#they only did this to sell more of them

[szczek]

whoever ideas this was is a bloody moron

[sovamurka]

let's be honest, for very ironic reasons, official writers were not really responsible for timebomb being so good, fortiche carried most of the timebomb writing

yes, even in s1 since this is really where writers (*VERY LOUD COUGH* amanda) picked up on very delicate and deliberate details that fortiche put in s1e7, details which could be potentially explored later (as a side plot, of course *sarcasm*, we don't want to overshadow other dynamics of the show, do we?)

but especially in s2 since it's basically confirmed by pascal charrue, fortiche's co-founder, that the episode fortiche studio were most emotionally and creatively involved with in matters of writing is episode 7

which is even further confirmed by linke in the artbook where he states that episode 7 is basically a literal love letter to french culture and that he hopes fortiche is really proud of it

like... wow, the "nobody loves timebomb more than french people do" joke is actually not a joke at all

[rustedleopard]

I know that it's common fanon belief to see Starlo as the younger sibling between him and Orion, but I actually like the idea of Starlo being the older brother and what it means for his family dynamic. Generally, the older sibling is expected to be the more responsible and mature sibling in the family. There's this expectation that the older sibling sets an example for the younger sibling(s) and that they'll look after the family/business once the parents get too old to do so themselves. So, what does it mean when the older sibling sorta betrays those familial expectations by behaving immaturely and ditching the family to do their own thing?

I'm trying to figure out how to put this into words in a clear and concise way, but I feel like if it's a case of Starlo being the younger brother, then there's this sorta "Ah, that's just the younger brother acting like a kid, y'know how it is. He'll grow out of it" dynamic, whereas if Starlo is the older brother, then it's more of a "Okay, he should've grown out of this by now, why's he still acting like this? Even Orion is more mature than him; what is going on?" sorta deal. (This frustration would be especially felt by Orion, who has to pick up Starlo's slack in his stead because his older brother isn't mature enough to work like he's supposed to!!!)

These are just personal musings, don't take my word as gospel! You can still do tons of interesting things with the Sunnyside family while having Starlo be the younger brother and Orion the older one. I just find myself gravitating more towards seeing Starlo as the older sibling.

[pain-in-the-butler]

My journey to pulling a Ciel acrylic charm from a Harajuku gacha machine was as long as it was humbling 💀

I had better luck on the wind-up toy keychain machine at Gashapon no Depato Ikebukuro (got The Boy on the second try) and also bought little surly schoolboy Ciel separately from a collectibles shop in Nakano Broadway (he was like $15 though)

and here's a close-up on the elusive pull

[lucalicatteart]

A new sculpture! Finally... I feel like I never sculpt anymore since I'm always sick or have some 500 other things going on or projects to finish, but I'm trying to schedule time to do it more often this year hopefully..! Just a generic fantasy creature as usual, but did try making the eyes a little more sparkly this time.. hrmm..

[yippie-madness]

i need to buy another lighter and also dramamine and maybe a keychain

[sittinginsunflowers]

okay, I’m going full red string over the last episode. mainly because if queen amangeaux (put some goddamn respect on her name) had a child with her husband, wouldn’t that have solved all her problems? Sure, it would make her a target but the bishop was already warning her to lay low at the festival, and at least this would’ve secured her place on the throne until her child came of age. Unless she knew she was pregnant and then she decided not to say anything in trying to follow the bishop’s advice? Or she didn’t know at the time and then everything popped off. But that makes the baby at least a year and 3/4 months (if we use human pregnancy as the timeline??) and the baby read more as a newborn to me? Also in the adventuring party when they discussed the bishop’s secret, Anjali pointed out that he could’ve been poisoning her or her husband with the tea leaves to stop her from producing an heir. which could be a red herring, or could mean that the baby belongs to someone other than her husband, hence why she’s hidden him away. which would make sense since the coloring is a little different. So either the baby isn’t hers biologically and is just in her care, she had an affair while her husband was still alive, the baby is the true heir, or she got pregnant in the two year time jump.

how the fuck am I losing my mind over a mango’s sex life how did I get here

[ganondoodle]

(this went on to be a longer ramble, talking about shrines and the abilities in totk i had more thoughts about the overworld repetition but im putting this into a separate post)

something i havent seen anyone mention before is also that it is a problem that you can skip nearly any puzzle in the totk "temples", some of which just by climbing walls ... and that wasnt possible in botw bc the titans were made of the same material as the shrines and prevented you from climbing on them, which feels like they knew making them climable would reduce the amount of puzzle you had to do and make it even less impactful, surely there are some glitches or movement tech that can make it easier, but at least you had to think about it a little?

but i guess that went against their newly adopted "more freedom equals better" way of thinking .. but then ..

the thing that i find confusing is that the shrines interior in totk are once again, NOT climable, but similar sonau buildings in the overworld ARE climable, they even restrict how you can use the tech in shrines, so ... they arent actually against restrictions? but then dont restrict anything else? not even in the main dungeons?? its kinda inconsistent and conflicting (like everything else lmao)

and that kinda extends to the abilities too, both the ceiling jump and ultrahand make alot of puzzles obsolete bc theres always a way easier way to skip everything; i know they kidna based it around people doing crazy thigns in botw, but there it felt like you were actually kinda missusing the mechanic of stasis for example in a smart way, YOU came up with that and it felt rewarding creating your own solution to shrine puzzles bc there were multiple ways to do it in this engine (like isntead of aligning blocks to lead electritiy to one end to the other you put out your weapons and place them there instead, and it WORKS) it felt more non intended, even if they had thoguht about it, it still FELT like you just came up with that, and sometimes it really was the only way your mind worked with and everyone had their own way of thinking

while in totk, they kinda tried to encourage that way of thinking, but it doesnt feel like your own idea anymore really, and, while its not every single one, in alot of totk shrines .. or even overworld puzzles you were just .. literally given the puzzle pieces for you to put together, but the pieces were like .. in parts of 6 at most so putting together the picture was both obvious and also kinda boring, like you were treated like you are a 4 year old and they were giving you 4 piece puzzles over and over- and fine you CAN just glue the two fans together and stand on them to fly high enough to just glide over to the end instead of building the flying thing they gave you the pieces for BUT its still .. expected, like you dont feel like you are working on it your way but seeing what the devs obviously planned for and then knowingly circumventing it i dont think its good either that in combination with the ceiling jump you really can just skip almost anything, take out a fly thing and fly near the end to spam the jump until it works, instead of using the building blocks they gave you for the obvious solution you build some platform and just ceiling jump to it, theres a rocket here? fuse it to your shield and fly high enough to glide to the end, its both too easy and obvious for the intented way and then you can even entirely skip that too, and you dont even feel smart about it bc it doesnt feel like you came up with it on your own and instead feel like a child that is way too old for the toys its given and the adults giving them to you stare at you while they wait for you to solve the puzzle- and alot of the solutions were either build something with these three pieces or fight something with these pieces-

i still remember that one (or more?) botw shrines were it lead you to a button to press and once you stand on it the wall slides open and reveals some fun and unexpected challenge, over and over- there was a hallway you had to glide through but there were big moving spiky metal balls hanging from the ceiling, maybe one has a normal rope on it and you can shoot it down if you notice it but the others dont so what do you do, stasis them so you can avoid it in time, grab it with magnesis to make it swing harder and then hope for the best as you fly there or dont do anything of that and just jump in- the one were a spiked wall was chasing you and as you run more obstables are put in your way right before you get to it, you stand on a button and the wall opens greeting you with an immediate guardian laser to the face? it felt more creative and fun to me, tho granted i havent done all shrines in totk bc i grew too tired of the everything to play more

(at least thats how i felt like, like i was treated like i was stupid for alot of totk, not just in the shrines sometimes .. which were one of the more enjoyable things in it, but also in the story .. like you dont have to think at all to get everything before its said to your face over and over)

and that thing with the abilities and the tech also makes the world less like a world and more like a playground bc you can just skip to every point of interest, you dont have to walk or climb or fight your way anywhere really bc you can just go up and fly to whereever you want, the new weird ass towers only make it worse bc .. of course youd make use of them to get everywhere even quicker, its also kinda in the combat, they might give you the tools to be creative (with arguably very simple things .. like a wheel, a rocket a fan and flamethrower arent realyl that interesting to begin with) why would you build a laser firing tank maschine to fight some bokblins you can just .. clobber like you usually do way quicker and easier

i do like the abilities in botw more than in totk too, but its got multiple reasons, like the world felt built around it without putting it into your face all the time, and the shrines were more built around giving you fun challenges, or just .. a fun experience, with often more subtle puzzles and not always forcing you to make use of the shiekah stone runes, plus the totk abilities feel more like the same thing .. or less interesting? fuse and ultrahand really are one and the same thing but separated into two for .. some reason, the time reversal is like stasis but with less ways to apply and use it (and kinda clunky how everything freezes in place when you prime it), and both it and the ceiling jump are a skip button from one location to the next (even tho we already have the fast travel) so you dont even need to climb, like those weird towers in the underground i thoguht looked cool and interesting when i first saw them only to realize its just a way to get to the surface via ceiling jump and nothing more .. you could fast travel up with the same amount of loading time, and more often than not it wasnt even in an interesting spot or somewhere you couldnt get to otherwise; the autobuild too even lets you skip building!! the thing thats the supposedly focus! i know its annoying to build something for a long time with its clunky function but isnt it yet another skip button

... another random ramble, much more incoherent too, again i want to mention im not trying to hate on everything, jsut kinda communicate or ... spill out my thoughts and feelings; i do absolutely agree that ultrahand is a very impressive mechanic and i did have fun with all the abilities for a while ..... i still like botws more bc its more diverse and is more restricted (which i LIKE) while also having more ways to use them

[arsenicflame]

since we all appear to be talking about izzy 'calling the police' on stede id like to offer my silly little two cents:

its not like the navy wasn't actively looking for him anyway??????

at most, izzys actions sped up badminton catching up with stede, but its made very clear that badminton wanted Stede dead well before this, and was willing to use whatever he could to find him- whos to say jackie wouldnt have cut a deal on her own? that any other pirate thats seen them being unsubtle in a port wouldn't take the opportunity to make a quick buck over a guy who is Nobody and holds no influence that could lead to any consequences for them?

in reality izzy is probably the only person who would receive negative repercussions to selling out stede, given his personal connection with ed- any other pirate would probably have gotten away unscathed, anonymous. they likely wouldnt have even been present like izzy was. izzy had personal stakes, anyone else would have taken the money and ran

the way i see it, with or without izzy the events of episode 10 probably would have happened in some degree, izzy just expedited the timeline

[tanjir0se]

I loved Sonic 3 because they really said fuck it we know you’re all here for Shadow so let’s fucking gooooo and then they WENT. Tom and Maddie and most other humans literally just fuck off until they’re needed with very little explanation. Im still not even sure if that one GUN agent is dead or not. Who cares!

A helicopter arrives to literally fly Sonic Tails and Knuckles to the Plot™ as quickly as possible. AND ITS AMAZING.

Like the full commitment of the filmmakers to just say ‘alright they want a Shadow movie so we’re doing a fucking goddamn SHADOW MOVIE’ is pretty impressive given that on its surface a movie about the US government executing the human best friend of a cartoon hedgehog alien who then spends most of the movie Doing Terrorism does not seem like something a major studio would go for. But it’s just full balls to the wall Let’s Give Shadow a Gun have him do an Akira Slide and then play Live and Learn sincerity and I LOVE IT.

I love you sincerity in film I love you respect for the source material in adaptations.

[tenwhiteandalusians]

and then no one said anything about the fact that if i watched ONE MORE episode tenax pulls a "i'm not angry i'm just disappointed i'm hurt" about scorpus signing with the white faction.

[jules-and-company]

one thing about me is that i’m an orestes-electra-pylades defender. if you don’t hear them being defended anymore that means i am deceased

[cuteniarose]

The consequences of my poor financial decisions are here!!

[scarlettfevor]

I must admit, it is funny how Kodaka making all these other games has revealed that he's sort of a one trick pony

[kariachi]

Sorry-not-sorry I'm back on my normal 'Kevin and Argit were so small' bullshittery.

Because they fucking were. Kevin was twelve when Servantis tossed everybody, and Argit couldn't have been far off. They were middle school aged. 'Puberty would be starting about now if we weren't wandering the Null Void and therefor likely not eating near enough' aged.

A pair of children, with minimal education, no paperwork, no homes, no guardians. Wandering the Null Void and then the Milky Way, on their own. One a prime target for the slave trade, both prime targets for adults looking to take advantage of them (*coughcoughOttocoughcough*). With only as much security as they could provide themselves and each other. Only able to rely on themselves for the basic necessities of life.

And then this show has the audacity to try to tell me that they turned to crime due to poor morality. That they're money focused because they're just naturally greedy. That they don't trust people and look out for themselves because they're bad people that either will always be bad people or will only improve because of the power of Tennysons.

What options were there for them? What jobs are there in the Null Void? What jobs are there in the galaxy that'll hire barely-teens, if even that, with no paperwork or educations, that wouldn't ruin them as badly and pay worse than the crime they already had experience with? Will keep them fed and clothed and sheltered? When one of them already has a criminal record, for violent crimes at that? When there's nobody there to stop even the 'good' adults from taking advantage of them?

The show will sit there and tell you that Kevin's violent crimes were the result of a rough childhood, but he and Argit's non-violent ones? Totally on them, no excuse, wholly a matter of greed and not giving a shit about other people. Fucking bullshit. This is a pair of kids who had to grow up way too fast, up against an existence that saw at least one of them as easy profit, with nothing but themselves and each other, and no opportunities. They're a pair of traumatized kids who grabbed the opportunities available to them with both hands and were molded by the problems they faced.

Of course they're money-focused, unlike the Tennysons they don't and haven't had anybody making sure they had enough to get by. They've had to support themselves and live with the constant worry that something is going to go pear-shaped and they'll have nothing.

They spent years with anybody and everybody being a potential threat (even between the two of them, Argit's noting that Kevin's snapping while he worked for the Rooters was the worst he'd seen 'before or since' makes it quite clear he's seen him on and passed the edge at least as much if not more than we have), of course they're going to be slow to trust, quick to toss people aside, and unwilling to help their enemies without some sort of payout, they've been burned before.

Just- Damnit these two come from some shitty fucking situations, the effects they had on them are obvious if you bother to fucking look, and they both deserved better than the series just going "oh yeah they're assholes what do you expect they're criminals" and moving the fuck on. Like, for fuck's sake at least acknowledge that they're like this because life was a fucking lead pipe to the teeth to them! We know Kevin's situation was shit even before they met, we got to see it, but even if Argit had a perfectly good life beforehand (unlikely) the earliest we see him is being held captive for illegal experimentation purposes by law enforcement! These two have been through shit! At least acknowledge it!

Fuck, they could've replaced Color of Monkey with that, hitting on the differences between how Kevin and Argit adapted to their circumstances, give us upfront the Tennysons being a safety net that let Kevin heal (rather than just 'oh the Tennysons taught him morals because they're the Good People') while Argit's issues and lack of security kept him stagnant. It would go better with what we see of him over the course of OV leading up to the Rooters arc, and what we're shown in the Rooters arc. Give us him still being far from great or on the up-and-up but improving with the stability that comes with his 'hero' status, a repairing relationship with Kevin after that arc, and a flourishing, above-board business. Rather than backpedaling on any good the writers had thrown at him like they'd realized they were coming up against a cliff.

Shit that makes you want to get the writers by the shoulders and shake them mercilessly.

[sevenseasaurus]

so do the rest of you guys just simplify your dreams when explaining them to people or do I just remember a significantly weirder degree of depth than the average bear