#you know damn well most fans are adults

[ganondoodle]

(this went on to be a longer ramble, talking about shrines and the abilities in totk i had more thoughts about the overworld repetition but im putting this into a separate post)

something i havent seen anyone mention before is also that it is a problem that you can skip nearly any puzzle in the totk "temples", some of which just by climbing walls ... and that wasnt possible in botw bc the titans were made of the same material as the shrines and prevented you from climbing on them, which feels like they knew making them climable would reduce the amount of puzzle you had to do and make it even less impactful, surely there are some glitches or movement tech that can make it easier, but at least you had to think about it a little?

but i guess that went against their newly adopted "more freedom equals better" way of thinking .. but then ..

the thing that i find confusing is that the shrines interior in totk are once again, NOT climable, but similar sonau buildings in the overworld ARE climable, they even restrict how you can use the tech in shrines, so ... they arent actually against restrictions? but then dont restrict anything else? not even in the main dungeons?? its kinda inconsistent and conflicting (like everything else lmao)

and that kinda extends to the abilities too, both the ceiling jump and ultrahand make alot of puzzles obsolete bc theres always a way easier way to skip everything; i know they kidna based it around people doing crazy thigns in botw, but there it felt like you were actually kinda missusing the mechanic of stasis for example in a smart way, YOU came up with that and it felt rewarding creating your own solution to shrine puzzles bc there were multiple ways to do it in this engine (like isntead of aligning blocks to lead electritiy to one end to the other you put out your weapons and place them there instead, and it WORKS) it felt more non intended, even if they had thoguht about it, it still FELT like you just came up with that, and sometimes it really was the only way your mind worked with and everyone had their own way of thinking

while in totk, they kinda tried to encourage that way of thinking, but it doesnt feel like your own idea anymore really, and, while its not every single one, in alot of totk shrines .. or even overworld puzzles you were just .. literally given the puzzle pieces for you to put together, but the pieces were like .. in parts of 6 at most so putting together the picture was both obvious and also kinda boring, like you were treated like you are a 4 year old and they were giving you 4 piece puzzles over and over- and fine you CAN just glue the two fans together and stand on them to fly high enough to just glide over to the end instead of building the flying thing they gave you the pieces for BUT its still .. expected, like you dont feel like you are working on it your way but seeing what the devs obviously planned for and then knowingly circumventing it i dont think its good either that in combination with the ceiling jump you really can just skip almost anything, take out a fly thing and fly near the end to spam the jump until it works, instead of using the building blocks they gave you for the obvious solution you build some platform and just ceiling jump to it, theres a rocket here? fuse it to your shield and fly high enough to glide to the end, its both too easy and obvious for the intented way and then you can even entirely skip that too, and you dont even feel smart about it bc it doesnt feel like you came up with it on your own and instead feel like a child that is way too old for the toys its given and the adults giving them to you stare at you while they wait for you to solve the puzzle- and alot of the solutions were either build something with these three pieces or fight something with these pieces-

i still remember that one (or more?) botw shrines were it lead you to a button to press and once you stand on it the wall slides open and reveals some fun and unexpected challenge, over and over- there was a hallway you had to glide through but there were big moving spiky metal balls hanging from the ceiling, maybe one has a normal rope on it and you can shoot it down if you notice it but the others dont so what do you do, stasis them so you can avoid it in time, grab it with magnesis to make it swing harder and then hope for the best as you fly there or dont do anything of that and just jump in- the one were a spiked wall was chasing you and as you run more obstables are put in your way right before you get to it, you stand on a button and the wall opens greeting you with an immediate guardian laser to the face? it felt more creative and fun to me, tho granted i havent done all shrines in totk bc i grew too tired of the everything to play more

(at least thats how i felt like, like i was treated like i was stupid for alot of totk, not just in the shrines sometimes .. which were one of the more enjoyable things in it, but also in the story .. like you dont have to think at all to get everything before its said to your face over and over)

and that thing with the abilities and the tech also makes the world less like a world and more like a playground bc you can just skip to every point of interest, you dont have to walk or climb or fight your way anywhere really bc you can just go up and fly to whereever you want, the new weird ass towers only make it worse bc .. of course youd make use of them to get everywhere even quicker, its also kinda in the combat, they might give you the tools to be creative (with arguably very simple things .. like a wheel, a rocket a fan and flamethrower arent realyl that interesting to begin with) why would you build a laser firing tank maschine to fight some bokblins you can just .. clobber like you usually do way quicker and easier

i do like the abilities in botw more than in totk too, but its got multiple reasons, like the world felt built around it without putting it into your face all the time, and the shrines were more built around giving you fun challenges, or just .. a fun experience, with often more subtle puzzles and not always forcing you to make use of the shiekah stone runes, plus the totk abilities feel more like the same thing .. or less interesting? fuse and ultrahand really are one and the same thing but separated into two for .. some reason, the time reversal is like stasis but with less ways to apply and use it (and kinda clunky how everything freezes in place when you prime it), and both it and the ceiling jump are a skip button from one location to the next (even tho we already have the fast travel) so you dont even need to climb, like those weird towers in the underground i thoguht looked cool and interesting when i first saw them only to realize its just a way to get to the surface via ceiling jump and nothing more .. you could fast travel up with the same amount of loading time, and more often than not it wasnt even in an interesting spot or somewhere you couldnt get to otherwise; the autobuild too even lets you skip building!! the thing thats the supposedly focus! i know its annoying to build something for a long time with its clunky function but isnt it yet another skip button

... another random ramble, much more incoherent too, again i want to mention im not trying to hate on everything, jsut kinda communicate or ... spill out my thoughts and feelings; i do absolutely agree that ultrahand is a very impressive mechanic and i did have fun with all the abilities for a while ..... i still like botws more bc its more diverse and is more restricted (which i LIKE) while also having more ways to use them

[remlionheart]

you're the thoughts that can't be tamed

and i'm trying to be sane

⋆˙⟡♡ MDNI. whewww. the people demanded more high / toxic!megumi and the people got more high / toxic!megumi. tw for angst, daddy issues, drug use, smut. 4.3k words. all characters aged up 21+. ๋࣭ ⭑ life held no promises - it was a fact that you and megumi were made well aware from a very early age. from sleeping under blanket forts as kids to sneaking through windows as teenagers, he'd always been your one constant in a sea of variables. but what happens when the tides become strong enough to pull him away too? ๋࣭ ⭑ this was fucking emotional to write, not gonna lie. lemme know whatcha think, luv u ⋆˙⟡♡

‎𓆩🖤𓆪

“No one else has what we have.”

Those were Megumi's favorite words to say to you.

On the nights where both of your dads would take off together, deciding that they were done being responsible for the two of you for a few days, you would hide under blankets in his room and laugh at the things that only 9-year-old you would understand.

You'd keep yourselves occupied with video games and books and dive so far into each other’s imaginations that you'd completely forget about the world around you.

It was all late-night summer air, swinging in your backyard for hours, and the way that you two were somehow able to turn something as damning as parental abandonment into adventure.

As teenagers, reality became harder to sugarcoat but there was still that same unfettered energy between both of you that made it doable.

At 14, you'd sit on the edge of his bed during the wintertime, drinking beer that you'd stolen from Toji's stash and exchange secrets in-between drunken kisses that neither one of you would be brave enough to acknowledge the next day.

You'd walk to school together with matching tired eyes and unkempt hair and he would tell people to fuck off when they’d ask you why you'd been wearing the same hoodie for a week straight.

He'd sneak through your bedroom window on the nights that your house didn’t feel safe just to lay with you, running light fingers through your hair while sharing a set of tangled headphones to drown out the sound of your parents arguing.

The things that he couldn’t tell his other friends, the things that he couldn’t tell his family, the things that he could barely tell himself – he'd tell you.

You were two halves of two very broken homes. Rigid and unstable when apart but perfectly balanced when together. From spending practically every weekend together to essentially raising one another since none of the adults in either of your lives had any interest in doing so – he was right:

No one else had what you had.

‎𓆩🖤𓆪

Nobara's ceiling fan creaked steadily above you as you stared back at it, trying but failing to swallow down your emotions.

You rolled over, careful not to wake her as you reached for your phone to see the time "3:33" displayed across the screen. With a heavy sigh, you unplugged it from the charger and crept out of bed, keeping your movements light as you made your way into the living room.

You wrapped one of her knit blankets around your shoulders, sinking down onto the couch like you'd done so many times over the last few weeks you'd been staying here. There were bags under your eyes that you were convinced would never go away. Tear stains on your cheeks that felt like they'd been permanently adopted by your skin.

Thinking about Megumi was nothing new, it was the unfamiliar pain that came along with it that you couldn't quite adjust to. The way your chest tightened and your insides burned with each memory that surfaced. What used to be the most comfortable part of your brain was now the one place you were desperate to stay away from.

"So you're leaving then?"

You'd replayed the last conversation you'd had with him so many times, it still felt like you were in his room most days. A ghost that wandered the halls, hopelessly waiting for him to come back no matter how much time passed.

You had struggled to look back at him that night, his pupils dilated from the Oxy he had taken. There was something so unnerving about being so close to him and so far away from him at the same time. How physically, he was within arm's reach, but mentally, there might as well have been galaxies separating you.

Your voice betrayed you, shaking as you fought to keep your resolve. "That's what you want, right? For me to leave?"

He was silent, his worn-down demeanor saying more than his voice was capable of at the time. You watched his hand twitch at his side as if his own body was attempting to fight against his sentiment. "Just go."

You stared at him, forcing yourself to take in his pale face and hollowed out blue eyes. You'd seen the whole thing. The entire progression of the boy who used to build blanket forts with you to protect you from the outside world to the boy who'd taken your virginity on a rainy September night when you were 15 because "you both deserved to know what it felt like to be loved" to the vacant 22-year-old who was standing in front of you with nothing left to offer to you or himself.

You'd been there for every day and every moment that had led the two of you down that one pivotal breaking point, but you still couldn't fathom it. You didn't have it in you to fight with him. Didn't have it in you to push back or yell or fall apart in front of him like you both thought you would.

Instead, you did something much more damning: you mirrored him. Leaving him with an empty, "Okay." as you closed the door to his apartment and disappeared back to your car, realizing that his words still reigned true, only they held a new meaning - no one else had what you had, not even you.

You nestled into the couch, using your phone to put the same song on repeat as you tried to close your eyes again. Out of all the grievances you'd experienced throughout your life, you had never considered until recently how much harder it was to mourn the living than it was to mourn the dead.

𓆩🖤𓆪

Megumi had barely slept in the last three days. His thoughts were blurred by hazy white pills and scattered flashbacks of the things he should've never said to you and worst of all...

The way your face used to light up when you'd wake up next to him and what a jarring contrast it was to have his eyes flutter open to an empty bottle of whiskey on his nightstand instead.

"I feel awake when I'm with you."

He'd said it to you one morning when you'd both just woken up, his fingers running lazy circles over the top of your shoulder, his arms still wrapped protectively around you from the previous night's sleep.

"I'm listening." You hummed, propping your head up to meet his blue eyes in quiet encouragement.

He wasn't always the best with his words - you both knew that, but he still tried as he kept his fingertips featherlight against your skin. "I'm always so tired, but... not when I'm with you."

He remembered the way your pupils bloomed while he tucked a piece of hair behind your ear, letting himself say the things he'd usually be too afraid to admit. "I... feel like the only time life really makes sense is when we're like this, you know...? When we're both half asleep tangled up in each other."

You cried, your hands finding the back of his neck as your lips met his in a gentle mid-morning daze.

It was the first time you'd said it - it poured out in between breaths and tears, opening up like a floodgate once it began: "I love you." you whispered against his lips. "I love you." You repeated while you pulled him on top of you. "I love you." as he slid your shirt above your shoulders. "I love you." only, it was his voice this time fanning across the nape of your neck. "I love you." he exhaled again, carefully sliding into you. "I love you." you moaned, your eyes completely fixated on him as he thrusted harder.

"I love you, I love you, I love you..."

The nostalgia was so intense it rang through his ears, his stomach churning violently. No matter how much he tried to bury you, you were still everywhere. Stuck to the walls. Stitched in his blankets. Embedded into his skin.

Panic swelled in his chest, his hand shaking as he dug the cellophane baggy out of his hoodie pocket and promptly shoved two oval-shaped pills into his mouth. 

"That's what you want, right? For me to leave?"

The answer wasn't yes because he didn't love you, the answer was yes because he did love you. Because after all that you'd been forced to deal with between your dad and his, the last thing you needed was for another man you trusted to let you down the way he was.

"Just go."

It wasn't that he wanted you to, it was that you needed to.

𓆩🖤𓆪

"You're not responsible for him." Nobara said as she handed you a cup of coffee, taking a seat next to you on the couch. "You realize that, don't you?"

Despite her rough edges when it came to men, she was truly the gentlest friend you had. She was patient. Kind. Non-judgmental. She listened to your feelings no matter how repetitive or morbid they may have been. There really weren't enough 'thank you's when it came to how much she'd been there for you over the last few weeks.

You dropped the blanket from your shoulders and took a sip, struggling to look back at her. "I know, I just -" you faltered, your eyes still locked onto the steam rolling off of your mug. "I just hope he's okay..."

It was the longest you'd gone without seeing him and no matter how many times she'd tried to remind you that you couldn't hold yourself accountable for his well being, you still felt an odd sense of responsibility for him. It was a feeling that you'd held onto for so long, you weren't sure how you were supposed to even separate yourself from it now.

Nobara let out a stifled breath, shooting you a pointed look as she took her own sip. "Has he ever been okay?"

The question was damning enough to bring your attention to hers, your breath hitching in your throat as you looked back at her.

"Look, I know you love him." Her hand was on your shoulder, her eyes softening a bit. "But you can't save him."

Flashbacks of an 11-year-old, chubby-cheeked version of him smashed through your mind. The way the warmth of his hand contrasted the coldness of your feet as he helped sneak you in through the sliding back door. You apologized to him for having to risk getting him in trouble just to let you in, but you couldn't be at your house for another minute. Even at his young age, he looked so perplexed by your guilt, shaking his head as his eyebrows furrowed. "If you're ever in trouble, I'll always come get you."

There was such an indescribable amount of safety laced into that one sentence alone.

"You promise?"

"Promise."

Nobara's grip tightened on your shoulder, gently trying to pull you back to reality, but his words were suddenly everywhere. His promise echoing on an unwanted loop as you sat your mug down on her coffee table and grabbed your phone.

Even with the falling out you'd had, he never stopped sharing his location with you. It wasn't an invitation back into his life by any means, but it was proof that his sentiment from all those years ago still held merit. That no matter what happened, he'd always know where to find you and you'd always know where to find him too.

Her expression was serious as she watched you, trying to find a tactful way to say what she needed. "I can't stop you." She finally exhaled, "And you know that I'll never tell you what to do, but..." It was that same sense of comfort you'd felt as a child, only this time it came in the form of protective brown eyes. "Remember that you're important too, okay? You matter just as much as he does."

Your body stilled, your stare lingering as you nodded back at her. A wave of the same fear you'd felt that night on his back porch swept over you again. "I know." You said softly. "We both matter. That's why I have to at least try."

𓆩🖤𓆪

Megumi stood under the warmth of his shower, letting steam fill the room as water beaded off of his pale skin. His eyes were heavy, his stomach struggling to keep up with the deficient mix of painkillers and nothingness he'd been offering it the last few days.

He was tired - physically, mentally, spiritually.

Absolutely drained in every sense of the word.

He let the water pour over him until it began to run cold, his hand finally reaching for the dial when he was certain there wasn't a drop of heat left for him. He reached for a towel, haphazardly running it through his hair before wrapping it around his waist. The bloodshot stare of his reflection was haunting, a painful familiarity laced into the tidal wave irises looking back at him.

"One day you'll understand." It was something that he had heard more times than he could count growing up. "One day you'll fuckin' get it." Megumi had always written it off as a jaded excuse from the man who'd raised him. A despondent explanation for his father's shitty behavior in place of an apology. But as he stood in front of the medicine cabinet in his empty apartment, he realized that for the first time maybe it wasn't an excuse for his father's neglect. Maybe it had been something much worse: a warning.

His fist slammed into the mirror without a second thought, an impulsive blur of blood and shattered glass flying past his face as he watched his hollowed-out reflection fracture and drop to the ground in tiny, severed pieces.

"Megumi...?"

Any fleeting amount of relief that he'd gained from the impact was instantly stolen by the softness of your voice.

His head snapped up, the bathroom door cracked open just enough for your eyes to lock with his.

He'd heard as a kid that the only time angels were visible to human beings is when they were needed the most. He didn't believe it back then, but it was the only explanation he could find to explain seeing you in his hallway.

He blinked back at you slowly, his gaze drifting from his battered knuckles to the blood staining the wall in front of him, to the floor that was covered in glass shards.

You didn't hesitate. Didn't pause to ask for an explanation. Didn't flinch at the scene you'd walked into. You just stood there, observing him in quiet understanding.

Time felt like it had come to a grinding halt as he watched you extend a hand out to him with all of the patience in the world. You were goodness incarnated and he was so undeserving.

"Let me help you."

𓆩🖤𓆪

His grasp was warm, his cut up fingers tangling cautiously into yours as you helped pull him away from the wreckage.

He followed behind you, letting you guide him back to his room where you promptly began cleaning and bandaging his injuries. It was almost nostalgic to be sitting with him like this again. Memories of middle school and the way he'd plop himself down on the edge of your bed after his most recent fight surfaced through your mind as you tended to his wounds.

You were almost done, lifting his wrist up to double-check your work when his hand broke free from yours. His thumb suddenly finding the underside of your chin to tilt your face up to his. It was the first time all night that you'd been able to look into him rather than just at him.

"You have a pretty big gash on your middle finger, but -" your voice was barely audible, completely overruled by the way he was staring at you. "It should be okay..." you swallowed, struggling to hold onto the calmness that you'd fought so hard to maintain thus far. "Where's your vacuum? I'll grab it real quick and –"

"Why're you here?"

Your mouth opened and then closed again, the wheels in your head viciously turning as your eyes searched his. There was an extensive list of reasons as to why you were here. A never-ending list, really. And he knew that just as well as you did.

You looked over him carefully, drawing in a shallow breath before pulling away from his hand. "A promise is a promise, right?"

His pupils widened, a glint of what almost resembled anger flickering across his face. "You've gotta let that go, you're smarter than that."

It was enough to snap your attention back to him, resentment settling heavily into the pit of your stomach. "Yeah well, unlike you, when I said 'always', I meant always - not 'always' until it got too hard. Or 'always' until I'm done. I meant fucking always, Megumi."

He leaned in closer to you, his tone every bit as sharp as his expression. The heat from his body was suddenly noticeable as it filled the small space between you. "God, you're dense sometimes. You really don't get it, do you? I didn't tell you to leave because things 'got too hard' or because I was 'done'." His stare was piercing, his face only centimeters away from yours. "I told you to leave because no one deserves to treat you like this. No one deserves to hurt you. No one, not even me. I don't get some pass just because of a promise we made as kids."

The scorned rebuttal you had lined up abruptly died on your tongue by his last sentence. The air felt stagnant and far too thick to breathe. Tears were pricking at the corners of your eyes, threatening to spill the longer you looked at him, but you fought with everything you had to keep them at bay.

"I guess we're both facing the same problem then." Your tone was light despite the crippling weight your words held. "Because no one deserves to hurt you like this either, not even you."

It felt like every late-night conversation, every right and wrong decision, every major life lesson that had played out between the two of you had only been practice for this one grave moment.

You watched the first small crack form in his concrete demeanor as you rested your hand on the back of his neck. Could almost hear the second one splinter down when his fingers traced along your jawline, catching tears you didn't even realize had fallen. Could practically feel the reverb of how shattering the third fracture was as he leaned in and attentively parted your lips with his tongue.

"I think the only time life makes sense is when we're like this."

You pulled him in closer, letting the past and present blur together through gentle, desperate touches. His grasp tightened around your waist, neither one of you able to stop what you'd started. You'd kissed him so many times before, groveled for him in so many different ways, but you weren't sure that you'd ever known this type of fervency for anyone or anything else in your life.

His hands were calloused, damaged but still tender as they ran through your hair, pulling your head back slightly. His mouth drifted to the side of your neck, the warmth of his breath dancing across your skin. "I love you." It was so faint that you weren't sure if he had actually said it or if it was just another part of your past coming back to haunt the both of you.

He hovered over you, gradually leaning you back into the mattress as the towel wrapped around his waist fell to the floor. You followed his lead, letting him delicately slip your t-shirt up over your head. Your heart stuttered in your chest, watching his eyes roam over you as he unbuttoned your shorts.

There was something so intimidating and overwhelmingly comforting about how well he knew you. Every freckle. Every scar. Every blemish. There wasn't a single part of your body that he hadn't familiarized himself with over the years.

His fingertips traced easily over the inside of your thigh, his eyes locked intently with yours. "You're sure this is what you want?"

His movements were calculated as he drew up towards your center, keeping his touch featherlight and his voice low. "You could have anyone else you wanted, you know that? Probably even have a pretty normal life without me.”

You shook your head at him, trying not to squirm as he slid a slender finger into you. "Just you." you whispered.

His thumb brushed against your clit with just the right amount of pressure while he added another finger. "I'm hard to love." He reminded you, his eyes glazing over as he watched your hips thrust up towards him.

"D - don't care." you moaned, trying to keep your focus despite the way he was picking up the pace, plunging innn and outttt of you, only going deeper with each time you tried to speak. "I... don't - oh, f...fuck."

"You don't what, baby?" Your walls were wrapped around him so tight, swallowing him hopelessly as you writhed beneath him. You opened your mouth again, but your thoughts were all but stolen from you as he slammed into you, rendering you a whimpering mess. "Words." he demanded.

You were trying so hard to keep it together, trying so hard not to soak him, but your release and emotions were all threatening to flood out at once the harder he went. You were grabbing onto him, clenching around his fingers as they continued their relentless assault on you.

"I don't want easy," it was almost one word with how breathlessly it came out. "I don't want easy –" you repeated, your body needily bucking up towards him again. "I want you. I'll always want you." you were finally at your breaking point, drenching him as he looked down at you with feral adoration. "Fuck Megumi, please."

He withdrew from you, his composure a bit more feverish as he leaned in to kiss you. It was hard, urgent.

"Bend over for me." He said against your lips.

He helped you roll over, grabbing your thighs to lift you into position while you arched your back for him and buried your face into the softness of his comforter. The absence of his fingers was short-lived, his tip suddenly prodding at your entrance.

He went in slow, watching you carefully as he held onto your hips for support and pulled you onto him. His pace was determined by your breathing. You were taking him so well, your body practically melting under his touch as he entered you, but he wanted every confirmation he could get that you really were in this as much as he was.

"I love you." you panted, tilting your head to look up at him over your shoulder. "I love you." you said again, feeling the hesitation from him finally start to dissipate.

His grip dug into your sides, each thrust rougher than the last. "Say it again." He nodded.

But you could barely get the first word out before he buried himself into you, taking away every last bit of resolve you had left. He leaned over so that his body was locking yours in place, his breath trailing across your shoulder as you shook underneath him, heady little whines filling the space between you.

His hand wrapped delicately around your throat while his voice picked up where yours had left off. "I love you." he exhaled.

Your eyes widened when they caught his. There was something so irrevocably binding about the way he was looking at you, it almost felt like an agreement. A soul tie. A meeting between angels and mortals. A promise where "always" really meant always.

"I love you." You whispered, not breaking away from his stare as his pace quickened. His thrusts were unyielding, his body becoming just as needy as yours while your nails dug desperately into his sheets. "I love you." you let out again, your walls nearly smothering him. "I love you." you whined, feeling yourself clench and spasm around him. "I love you." He groaned, holding you in place as he filled you - his cum mixing with yours, sealing the unspoken contract you’d both created.

"I love you. I love you. I love you..."

𓆩🖤𓆪

Megumi was careful not to wake you the next morning. He slipped out from under your grasp with all the caution he possessed as he got to his feet, throwing a pair of boxers on and sliding a black hoodie over his head.

He grabbed the empty bottles that were littering his nightstand before closing the door to his bedroom and heading to the kitchen. It was the first time he'd woken up sober in roughly 3 weeks. The clarity that came along with it was almost too much to handle as he looked over the state of his apartment. The piles of dishes. The destroyed bathroom mirror. The blood stains on the floor of the hallway.

It all told a story, painted an entirely too vivid picture of his own self destruction. He reached into the pocket of his hoodie, finding a cellophane baggy filled with the last 4 Oxys he had.

He took a breath, looking over them. Knowing that they were the one thing that could make everything feel so much more bearable and all it would take was one quick swallow. "God damnit..." He sighed.

Your footsteps were too light for him to hear as you crept around the corner, watching him dump the contents of the baggy into the kitchen sink.

He hastily turned on the water, fighting the urge to fish them out as he let them disappear down the drain. Today might hurt. Tomorrow might hurt. But as he turned around and caught your eye, he quickly realized that they weren't the only thing that could make everything better, they were far from it…

"Need some help?"

No matter how out of control life got, he would always have one advantage: No one else had what he had.

𓆩🖤𓆪

[questions-about-blorbos]

Cw - grooming, pedophilia, sexual assault. You can delete this if you’re not comfortable answering

I was 13 when I was groomed by an adult who’s very well known in my fandom (they run a big fan account with thousands of followers, so they’re very popular) and 17 when I was sexually assaulted by the same person. And the ironic part is this person is very open about being anti. They often harass proshippers because “proshippers are bad people in real life” while at the same time they were the one grooming and sexually assaulting me in real life. So I guess they have no trouble protecting fictional children while abusing a real minor lol

From what happened to me, my whole view of antis is that “they HAVE to hide something and that’s why they label themselves as antis so no one suspects they are actual predators irl”.

I still have to take my antidepressant and see my therapist. And every time I see someone says they’re “an anti” I stop interacting with them because my brain automatically sees being antis as a huge red flag because chances are that they are hiding their predatory side behind the Anti Mask.

It’s like everything antis accused proshippers of IS a confession of their own predatory behavior.

I’ve always felt comforted chilling with proshippers because most of them are chill and most - if not all - of them CAN separate fiction from reality.

Another reason why I think antis are the dangerous ones is that most of them can’t separate fiction from reality. It’s like they think they will get exposed of being irl predators if they say they like dark fics BECAUSE THEY (ANTIS) ACTUALLY ARE IRL PREDATORS.

My abuser is STILL harassing proshippers and interacting with other antis and no one in my fandom knows what their beloved anti did to me because they’re so popular and I’m not ready to come forward with my story. But it’s so triggering to see them talk about protecting fictional children knowing damn well they raped me when I was a minor.

Your blog has always been a safe place for me and seeing your posts in support of being proshippers, being anti harassment and keeping fandom safe is a huge green flag.

As a victim of sexual abuse, I will always trust a proshipper over an anti any day.

Thank you for keeping your blog a safe space for us

“talking about protecting fictional children while raping a real child”. I have no words. I’m so sorry this happened to you, anon. knowing my blog can provide you comfort gives me small comfort, but I’m so sorry you had to go through this.

[zot3-flopped]

Sylvia Plath did not stick her head in an oven for this! When Taylor Swift took the Grammys stage last month to claim her award for Best Pop Vocal Album for Midnights, she saw that spotlight as an opportunity to announce her 11th studio album: The Tortured Poets Department. The follow-up cut to audience members—Swift’s music industry peers, mind you—told us all that we would ever need to know, and the collective disinterest across the crowd echoed through our TVs.

Folks from all walks of life took to social media to express a multitude of reactions. Swifties clamored to their beloved monarch’s forthcoming era, while others lambasted the terminally cringe title and artwork and ridiculed Swift for making a night recognizing musical achievements across an entire industry about herself—knowing perfectly well that it would send her fanbase into a surge that would, no doubt, overpower the excitement around the ceremony itself.

Quite a few people questioned whether or not that moment suggested that a critical—definitely not commercial—tide would turn against the world’s most-famous pop star. And, perhaps it has—but, to most, it will look like nothing more than a single ripple in Swift’s ocean of successes.

Swift remained relatively hush-hush about The Tortured Poets Department up until its release, leaving her fans, admirers and haters alike with nothing but an album title to ponder about. And it’s a bad title.

If you have never been in Swift’s corner, her taking the route of labeling her next “era” as “tortured” was likely catnip for your disinterest. If you are a fan—not necessarily a Swiftie, but even just a casual lover of her best and brightest work—you might be beside yourself about the first Swift album title longer than one word in 14 years.

In terms of popularity—certainly not always in terms of quality—no musician has been bigger this century than Swift, which makes it impossible to really buy into the “torture” of it all.

This is not to say that Swift being the most famous person in the world makes her immune to having multi-dimensional feelings of heartbreak, mental illness or what-have-you.

But, she has made the choice—as a 34-year-old adult—to take those complex, universal familiars and monetize them into a wardrobe she can wear for whatever portion of her Eras Tour setlist she opts to dedicate to the material.

Torture is fashion to Taylor Swift, and she wears her milieu dully. This album will surely get comparisons to Rupi Kaur’s poetry, either for its simplicity, empty language, commodification or all of the above.

And, sure, there are parallels there, especially in how The Tortured Poets Department, too, is going to set the art of poetry back another decade—as Swift’s naive call-to-arms of her own milky-white sorrow rings in like some quintessential “I am going to take pictures of a typewriter on my desk and have a Pinterest mood-board of Courier New font” iPhone fodder. 2013 called and it wants it capricious, suburban girl-who-is-taking-a-gap-year wig back!

Soaking our book reports in coffee or having our moms burn the edges with a kitchen lighter cannot come back into fashion; the cyclical notions of culture cannot make the space for such retreads.

There is nothing poetic about a billionaire—who, mind you, threatens legal action against a Twitter account for tracking her destructive private jet paths—telling stadiums of thousands of people every night that she sees and adores them.

Tavi Gevinson says it well in her Fan Fiction zine: “When 80,000 people are also crying, you become less special, too.” If Swift can return to one of her dozen beach houses across the world, kick up her feet and say “I’m a poet of struggle,” then who is to say that millions—maybe billions—of people with access to a notes app and a social media account won’t dream that dream, too?

Maybe that looks like a net-positive, but it’s inherently damning and destructive to take an art form that has long stood on the shoulders of resistance, of love and of opposition to power, systematic injustice and climate warfare and boil it down to the new defining era of your own 10-digit revenue empire. “My culture is not your costume,” yada, etc.

The Tortured Poets Department does begin with a shred of hope that, just maybe, Swift knows what she’s talking about—as she sneaks in a cheeky “all of this to say,” textbook transitional phrasing for poets, on opening track “Fortnight.”

But “Fortnight” unmasks itself quickly as a heady vat of pop nothingness, though it isn’t all Swift’s fault. “I was a functioning alcoholic, ‘til nobody noticed my new aesthetic,” she muses, attempting to bridge the gap between a behind-the-scenes life and on-stage performance—only for it to occur while propped up against the most dog-water, uninspired synth arrangement you could possibly imagine.

Between producer Jack Antonoff’s atrocious backing instrumental and the Y2K-era, teen dramedy echo chamber of a vocal harmony provided by out-of-place guest performer Post Malone, “Fortnight” chokes on the vomit of its own opaqueness.

“I took the miracle move-on drug, the effects were temporary,” Swift muses, and it sounds like satire. This is your songwriter of the century? Open the schools.

The Tortured Poets Department title-track features some of Swift’s worst lyricism to-date, including the irredeemable, relentlessly cringe “You smoked then ate seven bars of chocolate, we declared Charlie Puth should be a bigger artist / I scratch your head, you fall asleep like a tattooed golden retriever” lines glazed atop some synthesizers and drums that just ring in as hollow, unfascinating costuming.

Aside from the Puth nod, which I can only discern as a joke (given the fact that he is one of the 150-most streamed artists in the world and is one of the blandest pop practitioners alive—I don’t care if he can figure out the pitch of any sound you throw at him), I think Antonoff should stick to guitar-playing. Get that man away from a keyboard, I’m begging you.

Synths can be, if you use them correctly, one of the most emotional and provocative instruments in any musician’s tool-box. There’s a reason why keyboards defined the 1980s; they rebelled against the very oppressive nature existing outside of the cultural company they kept. There’s resistance in electronic music that, while they brandish an aesthetic that, to a layman’s ears, seems like technicolor hues for any infectious pop track, it’s a genre that aches to tell its own story. That is simply not the case here, and that electronica hangs Swift out to dry when she drags us through the lukewarm “I laughed in your face and said, ‘You’re not Dylan Thomas, I’m not Patti Smith’ / This ain’t the Chelsea Hotel, we’re modern idiots” lines, only to hit us with a softly sung F-bomb that sounds like a billionaire’s rendition of that one Miranda Cosgrove podcast clip.

I used to rag pretty heavily on Reputation—mostly because I thought (and still do, mostly) that it sounded like Swift had given up on making interesting, progressive pop music; that, in the wake of her (arguably) best album, 1989, it seemed like she’d lost the plot on where to go next. But as she’s put out Midnights and The Tortured Poets Department back-to-back, I find myself clamoring for the Reputation-era more than ever—at least seven years ago, Swift wrote songs like she had something to prove and even more to lose.

That was the always-obvious charm of Reputation, even despite the downsides—that she took a big swing from the echelons of her own musical immortality, that the comforts of winning every award and selling out the biggest venues in the world were no longer pillowing her aspirations. Even though that swing didn’t land, she still made it in the first place—and Swift is at her best either when she is clawing upwards (Reputation) or faced with nowhere to go but into the studio and noodle with the bare-bones of her own sensibilities (folklore).

You get something like The Tortured Poets Department when the artist making it no longer feels challenged, where she strikes out looking.

The mid-ness of The Tortured Poets Department will not be a net-loss for Swift. She will sell out arenas and get her streams until she elects to quit this business (a phrase decidedly not in her vocabulary, surely).

She will sell more merch bundles than vinyl plants have the capacity to make, and rows of variant LP copies will haunt the record aisles of Target stores just as long as Midnights has—if not longer.

Perhaps, in five or six years’ time, we will speak of this record just as we now do of Reputation. But right now, it is obvious that Swift no longer feels challenged to be good. The Tortured Poets Department is the mark of an artist now interested in seeing how much their empire can atone for the sins of mediocrity.

Can Swift win another Album of the Year Grammy simply because she released a record during the eligibility period? The Tortured Poets Department reeks of “because I can,” not “because I should.”

On “I Can Fix Him (No Really I Can),” Swift tries stepping into the shoes of the country renegades who came before her—the Tammy Wynettes and Loretta Lynns of the world. But her self-aggrandizing inflation of importance, glinting through via a seismically-bland bridge, is backed by a minimal set dressing of guitar, drum machine and keys.

“Good boy, that’s right, come close,” she sings. “I’ll show you Heaven if you’ll be an angel—all mine. Trust me, I can handle me a dangerous man. No, really, I can.” On “Florida!!!,” Swift calls upon Florence + the Machine to help her sing the worst chorus of 2024: “Florida is one hell of a drug / Florida, can I use you up?”

Even Welch, who is a fantastic pop singer-songwriter in her own right, delivers a grossly watery verse: “The hurricane with my name, when it came I got drunk and I dared it to wash me away.”

Not even the typos on the Spotify promotional materials for this album could have foretold such offenses. I won’t even get into the sonics, because Antonoff just rewrites the same soulless patterns every time.

What separates The Tortured Poets Department from something like Reputation is that, on the latter, Swift made it known what was at stake and who she was making that album for—herself, in the aftermath of her greatest long-standing criticisms (“Look What You Made Me Do” triumphs exactly because of this).

On The Tortured Poets Department, there is a striking level of moral nothingness. The stakes are practically non-existent, and the album sounds like it was made by someone who believes that they had no other choice but to finish it, as if Swift fundamentally believes that her creative measures are firmly embedded in the massive monopoly her name and brand currently hold on popular music. That’s how you get meandering pop songs about hookups, wine moms, Stevie Nicks comparisons, Jehovah’s Witness suit mentions, hollowed-out, tone-deaf nods to white-collar crime in lieu of empowerment and, topically, Barbie dolls.

(Don’t even get me started on the Anthology lyrics, which feature these absolute barn-burners: “Touch me while your bros play Grand Theft Auto” and “My friends used to play a game where / We would pick a decade / We wished we could live in instead of this / I’d say the 1830s, but without all the racists / And getting married off for the highest bid.”) This album and its hackneyed grasps at relevance exist as “Did I just hear that?” personified, but in the most derogatory sense of the notion.

My Boy Only Breaks His Favorite Toys” features another low-point in Swift’s lyrical oeuvre, as she sings “I felt more when we played pretend than with all the Kens, ‘cause he took me out of my box”—perhaps a measure of her capitalizing on the Barbenheimer mania that none of us could escape, not even the musician who spent most of 2023 flying across the world from one country to another.

But you, us, the listener—we want to believe that Swift makes these records because she has the artistic will, drive and interest to continue giving us parts of her story in such ways that they exist as an archival of her life.

But the problem is that, on The Tortured Poets Department, Swift is packaging her life into a form that is easily consumable for the 17 or 18 years olds who pour over her music. Just because her Eras Tour film is on Disney+ doesn’t mean she has to strip her songwriting (which we know can be, and has been, phenomenal) down for the sake of it being digestible by a wide spectrum of ages.

And, sure, maybe that makes the work accessible. But on The Tortured Poets Department, Swift makes Zoomer jargon her bag—titling a song after one of the most popular video games in the world and conjuring flickers of “down bad” and “I can fix him”—and it feels like she’s cosplaying because the Fountain of Youth was out of order.

Now that Swift is in her 30s, it sounds like she is infantilizing her own audience more than ever before—that singing to them at a level that could force them to reckon with something more akin with adulthood would be some kind of kink in the coil or her consumeristic threshold, that writing lyrics that sound like they were penned by a 30-year-old would, somehow, deter the interests of the billions of people who adore her.

If making one, continuous coming-of-age album is what Swift has been doing for 15 years, folklore and evermore were hiccups in the timeline—existing as the most fully-formed renderings of Swift’s own insecurities and concerns. They mirrored our platitudes towards an uncertain future with sweet, stirring remarks about isolation and heartbreak and the unavoidable, hard-worn truth about getting older. On those records, her larger-than-life living seemed, for once, to truly feel as close to the ground as ours.

Now, though, Taylor Swift is at the top of the mountain. Far better artists have made far worse records than The Tortured Poets Department, but you can’t read between the lines of this project. There is nothing to decipher from a place of quality.

Sure, Swift’s fan base will pour over these lyrics for the rest of their lives—insisting they know, for certain, which song is about who. But you cannot place a bad album on the shoulders of lore and expect it to be rectified.

We are now left at a crossroads. Women can’t critique Swift because they’ll run the risk of being labeled a “gender traitor” for doing so. Men can’t critique her because they’ll be touted as “sexist.”

And, sure, Swift is probably too easy a punching bag in this case—and most of the time, I would argue she is undeserving of being a victim of such barbs. But, you cannot write about someone being a “tattooed golden retriever” and get away with it and still retain your title as the best songwriter of your generation. You just cannot.

Sisyphus should be glad he never got the boulder to the top of the mountain—because Taylor Swift is showing us that such immortality and success ain’t all it’s cracked up to be. And, when you’re standing on the peak alone, who else is there left to hit?

In a recent interview with The Standard, Courtney Love said that Swift is “not interesting as an artist,” and I think The Tortured Poets Department proves as much. She has nothing to fight for, no doubters left to drown.

So where does she turn? Well, to boredoms of celebrity thinly veiled as sorrow everyone and their mother can latch onto—because we’ve all had to “ditch the clowns, get the crown” at some point in our lives, right?

The billionaire is having an identity crisis, but there are no social media apps for her to buy up. So she sings like Lana Del Rey and writes meta-self-referential songs about looking like Stevie Nicks.

What’s hollow about The Tortured Poets Department is that the real torture is just how unlivable these songs really are. No one can resonate with “So I leap from the gallows and I levitate down your street, crash the party like a record, scratch as I scream ‘Who’s afraid of little old me?’ You should be.” And normally, that wouldn’t be an end-all-be-all for a pop record—but when your brand is built on copious levels of “I’m just like you!” as the demigod saying it to their fans does so from a multi-million-dollar production set, it’s hard to not feel nauseated by the overlording, overbearing sense of heavy-handed detritus we’re tasked with sifting through on The Tortured Poets Department.

Love’s words to Lana, her advice to “take seven years off,” should be applied to Swift. Now, that doesn’t mean that, to make a good album, you must sit on material for years and labor extensively through the sketching, shaping and recording in order for it to be transcendentally landmark. But it’s obvious now that not even Taylor Swift wants to be the head of an empire—that she, too, can’t outrun the damning fate of being plum out of ideas by hopping in her jet and skirting off to God knows where.

See you at the Grammys.

****

[livelaughpeg]

I'm writing this from a throwaway account, because you know...Scientology.

I want to preface this post by saying I am not one of those "I knew it all along!" people. I can't stand that attitude. I was pretty ambivelant towards Neil Gaiman. Prior to the allegations, I didn't hate him but I wasn't that interested in him as a person either. I don't think you can always tell when someone is a bad or good person simply by the topics they write about. If that was the case we'd be arresting every horror writer on earth.

But one thing that did always rub me up the wrong way was the way he talked about getting work.

I borrowed and read "Make Good Art" (a small book based on a speech he gave to graduates at the University of the Arts) at a time in my life that I was really struggling to get by (I still am to some extent, but in a different way). I expected to see some practical advice. Instead it was a bunch of glib shit like:

I got out into the world, I wrote, and I became a better writer the more I wrote, and I wrote some more, and nobody ever seemed to mind that I was making it up as I went along, they just read what I wrote and they paid for it, or they didn’t, and often they commissioned me to write something else for them. Looking back, I’ve had a remarkable ride. I’m not sure I can call it a career, because a career implies that I had some kind of career plan, and I never did. The nearest thing I had was a list I made when I was 15 of everything I wanted to do: to write an adult novel, a children’s book, a comic, a movie, record an audiobook, write an episode of Doctor Who… and so on. I didn’t have a career. I just did the next thing on the list.

Life is sometimes hard. Things go wrong, in life and in love and in business and in friendship and in health and in all the other ways that life can go wrong. And when things get tough, this is what you should do. Make good art. I’m serious. Husband runs off with a politician? Make good art. Leg crushed and then eaten by mutated boa constrictor? Make good art. IRS on your trail? Make good art. Cat exploded? Make good art. Somebody on the Internet thinks what you do is stupid or evil or it’s all been done before? Make good art. Probably things will work out somehow, and eventually time will take the sting away, but that doesn’t matter. Do what only you do best. Make good art.

Yeah, well, no shit. If you're a writer or artist you probably do anyway. Whether you get paid for it or not, whether you draw fan art or original art. But the point of Gaiman's speech was to give advice to people who wanted to be paid for their art. To make a career of it. Making art every day isn't always enough. You have to pay the damn rent, you have to eat, you have to network and do social media and promote yourself, and you have to do it while thousands of other people are doing the same thing in a massive crowd of people who want the same thing. Practical advice is much more valuable than platitudes and theory.

I am not a writer, I'm an illustrator, and let me tell you that for most people, 'getting your foot in the door' isn't a one time thing. Quite often you have to work at getting your foot in the door again and again until you become established, and it's very easy to be forgotten. I still feel like I'm in that stage now.

I watched my peers, and my friends, and the ones who were older than me and watch how miserable some of them were: I’d listen to them telling me that they couldn’t envisage a world where they did what they had always wanted to do any more, because now they had to earn a certain amount every month just to keep where they were. They couldn’t go and do the things that mattered, and that they had really wanted to do; and that seemed as a big a tragedy as any problem of failure.

The implication was that he was successful because he wrote every day and his friends weren't because they didn't, because you know, working a second job is tiring. He called this a tragedy, but there was something very glib about the way he narrated this.

I think someone had more financial cushion that he was letting on.

And yes, sometimes it does work that way, (some people are very lucky and make all the right connections) but Gaiman was getting Big Jobs right off the bat and something about that never smelt right to me after the way he talked about it.

And then I saw Jeff's tweets. Oh, that's why...

I suspect the truth is he was living off his family's money and connections, and while I don't think there's anything inherently wrong with that if you're a struggling artist, his family are Scientologists, and I don't think he ever struggled.

I suspect it's all a lie.

[anonymouscheeses]

Obvious shit I noticed part 3 (spoilers for welcome to heaven)

Look at her! "Teehee"

Also she's nervous! Foreshadowing omg 🤯

STICKERS! Two pride stickers and a cute donut. Gives me an idea to draw Chaggie at a donut shop while everything is burning down <3 (I'll probably do it but if any artist wants to as well go ahead!)

*CHOKES ON COFFEE* I LOVE THEM. I'M SORRY I GET SO GIDDY WHEN THEY HAVE EVEN THE SMALLEST INTERACTION BUT UGHHH I NEED MORE, IT WILL NEVER BE ENOUGH 🙏🙏

KISSY! MWA! *SCREAMS INTO THE VOID*

Vivzie give me more, moar now. MOAR

DAMN. SHE CAN THROW- or maybe it just exaggerates the perspective in this frame but still- ZAMNNN

Cherri x Sir Pentious fans RISE UP.

I wasn't ever really a fan of it myself but I always thought it was CUTE. Like 3 seconds before this part I was already begging for them to kiss 😭

More foreshadowing!

AAAAAA CREEPY BIRD THINGS!!!

Oh wait- Sera's hot and Emily's already adorable

If heaven don't look like what this is in the show, I DONT WANT IT! (THATS A JOKE PLEASE DON'T SMITE ME)

JEALOUS GIRLFRIEND VAGGIE!! Can I just say how much I love Vaggie's face expressions? Not just here but like all the time. She's just made to be so exaggerated, out of all of them I thought it would be Charlie who would have the most dramatic faces but Vaggie wins it for me. I JUST GIGGLE SO HARD WHEN SHE LOOKS LIKE THIS BAHAHAH

Okay yeah. It's very obvious now. Vaggie is definitely an ex-exterminator. They don't close in on Charlie here so it's made to subtly nudge the attention to Vaggie. HOW DID THEY IMMEDIATELY NOTICE IT WAS HER THO??

Hot-

That's it.

SHARE THAT MOTHUSSY GIRL-

YOU'RE TELLING ME SHE GREW OUT ALL OF THAT HAIR?!? YEAH ITS BEEN A LONG TIME SINCE THEN BUT STILL AJJSJD.

But overall the design is pretty meh. I always loved the idea of short hair Vaggie and even have seen art of it but it's just yknow, alright. Reminds me of Cassandra from Tangled: the series. IM LISTENING TO ONE OF THE SONGS RIGHT NOW HELPPP

THIS SCENE HERE! WOOOOO! SO GLAD WE KNOW WHEN AND WHERE THEY FIRST MET!! Wish we got it extended tho. And also probably push it to next episode so it would have a better impact(atleast I think thats when they'll have the duet). BUT WHATEVER SOMETHING IS BETTER THAN NOTHING! or uh whatever

Vaggie must've been a bit terrified at first. The only sinner she ever sent mercy to was a child. Then to see someone who to her is an adult sinner who just looks really human, that must be crazy. BUT THEN IF SHE WAS TOLD THAT CHARLIE WAS ACTUALLY THE PRINCESS OF HELL? HOOOO, LOCK IN AND STEAL HER. THAT'S SOME WATTPAD SHIT. Also, I wonder how long Charlie thought of redeeming sinners. It would make sense to be after meeting Vaggie, since it could have been a wake up call to the fact not all sinners are bad people. Even though Vaggie isn't a sinner technically, Charlie didn't know that at the time. But maybe Charlie was always like this but just needed to meet someone who could start her dream with her. Long rant uhhh

Haha penis 🫵

SCRAP WHATEVER I SAID IN THE FIRST PART. THEY PROBABLY DO FUCK- OR DONT?? I DONT KNOW- ANYWAY LESBIAN SEX (BOTTOM TEXT). WHY DO I CARE SO MUCH??? SOMEONE PULL THE TRIGGER.

Lute looks like a basic asf anime gorl. Adam doesn't ever take his helmet off, or maybe he just can't. OH HE'S DOING THE GAY SIGN 💅💅 Very appropriate for what he's saying

Mentor, apprentice. I love that Husk is just trying to help Angel grow but isn't going to force him into it if he doesn't want to.

Im not a fan of huskerdust and think they'd be better friends as I can't imagine a relationship with them at all. But it's still nice and they are supportive of eachother so that's like- yknow. Basic rules. Or something like that. (HELP. I ruined it all at the last part)

I- girl- WHY IS SHE GROWLING?? GRR GRR RR (INSERT TWILIGHT SAGA HERE)

VAGGIE'S FACE. SENDS ME. WHO GAVE HER THESE OVERDRAMATIC EXPRESSIONS, I APPLAUD YOU RGAGAGA

Ooo... I didnt like this part at all... Instead of making the choice she just runs off. Then because the plot demands it, Adam says nothing. Kinda whish she atleast avoided the question, maybe in some way that would require actual thinking? For a character like Vaggie, she could choose either way and it feel like it's still her. If she chose to protect Charlie's dream, she would still be perfectly loyal to her but in the act of so would reveal a secret that could harm their relationship(which does happen at the end but that's because the plot wanted it like that). If she chose to side with Adam, she'd be hurting Charlie emotionally, sure, but it would keep a secret that could make Charlie see Vaggie less than who she is to her already(atleast what Vaggie might think would happen). Imo it should've been her deciding to protect Charlie, since it would mean she's devoted to her at all times.

ANOTHER THING! IF SHE COULDN'T MAKE THE CHOICE, THAT IS SOMETHING INTERESTING TO GO INTO. Maybe it could go deeper into how Vaggie doesn't know who she is without Charlie. So when she has a choice to make, like here, she can't do it without feeling the need to ask Charlie. BUT NOOO, YA HAD TO GO WITH THIS!! Wow. That was a long ass rant. Wtf 😭

Maybe I'm a dumbass. Maybe they'll talk about that next episode, but still, atleast touch on it a bit to not seem rushed?

Angel looking out for his kids like a mom. We always did need the motherly figure, the one closest to that being Charlie but girl needs a mother in her life too(damn, wait, I did her so dirty).

Huh, so why does it work here then? 🤨🤨 if it was said in the contract that Valentino can do whatever he wants only in the studio, then why is this the exception? 🤨🤨

Yes I'm stupid. Why do you ask? (No genuinely what's happening here)

OH ITS THE IMAGE! I really like Sera so far, hope we get more of her soon or in season 2.

Now that we know the context of this, yeah, that's fucking insane. And badass. WOMEN.

HMM. THATS STRANGE. DID YOU NOT FOR ONCE THINK THERE COULD BE A POSSIBILITY SHE MIGHT HAVE BEEN AN ANGEL? Okay I probably wouldn't either but I have an excuse, I'm an idiot. Some girl with a standing out outfit, with one eye, looks unusually human, right after/during the extermination... that's pretty solid ass proof. But I'm dumb so don't take anything i say seriously :D

Imagine this. No- shit. Just-

JUST LOOK! THEY ARE SO CUTE! EVEN THOUGH CRAZY SHIT IS HAPPENING.

*SWEATS*

Vaggie is DESPERATE. PLEADING. That's obvious yeah, but don't mind me I had nothing to say for the last 3 images I just thought they were cool

I mean. Slay I guess. 😍💅

Do all the exterminators look similar or is it just Lute and Vaggie? 🤨

Even though Vaggie and Charlie may be going through this horrible thing with a hard punch in the gut, but Vaggie is always going to comfort her and I just think that's so adorable.

Also Adam looks like a chicken hah.

Everyone fears to be like Lucifer. If they don't do bad things they believe are for the greater good and make sacrifices that put them higher than those in hell, they could themselves be fallen. It's really interesting but I don't know if it's going to be fleshed out enough with the amount of episodes left. Which also worries me about everything else that still hasn't be concluded. There's gonna be loose strings I just know it. Hopefully though they rather do that then rush everything out y'know?

I want the next episode to be mostly focused on Vaggie and Charlie's relationship and the healing of what happened. Not for the entire episode of course, it would feel drawn out if it did, but atleast address the problem for the first like I would say 10 minutes? Then the rest would focus on one or two loose threads while also having Vaggie and Charlie acting upon moving on. That's just my idea but yeah-

[all-about-kyu]

Summary: Both being in the NSFW content creation sphere, you and Yunho find a mutually beneficial piece of content to film. Pairing: NSFW Audio Creator!Yunho x Only Fans Creator!reader Tropes: Adult Content creator au, friends with benefits au Genre: smut Rating: R 18+ Warnings: language, the reader is smaller than Yunho by a good amount Smut Warnings: recorded sex, blindfolding, auralism, protected sex, implications of a hand kink, use of the name “daddy”, pet names, nipple play, clitoral stimulation, ripping clothing Word Count: 2,416 Host Tag: @sanjoongie @thelargefrye February Filth Masterlist Before You Interact

Listen to ♡ Often by The Weekend

“You’re sure you’re not going to get kidnapped?” Yeri checks for the tenth time.

“I’m sure!” You laugh, “This isn’t my first rodeo. I’ve talked with him before, too, several times. You know Yunho and I are friends.”

Yeri’s jaw falls to the floor. You meet her eyes through your mirror after you finish fixing your makeup. You look at her as if you’ve just said the most mundane sentence in the world. On the other hand, she looks as if you just told her you’re not actually who you told her you are.

“You mean to tell me–”

“I haven’t fucked him. Not in the literal sense, at least.” You explain, “We’ve fucked around in DMs before a few times but nothing in person yet. We’re genuinely friends, too, it’s not just about our jobs. He’s seen me. I’ve seen him. We’re both being safe. Now go back to your own apartment unless you want to witness something you probably don’t want to.”

She shakes her head and scrunches her nose. You laugh at her action and start walking her toward your front door. You start to pull your door open to let her out when she starts to sound like a broken record.

“Seriously, if you think he might–”

She’s cut off by someone clearing their throat. She turns around, and you look up. He’s right in the doorway, looking devastatingly handsome. Yeri buttons her lip and slips past him. You bid her goodbye as she’s already halfway to the elevator.

“Come on in.” You smile at the tall man, moving to let him in.

“It’s nice to see you in person finally.” He smiles

You nod, mouth suddenly dry, “I hope it wasn’t too bad of a trip here.”

“No,” he shakes his head, “It was actually really nice. It’s beautiful out.”

You’ve been friends online for a while now, and this sudden awkward tension is almost suffocating. Yunho smiles at you and takes your hand in his. You look at your connected hands before looking back up to his face. You’ve seen him before in pictures you exchanged in the past. Some of them are more distracting than others. Seeing him in person seems to create a whole new level of devastation for your panties and your heart at the same time.

He drops your hand and leans against a bookshelf at the edge of your entryway. He’s nearly the same height as it. You need a stool to reach the top shelf of it. Now you take in just how tall he is. You knew he was tall. Knowing a fact versus seeing it is so different. You already know his cock is big too. You’ve been blessed to see it several times. Your mind starts to wander to your activities planned for the afternoon.

“You okay?” Yunho’s eyes fill with concern, “If you don’t want to do anything, we don’t have to. We can just hang out.”

“No, no,” you chuckle, “I just forgot how… big you are…” You admit.

Yunho smirks as he leans over you while leaning against the bookshelves. You gulp at the sight.

“Did you, sweetheart?”

Fuck.

Your mouth goes dry again, trying to find a proper response. You knew damn well what the plan was walking into today. Both of you had planned out the entire scene in depth to ensure safety and quality content for your followers. Hearing his voice, seeing that stupidly hot smirk, everything about him renders you speechless.

“Sweetheart?” He calls again, “You still with me?”

You nod, “Just… thinking…”

“About?” He leans in close enough that you can feel his breath against your lips.

“We have a bit of content to film, and–” You stop yourself and stare at his lips for a moment.

“And?” He questions.

Your gaze stays fixated on his lips, “And… I fucking need you right now.”

Yunho doesn’t waste a moment closing the gap between you. The way he pulls you tight against him, combined with the heat of the kiss, makes your knees buckle. You stand there for a while, just kissing him. Your neck hurts a bit from stretching up to reach him, though you’re sure he is hurting more from craning down. By the time you pull away, your lips are puffy and wet with spit. His aren’t in much better condition; he has a bit of your lipgloss smeared near his own lips.

“Is your camera all set up?” He asks, his voice slightly raspier than earlier.

“Mm,” you hum, “You’re okay with your face being on camera?”

“We already talked about that.” He reminds you, “It’s okay. My face isn’t fully a secret to my audience.”

You take his hand in yours again and guide him toward your room. As you had told him before, your camera is already set up in front of your bed. You reach over and press record before you even say another word to him. As much as you’d love to get wrecked by him now, you know the goal is to get content. Your high-quality microphone is already connected and tested to ensure it gets the best recording it can. After all, it’s not just being uploaded to your Only Fans. The audio from today is being edited and uploaded to Yunho’s NSFW audio subscription as well. Short free clips are going to be posted on both of your Twitter accounts in addition to helping with the traction. Before you get in the view of the camera, you slip your shorts off from under your oversized T-shirt. Per the agreed-upon scene, you’re playing the role of his pretty little stay-at-home girlfriend and won’t be needing pants if you’re at home all day.

“You ready, princess?”

You know he’s put on his acting, but he still searches for any uncertainty in your eyes.

“I’m ready, Daddy.” you respond, voice sweet and needy.

Despite neither of you truly having a daddy kink, you both agreed to that title for Yunho to both protect his identity and play into the content you both know people want. You sit on the side of your bed and look up at him with wide, faux-innocent eyes. Yunho hums and leans down to cage you against the bed. One hand slips back a bit to grab a silk tie just behind you. He pulls it off of the bed and leans back a bit to hold it between you.

“We’re gonna play a little game, okay?”

You nod, “Will I get to feel you?”

“Oh, sweetheart, you’ll feel me. You just won’t see a damn thing.”

Yunho leans forward again and kisses you sloppily. The wet sounds of your kiss are enough to make you rub your thighs together. He, of course, notices it and grips your thigh with his other hand. Massaging the flesh, he pushes your oversized shirt up to expose your soaked panties. He guides you back further until you’re nearly laid down. He drops the tie just long enough to pull the shirt off of your body. You’re only left in your panties while he’s fully clothed. That doesn’t last long, though. He pulls his own shirt off. You appreciate his toned body and end up fixated on the noticeable bulge under his sweats. You gulp before meeting his eyes again.

“Can’t I suck you off for a bit? I wanna be a good girl for you.”

Yunho gives you an endearing smile, holding your chin in his hand, “That’s so sweet of you, baby. As much as Daddy would love that, I have other plans for us today. I’m gonna blindfold you now, okay? You know our cues.”

“Colors, if I can speak. If not, two taps for a break and three for a full stop.”

He kisses you again, “That’s my girl.”

It’s for the camera, you know that. Still, it doesn’t stop you from nearly melting at the praise. He takes the black silk tie and carefully secures it around your head, checking to make sure it’s not too loose or tight. You feel him guide you to lie down on your bed and push your thighs apart to be flat across the bed as well. Every sound sounds so vivid. The soft sound of his hands moving across the bedding, the gentle sounds of his breath by your ear, even the light creaking of your bed as he puts his full body weight on it. A gasp escapes your lips as he leaves more wet kisses along your throat. The noises he makes as he kisses you while letting his hands wander are enough to make your panties even more soaked than they previously were.

“You’re so jumpy, baby.” He chuckles, “Relax, let me make you feel good.”

“Daddy,” you whine, bucking your hips when his hand trails along your inner thigh.

“Yes, princess?”

You gasp when his kisses reach your chest, “Need–” 

You let out a broken whine when he wraps his lips around one of your nipples. His fingers lightly trail up and down your thighs, intentionally skipping over the place you need him most. Each time you buck your hips toward his touch, he lightly nips at your chest. The lack of vision only heightens your other senses more. Each time he so much as grazes your body, you jolt in reaction. Each word he says and each noise he makes sends you into another plane of existence.

You feel his body pull away from you, leaving behind a waft of his addictive scent. You feel as he pulls your panties to the side and strokes through your folds. The squelching sounds that come from your lower lips are loud. Each rub against your clit, each time his pretty, long fingers push into you, you feel yourself crave him more. He fucks you on his fingers for a while. His thumb presses perfectly against your clit while two of his other fingers thrust in and out of you at a pace that makes you see stars. His unoccupied hand holds one of your thighs down. His fingers dig into your skin in a way that may leave bruises, not that you mind at all.

“You hear that, sweetheart? You’re so fucking wet. What’s got you such a wreck? Hmm?”

“Daddy, I– fuck! Everything, it’s everything!”

“Everything? It’s how you keep whining and moaning while I finger your pretty little pussy, the way I’m speaking to you, the fact that you can’t see a damn thing. You’re at my mercy, sweetheart.”

You want to close your thighs so badly due to the amount of pleasure you’re feeling. A light slap on your thigh stops your action. A moment later, Yunho pulls his fingers from inside you, and you feel his weight lift off of the bed. The sound of foil ripping fills the space, followed by a low, growly groan. Though you can’t see it, you know Yunho kept his promise to put a condom on.

“Daddy,” your voice wavers with uncertainty.

You feel his hand rest against your waist, “It’s okay, princess. Daddy didn’t leave you all alone. I’m right here.”

The small gesture of reassurance makes your heart flutter for a brief moment. You feel the bed sink again and feel his bare skin against yours. He places a sweet kiss against your lips and whispers a quick check-in.

“You want Daddy to fuck you now?”

“Please, want Daddy’s cock, please.” You whine.

You feel the head of his cock rubs through your folds a few times before pushing in. Your panties are still pushed to the side, though they aren’t terribly in the way. Yunho continues to shower you with filthy comments and praises. Your hands fly forward and feel their way to his hair. Pulling him forward more, you pull him into another sloppy kiss. His thrusts are loud, and the squelching sound of your pussy is louder than it was with just his fingers. Your moans are muffled slightly by his kisses, but still, they’re loud. The fact that you can’t see anything makes it hard to know exactly what is happening.

“Wanna see you.” You request.

“My princess wants to see me now? I thought you liked not knowing what’s coming.” He teases.

“I- I do, but I wanna see Daddy now. Please?”

Yunho gives a particularly punctuated thrust, “Alright, princess, pick up your head a little, and I’ll take it off.”

You do as he says, and light floods your field of view a split second later. It takes a few moments for your eyes to adjust to the light. Once they do, you’re met with the sight of Yunho above you, sat up straight on his knees as he thrusts into you. He has a heated, lust-driven look in his eyes that brings you closer to your orgasm.

“Are you attached to these panties, baby?”

You shake your head at his question. A moment later, the telltale sign of clothing ripping fills the room. You break eye contact for a moment to see that he ripped the seat of your panties and was seconds away from ripping the waistband, too. Yunho smirked at you and leaned in close to your ear.

“I’ll buy you a new pair later, or I’ll pay for you to get some new ones.”

“Daddy, wanna– gonna–”

You’re not on Earth anymore. Your mind is so far gone, lost in the obsession you’ve discovered you have with his voice and the filthy, debauched noises being created in the space. In all honesty, you didn’t even process what he just said to you. All you can think about is the fact that you’re mere moments from your orgasm.

“Pretty baby wants to cum?” He asks, gripping onto your now bare hips.

“Please,” small tears form in your eyes, “Please, please!”

Yunho smirks at you again, “Cum.”

Your orgasm rips through you, stronger than anything you’ve ever felt before. Yunho’s thrusts grow stronger and faster. As you ride out your high, he reaches his own. He releases his load into the condom with a loud groan. His eyebrows furrowed together while his eyes remain locked on your own. You both start to fall from cloud nine around the same moment. Yunho leans down to hover above you and places a small kiss against your collarbone.

“You did such a good job, pretty girl. I’m so proud of you.”

That last comment wasn’t for the camera. That was specifically for you.

COPYRIGHT STARLITMARK 2024© ALL RIGHTS RESERVED — reposting/modifying any fic or piece of original writing posted on this blog is not allowed. Translations are not permitted. 

Networks: @cultofdionysusnet @kwritersworld @k-vanity

Tag List: @bratty-tingz @yeosangiess @minjaeluver @abbietwilight @wooyoungmybelovedhusband

[runningfrom2am]

cold nights // part twenty-nine

summary: you were back in the capitol, and you would be damned if you didn't try your hardest to make it worthwhile.

pairing: coriolanus snow x fem!reader

wc: 4.2k

masterlists / nav / requests

tags/warnings: tribute!reader and mentor!coriolanus, r is very sweet (too kind for this world. literally.), sunshine x grumpy trope kinda, he falls first, violence typical for the source material, depictions of mental illness, also she's is very smart (as she should), district twelve!reader.

a/n: ahh shit really hits the fan in this one oops

my asks are also open to talk about this series! (i do have emoji anons open now too!)

send me any and all of your thoughts! here!

series masterlist // playlist

"Coryo." You hum, knocking on your boyfriend's doorframe.

He looks up from his desk, smiling as he sees you standing in the door. You were still wearing what you had worn to class that day, a button up shirt he had bought for you with the orange skirt Tigris made, short and simple as if it was made by your own mother. It matched perfectly with his own mother's scarf that you always wore out, that was left draped over your shoulders. You were looking at him like you needed something, and it just made him light up.

"Love," He closes his book and stands up. "What do you need?" He asks, quickly pushing up his unstyled hair out of his face- the curls were beginning to come back, but they weren't quite as long as they once were. When he's with you, which is almost always, he makes a very conscious effort to keep it up and away from his face.

Your hands are tucked behind your back, nervously twisting your fingers. "Why must you assume that I need something?" You giggle.

"Because I know that look." He pokes your nose as he gets close enough to do so, now standing a foot away and looking at you expectantly.

"Okay, fine." You sigh. "I was wondering if you had any plans for Halloween."

"Hallo-what?" He asks, tilting his head at you. Your jaw drops.

"Halloween." You say again, wondering if it was possible he just misheard you.

He laughs, eyebrows raised in clear confusion.

"You don't know what Halloween is? You don't celebrate here?" You gasp.

"No, sorry."

"Oh my god, okay. Well, we must do something." You clap excitedly.

"Slow down, darling. You're gonna have to tell me what it is before I can agree." He chuckles, holding a hand out you to stop you before you got too excited.

"Okay, okay." You agree. "So, it's a holiday, similar to Christmas if you have that."

"Of course we have Christmas."

"How was I supposed to know?" You laugh. "Anyway, it's mostly for little kids, but still. Basically, on the last day of the month everyone dresses up in costumes of monsters or animals or different jobs- whatever you want, and the kids go knocking door to door and adults will give them treats."

"Treats." He states, but it comes out more like a question.

"Yes. Like cookies, or candy if you have it, really anything." You grin, nodding at him excitedly. "My Ma usually makes fudge."

"Okay..." Coryo laughs. "So... sorry, I'm confused. What do we do? Hand out candy to kids who won't come because no one's heard of it here?"

"That's the best part!" You clap. "We aren't parents; old enough to be stuck handing out candy, and we aren't young enough to go trick or treating, so we get to have the most fun."

"Okay..." He urges you on.

"We get to have a party!"

"A party." He eyes you a little bit skeptically.

"Yes!"

"Since when do you like to party?" He seems wholly unconvinced.

"I don't, but it's tradition! I always have fun, I just don't drink much anymore. It'll be good to make friends, Coryo. Please?"

"Anymore?" He laughs, but quickly shakes his head to stay focussed on what you were asking of him. "Love, I wish we could but I don't know where we'd have a party, we can't have it here."

You frown, thinking for a moment. "Oh! I'll call Sej." You grin, already bounding off down the hall toward the phone.

That was that, he couldn't change your mind even if he desired to- but really, if a party would make you happy, then you would get a party. He would make sure of it.

You had spent weeks handing out invitations to the other people in your classes, most of which, as you noticed, ended up in the trash cans or littering the halls. You didn't let it bother you, Coryo insisted that people just didn't tend to hold on to those kinds of things and it didn't mean they wouldn't come. (What you didn't know, was his near-constant cleanup efforts of asking anyone he knew or had classes with to come to his "costume party"- and people didn't like to say no to Coriolanus Snow.)

You had come up with a plan. Coryo would say it was his party, and he would be hosting it at the Plinth's estate. You couldn't run the risk of putting your name on the idea, especially after your interview assuring parents that you were just there to learn- not fraternize. You didn't mind, you knew more people would want to come if it was his party, and that it wasn't a "Halloween" party. Just a costume party that happened to land on the district holiday that none of these kids nor their parents knew about. Hopefully.

You were incredibly excited. You spent the days after Sejanus's parents left town over there making decorations, and begrudgingly, Coryo joined you after realizing you weren't only there to drop things off.

He never pictured himself spending so much money on orange and black coloured paper, but here he was. The list of things he would do for you is growing by the day, surprising even himself.

You had put a lot of time into your costumes, with Tigris's help over the last couple of weeks. It wasn't anything crazy, just a white dress and some small angel wings, and for Coryo a gray shirt with leather straps, some light chain mail on the shoulders, and silver sleeves. You were very proud of them, but you hadn't shown him yet. You would be Romeo and Juliet, and you thought it was just perfect.

You smile as you knock on his bedroom door, already in your costume. You would get there a little early to help Sejanus with some final touches, but you did have a lot of people confirm with Coryo that they were coming. You were excited.

He opens the door, his breath dying out in his throat as he takes in your outfit. He must have died and gone to heaven. "Well hello, angel." He grins as he regains himself, opening the door fully for you to come in.

"Do you like it?" You ask, giving a quick spin even as you're holding his matching costume behind your back.

"You look beautiful." He says quietly, nodding as he eyes how the white satin clings to your figure. He couldn't think of a more fitting costume for you; although to him, you always looked like an angel. But now, more beautiful than ever. Ethereal. "It's stunning, love."

"Thank you!" You smile, pulling his forward and holding the folded mix of fabrics up to him. "This is yours."

"Mine?" He asks, a confused smile on his face as he grabs it and unfolds it carefully. "What is it?"

"You're a knight!" You say, clapping your hands together excitedly. "Well, you're Romeo as a knight. And I'm Juliet." You grin, holding the hem of your dress and prompting him to look at it again.

"Romeo and Juliet." He chuckles, nodding slightly as he looks between the two.

"Yeah!" You smile excitedly. "Romeo! Here's drink. I drink to thee."

He laughs, nodding as he closes the door behind you and pulls off his shirt to put on the costume you made for him. "I love it, Y/N/N. Thank you."

"Of course." You nod excitedly. "I've always wanted to do a couples costume."

"Is that a thing?" He asks, getting ready to pull it over his head.

"Yes. It's so sweet! Couples will wear matching costumes and that's how you know they're together, I always loved looking at other peoples." You explain. "My parents always do matching costumes. One year, they both dressed up as cats. My mom made the ears out of felt, and they carried Tybs to the door with them to hand out candy. It was so cute. Like I said, they do matching costumes every year."

In your rambling, you don't notice how he freezes up completely, face falling. Hesitantly, he pulls it over his head. "How do I look?" He asks, gluing a smile back on.

You smile, nodding at him. "So handsome, Coryo." You confirm. "Tigris helped me make it."

"It's... a little uncomfortable." He tells you, pretending to adjust the light chainmail that hung over his chest.

You frown, reaching out to help him adjust it for a moment. "Is that better?"

He hates to do this- it fits perfectly, but he can't have people knowing you're together. Not yet. "Uh..." The hopeful look in your eyes breaks his heart. "Yeah, that's better." He nods, relieved by the smile that returns to your face.

"Are you ready to go, then?" You ask, tilting your head at him.

"Just give me ten minutes, love. Would you mind gathering up our drinks?" He asks, kissing your forehead.

"Of course, Romeo." You giggle, turning on your heel and leaving, closing the door gently behind you.

He hates himself for what he knows has to do.

When you got to Sejanus's house, you were practically vibrating with excitement as you ran around hanging up decorations and placing and replacing drinks and snacks on the tables, moving them around.

"Sej?" You ask, standing on a stool to be able to reach up above a doorframe.

"Yeah?" He calls back from across the room, turning to look at you.

"I'm out of tape, could you grab me another roll? We brought some, it's in the kitchen. Coryo will tell you which bag." You explain and he nods, giving you a quick thumbs up as he walks by and down the hall. 

Walking into the entrance to the kitchen, his eyes go wide.

There's Coryo, holding out the front of his shirt over the sink and pouring a glass of red wine down the front. Extremely, very intentionally.

"Uh... what are you doing?" He asks, and Coryo's head snaps up, eyes panicked.

"Uh, shit, I..." He laughs slightly, placing the glass down quickly and turning on the tap. "I tripped and, god I don't really know. I'm just trying to get this out..."

Sejanus nodded slightly, trying to hide how unconvinced he was. "I don't know if that will come out." He states.

"Shit..." Coryo sighs, albeit dramatically. If Sejanus hadn't just seen him do what he just did, he would be convinced. Coryo would make a good actor. "Well... Do you have something else I could wear?"

"Yeah... uh, yeah. Just go into my closet and help yourself." Sejanus tells him, gesturing down the hall.

"Thanks," Coryo says, brushing past him eagerly all ready to go and change into something else.

Your friend swallows, watching him as he disappears down the hall. Sejanus knew you had spent hours putting together that costume for him, could he even tell you that he saw Coryo ruin it on purpose? It would break your heart- but he did really want to know why.

Sejanus couldn't tell you. You were having fun, or at least trying to, and he didn't want to ruin that. People were talking to you, and to him, which was kind of new territory for the both of you. Your interview and your kindness in classes and to everyone you met did wonders for your reputations as "District kids". Surprisingly, your classmates had lots of questions and none of them seemed to have any real problems with you in a less pressurized setting. The alcohol was likely a contributing factor.

"Yes! Well, we'd go to the lake a lot. Oh! So, one time, my brother and I spent all day dragging this old barrel up a cliffside just to hang it off a tree at the top. We just spent our time doing the most random stuff." You giggle over the music, clutching your glass to your chest as you continue on a conversation with Hilarius, who you saw as a new friend even though Coryo wasn't his biggest fan. You had probably a little bit too much to drink, spurred on by your nervousness.

"A barrel..?" Hilarius laughs, tilting his head at you. 

"Well, yeah, what kind of stuff did you do for fun, then?" You ask over the loud music.

"Chess, I suppose. Reading, I don't know. Fun wasn't really on the schedule." He explains.

"Well, I'd rather drag a barrel up a hill than do nothing, wouldn't you?" You laugh.

"Touché." He tilts his glass at you before taking a sip.

"Y/N, can I steal you for a second?" You hear Sejanus say in your ear, suddenly beside you and you nod, politely dismissing yourself from the conversation.

You follow him down the hall to an empty corner. He couldn't take it anymore, he had to tell you. "I'm sorry about Coryo's costume, I know you worked hard on it." He says honestly.

"It is okay. Spills happen." You smile.

"Well, yes..." He agrees, looking around quickly to make sure he can't spot Coryo's blonde hair in the vicinity. It was a rare moment he wasn't with you, so now was his only shot. "But... it wasn't an accident."

"What do you mean?" You ask, tilting your head at him with a slightly nervous smile.

"Y/N I... I watched him pour the wine on it. Like, very intentionally."

You don't know what to say, slightly shocked. After a moment of him watching your expression evolve, you begin to laugh. "No, no. Sej, I love you, but how much did you drink before we got here? Because he wouldn't-"

"Nothing." He answers shortly, giving a firm shake of his head. "Not a drop, Y/N/N. I swear."

Your smile fades slightly at his abrupt statement. "Well..." You say quietly. "Why would he do that?"

"I don't know, but I know better than to be the one to bring it up to him. You should ask."

"I mean, he said it wasn't very comfortable before we left the house. Maybe he just didn't want to hurt my feelings." You smile to yourself, nodding as you decide.

"By ruining something you made for him? Yeah, that'll spare your feelings." Sejanus scoffs, looking past you once more to make sure Coriolanus wasn't nearby.

"He tried to spare them, I assume." You sigh, giving him a reassuring smile in hopes that he won't let it worry him. "It's okay. Thank you, Sej, for telling me, but it's really not a big deal."

The knowledge that Coryo ruined his costume on purpose was eating you alive. The feeling of dread sat deep in your chest where it apparently couldn't be drowned out with more wine or posca or anything that you could find or was offered to you. It made you so horribly sad, that even though you couldn't seem to find your boyfriend in any room of the large house you weren't sure if you even wanted to.

Talking to strangers helped, meeting new people. Some people you shared classes with, and you could mostly discuss that. It was a lot of explaining and reexplaining that people in the Districts were more or less normal, just with less access to resources. You got a few laughs out of that, but a surprising amount of understanding nods. Maybe all hope wasn't lost.

You were here to have fun. It wasn't like Halloween parties back home, and the sheer volume of boys in their own father's old peacekeeper uniforms was chilling to you. Even back home, where you knew those old uniforms were lying folded up in an attic somewhere, very few kids would dare touch them even to make a joke out of it. You couldn't take it anymore, deciding to just step out onto the back patio to get some fresh air.

The air hits your lungs and brushes over your skin, instantly giving you chills but you don't mind. Hearing talking over to your right, you take a look only to see Coryo with a few of your classmates, smiling as he leaned back against the wall of the house. A couple of faces you recognized, and one you didn't.

You smile as you walk over to them, squeezing in next to Coryo. "Clemmie, Livia. It's good to see you." You smile at them, and Clemmie gives a polite nod while Livia just takes another sip out of her glass while the other boy with them just continues talking.

"I don't believe we've met, sorry." You smile at him during a break in his story, extending a hand to him. "My name is Y/N. What's yours?"

He laughs, hesitantly shaking your hand. "Festus. Festus Creed." He tells you.

"Lovely to meet you, Festus." You grin. "Are you a friend of Coryo's?"

"Yeah, you could say that." He chuckles and you look up at your boyfriend who suddenly looks annoyed, rolling his eyes.

"I just love meeting his friends." You smile excitedly. "Are you studying at the university? I haven't seen you before." You say, folding your arm around Coryo's and he tenses up, not so subtly shaking you off.

You look up at him for a moment, a confused smile on your face from his actions.

"Would you mind giving me some space?" He asks coldly, almost glaring at you. Your eyes flick to his, but it's dark. They're cold, icy blue even in the poor lighting. His cheeks are flushed, but maybe that's from the chill.

"Oh, sorry." You laugh nervously, taking a step back and abandoning your conversation. "I... um, I'm gonna go get some water. It was nice to see you." You wave quickly to his friends, turning and heading for the door.

"Sorry, apparently my tribute gets touchy when she drinks." You hear Coriolanus laugh behind you as you enter the house again. It was met by laughs from the rest of the group he was with, and your heart dropped practically out of your chest and onto the floor. You wouldn't have been shocked if you looked down and saw your white dress absorbing the remains of your heart.

Your white feather angel wings catch on the curtain of the door as you close it behind you, and you want to scream and rip them off as you feel tears well up in your eyes. You look around for your best route of escape, feeling the familiar tightness in your chest begin to build.

You'll have to go along the wall- clinging to the outside of the room as you avoid the chaos of the middle in an effort to make it up to Sejanus's room. You'd be alone there.

Tears stream down your cheeks as you keep your head up, eyes locked on the entrance to the foyer with the large staircase, which you know you can take to get to your friend's room. Your fight or flight is kicking in, you think, as the music and laughter and voices fade into nothing. You almost expect the familiar clang of a metal weapon to sound out in front of you as it slams into the wall- but you have to make a very conscious effort to remind yourself that you aren't in the arena anymore. Even if it felt like it more and more with every step.

Shutting the door to Sejanus's bedroom, you quickly shuffle over to his bathroom and lock yourself in, freezing when you catch a look at yourself in the reflection. She was hardly a reflection of you; tear-stained cheeks, angel wings- when you knew that these days you were just about the farthest thing from it. You had changed. You hardly recognized her, and that's the thing that forced you to look away.

You don't even hear someone enter the room until there's knocking on the bathroom door. "Y/N? Are you in there?" Lyssie asks, concern dripping through her tone.

You sniff, quickly wiping your eyes. "Yeah! Yeah, I just need a moment." You choke out, trying and failing to keep your voice steady.

"Are you okay?" She asks through the door, wiggling the handle now. "What happened?"

"I'm fine just fine." You insist, laughing nervously as you look down at how badly your hands are shaking.

"Can I come in? Can you open the door for me?"

God, how you wished it was Lucy Gray on the other side.

But Lucy Gray isn't here. Lysistrata Vickers is all you have- so with shaky hands you reach for the door and unlock it, letting her in. She won't hurt you, you're sure.

Her eyes are already wide with worry as she gets her first glimpse at you. "Oh, Y/N, what's wrong?" She asks, stepping in and quickly closing the door behind herself. "Here, sit down..." She nods to the floor, which has clearly been recently cleaned. Even so, she pulls a towel from the rack and lays it out for you to sit on.

"I'm just a little too drunk." You sniff, trying to dismiss her worries, and slide down against the wall on top of the towel she laid for you as sobs take over you.

"Want to tell me what happened?" She asks again, hurriedly reaching for a smaller towel and wetting it with what you assume is cold water, wringing it out before joining your side on the floor.

"Nothing." You shake your head and bring your hands up to cover your face as you cry into them. "I can't... I can't tell you."

"Okay, that's okay..." She soothes you. "Here, this will help. Can you move your hands for me?"

She doesn't want to touch you, no one really does. You lower your hands, squeezing them tight together in your lap as she carefully reaches up to dab the cloth across your forehead. It does feel good on your burning skin.

You focus on taking deep breaths, trying not to embarrass yourself any further.

"There you go..." She smiles. "You're good at this."

You laugh through your tears. "Well, it comes with my title, I guess." You sniff, wiping your cheeks again.

"I'd bet..." She hums. "But you're doing great."

You just nod slightly, running through lines in your head out of nervous habit. "I love him, oh, I love him; but he won't let himself be loved."

You don't even realize you're saying it out loud to yourself until Lysistrata speaks. "Is it... Is this about Coriolanus?" She asks, and you don't want to tell her that it's a quote from a story of her namesake because ironically, she is right, and ironically, that was the only line you could think of when you strained to remember any of it.

You nod slightly, biting into your lip and letting your shoulders shake with the latest round of sobs.

"Oh, I'm sorry..." She gently rubs your shoulder. "He's... He's not very sensitive to people's feelings. I know that. Just try not to take it personally. It's not your fault."

"How could it be anyone else's?" You sniff. "I embarrass him... But I try so hard to be good. I try so hard..." You cry, wet eyes making it hard to see.

Lyssie looks at you, a little confused. "What did he say?" She asks.

"That..." You hiccup, trying to breathe through it so you can explain better. "That I needed to give him space, all I was doing was standing next to him." You sniff again, wiping your eyes. "And he called me his tribute to his friends- it made me feel just sick... And earlier Sej told me that he ruined the costume I made him on purpose, we were supposed to match! Now I just look like I'm desperate for people to like me- dressing up as an angel when everyone here knows what I did! I don't know what I did wrong... Why does he hate me now?"

She watches you silently, trying to put together the pieces. 

"I don't understand." You say again, shaking your head. "He told me he loved me this morning! I don't know what I did to change that..."

"Sorry, he said he loved you?" Lyssie asks, eyes wide.

You nod slightly, looking over at her. Why does she seem so shocked?

"Wait, Y/N..." She pauses, shaking her head slightly. "Are you guys like... together?"

"Mhm." You swallow, wiping under your eyes. "But apparently not anymore."

"Oh my god, I had no idea." She stammers out, snapping out of her shock to pat the cloth on your head again.

"You didn't?" You sniff. "He didn't tell you?"

"No." She shakes her head, but quickly continues. "I'm sorry, he doesn't tell much to anyone, though..."

You let out a shaky breath, leaning your head back against the wall. "I should have known this couldn't work. I feel so stupid."

"He shouldn't have led you on like that..." She replies quietly. "I don't know a whole lot about you, but I know you're not stupid. I also know that Coriolanus always gets what he wants, one way or another."

"I just want to go home..." You cry, shaking your head. "I want to go home."

Lyssie looks back to the door, gently dabbing the damp material across your forehead. "I'm going to go get Sejanus, okay? Can you hold this on your head for me?" She carefully passes the cloth into your shaking hands and you nod, leaning your head down against it instantly.

She gets up and leaves, carefully and quietly closing the door behind herself. If one person in this city knew even a little bit about what you were feeling or how to help, it would be Sejanus Plinth.

taglist: @soulessjourney , @that-veela-girl ,  @dreamyysouls, @rockstarbfs, @maysileeewrites , @baybieruth , @kitscutie,  @fratboyharrysgf0201 , @totallynotkaibiased , @stelleduarte , @secretsicanthideanymore , @bejeweledreverie , @drewsandsebastianswife , @niicole-87 , @queenofshinigamis , @innercreationflower , @nallasstuff , @iovemoonyy , @thatmarvelchick19 , @wearemadeofstardust0 , @regulusblackcore , @puredreamagination , @fantasticchaosthing , @becauseseaotters , @secretsicanthideanymore , @strawberryflavouredkisses-deact, @cascadingbliss

okay suddenly tumblr isn't letting me tag more people than this so i just made some cuts unfortunately :') i just left the max amount of people i could whose users i recognized and see in my notifs all the time :) if you're not on here and you should be i'm so sorry!

also this taglist is closed now!! if you’d like to get a notification when i update, turn on my post notifications!! i promise i won’t spam y'all :,)

[lowkeyrobin]

Platonic Ghostbusters x social media manager! Reader?

oooo hell yeah!! ; thanks for requesting and I hope u enjoy :)

GHOSTBUSTERS ; social media manager

summary ; you run the official ghostbusters social media platforms

warnings ; language

word count ; 746

masterlist

Podcast wanted to run the official Ghostbuster social media's but was quickly turned down at that. They needed someone who could actually be on top of that kind of stuff and whatnot. So, Stanz made a deal with Podcast that they'd get a social media manager, and he could act as their teammate with that, basically. Giving them ideas, giving them video clips and extra details, etcetera.

Most of the others didn't see a real reason for a social media manager, but as long as it wasn't their money.

Trevor offered to just do everything himself, but that was obviously turned down as well. The teens all agreed not to let the adults run the account either. They didn't need millennial - Gen X / Boomer humor flooding the whole account and making them look bad.

And that's where you came in.

surprisingly, Pheobe was the one to find you. she's seriously the most chronically offline person ever so the fact she ever opened Instagram was a miracle in itself

lots of talking back and forth and meeting the original four three ghostbusters to get input, then meeting callie & garry and the teenagers

you actually figured out that you used to be friends with Lucky as well, damn

you had managed social media accounts before, but you'd recently quit a few of those because of labor laws being broken so, yknow

you quickly formed a bond with Lucky, Trevor, and Podcast. you were kind of close in age to all three of them and they were all invested in the public image for the brand

setting the Instagram up was genuinely the funnest thing ever

the four of you were chilling in the living room in the firehouse (since sleepover stuff, pheobe was in her room reading) and you had your laptop in your lap and the three of them over your shoulders

the amount of laughing and cackling got some scolding from callie upstairs

it took everything out of you to not make the first post a video of trevor being soaked in Slimer's slime (which had been recorded by Lucky just by coincidence as they were investigating the attic again)

the first three posts, which were pinned, all lined up to be like a banner kind of logo with the theme song in the back, and they all played the same video, clips of the og ghostbusters and how they grew and then the new ghostbusters

the tiktok is its own thing, you allowed trev, lucky, podcast (and pheobe) to run it, but everything had to be ran by you first because pr shit

but thankfully no boomer humor or slang is ever being put on those accounts

most of those people don't even know wtf the internet is anyways lol

stanz has a personal vendetta against you /hj after you posted a .5 of him for relatable promo. he had no idea what you were doing but it was criminal that you made his forehead look so much more bigger than it already was

Winston gives you a bunch of old pics to post to trending angst sounds as well LOL

let's not talk about that tiktok where you, lucky, and trevor dance to/remake submissive and breedable by smosh ft bbno$, okay?

^podcast and pheobe were behind the camera cackling the whole time

lots of random pic posts on the insta as well because why not (most of them are the teens looking awkward, callie, gary & lars trying to look like cool scientists, or venkman, stanz, zeddemore & melnitz being classic, sassy old people)

the socials are never professional whatsoever, it's fun but it's not heavily controversial or obvious that you're there as a pr manager basically or just to manage the socials

like man they don't have the time to look at all the comments, take all the advice, reply to fans, etc

I mean that wage ain't that bad either LMAO

trevor is always bitching about how you make more money than he does /lh

you're not just a representative to them, you're actually family. you're just cool like that

"bro y/n is such a mc I hate them" and you'll reply on your personal w a "says you, reality shifter" or smthn LMAO idfk

always reposting ghostbuster edits / fanart etc because fandom culture 🙏

also I can't get over the fact the ghostbuster theme song is canon now either. yk damn well that shit is plastered everywhere thanks to you 💀

"do the ghostbusters respond??" "stanz said he loves your dog" "HELP HSEIJDLAKE"

10/10 experience

[aingeal98]

Thinking of Cass and Damian got me thinking of the New 52 and how the dynamic between Batgirl and Robin there is even more proof of the travesty that was Babsgirl. She's been the longest running Batgirl to Damian's Robin, has witnessed most of the events of his life as Robin and yet their dynamic is just... A nothing burger. She's there in batfamily group reactions in the New 52 as the most heinous use of the Smurfette Principle I've seen in a long while. Tim isn't Tim, Dick isn't fully treated as Bruce's son, Jason exists mostly to say funny one liners, and yet despite the shallow characterisation there are still moments and events you can point to and say look. This happened. They interacted with Damian and it meant something. With Babsgirl? Nothing. How can there be anything when they're shoving a grown woman into a role she's outgrown for years now and forcing her to be the Batgirl of a preteen Robin? Her original Robin gets his own mantle, gets to be an adult with a legacy. She's shoved back into this role she doesn't fit in and because they know damn well she doesn't fit in it and they're just doing it for misogyny, they don't even try to make Batgirl and Robin a thing. Any interaction they had during the new 52 was so unremarkable and flavourless, devoid of character and heart, that I've never seen a single panel of the two of them in my 16 years as a DC fan.

Steph had a 24 issue batgirl run where she interacted with Damian a few times. Cass got even less than that with a six issue miniseries to bond with him. And yet the characterisation, writing and dynamic created in those stories was interesting, entertaining and impactful enough to last in the fandom for YEARS when Cass and Steph got erased. When you think of Damian's big sister you think of Steph, Cass, Maya etc long before you think of Babsgirl.

It's just infuriating to me. All those years of potential Batgirl and Robin stories wasted on a duo with as much cultural impact on the Batgirl and Robin team up as the James Cameron Avatar movies had on the word Avatar. All so they could erase the women of the batfam and reduce the sole one remaining down to The Girl Bat. Yeah whatever she was there in Damian's life when Steph and Cass weren't why am I supposed to care when her standing there gave me nothing to work with emotionally compared to a single conversation Steph or Cass had with Damian back in 2011. Compared with them or even Oracle Babs, I care about Babsgirl and Damian's dynamic and bond as much as DC and it's writers do. Which is to say, not at all.

[paddockbunny]

Don’t Blame Me - prologue

Summary : You had it bad. You had it so damn bad for a man that was not your boyfriend. And when you arrive in Brazil and find out all the drivers were staying in the same hotel…what happens when it’s suddenly all out there to you, on a plate? Rating : 18+ Pairing : Daniel Ricciardo x Reader Word Count : SNIPPET/ONE SHOT Trigger Warnings : 18+, NSFW, adult language, no warnings yet for this mini chapter. Images : curated from Pintrest Authors Note: This is inspired by a post from @extra-ricciardo 💖 there will be a full imagine on this and it will be expanded upon - I’ve just not had the strength to be able to write it yet because I’m focusing on some health stuff x

Daniel was one of those guys. The type that would get under your skin. The type to get stuck in your brain and consume it. Devour every single corner of your mind. He would infiltrate the deepest, darkest parts of your conscience and even reach down deep into your soul. He was the type of guy that you couldn’t help but let yourself indulge and run away with the possibilities of being with him no matter how hard you tried to control it. Daydreaming over what it would be like to spend a night with him - and wake up naked beside him the following morning. He was the type of guy not to realise how every single time he so much as glimpse in your direction your skin darkened with an impossible blush. A burning, intense heat would crawl upon your neck and your cheeks when those deep mocha eyes shot a sideways glance at you.

Daniel was one of those guys. But he wasn’t your guy.

You were taken. Already claimed by another. You didn’t know Daniel even existed until after you had already started dating someone whom he considered one of his closest friends - but the feeling deep in your soul ignited the moment you were introduced and you were sure that if only you had met him first you would have, well, swiftly set about making him yours. He just had this raw magnetism that made you feel like a moth to a flame. When you were near him he intoxicated you. And you were positive he felt the same. There were flashes of it. You could see it in his eyes. He would slow down so he could walk closer to you, came to check in on you and make sure you were catered too, and you would catch him staring - even while you were with your boyfriend.

But again, you continually had to remind yourself, he wasn’t yours.

You knew that most girls would kill to have been you. You were dating a champion. A world champion. One that loved you. Really, really, loved you. He had fallen first and hard - so hard in fact he almost gave himself a concussion. He was all in within one single month. He wooed you with dinner at fancy restaurants and sent so many flowers to your apartment that it began to resemble a florists. He worked hard at making you fall for him and before Daniel you figured this was it, it was end game for you. But even you knew the fantasies of Daniel fucking Ricciardo weren’t harmless. Sure, if you were just a fan and you had a normal boyfriend then ok, they would have been totally normal. But your boyfriend was Max Verstappen. So no, the fantasies were not just harmless. They were dangerous, risky, worrying even.

But it didn’t stop your brain from imagining Daniel naked, every single time you so much as heard his name.

And it didn’t stop you wishing that someday you those images inside your head would turn into reality…

Find Part 1 Here

[doppel-doodles]

Turns out I actually have so many ideas for grown up Timmy Oml-

No doodles of the ideas yet I am just trying to get out the brainworms and thoughts, if I actually have something I’ll make a part two for this-

In the meantime have a regular Timmy doodle and for those interested some ramblings below:

Concept 1

Comic artist

Timmy always read to me as a really creative kid with a very rich imagination not to mention his love for comics like the crimson chin.

Also be for real, cleft the boy chin wonder was basically baby’s first self insert oc.

So I really like the idea of a future where Timmy got to make his own comics, maybe he works on a reboot of the crimson chin comics orrrrr he is retelling his own childhood adventures from when he had fairies without ever considering that it wasn’t just his imagination but reality.

Heck maybe making a crimson chin fan comic is what’s jumpstarted his career so that later he gained opportunities and made his own series?

Also in this idea I can say proudly: “bro is just like me fr fr.”/j

Like any artist and writer he suffers creatively twice.

He is a chronic procrastinator and there are two reasons he is able to keep any of his deadlines:

They are called coffee and redbull.

He has passion, he has fun but god damn his work ethic is just about the worst example he could give his kids which is exactly why he doesn’t LIKE letting them see him work.

He is unorganised and constantly suffering from art block,writers block- bro is basically just in a creative burn out 24/7.

In a new fish he could maybe pop in via holding a meet and greet, signing copy of his works and the likes. Hazel and or dev could be fans of his work and thus shenanigans happen.

Concept 2

Child care

Okay this one comes with a bit of backstory: Basically once Timmy got old enough he actually started his own babysitting service, perhaps even together with his friends.

The main reason was of course Vicky.

He could steal away her jobs so she couldn’t traumatise more children by being so,SO icky.

But that’s when he also learned he kinda really liked looking after those little rascals.

Especially babies and toddlers, something about them just set off this warm and fuzzy feeling of familiarity within him.

So as a grown up he would make looking after them his whole career, I haven’t really settled in what way though.

He could be like a nanny for hire, or maybe even a daycare attendant running his own place.

I like to think there are a few moments where he would subconsciously act kinda like Wanda and or Cosmo while looking after these kids but with his own spin of course.

He is pretty witty and was a well known troublemaker in his youth so he knows just about every trick a kid can pull and isn’t opposed by teaching them a lesson by making their schemes backfire horribly.

No harm done except for a temporary wound on the child’s pride perhaps. But then again he is so fun during playtime how can any kid stay mad?

And if he is a nanny for hire: who knows maybe Dev is in need of supervision sometime soon?:>

Sub concept

Child counsellor

Kinda similar to the backstory of the previous idea simply this time Timmy decided to focus on kids who may be a little more troubled due to outside factors like he was.

Because he can SWEAR that back then there was someone who was there for him in a similar he now is for these kids and even if he can’t remember it anymore.

You can bet that there is nothing stopping him from being a safe adult for them to come to.

Concept 3

Fairy

Probably one of the most popular I’ve seen and I gotta be honest it’s a lot of fun to think about, but because so many ideas were already out there I did have a hard time coming up with something that wasn’t just a repeat of someone elses idea’s.

But I think in the end what I settled on is a fun concept:

Remember that episode where we see that unwished wishes get put into a kinda storage unit? And how Timmy made so many wishes his locker was basically about to burst?

I think it would be pretty fun if his duty as a fairy would be to basically reorganise these kinds of lockers and instead of storing wishes somewhere else Timmy has to find a use for them somewhere else.

It’s also kinda funny because I imagine Jorgan did kinda intend this to be a “Got’cha!” Moment, as let’s be real most of these wishes WERE HIS.

But jokes on him Timmy actually likes this job-

[kandadze]

Ep 27 loose thoughts

Well, that's one way of snapping someone shell-shocked out of making a drastic decision. I feel like PSJ snapped something in herself at this moment, too. Anyone else found the ancestor's commentary going on in the background while the girls are bawling their eyes out hilarious? Just me? Okay.

While I was waiting for the ever burning wood to activate or something, the moment WX opened the box to reveal dried flowers I choked. ZYC!!!

Baby!Yichen breaks my heart, so impressionable, so open to learn. It's interesting to see that the phrases about suffering we've seen him use as an adult might have come from WX... Not a fan of telling people in mourning to stop dwelling in misery and sadness like it's as simple as flipping a switch (not to mention, she apparently *just* met him for the first time? The heck?), but at least the rest of her words seem to have helped him... so much that he kept the flowers 😭 The irony of her snow metaphor contrasted with their current predicament is indeed exquisite, A+ for that.

Are they going to be saved by the power of lurrrrve??? (At least this time. Still holding out for how that's gonna play out in the finale.) I mean, what other way to sway an ancient creature who's seen pretty much everything there is to see, than to show them something new? What's that? A test for a future event? (I'm getting really paranoid about nothing we've seen so far being real. It's like Alice in Wonderland on a bigger scale. Or Finnegans Wake on a smaller scale. I don't know.)

Oooh Bingyi and Ying Long, our original doomed couple (of self-sacrificial idiots)! I would watch a whole drama just about them. And damn, I can definitely see where Zhao Yuanzhou got his masochism from. Stoppppp not "Just let me be the first star"! (Especially since I just remembered ZYZ's "I'll be the rain...") It's not supposed to be literal! 😭😭😭 Ahhhh this scene just broke me, also because it seems to reinforce the idea that ZYZ *has* to be killed for the greater good. The visualssss in the execution- sacrifice? What the heck do I even call it?- scene though, soooo good!

"Let me do it myself." LET ME DO IT MYSELF??? FUCKKKKKKK DAMNIT HE JUST- ::head in hands, crying forever::

"Remember. This is my choice, not yours. You don't have to bear any blame or guilt." That's not how that works. That's not how any of that works!

Again, we're dealing with choices. But the fact that ZYZ choice was the same as Ying Long's... the fact that YL says that neither he nor Bingyi had any regrets... oh this is going to hurt.

Oh? ZYZ's future is not what he wants? (And wouldn't that be funny, considering ZYZ's own words while schooling ZYC in the very first ep... 9 times out of 10, things don't go our way?)

"You two are really like us." 😭😭😭

I was wondering if they were going to show us what ZYC saw, and not only does the image of ZYZ's body on that dark floor mirror Ying Long's body floating in the water, both ZYZ and ZYC wear the same clothes as in the very few scenes from the trailer that didn't happen yet... These poor sods, they've been Going Through It for almost a decade now with the only end in sight being yet another tragedy (even if the drama seems to suggest that they don't see it that way at this point.) ::head in hands, crying continues::

"My friend is here. We'll go together." The *sound* I made. Everything else this drama has given me aside, the growth of these characters and their bonds is so well done, and absolutely precious to me.

I want Ying Long's hopes and wishes for them to become true. Seeing how there's hints everywhere in this drama, I hope the words of one of the most powerful beings in existence will count for *something* in the end! (Am I grasping at straws? Maybe. Let me be delusional for a bit longer.)

What do you mean, five, ZYC? What's Ying Lei, chopped liver?

Oof this *almost* hug before WX starts feebly hitting ZYZ. It's relief, it's anger, it's fear for the next time, it's all the feelings that became too big to contain. I feel her so much. (I would've started whacking both him and ZYC way earlier tbh 😅) And ZYZ allowing her that release before pulling her in for reassurance, patting her as if she was a scared child. 😭 Cut to PSJ, looking as if she wanted nothing more but to be the one offering the reassurance to WX. Cut to ZYC, remembering that willingly or not, he's going to hurt WX beyond reassurance. Once again, the bonds in this drama!

Wait hold up hold on what? You just removed Bingyi's blood from him, that should mean that ZYC will not have to become a demon, right? So what's that about developing the inner core? (Also, I just realized that so far all they got from this trip was "go east and ask for a dragon scale" lol) Thankfully him and ZYZ had their conversation(s) about titles and identities so being asked to make that particular choice was not completely out of left field at this point. And all he cares about is whether that means that the last trace of Ying Long will disappear! 😭 (I'm so with Bingyi on this one... I would hold onto that last shred of my friend's existence, too, *especially* if they offed themself via my goddamn sword.)

What's with that look after he says that he thinks he has it - the inner core - is there a joke here somewhere? (I *gotta* go back to learning the language, the things I'm undoubtedly missing on!) The only thing I can think of is - did they think he said he's pregnant??? ::dies:: "So what's your true form?" "Must be dragon." "I say you're a mule." "Better than being a monkey." "I'm a white ape!" ::dies again:: Nice to see we still get a friendly ribbing between all of them, and I can breathe after all the angst. Fingers crossed? There's still 5 minutes left...

Oh good, let's talk about getting Bai Jiu back! (I knew there was one more character from the opening credits that didn't show up yet... guess it's the rebel princess.) While Ao Yin is eavesdropping! Talk about good hearing. Sigh, here it comes, another goal they have that will conflict with Li Lun's; they want the scale to restore the sword, and LL not only doesn't want that to happen, the scale could potentially help him get rid of the poison.

Oh for fuck's sake, I think I was subconsciously waiting for Chongwu Camp to show up, knowing that they've eavesdropped on the gang earlier, and here they are. ZYZ should really think of putting up some sound barrier when they discuss important plans, everyone seems to know exactly what they'll be doing at any given moment!

Ahhhh we're getting a nod to that little cough and stumble WX had shortly before this trip. Something's wrong with Baize token? Or with her connection to it? We only have 7 episodes left, drama!

(ZYC is such a good little brother.) Oh great, it was the rebel princess who killed WX's dad? I repeat, we only have 7 episodes left!

Sigh... with only 7 episodes left, we *also* find out that the goddamn 3-face-mask has history with the princess? And has everyone and their mother sat on that little bridge???

This feels like the endless final scenes in Peter Jackson's "Return of the King," my head is spinning.

Note to self, *stop* looking at previews. Ying Lei, what the absolute fuck?

[trashogram]

i’m gonna hop on the stolas hate train with you for a second. Do you know what i feel like he doesn’t get enough lashings for? His inability to see things from Blitzo’s point of view.

I’m sorry but despite being horrendously bad he is simultaneously one of most self absorbed characters ever. If he really loved Blitz to an up to par standard he’d be able to understand the HUGE power imbalance between them regardless of their feelings or time spent together. (might be a spoiler but i feel like you’ve seen it by now) but Blitz out burst to Stolas was super justified , i wouldn’t have done it personally, but i see where he’s coming from.

That moment itself was a rare vulnerable!blitz moment that stolas could’ve used to mend their relationship but instead he made it about Him AGAIN I CANT DO THIS😭😭😭 THEY SUCKKKK GOOD LORDD

I’m here to conduct this hate train, you’re more than welcome to come aboard.

Stolas has the characteristics of a Covert Narcissist (obviously he’s fictional, I can’t diagnose a fictional character or real person, but let’s tally it up shall we?):

Lack of Empathy — You hit that one

Sense of Entitlement — he thinks he’s entitled to Blitzø’s time and body, as well as Octavia’s unending patience and understanding when he fucks up and fucks around on her and their family)

Taking advantage of others for personal gain — the whole deal with the fuckdamn Grimoire

Hyper-focusing on fantasies of grandeur — Stolas is King Delusion thinking his obsession with Blitzø is at all equivalent to love, or even liking someone. He also deludes himself into thinking he knows his own child but he ignores her wants when she literally runs away from him on two separate occasions bc he’s not fucking listening to her.

Exhibit passive-aggressive behavior, arrogance, or subtle superiority — Ppl don’t clock this as much as they should but I’ve noticed and gagged at his belittling “pet names” for Blitzø (impish little plaything, itty bitty imp) and how when Moxxie and Millie try to speak to him, Stolas either treats them with disdain/like peasants or doesn’t even look at them when they speak! Not even bringing up how he uses his own imp staff as stress-relieving toys.

Highly sensitive to criticism — Can’t take being called out, has to cry and run away from the truth that Blitzø (and Stella and Octavia) are spitting

Victim Mentality — it’s everyone else in this damn bird’s life that’s to blame instead of himself. “I think so highly of you, I didn’t realize you thought so low of me.”

Fuck. You. Stolas.

I’m sorry this is a wild rant but to be fair it is the Stolas Hate Train (SHT, we should implement an I in there). Obviously I don’t hate his fans. Like what you like. Please. However, I may have some concerns over how young HB fans can get and how they don’t truly see how terribly this character is written because they accept the framing of Stolas as the poor victim in this situation at face value and don’t see it for what it really is, but I’m not their parents. And hopefully the younger audience will grow up and also think “ew”. At the very least.

I would like to know if the HB writers, and her majesty Vivienne Medrano, realize that they’re framing the Abuser in this situation as the victim but have dug this hole so deep that they just have to keep digging bc there’s no going back or if they genuinely think their targeted audience of adults don’t see through this or haven’t had to deal with abusive relationships themselves.

[oonajaeadira]

Leave Off Your Wandering pt. 3: Autumn

Fandom: The Last of Us (TV)/ Joel Miller

Pairing: Joel Miller x f!reader

Reader: Adult female. Old enough to have been an adult on Outbreak Day. Wyoming born and bred. Sheep farmer, easy-going but confident and self-sufficient. Likes to sing, not a great cook. Childhood friend of Maria. No other physical descriptors; no use of y/n.

Rating: T for now

Warnings: Angst. Canon-typical tragedy (not main characters). Childbirth. A few names that may twist a knife.

Summary: You give Joel a lot to think about.

A/N: Set after season 1 and then diverges. Does not acknowledge the existence of further plot/seasons, although I claim the right to steal ideas and bits of cannon from the second game if I want to for plot reasons later.

It takes a lot to gain Joel's trust, and even longer to tame him. Thanks for sticking it out this long. We're finally shifting into acceptance mode.

“No, they do not make you look old. They make you look like Joel Miller in glasses. Just like the last five pairs. These are distinguished.”

“Looks like something my old man would have worn.”

“Your dad must have been a stunner. Assume the position. Bottom line.”

Turning him by his shoulders, you square Joel up to the line on the floor across from the eye chart at the back of the Jackson commissary.

“P…E Z O L C…F…T D.”

You pass him a handwritten note. “Good. Now use the bottom half of the lenses to read this one. Do it without squinting.”

Taking the paper, he squints. You pull on his arm to distance it correctly and he stops. He stares at the paper for a while. You might be concerned at the pause if he wasn’t taking a comically elongated time, breathing out hard through his nose, his jaw ticking left to right, feigning decisions, trying not to laugh. “Gimme a pencil.”

Without taking your eyes off him, you reach over to the counter and snag a pencil out of a cup and hand it to him, watch his eyebrows lift, his head shake, and give another dramatic sigh as he marks the paper before handing both the note and the pencil back over to you.

Joel Miller, will you go to the harvest dance with me? [x] yes or [ ] no.

“I don’t think these are gonna work,” he points to the black frames on his face. “Can’t read a damn thing. Not one damn word–” He can’t even make it through the sentence without cracking a smile, and only fully laughs when you playfully punch him in the arm.

“I’ll have you know this is a binding contract whether you can see it or not,” you join him in the tease, fanning the note in his face. “Just how blind are you???”

“Well, maybe I was working up to asking you the same question so…I guess not as blind as you seem to think.”

This slowly melts your laughter down to a smile. “Working up to it? What’s there to work up to? You mean… Did you…not want to?”

When his own smile fades, you realize too late that maybe he didn’t.

While you and Joel have fallen into a close friendship over the past few months, sometimes that’s all it really seems to be. There are moments that come close to something more–an arm draped over the back of your chair–or perhaps across your shoulders–as you stand in the back yard watching the fireflies, always a ready hand to help you up from a chair or the ground. If the two of you are ever in the same room, he’s always near, keeping you on his left where he can hear you. It took a while, but both Joel and Ellie have just stopped knocking when they come by, treating your house as they do Maria and Tommy’s–like family.

There are times he smiles in that way where his eyes shimmer and you think he’s coming around to falling for you. But he never pushes for more and you are beginning to wonder if he even wants that. After all, you’d learned from Tommy what life in a QZ can do to a person….and that’s on top of all the years the brothers spent surviving in some of the most violent and criminal ways possible.

Sometimes when you all sit out on Maria’s porch after dinner and watch the sunset together, he might take your hand in one of his–big, warm, roughened but gentle. And it’s at those times you almost forget about how he’d used it in the past. Almost.

With his bare hands, Tommy had said. Just come up behind ‘em and squeeze.

It takes time to become someone else. You always knew you’d need patience.

You just never braced yourself for something….a little less than affection.

“Listen, Songbird,” he sighs, his jaw shifting hard to one side. “I don’t want you to think–”

“Oh yeah, lookin’ goooooood,” Ellie’s opinion precedes your notice of her entrance. “Hey there, professor. I was looking for a book on relativity. Any suggestions?”

Pushing the glasses up the bridge of his nose, he ignores her sass and turns instead to the commissary register to mark down the inventory he’s taking. “Aren’t you supposed to be with Maria?”

“Yeah,” she shrugs, picking up an earthenware mug from a shelf and admiring the owl painted on it. “Her water broke. Baby’s coming. Can I claim this mug?”

“What??” Your body jerks, ready to run, but just barely holding back, shifting all the dismay you were just collecting and using it to power a new anxiety.

Joel’s head whips around, the glasses staying mercifully in place. “What are you doin’ looking for us? Go get Dr. Johnson!”

“Unclench yourself, my good sir. I already did. Went to her–” she says to him and then winks to you,”-- and Willa, thank you very much. You two didn’t tell me where you were going, you think I’m dumb enough to spend time hunting you down first? I’d be looking up and down Main forever. Have been. Almost went out back to see if you were eating spaghetti in the alley with one long noodle between you. Baby’s probably already here by now, jeez.” She spins on her heel, tapping the mug with a finger. “I’m taking this, thanks.”

Joel exchanges a look with you, the former conversation shoved roughly aside for a new concern. “I’ll register it and grab a few other necessaries. You go.”

This is no time to pick up the dropped dialogue but… maybe…should you stay and help? Oh. It takes a second to click that you can leave it to him. You don’t have to tell the man what’s needed for a new baby…after all, he knows more than you. Even if it was a whole other life or two ago.

And with a nod, you shelve your feelings for one more day and jog out the door to catch up with Ellie.

_____

Willa’s just walking out the door by the time you get to Maria and Tommy’s.

“You’re going?”

“For now,” she nods, working her shoes back onto her feet. “She’s got a while to go. It looks like it will be a pretty straightforward labor.”

“Did Dr. Johnson have anything to say?”

Her exhale tests high for irritation. “She’s upstairs. Why not go ask her yourself.”

“Wait. Willa. Did she send you away? I didn’t want to call her, but Joel thought–”

“Nah, it’s fine. I’m going to go take a nap so I can get through the night. But she’s using up all the air in the room and what Maria needs is to rest as much as she can and let it come. A good midwife would know that. Too bad the medical authority in this town is a gastroenterologist and not an obstetrician. It’s a baby and she’s treating it like an obstructed bowel.” Muttering something further about obstructions and matters of the bowel in regards to Dr. Johnson, Willa pats you on the shoulder before making her exit. “Maria can have water for a couple more hours, then sips only. Make sure she eats something.”

Upstairs you find your old friend in full concentration mode–laying on her bed, eyes closed, breathing hard, forehead smooth but glistening–as she awaits the next contraction. Tommy’s curled up next to her, holding one of her hands, his forehead to her temple, matching her breath for breath.

Her other hand is being held aloft as the good Doctor checks her pulse. “Family only,” she condescends as you enter the room.

“Good idea,” you say, plonking down at the end of the bed with enough of a bounce that Maria opens her eyes and glares from behind her belly. When you point to her swollen feet and let your eyebrows request consent, she nods, shuts her eyes, and focuses back on the process as you take a foot onto your lap and start to massage.

Maria groans in contentment and Dr. Johnson takes it for discomfort. Turning to you, her silvery hair pulled back into a tight braid, her frown causes her jowls to deepen. “I really must insist that you clear the room. The fewer distractions she has, the better things are going to go for her.”

You pull your stockinged feet up onto the bed. “Is that how it was when you had kids?”

“I never had children,” the doctor snaps.

“I see. Well, Maria said she was gonna freak out if I wasn’t here, so it seems now we’ve got ourselves a conundrum between what the doctor says and the patient wants. But, seeing as how this is her second child and she is very much my family, I think I’m going with her wishes on this. I never got to meet the first one; I’m sure as hell not gonna miss a minute of my new godchild.”

“Who said you were going to be the godmother?” Maria grumbles.

“I did. It’s your own fault. You left the position open and nature abhors a vacuum, so I’m gonna plug my old ass into that hole.”

“You are mixing so many metaphors there. Where’s–nnnnn,” her face becomes a wall of teeth as the contraction hits, her body a live wire as you and Tommy move to soothe. It takes a good minute for her breathing to slow enough to ask, “Where’s…Willa?”

“She says she’ll check back in tonight. You’ll probably be at this awhile.”

“Well, then, if you’ve got your magic healing woman then I’m not really needed here,” Dr. Johnson’s smile only travels halfway up her face. “Blood pressure’s doing well, no signs of abnormality. I’m sure you’ll be just fine. If you need me, you know where to find me. Just send the foul-mouthed girl again. Certainly with a set of lungs like that, she can easily wake me up in a matter of minutes.”

Nobody stops the good doctor on her way out and the train of her passive-aggressive, attention-seeking attitude trails behind her.

“She means well,” Tommy answers your scathing look.

“Your wife didn’t ask for her.”

“My wife’s never been through labor without drugs before. And she’s older now. I just…” his eyes soften on her with concern as he leans in and presses a kiss to Maria’s forehead, “I just want her to be okay.”

“She’s Maria. Of course she will be.”

The subject groans with a minor cramp. “Stop talking about me like I’m not here and go make me a taco. I’m starving.”

She’s less than thrilled with the berries you bring instead– “water and fiber now, carbs later” –but is placated with you reading her to sleep from one of her favorite Amy Tan novels. Every now and then she wakes up with a contraction, but a little soothe in your voice and she’s out again.

After a few hours, Tommy goes to nap in a spare room and Willa returns with a bag full of clean linens, ready to take over, sending you out to get your own nap in.

It’s quiet downstairs, the setting sun throwing long shadows through the western windows, mixing with a few faint rainbows still filtering through the leaded stained glass over the door.

Maria’s not far from you in age. If there were still doctors in hospitals, they’d call her pregnancy not just geriatric, but advanced geriatric. Even with all the medicine that used to be available, she and the baby would still be under the care of several wary eyes. If they both make it, they’ll have beaten the odds. If they don’t–

Slumping down on the couch and pouring yourself over it–just to put your feet up and your head down for a second…just a second–you push worry out of your orbit. This isn’t a world to worry in anymore. What comes comes. All you can do is what you can do. Maria is strong. Tommy loves her. Willa’s capable. The baby’s on time. Everything’s going to be fine.

It has to be.

It hurts too much to consider an alternative.

_____

When your eyes open again, the house is dark and quiet, the sun long since set.

Although, not so quiet when your stomach growls. Nor so dark either, as you notice a faint glow coming from the kitchen.

A simple investigation leads you to a tea candle burning in a jar on the countertop, next to a scrap of paper with your name scrawled on it and a plate covered in a linen dishcloth, under which you discover a flatbread sandwich.

One look at the handwriting and you can imagine Joel coming by to check up on things only to find you asleep on the couch. There was no gentle-but-possibly-disruptive blanket-covering, no “thought you could use something to eat” beside your name on the note. Nothing but reverent candlelight and one word to let anyone who found the plate know for whom it was intended, no requests or commands, just a quiet devotion, a simple offering to a sleeping idol to be taken or left as you chose.

If he doesn’t want you to fall any harder for him, he’s doing a terrible job.

_____

The final labor comes the following morning, Tommy holding one of Maria’s hands and you the other–both of you gritting your teeth as her grip leaves bruises–and Willa holding the soles of Maria’s feet, giving her something to push against.

Joel’s been tasked with guarding the door to the house since Maria’s taken to screaming with each push–not in pain, but in ferocity–and the neighbors have been coming around in concern. He’s quick to turn them around and send them on their way and you’ve gathered from Ellie’s reports that they seemed offended until she started volunteering the information that Willa is upstairs helping out. Then everyone readily accepts that all is well and being taken care of.

But Maria, she’s the real star of the show here. Yes, she’s in pain, and yes, she’s tired and weeping–no tears, dehydrated–but she’s nothing if not a fighter. She wouldn’t be in Jackson without that being true. And, frankly, Jackson wouldn’t be Jackson if it weren’t true either.

When it’s all done and the delivery miraculously comes off without a hitch, when Willa checks the baby boy over and finds him responsive and healthy, ties him off and hands him over to Tommy, taking her leave to go wash up and rest, the room is eerily quiet.

“Hello, little man. I’m your dad,” Tommy whispers, on the edge of tears but too tired to cry as he sits next to Maria and shares the bundle with her, the two of them staring down in awe at the tiny new human. “I’m your dad, and this is your beautiful, strong, fantastic mamma. And your auntie’s here too and we’re all damn happy to meet you. Welcome home.”

Maria smiles wide, the pain already fading to memory, an unnecessary detail she’s gonna leave behind her in exchange for exponentially better days ahead.

“Good job, you three.” Adding to the kiss count on Maria’s head, you start to pick up some discarded towels and sheets, preparing to leave the new family to rest. “Did you finally agree on a name?”

“Oh, I think I settled early on,” Maria sighs, completely in love. “Riley.”

You hum in satisfaction. “Nice. Where’d that one come from?”

“Ellie suggested it and it just hit me right. It’s a good name for a boy or girl, but mostly I liked it because it’s a fighting name. All riled up and ready to go.”

“Sounds like trouble.”

Maria snorts. “Oh, I’m sure. After all, he is a Miller.”

“Damn right,” Tommy whispers, bestowing his legacy.

It’s an easy decision to make, your vow of silence. You’ll never let them know you feared losing her. Not when there’s more now to protect, more to love.

There's been enough fear. It isn't worth your time.

_____

Over the next week and change, a routine easily emerges. You make yourself available during the day for any needs–help with cooking, diaper washing, or just rocking Riley while Maria has a bath or Tommy needs a nap. After school, Ellie comes by and adds two more hands, truly turning childrearing into a village affair. Joel’s the last to add to the party after the sun starts getting low and construction on the new district slows down for the day, earlier if it’s his day for patrol. Every night is family dinner night now and sometimes Riley’s actually awake enough to join them.

Ellie can’t get enough of her new little friend. If she’s got empty hands she willingly fills them with baby, either rocking him or laying him on a cushion to watch him watching her. She’s not had a lot of experience with babies or newborns other than the lambs, but she’s a quick learner. It’s just one more thing that this harder world has deprived her of. Babies were few and far between in the QZ and Ellie seems bound and determined to make up for lost time, not wanting to miss an instant of growth or change.

Joel, on the other hand, is more stoic. If he was hard of hearing before, it almost completely disappears when Riley’s in the crook of his arm. He can’t help but be captivated by his new nephew and you catch a fond smile creeping along his cheek now and then, but there’s always something a little sad behind it, and when the light catches a glimmer off the face of his broken wristwatch, it’s not hard to guess what he’s thinking.

It’s during one of these moments when Maria’s napping and Ellie and Tommy are out in the yard, that you finish up the dishes and plop yourself down on the couch next to Joel.

“Your arm tired? Want me to take him?”

“No. I’m fine,” he says quietly, trying not to wake the boy. But the silence is more for himself than the baby–Riley sleeps hard. For now.

You simply draw a knee up onto the couch and lean your elbow against the back cushion, watching them, chin in hand.

“Where’s Ellie?” he finally asks.

“Enough leaves are down. Tommy’s out back showing her how to make a leaf pile. And what to do with it.”

He chuckles, knowing exactly what’s proper and good to do with leaf piles. “We used to have a big maple out back when we were kids. Dad spent hours raking and nothing he could say or do could keep us from demolishing his work. Whip our hides and we'd be back out there the next day making a mess.”

“Well, at least lawn maintenance isn’t such a priority anymore, right? Just think of all the leaf piles this one’s gonna get. Let the destruction commence.”

“Yeah.” It’s slow and subtle, but the light slowly leaks from him, a twilight descending over his brow. “I guess there’s still a few pleasures to be had for kids in this world.”

This is why he’s always so contemplative with Riley. Worrying. Taking everything he’s seen and experienced and piling them onto one little baby, doing the parent thing, hoping that they’ll have a better life…but doubting that it could ever happen.

“There’s always going to be something, Joel. If the world hadn’t gone to hell, there’d still be car accidents and kidnappers and war in some far off country and the capitalist job market. A kid has every chance to have a good life in this time as in any other. And even if it isn’t in the world we remember, this one has you and me and all of us in it to look after one little boy who gets to live a life. Isn’t that what’s great?”

“Is it?” He finally turns to you. “You think it’s a good idea to bring a kid into this disaster?”

His eyes lay bare the puncture you’ve made in him, his sorrow and apprehension starting to vent, and it seems he hopes you can patch the hole because god knows his hands are full and not steady enough to handle the delicate procedure.

“Hey. Kids are going to happen, Joel. People are still going to find each other and fall in love and I hate to break it to you, but babies are sometimes a consequence of that. Biology’s a hell of a thing. But just because it’s not the world we knew as kids doesn’t mean it’s not worth living in. In fact, Ellie and Riley are going to do better than us, because they were born into it. They’ll have all of this kind of living in their bones from birth and don’t have to take twenty years to relearn it all. Or use up twenty years living life with regret.”

You expect him not to take that well, but he surprises you, softens, and turns back to the baby, his eyes skipping to his watch.

Maria told you once that sometimes she’s glad that Kevin died. He was still young–only 3 and a half–but he would have remembered. He would have held trauma. Back then, a lot of the little ones were lost, either to hunger or to attack…they didn’t know enough to be quiet.

Sarah on the other hand…. Joel didn’t know it, but Tommy had said once that Sarah would have never made it in this world. Too good. Trusting. Gentle. She would have been taken advantage of or become severely damaged by the shift coming in her formative years. Children are resilient, but a teenager’s psyche could be a difficult thing.

“Still not a good idea,” he mumbles. “But he’s here now.”

“Thank god. Maria needed another man in her life to boss around.”

He’s not budged by your joke. Instead, he side-eyes you, hits you with a cynical question, trying to knock you off your rosy pedestal. “If you’re so happy about kids, why don’t you have any of your own?”

You shrug. “Got sheep. What. Don’t look at me like that.”

“Like what.”

“Not every woman wants kids, Mr. Man. Even if they like them a whole lot.”

“Biology’s a hell of a thing.”

Catching his not-so-clever info gathering, you smirk. “I had other things to concentrate on. And in the meantime, the factory had blessedly closed down.”

He can’t help the instinct that makes him truly assess you now. “You’re not old enough for that.”

You chuckle. “I’m starting to think what you don’t know about women could fill a few books, Joel Miller. You let me know when you’re ready to brush up.”

It’s at this point that Ellie calls in from the porch, telling Joel to “get your flat ass out here! Tommy says you’re a champion leaf-piler!”

“Goddammit,” he hisses as Riley starts to stir.

“Go on,” you smile, holding your arms out for the baby. “I’ve got him. We’ll need to wake his mamma up so he can eat soon anyway. Go on outside and play with the other kids. Be home before dark.”

_____

A few nights later, you’re making assessment in a full-length mirror on the inside of a closet door in a room in your house you very barely use. When was the last time you really had a look at yourself? And when was the last time you wore a dress?

Sure, it’s a fall dress, fine-knit by Addie as a gift for bringing her on as a Roostling so many years ago. You keep it for special occasions, which means you get to wear it maybe once a year. The wool is undyed, so the natural oat goes well with your brown leather work boots. Unfortunately, shoes are at a premium, so having a second pair just for fancy isn’t really a thing anymore. Doesn’t matter. The weather’s been a bit wet and the streets a bit muddy. Boots’ll do you just fine.

But you haven’t worn your hair like this in ages. Freshly washed and let to dry rather than set back or under a bandanna for utilitarian purposes, you almost forgot what it looked like natural like this.

You almost forgot that you could actually clean up quite pretty. Huh. Imagine forgetting a thing like that.

The knock at the front door’s expected. Even though Ellie and Joel come and go as they please, tonight you knew he’d do the polite thing and knock. The comfortable part of you wants to call down and tell him to just come in. But the hopeful part of you knows that this is his way of making an effort. Of taking a step your way.

“You sure?” you’d asked Maria earlier in the afternoon. “You’re gonna be okay for the night?”

“It’s a dance, not a trip to the moon. And Ellie’s here. We’ll have fun.”

Ellie rolled her eyes, clearly not happy about diaper changing duty, but smiling through it. “Please. Go. Get him out of the house. The later he comes home the better. Bonus points if he’s not back until morning.”

“Jesus, Ellie.”

Maria only smirked in full agreement.

He’s waiting on your porch when you open the door, one thumb tucked into his belt, the other holding onto a porch pillar as he examines the sole of one boot.

“You step in something?”

“Shit, I hope not. I just cleaned these. I thought–” but of course he stops when he looks up and sees you. Joel himself doesn’t have a lot of extra clothes, and is dressed in a clean dark flannel and jeans, nothing you haven’t seen before–although tucked in this time–his hair is still wet and slicked back, exposing more of the gray.

Your getup, however, is a new sight for him, and he’s struck enough to let it show on his face. So you give him a twirl, let the dress swing a bit. “Get your fill, I only bring this out like once a year. You’ve earned it this time.”

The smile is subtle, but it’s there, along with the tiniest of nods.

It’s not a long walk to the mess hall, but on your way you both determine that Joel’s definitely stepped in something, and yes, it’s still worth holding his hand. Horses are gonna horse and stepping in crap is an everyday occurrence when you live around animals at the end of the world. He seems grateful and maybe a bit chagrined, but neither does he seem ready to let you go.

The mess hall’s brightly lit; several jack-o-lanterns carved by the town’s kids adorn the long tables which spill out into the street to make room for the buffet and the dancefloor inside. A good portion of the town is out tonight and mingling under the canopy of string lights.

Addie and Goldie are the first to find you and greet you, the former admiring her own handiwork on your dress–even if she’s much improved over the years–and the latter pushing mugs of warm cider at you and Joel. Willa, it seems, took to the Roost short after Riley’s birth, always opting to take solitary watch during big gatherings and celebrations. But she did help with the decorations and is responsible for a good portion of the cornbread on the banquet table. When they start asking questions about the baby, Joel politely excuses himself, muttering something about getting you a plate.

“And how’re you doing?” Goldie asks, nodding after Joel. “I didn’t think that grump would warm up to anyone, but I suppose you’re tenacious enough when you want someone. I don’t blame you. Grey Fox indeed. If I was twenty years older, we’d have to share.”

“Yeah, he’s coming around.”

“Didn’t think you’d ever take up with anyone again. I heard Ellie had a run-in with the lye.”

A sudden lump rises, nothing you can’t swallow down. “She’s fine. And so am I. Maybe I'm a little lonely is all. Maybe I got a type. Here’s to hoping I’m wrong where it counts!” You smile wide, clinking your mug with Goldie’s and drink deep, chasing away whatever guilt rudely decided to come calling.

Tonight’s supposed to be happy. Tonight’s your night with Joel. Just you and him. No family, no interruptions. The past is the past. And this night is easily the first of many.

Soon enough you catch him waving you down at one of the tables and join him for dinner.

“Figured you weren’t picky, so I got you some of everything.”

“Hells bells, Foxy. Were you planning on dancing with me at all tonight? Because I won’t be able to move if I eat all of this.”

At least he swallows what he’s chewing so he can answer you between forkfuls. “Don’t worry. I’ll eat what you don’t.”

“Then how are you gonna dance?”

He shrugs. “Didn’t plan on gettin’ rowdy. Not with these knees.”

“Oh my god, you old man. Did you really come here with me just to sit and eat? There’s a band playing. And they’re good. You’re not gonna dance with me?”

“To be honest,” he says, straining above the chatter spilling out of the hall and taking another bite of chicken, getting it mostly down before continuing with a pained squint, “I was never good at it. One of those ‘stand around with a beer and watch the band play’ kinda guys. But a pretty girl wanted me to slow dance, I could do that. More swaying than anything.”

“Well I guess that’s something to look forward to then.”

“Good thing you’re easy to please.”

It’s another hour sitting at the communal table, the night settling in and the fiddle and guitar music rolling out from inside the hall. A few friends come by to visit, Missy Tippett makes her way to Joel’s right side to flirt and he pretends to hear her, answering all questions with a “yep” even if they aren’t yes or no queries and you do your best not to laugh. True to his word, Joel takes on the leavings of your meal–nearly half the plate–while you chat with folks, and he rises beautifully to the challenge. Without having to scrape and scramble in the QZ or starving out in the wilds, he’s put on weight since the spring, just enough to fill out his hollowed cheeks and pleasantly soften down his belly. He keeps active with the construction enough that he’s putting away more fuel than storage, but it’s good to see him enjoying the harvest.

You’re mid-conversation with one of Willa’s brothers when Joel taps a knuckle on your elbow. Turning to find him with his chin in his hand, he points inside of the mess hall where a slow song just started, an old Buddy Holly tune, True Love Waits. The time has come then. Like the worn shoe that he is, he gets up and re-tucks his shirt as you excuse yourself and then let him lead you inside to the dance floor.

He’s an old-schooler, guiding you close around your waist and taking your hand in one of his.

In all the time Joel and Ellie have been in Jackson what you’ve felt toward him was a strong pull, a crush, an attraction. It’s been years since you felt drawn to someone like this. But it isn’t until this moment that you actually register the ramp up and learn that your species of butterflies don’t really seem to reside in your belly, but behind your sternum. The tip of your nose and chin tingle with the proximity to his, his breath warm and apple-scented, his flannel smelling of soap and being dried in the sun. His hand fits perfectly at your lower back and your arm was made to curve up and around his sturdy, ample shoulder.

It’s that feeling where you can’t seem to look him in the eye for more than a fraction of a second for fear of losing control, and so you focus on his chin instead, yearning to land your lips there.

It takes most of the song to realize he’s doing the same with the top of your head.

You should say something; it feels odd not to be poking fun somehow. But then, you can’t think of a damn thing to say now that you’re exactly where you’ve been wanting to be all these many months. Well, nothing witty anyway.

“It’s been forever since I slow danced with anyone.”

“Out of choice, I assume,” he answers after a while. “Seems odd you being here so long and not spoken for.”

“Not everyone has to be paired up for life to be worth living.”

“Maybe not. But it looks like you want to and I’m not sure how anyone says no to you if you set your sights. You’re damn persistent.”

The song ends and you break to applaud, ready to quip back. But there’s a look on his face, and expression that you’re not able to categorize in the context of this moment, only that it looks like he might want to leave or be alone.

“Joel, I’m sorry if I pushed you. I know you’re still settling in. I didn’t mean to–”

But the next song starts up, sweet and slow–You Belong To Me–and he doesn’t give you a chance to finish. He just pulls you in close, tucking your head against his shoulder under his jaw, taking your hand again and holding it against himself.

“I’m settled,” is all he says as you sway.

Determination. That’s the expression. A commitment laced with lingering sadness or fear.

And that’s okay, you think. After everything he’s been through, that’s okay. As long as he wants to be here with me, everything’s going to be okay.

At the end of the song he peels away, and while the expression has softened, it still remains.

You reach for his hand. “You wanna walk?”

He nods. You let him lead.

Outside in the crisp autumn night air, he doesn’t take the direct path to your house, instead, he ambles slowly down another road, toward Maria and Tommy’s place.

Joel’s a thinker. He’s got things to say but needs to put them in order in his head first. So you let him organize while you walk slowly beside him, the light and the pretty violin ballad fading behind you. It takes a little longer than you expect and you’re almost to the house when he finally speaks.

“I’m not good at this.”

“You say that like there’s one right way. Like I’m expecting something out of you.”

It’s obviously not what he expected you to say. “But you are.”

“Okay, maybe. But I’m also willing to meet you where you are.”

“No, that’s not what…” he breathes out hard, frustrated that his thoughts are getting out of order, but you wait. “You should be…expecting…something. You should want me to…reciprocate.”

“I do want that, but I can’t force you and I know it.” You amble on, watch his jaw tick. “Joel, I’m crazy about you and I’d love nothing more than for you to feel the same way about me. It’s been a long time since I felt that way about someone. But I know it’s different for you. I know you were more recently attached, and for a long time–”

“It wasn’t like that. Well…wasn't like this, anyway.”

You follow him silently past Maria and Tommy’s place–dark, everyone asleep–and take a turn that will eventually lead you to your own house. A block goes by before he finds his next words.

“Tess and I…our lives…we were…rough with each other. Cared for each other, but we were hard. We had to keep on our toes, couldn’t let feelings get in the way or make mistakes. But all that…stuff… We had each other physically but we kept a lot at arm’s length. Like a survival mode. Conserving our energy for things that kept us alive. Safe.”

“I think I understand. Tommy said–”

“Tommy didn’t understand shit. He thought I was using Tess. But he was wrong.” Even if he’s keeping his voice even, his eyes cold, you can see his fist clenching and unclenching out of the corner of your eye. “I…I needed her and didn’t know it. She was right there and I should have… told her so. That’s what I think I’m saying. I don’t have any practice in anything that isn’t just surviving. And I don’t know if I can give you what you want.”

“Are you pulling a ‘you deserve better’ on me?”

Another look of surprise. Again, you’ve thrown him for a loop.

“Because I do deserve better. You’re right. I do deserve to be loved and to be adored and to be happy. But so do you. Most of us do. Doesn’t mean everyone’s gonna get it. Sounds like you spent the last decade and change denying it for yourself and to someone else. But at least you had someone. At least you knew where you stood. Me, on the other hand…I spent the last decade remembering something like that and wishing it would come back, knowing it wouldn’t, and beating off any chance of having it again like a damn fool. Maria ever tell you about Troy?”

His headshake is subtle, but his look of concern not so much. You decide to let it roll off you just as you had with everyone else in the past ten years.

“Figures. Tommy’s got a big mouth but Maria’s always kept her trap shut when it’s not her story to tell.

“Troy was my...husband. We were married for three really good years. He was a refugee, like you. Came through from Seattle QZ with his sister. Ash was a wild one, loved the sheep. She was the last trainee we had before Ellie came out. She had a habit of wandering though, hopping the barrier for berries and honey and just to run free in the woods without a care in the world. Almost cut her off from going out to the Meadow, but Troy spoiled her, took her side in most things. His only weakness. Damn, I loved that stupid man so much.”

Coming up to your house, you take a seat on the steps, not ready to go inside yet. As you continue, Joel follows your lead and ends up beside you.

“You ever wonder why Maria and I don’t live on top of one another? Troy and I lived in the house next door. Once he died, I couldn’t bear to live there anymore.”

The breeze picks up and you give it a minute to die down. Joel’s voice pushes through your silence just above a whisper. “What happened?”

“Troy and Ash were out at the meadow and they weren’t answering the check-ins. So Willa and I went out there with the patrol. Right away we see almost the whole herd gathered in one lay. Not like them unless they’re protecting a sick or injured one. And that’s what they were doing, all huddled around the hole.

“Can’t say for certain how it went down, but from the looks of things, Ash got herself bit, nearly took off her forearm. Back then the area wasn’t so cleared out and Ash liked to play her chances outside the barriers as I’ve said. Must have scrambled back in and come looking for Troy or he brought her back thinking he could fix it and found out he was wrong. He blew her face clean off. He must have dug the hole and put her in it. Covered it with lye. Got in there with her. Shot himself.”

“Jesus.”

“Yeah. Bodies were in pretty rough shape when we found ‘em.” The stars are bright tonight as you blink back tears in the dark. “I shouldn’t have let her go out there. I thought he would get her to take it seriously. I should have pushed. But. They were so close and I also know that I couldn’t ask him to choose my wants over hers. And in the end it looks like he wouldn’t have picked mine anyway.”

The power from the dam is being conserved for the harvest dance tonight, so the streetlamps are dark on your row. But the moon’s bright enough to catch Joel watching you, reassessing you.

“I’m very, very capable of deserving love, Joel. And I’m capable of giving it with my whole, stupid heart. I remember what the world used to be, and how it turned on a dime and how we all lost everything we were and had. And when I met Troy I thought that love could fix it. Nope. It doesn’t fix it. The past doesn’t go away. But it’s nice to have someone to walk through the better days with. To choose to live in the present and make it brighter.”

As if the world is an underscore to your story, one last, lonely cricket interrupts the silence, a holdout for the season, waiting a little too late to find itself a mate and a home.

“I’m a murderer, Songbird.”

It’s a simple statement.

“I know you are.”

“Just so you know. Just so you know what you’re getting into.”

Now it’s your turn to gather your thoughts. “We’re all a pile of our many selves. Who we were, who we choose to be going forward, how we see ourselves, how others see us. It’s all there, always will be. All of us a little broken. Fractured. But it doesn’t have to be just one thing forever. There’s no mark of Cain here. Just making choices every day to be the person you want to be. You find your people and you take care of them as best you can, and they do the same for you. You slip up, you start over tomorrow.”

And now it’s his turn to blink up at the night sky.

“You did what you had to do, Joel, we all did. We all had to revise the moral manual for a minute. Nice thing about Jackson these days is that there’s nothing you have to do. You can just do what you want, what makes you feel whole and alive. And if that’s something different every day, then that’s your choice. You say you’re not good at this, but you are. You danced with me. Walked with me. Listened. You’re just as good as you have to be and if you want to be better at it then you just...try again. You get unlimited tries.”

His expression is muddled in shadow, his face turned out of the light and focused on you.

Suddenly tired, you stand up and walk up the stairs to the door. “I had a nice time tonight, Foxy. The best. Even if it ended on a downer.”

“That’s my fault.”

“No. It’s nobody’s fault, it’s just what life is now sometimes. Will I see you tomorrow?”

He’s slow about it, but he climbs the last few steps to the porch. You were wrong about the solitary cricket; there’s still a few still pushing the limits, challenging the first frost, singing to the moonlight.

Reaching out, letting his fingertips trail your arm all the way down, he captures your hand to keep you still and moves in, slow and quiet.

When he finally kisses you, it’s a tentative declaration, a promise of what he can give right here, right now; his kiss lingers in apology, showing you in every way that he has trouble letting go, unpracticed in being tender, but he’s willing to try.

Finally.

Every second lingered is worth the wait, only because you can feel that it won’t be the last.

“Guess I shouldn’t put off until tomorrow what I can start on today then,” he says when he steps back.

“That's a real good start.”

There’s not much more to say as he makes his way down the steps off into the night and toward his own house. No need. No expectations. There’s always tomorrow.

And since Joel’s come to town, it seems like every tomorrow’s usually been better than the yesterday before.

_____

You’ve been sitting on Maria’s couch knitting a sweater in the chilly morning sun for at least a good hour when Ellie comes down from upstairs.

“Oh hey, you’re here,” she says, throwing herself down on the floor by your feet and beginning to paw through your basket.

“I am. Didn’t have any plans today, thought I’d come and be on hand. How’s Riley?”

“Down for one of many naps. He’s growing so fast already.” Finding a full spindle in your stash, she begins unwinding it and forming it into a neat ball with practiced hands.

“That’s what babies do. He’ll be walking and talking before you know it.”

“We should bring him out to see the sheep when he’s walking.”

“We’ve got a corral of milkers in town he can visit. Probably not a great idea taking kids out of town. You’ll see when he’s up and about. Little kids like get away from you and hear themselves scream. Hard to keep safe if you’re dumb and loud.”

“Oh. Right.” She’s silent a while, slowly building her yarn ball.

“Something you wanna ask me? It’s not like you to volunteer to help with this part.”

There’s a certain way Ellie chews her lip and scrunches it at the same time. “I was thinking of asking you…if I could stay behind next time you go out to the Roost.”

That makes you chuckle. “Riley’s a little more fascinating than the sheep right now, huh. What. You thought I’d be mad?”

“No, just…I do like being out there. But I also feel like I can help here. For now. And I know you’re skipping your weeks to be here and I thought if I stayed you could go and then there’s still enough of us around….”

“The sheep are in good hands, they can wait. I’m in no hurry and I don’t mind being here. But I appreciate it.”

The yarn’s coming to an end, the ball in her hands reaching a pleasing softball size. “Can I ask you a favor then?”

“Of course.”

“Tommy went out to the reconstruction site and left his lunch and Maria asked me to bring it to him so he doesn’t come home for it and wake her or the baby.”

“But you wanna stay here.”

“Yeah.”

“Good timing.” Smiling and finishing up your row, you tuck the needles and sweater into the basket. “It’s a nice, dry day for a walk and I’ve been meaning to go see that sector. Tell you what. Eye for an eye. I go out there, you ball up all those spindles while I’m gone. Don't undo my knitting."

What the autumn sun is lacking in warmth, Ellie makes up for it with that spark of unbridled joy. “Fuck yeah, deal!”

_____

Swinging a bundle bag full of Tommy’s lunch and other sundries, you walk out to the old north edge of town. The wall’s come down here, another one erected a handful of blocks beyond, re-civilization slowly sweeping and expanding out as the need arises. The houses are in varying stages of disrepair, repair, and some have come down to use for scrap. Your elementary teacher’s house is still here, getting a spiff-up treatment and you’re remembering Mrs. Erstine and her roses fondly when there’s a sharp whistle and call of your name.

Joel’s walking down the block toward you with an easy smile and you return it as he nears. It’s been a couple of weeks since the harvest dance and you haven’t seen each other much outside of family dinners and scattered evenings at Maria and Tommy’s’. Between the rush to get some of these homes fit for winter and you helping out with all the canning and preserving down at the mess hall, a twilight trio on the porch with Ellie here and there has been your scant means of together time.

“What’s brought you up this way? Everything okay?” He’s good enough to bend his neck a little so you can meet his patchy cheek in a kiss.

“Tommy forgot his lunch and Maria wants to spare him a trip.” You hold up the bag. “And I brought treats for you too.”

His finger hooks the bag, trying to peek in. “Really.”

“Nah ah, not until you take me to your leader.”

“My leader,” he scoffs, turning and leading you up the street. “Ain’t nothin’ he can do I don’t have to come up after him and fix.”

“Speaking of fixing, we could use new shingles at the Roost. It’s been wet and I’ve heard there’s a leak.”

“Yeah? When you going out next? I’ll go out with you.”

Turning onto a more wooded road, you both follow the sound of hammers. “Well, Goldie’s up there now and I usually take after her. I suppose I could go next week before the rains really start up.”

“Next week then.”

As you approach a beautiful A-frame home, Tommy’s over to one side at a couple of sawhorses, measuring out a beam. Joel calls out to his brother with the same whistle he gave you.

“It’ll be just you and me,” you say. “Ellie wants to stay home with Riley.”

Joel’s head whips around. “What?”

“Hey there, ma’am-o-jam, what brings you up here? Everything alright?” Just like his brother.

“Yeah, all’s well. You forgot your lunch and my legs needed a stretch.”

“Oh shit,” he grins. “I was just starting to get hungry. Thanks.”

“No problem.” You gesture to the house. “This is really beautiful. It’s like a bigger version of the Roost.”

“It’s nothin’ like the Roost. It’s on the ground.” Tommy smiles as you swat at him. “We’ve started with all the houses that need the least amount of help, tearing down the ones that need the most to fix ‘em up. This one had a lot of protection from the elements–the sun and the snow–from all these pines around it. All the windows still in place. Mostly just had to clear out a couple of overgrowths in the basement–probably the previous owners gone to seed. But it’s all good treated hardwood. Good bones. It’ll stand another century or two.”

A small, involuntary shiver passes through you at the casual mention of dead infected. “Did you burn them? The previous owners.”

Your reaction doesn't escape Joel’s notice. “Did it myself. There were a few in this section. It’s okay. They were long gone. Dry as a bone. It’s safe here.”

He’s earned a smile, even if it’s a sad one. “That’s good. They must have loved this house, to want to stay here, even when they didn’t know any better. Can’t blame ‘em. Anyway,” you go through your bag, lifting out a small parcel and handing the rest to Tommy, “here you go. But this is yours,” offering the parcel to Joel but then snatching it away as he reaches for it, “only if you promise to be honest and tell me if you like it or not.”

Joel’s eyes light up when he opens the package. “Holy shit; is that…pecan pie?”

And Tommy winks as he takes his lunch and walks back toward the house.

“Heard it was your favorite.” You can’t help but laugh at his big dumb grin. “Don’t be too excited! I obviously had to make every substitution. Walnuts for pecans, honey for sugar; it’s not exact, but it should be close enough. Been working on my bakes.”

Taking a bite, he shakes his head in what at first seems like pain but soon reveals itself to be the opposite. “Damn woman. And you only bring me one piece?”

“You’re a carpenter. That’s a triangle obviously cut out of a full circle. You know there’s more where that came from.” It’s a pleasure to watch him lose a battle against another big bite. “I take it you’re happy.”

His mouth full of sticky sweetness but the crow’s feet setting in, all he can do is chew and cock his head, looking you over as if to say, damn right I am.

_____

Joel’s quiet the whole ride to the Roost. It’s easy to guess what’s troubling him. A whole week alone should be exciting, but he’s worrying about expectations again and there hasn’t been much time to talk about it…or he just didn’t want to.

“Meadowlark to Goldfinch.”

“Present.”

“Bringing a Grey Fox in at the north gate.”

“Noted. You brought your own sheets I hope.”

Out of the corner of your eye, you catch Joel’s frown and straightened shoulders as he suddenly loses the sympathetic gait with his horse. “Yup. Both sets. For two beds. Man’s here to work on that roof and I’m only payin’ him in food.”

“Ooof. Poor Joel. He deserves better.”

“Yeah, well I’m working on it. Boiled water last night and I didn’t even burn it.”

The banter seems to have relaxed him back into the saddle sag for the time being, and you keep it up until Goldie has you in her sights.

“I know you like sleeping under the stars, Foxy, but it’s been cold and wet. Bed’s yours. I’ll take the top bunk.”

“Fine,” he grunts.

“And you’re not allowed to go up on the roof unless I’m around to spot you.”

“I can handle it.”

“Oh, I’m sure, but my nerves can’t. And this is my domain. I’m the boss out here.”

This gets you one half serving of smile with a side of eyeroll. “Yes ma’am.”

Once you’re settled in, Joel descends the ladder and starts going through the woodpile, looking for adequate repair material, taking up the axe to split some logs for shingles while you go take a cursory round through the meadows.

The sheep are mostly on the near side by the copse of trees housing the Roost, keeping a tight flock, settled down and facing into the wind. A few bleat as you arrive but none of them skitter, allowing you to pat a couple as they chew cud and to check any for painted marks in case Goldie found one of them sick or lame. Other than one small ram that wants to playfully butt you in the thigh, all seems well. The rest of the flock is mostly down by the river and you take a little time to make some noise and shoo them toward the others before circling back to the Roost….

…which is where you find Joel Miller up on the ladder prying at rotted shingles.

“What the hell did I say, Cinnamon Roll?”

“Hold your britches,” he calls down. “I’m just assessing.”

“How am I supposed to get up there and you got the ladder?”

“Oh now we have a quandary,” he jokes. “What are you gonna do if I don’t let you up?”

“You think I haven’t slept out with the sheep before? I’d have no issue with it but that it’s gonna rain, so maybe you should let me up so I can help and make that repair go faster.”

Coming down and moving the ladder to the balcony drop, he scans the sky with doubts. “What makes you think it’s gonna rain?”

“Because I read sheep.”

“You read sheep.”

“Yeah. They spell it out like a marching band. RAIN. Big letters. Cursive. Could you just–”

The ladder comes sliding down with a thunk and you climb, taking his helping hand as you reach the top.

He smirks. “You’re cute when you’re angry.”

All you can do is shake your head and hide your grin. “Don’t you dare. I’m gonna get my gloves.”

As he starts to heft the ladder back up, you go inside and quickly grab a wool hat and a pair of deerhide gloves from your pack. Turning to go back out though, a glint catches your eye near the door.

There’s a new nail in the wall.

With a broken watch hanging from it.

Huh.

This must be the place where he feels like he can be free of it and of the past you gather it represents for him. A special spot for it by the door where he won’t forget it when he leaves, somewhere he can see it if he needs it, but not carry it so much.

It’s a nice piece but for the hole. Well cared for. 2:40. You realize with a little regret that you missed the anniversary, that Outbreak Day no longer registers. Which means you also didn’t–

He doesn’t like to celebrate his birthday, Tommy once said.

It had come and gone without much fuss. But also without any noticeable misery. Railroaded by a new nephew and hard work.

That’s good. He’s not forgetting, just letting it rest. Someday it will be a good day again.

“You gonna get out here and hold this thing or what? You’re the one said rain is coming.”

“Not me. It was the sheep. Hold your britches or get a better belt. I’m coming.”

_____

A gentle roll of thunder wakes you in the night and the Roost is dark as you listen for a moment to the rain pattering against the roof slanting up and over you, inches away. Tuning in, you train your ear for a hard patter, a splotch, any indication that the roof patch didn’t hold, but of course it has. It was mended by Joel Miller himself.

Well, at least it’s dry, but damn, it’s chilly. A glance toward the little iron stove shows you nothing but darkness, which means the fire’s out. As much as it hurts to leave the little nest of warmth you do have, it’s probably better to relight it and warm the place by morning, so down the bunk ladder you go, being as quiet as possible.

Somehow, it's always comforting waking up at night at the Roost. Your house in town is too quiet at night, too full of the possibility of unfamiliar ghosts--of those that lived there, of the society it held, of your own loneliness. At least out here you feel held by the trees and needed by the sheep. There are ghosts buried out there in the meadow, but they're long gone now, part of the land itself, land that was always wild and free and full of the kind of life that wasn't destroyed all at once in one day. Night at the Roost is a quiet comfort, a place of purpose and sisterhood and family. It's full of wooden and woolen things made by hands you know and is welcoming to everyone, including the moonlight and the stars.

It takes a little doing with the wind up and you have to manipulate the flue a bit, but after a few minutes there’s a lovely crackling and smell of pine. Padding over to the chair by the window to snatch the wool blanket there, you stop for a minute to look out at the storm, trying to catch a glimpse of the sheep in a flash of lightning, but there’s not much of that to be had, so you wrap the blanket around yourself and make your way back to the bunk ladder.

“Sheep okay out there?” Joel mumbles in the dimness from his bed, somewhere near your knee.

“They’re fine. Did I wake you up?”

“No. Been listening to the rain a while. You cold?”

“Yeah. Fire went out. You?”

His answer comes in the form of something like a sail in the darkness and it takes a second to realize that he’s holding his blankets open in an invitation. “Come on. You’re gonna let the heat out.”

Sliding into Joel’s warmth is an easy decision to make. And it’s not just the warmth of his sheets, but that he brings the covers around you, pulling you all the way into his chest against his soft old undershirt, tucking you in under his chin, wrapping you up in his whole, woodsmoke-scented self.

Every tension in you simply melts into bliss.

Resting his lips against your forehead, his breath fans gently at your hair. “I could get used to this.”

A long hum rides out on your exhale. “I think I already am.”

“You’re a good woman, you know that?”

“Spoken like a true Texan.”

A long kiss presses into your forehead. “I’ve been thinking about what you said. I’m gonna do my best to be good again, Songbird. Hope I can be what you want.”

“That’s easier than you imagine. You’ve been what I want since you showed up around here, so I’m already quite pleased. Hope I can be what you want.”

A new warmth takes you over as he starts to spread his hand along your back, simply running over your contours, testing out what it’s like to hold someone this way, slowly caressing, lightly squeezing, tucking you in tighter. “You seem to know what I want before I even do. I look forward to finding out what I want next.”

“Well, I have to admit. Your brother tipped me off about the pecan pie.”

He laughs a little as he tips your chin up to meet you in a kiss in the dark. It’s hesitant but hungry; a long time needed and a long time savored.

“Did your sheep say it was supposed to rain all day?”

His hair and beard ruffle softly under your fingertips. “I didn’t ask, but I think it probably will. Sure hope that new roof holds.”

“We could always just stay right here and keep an eye on it.”

“See? You know exactly what you want. We can do that. I’d say that’s a good day’s work.”

His hand splays big and warm on your back, pinning you close for another kiss. “I tend to agree.”

_____

PREVIOUS: SUMMER

WINTER

MASTERLIST

SERIES MASTERLIST

[cambria-writes]

welcome to the very final chapter of honey and the hatchet! 🎉 it quite literally took eight whole entire years to get here, but i finally made it!

big thank you to everyone who's stuck around, read and flooded my notes with likes and shares this story around. i cannot express in any language i know how significant and meaningful that is.

for those who might be wondering, i used these photos of a suite at the macarthur to kind of situate myself.

...also sorry for kind of maybe edging you at the end there lol anyways enjoy!

pairing: patrick jane x named reader/ofc word count: 4,883 rating: A for adult content, MDNI warnings: smut, wearing, i know nothing about opera, PiV, unprotected sex, mild dom/sub, sir kink, neck grabbing but no choking, hair pulling if you squint, mentions of planned murders, relatively minor injuries (jane might have a cracked rib it's probably find), confession, the L word, this was not proofread and i'm almost sorry, please let me know if I should take anything else!

previousmasterlist

𝕮𝖍𝖆𝖕𝖙𝖊𝖗 𝕹𝖎𝖓𝖊𝖙𝖊𝖊𝖓: ℭ𝔞𝔡𝔢𝔫𝔷𝔞

Several Months Later

An opera house. A fucking opera house is where you end up spending Christmas Eve. It’s not something that a lot of people would get upset about, normally, and you know this. That’s why you’ve schooled your face into an expression that’s more rich, entitled boredom than resentful impatience.

But you’re in a box for a fancy show, wearing a dress that definitely costs more just to look at than your apartment likely does in a whole calendar year, and there’s free alcohol. Not that you’ve been indulging up until now, but it’s nice to know that there’s expensive, free booze for when you will be able to pay attention to literally anything else. 

Right now, your eyes are half-heartedly trailing around the stage, eventually halting at the Sopranist singing her heart out. You can’t make out the lyrics at all—never could, with how broad and loud the voices are in operatic compositions, nevermind the insane acoustics of this place—but the sound of the song feels appropriate. A slow build that keeps on building despite several fake-outs that make you believe you’re finally out of this eternal musical waiting.

Conveniently, it’s when the Sopranist pauses for a quick breath that you hear it. The drag of a foot against an old velvet rug. You whip your fan open and feign interest in the elaborate emotional display the singer is putting on. You’re not worried; you know you look like every other bored twenty-something in this place.

Patrick had personally made sure of that. 

“Enjoying yourself?” A woman asks, her deep, airy voice drifting around you as she moves to sit down to your left, French accent heavy in her words. She flips open a small hand fan with a short “thwap” before turning her attention to you.

Madame Jonquière is someone whose gaze feels heavy. Patrick hadn’t told you much about her. Just that she was at Stonewall and that he owed her a favour. Didn’t mention what the favour was for, and you didn’t bother prying any further. Madame Joncquière’s eyes go down to your hands for a second before meeting yours again. She smiles politely and inclines her head expectantly. You realize you haven’t answered yet.

“Sorry, yes,” you reply quickly. Clear your throat before looking back at the stage. “I can’t understand most of it but it sounds lovely. Thank you for letting me accompany you tonight.”

Madame Joncquière swings open a hand fan with a muted ‘fwap’ before fanning herself. “Oh no, thank you for your presence tonight!” she exclaims quietly, leaning forward closer to you.  You grin and leave over. “No one ever wants to come to the opera house with me anymore. They all think it’s boring!”

You laugh quietly along with her. Madame Joncquière leans back into her chair and fixes her gaze to the stage. You appreciate the space she’s leaving you. Despite the fact that she knows damn well that you’re here to make sure she doesn’t get assassinated, she seems to be taking everything in good stride.

You watch his back as he carefully pours a drink out of a shaker. You have no idea what prompted him to pick you up at 11:30AM for cocktail hour. On a Wednesday. In the empty, closed bar of some man who happened to also owe him a favour. You hadn’t expected an explanation. But Patrick had kept silent the whole car ride. It hadn’t been uncomfortable, but the whole time you can’t help but feel like you’re being psychologically edged. You can only refrain from asking the slew of questions floating in your head for so long.

A highball glass filled with some strange red-purple liquid swirling enticingly inside it. The colours almost make the ice look like it’s sparkling. You’re dazzled for a second before looking up at Patrick.

“One Purple Haze for our esteemed guest,” he says, dramatically, with a flourish and a bow. You laugh quietly before picking up the highball. Hold the glass up to the light to watch the colours mingle.

“It’s definitely nice to look at.” Distracted, you don’t notice Patrick walking out from behind the island to stand behind you. You don’t flinch when his cold hands part your hair to slide down your neck and rest on your shoulders. “Am I really expected to drink this before lunch? I haven’t even had breakfast.” 

“I did tell you to get up early last night,” Patrick says, voice low, by your ear. “Sounds like someone snoozed their alarm four too many times.”

You don’t answer. You instead try to see how quickly you can down the purple haze that was handed to you. Hoping to maybe inherit some of its own haze. You only stop when you’ve gulped down half.

“It’s a bad one, by the way,” Patrick adds, pressing a soft kiss at your temple before moving away. He sits on the stool next to you, slotting his knees between yours. “You’re supposed to pour the liqueur last to let it settle at the bottom. It isn’t supposed to swirl like that.”

You hum in understanding a look at the glass in the light again. “Shame, it looks nice this way.” Bring the glass back to your mouth for another sip. “Why am I getting a lesson in mixology today?”

“You’re going to the opera,” he starts, and you chug the rest of the drink before bracing yourself for another briefing. “And I’m going to need you to remember to order this, and how it’s supposed to be made.”

You frown. “Okay, so if I get it and it’s well made that means… what?”

Patrick smirks. Your stomach flips, entirely unaided by his hands running up your thighs. “It means I might have gotten… held up.”

“And this is… bad?”

Patrick hums and leans in, brushes his nose against your jaw. “If you consider first degree murder ‘bad’ then yes, it would be quite bad.”

You scoff at the blazé tone he takes, but it’s half-hearted. His fingers are working their way up your loose shorts toward your hips. 

“It might be a bad idea to sip at something that might have been poisoned.”

Ah, so this was it. 

Patrick hadn’t kept you in the loop for the entirety of this particular… situation. Not only because Madame J had gone to see him directly rather than the CBI, for reasons that hadn’t been obvious at the time, but because this seemed to be a personal slight. You’d kindly asked to be kept at an arm’s length for it all; solving murders had been one thing, but actively trying to prevent one felt beyond you.

You put your hands over his to halt their movement. Patrick immediately pulled back, brows furrowed in concern.

“I feel like too much hinges on me here,” you say quietly, pointedly staring at your knees. You can see the veins starting to honeycomb on your hands. Your fingertips feel cold and stiff.

“You don’t have to,” Patrick answers, just as quietly, pulling one of his hands back to run down your face, brushing your cheekbone with his thumb. “I can bully Rigsby into it.”

You can’t help but laugh a little. He’d probably love the chance to go out at the opera with someone who also wants to be there.

“How long do I have to think about it?” 

“Only until Saturday,” Patrick answers, and you can hear the apology in his voice. The last-minute nature of this annoys you–it only gives you three days, including today, to decide whether or not you want to be the final hurdle.

“I’ll sleep on it and let you know tomorrow.”

The evening goes well enough. You still can’t understand much of what’s being sung, but you enjoy the performance. The drama and emotion in the acting, while singing, is something that’s at least legitimately interesting to watch. 

You occasionally look over the audience as well. Your perch from the box gives you a fantastic vantage point to see most everyone in the hall. The hairs at the back of your neck have been raising every now and then. Same feeling as you get being observed in the dark. But every time you try to scan the crowd, everyone’s either facing the stage or canted forward in somnolence.

You hear a knock at the door of your box before the door opens. This is it, you think. You’d ordered drinks just as you were coming back from the intermission. You take a quick look at the dainty gold watch Patrick had wrapped around your wrist earlier in the evening. It’s been… fifteen minutes. Which seems like an awful long time to prepare a purple haze and a glass of Cabernet Sauvignon.

You don’t bother turning at all until you hear the serving tray being gently placed on the table between you and Madame J. You note, with no small amount of relief, that your purple haze muddled to absolute fuck and back. Perfectly safe to drink then.

Your server speaks up just as you notice, reaching for your glass, that there’s quite a spill on the tray.

“Au plaisir, mesdames.”

A thrill runs up your spine. Madame Joncquière looks up while you slowly wrap your fingers around the cool glass. She almost makes a joyful exclamation, but seems to stop halfway through taking in a breath for you. Keep your eyes on your drink while you listen to retreating footsteps, muted on carpet, until you hear the door open and close again.

Madame J’s hand lands softly on your shoulder to give it a squeeze. 

“How wonderful of Monsieur Jane to come look in on us himself!” she says to you, barely above a whisper. “Shall we cheers to that then, chérie?” 

Your heart still thrums in your chest from the thrill of it all. You raise your glass along with her, but just before knocking it against Madame J’s, you draw your hands back.

“Would you mind indulging me?” you ask quietly, trying to control the smirk threatening to take over your expression. 

Madame Joncquière clearly sees the scheming glint in your eyes and doesn’t hide her grin. It’s toothy, like a fox. And you feel like a peer, having caught a rabbit dead to rights. 

“Absolument! What would you like?” She leans in closer over the small end table between you. 

You carefully move to grab her wine glass and press your glass to her palm. She beams and immediately gets your meaning. You link arms together, giggling quietly as you try not to spill your respective drinks. 

“Cheers to yet another wonderful night on this train wreck of a planet,” you say, tilting the wine glass to clink against the highball. 

“I’ll drink to that!”

No sooner has the wine touched your lips, you hear a small commotion in the audience. Not enough to interrupt the show, but not something that won’t be noticed. 

The wine is bitter and sour on your tongue and you don’t bother to school your expression into something tame. Madam J laughs quietly behind her fan and offers your drink back. You hastily hand her back her awful wine and nurse your significantly sweeter cocktail.

The rest of the evening is blessedly uneventful. Patrick doesn’t make another appearance, but you don’t expect him to. You were surprised that he showed up personally in the first place. At the end of the show, after having another attendant–a real one, this time–slips you both back into your coats. Opens the door and thanks you for your patronage and only closes the door behind you once you’re most of the way down the hallway. Madame J links your arms together as you walk, chittering away about the singers’ performance. 

Once you reach the lobby, excuses herself for a moment to make a phone call. You make your way over to a plush lounge chair by one of the floor-to-ceiling windows and take a seat. It’s fairly early, for a Sunday evening, so you pass the time people watching. Your phone vibrates in your coat pocket just as you see Madame Joncquière making her way over to you. Quickly look at your phone notification. 

‘Have her drop you off here,’ followed by an address and a room number. You don’t have time to respond back and ask where the fuck that is before Madame J extends her hand out to you. 

“I’ve been instructed to provide transportation for you, chère,” she says as you accept her hand to stand. “You’re alright to give my driver your address, yes?” 

Your body doesn’t seem to know if it should be excited or apprehensive. You acquiesce to Madame J after a second. Once you do actually enter her car–a vintage Cadillac with the classic wings–and let the driver know where to drop you off, she practically begins vibrating in her seat next to you. 

“Oh, please, you have to tell me who you’re meeting there!” she says, eagerly reaching for and grabbing your hands. The question must be written on your face because she laughs giddily. “Ma belle, the MacArthur is a veritable oasis in Sacramento. If you’re going there and you don’t know this, someone is very eager to make sure you enjoy yourself.”

This time the excitement wins over; you can feel your face heating up and you’re not entirely sure what your face is doing. You struggle to come up with something to say to that–what do you say to that?--but Madame Joncquière giggles some more and pats your thigh.

“So it’s Monsieur Jane, after all? What a man. I wonder who he conned into letting him stay there tonight.” 

“Probably someone else who owes him a favour,” you mutter. Your cheeks hurt from trying not to smile too widely.

“That would be a pretty sizeable favour to cash in on for leisure.” Her tone says she’s just thinking out loud, but you think you understand what Madame J’s trying to say.

Awful big favour to cash in on one woman. Must be a special one.

You try not to think too much about it.

The general manager meets you at the car. You wouldn’t have known he was the general manager if Madame Joncquière hadn’t turned into a gossipy 14 year old girl at the sight of him exiting the hotel doors. He opens the car door for you and helps you out with a hand.

“Lovely to have you, Ms Benraft. I’m Stephen Crawford, General Manager,” he introduces himself, taking a moment to lean forward to address Madam J. “Always a pleasure, Madame. Your friend will be in good hands with us.” 

“Always a pleasure, Monsieur Crawford. Have a wonderful night, chérie,” she finishes while addressing you, tossing a wink. “À la prochaine!” 

The general manager understands his cue to close the door, and the Cadillac slowly pulls away. 

You’re guided through the main building, where Stephen explains the history of the hotel and its various accommodations, all of which go into one ear and out the other. You’re taking directly to your lodgings, and  the general manager assures you that all amenities have been accounted for, including a late dinner and, in his words, “a small wardrobe in anticipation of whatever you would find comfortable”. 

You’re starting to understand why Madame Joncquière reacted the way that she did. Patrick has treated you to luxuries before–dinners, various events, even a trip out of the country–but none of it felt quite this… decadent. Almost overindulgent, actually. 

It truly feels like being spoiled rotten, and you’re still not sure how you feel about it.

Stephen hands you a very intricate key and steps back to wish you a good night, and that the front desk is available 24/7 should there ever be anything you need. You thank him and wait until he’s out of sight before turning back to the door. 

Your blood feels like it’s effervescing in your veins.

You consider knocking first, but decide to just let yourself into the room. You’re expected, after all, so it shouldn’t really matter, right? 

The first thing you notice is the fireplace. Then, the plush chairs, then the bed, then the bay window. The lighting is dim; only two lamps lit and the faint glow from the electric fireplace. The last thing you register is the sound of a shower running. 

You carefully close the door behind you and shrug your coat off, throw it in the direct of one of the chairs to your right. Walking further in, you spot a desk in a took to the left of the door with a chair conveniently pulled out. You carefully sit down to remove your shoes. Beautiful as they are and however aesthetically pleasant it was to have them match your dress, you’re happy to have them off. Carefully massage the soles of your feet, rotate your ankles, before leaning back in the chair.

This is lovely. You almost feel like you’re in one of those secluded little getaway suites in Bali or something. The vibes certainly match, even if late December weather is a bit too chilly. If you actually just let yourself enjoy everything for a second, and stop worrying about what it cost, this is just very nice. 

Maybe you’re starting to feel a little less spoiled and a little more pampered.

You’ve half dozed off by the time you feel warm hands on your shoulders. You sleepily hum, content, and sit up a little straighter. Stifle a yawn behind your hand and hear Patrick chuckle behind you.

“Have fun?”

You groan as you stretch. “Mm, would’ve been more fun withou–”

You cut yourself off after turning around and actually lay eyes on Patrick’s face. His lower lip is split on his left, and there’s a cut above the brow on the same side that you immediately know was from getting decked in the face. There’s also a disconcertingly large bruise on his left side, above his ribs, and you can’t fathom what would have caused that.

“Oh my–shit, are you okay? What happened?” 

You get halfway to standing up before Patrick gently presses you back down onto the chair. “Nothing too bad, I promise,” he answers, almost cajoling. Well, he’s breathing fine, from what you can see and hear. And he doesn’t seem like someone who got stabbed, you don’t think.

You still let the fingers of your left hand glide over the bruise. Patrick does a decent enough job to hide the wince, but it’s still there.

“Can I at least know what caused this one?” “Fire extinguisher.”

The words take a second to sink in before you start laughing. The image in your mind is absolutely far more cartoonish than what actually happened, for sure, but after an entire night of holding your breath, you can feel the tension start draining from your shoulders.

You turn back to face away from Patrick, and he resumes kneading the stress out of your traps and your neck. Thumbs dig into your neck on either side of your spine. It feels heavenly. Your breath catches when a shudder runs up your spine. There’s a heat that flares at the base of your spine when you feel his fingers gently wrap and brace against the sides of your throat.

“You did well tonight,” Patrick whispers into your hair. Takes a moment to brush your hair away before pressing a soft kiss to the back of your neck. 

You temper the rising, bubbling pride. “I didn’t even have to do anything.”

You can feel his laughter at the back of your neck. Hands slide down your arms before you feel him resting his forehead on your shoulder. 

“Switching your drinks was a clever idea.” You feel Patrick pulling away, squeak in surprise when he grabs the sides of the chair to spin you around. Crouches in front of your–and only now do you realize that he’s only got a towel around his waist, which parts dangerously wide as he lowers himself. “Made it a lot easier to catch our guy.”

Whatever tension in our shoulders Patrick hasn’t been able to dispel and disperse with his hands just… vanished. It had been a relief, initially, to know that Madame was safe and sound and not at risk of dying a slow, horrible, poisoned death. For the past 48 hours, it’s been a struggle to reign in your mind. You could barely sleep at night just for trying to distract yourself from what would happen if you didn’t pay well enough attention.

Patrick runs his hands over your thighs, up to your hips, tapping twice with his thumbs.

“I’m here,” you say airily, shaking off your thoughts to look Patrick in the eyes. “Just basked in the fact that it’s over now.” Lift a hand up to his face and gently smoothing your thumb below the cut at his brow. “Starting to wonder if I should have been worrying about you this whole time, instead.”

“Probably should have,” Patrick shrugs, and there’s a thrill that runs through you when you think, Of course I should have, of course you’d be getting yourself in some kind of mess.

He doesn’t say anything else when he stands back up and extends a hand out to help you to your feet. You feel silly for it, but you giggle when he makes you twirl, puling you back in with a hand at your waist. 

“Love the dress,” Patrick says, dipping in for a peck on the lips. “Where’d you get it?”

You scoff to compensate for the blood rushing to your face. “Some absolute scamp made me wear it tonight.”

Leading you into a slow, gentle sway by the fireplace, he puts on a show of looking offended. You laugh lightly at the exaggeration, but clear your throat once his expression settles. 

“I suppose the scamp should take it back, then,” he answers, voice low as the hand that held yours skips over ribs and moves up your back. 

You tilt your head when he begins to place opened-mouthed kisses down your neck. You let him pull your zipper down but otherwise don’t help him. Not that he needs much help; once the zipper stops, nearly at the very bottom of your spine, the top of your dress simply crumples away, taking the rest down with it.

Patrick takes a moment to pull back, hands smoothing down your upper arms as he takes a look at you. There’s a very self-content smirk on his face when he takes stock of the lacey, racy lingerie you’re wearing. A hand reaches down and tugs at your garter before letting it snap back into place.

God, the way he looks at you with such open, raw hunger continues to do things to you that you hadn’t known anyone was capable of. Until him.

“Even happier to see someone can follow instructions,” Patrick comments, sounding every part like the cat that got the cream. Both hands both over your hips, up your ribs, thumbs tracing the underside of your breasts.

Patrick leans in, lips barely brushing against yours. “Think you can keep following instructions?” 

You sigh shakily at his tone. “Yes, sir.”

You can feel his chest vibrate with his rumble of appreciation. He doesn’t speak when he tugs you along to bed. Doesn’t need to tell you what to do when he sits, tossing the towel from his waist in the general direction of the sitting area, leaning against the headboard. You dutifully install yourself on his lap, slowly settling your weight over his thighs. 

With two hands firmly on your rear, Patrick pulls you in as close as he can. Thrusts his hips up as he does so. Just the heat of his erection, throbbing against your damp underwear, has you moaning behind tightly sealed lips.

“That’s it,” Patrick encourages when you begin to rut against him without prompting. “Take what you want, I’ll give you the rest.” The rest of his sentence is almost unintelligible as he takes turns between kissing and nipping at your breasts. The bra is a pathetic excuse for fabric, and you understand why he had you wear this particular set; it almost feels as though there’s nothing at all between your skin and the wet heat of his mouth.

It doesn’t take long before you have to brace yourself against Patrick’s shoulders, and soon after that you find yourself whining as you toss your head back. The friction and heat are both wonderful in their own respect, but the angle is wrong, and it’s not nearly enough. 

You’re ravenous, and Patrick is a meal that loves to hold himself out of reach just a bit past long enough.

“Use your words,” he breathes into your collarbones, one hand moving us to massage at one of your breasts while the other moves lower. Down past the delicate lace waist of your panties, thumb teasing around your clit. 

“Fuck,” you choke out, unable to keep yourself from grinding down harder and faster in the hopes that something will change. 

“Not quite enough words,” Patrick quips, and you growl, annoyed. Bring your head back forward and do your best to maintain eye contact. 

It still feels embarrassing, even now. To say it out loud.

You’re learning to accept that… maybe you’re just. A little bit into that.

“Please, sir,” you start, clearing your throat and swallowing thickly. “I would very much like you to fuck me, please.”

Patrick practically purrs, satisfied. This part, too, is well rehearsed. You muster just enough self control to raise your hips. Enough room so he can pull his cock forward. Enough for you to gather saliva in your mouth and let it dribble down. Over Patrick’s hand, and over his cock.

He groans with the feeling of it as you exhaled in something you think might be awe. His eyes are close and head tilted back. He looks debauched, you think, but not quite enough. 

“Can I–can I touch, sir?” you pants, hands already raised by the sides of his head.

“Can’t say no when you ask so nicely,” he breathes out. You immediately run your hands through his hair, digging your fingertips into his scalp. He moans, a drawn-out thing that has your cunt clenching in a desperate way. 

A shudder like electricity shoots through you when you feel Patrick simply pulling aside the gusset of your underwear before lining himself up with your entrance. He takes a second–during which you whine in complaint–to get a hand at the back of your head, fisting the hair there just enough to get your attention. Look down at him with impatient, hooded eyes. 

“You’ll forgive the terrible timing,” he starts, sounding about as breathless as you’re sure you currently do. “But there’s been something I’ve been meaning to tell you.”

“You’re right,” you groan, leaning your head forward to rest against his. “It’s terrible ti–”

Your sentence is blissfully interrupting when Patrick thrusts up into you. Not quite hilting himself, but damn well near it. You’re not sure what you would call the sound that cracked its way out of your throat. He groans in unison with you, and you’re not sure who’d trying to pull who in closer.

“Fuck,” Patrick breathes out, one hand guiding your hips to slowly move against him, the other smoothing the hair at the back of your head. “I love you.”

You keen, a quick, sharp pitched sound. Push yourself just far away to look him in the eyes. Takes him a second to build enough composure back off to raise his head and look at you straight on.

He’s been unguarded before, sure, but not like this. There’s something swirling in your chest and low in your abdomen. Something heavy, heady. 

“Christ,” you exhale, lifting your hips before slamming them back down. Your sharp inhale catches in your throat and Patrick bites back another groan. “Worst timing. Other women would question your motives.”

“Mmh, good thing you aren’t any other woman.” The end of his sentence is punctuated by a particularly sharp thrust upward. You can feel the tip of his cock just brushing against your cervix, and the jolt it sends through has you grinding down back in turn. 

Patrick winds his arms around your back and presses your against his chest. You feel him bracing his feet against the mattress, immediately move to grab the edge tof he headboard. Feel him chuckle under you, flinch when you feel teeth against one of your nipples through the sparse lace.

“Fortunate that I love you too, then.”

You don’t get to properly register the sound you hear bubbling up from the back of Patrick’s throat before he thrusts back up into you. Sets a pace that might’ve been brutal, but even in the haze of oxytocin in your brain you can recognize that this is relief. 

A man that’s been alone and snarling at and against the world for so many years just… just told you he loves you.

When you feel a hand make its way around your throat, you take the cue. 

It’s a tomorrow problem.

Tonight you can just feel, and bask in several jobs well done.

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