#they mean the world to me and I need to draw them more

[opashoo]

Discussions about interpretations and misinterpretations of the natural urges are always really compelling to me because I feel like the way a person interprets them tells a lot about how they view these things, or at the very least, the primary framing of these ideas that they were raised with. It's especially telling when someone compares the natural urges to sin or some other kind of moral failing.

Ascension is moving on and leaving the world behind, and in order to do that you have to be willing to leave the world behind. Existence is complicated and there's both good and bad in the world, but living within this world for all of the good in it means tacitly accepting the suffering that comes with that. Desire isn't evil; rather, it is in the most pragmatic sense something that keeps you bound to the world. You cannot wholly leave the world behind when you still want something from it, or else that desire will draw you back. These things, family, love, connection, emotion, desire, aren't evil, and under most circumstances, I'd consider them inevitabilities if not outright good reasons to live. Instead, they are simply things that keep one tethered to existence. As long as you allow the desire to keep you bound to the world, then you tacitly accept the suffering that comes with it. I don't think one has to deprive themself of these things to ascend, but you need to be willing to leave it behind when the time comes.

The Metropolis echo telling Arti to find a way out was not the echo wagging its finger at Arti and saying "You need to be a better, less sinful person or you won't make it into heaven". I'm sure there was a moral imperative involved too, but more practically, it was saying "If you give into your urges this final time, you will never be free of them; by doing this, you give up your chance of ever being free of this world." I think the Ancients drank bitter tea and ate gravel not because wanting things is inherently evil or "sinful" but because they wanted to distance themselves from those desires, to remove the want by removing the source of want. Self preservation is the final natural urge to shed because you cannot leave the world behind if you are still invested in continuing to exist within it and unwilling to face whatever comes after. All of these have practical ramifications for someone's connection to the cycle; as long as these desires control your actions, you will never be truly ready to leave this world behind because your want will hold you back.

I do think that a lot of the views on Rain World's lore, the natural urges, ascension, and specifically the comparisons to sin and suicide come from interpreting the game through and backlash to specifically Christian ways of thinking. When ascension is depicted as a better world after this one and the natural urges are barriers that prevent your entry, it's intuitive for someone coming from a Christian perspective to understand ascension as heaven and the natural urges as sin, but the problem is the additional baggage that that interpretation brings. That includes backlash against repressive Christian ideas that condemn things that people enjoy about living, and that in turn gets projected onto the Ancients and the idea of ascension. Why should someone have to deprive themselves of happiness for the uncertain promise of something better after death? Isn't it unfair that eternal happiness is gated behind needless suffering? Why is it morally wrong to enjoy life? When ascension is heaven, life after death, what else could ascension be but wilful suicide?

The thing is, you do not need to leave this world behind, you do not need to ascend. At the same time, the game frames it as desirable because it is freedom from the suffering of the cycle. Ascension is a kind of death, sure, but more specifically it is release from the cycle of rebirth and from the suffering of this world and it's something you take when you are ready. It's why the context of Survivor's original campaign serves as such an important baseline through which to interpret the game's themes. The first half of Survivor's campaign involves trying to find their family, but in the second half, Pebbles misinterprets Survivor's arrival as them searching for ascension. The game's difficulty speaks to the struggle of existence while the search for family is an impetus that compels Survivor to continue struggling. Many players believe that you only ascend because Pebbles tells you to, but in truth, ascension only becomes an option once you accept the idea that you may never find Survivor's family and allow both yourself and Survivor to move on. Otherwise, that desire, the natural urge for connection, the hope of finding family, keeps you bound to the game world.

But even once you've accepted that, there's nothing that forces you to ascend. You can spend as long as you want exploring and enjoying the world. Once you're ready to move on, you are free to do so at any time, but nothing forces you to ascend before you're ready. I think the reason ascension appears to be what each slugcat wants (For Survivor, the companionship of other slugcats; for Monk, to be reunited with Survivor; for Hunter, to be reunited with NSH) is because it is freedom from suffering, which can take all kinds of forms. But in the end, ascension is not a carrot on a stick, some ultimate reward, and the natural urges are not sin. There is the world, the struggle of the cycle—which includes both the good and bad—the desires that keep you bound to it, and leaving it all behind.

Diverging into more speculative territory, I think this understanding of the natural urges and ascension honestly creates more interesting implications about Ancients, their culture, and echoes. From Moon's own dialogue, echoes typically understood to come from people whose egos are too big, but I think in truth they are made when people ascend who aren't ready. In the game's files, echoes are referred to as "ghosts", and popular believe is that ghosts are formed when someone dies and some unresolved business or regret bind them to the living world. For the echoes, that is whatever it was they weren't willing to leave behind when they ascended. I believe that the reasons echoes are associated with ego is because those with the biggest egos, for reasons probably relating to status or self-importance, were more likely to ascend before they were ready. While the Shaded Citadel and Subterranean echoes definitely exude some great amount of ego, the Farm Arrays echo, A Bell, Eighteen Amber Beads, doesn't even know why they're trapped, but they have a fixation on the location and almost fondly recall the swaying of the worm grass.

"This is an official decree of cultivation sent from the twenty-second Subsistence Council ordering the eastern spoke Farm Array administration to "immediately harvest and process all viable crops, despite whatever misgivings they might have." A short-sighted endeavor for sure. I would assume this was sent sometime during the final cycles leading up to final public ascension, when interest in biosphere sustainability was at an all-time low." - White Pearl (Misc.)

It's a bit of a reach, but perhaps Eighteen Amber Beads was one of those with misgivings, who was yet unprepared for the days leading up to the final public ascensions. They don't read to me as someone whose ego was overinflated, but rather someone who tried or was made to ascend before they were ready to leave the world, more specifically the Farm Arrays, behind.

On the other side of the coin, it's not hard to imagine that ascension in general, but specifically the mass public ascensions, wasn't something universally popular or agreed upon. Rhinestones Beneath Shattered Glass, the Undergrowth echo who revels in the beauty of life wherever it blooms, reads as someone didn't even want to ascend in the first place, who still had business in this world before they could move on. I love Rhinestones' message personally, but a lot of people like to use them as a sort of "gotcha" against ascension, as if it's proof that the Ancients were wrong and you shouldn't want to ascend, and that the whole system is flawed for punishing someone's love for the world. I think that's a big misreading of Rhinestones' situation.

From Rhinestones, you can extrapolate all kinds of conflicts that may have arisen between the regular populous and people with influence, power, and access to legislation and the means to ascend. If anything, I think Rhinestones, like the Shaded Citadel echo, speaks more to complicated social or political pressures that could have caused someone to go through with the ascension ritual even if they themselves were uninterested or unprepared. Ascension is something Rhinestones was clearly uninterested in and they outright criticize the other Ancients for seeking it, so how did they end up going through the process and becoming an echo themselves?

Anyway, my point is that Rain World and its natural urges aren't about the good of asceticism vs the sins of desire, and to read it that way is a huge disservice to its themes, I think. The world is a complex, interconnected thing, and suffering is inherent to it. Ascension is part of a process that seeks to reduce suffering—which many would consider a good thing—but otherwise doesn't moralize. Instead there is simply the world and all the good and bad and people in it, the struggle of the cycle—which you can always help to alleviate—the desires that keep you bound, and leaving it all behind.

DEBUNKING COMMON RAIN WORLD MISINTERPRETATIONS

The target audience for this was for people who don't know too much about the game as well, so I'm going to explain things that a normal player might already know.

Rain World is known for how it simply throws you into the world with almost no tutorial, and is often praised for it.

But this lack of explanation if you do not go out of your way to find it has also lead to a lot of misinterpretations from those who did not read all the game’s available information, or misunderstood what they were being told. I used to watch some RW lore videos that would explain and summarize these things, and in the past I believed them.

I’ve since stopped doing that after having some time to actually process what I’ve been reading, and I’m here to say...

YOU ARE ALL WRONG ABOUT RAIN WORLD.

Ok, hyperbole. Not everyone believes these, and art can always be interpreted in different ways by different people, and I won’t stop you from having these beliefs. But also, there’s plenty of ingame content which completely disproves most of these unsubstantiated points from those who do not fully research the game before making videos about it.

Looking at you Tale Foundry…

The purpose of this is to pick apart some of the sadly far too common points I’ve heard many times before from Youtube videos, to Tumblr posts, to people I’ve spoken to on Discord.

Starting with my least favorite…

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“The 5 karma were seen as sinful”

Obvious westernization of a game based off fucking Buddhism aside, there’s no ingame text directly supporting this claim. There isn’t any that says otherwise, but we have good reason to believe this isn’t the case.

The 5 natural urges, as they’re sometimes called, were NATURAL. They were what bound you to the cycle. They never worsened your life or made you a terrible person should you keep following them, but an aspect of life on the same level as suffering or ecstasy.

Hey, I’ll break down the 5 karma and their meanings to show you that they're not just "sins"

I believe the natural urges have 2 different meanings: an animalistic one, and a more “human” one.

KARMA 1 This obviously represents violence, as you see one guy stabbing the other. I believe it also represents competition and intense emotions, For example: Artificer experiencing intense grief and lashing out in violence as a result. It was not the violence that started it, but her emotions. (Yes, its Downpour. But it’s a good point.)

KARMA 2

They’re having sex. They’re fucking. They’re- ok you get it. Karma 2 represents reproduction. But, I also believe it’s desire. Joyful bodily experiences, and such. The 2 figures seen here are in a much more playful pose than if they were simply doing this only to reproduce. No, they’re having fun.

KAMRA 3 Connection. Bonding with others. Yet also trade and personal belongings. Attachment to things that are not yourself.

KARMA 4 It’s mentioned ingame that this represents gluttony It’s overindulgence, you know. Similarly to karma 2, it can also be searching for fulfillment. I'm not particularly good at telling what the meaning of this could be.

KARMA 5 Self preservation. Self preservation can come in many forms, from an animal running away from a predator or somebody getting defensive after being accused of something or being threatened, this one is rather vague about its meaning.

I do this to show that the 5 urges have very NEUTRAL meanings. It being positive or negative is entire dependant on context. They’re not sinful, get out of here with that Catholic shit!

The 5 karmas have both positive, negative, and neutral contexts which they can fit into.

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“The ancients hated being alive”

The ancients simply hated the cycle itself and its unknowable properties, as well as being much more aware of things like karma and the urges. Rather, they valued being effortless to disconnect themselves from this cycle.

“This was an eternal dilemma to them - they were burdened by great ambition, yet deeply convinced that striving in itself was an unforgivable vice. They tried very hard to be effortless.” – Bright Green Pearl (DS)

Some practices did of course include things like starving yourself, but as mentioned by Moon, these methods proved to be mostly obsolete. Void Fluid fundamentally changed their culture from what we see. Rather, we do see the ancients enjoying life and valuing it in their own way, which is INCREDIBLY important to some of the games themes, but I’ll get into that later.

"[...]'In this vessel is the living memories of Seventeen Axes, Fifteen Spoked Wheel, of the House of Braids[…] Seventeen Axes, Fifteen Spoked Wheel nobly decided to ascend in the beginning of 1514.008, after graciously donating all (ALL!) earthly possessions to the local Iterator project (Unparalleled Innocence), and left these memories to be cherished by the carnal plane.The assorted memories and qualia include:Watching dust suspended in a ray of sun (Old age). Eating a very tasty meal (Young child). Defeating an opponent in a debate contest, and being applauded by fellow team members (Late childhood/Early adulthood).’...and the list goes on. I'm sorry, little creature, I won't read all of this - the list is six hundred and twenty items long.” – Deep Magenta (SH)

There’s quite a lot to pick apart here, I had to cut down some parts short, but even the cut parts have important details. Just not important enough for me to bring up here.

The Memory Crypts we see ingame are… well where memories are kept. The qualia (personalized experiences) is stored within these mutated fleshy neural organisms referred to as “cabinet beasts”. These of course, contain the “living memories” or qualia of those who have ascended. There are people smarter than me who have already covered these ideas of course, so I won't go TOO indepth.

The ancients greatly valued titles and achievements just as us. They still lived normal lives. As well as this, they valued personal experiences and memories of the carnal realm so much they built an entire citadel to store memories.

As we can see as well, Seventeen Axes has quite a lot of enjoyable memories from throughout their life. Eating nice food and winning a debate contest and getting validation from their peers? That sounds rather… complacent with the 3rd and 4th natural urges, doesn’t it?

I do not believe this screams “I hate being alive!” as much as people have made it out to be, and is honestly ruins part of the game’s messages of compassion and personalized experiences, especially in the game’s ending where Survivor dreams of home.

“You have no name. I once had! I was embalmed, adorned, readied for the journey. So proud. There was jubilation! My name was sung, loud and clear. Did they know? That I didn't quite leave, didn't quite stay? Should I be ashamed? That I linger here, where my memories are kept? Should I be ashamed that I now envy your flesh prison?” - Four Needles under Plentiful Leaves

This is leaning into personal theory territory, but...

I personally believe that the ancients were somewhat terrified of the unpredictability of the cycle and the fact that life would always have more suffering in it.

RW’s religion is heavily based off Buddhism. This is well known of course. The Cycle is a variation of Samsara. Now, I’m not Buddhist, and I’ve tried to do my research about some of these topics. Feel free to correct me, I’m simply going off what I know. (Also I'd love to hear what you have to say regarding your thoughts on the game!)

In Buddhism, each new life you could be taken into the body of an animal, or even end up being tortured in hell for a very, very, VERY long time if you made the wrong decisions, which made escaping it as soon as you could seem like a rather reasonable thing to do.

The ancients never fully grasped the scope of the cycle, and the prospects of having your soul wake up in the body of some miserable worm with no memory of your past or any ideas of your future might’ve seemed bleak.

Suffering is inevitable. But that doesn’t mean they hated being alive, like I said before.

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“Rain World is post-apocalyptic.”

It really isn’t. There was never any apocalypse. The ancients simply left on their own accord, leaving behind their mark on the world that will slowly be buried once again in the ever so present cycle.

“The bones of forgotten civilizations, heaped like so many sticks.” - Two Sprouts, Twelve Brackets

The world is thriving, even. The purposed organisms left behind have evolved and taken over and become it’s own ecosystem.

The iterators are dying though. Dying very slowly, but soon they’ll all decay and everything will move on.

It’s all just another manifestation of the cycle.

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“The creatures in Rain World cannot die”

This is definitely something I hear from people who haven’t played much of the game and only hear about it from outside sources and watch the gameplay.

Yes, it is easy to believe this. As slugcat, when you die, you wake back up again. This is entirely a gameplay thing and not actually related to the lore. Saying this might seem like I'm avoiding the question at hand here, but the rules that apply to you do not seem to apply to other creatures.

Every creature in the game has a 4 integer ID (it can go higher, but not in a standard playthrough).

This makes every creature you see an individual of sorts with its own randomized values or appearance.

As well as this, creatures spawn from specific marked dens. When you kill a creature that spawns from a certain den, the next cycle, that creature’s ID will never appear again. Instead, the den spawn is replaced by a creature of the same species with a different ID, or a new species entirely.

Through gameplay, you see that the respawn rules that apply to you do not apply to other creatures. I’ve heard many points about how these dead creatures are transported to another alternate universe where they are alive, but I really do not want to delve into that theory. You do that yourself.

Excuse my unprofessional language, but this is kind of stupid. Billions and billions of little timeline splits accounting for every single insect and microbe that dies seems far too complex of a solution. Occam's Razor and all that.

With this gameplay element you see, I also want to give LORE explanations as to why this is incredibly stupid.

1) If death had no impact, the 5 natural urges would not matter

If no creatures died, there would be no point in eating (karma 4), competing with other species (karma 1), or any form of self preservation (karma 5). Reproduction (karma 2) has no role and there would be absolutely no reason to do anything any longer. All natural processes would be useless.

2) Light Blue Pearl

The information received from the cycle is most likely from the Light Blue Pearl, found in Outskirts.

“[...]The repeating mantra is important because it symbolizes the cyclical nature of life and death, and the termination verse is a symbol for ascension above and beyond it. I don't know how familiar you are with the nature of life and death, but I imagine like all living creatures you have some intuitive knowledge? Then you know that death isn't the end - birth and death are connected to each other like a ring, or some say a spiral. Some say a spiral that in turn forms a ring. Some ramble in agonizing longevity. But the basis is agreed upon: like sleep like death, you wake up again - whether you want to or not. This is true for all living things, but some actually break the cycle. That doesn't apply to you or me though, you are too entangled in your animal struggles, and for me not breaking that cycle is an integral part of the design. Our mantras keep repeating.”

“Then you know that death isn't the end - birth and death are connected to each other like a ring, or some say a spiral. Some say a spiral that in turn forms a ring.“

This line is very misunderstood. Moon specifically mentions birth and death. She mentions death. She never brings up the notion that nothing truly dies either.

As well as this, Moon says that “some say”, implying that even the ancients weren’t sure what the cycle was either. This is more important to my point regarding how the unfathomable nature of the cycle was why the Ancients were so averse to it from above, though.

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“Sliver of Straw found the solution.”/"There is/isn't solution"

No she didn’t.

.

.

Ok fine I’ll explain.

If you’ve played Rain World you know that the purpose of the iterators is to find the solution to the “Great Problem”, the problem of how to ascend ALL living creatures.

You’ll also know Sliver sent out the Triple Affirmative…

“[...]affirmative that a solution has been found, affirmative that the solution is portable, and affirmative that a technical implementation is possible and generally applicable. She's also one of few that has ever been confirmed as exhaustively incapacitated, or dead. We do not die easily.[…]” - Pale Yellow (SL)

After sending out this affirmative, the iterators became conflicted. They never could figure out if she really ascended and had found the solution, or if it was some sort of catastrophic error.

The answer to the Great Problem is clearly intended to be as obscured as possible. There cannot be an answer one way or the other. The themes of it and the endless tolling of the iterators would not be as impactful if we knew there was or wasn’t a solution.

“[...]Either way, after that these different factions developed, as well as a huge forensic effort to recreate and simulate Sliver of Straw's last moments. Some of the simulations were wrapped in a simulation wrapped in a simulation, in case something dangerous might happen. Nothing much has come from it.[…]“ - Pale Yellow (SL)

Here’s my favorite way of explaining what I mean…

Imagine Schrodinger's Cat, the famous thought experiment. There’s a 50/50 chance that when you open the box, you either find the Solution, or find out there is No Solution.

Except you cannot open the box. And the box is entirely theoretical and nobody’s seen it. It seems impossible, but maybe one day you’ll find that box. That’s what the Great Problem is.

Sliver apparently having found the solution would have completely broken everything. Five Pebbles wouldn’t have ended up hurting himself and Moon had Sliver finding the solution been known with certainty. He was taking a shot in the dark.

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“Ascension is akin to suicide.”

I strongly believe this point harms the role that ascension and the void sea play in Rain World’s narrative. Ascension is meant to be a final destination, a goal you build up to and prepare for when you’ve lived every bit of life you possible could, and can now move on.

Bringing up the Memory Crypt pearl from earlier, Seventeen Axes lived an incredibly fulfilling life from what we see, and ascended happily.

As well as this, Buddhism strongly encourages those who wish to liberate themselves to discover their own path, which is also subtly shown through the gameplay, as there are many many routes you can take to Five Pebbles, Looks To The Moon, and The Depths.

I do also think this is why Five Pebbles failed. He tried to brute force his way to ascension.

Suicide implies that ascension is only meant to be a fruitless escape and that it’s wrong to ascend. I… do not want to go into why suicide is bad. It’s a strong topic and I’m just here to talk about video games. But ascension is a neutral thing that you can choose to do or not do and to wait until you’re ready.

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Conclusion...

I really only have the time to cover these 6 misconceptions, and I believe it should be enough. There have been many others I’ve seen, such as the ancients being malicious or that there weren’t any civilizations before them, but there’s not as much to say about them, and they aren’t as common.

Rain World is a very confusing game. I’m not upset at people who think these things to be true, and I do not believe they’re stupid or don’t have any media literacy. I just wish that the people who did actually cover this game did some more looking into it, and actually discussing it with Rain World fans.

Also I should say, that during this entire discussion I have avoided talking about Downpour- RW’s DLC- as it’s more of a official fanmade project. And so much of what it says may not be entirely in line with Vanilla. Because my life isn’t easy and of course there has to be an incredibly divisive and confusing thing like this that I need to avoid bringing up so that way the conversation isn’t muddled.

Thanks if you managed to make it through all this by the way

[purinfelix]

hiii, i love your writing so freaking much, can i please ask for a Franco fic inspired on Gold rush by taylor swift? he just literally gave me that vibe and I NEED to read something like that, please and thank you <3

everybody wants you ‧₊˚✩ - franco colapinto

summary: when your best friend since birth finally joins you in formula one, it's safe to say that you're excited - though when it becomes apparent that he's the more favoured one, you start to doubt things, including your feelings w/c: 2.8k

a/n: oh anon i love this idea but also this was my first time listening to this song so i hope i interpreted it the way you hoped and did it service !!! <333

You hated how cliche it was. 

The two of you were childhood best friends, together for as long as you could remember. You always credited yourself for getting into karting first and Franco, always eager to stay by your side, followed suit. The track only gave the two of you another domain to be inseparable in, with every race ending with both of you on the podium - and it never mattered who was first, only that you were both there, together. 

There was an unspoken understanding in your hometown that the two of you were never to be separated, which you initially revelled in, but the older you got the more you felt yourself developing a feeling towards your friend you couldn’t quite explain. Somewhere in the realm of jealousy, just beyond admiration and reaching just short of a childhood crush.

It came in waves, flowing whenever you were reminded of just how different the two of you were, and how inadequate you felt next to him - with his charismatic personality and curly brown hair that always fell perfectly into place, always drawing more and more people towards him. The more time you spent with him, the more you found yourself wondering why he had chosen you of all people to stick so close by, even if he never gave you a reason to doubt it. 

And so when you decided to move away to pursue racing, it wasn’t shocking that Franco would too. The two of you set off, after many tearful goodbyes to your friends and family back home, to brace the world, hand in hand. 

You stayed racing for the same teams, always getting promoted or signed at the exact same time - almost as if the universe had heard the same unspoken understanding of your town, and knew that you worked best together. And whilst it helped to see each other during practices, debriefs, and even wearing the same uniforms, it was far from the only thing that kept your friendship strong. 

Away from almost everything else the two of you knew, you clung to each other tightly and came to know absolutely everything about each other through it. Hushed midnight conversations, early morning snack runs, and even visiting landmarks as you grew and travelled countries - all the while with Franco by your side. 

Strangely enough, it never did occur to you to see the boy beside you as more than just a friend - no matter how much the other girls you befriended seemed to think otherwise. Whenever they would sneakily whisper to you, asking whether you were sure the two of you were just friends you would always roll your eyes shooting back something along the lines of Ew? Franco? No, we’ve known each other forever - which typically made them happy to pursue him themselves, even if they strangely never succeeded. 

All this came to a screeching halt in the summer of your second year in Formula Two, however, when you were met with a contract deal from Alpine Racing. A racing seat for one. 

“You’re taking it right?” his voice is excited as the two of you sit in the stuffy hostel room you’re sharing with about eight other strangers, all too broke or cheap to pay for anything better. Franco was the first you had told, before your coach, before your family, before anyone. 

“I don’t know Franco, I mean-“ 

“What? Why wouldn’t you?” 

You chew your bottom lip as you fiddle with the bedsheet below you, not able to look him in the eye. “It means we won’t get to race together you know,” you sigh. 

“Well you don’t know that, maybe you race alone for a year but once I make it into F1 we’ll be side by side again! Plus you’re stupid if you think I won’t be visiting every one of your races anyway.” 

You watch his green eyes scan your expression, searching for a clue to how you’re feeling. 

“It’s just a big step, I don’t know if I’m ready for it.” 

“I think you’re more than ready,” he insists, though you don’t feel convinced. 

When you finally speak again your voice is tiny, “I’m scared, Franco.” 

In that moment, he gives you a sympathetic look before pulling you into a tight hug and even though neither of you spoke about it again that night, you knew exactly what it meant - I know you’re scared, but I’m here for you. 

And you aren’t ashamed of the fact that it was his reaction alone that pushed you to make the decision to take up the deal, and you couldn’t have been happier that you did. At least, that’s how you felt for the initial months of your contract which was filled with cocktail parties, race suit fittings and media interviews. And despite what you had expected, and as selfish as it might’ve been, having Franco not by your side for once felt like a breath of fresh air you hadn’t known you needed - it filled you with a lone sense of pride, having ‘made it’ without someone being right there for you to be compared to. 

It was perhaps this sense of pride that helped you manage to score points on your debut. You still remember running up to where Franco was waiting for you in the garage, the biggest smile on both of your faces as you jumped into his arms - and it felt, just for a moment, like this euphoria might’ve been what you had spent your whole life waiting for. 

But perhaps you had spoken too soon, since your progress saw a steep decline causing you to lose not only the chances to score points and impress your team, but also the confidence you had spent so long working on. 

And one night, just when it seemed like you were at your lowest, after a weekend full of DNFs and near-crashes - the most unexpected thing happened. A singular text from Franco, halfway across the world, excitedly explaining how he was going to be filling a position in Formula One, in a different team to you. 

There wasn’t a single word to describe the millions of emotions you felt rushing through you in that moment. For one, surprise at the mid-season switch as well as a certain sort of selfish disappointment that you would no longer be the only one in the highest form of the sport you both loved. But above all else, a thrumming excitement about being with your best friend once more - to see him at the paddock, catch up with him during sessions and not have to trek all the way into grandstands just to see his face. 

It didn’t take you long to realise though, that you were far from the only one who felt this way. It was almost like the moment Franco stepped foot on the paddock, donning the blue of Williams for his first race weekend, the world fell in love with him. Online, conversations about him blew up to the point where you couldn’t go moments without being bombarded by clips of his interviews or edits of him. It was strange, one part of you felt proud that the world was finally waking up to the treasure that was your best friend, but another felt the strong urge to hide him away, for him to be all yours. 

A small part of you had expected this, having known Franco and his personality since before you could put it into words - but what you hadn't expected was for him to also back it up with amazing performances. Now, it was him who was scoring points and impressing everyone - and you who was left to do little more other than celebrate with him, for your own results paled in comparison. And once news got out about you being childhood friends, through a couple of grainy leaked photos of the two of you smiling proudly in your tiny karts, the comparisons started up again. 

It was like salt in the wound, agonisingly so - seeing your best friend adored him doing well in the sport you got into first, while you were left to, weekend after weekend, fail to make it into points range. And to make matters worse, the media frenzy that cropped up around Franco did little other than make you come to a realisation you might've spent your whole life running from - that you were jealous, not of Franco, but of those who loved him. That maybe your desire to constantly stick by his side was more than just a childish habit, and that your jealousy of his achievements was just a reminder that you’d never be more than just a friend, one that was always a little behind, a little worse. 

Despite your best efforts, the two of you began to drift apart, each achievement he got driving a deeper and deeper wedge between you. It hurt a lot, race weekends beginning to bleed into each other - a plain blur of failed races, celebrations from other teams, and Franco's adoring fans.

It all seemed to come to a head one weekend, a minor crash in an earlier lap winding you up in the Alpine garage - sweaty, irritated and extremely exhausted. Yet you continued to watch the race, not so much for anyone else, but more so that you could keep a close eye on the blurry blue car, and its driver.

And before you knew it you were watching it cross the finish line in third, Franco’s first podium - right in front of your eyes. 

You weren’t sure why, but your first instinct was to hastily get up from the fold-out chair you were sitting on and rush away to your driver's room, like a child throwing an immature tantrum. You knew Franco well enough to know he’d come looking for you but knew yourself enough just as well to know you couldn’t face him right now. With everything that had been going on, with the constant stream of less-than-kind comments you were getting online and the extreme dip in your performance, the last thing you wanted was to be reminded of your inadequacy. It was extremely selfish, sure, but you convinced yourself that you were actually doing Franco a favour since you knew your acting skills were too poor to convincingly put on a show as he celebrated right in front of you. You always had been a faster runner than him, at least, that’s what years of playground tag had told you. 

But it had been a while since then and before you could make it to your room you heard an all-too-familiar voice call from behind you. 

“Hey!” 

“Not now Franco,” you huff, so close to the door of your room that you’ve got one hand on its handle already. 

“What? C’mon, I just got a podium and that’s all you have to say?” You pause at the handle, the hurt tone in his voice pulling at your heartstrings. 

“Yeah, I saw, good job but I just can’t right now.” 

“Can’t what? You’re joking, right?” His voice rises in volume a little, and he sounds in disbelief - you’re glad the garages are mostly empty so that no one can see the scene he’s making. 

“No, I’m not,” you shoot back firmly. You’re still facing away from him, arm hanging limp from the door handle - you can’t remember the last time you felt this defeated, this tired. 

“Seriously, what is going on with you lately? It’s like, you were so excited for us to race together but now we barely talk even though we see each other every day.” 

“Franco,” you say, quietly. 

“We’ve known each other forever but this feels like the first time where I truly have no clue what is going on in your head, why don’t you ever talk to me anymore? You don’t think I don’t notice you avoiding me?” 

“Franco, please.” You feel tears pricking up at the corners of your eyes, and it doesn’t help how accusatory he sounds. 

“Please, what?” 

“Please, just go celebrate.” 

“No! If you think I’m just going to leave now without you, you’re seriously ridiculous. I mean, this is what we always dreamed of, isn’t it?” 

At that, you turn around to face him - looking him in the eyes for the first time in what feels like months. You watch his brows unfurrow immediately as his expression softens at the sight of you, tears welling up in your eyes which are surrounded by dark circles, marks left from your many sleepless nights. It’s clear that he notices how small you look as well as you hunch into yourself, barely having the energy to stand up straight. 

“Woah, hey,” he says, his tone gentle now. 

“Don’t do this Franco, don’t talk to me like we’re still children,” you say, instinctively defensive. 

“Aren’t we?” 

You let out a laugh, soft yet cruel as you struggle to hold in your tears, “Everything’s different now, isn’t it? When was the last time we were on a podium together or even spoke face to face like this.” 

“What are you even saying?” You feel a pang of pain in your heart at the look in his eyes, a little anger mixed with disbelief. 

“I’m saying, that maybe being friends isn’t going to work if we’re racing against each other anymore. Have you seen the way I get compared to you relentlessly? Everyone loves you, everyone wants you, and I’m just, there! Do you have any idea what that’s like? To have no one backing you?”  

“You’re my best friend, I’m right here, backing you!” 

“Franco,” you say, just above a whisper. 

There’s a moment of silence, and you can see Franco working up the courage to say something, his hands fiddling with the fireproof mask he’s been holding this whole time. You feel a couple of tears finally make their way down your cheeks and you do your best to wipe them away, eager to not embarrass yourself in front of him anymore. 

“I love you.” He finally says. 

“Don’t say that, please, don’t say that.” You’re about to turn away, ready to just shut yourself in your room. 

“No, like, I love you.” You hear him take a couple steps closer to you, to the point where he’s right behind you. 

“You don’t mean that,” you sigh. 

“I do,” he says, barely above a whisper, “I have, for years.” 

You pause, silently turning around to face him, and it feels like the breath has been knocked out of you. He looks at you, nervously waiting for a response though trying to put on a face that tells you how serious he is about what he’s just said. 

“And I know that you probably don’t feel the same but I need you to know this because I can’t keep going on like this, barely seeing or talking to you and-” he begins to ramble, and all you do is let out a relieved sigh as you lean forward to rest your head on his chest in silence. However, it’s clear this confuses him as he stops talking immediately. 

“I love you too, Franco.” 

“Wh- really?” 

“Yes,” you say, the smile audible in your voice. 

“Like, seriously?” 

“As serious as a heart attack.” You lean back against the door with a smile of relief, or as much a smile as you can muster up figuring that you feel like you’re about to collapse right there and then. 

“I’d kiss you but,” he gestures to his face and hair which is drenched in sweat. 

“Oh shut up and come here,” you say quietly, looping your arms around his neck as you pull him close to you. When your lips meet his arms wrap around your waist as he pushes you up against the door of your room, and even though you couldn’t care less, you’re once again glad there’s no one here to see the two of you. No cameras, no fans, no other drivers - just the two of you, and the years of history between you. 

When you part, his face is flushed as he offers you a shy smile, his arms still around your waist. “You have no idea how long I’ve waited to hear you say that.” 

“I could say the same for you.” 

“So, what now?” he asks. 

“You go celebrate your first podium,” you reply excitedly. 

“We,” he corrects, finally unlooping his arms to take you by the hand and lead you out of the garage - and whilst your beaming smiles might’ve seemed to many the results of his podium, the two of you knew they were part of something much, much bigger. 

taglist: @spreadyourwings-my-smiling-angel @alelo23 @scill-a @multifan-idk @presleycaudle

[oakskull]

I wanna see your pony moshang 🥺🤲

ask and you shall receive!!

my drawings do come with worldbuilding rambling, terribly sorry (not sorry at all)

Side note: "windigos" are creatures in My Little Pony: Friendship is Magic (FiM) and I am using them here, but I am changing the name to frost spirits and changing some of their behavior, they look the same.

Design Notes:

SQH has ink stains on his mouth because non magic users write like that. He was a unicorn pre-transmigration and mourns his loss of unicorn magic and technology regularly. The world he transmigrated from is like the far future of FiM, with modern technology and the internet. (not the latest gen, I honestly remember jackshit about the lore in that movie...)

I've seen Earth pony SQH and I get the appeal. But here me out: Pony maigu ridge needs Qinghua to fly! And he's literally a flight risk!

His cutie mark is a brush and a paper airplane, because its his pen name (get it?). PIDW (mlp ver) has a level of technology more similar to SVSSS, but instead of flying swords there's trains. Im taking away xianxia flying swords and giving you trains. Ponies on swords just look too silly! they'd be unstable! (not that this whole AU isnt very silly >w<)

The Northern Kingdom in this au would be the Crystal Empire equivalent, except there is no crystal heart. The Northern desert is kept in a perpetual blizzard by the frost spirits (there is a barrier against storms around the capital created by the northern kings, redone as part of the ascension ritual but otherwise free standing) Instead of love and light protecting the kingdom, the crystal ponies use the power of incredible violence to keep the umbrums at bay.

Additionally, the crystal ponies of PIDW (mlp ver) are physically stronger, have higher base levels of magic, and are generally more cold resistant, due to living near the frost spirits for so long. They are still flesh creatures; the crystal skin is more of a replacement for their coat rather than the skin itself. Crystal ponies are also hypercarnivores, whilst regular ponies are omnivores (this isn't FiM also the horses are magic. they have basically human diets)

I also couldn't decide on a coat color for MBJ so there's two versions. I'm leaning towards the white fur for contrast reasons. And yes, I Did forget to render the crystal part of crystal pony on MBJ, thank you for noticing (lmao)

MBJ's cutiemark is the flag for the crystal empire, because he's part crystal pony, he still has a cutiemark, but all direct descendants have the same cutie mark after they absorb their ancestors power. Before this, they do not have cutiemarks, and gaining a different cutiemark means the frost spirits didn't acknowledge them as a potential decendant, and they can no longer become king.

Pre-Asension Mobei-Jun:

In PIDW (mlp ver) MBJ is a crystal pony decendant of the frost spirits which keep the Northern Desert perpetually cold. They gave the first northern king their power in the war against the umbrums (the things that made King Sombra in FiM). There's no friendship fire to chase away the frost spirits because this is PIDW (mlp ver) it's a stallion novel (pun intended); Instead, the frost spirits are sated by the constant war. There was an umbrum unicorn created to infiltrate the Crystal Empire like in FiM but they just became a regular pony instead of trying to take over and basically just created a new clan of ponies with shadow powers. MBJ's mother was part of this clan, and the abyssal shadow pony ancestry cobined with his frost spirit ancenstry gives him the ability to shadow step/ teleport through the shadows.

MBJ didn't get his pretty hair until he absorbed his ansestors power, which works similar to SVSSS canon. The previous northern kings die and pass on their power to the next generation because they are technically still frost spirits, and not really alive in the same way that regular ponies are.

SQH in an MLP style coat:

Ponies in FiM don't really... wear pants, even when it's cold. In Airplane's world they definately wore pants, and SQH will never go back (like the opposite of SVSSS LOL). In PIDW (mlp ver) ponies don't wear pants for bad porn reasons, Airplane justifies this by pulling the history card (peerless cucumber is not impressed)

Also! you can see SQH's mane better because its profile view, he's not a crystal pony, but he wheres the crystal pony hair bands as an homage to a bun without me actually having to give him one. Because ponies have ears on their head it always feels to me that a bun takes up too much visual space, thus, fancy hair bands.

Moshang flirting:

SQH can dish out flattery all day but he absolutely does Not know what to do when MBJ returns the favour (lol)

Alicorn Shang Qinghua:

In PIDW (mlp ver) I like to imagine that Airplane cut out alicorns because acending through nice things like friendship and love did not fit the vibe. Alicorns were instead like, the old gods who controled elemental stuff, like Celestia and Luna (renamed in PIDW (mlp ver)). Ponies don't control the weather or sun and moon and have less inate magic (earth pony magic, pegasus magic, and unicorn magic), instead, all the alicorns dispersed into spiritual energy that controls the elements and weather and stuff. Ponies cultivate this spiritual energy to gain a golden core of their inate energy, and eventually immortality, but they don't get the trappings of an alicorn.

So, like there aren't really any gods in SVSSS, there aren't any (living) alicorns in PIDW (mlp ver) they're more like myths than anything, and reside in the heavenly realm. I won't be getting into this AUs binghe/ heavenly demon equivalent because this is a moshang post, but Heavenly Demons are changling royalty, which have their FiM powerset on steroids and are sort of corrupted alicorns.

So alicorn SQH is bascially this AUs equivalent of God!SQH. It's not nessisarily canon to the AU but this mostly exists for me and I really like God!SQH so it basically is. Schrödinger's canon.

("Small Matters" style is a reference to the series by Coffeetailor on Ao3)

[m1nts]

They deserve each other

[tzarrz]

i listen to fog lake too much

[xxplastic-cubexx]

you open my Super Important Documents and its just pictures of charles xavier

[rataticaisdreaming]

pureberry heals my soul and heart 💛🩷

thank you pureberry, thank you 🥺💛🩷 here's to all the 3 people who love these two! 🫶

[arolesbianism]

Welcome to the “they’re just like me fr (derogatory)” club featuring no color because I would rather die than draw Sif with color

[sincerealev]

OHMG HI I love your deh fanart please feed me with some headcanons for my five bbs 😔🙏🙏

Hello!! Thank you so much, that means a lot <3 /gen

I've made some posts already with hcs of the sillies, you can find them here:

Evan hcs

Connor and Zoe hcs

Jared and Alana hcs

So, HERE'S MORE HEADCANONS THEN 😼😼

(ty to my awesome gf for helping me think of hcs cuz my mind was almost blank at the moment of writing this 😭🫶)

Connor helps Evan study for math tests, and Ev helps him with literature assignments in return <3

Evan constantly "steals" his boyf's clothes, and jokingly claims that there’s “an imaginary contract between them” that states that, the moment they started dating, Connor's clothes also became his

They enjoy watching horror movies together <33 (Connor got him more into horror movies). They'll have sleepovers a lot, and have horror movie marathons past midnight

"Hey, Ev... What if we watched [horror movie] and kissed during the scary parts? 🖤"

Their favorite horror movie to watch together is Scream (1996)

Alana and Evan are besties 🫶 Like, very close friends

Sometimes they'll have sleepovers, and Alana will tell him gossip about the school (which she's got a ton of). Even of people Evan doesn't know of, but he eats it all up 😭. But they'll also gossip about their crushes/partners,,

(before Evan and Connor started dating) Alana would sometimes give Connor advice to ask Evan out and stuff

And Zoe would give Evan advice on how to talk to and ask out Connor

Alana and Evan are library buddies, and during college they both got jobs at a Barnes And Noble

Zoe and Jared are one chaotic duo. They'll text and facetime a lot, sending each other memes, and also will plot different pranks to pull on their friends lol

All five have pets:

Evan has his golden retriever, Aspen, which I've talked about before 🫶, Connor has a white ragdoll cat, Winter, which I've also talked about... Alana has a bunny named Cocoa, Zoe has a ball python named after a Greek god (I always forget which one), and Jared has a tortoise named Sheldon (of course (also Sheldon turned out to be a girl lol) )

(more under the cut cuz this post is getting long)

Zoe and Jared will put their pets up against each other and have them race

Jared for some reason can do a near perfect Mickey Mouse impression 😭 And he likes using it all the time around his friends. For example...

Con: (after Jared said something that annoyed Connor) Kys.

Jar: [Mickey Mouse impression] Ohoh!! That wasn't very nice, pal! ☝️🐭

Zoe is also guilty of stealing clothes... She's stolen some of Jared's graphic tees, and is yet to return them 💔

The whole gang loves going to Alana's house, because the energy there is just perfect: All cozy, and feels like home. Alana's grandma is very fond of them all too <33 And will give them all delicious food and deserts when they go visit

Murphy twins headcanons!!! Zoe will sometimes read through Connor's diary, which he doesn't know...

The twins will pull pranks on each other a lot (their parents are already used to this)

One time, Connor put fake spiders in Zoe's bed while she was sleeping. That next morning wasn't very pleasant

Connor and Zoe will ALSO constantly steal from each other's closets; Lucky for them, they're very close in size

They love going to the mall together and being goofballs

On family road trips, the twins will always argue over who gets to control the music

Though they won't admit it to anyone or each other, everyone around them can tell they get along very well and love each other <3

Oh yeah... I don't remember if I've said this one before, but they also argue a lot over who was born first (they're both convinced it was themselves), but their parents have never told them because that'd just be fueling the fire more lol

Now for Evan and Zoe... They give each other music recommendations

Zoe will recommend music from Feeltwood Mac or TV Girl, and Evan will recommend Radiohead songs

Zoe treats Evan as if he was her own brother (where Zoe is the older sibling, obviously 🙄 (Evan is literally older))

Zoe will never grasp the concept of Evan and Connor being together. How can such a nice and polite guy like Evan be with such a mean old ogre like.. her BROTHER?? 😞

Since Evan is close with Alana, Zoe’s gayass will ask certain questions,, such as, “What’s Alana’s favorite candy?”

Jared and Evan hcs: Jared honestly considers himself to be part of Evan's family. They have a cousin type of relationship, and Jared honestly looks up to him (He’d never admit that)

They play video games at Jared’s house, and one of their favorite games to play is Cuphead (you know who is who. Evan's also VERY bad at that game, but he still enjoys playing)

There will be moments where they both geek out over something they both enjoy, like a new comic book series releasing or something

Evan will always be the first person Jared goes to for advice

From when they were younger, Jared had stolen multiple of Evan’s toys and to this day is YET to return them (they both forgot, obviously)

And finally, some more Treebros hcs to finish off:

Evan is often Connor’s “muse”, when he draws or paints (he's got MULTIPLE drawings of Evan, and when Connor shows them to him he gets very shy <3 But Evan is always VERY impressed)

Sometimes they go on late night drives and will park in empty parking lots,, and then kiss <3

Connor has convinced Evan to try shotgunning with him, and it was definitely an experience 🦋

Evan is obsessed with doing his boyfriend’s hair and styling it, he'll do ponytails or even braids

[donaviolet]

HAD TO draw my lil oc guy as the New Normal Album Cover (as much as he doesn't look normal in the slightest this whole album is literally him, trust me)

I am extremely normal about both of these men and I definitively do not listen to Will Wood every single day of my life

[triglycercule]

i love doodling swapinverse like hello drawing characters aside from the normal mtt is lowkey therapeutic 🧡🧡🧡 anyways i FINALLY FINALLY finished crash's lore!!!! and vice.SER is connected to him,,,, theyre interconnected!!! i forgot how much i liked crash's design (not the design but all the little gimmicks in the design. figuring out all the hanging ribbon bits is annoying but hey it looks good)

[spacespore]

HI TUMBLRR it’s me

[aria0fgold]

The Flowerheart!

(purposely didn't colour in Feli's tie and Hal's glove, it's like they're subtly trying to match :3 while also seemingly missing a piece of one another). Honestly though, in regards to Hal's sexuality, he's like that one tweet: "I'm probably nonbinary but I have a job so idrc bout that rn." He's definitely queer, but he's too busy with getting in danger his job to even bother with that so he just gets the queer label!

Neither of them confessing orz... They love each other so much yet neither of them are confessing... Hal being overprotective of Feli but in a way where it isn't even all that known by anyone but Feli and her the people really close to them. Hal doing his job is half-wanting to keep their city safe and half-wanting to keep Feli from any harm. He aint letting anyone hurt her that's for sure.

Relationship chart is made by @bengallemon !

[chitinleg]

so if someone was theoretically going to write a fic based off of the tags on that one very excellent garashir artwork you did... what would be a suitable villain role and/or scheme for garak to play? i know basically nothing about spy media and even less about james bond. i googled "most homoerotic james bond villain" and that was interesting but not helpful for this scenario... idk i want to really do this justice so i figured i could ask, since you came up with the idea in the first place and i guess that means this is a gift for you? and everyone else who liked that piece? thank you for your time :)

this is SUCH a charming question to receive!!! it's an honor that my art might inspire others to create! that said, here is my advice: i think you should follow your heart, mainly! i say this to everyone about everything but its very true, with writing especially, i think, you might want to write things that are especially interesting to you so that its exciting to keep going with them

personally, i don't watch a lot of spy media, i disliked james bond as a kid and i still dislike him now, so the character archetypes and plots from that wouldn't interest me enough to write a fanfic off of—i could read ds9 fic based off of them easily bc i love the ds9 characters!!! but. i couldn't write like that. therefore, i can't give you useful answers from that canon. i can give you this, but i don't know if it will be helpful: i think i would first start with the question—what about garak excites you? what puts you on the edge of your seat with him? what about julian—what actions do you like to see him take? what decisions of his make you giddy? how do you like to dig into his character? how do you like to dig into garak's? if you write down the answers to your question, it becomes the puzzle of how you can get everything you want out of the fic. the beautiful thing about the holosuite is that anything can happen at all, and while you're telling a spy story, it doesn't have to all be spy tropes. you could, if you wanted, play out a shakespeare play (your favorite shakespeare play, assuming you don't hate them all) as if it were a spy thriller! Sure, what's Twelfth Night as a spy thriller? We already have many characters playing with the fluidity of identity, going by different names, taking on different roles, gaining trust and acting on their own best interests. Just raise the stakes a little. is this insane? i feel insane. is it worth anything? i hope so. my ending point is: i am not so good at writing advice! i'm a much better drawer than a worder, but it's a gift already that you've said my art has motivated your desire to create!!!!!!!!! from there on—don't worry about what i want at all, don't worry about doing my work justice!!! take what excites you about the idea, take what excites you from your own ideas, and build it into something that makes you giddy to work on!!! i believe in you, and you have the world at your fingertips!!!!!!

[vanibear]

skitters around like a beast. Hii ❤️ok im going 2 go ramble in the tags now👍

[xisanamii]

yosen's double-ace is good at making brown-haired people under 182cm a little flustered

(also thanks rabbit's sexy big humongous galaxy brain for giving birth to murasaku. i haven't been the same since then.)