#they more than make up for any difficulty issues

[egginfroggin]

Yeah still never getting over the utter whiplash of "Fairytale Afterglow" from just about every other piece of music in The Liar Princess and the Blind Prince

It's like, "oooh, the forest's on fire, oh no, you think that's bad? YOU THINK THAT'S BAD? WELL THINK AGAIN, THAT THEME DIDN'T HAVE A CHOIR IN IT, YOU BETTER RUN, KIDS"

The Witch of Madness is here and she is Not Happy, as you can tell from this lovely rendition of her theme. It now sounds approximately ten times as hostile, and it has a choir!

[serpentface]

Do you conlang? I was wondering if you had naming languages (or possibly even more developed ones) for pulling the words you use. I tried to search your blog but didn't find anything, wouldn't be surprised if the feature is just busted tho. Your worldbuilding is wonderful and I particularly enjoy the anthropological and linguistic elements.

Ok the thing is I had kind of decided I was not going to do any conlanging because I don't feel like I'm equipped to do a good job of it, like was fully like "I'm just going to do JUST enough that it doesn't fail an immediate sniff test and is more thoughtful than just keysmashing and putting in vowels". And then have kinda been conlanging anyway (though not to a very deep and serious extent. I maybe have like....an above average comprehension of how language construction works via willingness to research, but that's not saying much, also I can never remember the meanings of most linguistic terms like 'frictives' or etc off the top of my head. I'm just kinda raw dogging it with a vague conceptualization of what these things mean)

I do at least have a naming language for Wardi (and more basic rules for other established languages) but the rudimentary forms of it were devised with methods much shakier and less linguistically viable than even the most basic naming language schemes, and I only went back over it LONG after I had already made a bunch of words so there's some inconsistencies with consonant presence and usage. (This can at least be justified because it IS a language that would have a lot of loanwords and would be heavily influenced by other language groups- Burri being by far the most significant, Highland-Finnic and Yuroma-Lowlands also being large contributors)

The 'method' I used was:

-Skip basic construction elements and fully move into devising necessary name words, with at least a Vibe of what consonants are going to be common and how pronunciation works -Identify some roots out of the established words and their meanings. Establish an ongoing glossary of known roots/words. -Construct new words based in root words, or as obvious extensions/variants of established words. -Get really involved in how the literal meanings of some words might not translate properly to english, mostly use this to produce a glossary of in-universe slang. -Realize that I probably should have at least some very basic internal consistency at this point. -Google search tutorials on writing a naming language. -Reverse engineer a naming language out of established words, and ascribe all remaining inconsistencies to being loanwords or just the mysteries of life or whatever.

I do at least have some strongly established pronunciation rules and a sense of broad regional dialect/accents.

-'ai' words are almost always pronounced with a long 'aye' sound.

-There is no 'Z' or 'X' sound, a Wardi speaker pronouncing 'zebra' would go for 'tsee-brah', and would attempt 'xylophone' as 'ssye-lohp-hon'

-'V' sounds are nearly absent and occur only in loanwords, and tend to be pronounced with a 'W' sound. 'Virsum' is a Highland word (pronounced 'veer-soom') denoting ancestry, a Wardi speaker would go 'weer-sum'.

-'Ch' spellings almost always imply a soft 'chuh' sound when appearing after an E, I, or O (pelatoche= pel-ah-toh-chey), but a hard 'kh' sound after an A or U (odomache= oh-doh-mah-khe). When at the start of a word, it's usually a soft 'ch' unless followed by an 'i' sound (chin (dog) is pronounced with a hard K 'khiin', cholem (salt) is pronounced with a soft Ch 'cho-lehm')

-Western Wardin has strong Burri cultural and linguistic influence, and a distinct accent- one of the most pronounced differences is use of the ñ sound in 'nn' words. The western city of Ephennos is pronounced 'ey-fey-nyos' by most residents, the southeastern city of Erubinnos is pronounced 'eh-roo-been-nos' by most residents. Palo's surname 'Apolynnon' is pronounced 'A-puh-lee-nyon' in the Burri and western Wardi dialects (which is the 'proper' pronunciation, given that it's a Kos name), but will generally be spoken as 'Ah-poh-leen-non' in the south and east.

-R's are rolled in Highland-Finnic words. Rolling R's is common in far northern rural Wardi dialects but no others. Most urban Wardi speakers consider rolling R's sort of a hick thing, and often think it sounds stupid or at least uneducated. (Brakul's name should be pronounced with a brief rolled 'r', short 'ah' and long 'uul', but is generally being pronounced by his south-southeastern compatriots with a long unrolled 'Brah' sound).

Anyway not really a sturdy construction that will hold up to the scrutiny of someone well equipped for linguistics but not pure bullshit either.

[autistichalsin]

I hate that I have to give this PSA at all- that I do is a failure on the part of multiple governmental organizations. But it is important.

COVID damages a lot more than you think. It damages more than your lungs, and does more than give you digestive issues. And sometimes, those issues can last well after you get better, even if you're not a person you would otherwise think of as being sick with long COVID.

If you only remember these two things, please just remember that:

COVID can and does damage your heart.

COVID can and does damage your nervous system, particularly your brain.

If you have had COVID in the last 18 months, you are at a highly elevated risk of sudden cardiac death compared to someone who hasn't. In the first three weeks after getting sick, your odds of dying from a heart-related event are 81 times that of an uninfected person, and five times higher in the following 18 months. You are also at a higher risk of of developing nonfatal heart disease; 40% likelier. (Source for all claims in this paragraph)

If you develop ANY cardiac symptoms at all after getting COVID- heart palpitations, blood pressure issues, fatigue, fainting, getting out of breath easier than is normal for you- you need to see a doctor as soon as possible, and you need to tell them you've recently had COVID. You have long COVID until proven otherwise.

Similarly, your risk of neurological disorders remains heightened over a year after getting COVID; approximately 40% higher. (Source) This manifests in more ways than I have time to list, but includes a vastly higher risk of dementia of all types (doctors are particularly seeing this with the under-45 group that was previously extremely rare), memory disorders, sensory issues (like persisting loss or distortion of taste and smell), mental health issues like anxiety or depression, and even more.

These can manifest in a lot of ways. But if you experience new anxiety or depression, new behavioral issues (particularly for those under the age of 18), if you suddenly can't focus anymore or can't remember things anymore (ESPECIALLY words, COVID has been noted to cause extreme difficulty with word recall), if you have tremors, if you're tired all the time, if you have "brain fog", if you have trouble sleeping, I could go on... again. You have long COVID until proven otherwise. EVEN IF you aren't "that sick". Even if you have energy to do things and can mostly function but you just aren't doing well in school/at work anymore because you can't remember the things your teacher/professor is talking about/the new work protocols your boss went over with you.

If you hop over to the subreddits for teachers or professors, you will notice a lot of them noting their students don't remember basic things the teachers have been pressing for an entire semester, or that students can't sit long enough to focus through a movie. And sure, some of that is cell phones reducing attention span, or students just not paying attention- but they just can't seem to pick up the pieces there that they are seeing long-term sequelae (that is, a different illness arising from COVID infection) in their students. It is everywhere, but few people are connecting the dots.

Similarly, there is a huge wave of pilots being unable to pass their physicals and losing their licenses, or making mistakes due to brain fog (in some cases even leading to crashes) or falling victim to sudden cardiac death in the middle of a flight.

EVERYONE is at risk from this. No one is talking about this. I don't kn- well, actually, no, I do know exactly why, I just don't like it. People want to make COVID the new flu, but it just isn't. It is not and never will be the flu. And we are willingly inflicting cardiomyopathy and dementia and all sorts of awful things on people in the name of regaining a sense of normalcy that is gone, but ironically would be closer to returning if we had accepted for a while that things WEREN'T normal and acted accordingly. But that chance is gone now, COVID is never going away because people couldn't bother, but they still can't admit it, they can't face the consequences of their actions, so instead we're getting this attempted coverup of the real long-terms dangers of COVID that even "young and healthy" people have.

But pretending things are normal doesn't make sick people healthy. So instead, try to educate folks, because there is a very high chance you or someone you know is sick right now, due to COVID infections they had months ago, and doesn't know it because people are pretending COVID is just the flu but with tummy upset and a disrupted sense of taste/smell.

People NEED to know what the actual dangers are.

ALSO, sidenote: if you are masking, and ask your medical team to mask, and they respond by starting to suggest you are experiencing "COVID anxiety", find a new provider. Immediately. Don't even continue the appointment. They are not interested in helping you.

Signed, your friendly neighborhood epidemiologist.

[captainfantasticalright]

In 1985, one of the only persons interested in an interview with a “new” writer called Terry Pratchett, after his publication of the Colour of Magic, was one Neil Gaiman. Neil Gaiman was writing for Space Voyager at the time. "The Colour of Pratchett" was the name given here:

It ran exactly one page inside the June/July issue of that year. The interview took place in a Chinese restaurant in London.

Here is Neil many years later holding that issue. You can see it here if you want. Warning: extremely emotional video.

Neil arrived wearing a grey homburg hat. “Sort of like the ones Humphrey Bogart wears in movies” he later wrote. (Before saying that in fact he did not look like him, but like someone wearing a grown-up’s hat). Terry Pratchett, photo courtesy of one @neil-gaiman, was in a Lenin-style leather cap and a harlequin-patterned pullover. At this point, Terry was already a hat person, although not that hat.

Terry offered Neil this : "An interview needn't last more than 15 minutes. A good quote for the beginning, a good quote for the end, and the rest you make up back at the office"*. (Terry Pratchett had worked many years in journalism by this point ).

But the meeting went terribly well. The two of them realized they had "the same sort of brains". So well indeed, that in 1985, Neil had shown Terry a file containing 5282 words, exploring a scenario in which Richmal Crompton's William Brown had somehow become the Antichrist. Was a collaboration in the cards as of that moment? Not really. But Terry found in Neil someone to whom he could send disks of work in progress and to whom he could pick up the phone sometimes when he hit a brick in the road of his writing.

Terry loved it and the concept stayed in his mind. A couple of years later, he rang Neil to ask him if he had done any more work on it. Neil had been busy with The Sandman, he had not really given it another thought. Terry said, "Well I know what happens next, so either you sell me the idea or we can write it together". **

On collaborating together:

Here is a video of Sir Terry saying why he chose to collaborate with Neil, another video talking about the technical difficulties of writing a book when the two of them where miles apart ,and some pages from Interzone Magazine Issue 207 published December 2006:

An Interview with Sir Terry Pratchett and his works- and Neil Gaiman, where he shortly addresses the process of writing Good Omens.

Terry shortly mentions,

“Neil doesn't rule out another book with me and he was good to write with...yep, it could happen. With anyone else? I don't know, but probably not.?”

Neil says,

"Terry took that initial 5,000 words of mine and ran it through the computer (because I’d lost the files in a computer crash) and made it the first 10,000 words, and it was definitely Good Omens at that point. Neither one thing nor the other, but a third thing.”

"I think Terry could do a very good impersonation of me if he needed to, and I could do a very good impersonation of him; so we knew the area of the Venn diagram in which we were working. But mostly the book found its own voice very quickly. It helped that we were both scarred by the William books when we were kids...”

And as you know, unless you’ve been living in Alpha Centauri, the rest is history. That was the beginning of what would become William the Antichrist and later would get the name Good Omens:The Nice and Accurate Prophecies of Agnes Nutter, Witch. (Title provided by Neil Gaiman and subtitle by Terry Pratchett).

More about the writing process:

Terry took the first 5,000 words and typed them into his word processor, and by the time he had finished they were the first 10,000 words. Terry had borrowed all the things about me that he thought were amusing, like my tendency back then to wear sunglasses even when it wasn't sunny, and given them, along with a vintage Bentley, to Crawleigh, who had now become Crowley. The Satanic Nurses were Satanic Nuns.

The book was under way.

We wrote the first draft in about nine weeks. Nine weeks of gloriously long phone calls, in which we would read each other what we'd written, and try to make the other one laugh. We'd plot, delightedly, and then hurry off the phone, determined to get to the next good bit before the other one could. We'd rewrite each other, footnote each other's pages, sometimes even footnote each other's footnotes. We would throw characters in, hand them off when we got stuck. We finished the book and decided we would only tell people a little about the writing process - we would tell them that Agnes Nutter was Terry's, and the Four Horsemen (and the Other Four Motorcyclists) were mine.

From the introduction to William the Antichrist:

“In the summer of 1987 several odd ideas came together: (..)I found myself imagining a book called William the Antichrist, in which a hapless demon was going to be responsible for swapping the wrong baby over, and the son of the US Ambassador would be completely undemonic, while William Brown would grow up to be the Antichrist, and the demon would need to stop him ending the world. The unfortunate demon, whom I called Crawleigh, because Crawley was a nearby town with an unfortunate name, would have to sort it all out as best he could.

It felt like a story with legs.

Terry took the 5,000 words, and rewrote them, calling me to tell me what he was doing and what he was planning to do. The biggest thing he was going to do, he told me, was split the hapless demon into two characters – a would-be-cool demon in dark glasses (which was, I think, Terry’s way of making fun of me, a never-actually- cool journalist in dark glasses) who had renamed himself Crowley, and a rare-book dealer and angel called Aziraphale, who would embody all the English awkwardness that either of us could conceive.”

William the Antichrist being a direct inspiration of the 1976 film The Omen. If the baby swap had just been a little bit messier and the kid had gone off somewhere else he would have grown up as somebody else. “And then there was a beat and I thought, I should write it, it will be called William the Antichrist” says Neil. ***

“The first draft of Good Omens was a William-book. It was absolutely in every way it could be a William book. It had Violet Elizabeth Bott, it had William and the Outlaws, it had Mr. Brown”.

Over time they realized that they would have more creative freedom if they in their own words filed off the serial numbers. William and the Outlaws becoming Adam and the Them.

But the spirit of Just William was never far away.

The joy for Neil was to construct “perfectly William sentences”. The one when Anathema tells Adam that she has lost the Book, and he tells her that he has written a book about a pirate who became a famous detective and it is 8 pages long… that’s “a William sentence”.

If you want to read more details about William The Antichrist, here are some slides I made.

Good Omens was also inspired by a particularly antisemitic moment in The Jew of Malta and John le Carre's spy novels. (Neil’s ask)

 Then I was reading The Jew of Malta by Kit Marlowe, and it has a bit where the three (cartoonishly evil) Jews compare notes on all the well-poisoning and suchlike they’d done that day, and as a Jew who never quite gets his act together, it occurred to me that if I were the third Jew I’d just be apologizing for having failed to poison a well… And suddenly I had the opening of a book. It would be called William the Antichrist. And it would begin with three Demons in a graveyard… (x).

“When we finished the book we estimated that the words were 60% Terry’s and 40% mine, and the plot, such as it was, was entirely ours.” -Neil Gaiman

"Neil and I had known each other since early 1985. Doing it was our idea, not a publisher's deal." "I think this is an honest account of the process of writing Good Omens. It was fairly easy to keep track of because of the way we sent discs to one another, and because I was Keeper of the Official Master Copy I can say that I wrote a bit over two thirds of Good Omens. However, we were on the phone to each other every day, at least once. If you have an idea during a brainstorming session with another guy, whose idea is it? One guy goes and writes 2,000 words after thirty minutes on the phone, what exactly is the process that's happening? I did most of the physical writing because: 1) I had to. Neil had to keep Sandman going -- I could take time off from the DW; 2) One person has to be overall editor, and do all the stitching and filling and slicing and, as I've said before, it was me by agreement -- if it had been a graphic novel, it would have been Neil taking the chair for exactly the same reasons it was me for a novel; 3) I'm a selfish bastard and tried to write ahead to get to the good bits before Neil. Initially, I did most of Adam and the Them and Neil did most of the Four Horsemen, and everything else kind of got done by whoever -- by the end, large sections were being done by a composite creature called Terryandneil, whoever was actually hitting the keys. By agreement, I am allowed to say that Agnes Nutter, her life and death, was completely and utterly mine. And Neil proudly claims responsibility for the maggots. Neil's had a major influence on the opening scenes, me on the ending. In the end, it was this book done by two guys, who shared the money equally and did it for fun and wouldn't do it again for a big clock." "Yes, the maggot reversal was by me, with a gun to Neil's head (although he understood the reasons, it's just that he likes maggots). There couldn't be blood on Adam's hands, even blood spilled by third parties. No-one should die because he was alive." -("Terry Pratchett : His World”)

(Here are some slides of mine where I go into some other details concerning the origins of Good Omens).

Another wonderful insight with Rob Wilkins in "The Worlds of Terry Pratchett".

*Quote: from Terry Pratchett A Life With Footnotes by Rob Wilkins, but said by Terry of course.

** All the quotes, facts listed here : see above.

***all other quotes by Neil Gaiman from various interviews and asks I’ll link.

[moonchild033]

Moon in the houses (Part 2)💅✨

This is primarily based on how Moon is related to CHANGES and what possible changes moon placements can bring over time. I've included some other random points too.💛

(These observations are based on the whole sign system, sidereal charts and all obs are subject to change with other aspects in the chart, so don't conclude anything with a single placement, take whatever that resonates and leave the rest,hope you enjoy giving it a read, take it lightly!) ❤

Moon in 7th house- You could have a dependent personality especially if it's in a water/earth sign. 7H water moons can be openly expressive about it with their partners that they like to be clingy and value companionship a lot, this can even manifest into them indulging in their partner's life too much without leaving space for any personal boundaries. 7H moons can change from being dependent to growing out as an independent person when their feelings and needs were repeatedly misunderstood or hurt by their loved ones, this can be a potential change that will happen in these people. Partner can have a complex personality, difficult to understand or moody. The people they get acquainted in life, not essentially friendships, just the circle of people they have can sound like people pleasers. In man's chart, they can have many female friendships if moon is placed well. Some of you can eat more when feeling anxious or stressed.🤗🤗

Moon in 8th house- You could potentially sense death incidents in your surrounding. You can ooze self pride a lot, difficulty in asking for help to anyone even if you are in need. You opt to struggle by yourself rather than voicing out that you actually need help. Your intelligence will not be limited to specific areas, you have exceptional analytical skills where you go to the root and think everything deeply. You could've been someone who is constantly questioning yourself and having a pessimistic mentality towards life in general, you don't express it outside but you could've struggled with self esteem issues in earlier life stages leading to anxiety and lesser self confidence, then you learn how to navigate through your strengths and wield it in a way that makes u feel more confident. Your confidence stems from feeling powerful, which can make you addicted towards improving your area of strengths and focus on being better than others, this could be the change you can have in later stages where you learn to transform yourself rather than give in to that low self esteem and pessimistic little voice in your mind.💪💪

Moon in 9th house- You could've been a person who wasn't very open minded or judgemental about others ' way of thinking and living life. Your life approach and how you think could be influenced by the teachings of your mother or grandmother. You could've given unsolicited life advice to the people you cared about, based on what you think about their situations, later you realize no one thinks of unsolicited advice as a form of caring as you do and refrain from doing it excessively. The change you might experience as you grow up is the expansion of your thinking, widely accepting things outside your societal norms and becoming a non judgemental friend to anyone. You can be emotionally connected to the places you travel, you are the person who says 'I left a piece of my heart there'. You would collect things from the places you visited, not a famous thing, but something unique that makes you feel sentimental about that particular place and cherish it. You can have a dream of pursuing higher education in foreign places. For taurus and gemini ascendants, this could cause a strained relationship with mom or a mother who was distant or absent. If your sun is well placed, you can be more attached to your father who could've possibly played the role of your mother.❤❤

Moon in 10th house- You can be popular in your workplace and have many friends. You tend to be walking on eggshells, adjusting to people and can sound like a people pleaser. Sometimes you can get caught between two people who don't like each other and you're forced to play a mediator. You don't choose sides easily, that's why you can have friendship with most of the colleagues. Even though you have an image of a pleasant person at work, you can be prone to high levels of stress and sometimes even crying in the bathroom when the workload gets too much, you are not a workaholic, it can make you feel depressed easily. You are sensitive to criticism at work, you would reassess a lot before submitting your assigned task. This can also be an indicator where your passion is in a totally different field from where you work now and you can be prone to changing jobs or even the field from time to time. You would socialize after your work time with colleagues, like in the cafeteria but many times you would mentally force yourself to do so, as you have a hard time saying 'NO' at the workplace. Later, you learn to prioritize yourself, quit from jobs if it's too much stress on you, say NO to the boss if he's asking you to work overtime and tell 'bye' to ur colleagues right after your shift ends and go right to your bed to relax. This could be a change you develop over time.💖💖

Moon in 11th house- You could have a close knit of friends you care about a lot rather than a whole lot of random people. You love the depth of friendship, where you can have deep conversations with each other and be emotionally connected. You rarely entertain the type of friends who just exploit you in later life stages but you are helpful to anyone who comes to you with their problems as you are a great listener and empathetic. You could be that kid who still remembers their best friend from school or is still in contact with them closely. Some people can have the same best friend from their primary/middle school. You could feel like your friends come to you only when they need your help or support, you can feel one sided or way too giving and available always in earlier friendships which can make you to be selective about your circle in a later age. Your elder siblings can lean on you for emotional support and you will gladly provide it for them. You can come off as a different individual than what people would've assumed about you as your social tendencies can fluctuate from time to time, your social battery can go from being very high to living under a rock. Your uniqueness in thinking and approaching emotional situations in a logical way and difference in perspectives can make u feel incompatible with most people but you love the mental stimulation you get from like minded people and can talk with them for hours. Your income can be from multiple sources apart from your main job especially if mercury is involved too. For some people, You feel like a sponge absorbing the energies of people around you in a social setting, which can be draining your own liveliness but you always try your best to lighten up everyone around you. You have difficulty in expressing your emotions as your words are often misinterpreted and you end up murmuring 'no that's not what I meant'.💞💞

Moon in 12th house- Mother could've been hospitalized for a long time or they can be mentally unstable with either being closed off entirely or showing drastic emotional outbursts which can lead you to become a quiet person trying their best to control and turn off their emotions all the time. Traveling to foreign lands, away from home gives you a state of mental peace as your home can be a reminder of your suppressed emotional state, how you were forced to mature as a kid. Instead you can turn towards spirituality and seek solace in that. Your intuitive and psychic nature helps you in understanding the complexities of the human mind, making you an extraordinary person for people to confide in. In earlier stages, you appear as a calm person but inside you carry too much emotional turmoil. The change you face is that you gradually learn to embrace your scars and let go of all the emotional baggage the moment you turn towards spirituality. Your outer demeanor will start to match your inner being, both calm and detached from worldly attachments and emotional sufferings. You could've yearned for deep, soul melting emotional connections but later have philosophical realization phases. You love sleeping but can be frustrated about how much of a light sleeper you are or just how disturbed you sleep. You could have irregular sleep schedules and watery eyes. You have vivid dreams that almost feel so real most of the time. At the younger phase, you could have the habit of isolating yourself and hiding from crowded places when you're hurt, in a fear of lashing out on somebody else or getting your emotional side exposed. You like a partner who can sit in silence with you and understand you without exchanging conversations. You are also highly likely to only have intimacy with the person you feel deeply connected with, flings can make you feel like your energy's been disturbed or just empty inside. At your lower state, you can indulge in compulsive addictions and have flings but if someone with this placement had that phase, they would've felt entirely devastated and overcame it with much difficulty.🌷🌷

With Love- Yashi ❤⚡

Moon in houses part 1 here✨

Masterlist 💖

[cosmicpuzzle]

Short Notes on Ascendants ↑

Aries Ascendant: You are straightforward and direct with others. You jump into action without much thought and you can have strong conflicts with people. You are energetic and active (sexually too). You hate to rely on others. You can be aggressive and appear rough.

Taurus Ascendant : You are calm, quiet and a silent observer. You mind your business. You take care of your physical appearance. You are concerned about your own life and try to accumulate valuable possessions. You are strongly sensual but can be self indulgent too.

Gemini Ascendant : You are always moving, restless and appear younger than you are. You are nervous and anxious. You make a place busier than it is and interact with everyone. You gather information and pass it on to others. You are a friendly and flexible person.

Cancer Ascendant : You are sensitive and guarded. You appear shy and withdrawn. You try to connect with people but only after knowing they are safe. Your family and close friends is your priority. You are not too concerned about practical aspects. You can be moody.

Leo Ascendant: You light up any place you go to. You are someone who can make others notice you. You try to display your special and unique talents. You can also be dominating and make others feel inferior. You can be arrogant, proud and hurt easily.

Virgo Ascendant: You are shy quiet and reserved. You are ready to offer your service and help to others. You make others self conscious and may make them notice their faults and shortcomings. You are nervous, stressed and fidgety. Work and hygiene is important to you.

Libra Ascendant : You are charming, balanced, graceful and appear soft to others. You are receptive and make people feel valued and respected. You can also be shallow and vain. You make compliments to be in the good books of people. Relationships are everything.

Scorpio Ascendant: You are very observant and introverted. Your presence is heavy and you rarely allow anyone to cross you. Your personal power is significant. You make note of others behaviour and can strike at the right time. You can be sarcastic. You are very sexual.

Sagittarius Ascendant: You are buoyant, light and appear happy go lucky. You are always laughing and making people feel lighter. You are also shallow and may disregard emotions. You learn a lot from life experiences. Travel and physical adventure is important to you.

Capricorn Ascendant: You are serious and concerned with your own affairs. You are not too talkative and can only reply if required. You can feel a lot of burden but may not show it outside. You dislike needy people. You are self sufficient in all aspects.

Aquarius Ascendant: You can be quirky and have a eccentric personality. You rarely do what is most expected but may surprise yourself with something new. You are not too emotional and may be concerned with social issues more than personal affairs.

Pisces Ascendant: You are quiet, sensitive and self pitying. you can readily help people even if they don't request you. You sense other's difficulties and help them unconditionally. You are often disappointed with people but continue to trust them. You are gullible and weak.

For Readings DM

[mariacallous]

Last year, the lead singer of The 1975, Matt Healy, managed to offend a whole lot of Gaelgoirí (Irish speakers) when he appeared to mock a fan’s name – Dervla – at a meet-and-greet.

Healy isn’t alone, though, when it comes to anglophone bafflement at Irish names. A recent study based on an analysis of Google searches revealed the words that British people have the most difficulty pronouncing. The names Aoife, Saoirse, Niamh and Siobhán occupy places in the top 10.

And it’s not exclusively a British problem: I always cringe watching US talkshows where the host quizzes their Irish guest (usually Saoirse Ronan) on the pronunciation of their and other Irish names.

I’ve heard every possible variation of my own name from non-Irish people. It’s not uncommon in Ireland; in secondary school, there were four Niamhs in my class. But I rarely come across an English person who is familiar with it, despite the proximity of our two countries.

In case you don’t know, it’s pronounced “Neev” or “Nee-av”, either is perfectly acceptable. The prefix Ní means “daughter of”. My surname is trickier, and has even tripped up a few Irish people; it can be translated as Herbert, and is pronounced “her-a-vard”.

When I was living in London, I quickly learned that saying Niamh at the counter in a coffee shop or over the phone to make a booking simply wouldn’t fly. This led to the invention of what I call my “Starbucks name”. Anything easily pronounceable with a simple spelling would do. Mia, Sophie and Rose were among my common aliases.

Speaking to others reveals a litany of similar experiences. Aoibhe Ní Shúilleabháin, a designer and teacher, spent two years at college in England having her name mispronounced and disrespected. (Her first name is pronounced “Ay-vah”.) More than one lecturer resorted to calling her “blondie”.

She tells me: “I was asked to say, ‘Three hundred and thirty three trees’” – a tongue-twister that does the rounds on TikTok – “more often than I was asked to repeat my name.” She recalls the lack of interest when she attempted to explain that Irish and English are different languages with different pronunciation rules.

Clearly, the sensitivities at play here are rooted in history: Ireland was colonised by the English and our national language was all but wiped out. A language revival began in earnest in the 19th century, but it’s never quite recovered. Ireland’s most recent census shows that about 40% of Ireland’s population can speak Irish. The English destroyed our language once before, so every little throwaway comment and scoff at our names hurts a little bit more – and ultimately becomes just tiresome. A handful of people even remark, “Oh! I didn’t know Ireland had its own language,” when I tell them about my name.

Writer Darach Ó Séaghdha is all too familiar with these difficulties. (The “rach” in Darach is pronounced like “Bach”, he says.)He hosted a podcast called Motherfoclóir, a podcast about the Irish language and culture, and whenever there were guests on with Irish names, “inevitably the episode would turn into group therapy”. There was one bad experience, he recalls, when he was told that his surname “looked like a wifi password”. But he decided to give his children Irish names, too. It’s a common trend, he says, “because parents with Irish names have been battle-hardened”.

Like the others I spoke to for this piece, writer and director Rioghnach (think “Ree-nock”)Ní Ghrioghair believes that a sense of superiority among English speakers is to blame for the constant mistreatment of Irish names. But she’s defiant. “We are going to scrutinise the British for any transgression regarding the pronunciation of our names,” and other things, she tells me, like British media claiming Irish actors as their own during awards seasons.

There is no easy crash-course I can give to you on the pronunciation of Irish names, but you can always try out “how to pronounce”-style websites (which themselves can be contested). But the simplest and most reliable solution is perhaps just to politely ask an Irish person – and listen attentively to what they say. I may have accepted that English people are very rarely going to get my name right on the first go, but I appreciate a well-intentioned effort. Just don’t laugh at it, please.

[topazadine]

Avoiding therapy speak in writing

I think we all know by now that therapy speak is irritating and unrealistic, especially if you are writing in a fantasy world that doesn't even have modern psychology.

Part of the reason that it is so annoying is that it is the definition of telling instead of showing: characters are just plainly informing us of their feelings rather than making us work for a better understanding. It's cheap and boring. Instead of making your characters seem like complex individuals with their own hangups and difficulties, they seem like plot points programmed to tell us things.

But obviously, you want to put these people in situations and have them talk about it! How do you do that without sounding maudlin? Here are some options.

Listen to real arguments/conversations

I cannot stress enough how important it is to listen to how actual real human beings talk to each other during heightened emotional states. They don't have to be nasty abusers, and they don't have to be perfect angels, just everyday people doing their normal thing.

Of course, I'd hope you're not seeing people argue all the time, but if you do happen to see it, listen carefully and notice how people actually address their problems. Think back to tough conversations that you have had, even if you wouldn't classify them as arguments. Consider how people acted and reacted to one another. Notice how normal humans talk about issues outside of therapy, even intelligent and emotionally evolved people.

I've had years of therapy, and even I do not talk in therapy ways about my issues when I'm talking to my family or friends. It just feels cheesy and fake outside of that particular setting - plus, it freaks other people out and can seem kind of manipulative. Try talking like that in a real conversation and see how uncomfortable it is. You'll understand why avoiding therapy speak is important.

Consider the character's own hangups

Just as everyone has their own unique speaking style and mindset, so do we all have our own argument styles. These are often informed by our pasts and upbringing; they are as varied as our own histories. However, there are a few different options.

Someone with a happy upbringing may be more assertive and willing to address their problems because they had that demonstrated to them as children.

A spoiled child will grow up to be a demanding adult who refuses to give any quarter.

Those who got yelled at a lot as children may shut down and fawn to avoid getting hurt.

Someone who grew up in a violent household may mimic that behavior and get incredibly aggressive when upset.

Individuals whose parents didn't teach them emotional regulation will lash out and get loud.

Manipulative people may stay very calm and gaslight the other person, or they may get hysterical to garner sympathy and make people focus on comforting them.

Someone who has gone to therapy may revert to their original argument style, or they may imperfectly apply what they have learned in a way that feels a bit unnatural. They may start out with rage, then force themselves to calm down through grounding techniques.

People who have been coached through previous emotional outbursts could demand a time out, then fail to actually calm themselves down.

Some may refuse to acknowledge they are upset and insist, in increasingly forceful terms, that they are fine.

Others may get quiet or crack a joke to ease the tension, but it doesn't really help.

Keep each confrontation short

IRL, emotional confrontations are generally not that long. They don't go on for hours and hours, though it can feel that way. No one is going on and on about their feelings and sharing every little detail of how they feel (at least not that I know of personally, maybe other people are different).

Even the worst arguments I have had, the real nexus of the argument was maybe an hour or two, though the fallout lasted much longer. I'd say there was an hour maximum of real, active confrontation, preceded or followed by hours/days/weeks of simmering frustration.

Why? Because arguments are exhausting. You don't have the energy for that in the heat of the moment. Yes, feuds and fights can last years, but each actual confrontation is short.

For longer, more serious issues, hash it out over a few sessions rather than all at once. It's rare to get everything out of the way immediately unless the characters already have a strong, loving relationship.

Show incongruencies

Especially for more reserved people, they will likely have their emotions leaking all over the place but won't actually say anything. As such, focus on body language while keeping the conversation more focused on the plot. For example, Character A might be crying but still trying to argue their point about whatever is going on.

Address physical complaints instead of emotional ones

In many cases, people will use "I'm tired" or "I didn't sleep well" or "I'm not feeling great" as shorthand for whatever is actually bothering them. It relieves pressure by not making them talk about upsetting matters while still addressing their discomfort in some form.

You should also consider the fact that some people can't connect physical sensations to feelings, so they may genuinely feel ill and not really understand why. This is especially common in people who can't emotionally regulate or have been through trauma.

For myself, I tend to somatize my feelings, so I might not feel upset, but I will feel physically sick. My stomach will hurt, my chest will get tight, or I'll get a headache, but my emotional state will seem calm. This isn't all that unusual, and many people experience this to different degrees.

As such, you can have your character say that their stomach hurts, or that they have a headache and can't discuss this anymore, or that they need to go lie down because they're dizzy. If we know they're relatively healthy, this can be a clue that they're getting overwhelmed but either cannot pinpoint their emotions or don't want to discuss them.

Let characters advance and retreat

A lot of the time, someone will address a scary emotion and then retreat again, sometimes over a period of hours, days, or even weeks. This is normal: most of us don't have the emotional fortitude to forge ahead through something difficult all in one go. Character A may say something vulnerable, then change the topic, laugh it off, say they're done discussing it, or even leave the situation.

Leave emotions partially unaddressed

Again, it's rare for someone to spill out everything they're feeling all in one go. As such, have Character A address the most important thing - or the least important, depending on their level of emotional maturity - and let it be done for then.

They might say their small piece, but when someone tries to probe deeper, they don't have an answer, or they get "stuck" on that one emotional level and cannot go further.

If Character B keeps pushing, then they may get incredibly upset and push back, or retreat.

Have Character B point out the feelings

Works especially well if the other character is a close companion or a parental figure. Often, people who know us really well will have better insight into our emotions than we do. Or, we might have good insight into our emotions but are still too afraid to open up. Having Character B point out the issue gives Character A grace to be more honest.

I can't tell you how many times I've been really upset, so I've distracted from the issue by getting angry about something completely different. Then, my mom will gently point out that I'm not actually crying about my new plastic cup being broken or whatever; I'm actually upset about XYZ. In that moment, I realize I've been caught out and admit that yes, that's what I'm really upset about.

Have Character A address it with a third character

Who among us hasn't gone to someone else to talk about our feelings? Having a third party serve as a sounding board is normal. Sometimes, Character A will feel such catharsis from this conversation that they don't address it as thoroughly with Character B.

Of course, you can use this to your advantage and create more tension if the third character gives bad advice or is biased.

Remember that just because the third party responded well does not mean that Character B does. You also have to avoid omniscience and remember that Character B wasn't privy to that conversation.

Have one confrontation be a stand-in for a larger one

I always think about the "The Iranian Yogurt Is Not the Issue" post when I think about this. Often times, things like not doing the dishes or whatever aren't actually the big deal: it's lack of boundaries, communication, or respect. A minor argument can be shorthand for a larger one that is too challenging for the characters to tackle.

This isn't just creating drama for the hell of it, though; it's about exploring the larger issues without making the characters lay it out on the table. A good reader will be able to see it's not about the Iranian Yogurt as long as you set up the relationship well.

Currently, I am writing a story where Uileac and his sister Cerie go to rescue Uileac's husband, Orrinir. On the way there, Uileac idly comments on how he wonders where a waterfall comes from because he's trying to distract himself from thinking about the fact that his husband is kidnapped and possibly dead.

Cerie, being pretty wound up too, starts arguing with him about it because she's like "why is this relevant? We're kind of too busy to think about geology right now!" Uileac gets annoyed at her for being so aggro, and she gets annoyed at him for being so irreverent. Both of them are upset about something completely different, but they're too scared and panicked to actually address that, so they release their frustrations by complaining about waterfalls.

Those bad vibes have to go somewhere, but neither of them are very good at talking about their feelings (though very good at stuffing them down). As such, they take the pressure off by sniping at one another. You've probably done this too, when you get into a dumb argument about something absolutely pointless because there's something you don't feel strong enough to discuss.

There's also the fact that if you're mad at someone about something but feel it's too stupid or petty to discuss, that frustration will leak out and everything else they do will annoy you, leading to a bunch of irrelevant arguments.

Use "reaffirmation" gestures

I talked about this in a different post, but after an argument, the "make up" stage doesn't always involve going "ohhh I forgive you" and big hugs and kisses, especially when the two characters aren't emotionally mature.

Instead, Character A makes gestures that reaffirm the relationship. This could be offering to do something Character B needs, making plans for later, or changing the topic to discuss something the other character cares about ("how are your cats doing?") etc.

Note that these "reaffirmation" gestures aren't the same as the cycle of abuse. This is more when two characters have had a difficult emotional conversation but aren't really sure how to continue being emotionally open, so they revert to something safer that still shows they care. They're not over-the-top gestures either, but more a special attention to something the other person loves. Knowing what the other person loves also demonstrates the depth of their relationship.

As always, I can't tell you what to do with your writing.

You are the crafter of your own story, and if you want people to talk like therapists for whatever reason, that's your choice. However, we want characters to feel like real people, and most real people don't lay it all out on the table every single time they're upset. If they do, they might be trauma vomiting, which is icky in and of itself.

Healthy communication isn't always perfect communication. People can have strong, loving relationships and still get things wrong - we're human. Having people calmly and rationally and easily talk about their feelings every single time is not only kind of boring, but it also feels weird, because unless we're primed to discuss those difficult topics and know we're perfectly safe, we're not going to do that.

People don't even do that in therapy, where they are paying for the service of talking about their feelings! Therapists also don't always do that IRL!

We're humans, and your characters need to feel like humans as well. That means letting them be imperfect communicators and using context clues rather than making them do all the work for the reader.

If you liked my advice, consider purchasing my book, 9 Years Yearning, for $3!

[just-dreaming-marvel]

Good Enough

MAIN MASTERLIST / MARVEL MASTERLIST

Logan Howlett x Female!Reader

Word Count: 1,520ish

Summary: Logan tags along as your date to your brother's wedding.

Warnings: some mental health issues, insecurities

Notes: This is extremely self indulgent and may be terrible. My brother's wedding was yesterday and I had a mental breakdown because I've never been in a relationship and have now grown so insecure about it all. If only I had any hope of something, so I wrote this.

You sighed at the invitation in your hand. It was no shock to you to receive the wedding invite, it was from your own brother, but it stung none the less. Though you were very happy for your younger brother, you couldn’t help but ache for a relationship yourself. You wanted someone to be your confidant, your best friend. You wanted a partner to go through the difficulties of life with, someone to lean on. But you were never that girl.

  You also had a lot of insecurities surrounding yourself and relationships. You had never been in one. No one was ever interested in you. You weren’t what the world deemed a perfect girl. You were average, for the most part. It didn’t help that you were a mutant with the ability to turn invisible. Often, your mutation linked to your emotions, making you go invisible when you were nervous or excited or embarrassed. You didn’t help the X-Men besides being a teacher at the school. You weren’t what people wanted, leaving you feeling alone and longing. 

“If you glare at that paper any longer, it may actually turn invisible,” Logan’s gruff voice broke through your internal downward spiral.

You jumped slight, looking behind you to see Logan leaning against the kitchen doorway. “Oh, sorry,” you mumbled.

“Nothin’ to be apologizing about.” He pushed himself off of the doorway and walked over. “Now, what’s got you glaring that hard?” He peeked over your shoulder. “A wedding?”

“It’s my brothers.”

He nodded, grunting. “And… we don’t like him?”

“No,” you shook your head, “we love him. And I’m so very happy for him. It’s just…” Logan sat down in the chair next to you, waiting for more of your response. “It’s nothing. I’m fine.”

“Not buying it, sweetheart.”

You sighed. How much of the truth to you tell the man you stole your heart but had no idea? “It’s just… I’m happy for my brother. I honestly don’t want the relationship that they have, but I… I want a relationship. Sometimes I get lonely or I just want someone to share the good, the bad, and the ugly with.”

Logan nodded. “I understand a bit. With my, uh, long life, I’ve definitely had my moments where I’ve felt that.”

“Do you still?”

“Sometimes,” he shrugged.

“There’s also the fact that I really don’t want to go to this wedding alone. I will be cornered, asked why I’m single and given suggestions on what I need to do or change to get a man.”

Logan’s brows pinched together. “That’s not right.”

“Yeah, well, it’s how it’s gonna be.”

“Not if I come with ya.”

Your heart began hammering in your chest. “What?”

“I’ll come with you. As a, uh, date—a fake date. To throw them off your case.”

“Why would you want to do that?”

Logan shrugged. “I’m free and Charles keeps trying to get me out of the mansion.” And to help you, Logan thought. He would do anything to help you and be close to you.

“Oh.” You couldn’t help but feel a tinge of hurt at the thought of Logan just coming to get Charles off his back. “I really don’t want to put you out—“

“I got no plans. I’ll be there.”

~~~

Your hands shook as you finished up getting ready for your brother’s wedding. This whole day was overwhelming to you. You were so happy for your brother and his bride, but the thought of people questioning you and pitying you had your stomach in knots. A firm knock on your door broke you out of your thoughts. Taking a deep breath, you walked over and opened it. There stood Logan, looking better than ever. He had clearly done his hair with more purpose and trimmed his facial hair. He was dressed in a black suit with a white shirt and a black bow-tie. You were taken back by the effort he had put in.

Logan felt the same way about you. You looked gorgeous. He had never seen that dress on you before, most likely because it was specific for the wedding. You were all dolled up and it took his breath away. Today might be more than he signed up for, and he was okay with that.

Logan cleared his throat. “You, uh, you look very pretty,” he said, more nervous than he meant to.

“Thanks,” you responded bashfully. You looked down, feeling your ability beginning to take control. “Shit.”

Logan reached out and took your arm. “It’s alright. Maybe letting it out now will help with the wedding.” He was assuming that your nervousness was triggering your invisibility and not his compliment. “I’ll keep a hold of you so I don’t lose you.”

All you could do was nod, thankful that only part of you was invisible. You shut your door and let Logan lead you into the garage and toward your car. He helped you into the passenger seat before going around to the driver’s side and heading off. 

~~~

The drive was mostly quiet, which you were thankful for. Between Logan being your date and this wedding, your mind was all over the place. You were also grateful that you were able to get your invisibility under control. Logan parked the car and glanced over at you.

“We can turn around if you want,” Logan said softly. “You don’t have to put yourself through this.”

You pressed out a smile as you looked his way. “Thanks, Logan, but I can manage.”

Logan sighed as he got out of the car and walked around to help you out. He wished that he had the courage to say something about his own feelings towards you. But he was sure you just saw him as a friend. You looped your arm through Logan’s and let him lead you into the venue. 

~~~

Your family was excited to see you and you were grateful that your parents understood not press the fact that Logan came with you. Logan sat in the last row during the ceremony as you were forced to stand on the bride’s side as on of the bridesmaids. His eyes remained glued on you. Your forced smile. The way your hands flickered in out how of visibility. But the thing that hit him hard was your glossy eyes. He knew that you weren’t crying because of the joy a wedding brought. Logan had to clench his fists tightly to prevent himself from going up there and pulling you away.

Logan continued to watch from a protective distance once the ceremony was over and you were pulled into pictures. The longer it went on, the more he could see everything weighing down on you and was angry that no one else was picking up on it. 

As soon as you were excused from pictures, Logan watched as you slipped away. Your invisibility took control and you were suddenly gone. Logan moved with purpose as he followed your scent and the frantic beating of your heart. He followed you to a small room in the back of the venue and locked it behind him. The sobs that began to sound from your invisible form, tore through Logan.

“Sweetheart,” he breathed out, keeping near the door.

“I… I just don’t understand,” you sobbed. “I don’t understand why I’m not good enough… Not good enough for a date or a glance or a one night stand… I understand that I can be difficult and weird and I’m not the prettiest girl in the world but I… I deserve good things too. I just want to be good enough too…”

Logan’s heart was breaking at the pure realization that you truly believed that you were not good enough. He took a careful step forward, using his senses to try and figure out exactly what your position was in this room. He reached out his hand and was grateful when it brushed agains your arm. Logan gently grabbed it and pulled you into him. You leaned in and let yourself cry as he tenderly held you.

“I just want to be enough for someone,” you sobbed. “Why I am never good enough?”

“Oh, sweetheart, you’re so wrong,” he softly said. “You are perfect. You are kind and beautiful. You are so talented and the best teacher. Anyone who can’t see those things are idiots… Darlin’,” he pulled back as you continued to shimmer in and out of visibility. His hands tenderly came up and held your face. “You are good enough… you are more than good enough.”

“Logan—“

“No, I should have been honest with you a while ago… You are enough for me, sweetheart. So much more than enough.” His thumbs gently brushed against your cheeks as your tears continued to fall.

“You… You aren’t just saying that?”

“Honey, you know me, I’m not one for words unless I mean them… You are good enough for me. Hell, you’re perfect in my eyes. And I will spend the rest of my life trying to show you that.” His lips met yours for a short but sweet kiss. “You are enough.”

[elucubrare]

What are your biggest turn-offs when reading/watching historical fiction or retellings of myths?

this is really complicated - i can put it in two boxes, both of which are packed very full.

disconnection from the material reality of the past

when characters display a very specifically modern mindset (about social issues especially, but other stuff too)

(I also get bothered by some kinds of modern language - I don't mind it when, idk, an author uses "sensible" with the modern connotation of "practical" and not the 18th century "emotional" or "empathetic", but "yeah" or "okay," or even, as i found out when someone used it in medieval fantasy, "holy shit" will get on my nerves.)

there are modern things where (made up example!) a character who's supposed to be a cook will talk about making caprese salad for a fancy restaurant in December, and someone snarking on the book will say "yeah, right, they should know better than to make something that depends on a fresh summer vegetable!" and even with greenhouses, that's pretty fair. and that's even more extreme in the past. it's 1650 in Verona, it's December, you cannot obtain fresh tomatoes. i don't think this means that people in the past were, necessarily, more emotionally or spiritually in tune with the cycle of the year, or the labor it took to get clothes, or furniture, or any other material item, and of course wealth can insulate people from some of that difficulty, but it does mean that the seasons had more direct impact on people's lives. It's possible to, for example, buy clothes ready-made, but for anything fancy, it's more likely that it'll be made to fit if it's new, or altered extensively and painstakingly if it's not. that means that tearing or staining a fancy dress isn't just an issue of looking bad - you can't just replace it, and you probably won't throw it out - you figure out how to reuse it. those concerns of access to material goods are just a lot closer to the surface of the world than they often are now.

my objections to modern attitudes about the world are not that people in the past 100% accepted the views of their contemporaries - there were always people who didn't, and it makes sense that a protagonist would be one of them. but people wouldn't phrase those objections in the same way that modern people would - say your main character doesn't want a woman accused of being a witch burned. "God's power is such that the Devil cannot give this woman the ability to sour milk" is most likely going to be more persuasive to the crowd than "witches aren't real." and sometimes that's rough - it's not super fun to read about a Roman with Roman attitudes about provincial wars, or slavery in the city, but I put something down because a Roman character said (in internal dialogue) that he was disgusted to see that a man had been tortured because "Romans simply didn't do that." Historical Romans did do that, routinely - a slave could not testify in a law court unless they had been tortured. Even with distasteful things like that, I'd much rather it just be glossed over than to have them say the "correct" modern thing. It just makes it feel too much like the theme park version of the culture.

Both of these are because of specific things I come to historical fiction for - I want that sense of alienation, the gulf of experience. I hate that most historical fiction (and fantasy set in semi-recognizable periods) characters don't really care about Honor, except as a joke, because I love when characters organize their lives around arcane rules and systems that cause tiny things to escalate into blood feud. I just think they're neat! I like it when people's worldviews are shaped by their lack of scientific certainty about what causes crops to fail! If I wanted to read about people who thought and acted like me, and had lives that were mostly similar to mine, only cooler, I'd just read contemporary fiction.

[lilacpaperbird]

my take on the whole "dean was parentified" narrative and where that slippery slope usually takes people ("sam was spoiled as a kid and dean shielded him from all harm") is that many people can't comprehend that dean was in fact parentified, but that doesn't mean he was sam's father. sam had a father, and it was john.

nor does it mean sam was spoiled or babied by either of them. canon doesn't support this interpretation despite it being so popular in the fandom.

dean was parentified in the sense that he had responsibilies and stressors that weren't appropriate for his age and his role as a son... but that doesn't change the fact that his relationship with sam was that of a brother, not a parent.

at one point dean says "I had to be more than just a brother. I had to be a father, and I had to be a mother." and his feelings of overwhelm and resentment are valid—their childhoods were difficult, stressful, and abnormal.

however, this doesn't mean "john was absolutely useless and neglectful, so he was completely out of the picture. dean was indeed sam's father and mother. and he fulfilled those roles so well that sam had a happy, easy childhood and he was freed from any parent-related trauma, since dean was his parent, and he did a stellar job at it"... you know?

parentified siblings are siblings after all (and sam and dean only have a 4-year age gap). and dean did "fail" in his parentified role—sometimes he fucked up, sometimes he was the one hurting sam. in many ways, he didn't understand sam's needs or how to fulfill them. which is understandable. and he definitely couldn't shield sam from the difficulties they both had to face. that was well beyond his capability after all

on top of that, sam was taught self-reliance from a young age and he was exposed to the hardships of their lifestyle just like dean (hardships in general since he was born, and hunter-related ones since he was eight). and most of the glimpses we get of sam as a child/teen show a lonely, sad, troubled person. where's the pampered and unconcerned child!sam people keep hallucinating?

deep down, the issue is that people seem to put sam and dean on a seesaw and weight their problems and traumas against each other. if we say sam had a shitty childhood, then we're somehow denying dean's traumas and sacrifices. and if we believe dean suffered a lot in his youth, then that must mean sam had everything served on a silver platter. and that makes no sense.

[thegreatstoryteller]

The Great Shift: Awkward Tales - Vignette 1: The Nervous Flirt

When the Great Shift hit the world, everyone was thrown into chaos. However, eventually society resettled into a new and more accepting form. At some point everyone would have to get used to their new bodies… right?

Well for a few individuals out there, after the great shift, they still were… adjusting. No matter how much time happened, some were cursed with an awkward new perspective in life. 

Maxwell, was nervous. More nervous than usual! Before the great shift, he had recently come out as gay to his close friends and family! While, they were all super accepting and happy for him, that didn’t solve his issues… talking to people he liked! No matter how many times he tried, he would turn into a stuttering mess whenever a hot guy was in the vicinity. He was lucky enough that his small unassuming frame meant no one could see his failures.

When the great shift happened, he thought things might be different.  New body! New me! That was the mantra he’d heard many people say as he had browsed forums and self help spaces. Turns out many people just needed a new body to reorient their social skills and  come out of their shell! At first Maxwell thought he’d be one of them!

He knew that he was a lot stronger in this body. He still wore his glasses, but these arms were no joke. Plus he didn’t have any skin issues anymore and he finally had some decent facial hair to work with! It all seemed to add up to something of a turning point for his life. 

That wasn’t the case.

Turns out a new body came with the same issues PLUS a few new ones too. Maxwell couldn’t form a straight sentence around hot guys, even newly hot guys who had never been hit on before! Even if Maxwell was just as handsome and good looking, his words fell apart at the slightest bit of attraction. Not only that, but his pool of attraction doubled. Apparently the guy he’d become was bisexual and loved flirting with men and women! So now not only did hot men make his speech a mess, but beautiful ladies did as well! A single hot woman could ruin his night if she asked for directions! A studly man asking if he wanted a drink would have him run out of the bar! No matter what seemed to happen, Maxwell was still an awkward dork.

Going from 5’5 to 6’2 didn’t help either. Now everyone could see this towering confident stud look like a complete fool! And his quick escapes were a thing of the past since every time he tried to run away he’d trip over his large size 15 feet. The last time he tried to flee from a failed flirt he knocked over two waiters and spilled 3 drinks over the person he was talking to. He needed some help. 

His friends did their best to console him, but even they had difficulty finding a clear solution. 

“Come on dude, you’ve got to stop biting your nails!” Beth, his best friend since college said after another night of failed flirting.

“I’m sorry Beth!” Maxwell whined in his new voice. Previously that expression was met with more nasally tones, but now even his wines made such flirtatious sounds when it came out of his new deep voice. “I just can’t stop thinking about that couple that asked if I wanted to join them tonight. The guy was soooo hot! He was like some kind of bodybuilder! And the girl! She could’ve been a super model. And i just froze and ran away!”

“It’s ok. I know that you want to pursue a relationship post shift. There’s no shame in striking out. Lots of people are having a hard time finding love.” Beth chimed in trying to comfort her friend.

“Easy for you to say. You and your fiance got Chris Evans and Chris Hemsworth’s bodies! And you’re still together!” Maxwell complained, burying his head in his pillow, still shirtless and showing off his impressive arms.

“I… I admit. We did get lucky. I know all our friends love Marvel, and my fiance and I are mega nerds… and the role play in the bedroom is fun and-”

“Beth!”

“Sorry! I just mean, that nothing is hopeless.  You’ll find what you’re looking for soon. And hey, if it helps you can try flirting with me and Erin tonight.” Beth offered.

Maxwell blushed… and then slowly nodded. Maybe flirting with two of his biggest celebrity crushes would solve his issue after all.

[velvetchrry]

━━━━ IT REMAINS

pairing: johnny “soap” mactavish x psychiatrist!reader

4.3k. after being shot in the head, johnny works with a psychiatrist to get his life back. **contains dark themes - read at your own risk.

It’s a tick.

Nine. That’s how many hash marks make up the upper margin of your notes. That’s how many times Sergeant MacTavish has rubbed the spot on his forehead where he was shot months ago. If you listen closely you can hear the pad of his thumb race along the grown out hairs of his mohawk.

It’s how he gives himself quiet comfort. When you ask him a question that makes him feel squeamish, he absentmindedly runs his finger along it. You’d have more hash marks if you deigned to keep track at the beginning of your session but this is only the first time you’re meeting him. You’ve also gotten farther than any of his other psychiatrists thus far. 32 minutes in.

His first psychiatrist, Dr. Williams is great. Phenomenal, actually. Old school, nearing his late fifties — he showed you the ropes when you started here. You thought for sure his calm demeanor would be just what MacTavish needed. He made it approximately 17 minutes into the session.

You’re not even sure Dr. Williams was able to get an answer out of him that day. You were here; heard the raised voice of Sergeant MacTavish. Watched as one of the Lieutenants who accompanied him dragged him out. Dr. Williams left his office a few minutes after that, pink-faced and flustered. The only time you’ve ever seen him like that.

MacTavish went through two other psychiatrists before landing in your lap. Why me? you couldn’t help but think. What could I possibly have that they don’t? You’re the youngest psychiatrist here by a mile. Fresh meat. A larva who has yet to transform, metamorphose.

He’s been staring at the same speck on your carpet for a few minutes now. You saw this faraway look in his eyes at the beginning of the session. Those piercing blues fogged over, mist on the lake. Pupils pinpricked.

His leg bounces slightly. Sweat glistens on his upper lip. Talking about what happened, bringing up that day is what has set him off in other sessions before. You weren’t ready to breach the subject until a few minutes ago.

“Johnny?” you try again, gingerly. He didn’t like when you called him Sergeant MacTavish earlier.

“Doc?” he says calmly, as if you haven’t been waiting in silence for him to answer your question.

“Would you like me to repeat the question?”

He sucks his teeth. Ponders. You let him. If there’s anything you’ve observed about his behavior thus far is that he does not like to be pushed, likely due to the fact that he simply needs more time than before. With a TBI like his, it’s not shocking. Memory loss and concentration issues are almost a guarantee. Along with the other symptoms he’s been experiencing — mood changes, difficulty sleeping, sensitivity to sound — and that’s only what you’ve been able to gather so far from his own admissions this session and the notes from those very brief prior ones.

“I dinnae want ta talk about it,” he finally says.

“Alright,” you answer simply. Calmly.

His shoulders visibly slacken at that.

You wonder if he expected you to push him. And, had this not been your first session, you may have. But not this time. He’s not ready for that yet.

He does surprise you, however. When Sergeant MacTavish makes it the full hour, you award him with an honest smile.

“This is a great step forward, Johnny. I’m proud of you.”

You look down at your slightly smudged notes, the air still heavy with the scent of fresh ink. Notes on Johnny’s sisters, parents, home. How he imagines his life in the future — back home to the Highlands, maybe a little cottage in the woods, walking distance to his relatives. Surrounded by family — a wife, children. Animals. Fending for himself and his family. Providing.

It’s… sweet. His fantasy of the future. You imagine in different circumstances he might have been an ideal husband. He has a protective instinct that drives him in everything he does. A wolf defending his pack. Maw dripping with the blood of those who would stand to hurt anyone he loves.

“Thanks, Doc.”

He scratches the scar again as he stands up. It’s still raised — pink flesh that draws your eye in. He waits for you, maybe the most awkward you’ve seen him thus far. You stand and offer your hand. His engulfs yours. He holds it tight, like letting go of you will make him slip out of reality again.

“Next week, same time?” You hate the phrase as soon as it comes out, making you sound like every movie shrink ever, but routine is important for him right now.

He swallows thickly and nods his head, finally letting go of your hand. You walk him to the exit, to the waiting Lieutenant. He goes without a fuss.

You don’t run into any problems until a few sessions later.

He’s agitated, but hasn’t told you why yet. You give him time, give him space. Let him work out what he wants to tell you. The Newton’s cradle that usually occupies your desktop is shoved in a drawer. Silence envelops the two of you, other than his ragged breathing as he tries to get ahold of his emotions.

You’re not sure how long you’ve been holding your own breath but you allow some oxygen into your lungs. You feel like you’re standing at the door of an airplane and he’s the one strapping your parachute. Checking for rips and tears. Making sure the deployment handle is secure.

“Johnny?” you murmur. Wait.

He rubs his scar.

“Lonely,” he blurts out.

“That’s to be expected,” you hum as your finger absentmindedly brushes across the large CONFIDENTIAL in red ink that runs across his folder. He hasn’t been allowed to talk to any family or friends. They all think he’s dead until the man who killed him is in custody and — while you have your disagreements on whether or not that is the best course of action for him — you don’t outrank the military men who made this decision.

“Yer the only friend I get ta see.”

You hesitate and realize that was your error as soon as his face drops.

“We’re friends, no?”

You give him a genuine smile. “I’m your psychiatrist, Johnny.”

“Said ya wanted what’s best for me. Said ya cared.” He’s agitated, fist clenched and shaking against his thigh. He strokes his scar in quick succession with his other hand. His usually serene, handsome face is contorted, as if what he’s hearing is causing him physical pain. He is seconds away from another episode.

“That is true and I meant it when I said it.”

He unfurls his fist but his fingertip never leaves his head. “So we’re friends then?”

You shouldn’t placate him with confirmation. If it were any other patient, you wouldn’t. You would stop this in its tracks, before anything has time to bloom. Cut out the dead root before it rots the rest of the plant. But it’s him — and you can’t be another in a long list of people who have failed him.

“Yes Johnny. We’re… friends.”

He beams at you and you think you see a piece of Johnny from before the accident. The golden retriever energy you suspect made up his personality. The finger on the scar stills.

“I knew you were the right one for me, Doc.”

You make it through three months with him.

“Bonnie flowers,” he nods towards the vase on your desk.

Lily of the valley, baby’s breath and red roses encompassed in a simple glass vase with a lilac satin bow. No note, but it was your birthday week and you figured one of your friends or parents just forgot to add one. You’ll figure out who sent it later.

“Mmm, they are.”

You level him with a look.

“You’re avoiding my question, Johnny,” you remark. He’s had enough sessions with you, become comfortable enough for you to be able to challenge him a bit. He sinks further into the couch and you sit up straighter, closer to the edge of your seat, not letting him run away from the question with physical distance. “Can we talk about this?” you ask his permission.

There’s a tick in his jaw as he mulls it over, eyes never leaving the flowers. You wait, unsure what his reaction will be.

“Can I say no?”

You nod. “You can always say no to me, Johnny. Though, it’s easier for me to help you if you say yes.”

He looks down at his lap, hands folded neatly. The hair on his arms escapes from his long sleeve a little bit. He rubs a knuckle.

“Ya ken I trust ya, Doc, it’s just…” he pinches his brow together, eyes shut as he brings a hand to his head. He hunches over slightly.

“Johnny?” his name lingers in the air. The physical distress he shows gives you heartburn, acid creeping up your throat. He groans, and pushes his fingertips so hard against his forehead you’re sure it’ll bruise.

The bottle of water is in your hands before you realize what you’re doing — standing from your seat and sitting next to him on the couch in your office. You offer it and he lets his hand idle on yours for a second before removing the lid and taking a long sip.

He sighs in relief and lets his muscles relax, leaning backwards into the sofa. A warm, massive hand settles on your knee and you startle but don’t recoil. It would set him back if you pulled away.

“I’m not ready, Doc,” he croaks, and the crack in his voice breaks your heart.

“Alright, Johnny,” you soothe. You grab the back of the hand resting on your knee and squeeze before standing up to return to your chair. “That’s alright. Take your time.”

A knock on your office surprises you a few nights later.

It’s late on a Friday night — you should have been home by now, but you had few things to wrap up before your week off. Notes to finish, information to chart. You were only slightly worried about Johnny, hoping one week off wouldn’t regress him any. At the end of his last session, you made sure to spend some time telling him that you wouldn’t see him next week. You emphasized that you’d be back the following week and would resume as normal.

There’s nothing you hate more than disrupting his routine. It’s been paramount to his recovery thus far. Last week his physician requested an MRI to update his brain imaging, since there hasn’t been any since the incident and it set him off. He only calmed down once you were paged and arrived — stripped yourself of any metal, put on two different pairs of ear plugs and sat vigil next to him on the scanner — your hand brushing against his exposed leg in a soothing motion as his head was inside the tube.

You wonder who could possibly be here at this time of night. As far as you know, you were the last one, but someone else could have easily had a late patient that you weren’t aware of.

The doorknob turns before you can reach it.

Johnny stands in the opening to your office. He is visibly distressed, sweat glistening on his brow. His fingers flex and squeeze as he walks in and closes your office door behind him, hard enough that you jump where you stand.

“Hello, Johnny. What brings you here so late? Where’s your escort?”

He’s still looking off in the distance as he approaches you. You hold your ground, tilting your chin up slightly to look at him. Now that he’s in front of you it’s easier to see how ragged his breathing is, how hard he’s fighting for control over his emotions.

“Do you want to sit?” you try again.

He doesn’t respond, simply holds his ground as you talk. His eyes flicker back and forth as he ponders something. Is he trying to use the calming techniques you’ve taught him?

Your fingers twitch, almost reaching out on instinct to grab his wrist. He sucks in a large breath, his chest nearly brushing against yours as he does. The hairs on your scalp tickle as you feel his exhale caress your face. Patiently, you wait for him. You’re used to this. Sometimes he needs a moment.

“Ye cannae just…” he starts then stops, pinching his eyes shut as he gets his thoughts together. He inhales deeply again before continuing, his voice more desperate. “Why’re ye leaving me, Doc?”

“I’m not leaving you, Johnny. I’ll be back the week after next.”

The line of his jaw sharpens as he clenches his teeth. His fingers continue to flex and contract, half moons indenting the skin of his palm as he does. The thin wire holding him together is about to break and you’re standing in the middle of the debris field.

“I’ll tell ye about it,” he pleads. He brings his hand up to cup your jaw and you hold your ground. Johnny has never frightened you, no matter how many times you’ve seen him agitated. You know, down to your core, he would never hurt you — so you stay still, let him make physical contact. “I’ll tell ye everything.” He dangles the bait over you like you’re a starving animal. The thing you’ve been waiting for all these sessions. A thumb traces the slope of your cheek.

“Okay,” you agree, bringing your hand up to lightly hold against the one stroking you. You wrap your fingers around his and pull his hand off your face. “We’ll talk about it when I return, alright?”

Wrong move.

He snaps.

Before you can react, Johnny grips the back of your neck and pulls you firmly to his chest. His other arm locks itself around your waist. You gasp, breathing in the scent of him as your face is pressed tightly to his body. Your hands fly up to push yourself away but it’s no use. Johnny is carved from stone, immovable, statuesque. He doesn’t crush you, only holds you as his arms lock in place. Your stiffened frame moves with his chest, his rapid breathing competing over the sound of your own.

Panic creeps into your throat, tightening the noose. You know Johnny would never harm you, but you’re not quite certain the lengths he would go when he’s feeling threatened — and right now he’s feeling very threatened.

Fingers wrap around the hair at your nape as he pulls your head back. He kisses you hard and it’s a battle of teeth and tongue as you try to back away from it, remove yourself from the situation. You whine in protest and Johnny groans.

Finally his mouth releases yours. Panting, you gasp for air.

“Johnny… this is… highly inappropriate,” you wheeze.

He looks into your eyes lovingly, as if his stare could keep you in place forever.

“Kept the flowers I gave ye,” he breathes.

Your eyes widen in realization. “You? You’re the one who sent those to me?”

A wide grin splits his face. “My girl’s birthday. ‘Course I did.”

You try not to focus on the fact that he knew when your birthday was — something you definitely did not share with him. “Johnny… I’m your psychiatrist.”

“Yer my friend. Said it yerself. Said a lot of things, hen. ‘We’re in this together’, ‘I’ll do whatever it takes to help ye’, ‘Rely on me, even on bad days’,” he leans in, nose pressed to your hair and taking a whiff. “Cannae let you go… no’ now.”

You try pushing yourself off him again to no avail. “Johnny…”

With both arms now wrapped around your middle, he lifts you with ease, setting your ass down gently on top of your desk. He brushes a stray hair out of your face. “Said I can ‘always say no’ to ye. I’m saying it now. Cannae let you go, hen,” he repeats.

“Johnny,” you echo, strained as you attempt to wiggle out of his hold. You try to keep your voice strong and even but it’s becoming more and more difficult the longer you’re stuck in his hold.

He shushes you before you can continue talking, a massive palm covering your mouth. “Know ye want it too, pretty girl.” His large knee forces your legs apart, bumping it against your clothed center. You startle and he chubs up — your jump barely moving you in the strong grip of his arm. “Take such good care of me. Let me return the favor,” he murmurs, pupils blown out wide as he replaces his hand with his mouth.

You try to push him away again as he kisses you, but it’s no use. You’d have better luck tipping over a skyscraper with your bare hands. Defeated, you submit — not by kissing him back but no longer fighting him either.

“Tha’s it,” he coos when he decides to back away. He takes you with him, sliding your bottom across the desk and supporting your body weight until your legs are firmly underneath you. Suddenly you’re turning around and he’s forcing your face down to the cool wood. The action causes you to screech and he lays his body against yours and shushes your cries, smoothing a hand along the exposed skin of your cheek.

“S’alright, pretty girl. S’alright. Nobody’ll ever touch ye again. Safe with me, always.”

A shiver races down your spine. Johnny hums in delight, his hips crushed firmly to your ass. His thick length is pressed against you and he shudders. Impossibly, he pulls you by the waist against him even more and wraps a massive paw around your middle to tear your pants down your body. Your panties come with it and you can’t help the moan that escapes at the sensation and sudden coolness.

“Johnny…” you start again, knowing that kissing him is beyond innappropriate but fucking him on your desk is a different monster entirely.

A few thick digits in your mouth quiet you and you gargle at the sudden intrusion. “Shh, bonnie,” he pacifies you, before wrapping his arm around your front and swiping a long stripe up your core with his spit-moistened fingers.

He braces your squirming body down with his large forearm. You yelp as he continues to swirl around your sensitive nub, the motion getting his fingers wetter and wetter as your body responds to his touch. He continues his ministrations with deft and experienced fingers that have your legs trembling underneath you. Eyes closed, you cry out in pleasure — and then come back to reality when you realize you’re about to be fucked by your vulnerable head trauma patient.

“Johnny! We can’t do this,” you plead.

“Why no’ hen? We both want it.” You can’t see him with how you’re positioned but you just know he’s doing that little head tilt thing he does when he’s genuinely confused.

“It’s not right, I’ll lose my job,” you whisper.

He huffs. “Don’t need it. I’ll take care of ye.”

A bulky finger slides into you and your knees knock together. “You’re my patient,” you reply, breathless.

“Gonna help me at home from now on,” he responds effortlessly, stretching you with another finger, continuing his slow, lazy pumps.

Home?

“W… what do you mean by ‘home’, Johnny?” your psychiatrist brain asks, waiting for your patient to define his train of thought like you would in any other session. As if you were across the couch from one another — instead of his fingers spreading you wide as your body is splayed on your desk.

“Home,” he replies simply, like the word should explain itself. A third finger enters you and you suck in a breath at the slight burn. You whimper.

“Pretty baby,” he coos, accent thicker than you’ve ever heard it.

Your nipples pebble but you attempt to resist giving him anymore physical responses. “We can’t do this Johnny,” you tremble — from his fingers or the situation you currently find yourself in, you’re not sure.

“This beautiful body is telling me otherwise, Doc,” he practically purrs, his fingers picking up speed.

“Please Johnny… I…” you gasp.

He rips his hand out and you bite down hard on your cheek to prevent yourself from crying at the loss of contact.

“Want more, baby?!” he beams, the sound of his zipper your only warning before his thick, warm cock rubs lengthwise against the entrance to your cunt, hard length massaging your clit as he pumps.

‘No,’ your mind thinks, but your traitorous body says ‘yes, yes, yes,’ as you draw in a sharp breath, legs pushing your ass back without asking your brain.

Johnny makes a pleased grunt as he continues, lubing his cock with your wet, pulsing pussy. You can’t help it — you moan. A sharp slap on your ass pushes you further into the wood and Johnny soothes the sting by hitting your reddening cheek with his sticky cock a few times in a row.

His hand wraps around the back of your neck, keeping you in place but he’s surprisingly gentle. “Meant to be mine,” he declares as he enters you slowly. You suck in a large breath. “Only good thing that came outta this,” and you know he’s tapping the side of his head with his other hand without looking back at him. You whine and he groans when he enters you to the hilt, squeezing the flesh of your hip with the hand not securing your neck.

That’s it.

You’re fucked.

In more ways than one.

Johnny’s fingertips dig into your skin as he picks up the pace slightly. You grip the side of your desk, not bothering to stop him now. It’s too late for that. Arguments die on your tongue as Johnny pounds into you from behind, the bony protuberance of your pelvis hitting bruisingly against the hardwood with every thrust.

You resort to holding on as best you can as Johnny slams against you, like his anger is seeping out of his skin by doing it. The slapping of flesh and your combined pants sucking the air from the room. Johnny bucks into you until his pace gets sloppy and then he stills, pulling himself out with frustrated groan.

His hands leave you and you lay there, boneless, but watch as he drags your chair around the desk, cock bobbing and glistening in the light as he walks. He supports your weight effortlessly as he places you in your chair, like a delicate piece of china. He grunts as he drops to his knees in front of you, and you watch with hooded eyes as his arms come up underneath your knees and pull you to the edge of the seat — right to his waiting mouth.

Johnny swirls and curls his tongue around the sensitive flesh of your pussy, wrapping a strong arm across your lap to keep your bucking hips down. It stings a little, his solid arm pressing into the bruises forming on your hip. You pant and whine, unable to control the noises spilling out of you.

He doesn’t stop, licking and sucking until that little bundle of nerves can’t take it anymore. With all your strength you try to back away from his mouth but the effort is fruitless. Tears stream down your cheek, the sensitivity making you plead with him. “I can’t… Johnny please… please…”

He hums, the vibration sending a shockwave up your spinal column. He slows down but only slightly and you see stars, head floating as you cum on his tongue. He hums again and you shiver violently in reaction. Pulling back now, he smiles drunkenly at you and kisses your pussy before standing and lining himself back up with you.

Your legs are firmly secured and he throws your calves onto his broad shoulders. He teases your entrance before he lets out a sputtered groan. “Bonnie little thing,” he sighs before spearing you on his cock. You're contorted at an impossible angle, one you’re definitely going to feel later, as Johnny relentlessly drives himself into you.

Voice cracking, you can’t stop the sounds of pleasure that escape from between your lips. Sweat drips down Johnny’s brow as he concentrates. One of your hands grips the arm of your chair and the other finds your lower stomach, feeling Johnny’s cock push into you. The thick hair covering his muscular body tickles but it’s barely noticeable over the pleasure coursing through your system.

Your toes curl as another orgasm rips through you, and you bite down hard on the forearm braced beside your head. Johnny whines in pleasure, hips stuttering before resuming their normal brutal rhythm.

“‘M close, bonnie,” he pants. His motions become more flustered as he approaches his climax. The hand gripping onto the arm of your chair now curls around his forearm as you hold tight to him.

He releases, his spend coating your walls in thick spurts and he drops his body on top of yours. You can feel him twitching inside of you as you wrap your arms around his shoulders.

After a few moments, Johnny catches his breath and snakes his arms under you. He lifts you out of the chair and brings you to the couch he’s sat on countless times before, letting your limp form curl against his. He pets your head lovingly as you lay against him, humming softly to himself.

When you fall asleep, Johnny whispers his plans of the future to you. The house he’d purchased in the Highlands a couple of weeks ago is ready to move into. You won’t have to worry your pretty little head about a thing. The plane is chartered, and you’ll both be on it. He’ll be able to last longer next time, and you’re going to give him the most beautiful family — together you’ve already started to.

[saintsenara]

How do you reconcile reading fanfics that deal with problematic or even taboo themes and your real life moral values. I was trying to recommend a fic to a new friend but the fic was tagged underage and it involved some minor smut as the characters were 17 and it was a beautiful moving story about them exploring and wrestling with their sexuality. My friend freaked out and said that it's disgusting how adults read stories of underage characters that contain any sexual content between them.

i don't have any difficulty with reconciling my consumption of fictional media with my real life values, because the opinions of people who think i should don't bother me.

i have plenty of empathy for people who think that taboo fiction = reader is a bad person, and because of this i think it can be valuable [in circumstances where they're not attempting to cause you or anyone else any real-life harm, that is] to make a sincere effort to understand why they've come to think that way.

but this doesn't require the ceding of ground. i can empathise with people who have experienced real-world harm and are going about protecting others from it in an imperfect way, or who are afraid of being judged, or who struggle to understand themselves as complex or multifaceted people, or who have low self-esteem, or who aren't great at seeing things with nuance, or who are just conservative for the hell of it. but that doesn't mean i think they're correct. the reason i can do it is because i have made an active choice to be informed, imaginative, and interested, and because i actively practise my critical thinking skills.

an initial "i don't like this, this disgusts me, even though i know this isn't real" response might be instinctive and beyond our control. but indulging it - turning it into "i don't like this, this disgusts me, even though i know this isn't real, and therefore i will refuse to think about why other people might consider it interesting" - is a skill issue. curiosity can be learned.

storytelling is inherently and innately human. it comes bundled up with our capacity for language, our capabilities for abstract thinking, our ability to infer meaning from symbolic behaviour. we have always done it. and we have always done it precisely because it allows us to engage with experiences other than our own, including those of bad people doing unspeakable things, thereby allowing us to consider and explain and understand the world.

if nobody is attempting to cause you any real-world harm for your consumption of fictional media [which - obviously - you would deserve to take action to protect yourself from], then ask yourself... is there anything going on which is worth actually being aggrieved by? your friend responded unpleasantly to a fic rec. oh well. what can you do? sounds like a them problem.

you were interested in the story, and you have extracted something meaningful from it, like thousands upon thousands of your ancestors before you. what more can you ask for?

[obsessivevoidkitten]

Dishonorably Discharged and Detained

Alpha Shark Man x Gender Neutral Omega Reader (CW: Dubcon, a/b/o, omega reader, DILF, size difference, shark man, merman, biting, marking, claiming, heat cycles, breeding, kidnapping, force fed reader, reader is briefly shocked by an electric fence, general yandere behavior) Word Count: 4.7k (18 minutes into March and already a fic is posted! This was written as a birthday gift for a friend, happy birthday, you know who you are, my longest friendship and trusted confidant. I hope you all enjoy this. Also I tagged this as a merman because I think it qualifies, even without a fish tail a person who is part fish counts. I will die on this hill.)

The dreadnought you were on sailed at a fair pace, ever forward, back to your base. It had been deployed to the front but the battle was over before you even had a chance to arrive, enemy presence in the area had been way overestimated and your unit had not been needed. The sea ahead of you lie calm and serene, the sun scintillating off the surface of the water and the salty breeze kissed your skin, feeling pleasant in your stuffy uniform. You were second in command of the ship directly behind Admiral Reeves, you were an omega but with hard work and perseverance you had managed to defy all expectations of what an omega could be, ranking higher than many alphas your age. This caused some issues when you had first achieved your current rank, but over time you had gained the respect and obedience of those under you as well as the respect of your superiors. You had become invaluable to Admiral Reeves both as a hard worker, a motivator of the troops, and even a strategist he could always call upon for a second opinion when planning on how to engage an enemy force or escape a harrowing situation. That wasn’t to say things were completely easy for you, whenever you were docked or dealing with other service members that were not in your unit you always had to stand strong against harassment and catcalls. And being constantly surrounded by so many alphas, and the pheromones that accompanied them, could sometimes make you more than a bit dizzy. Admiral Reeves’ pheromones were among the most potent, he was not a regular human like most of your peers. He was a shark man. A hybrid species that had been genetically engineered decades ago to help humans explore the seas and get an advantage in maritime combat. Reeves’ heritage was obvious. His sharp teeth, the fin on his back, webbed fingers, gills at the base of his neck, and pale blue skin giving him away to any who saw him. He was likely in his early fifties, it was slightly hard to tell though given he wasn’t completely human, but his short hair had an attractive peppering of grey. As mentioned previously his pheromones were much stronger than an average alpha’s. Probably because he was significantly larger than a normal human. It made being an omega near him all the time slightly difficult, but the main difficulty was that sometimes his cool headed handle on his instincts slipped a bit and he could be just a slight bit overprotective of you. He never disrespected you or questioned your ability to carry out your duties though. After enjoying a few minutes of sunlight and salty sea air you began to make your way back below deck to the dorsal side of the bow where the bridge was contained, you had to make contact with the mainland and give them your coordinates and estimated time of arrival. But before you could even leave the deck a sudden explosion sent you flying. You remained conscious just long enough to notice your right arm and leg were bleeding. You tried to get up but within seconds you collapsed. The next few weeks were a blur that you were almost entirely unconscious for, with only brief fragments of confused awareness. You remembered seeing medics above you, you remember a moment of being in the ship’s medical bay as the ship weaponry fired, and you remembered being awake several times briefly in a hospital bed. When you finally, REALLY, woke up you were in significant pain. Your arm and leg that you had seen bleeding were both in a cast with your leg suspended, your vision was a bit blurry, and your head was throbbing. You had great trouble concentrating, it took great effort to collect yourself and assess your situation. You were no longer in the ship’s medical bay and there were no windows in your room, it seemed very minimalist. Probably a military hospital on base. There was nothing really much you could do other than just try to relax and let yourself heal, eventually a nurse walked in and immediately rushed over to you to check your vitals and ask you a few questions to make sure you were fully aware and awake. After doing so she hurriedly rushed out, staff was under strict orders to notify Reeves the second that you were awake. Since the ship you had been stationed on, The Sentinel, was docked for repairs Reeves was currently at the naval base that you were receiving treatment from and it did not take long for him to be notified about your updated condition and come speeding to your side. You could tell immediately by his scent he had not been getting much sleep and he had been more than a bit anxious. Not surprising, probably lost some good soldiers in that battle and then having to wait as the ship was repaired or for him to get a new assignment was probably pretty stressful. You could have never imagined that the reason for his recent distress had actually been your hospitalization. But it had affected him in ways he would not have thought previously possible. He stood beside you with a huge grin on his face. On anyone and to anyone else it may have been frightful, given the sharp nature of his teeth, but you knew it was a good sign. “Nice to see you awake after you’ve been lazing about in bed for a few weeks, haha,” he joked with his typical sense of humor before his face got grim and he took on a more solemn tone, “But... in all seriousness… It’s good to see you’re okay. We lost some good ones in that attack. Sunk the bastards that did it though.” You took a moment of silence before breaking the tension. “Don’t worry, fish breath, after a short recovery I will be their worst nightmare. I will sink their entire navy myself.” Reeves hastily hid a worried expression at the thought of you returning to duty, you didn’t know what the expression was for but it was probably just a bit of stress piercing through that rough exterior of his. “Heh, yeah. I’m sure. The little pipsqueak is gonna have them all on the ropes. They’ll piss themselves,” he chuckled heartily, though it sounded just a wee bit forced. After some small talk and him telling you about the casualties and general condition of everything he reluctantly left, after the nurse shooed him away to let you rest. For the next 5 to 6 weeks it seemed like resting was all you could really do and by the time you were ready to be released and begin physical therapy to get back to tip top shape you were really ready to get out of bed. Over the course of your recovery Reeves continued to visit you, really just about everyday that he could, to see how you were progressing and he seemed to be increasingly anxious about you returning to duty. Now that you were out of bed that anxiety seemed too palpable for you to ignore and finally, after he had given you a nervous look when you mentioned your excitement to be seaworthy right as The Sentinel was nearly ready to depart, you decided to just ask him about it. “It may just be me but… it seems like you don’t really want me back on duty…” “What that’s crazy!” he said in a manner that had you wholly unconvinced. You crossed your arms, tilted your head slightly, and stared at him with an expression that said “really?” He sighed deeply before finally admitting outright what he had been thinking since the moment you had been taken to the ship’s med bay. “Look… I know you are a talented sailor but… are you sure you should keep doing this?” You were stunned, mouth agape in shock, but he took your silence as an opportunity to press forward with his line of logic. “I mean… you have a smaller frame than anyone else. The doctors did not know if you would survive at first and the doctors said that even a beta, let alone an alpha, with a larger body would not have been so damaged by the blast or so endangered by the blood loss,” once he started saying all this the words just seemed to spill out of his mouth, like he had been damming them up and it had finally burst allowing him to unleash a torrent of his thoughts on the matter. There was of course much more to it than that, he was in love with you, but even if he had been honest about not wanting you back in combat he could not be completely honest with you or with himself on why exactly he was so adamant. You were speechless a moment more before becoming absolutely indignant. “SEVERAL people passed away in that battle, and all of them were all alphas, war doesn’t spare anyone!” Normally someone speaking to their direct superior in such a manner would be reprimanded but you were beyond caring at this point. “That may be true, but being smaller and more fragile doesn’t help your chances. And you have always been a bit accident prone…” Not an entirely unwarranted criticism, you did tend to be a bit accident prone, though all of those were minor injuries, nothing serious until now, but having enemy ammunition go off near you was hardly your fault and anyone, regardless of body or constitution, would have been injured by such a situation. Incredulous at his comments you stormed off, he called out behind you but you kept going on. That night you didn’t get much rest and you were irritable the next morning. But that did not compare you to the anger you had when you reported in the next morning and had Reeves tell you that he did not want you working with him anymore, he wanted you off the ship working in a safer non-combat capacity. You just stormed off once again to get reassigned to another combat ship. It didn’t have to be glamorous, it could be a fucking submarine for all you cared. It hurt, and it hurt bad, that you would not be with your former crew, or with the leader you had grown to consider a friend, but in battle was where you were meant to be. You put in for reassignment and vacillated between anger, grief, and feelings of betrayal for the remainder of the day. As at the end of everyday you made your way to the omega barracks. You were the only one using them currently, unlike on the ships there were fresh recruits trained on site so separate sleeping arrangements were made. It was hard but eventually you managed to push your raging emotions aside and go to sleep. Reeves had heard about your reassignment, he figured you might be difficult. Instead of asking for a non-combative position you had of course just let them reassign you to another dreadnought. He couldn’t just tank your career to get you out of the front lines, you had too impeccable of a record for anyone to believe that and too many sailors that would vouch for you, no, he would have to instead use his ties to have you erased completely. The shark was a very high ranking admiral with ties to the intelligence agencies and it was within his power to do such a thing, considering you had no civilian friends or family to poke around, and anyone in the navy who might poke around could easily be brushed off or told that you had passed away in the line of duty. So in the dead of night you were disappeared. Operatives quickly snuck in and made their way to your sleeping form, quickly injecting you with a serum that would keep you completely unconscious for many hours and then shoving you into a black sack. You woke up from probably what could be described as the deepest and most fulfilling sleep you had ever known, and then you looked around and realized that you were most certainly not where you had gone to sleep. Gone were the rows of bunk beds that had filled the small omega barracks room, replaced by a small room without any windows, blank walls, and harsh lights. It all seemed very… antiseptic. Too clean. Too empty. You went to the door, which had a small barred hole window, and tried to open it, but it was completely sealed with no way to open it without the key. But you were stubborn and shouted a few curses while trying to force it open anyway. This proved to be a mistake, as it summoned your captor. Reeves. “Admiral!? What the fuck!?! Where are we? Why am I being detained?” He looked at you and with a regretful sigh said, “You just… wouldn’t listen to reason. And I couldn’t lose you.” “My god… You’re absolutely insane! You can’t just cage me up like I am some sort of animal just because I don’t want to live my life how you want me to!” “I AM NOT INSANE!! You refused to see reason! I love you and couldn’t have you in danger anymore and you just wanted to charge in and get hurt. Your injury was a sign that it needed to stop. YOU NEED TO BE SAFE!” You flinched back, unaccustomed to him being so loud and angry. At seeing you recoil his face softened and his tone became much more quiet. “Look, you’ll get used to it here okay? I know the room is a bit bare but we can put whatever you want in here, okay? The war will be over soon and I will be able to be home and then you can move in with me.” You looked down, angry and depressed and betrayed, unable to meet his gaze. Finally he sighed heavily and mumbled that he would have someone bring you some food but he had to go. That’s largely how life went for you there for roughly a year. Facility staff would take care of your day to day needs and every few months, or sometimes weeks, you would get a visit from Reeves. Each time he would offer you some gift or trinket, repeating his confessions of love and care for you. He gave you sweets, blankets, plushies, flowers, and various other things. The blankets and plushies were scented by him, in typical courting fashion, but no matter what the item was you shoved it in the farthest corner of the room. Except the sweets, they would have expired, so instead you would immediately throw them at him. Reeves was more than distraught, not only were his attempts to advance a relationship with you not succeeding, but the friendship you had before was totally eroded. Till, the most important thing above all else was that you remained safe, and once the war ended, which would be any day now, he would be able to move you to his house and take care of you daily himself. When the war was finally over and the time had come for you to be transported to your new happy home with your captor and the destroyer of your life you fought the personnel that were trying to put you in the transport van that had been loaded with all of your things tooth and claw. Literally. You clawed and bit everyone who got near you, you would rather live in a boring glorified cage for the rest of your life than be in a house with Reeves. Finally they had you held down by multiple men and once again injected with a sedative. And, just like a somewhat uncertain amount of months previously, you woke up in a strange room. This time on a couch though. A blanket had been lovingly put on top of you and a soft pillow placed behind your head. This was obviously Reeves’ house. Unlike last time you had been informed of your destination before being abducted. It appeared you were in a modified basement, you looked around, searching for anything that may be useful as a weapon. Sadly, it seemed the room had been left clear of anything you could use to fight Reeves with. There were tiny windows, but they were not only really high up but also really small. Even if you could somehow manage to eat them you would never manage to squeeze through them. There was really only one course of action left for you. You took the blanket that had been left down here for you and waited at the door for Reeves to come down and check on you. When he finally opened it you hid behind it until he took a few steps down. You then threw the blanket over his head and kicked his legs as hard as you could making him stumble, you took the opening to push him down the steps and flee out of the basement. You came up into a hallway that connected to the living room and rushed out the door. You were more than a bit shaky, you had no shoes, and your body was weak but pushed on by a potent mix of sheer force of will and a strong dose of adrenaline allowed you to propel yourself forward. You ran down the driveway and came to a fence that was entirely locked up. No problem. You could scale this with ease, flee into the woods that seemed to surround this area, and eventually find help on the other side. But the second you touched the fence and electric current ran through your body, causing you to twitch and fall down stunned. It was electrified. Because of course it was. For someone he was worried about dying in battle he sure as shit did not seem to underestimate you when it came to you trying to escape. It didn’t take long for him to come running, you had hoped you may have been lucky enough to at least have broken a leg or ankle as he fell, but it seems he was unperturbed by his recent push. You were too shaky at this point to do anything other than let him pick you up and hold you close. “It’s okay, I know you’re scared, I forgive you for pushing me. And sorry about the fence, can’t take any chances.” He carried you back down to the basement and sat you down gently on the couch, laying the blanket that you had formerly used as a weapon on top of you before kissing your forehead, which made you flinch away in disgust. “Now that we are living together I will be able to give you the non-stop attention you deserve. I am sure you will love it here eventually, okay?” “Not okay you absolute fucking idiot, there is no way in the world I will ever love you or even remotely tolerate your presence! Just let me go! The war is already over anyway.” “There is always another war eventually and I must keep you safe from yourself. I just can't risk losing you, can’t you understand that?” You just scoffed in response and pulled the cover over your face so you didn’t have to look at him. Reeves tried rubbing your arm comfortingly through the blanket, and you could do nothing to stop given how shaken up you still were, but he could smell in your scent that you were growing increasingly angry and even a bit anxious at his touch so he finally retreated upstairs to make you a nice dinner. He remembered from years of service with you that you got pretty cranky when you were hungry. When he came back he brought with him a bowl of delicious smelling crab bisque, something he thought was fairly light and easily digestible, but not too light and still full of nutrients. He sat the bowls down on the coffee table and sat on the opposite side of the couch from you. “Sorry about the furniture accommodations. I will move a table and bed down here for you eventually. At some point you will share my bed but I felt like an adjustment period might be good for you first.” “Yeah, so I don’t murder you in your sleep,” you said dryly and without any hint of it being a joke. “Y-you don’t mean that, you’re just a bit cranky because you need some foo-” **CRASH** He was interrupted by you using your hand to smack the bowl of bisque right the fuck off the table and into the hard concrete wall, not unlike a cat that had taken offense to a cup on a table. “It’s… okay… I made more than enough. I know this has been hard on you.” All you did was blankly stare at him as he went and procured another bowl. It smelled great and you were well and truly hungry, but you refused to give in. If you made sure not to eat too much your body would not trigger a heat because it would take too much energy. You also just wanted to piss him off, maybe get him so pissed off that he either lets you go or at least makes some mistakes that you can exploit. When he handed you the second bowl he had gotten for you it immediately met the same fate as its predecessor. He stared at you for a long moment that seemed to span an eternity before he angrily grabbed his bowl of food and pulled you close to him by his arm. He pinched your nose closed so you had to open your mouth and then he shoved a spoonful of food into your mouth, then he held his hand over your mouth so you had to swallow. Reeves continued this a couple times until you got the memo and ate the rest of the bowl willingly. Well… you had wanted him to be pissed. Over the course of weeks you had to accept that you just had to eat what you were given, but by no means did you just give up on making life inconvenient for him. Every gift tossed, any furniture he brought down here destroyed, blankets shredded, anytime he scented something it would be immediately quarantined to the closet after its destruction. The only thing you kept was clothing you deemed acceptable and without his smell on it, you needed clothes but would not accept any with his pheromones. That could be misconstrued as you accepting courtship. You were perfectly content with denying him any ounce of love, affection, or friendship and you were right in the middle of giving a nice silent treatment when finally the proper nutrition and your omega nature convened to ruin everything. You were in heat. Heats were very strong on a normal day, but this was not a normal heat, this was the first heat in a very long time. You had prevented them for a long time in the black site and when you were in the navy of course you took prescribed suppressants. You hadn’t had one in years. Tremors shook your body, you couldn’t stand and your body temperature was heightened. They didn’t call it a heat for nothing. Your brain was addled, you were dizzy and almost delirious, you could barely remember why you were here. You tossed off the covers and stripped down to your slick soaked underwear. Reeves was awoken by an amazing scent and knew immediately what it was, your pheromones beckoning him even from his bedroom, his darling needed him desperately. The smell demanded he come immediately to you and comfort you and take care of you in every way imaginable. Reeves saw you there before him, writhing in carnal need and so small and helpless in front of him. The couch wouldn’t do, he needed a bigger and more familiar space, he took you up to his room where he had actually made and maintained a nest made of things that smelled of the both of you. Despite a vague notion in the back of your mind telling you to avoid him, scratch him, and leave this situation, your instincts and the powerful consequences of having denied yourself your natural cycle DEMANDED that you bury your nose into the scent gland of his neck. So strong, such a strong mate. Reeves was elated, his brain was very much fogged too with lust and instinct but he didn’t have it as badly as you did. He was very much aware that his darling mate was finally accepting and even actively seeking out comfort from him. The shark man peeled off your slick saturated underwear, sniffing at your hole, breathing in the heavenly aroma you made, before your cries of desperation and something inside of him told him to slide his tongue right inside. Finally you began to feel the smallest amount of relief. It wasn’t enough, you needed a knot. A nice big knot from a nice big alpha, and this one smelled strong. You grinded yourself into his probing tongue, whimpering for much more. After several minutes of this he decided that was enough of getting your flavor and he was now ready to properly breed and mark his sweet little brat. He took off his clothes, revealing his large well muscled pecs, lightly scarred from years of combat, and his large cock. The musk coming from it made you drool. He wasted no time ramming into you, as caught up in the moment as he was he had little concern for going slow or for any possible discomfort. Fortunately there was none, you were perfectly primed for his large prick. It slid in you perfectly hitting all the right spots inside of you, causing you to squeal with delight when he bottomed out, deep within you. He moaned himself when he felt your heat and how every movement you made, every shudder, squirm, and all that writhing, he could feel on his cock. He started slow at first, but that was not what either of you wanted and soon it turned into a messy slamming of you, making hot wet sounds as he battered your innards with his cock pistoning in and out. It did not take long at all for his knot to start to swell within you and then reach its full size, sealing the two of you together whether or not you would want it when post heat clarity hit you. You clung to him tightly as he bred you, nails clawing at the skin of his back, as if trying to pull him deeper inside you. He nuzzled into your neck, his nose swimming in your scent as he breathed it in, this is what he had wanted for so long and now he knew he would never regret his actions, everything had been worth it. Reeves licked your neck and bit down on your scent gland, sharp teeth buried into your neck, you whimpered at the sensation and he licked your neck comfortingly, holding you close as you both shared a powerful orgasm. You both panted from the intensity, the heat that was burning up your will power and clarity fading a bit, but not enough to be yourself again. Reeves knew on some level that when things went back to normal you would still resist him, and your convictions would not be so altered in subsequent heats now that you had one after so long, but this was a good start to everything finally falling into place. Your heat would last days and there would be a lot of breeding and a lot of bonding. His instinct to protect you would only get stronger and you would be a bit more susceptible to his pheromones and would naturally seek him out for comfort when in distress. He may have been part fish, but it was you who were caught in his net.

[soojinieshifts]

Hihihi I just wanted to ask how world tour work and if their stressful :33

Oooo ok this is a good one!

TOURS

So tours are usually planned a few months in advance, some companies will do a year or 2 in advance but it depends on like the success of your groups and how big your fanbase is. The planning is done by your staff, managers, etc.

Touring can be so much fun honestly because you get to go to so many beautiful places and see so many cool stuff, my favorite part is getting to show my members around my home country and the places I’ve grown up. It’s also fun to introduce them to my family, have them try our foods and so much more things. Not all companies however have all countries in mind it’s usually just the ones they think are popular or care about but I script our tour stops usually so I don’t really run into this problem like I did when I was a baby shifter.

Usually your company will let you guys pick your set list, but they also will do a lot of them based on popularity of the songs. Like usually you will preform all title tracks that you have released since those are most popular but you and your members will also be able to pick the bsides and other songs for set lists. If you’re planning on having a solo stage then a lot of planning and practice goes into this before tour, and during sound check every set will be run through in order to avoid any mistakes.

All this aside, touring can also be very tiring. Especially if you are having a comeback near the end or middle because then dates become more closer and immediate/less spaced out?? (If that makes sense😭) in order for you guys to have time to go back to Korea for the comeback, if you have schedules then you will have your show and depending on when the schedule is you will usually be flown immediately to wherever said schedules is. (By schedules I mean events for brands and other shit like that). Some companies will give maybe a week or 2?? Cool down period before going to the next leg of the tour (like Asia, North America, South America, etc.) Some groups like twice for example does a complete different performance for each place they are going to so this means twice is practicing more than usual. Overall the most tiring part was traveling around often, going to the airport early in the morning, and very late practices.

For my personal experience for every tour I went on, we would sleep at hotels with the members sometimes it would be solo rooms or roommates (it would be really fun with roommates ngl), Concert outfits were entirely chosen by stylists but for solo stages we usually get a say in what we get to choose. My favorite moment of the concert was realizing that I was finally there. Everything just came to me naturally , all the training, practices, everything paid off to this very moment. It can still be stressful and pressuring but also very fun! But this was all my experiences so it might not be the same as yours.

Things I recommend you script: Tour edition

- you go to more places for tours (if shifting to a group where they don’t go many places)

- you always have the best outfits

- your solo stage!! Trust me this part is so fun fr

- no one ever has a wardrobe malfunction on stage

- there are never any technical difficulties (mics not working, sound issues, etc.)