malladus is, because as the Final Bad Guy I feel like he should have been solidified more than just “Demon sealed a long time ago”. And to be honest, why Trains? It just seems so random.

Steam, like several other Links, is based around his gameplay. As an engineer, he’s a pretty hands-on type of person, which is why he frequently gets distracted with the inner workings of other Links’ items. And due to the fact that Trains require very little input to control and a lot of travel time, he’s the least physical of all of them. This basically means that he runs the slowest, hits the lightest, and will likely bring the least to the table in a fight. This is one of the reasons I gave him the ‘I Like Trains’ summon, because even if he himself can’t hit very hard, his Train sure as heck can.

Oh my gosh I think this took me a solid hour to type out, I hope you’re very happy with this response Anon ;)

#Changeling Answers #Opinions #Headcanons #I had a lot of fun with this but my gosh writing it out took forever #Anonymous Replies #All the DL Links #Dimensional Links

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pi-cat000 · 5 years ago

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MSA: Winged Arthur AU (part 8)

Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7,

Part 9: here

Vivi POV 3

“What the?” There is a loud declaration of confusion from Lance. Vivi follows his line of sight to Arthur. Vivi assumes he has just spotted the wings.

“I know. I have no idea how they got there. He collapsed before he could say anything.”

Lance, attention moving between her, the ghost, and Artur, exhales long and hard. Then he angles the gun more towards the ground, ordering, “Keep an eye on that bastard. If it moves, give a yell.”

She nods, stepping forward, allowing Lance inch around her and crouch next to Arthur. He needs to do a bit of manoeuvring to avoid stepping on Arthur’s mess of feathers, but he manages it in his grumpy Lance fashion.

While Lance checks on Arthur, she once again makes eye contact with the ghost. Now hovering closer to the entrance, near a beat-up semi-trailer – where had that come from? – the ghost is anxiously clenching and unclenching its fists. Purple eyes are tracking their movements with a disturbing intensity. Creepy. Doubly so now ‘Lewis’ looks like a flaming skeleton again. She glares and receives that pitiful expression. Thankfully, with both her and Lance there, the ghost has decided to keep its distance. Vivi would rather it go away and return to its middle-of-nowhere-mansion, but it appears she’ll have to settle for whatever this was.

“He’s okay, I think, apart from the wings anyway. Too dark out here to see much besides feathers. I want to move him inside ta get a better look.” Lance leans back, muttering under his breath, “Also, it’s gotten mighty cold all of a sudden.”

Vivi nods again, relieved to have confirmation on Arthur’s wellbeing. She’s not really feeling the cold but going inside seems like a good a course of action as any.

“What happened to that tree creature?” She asks while Lance goes about trying to pick Arthur up.

“Gone, ran off into the desert with the giant fox.”

“That’s good…I think?” Vivi can’t help the twinge of worry for her fake dog who had been bleeding heavily last she’d seen. Mystery, who had been injured protecting her. Secret or no secret, she feels responsible.

“I got in a few good shots on the tree before they went outta range.” Lance continues to speak, before narrowing his eyes at ghost-Lewis, “What’s that things deal?”

“It’s a wraith,” She states, ignoring the way ‘Lewis’ wilts, flinching back, “They’re dangerous. It’s probably best we keep an eye on it.” Sure, ghost-Lewis seems relatively fine now but she knows that calm is a facade hiding a whole lot of angry fire.

“Right.” Lance doesn’t question her, focusing instead on carrying Arthur which looks difficult due to how the wings flop about. Vivi wants to help but doesn’t like the idea of taking her attention off the ghost for any length of time. Luckily, after a little fussing and several swear words, Lance manages to sling Arthur over his back, so it looks like he’s wearing a very feathery coat. He shuffles his way to the front door. The trip takes an unreasonably long time, considering the door is only a few feet away. Vivi tracks their progress, on edge and anxious.

There is some difficulty fitting Arthur through the screen door, forcing Vivi to turn and help arrange the wings in a way that will allow them past the frame. Once done, she about-faces to find the ghost has drifted closer, appearing hopeful now neither her or Lance are acting outwardly aggressive.

“No,” She says, brandishing her bat again. “You stay out here.”

“What,” The ghost, stunned, freezes in place, staring like she’s grown an extra head. Vivi steps forward, blocking the entrance.

“You’re not welcome inside this home,” She reiterates. “Uncle Lance. Tell ‘Lewis’ he’s not welcome inside.”

Lance, now just through the doorway, stumbles almost dropping Arthur, giving an abrupt, “Huh?”

“First rule of supernatural anything. They have to be invited into homes.”

“Not what…” Lance shakes his head, “What do yeh mean by ‘Lewis.’”

Okay, so Lance knows who Lewis is…Perfect. That doesn’t change anything aside from confirming her theory that she had known this ghost at some point. She waves pointedly, giving Lance as serious an expression as she can manage.

Lance’s gaze snaps to the ghost in befuddlement. “Hold up. Yeh not tellin me that that, right there, is Lewis?”

“That’s what he said his name was. Right before he tried to burn me and Arthur,” She states.

“I would never hurt you…I swear. It’s just…Arthur…he’s done something. I don’t know...there’s a lot I… you… don’t know. If you would just let me explain,” The ghost pleads again, genuinely remorseful. Talk about your mood swings. Another point in favour of her wraith hypothesis.

“Is that before or after you burn us both to a crisp.” Vivi snaps back.

Lance side-eyes her seriously. Then he examines the ghost, expression hardening.

“Hurt my nephew and yeh ain’t welcome here. Simple as that,” He grunts and turns, heaving Arthur with him.

“No! You can’t. I’m telling the truth!” The ghost reaches out, fire guttering and flickering to his more human form. He sounds desperate. With one shaking arm, he grasps towards her, “Please.”

Vivi glowers and deliberately slams the door in the, now human, face. For a second, she doesn’t move, waiting to see if ‘Lewis’ is going force his way in. There is only a loud cry of frustration, more sad and mournful than angry. Back against the door, Vivi exhales hard. Why does her chest hurt like it’s full of breaking glass? She runs a hand along her collar bone trying to massage the ache away. It’s useless, the pain isn’t physical. An inhale, and she pushes herself off the door.

When she enters the combined living-dining space, Lance has already dragged Arthur to the couch and is in process of wrestling him into a comfortable position. He’s doing his best to work around the copious number of feathers but is struggling to find success. Vivi rushes forward to help, glad for the distraction. They end up lying Arthur down on his stomach so the wings are draped over the couch’s backrest and spill onto the carpeted floor.

“That true? The stuff about welcoming in supernatural creatures?” Lance grunts, while he checks Arthur’s pulse and breathing, running a hand over Arthur’s head and the rest of his limbs, searching for breaks or other injuries.

“I don’t know,” She sighs, straightening, “There’s a lot of lore spanning multiple mythologies, and it crops up a lot in older superstitions. It's more of an educated guess.”

A thoughtful hum.

“Suppose it’s better than nothin. Those myths happen ta mention anything like this?” Lance is now repositioning the wings to look more natural while muttering, “Don’t know nothin about birds. Do these look like they’re sittin right?”

“No myths that I can think of off the top of my head. I mean there are a few where people turn into birds. Not that I think that Arthur is turning into a bird,” Vivi hastens to clarify when Lance gives her an expression of acute alarm. She shuffles nearer, pointing at Arthur, “I think those are flight feathers. They’re definitely not supposed to be bent like that.”

They spent a few seconds straightening the plumages in soft silence.

“There are a bunch of mythical humanoid creatures that have wings and such. I don’t know…maybe you’re related?" Vivi breaks the quiet and is met with a blank expression. “Do you have any relatives who mysteriously vanished for a few years then rocked up pregnant or with an unknown baby? Was anyone adopted into the family? Like, did someone find a child abandoned on the steps to your house and decided to keep it? Any sudden changes in a family member’s personality like they’d been mysteriously replaced?”

“What are yeh on about?”

“The most common reason why humans’ manifest supernatural traits is usually bloodline related. Someone somewhere had a fling with something not quite human,” Vivi elaborates to which Lance frowns, obviously thinking.

“There’s nothin like that that I can think of. But, don’t get along with the bastards, so who the hell knows.”

“Oh, that’s a shame. I guess I can jump online and look into it.” She looks back to Arthur. “Maybe later...”

Carefully, she reaches out from where she is crouched to smooth out a few more feathers which are twisted at odd-looking angles. They feel real, growing from between Arthur’s shoulder blades and extending into smaller downier feathers a little along his back. His shirt has ripped from where the appendages had grown in. No sign of that golden light from earlier.

“Who’s Lewis.” She asks, the question coming suddenly. The response is particular. A huff of air followed by tired and drawn eyes. Lance appears almost haunted.

“Humph. Ain’t that a question and a half,” He stands, glancing towards the broken windows. From this angle, they can just make out the back end of the semi-trailer but said ghost is out of view.

“I know him, right? This Lewis person?” Vivi prods.

“Yeah. Yeh know him.”

Lance turns, calculating, “Suppose I could tell yeh more, seeing as ya seem to be retainin the name ‘Lewis’ well enough.”

“Wh...?”

“But not before I get a drink and yeh see to any of ya own injuries. Arthur’s fine enough, but yeh look dead on ya feet."

What did Lance mean by ‘retaining the name?’ Was this linked to her memory gaps? Probably.

“I’m fine. I mean, I wasn’t fine. I got stabbed here,” She rubs her shoulder, “but, Arthur kind of took care of it.”

Lance peers at her shoulder. There’s a lot of dried blood but no sign of the injury it came from.

“Arthur? He did what now?”

“Healing magic. It’s what knocked him out. He just, I don’t know, healed everything. I actually feel great, like I’m on some crazy energy drink. Ah… Sorry.”

Lance snorts, rubbing his eyes, “Don’t apologise. That boy wouldn’t know self-preservation if it hit him over the head. If you’re sure ya ain’t injured any, then how about yeh keep an eye on the kid while I get us something to drink. Then I’ll tell yeh what I know of Lewis.”

Vivi relaxes a little and nods.

“What can I get yeh?” Lance pauses in the doorway.

“Uh…Tea I guess? Herbal if you have it.”

Lance disappears and she hears things being moved around in the kitchen. Vivi settles down into a more comfortable position on the ground next to Arthur, continuing to smooth the feathers. So, she was right, ghost-Lewis fit somewhere into the swiss-cheese that was her memory of the last several years.

Note: Okay, so do people want to read a ‘Lance explains Lewis to Vivi’ conversation (if so, then whose POV do you want it in). Or do people want me to skip to Arthur waking up. I’m leaning more towards skipping atm but if there’s interest I’ll probably write that scene first.

Part 9: here

#MSA #mystery skulls animated #fanfiction #fanfic #Vivi Yukino #lance kingsmen #Lewis pepper #winged arthur #ghost lewis #supportive vivi #lance and vivi have a small chat #lewis angst

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polygon-streams · 6 years ago

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April 21st, 2019 - Pat’s Easter/Post 4/20 Donk Souls Stream

Pat played another stream of Donk Souls, back again with Magnum Jr. Stream went on for a little over 3 1/2 hours, so there’s quite a bit to note

Recaps a bit on yesterday's stream, telling the story of Magnum Jr.

Is interrupted by piss as he explains how he wants to find a loincloth for Magnum Jr, we are still on the fight for as naked of a Kong as possible

"Suns out guns out here in Lothric" - Pat, 2k19

Thanks some good subbers

Waluigi subbed up, thank you Waluigi

Vordt of the Boreal Valley is a fun name

"Hey.. hey, man.. hey.... alright bye, guess I'll see you later, man." - Pat @ a skeleton lookin’ enemy who walked away from him

Magnum Jr. has an arrow through his neck is he ok

4/20 was successful because he didn’t do weed due to it being an illegal criminal activity

"I don't want to perry.. what do i look like... Matthew?"

Has a very long stare at the chat ".................Matthew Perry"

Bonk bonk bonk souls

Gives a few more gifted sub shoutouts

Half-logan?

( Chunk of the stream is missing about right here. Only about 30 minutes, sorry about that )

He doesn’t drop pants

Beeline for vort

Memeshart is giving good gamer advice ( I’m sorry Pat, we all know Memeshart is the supreme gamer here )

“I got vorted” - Pat Gill, 2k19

Let’s fucking go, Pat can do it, we got this

Pat has fought this Vordt X times

“Juice time, baby, juice me” - also Pat, 2k19

He’s having more trouble than usual bc his other characters wore clothes

Vordt Souls

RP: do you guys know my dad?

Hums to konkey dong

X is your uber ride, am outside

God dammit, dogs. He’s killing the bone dogs.

One of this weird turtleback men is actually my friends that wants to hang out with me

Does that make me into beef jerky? I want my Kong to be fresh

More dog hate. He’s getting mauled by dogs. “Please lord of Dark Souls don’t let these dogs kill me”

“Why can’t I use ember? Is it because I already am bird shit?” nice joke.

Tropical freeze is such a good soundtrack. He’s done into the past and he may switch to it towards the end

He wants to bottle feed the kittens. He feels the best way to get a kitten to drink out of the bottle is by convincing them they really don’t want it to drink out of the bottle

Just realized he doesn’t know what the fuck is going on in this game after noticing for the first time a person is growing into a plant. Now he’s wondering why the people in this town are turning into trees. Angel b: they’ve commited treason greatest victory : they’re turning over a new leaf

He wants to make today and tomorrow pizza days. And he’s got a big thing of lactaid so he’s set to commit this mistake

He’s working on the environmental storytelling. That’s why he likes it, you have to put it together

If Ken Levine made this game he’d had made it clear by writing on a wall or something but not here

Dark Souls II: spooky stuff here in dark souls. That’s why the game is not called light and breezy souls

He got box stabbed, but he’s having a nice time souls

“This is my friend, Johnny, get it?” - We didn’t get it

“This is my friend, David”

“This is also my friend, Nick”

“Johnny cage.. because it’s a bunch of people in a cage” ( can confirm joke landed only for like two people )

This area gives Bloodborne vibes. Sorta medieval Bloodborne

“I’m not gonna use the whip”

jk he might try

Important update: Charles is sneezing

Camera angle is not in Pat’s favor up in this ruins and he hates it

He doesnt wanna fight anyone called Hodrick

We’re gonna avoid Hodrick and go fight a giant shooting arrows from a tower

22.32 Bijan is here

Memeshart is a consultant-- Pat is calling on memeshart like an Alexa

“Memeshart, play Despacito” Another great joke, Patrick

We’re testing Memeshart’s knowledge boundaries

Memeshart lore: They were picked up from a shipwreck by the current memeshart

Pat doesn’t remember this part being so annoying ( he also doesn’t remember he had clothes for the other characters )

Again with the Johnny/David/Nicholas Cage joke ( but now we all got it )

He’s avoiding killing non hostiles ( he definitely killed them in his main files, though )

Grim Acceptance: The emotion that bopping to The Entire Buck Bumble Theme for 3000 Bits elicits

He’s not particularly excited for the Sega Genesis mini. He didn’t have a Sega so he’s not particularly nostalgic

Bastard Sword: “I am kind of a bastard.”

22.48 Faith’s here

X i s one of hs favorite tracks in the Donkey Kong Country soundtrack

dumbassrights was gifted a sub. a good username, we can all agree

Unspoken chat rule: You aren’t allowed to say you got pizza without also saying the toppings

“He- he packed a bowl, but it was 420 yesterday!” - Pat

Very close to having the loincloth

“Love a big rat”

He doesn’t lock on a lot of enemies, especially big enemies, with enemies surrounding

Even more dog hate. Sorry, can’t relate.

Onion man is with us. he did not help with dog enemy.

“This guy sounds like Paul F. Tompkins doing Alan Thicke”

He’s good friends with the big archer giant. Friendship goals.

Bijan: “Can anyone explain the plot of Dark Souls?” Pat: “No.”

“It’s time to probably die”

Onion man is sleeping, chat decides to spam z for good slumbers

Lore check: this is the son of Magnum Kong , Magnum Kong Junior and he’s trying to find his dad, his papa, his daddy.

Went full “That’s rough, buddy” with “They really just tied a bunch of people to these burning wheels, huh….. rough..”

“I’m not good at archery, but the point is not about doing well, it’s about having fun.”

( sees enemies ) ( gasp ) two of them! ( dies )

Memeshart comes in again to say Pat missed a chest. Thank you for your service, Memeshart

Memeshart was right ( as always )

enemies: throw orbs pat: Is that allowed??

Still hasn’t seen the bone ball. Boneball watch 2k19

“Perfect for us whomst love to hate wear pants”

Spitballing this part because he hasn’t played it.

( picks up a reinforced club ) “I’ve joined the reinforced club. The club is me. I am the club.”

“goin’ on a quick loin cloth quest”

“I’m not sure what burning an undead bone shard does, but 420 was yesterday.” - I am not sure what this means but he isn’t wrong, I guess?

We’re gonna go burn an undead bone shard in a loincloth

“Loincloth is a bit more modest than previous ones but we got the legs exposed which is important” - good fashion advice from pat

“I do like the swing of the cloth it makes you think you might have a little peek if you get lucky”

“I’m touching a lady hold the fucking phone dude. Did I fail the touch?”

Young Man Charles was in the background for like 5 seconds and chat went absolutely nuts. As they should.

“I just wish we could get the ass out more in this game. I guess they cut down on the ass.”

Pat yeeted the sword master.

We’re gonna fuck up a tree. He’s the first or second big boss in Dark Souls 3

Content Warning: Nasty Boss. Pat’s gonna smack this tree’s groin area.

Faith is somehow not fond of this boss. I wonder why

Charlie showed up but Pat is busy busting these veggie’s nuts

Pat’s still adamant about not using the whip: “I’m not gonna whip this tree dude’s nards”

“Watchin’ Highlander on 4/20!”

Does not want to be hollow, would rather be ‘plump and svelte’

“I love when my elaborate attack doesn’t hit.” - A relatable gamer feel by Pat

Pat is having a sweaty one today

“We should clay-less…. We should mackle-less ( old man groaning noises )”

“I think the gentleman doth mackle too much.”

Oh, it’s drag JK Rowling o’clock! sipping_that_tea.jpg

According to Pat you psychologically cannot poop standing up

“Why did she say that? why did she do this?”

Chat says that babies poop standing up. Pat responds with, “Babies aren’t like us.”

“I’ve had enough poopoo peepee talk for today. Fuck JK Rowling.”

Chat is going full trans rights for seemingly no reason, it’s beautiful.

Was that little man always there? We may never know. Pat definitely does not remember the lil dude though, but seems to appreciate his presence nonetheless.

Here goes the french champagne

c h u n k y r o l l i n ‘

admin duderave put that he spilled cottage cheese on himself in chat, “duderave… how much cottage cheese was spilled…”

admin duderave was laughed at for spilling cottage cheese on himself. it be like that sometimes.

Aerospoon back at it again gifting about 10 subs today. Nice goin’, buddy, doing God’s work on this fine Easter

He was talking about his next stream and got distracted by Charlie, as you do ( the next stream is tuesday at 8pm est )

He’s got the whole day off on Tuesday bc he worked pretty much all week due to traveling

After clicking around for a minute, decided to raid thatguyTagg, and said goodbye

End of stream!

#pat gill #patrick gill #twitch #polygon #dark souls

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dafheannaig13-blog · 5 years ago

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The Not-Herald of the No-Maker

a thing about Inquisition that always frustrates me is the whole ‘Herald of Andraste’ angle they have going on. I understand that people, at large, will happily latch onto A Thing That Gives Them Hope, especially in times of strife, and they wanted to mirror that in the game, but no matter what your Inquisitor says, everyone refuses to listen to them if it doesn’t line up with their chantry shite. The most notice you get is disapproval from Cassandra and that interesting line in Sera’s journal about being ‘the not-herald of the no-maker maybe he’s right?’ which is both in-character for her AND a great way to work in personal details about your Quis into the game itself. I would’ve liked to see more of that actually! It was nicely done!

I only ever played as a devout andrastian one time, (mostly just so i could romance Cassandra) and going along with all the religious shite seems to change certain bits (like dialogue and such) far more than playing as an inquisitor of any other religious affiliation (or of no affiliation at all, which is what i usually do). Even if you make it clear to Cass at Haven that you’re not on for the chantry (either bc you don’t believe in anything or bc you’re of a different religion), sometimes the game acts as though you didn’t? Like, I even got the ‘maker, stop it!’ dialogue choice in the Fade when Stroud and Hawke were bickering as a fucking Dalish elf who professed to believe in the Dalish pantheon.

I get that Andraste and the chantry are a significant part of the game’s lore, but could they maybe give us a bit more room with our characters’ beliefs? Honestly nothing pulls me out of a game more than forced religion, and while it is because of my own issues and not the fault of the game itself, I would still appreciate the choice to opt out of all the religions, particularly when there’s another game in the series (namely, Origins) that allowed players to do that.

Also also, it really really bothers me how some of even the Inner Circle go for the whole ‘prophet’ thing, regardless of what you tell Cassandra. I understand the masses at large not being privy to your Quis’s real thoughts, but their friends? Their colleagues, their co-workers at the very least? For all Varric’s bluster, I don’t think he’d tell the Quis to their face that he thinks they’re a prophet if the Quis had expressed discomfort about it. He likes to mess with people, it’s true, but that sort of thing really doesn’t strike me as in-character for him. Maybe there could have been some discussion between the Quis and Cassandra about their beliefs that didn’t provoke the Great Disapproval, or that would only garner disapproval the first time, but not in any subsequent conversations so that you could develop your character a bit more without making an enemy of a companion who’s kind of important?

And the Quis’s lover! Can the Quis not tell their lover that religion is not a thing for them, and it makes them uncomfortable to be seen as a ‘holy symbol’ by the person they’re seeing? Bc I love u Dorian but so help me if u say one more time that your bastard god sent Max to fix the world he’s gonna jump off the fucking balcony DOES NO ONE BELIEVE IN COINCIDENCE ANYMORE FUCK’S SAKE PEOPLE SOMETIMES SHIT HAPPENS AND THAT’S ALL THERE IS TO IT CALM YO TITS

STOP BELIEVING MAX IS ALL PROPHET-Y ALL RIGHT?? HE THINKS RELIGION IS STUPID AND HE JUDGES U LOT FOR BELIEVING THAT ANY GOD WOULD SEND HIM TO FIX ANY PROBLEM EVER BC HE IS A FUCK UP AND A LAZY, SELFISH COWARD AND HE KNOWS IT!! HE WANTS TO RESPECT U BUT U MAKE IT SO FUCKING HARD! IT’S BAD ENOUGH THAT HE CAN’T LEAVE U LOT TO DIE OR LET THE WORLD END WHEN ALL HE WANTS IS TO GO HOME BUT TOPPING IT ALL OFF WITH ~DIVINE INTERVENTION~ AND DEITIES AND SHITE IS JUST TOO FUCKING MUCH HE’S NOT STABLE AND IF THIS GOES ON HE NEVER WILL BE FUCK JUST LET HIM GO HOOOOOOOOOME WHY DOES THIS HAVE TO HAPPEN TO HIM WHYYYYYYY

it is entirely possible that i project more onto this character than i consciously realise and needed to vent a bit

i’m sorry

#dafheannaig gabs about nothing #dafheannaig rants at random #dragon age: inquisition #my inquisitor's a dick #max trevelyan #my idiot son #fuck the chantry #anti chantry #kind of anti religion i suppose??#idk #chantry #inquisitor #the inquisition #my lad is in the wrong line of work friends

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groundramon · 7 years ago

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Homph I finished tri and I wrote down my thoughts as I was watching because I had too many funny shitposts and nobody to share them with bc charlie hasn’t watched tri yet

PS i wont be reblogging tri spoilers (besides MINOR stuff like, digivolutions of already confirmed digivolution lines or non-spoilery shitposts, but I’ll try to tag shitposts as #tri spoilers anyways [digivolutions specific to tri ill tag as well but not ones that were already basically confirmed]) for a while so ur safe here! I’m just gonna like everything/most things because then I can rb em to hisyaryumon lmao (also u should check out hisyaryumon....its me n charlie’s digimon blog)

EP 1:

- ok. alright. ok. good. they’re dealing with kari’s emotions now instead of just. nothing. ok. alright. cool. Still dont like how obscure/”artsy” they’re being with it, this is digimon not kagerou project, but ok.

- Also. I stand by tk and kari being one of the few good straight ships in digimon. just saying.

- kari: this is my fault... me: god damn it shut up you little brat also me: god relatable ALSO me: ill take whatever display of emotions i can get

- I love how nobody believes tai is dead like. They’re upset and worried but they’re also like “nah. he cant be. that fucking asshole just left us in our time of need” (actually only matt is the last one)

- Gabumon i would die for you also im crying and I think that’s the first time tri managed to make me fucking CRY

EP 2:

- I had thoughts but then the 02 kids happened and I entered another plane of reality. I don’t feel real right now

- the only one I can remember is evil!gennai being a dumbass and being like “SUFFER AND SQUIRM YOU PATHETIC HUMANS AS YOU FIGHT OVER THE LAST SEAT” 1. humans are KNOWN for their ability to care for others you dumb obvious fuck and 2. is. is the entire tube going? because that tube can fit too people if they squish. This isn’t a joke I’m serious it can.

- oh yeah also when i saw whomstever the fuck his name is (adult guy who i love but fuck names) and he was all bloodied i was like “its a cold day in hell when i see blood in digimon” (I think there was blood in an earlier ep but shh idc)

EP 3:

- didn’t nishijima start off as a fucking life coach to these kids. What the fuck he was supposed to help them find a career not emotionally scar them by bloodily dying in front of one of them

- im realizing that the reason hackmon was always in his cloak, in the shadows, standing still is that they cannot animate him in any normal position for the life of him. I drew him with better anatomy when i was 14 and didn’t have a tablet. No seriously, look:

I didn’t say it wasn’t bad, you guys are just underestimating how bad the anatomy on this poor creature is. Why cant ppl draw dracomon or hackmon correctly imma cry

- ordinemon has the best reaction faces

the best part about these two screenshots is that they literally cut one to the other, first the first one to the second one and then it cuts back to the first one. They were really proud of these stupid ass expressions.

- I started overcoming my dissociation shock from the second episode and my hypercritical mind was analyzing the shit out of everything that happened (it is Not happy) but then evil!gennai called kari and evil goddess and idk if he’s exaggerating to make her feel bad or if she’s literally a fucking god of chaos and destruction and either way im like

she did kinda like. Watch wizardmon die, watch tai die, watch gatomon get absorbed. The dark ocean is just a metaphor for depression and honestly if 02 wasn’t all over the fucking place I think Kari would’ve had some pretty decent development in it. Actually you know what, I’m using that as an angle to approach Tri at now, wish me luck bc i might actually give it more leeway now

EP 4:

- I’m not dissociating but I forgot to say anything again and I already forgot what happened

- Cant believe mei is fucking dead

EP 5:

- I like to imagine that Tai got there like a few minutes ago, but he was like “well damn guess yall figured it out without me. alright ill just. see if I need to do anything” and then meicoomon was Still Bad so he waited for when she struck just to make the most badass entrance possible. Fucking extra ass bitch

- I forgot to write anything again but uhhh I wasn’t satisfied so anyways lets just get into the Juicy Details

Originally I was actually planning to be kinder to Tri than I expected. Was very invested during it. ‘Round the end of the last ep I realized hmmm no this isn’t working out. Where are the 02 kids. You should’ve brought them in to save the day. That would’ve been SO cool and SO fun. Fucking cowards.

god I’m kinda tired so I’m going to address a couple things I still had problems with, note that this isn’t everything it’s just everything I felt comfortable yelling about without rewatching past eps. Like I forgot nishijima was all bloodied and presumably died in the last part until they brought it up and I was like “????” ALSO DID THE LADY WHO WAS HIS PARTNER OR W/E KILL HERSELF WITH THE GUN SHE FOUND, I JUST REALIZED LITERALLY AS I WAS TYPING THIS THAT SHE FOUND A GUN AND THEN I THINK IT CUT TO BLACK AND I’M

DID SHE FUCKING KILL HERSELF WHAT THE FUCK

anyways my problems:

1. They did joe. really dirty. I’ll write a more proper rant on this sometime later (mostly bc charlie is MUCH better at talking about joe than I am) but basically I can tell you that his character development in the movies squandered his OG character development. He’s basically an entirely different person. Like Tri joe isn’t bad, besides being largely neglected (yes he has a whole half a movie to himself, no that doesn’t make up for it all), its just...not OG joe. He’s a fine character just not the same character, and its NOT fine when you put the two together.

2. THEY DID THE 02 KIDS EVEN DIRTIER IM SO BITTER sorry you nostalgia-blind, money-hungry fucks at bandai, but the 02 cast is PART OF THE ADVENTURES UNIVERSE. The only people who hate 02 are ones who like the characters but hate the mess of the storyline at the end, or are completely irrational and elitist about their love of the digimon series and would greatly re-evaluate their opinions if they watched the original series and 02 back to back. They couldn’t even show them in some kind of group montage at the end??? Standing in the background when they call Mei??? Why couldn’t they call mei from a home phone also, but that’s a less important problem idc that much. It was a cute scene besides the lack of 02 characters. Whatever. AND THE PROBLEM IS LIKE kari and tk? This entire time??? Were like “oh they disappeared. oops” instead of being frantically searching for their lost friends??? Like i get tk and kari probably have fucking ptsd and can’t express any emotions because they watched important people die in front of their eyes at an incredibly young age but also 1. they didn’t address the ramifications of ptsd, so fuck that theory/excuse and 2. THAT??? WOULD ONLY MAKE THEM LOOK HARDER??? and put on a brave face as they look, but inside they’re so scared and so worried. Not just “oh sweet, they were found/saved, theyre in the hospital but that’s fine” like WHAT theyre fucking assholes if that’s what they’d canonically do lmao. God I am SO bitter over the ENTIRE thing with the 02 kids, it would’ve been BETTER if they were deleted from the fucking canon entirely. Would I have still been bitter? Yes. But at least I wouldn’t be madder at TK and Kari too.

3. I stand 100% by the notion that Digimon is not and will never be cut out to be an adults’ franchise. It wasn’t designed for adults, and it can’t be skewered towards adults. These particular characters were designed for kids to relate to and find entertaining. They do not work when placed into an adult setting. Like, can you imagine a character like Ed from FMA going to the Digimon world? I guess in a way that’s just Marcus but like. Just imagine the FMA cast in Digimon Adventure. It doesn’t work. Digimon Tri is basically that except real. Also Data Squad was darker than Adventure so my joke doesn’t even work.

I guess my primary point is that Tri isn’t mature enough of a setup for an adult audience. It puts a focus on being “complex” and “philosophical” instead of working within Digimon’s constraints and making something good and adult out of that. Like! Digimon is a fucking TOY COMMERCIAL. Don’t give me messages about the futility of human life. I want bad puns and emotional characters. That’s what Digimon has ALWAYS been, and ideally always will be. Tri could’ve made itself more mature by dealing with the ramifications of the Digital World’s events, how it affected the kids psychologically and dealing with healing old scars. It would’ve been a more mature take on a story we loved and would use things we loved about the story already - the fact that it took so much time exploring characters’ emotions and was surprisingly mature for the time - to make itself better. You need to take the aspects that drew adults to the show and amplify them, not just slap on a complex story and unfunny dialogue and be like “oh this is fine, right?”

It’s not that Digimon can’t exist as an adult property, its just that if it repeats what Tri did, it’s got no merit and in my eyes the franchise is dead. If it survives I guess I’ll be happy that people can still enjoy it but I find it unsustainable and unsatisfying to fans of the older series. Tri is just a fuckfest of highly specific nostalgia that tries too hard to appeal to old fans without capturing what made the original series so magical, and in part thats because the original series WASN’T FOR ADULTS. I don’t know about the Digimon Story games, bc they’re T-rated so perhaps they’re a better take on an adult Digimon story than Tri? But you either need to make your own characters and lore specifically for an adult-oriented Digimon season, or perish. Also, please make it a series and not a group of movies. Getting four eps every 6-9 months was hell.

I stand by saying Appmon is a more faithful Digimon season than Tri to Digimon’s original spirit. I believe it holds more potential for success than Tri and better embodies the spirit of the older Digimon seasons. It’s dumb, its corny, it has horrible puns, but I LOVE it because it also has a deep dark story and emotional moments. If you dislike Tri and you agree with things I said that make it unlikeable, I highly recommend giving Appmon a chance - if you watch a few episodes and think “oh yeah, I guess this is decent” you’re going to like it. It’s everything Digimon has always been and hopefully always will be, just with a different concept. And hopefully the end of the series doesn’t leave a sour taste in my mouth and I have to redact this statement haha since I’m not done with it yet, but I’ve heard good things about it so I’m hoping not so.

Overall, if you watch Tri, don’t get your hopes up. It resolves everything okay-ish but it’s a pretty forgettable anime on its own and simply doesn’t work as part of the Digimon franchise.

I am, however, pretty interested in what evil!gennai said at the end about Diaboromon and Daemon. It raises interesting questions about the timeline too. We know Daemon is in the dark ocean, so perhaps that’s a hint at a future project? (They did confirm a future project btw, in conjunction with tri being over) But what about Diaboromon? I dont believe that Our War Game (I think thats what its called?) took place after Tri, based on the outfits and ages and stuff, but I also don’t remember the movies that well. Could Diaboromon still be out there too? It’s interesting.

However, because of the lackluster performance of Tri, I don’t have my hopes up and I really hope that this “next project” goes in a different direction. Although I guess if they include the 02 kids, I’ll be somewhat less salty...

Side note, did they ever explain why the gennais went evil? Like ? That’s a pretty important thing. The gennais helped SAVE the human world in 02. And I get that apparently Tri is ignoring 02′s ending but still. It’s shitty, because Gennai was still a good guy in the original too (and also they cant just keep is younger look and act like 02 never happened) MAYBE its something I missed but I dont think so. God there’s just. So much wrong with Tri. I’m very displeased and very bitter and I wanna get back to Appmon asap.

It’s got good moments, its got bad moments, I dont know, I don’t care. There’s nothing wrong with you if you like it, there’s nothing wrong with you if you don’t, and there’s nothing wrong with you if you flip flop and are split like me. I just wish Tri fulfilled its potential instead of becoming a boring mess.

#stormy speaks #digimon

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