#they know he’s silly goofy but Nothing Canon

[krash-and-co]

Wait wdym Lockwood isnt canonically neurodivergent?? I didnt read the books but I legit just assumed it would be mentioned at somepoint in the books

ITS NOT AND I MOURN EVERY DAY

[quirkle2]

question!

i've been wanting to stray away from lu for a while now and do my own thing with wars n ledge and the rest of the links (mainly bc i feel restricted by jojo's rules/don't agree w her takes, and wanna pursuit my own stuff), but there's one big thing holding me back, and that's lack of views to put it bluntly

if i make my own au and don't tag its content as #lu, then it will most definitely get a fraction of the attention my lu content does. and i know it sounds self-centered of me to worry abt something like that, but i put months of work into the fics i post. i put days of work into each art piece i post. if i work on something for months and then 10 people on ao3 read it and an astounding 0 of them even leave a comment, that will be Devastating to my motivation And confidence

what im asking y'all is this: should i finally make my own au to separate myself from lu and risk the plunge in notes, or should i stay in the lu fandom and suffer?

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[lady-phasma]

Armand N$FW Alphabet

I’m trying not to make these what I want to do to/with him but they are headcanon. Note: I headcanon him as omnisexual so the below works with all genders.

Warnings: I don't really think I need to put this given the title but MDNI. Mentions of sex, implied trauma, just graphic in general.

A = Aftercare (what they're like after sex)

Armand is kind and soft afterward. No matter the scenario he will check on his partner’s emotional state and offer them comfort if needed. As for himself, he won’t ask for it but sometimes he needs it (especially after anything D/s related). Although he’s usually pretty chill and relaxed afterward, at times he can be energetic and chatty. The more intense, the more chill he will be.

B = Body part (their favorite body part of theirs and also their partner's)

This is heartbreaking, but I don’t think Armand would have a favorite of his own. He’s not vain in that way and is really insecure. He does like to show off his tiddies though. As for his partner: eyes. I think he would be enamored with the eyes of all his partners.

C = Cum (anything to do with cum, basically)

A lot. I’ll throw in some weird TVC headcanon I’ve had for over 20 years: vampire cum is pale pink. It’s a blood thing, like their tears. I’ve had a lot of time to think about this stuff. Armand cums a lot. I mean a lot. (More detail under S below.) He’s indifferent to it with his partners as long as they climax, he doesn’t have a cum kink but it’s turned off by it either.

D = Dirty secret (pretty self explanatory, a dirty secret of theirs)

All of them! But seriously, maybe that he enjoys being a switch. I think Armand is much more Dominant with women, but not always. He’s very into whatever his partner is into and adjusts easily. It’s a secret because he wants to be whatever his partner needs, but he also truly enjoys the fluidity and flexibility of being a switch within the context of D/s.

E = Experience (how experienced are they? do they know what they're doing?)

Very experienced and very talented. No matter what parts his partner is rocking Armand has experience. He’s very open-minded about sex and, although maybe not particularly laid back, he has learned a lot in his time. He doesn’t like everything, but he has probably done it at least once.

F = Favorite position

As with most things, this will depend on Armand’s partner. However, he really enjoys being on the bottom and watching his partner if at all possible. Even when he feels Dominant with his partner he enjoys being underneath them. I don’t know that he has an absolute favorite, but he wants to be able to see his partner.

G = Goofy (are they more serious in the moment? are they humorous? etc.)

Armand is very serious most of the time, but not uptight during sexy times. Silly things happen during sex and he’s probably experienced it all anyway. There’s no point in making his partner nervous or embarrassed. He’s not going to be giggling during the act, but he will certainly laugh when appropriate.

H = Hair (how well groomed are they? does the carpet match the drapes? etc.)

He is so well groomed! Series canon shows us that he cares about his appearance. He is nothing if not fastidious. His pubic hair would never be neglected and it definitely matches the drapes and his glorious chest hair.

I = Intimacy (how are they during the moment?)

Armand enjoys intimacy to a degree and depending on the circumstances. He needs it more than most. It doesn’t have to be deep, but it has to be present. He is highly attuned to his partner’s emotions at any given moment so he requires that connection. Unfortunately, he doesn’t require the same attention in return. He is deeply invested in his partners and their mental/emotional state during sex.

J = Jack off (masturbation headcanon)

This act is all about efficiency and need for Armand. It’s not a self-love situation. It’s also not perfunctory exactly. He enjoys it and needs to do it. But he doesn’t light candles or watch porn. If he feels the need it’s possibly because his partner isn’t available or in the mood. It’s not a harsh affair, but it’s not going to take very long. I want to watch this so badly!

K = Kink (one or more of their kinks)

I’m going to skip the general D/s stuff because I have a couple posts about his D/s interests here and here. He’s definitely into degradation for himself (but would find it difficult to do to a partner) and he’s very into praise (for both himself and his partners). Probably his biggest kink is hands, touching and being touched (see W for more info about this). Vampires have naturally perfect manicures so their hands are generally pretty sexy, but the act of touching communicates a lot for Armand. Suck on his fingers, scratch your nails down his back, let him reciprocate, or just a soft graze of the back of your fingers against his cheek, hands might be his biggest turn on.

L = Location (favorite places to do the do)

In his own home or domicile, for sure. He needs to feel safe to let his guard down completely. He doesn’t care where, but he will be most present and relaxed in his own space (or that of his partners). He does enjoy a little public action and isn’t above public displays of affection. However, he can be himself most comfortably in a safe, familiar place.

M = Motivation (what turns them on, gets them going)

I interpreted this two ways: Armand gets excited by seeing his partner get excited and that he gets turned on by words as much as physical touch. Praise him, tell him how beautiful he is, how much you want to do to him and what (or what you want him to do to you), tell him how much you truly desire him and he’s ready to go. But watching his partner react to his words/touch makes him horny in a different way entirely. He can’t get enough of watching their eyelids flutter or them bite their lower lips involuntarily.

N = No (something they wouldn't do, turn offs)

Hard limits would be “dirty,” human bodily functions. He’s too old, too fastidious, too him to be into any of that. He doesn’t enjoy being restrained or tied up. If his partner holds him down a safe word can trigger immediate release, but the time to untie knots, etc would take too long and he’d have to use his strength to break them. That doesn’t interest him. Pin him down because he lets you overpower him? That’s sexier anyway.

O = Oral (preference in giving or receiving, skill, etc.)

Armand loves giving oral! He is enthusiastic and talented. Not only does he get completely engrossed in the act, he likes to use it to overstim his partners if they really enjoy oral. He likes receiving as well, but is usually less focused on his on enjoyment than that of his partner. In light of that, if his partner is submissive or just enjoys giving, he will happily receive.

P = Pace (are they fast and rough? slow and sensual? etc.)

Like most things, this depends on the mood/vibe of the situation, but Armand is typically slow and sensual if he’s in charge. However, slow and sensual doesn’t exclude rough this alphabet is from a template so I wanted to point that out. Whether he’s in charge or not, fast and hard can be a lot of fun for him, but maybe likes that best when he’s submissive.

Q = Quickie (their opinions on quickies, how often, etc.)

Armand loves spontaneity in his sex life. Anywhere, anytime. But if the quickie turns into something more, that’s fine by him. He likes to flirt and imply, goading his partner into initiating the quickie even if he won’t initiate himself. He especially enjoys quickies as a surprise. He doesn’t mind if it’s in public or private, quickies are fun and add interest to his sex life.

R = Risk (are they game to experiment? do they take risks? etc.)

So many. He likes trying new things with people. He enjoys pushing his boundaries and helping others push theirs (with consent). If he doesn’t enjoy it he won’t do it again. He definitely enjoys acts that are taboo or unconventional because he’s beyond such human notions at this point. Excitement is difficult to experience after 500 years. He’s not a thrill-seeker in general, but he does like novel and experimental sexual exploits.

S = Stamina (how many rounds can they go for? how long do they last?)

Forever. I headcanon vampires as having a short refractory period and Armand is no exception. If he is turned on by his partner he is turned on and insatiable. He’s rarely pushy (though he can seem needy), but he will always be ready when they are. He is motivated by his partner’s pleasure so if he finishes first he will bound back quickly to satisfy them. It’s not a stretch to imagine him going all night with very little downtime if he paces himself. Can his partner handle it though?

T = Toys (do they own toys? do they use them? on a partner or themselves?)

Armand doesn’t own that many, but he enjoys using them when his partner does. He would happily use them on his partners if they wished, delighting in pleasing them. There is a shyness about him that might make him reluctant to have toys used on himself by a partner since that requires an amount of attention that can make him uncomfortable. He quickly relaxes and gets past this with the right partner/circumstance and can enjoy the occasional toy.

U = Unfair (how much they like to tease)

He isn’t a fan of physical teasing (like edging), but loves to flirt. Drawing out the pleasure for his partner or himself is fun for him, but rarely to the point of it being uncomfortable. All of his flirting is used to heighten what will happen later on, so teasing once that has begun doesn’t serve him. He wants his partner to feel good.

V = Volume (how loud they are, what sounds they make, etc.)

Armand is very quiet. Sighs, moans, small groans are his love language. Whispering a command/consent or encouragement or his partner’s name in his silky voice is enough for him. He doesn’t need to be loud or overly vocal to let his partner know how he feels, but he can’t help but moan and praise. He’s not going to scream your name, but he will let you know when you’re being good for him or taking him so well.

W = Wild card (a random headcanon for the character)

He is obsessed with touch/physical affection as validation. He needs to be perceived as desirable and having his partners touch him in any affectionate way is crucial to him. (Even if that affection comes from D/s or CNC.) He needs affirmation that he's beautiful and wanted.

X = X-ray (let's see what's going on under those clothes)

See gif above. Also, he’s uncircumcised. He has a very proper and polite cock.* It’s as beautiful as he is. It’s not terribly long (maybe 6-6.5 inches/15-16.5 cm) but has a nice girth. Did I mention it’s beautiful? Fairly even in tone with a head the color of his fingertips. Let’s not neglect his balls, though. They are small-ish and tight, accentuating his overall length. Very prim and polite as well.

Y = Yearning (how high is their sex drive?)

This completely depends on his partner and their moods. He can be insatiable to the point of neediness if he’s enamored with his partner. If they aren’t upset with him, his libido is genuine and turned up to 11. If they show the slightest bit of disapproval he has a tendency to use sex to manipulate them and gain their approval/affection.

Z = Zzz (how quickly they fall asleep afterwards)

As I mentioned in A, he will be energetic after if it was a fun, quick, light-hearted event. But if it was an intense scene or emotionally heavy, Armand will be drowsy and relaxed after providing/receiving the appropriate aftercare. Unless it was very close to dawn he probably wouldn’t get incredibly sleepy, but he would definitely be chill and calm after.

Note: yes, some of these headcanons/traits are a result of his trauma, if you feel compelled to point that out, go for it, but please don’t assume I wasn’t aware of which are poor coping mechanisms and maladaptive as I wrote them. I didn’t invent him, I’m just obsessed.

*Thank you Stephen King for that term. Polite, college boy cock is one of my favorite descriptions.

This is the alphabet template I used.

[koiiiji]

I love your writing! I will continue to support you😭🫶🏻🫶🏻Can you write hyeok kwon x reader nsfw?

nsfw alphabet

author's note ; THANK UUUU💌!! i haven’t really following wb hashtag lately, so im sorry if someone already did nsfw alphabet with Kwon Hyuk

author's note 2 ; MDNI, AGELESS BLOG DNI OR I WILL BLOCK YOU!!

a = aftercare (what they’re like after sex)

Hyuk is sleeeeeeeeepy. after sex you need to push him to the shower, so he won't fall asleep all naked and sweaty (but let's be honest, sometimes it happens too...). but usually after shower he likes to get in comfortable, close position and snuggle into your body and blankets to slowly fall asleep with small sex talk (i think he likes to hear your prises after sex, like did he do a good job? (ofc he did)).

b = body part (their favorite body part of theirs and also their partner’s)

i think he appreciates his arms and hands! he knows that he has some strength and likes when you can grip on to his biceps in the heat of the moment. i mean he knows how to work his hands.

as for you, he truthfully loves every part of you. if you ever asked him 'what part of me is your favorite?' he would actually say boobs. he likes resting on them.

c = cum (anything to do with cum, basically)

i don't think Hyuk is particularly keen on making a mess, especially of the bed. i truthfully think he'd surprisingly enjoy cumming on your face, mainly around your lips. messy oral? he's done for.

d = dirty secret (pretty self explanatory, a dirty secret of theirs)

i honestly have no idea what to put here, because Hyuk is quite lazy and not really kinky... but maybe he would like to try some role games?... sex in cosplay costumes maybe?... like to see you in cute bunny or kitty costume with ears and tail? maybe?

e = experience (how experienced are they? do they know what they’re doing?)

he is pretty experienced. he watched a lot of porn — different kinds, from home to most trivial ph shit. don't forget that Hyuk and Wooin are friends since high school and this fact alone allows to think that these gremlins been through some experience. so don't worry, he knows how to use his fingers and dick!

f = favorite position (this goes without saying)

so, i think something simple like missionary where he can stare into your eyes, kiss you, tell you sweet things, etc. his ultimate choice is on the side, when he can hold your leg and slowly fuck you from behind. cowgirl can work too if he is extremely lazy today.

g = goofy (are they more serious in the moment? are they humorous? etc.)

can't help but be clumsy sometimes. he can't help but giggle when hair gets caught in your mouth or some other silly thing. however, he likes to keep things intimate and prefers to have a serious moment with you in bed

h = hair (how well groomed are they? does the carpet match the drapes? etc.)

clean shaved or well trimmed. i think he finds it more aesthetically attractive and just likes to keep his higiene be that way.

i = intimacy (how are they during the moment? the romantic aspect)

calm, can joke sometimes if it's appropriate of course. but mostly he is completely immersed into the process — kissing, cuddling, holding your body, tease, whisper sweet nothings into your ear

j = jack off (masturbation headcanon)

Hyuk is super chill about...everything. if he needs it right now he will do it. he doesn't see anything wrong with it honestly

K = Kink (one or more of their kinks)

okay so...i think vanilla. when you're getting to know him and for the first few times you have sex, he keeps it simple. but with time he can go more and more sweet and even romantic. however, i think Hyuk have his kinkier side!! i think he really enjoys mocking you. like 'so wet for me already? greedy girl' and other dirty talk.

l = location (favorite places to do the do)

your bedroom! he is super lazy and if he had opportunity he would stay in bed all day (and this is canon i think, still it been stated in wb that he is lazy and likes his bed too much)

m = motivation (what turns them on, gets them going)

seeing you all domestic, in his oversized clothes, just woke up standing in the kitchen, hair is messed and eyes are still sleepy. he really likes slow morning sex on the kitchen!!

n = no (something they wouldn’t do, turn offs)

bringing other people to your bedroom. and really weird stuff like peeing or something like that

o = oral (preference in giving or receiving, skill, etc.)

mmm 50/50 with giving. i don't think he have a great skills. like he surely can go down on you, but Hyuk is not super skilled and his tongue and jaw get tired quite fast. but he is not pushing you to give oral to him either.

p = pace (are they fast and rough? slow and sensual? etc.)

depends on his mood. he can get really fast when he's feeling extra needy or kinky. however, when usually Hyuk will take his sweet time teasing you and go nice and slow with his thrusts, movements, touches. but there are time where he could also use slowness to his advantage and tease you.

q = quickie (their opinions on quickies, how often, etc.)

nope. i think he consider it as unnecessary splash of energy, he would rather wait until you two have a mood for proper sex. and he likes resting in bed and generally are lazy so it's no.

r = risk (are they game to experiment? do they take risks? etc.)

uuuh, he definitely wanted to try few places like changing rooms, or maybe friend's place, but just out of curiosity, he probably won't like it, so his preference is bedroom (read 'because he fall asleep almost immediately')

s = stamina (how many rounds can they go for? how long do they last?)

i don't think he has very high stamina. it's not that he gets really sleepy after, but he can't go for multiple rounds. i think Hyuk doesn't really understand the point of few rounds if you two already had great time. like he can go two rounds if you insist or it's been a long time since he's seen you. he can last a while though, i think. but dont expect him to be sex machine, he is super lazy.

t = toys (do they own toys? do they use them? on a partner or themselves?)

most of the time he is indifferent about such things. if that means it will bring you extra pleasure, he don't mind.

u = unfair (how much they like to tease)

ohh he likes to tease!! both with words and actions! he likes to tease you through your panties with his slander fingers, he likes to tease your clenching pussy after he spent some time with his fingers ther. he likes to give you playful bites, slapping, literally everything!! he loves teasing so so much

v = volume (how loud they are, what sounds they make, etc.)

keeps quiet, mostly. some interjections of grunts and groans, especially when he cums. he uses his voice more for humiliating-sweet talk, when he teases you! he loves hearing your noises, though, and it gives him more encouragement than anything.

w = wild card (a random headcanon for the character)

once you woke him by going down on him. he really liked it and secretly want to wake up like this more often, but he is kinda shy to ask this since he doesn't really enjoy doing same to you (as i said, only because he isn't that skilled and get tired fast)

x = x-ray (let’s see what’s going on under those clothes)

i would say average. he is quite slim, vienny, but okay, maybe a little longer than average.

y = yearning (how high is their sex drive?)

i think he has a fluctuating sex drive. during flu and cold season — autumn and winter — he is so clingy, desperate for your body heat, and won't let you escape warm bed, snuggling into your boobs. however, during the summer... just dont touch him. hot weather affects him so much that you hardly receive a hug from him.

z = zzz (how quickly they fall asleep afterwards)

immediately. just few minutes after shower, when you two just cuddling, murmuring soft nothings and you found him not answering you, so you rise your head just to see he already softly snoring in his sleep.

[megamindsecretlair]

Girl you saw Aaron kissing on that white woman?

I hate to say it but that British black man with sum blue eyes like em PALE. (Of course I am saying this purely in suspicion)

Yeah, I seent it. So? Lmfao. Sorry. Ik folks are pressed but I simply don't understand the need to find something bad about this man?

We have so very few (practically nonexistent) Black men that we can love on in public. He's smart, sweet, talented, precious, a goofball, a nerd, and introvert, and has been nothing but precious around Black women. He practically lights up around us.

Why is it so hard to believe that he's just....a good guy? Because we have proof that he liked ONE yt? Dont they all?

But what really gets me is that folks think he's not capable of liking a yt AND a Black woman 🤔 like he has to be on one camp or the other.

And this is purely MY opinion. I'm not shaming anyone for caring. I understand. Its so beyond exhausting to feel like we're not wanted by our own counterparts. That they continually play in our faces and we love them anyway.

But until I actually see that he move funny around us, I just wanna love on him. I love that hes goofy and silly. I love that he can't dance. I love that he can sing and rap (though British rap is asssss, sorry Aaron daddy 🥲). I love that hes an introvert. I love hearing him say "opportunity, for me personally, legacy, honored, brother, bruv" and whatever else fly outta that beautiful mouth of his.

I love that hes "lightskinned". I love that I get to see him in Lanterns next year, however I can have him. Because I know Gunn will piss me smooth awf 🙄 I love that hes 6'3. I love that he works out. I love that he has tattoos. I love his big ass hands and that ass 🙌🏽 (that ass really needs to be worshipped)

I love that he dresses extremely well and couldn't pose for shit earlier in his career 🤣) I love that hes into the superhero genre as a whole (especially when everyone acts like it needs to go. Don't like it, don't watch. But don't ruin it for others who do like it).

I love that he shares a close bond with his family. I love how he lights up when he's comfortable. I love when he's in his feelings 🙌🏽🤪🥵 I love when he posts subtle thirst traps.

I love the Kelvin tiktok of him throwing his head back and laughing. I love that he can laugh about himself. I love his funny little laugh.

I love when he wears long sleeves. I love when he wears short sleeves. I love when he's tanned. I love when the camera makes him look pale as hell. I love when he wears glasses. I love when he brings those chains out 👁👄👁 .

I love when he hugs himself. I love when he has funny expressions. I love his big ears. I love his traditionally African features. I love his accent. I love that nasty tongue. I love his teefs Mr A is for All 32.

I love that he was a punk ass kid daring people to race him. I love that he had pimples. I love that hes finally getting the recognition he deserves. I love that he is only going to soar because he has a pure soul.

I love that he feels like our second chance with Chadwick. I love that his smile makes me melt. I love that every peek into his brain just makes me love him more.

I love that hes so cute I want to wring his neck. I love that I want to swing from his neck like a mf monkey 🙌🏽🤪 I love those tank tops he be wearing. Ooooof I love the hoochie Daddy shorts.

I love that hes Big Daddy. I love he went viral over an adverb. I love that hes into martial arts. I love that his thighs are so big. I love that he can lift 425 and pull damn near double that.

I love that he knows how to bring that ass outside. I love when he wears those shades. I love his photos. I love his juicy ass pink lips. I love that big headed, sloped shoulder, chameleon 🤪

I love him i love him i love him i love him i love him i love him i love him i love him

And if he turns up with a yt wife? Yes, that will hurt. But I'll always have Terry who canonically loves a Black woman from infinity to infinity (he instinctively believed Jess was the inside mole helping because he saw her as an ally)

Signed, A Certified Simp Named Mega

[ellecdc]

Hellooo, so I see you opened your requests 🥸 I am a new member of the The Marauders fandom and you have been my go to and all time favorite writer. First want to thank you for all the effort you must put in for us goblins. I am also very new to even really interacting on tumblr outside of the anonymous option. So hellooo! Any way onto the request if you ever feel like it, I get horrible migraines and to deal I tend to look really goofy with a compression cap and ice face mask on and during my recent episode I couldn’t help but think about how any of your lovey boys would react to their partner looking crazy with all that gear on 🙃. This is weirdly specific so ignore if it doesn’t sing for you. But thanks again for the art you share!❣️🌿

hi sweets! first of all: WELCOME TO THE MARAUDERS FANDOM!?!? please help yourself to any seat and don't hesitate to ask any questions you may have (there's a lot of complicated shipnames, canon vs. fanon theories to learn). second of all: OMG are you kidding me!? well thank you, that's quite an honour, but feel free to check out these authors I mentioned previously. thirdly: I love you little goblins 😭😭😭😭

also, since you didn't specify which marauders boy - I opted to give you all of the ones (that I write for) as headcanons 🫶

How various Marauders era boys would react to your migraine get-up

James Potter:

he'd open the door to the bedroom to find you laying there, prone in your pain

immediately "oh angel!!!!" causing you to wince in pain and shush him

he'd acquiesce but he'd whimper quietly as if your pain was causing him pain

he'd start flitting around the room: pulling the blackout curtains shut tightly, placing a glass of water and some pain meds beside you

you'd finally have to banish him from the room, though, on account of his various noises (poor dude couldn't manage silence if his life depended on it)

when you started to feel better, however, you'd take the sleep mask off but not the cap and head out to the living space to find James had closed every curtain in the whole flat, he had turned on a humidifier just on the off chance it helps relax you, and started a pot of tea for you

"I've got the hot pack here if you'd like me to warm it up for you?" he'd offer quietly, still looking particularly pained at your sorry state

"Can I just have a hug?" you'd ask pathetically and he'd coo (quietly) and embrace you gently as if you were about to break

"I'm sorry your partner looks so silly when you come home to them." you laughed, thinking about the ice/compression cap you were still wearing

"you've never looked more beautiful"

Sirius Black:

I believe he'd get very nervous to see someone in pain whether it be physically or mentally - but particularly a pain that was mental or internal (like a migraine vs a cut etc) because he wouldn't know how to fix it and he'd feel useless

He would whisper a cautious "hey baby" as he entered and move so slowly, trying to make as little noise as possible "what happened?"

he knows nothing happened, just that you're hurting: but again, he doesn't know how to fix this and he hates it

"What do you need?" he'd ask as he'd lie down cautiously beside you, itching to reach out but not knowing if it would be okay.

"Nothing." you'd mutter, and immediately feel bad for being short with him. "nothing, I'm sorry. just some time." you'd correct, reaching your hand tentatively across the space to touch his hand, which he'd quickly albeit gently take in his own

"okay." he'd say simply

you waited for the bed to move to signal his departure, but he never left.

he just laid there with your hand in his, watching you quietly

you wouldn't notice this in your state, but he was taking dramatic breaths for your benefit: deep breaths in, holding, and deep breaths out, silently encouraging you to align your breathing with his, which you did subconsciously

you'd wake up later in much the same way - him still on his side watching you (or perhaps he fell asleep too) and your hand still in his

he'd apologize to you as if your pain was somehow his fault, but it was because he felt helpless when you needed him

you'd thank him for his help and he'd relax immediately

Remus Lupin:

Remus is no friggen stranger to chronic pain and flare ups

he wouldn't even say anything, he'd just adjust his footing so he made as little noise as possible

he'd gently press a kiss to your shoulder, to make sure you knew he was here (though he knew with your head the way it was, you would have likely heard his keys all the way down the hall of the apartment building

he'd make himself busy in the flat - soup ready for when you woke up, tea ready to be brewed should you want some, lights off, curtains closed

he'd come by in a bit and quietly tell you to sit up, helping you replace your no longer cold ice mask and cap with new ones

you'd pathetically ask him if he would stay and he'd breathe out in relief because really - that's what he's wanted from the beginning

Regulus Black:

"what's this? what happened?" he'd ask urgently, thinking you'd been hurt or something

"sh! I have a migraine" you'd moan back.

he'd make a pitying tsk sound and make for you

totally babying behaviour "what do you need? do you want food? do you want more blankets? less blankets? a new watch? I'm going to order you a new watch"

you'd banish him from the room for the coddling and when you return to the living area later - he will be surrounded by bags because he had gone shopping and returned with the most ridiculous things: clothes, food, jewellery, blankets, pillows

"I didn't know what you might need." He'd say, slightly shy

"I needed a nap, Regulus." you'd laugh.

"well...you deserve all of this anyway."

and then he'd spend the rest of the evening doing low-impact stuff for your head. reading you a book quietly, gentle conversation, maybe run you a bath

bonus! Barty Crouch Jr:

"who did this?" he'd bark as he saw you in the fetal position with your gear on

"christ, Barty. please be quiet"

"what happened?" he'd demand, quieter but no less intense.

"I just have a migraine."

a switch would flip. he'd ready the room for you (curtains, quiet, water, pills, he'd set up a fan pointed at you.)

then he'd sit outside of the door to your flat and violently threaten anyone walking in the hallway if they make so much as a whisper of noise in this flats direction.

[dovesdreaming]

Deadpool x reader with love handles head canons? 🤗

Laughter and love handles

Thank you for your request <3

Warnings: none

-

It wasn’t like you were obsessed with your body, but everyone had their insecurities, and yours just happened to be those pesky love handles. It didn’t matter that Deadpool, or Wade, as you called him when you weren’t exasperated by his antics, had told you a thousand times that he found you perfect just the way you were. You still had your moments of doubt, and today was one of those days.

You were standing in front of the mirror, poking at the soft curves on your sides, when you heard the door to your apartment slam open. “Honey, I’m home!” Wade’s voice rang out, loud and cheerful as always. You sighed, quickly dropping your hands and pulling your shirt down. “In the bedroom” you called back, trying to sound more upbeat than you felt. A few seconds later, Wade burst into the room, his red and black suit slightly scuffed from whatever mayhem he’d been up to that day. He pulled off his mask, revealing that mischievous grin you loved so much. “Well, aren’t you a sight for sore eyes?” he quipped, waggling his eyebrows as he crossed the room in a few long strides.

Before you could respond, Wade had already wrapped his arms around you from behind, nuzzling his face into the crook of your neck. You couldn’t help but laugh as he tickled you with his scruffy chin. “Wade, quit it” you protested half-heartedly, but he only tightened his hold, his hands resting just above your love handles. “No can do, sweetheart. You know the rules—no escape from the Deadpool cuddle monster!”. You laughed again, but this time it felt a bit forced, and Wade noticed. He always noticed.

“What’s wrong?” he asked, his tone shifting to something softer, more serious. “Nothing” you replied quickly, but Wade wasn’t buying it. He spun you around to face him, his hands still resting on your sides. He gave you that look, the one that said he could see right through you, and you sighed. “It’s just…” You hesitated, feeling silly for even bringing it up. “It’s nothing. Just feeling a bit… off today”. Wade’s eyes softened, and he stepped back, his hands trailing down to the spot that had been bothering you all morning. “Off, huh? You mean these beautiful, perfect love handles that I happen to adore?”. You rolled your eyes. “Wade…” “Uh-uh, no deflecting” he said, cutting you off. “These”-he gently squeezed your love handles-“are some of my favorite parts of you”.

You raised an eyebrow, skepticism written all over your face. “Really? My love handles?”. “Absolutely,” Wade said without missing a beat. “You know how much I love to grab onto something, and these”-he gave them another affectionate squeeze-“are just the right amount of squishy”. You couldn’t help but laugh, shaking your head at his ridiculousness. “You’re insane”. “Insanely in love with you, babe” he shot back, a wide grin on his face.

He was being his usual goofy self, but there was something in his eyes that made your heart skip a beat. He meant it. Every word, every playful squeeze, every silly grin, it was all his way of showing you how much he adored you, just as you were. “Come on” he said, pulling you closer again. “You’ve got love handles. So what? I’ve got a face only a mother could love and a brain that’s about two steps away from certifiable. We’re a perfect match”.

You wrapped your arms around his neck, resting your forehead against his. “You always know how to make me feel better”.

“It’s a gift,” he said, kissing the tip of your nose. “And, if you’re up for it, I can demonstrate just how much I appreciate all of you. Over and over again”. You laughed, feeling the last of your insecurity melt away. “Is that your way of trying to get into my pants?”. “Only if it’s working,” Wade replied with a wink. You leaned in, capturing his lips in a kiss that was both tender and full of the passion he always seemed to ignite in you. When you pulled back, he was grinning like an idiot, and you couldn’t help but smile back. “Guess it’s working” you said, finally feeling at peace with yourself. “Damn right it is” Wade said, lifting you off your feet and spinning you around, making you laugh again-this time without any reservations.

In Wade’s arms, you felt beautiful. He had a way of turning your insecurities into things to be celebrated, of making you feel like you were more than enough just as you were. And as he carried you off to the bedroom, still peppering your face with kisses, you realized that with him, you didn’t have to be anyone but yourself. And that was more than enough for the both of you.

[gradientdescent-does-it-all]

One of the things that drew me to writing Wyll is specifically the fact that he’s underdeveloped in the game. The other characters are so richly depicted in the canon that it’s almost impossible to improve on, and it’s not particularly interesting to rewrite scenes that were already so brilliantly executed.

But Wyll… Wyll has all this great set-up that tragically the game did basically nothing with. He’s a demon-hunter who was cursed to become a demon. He’s too ashamed to face the tieflings he rescues from death for fear they’ll see their tormentors in his face. His father kicked him out of the house for dealing with a devil. He can never explain to his father why he did it. His father is disgusted by him and he still loves his father with his whole heart. He’s wracked by self-loathing but instead of becoming bitter or resentful, it’s a cross he willingly chose to bear and he’d trade away his soul all over again to save one other person’s life.

If he weren’t a warlock he’d be a paladin: not the paladins of D&D 5e, but the older concept of the paladin as a person whose core ethos is self-sacrifice and mercy and love. But love is the paladin’s curse, because in its idealized form it is unconditional. It’s easy to love innocent children or grateful refugees. But he also loves people who think he’s a monster. He loves the tieflings even though he sees it in their eyes that they don’t trust a servant of Mizora. He loves his father even though the man openly hates him. And it hurts so, so much to love people who hate you - especially when you yourself believe their reasons for hating you are justified.

And of course Wyll is still a young man and he’s imperfect in some very charming and silly ways; he loves his goofy superhero identity and he can’t resist talking his exploits up to the kids and he would die for you but he’ll still give you shit about your ethically sourced fair-trade GMO-free organic rat-blood diet. But he would die for you. He’d go to hell forever for you. And he’d do it even if you’d never know what he’d done.

[chronic-shinposter]

I'm not sure about all of this, but can you give me a hint? The kaioshins dress very tightly and modestly because going out without clothes is considered sinful???? Was there such a thing in canon, or did fans make up a similar thing that kaioshin are like holy gods terrified of debauchery?

Warning: I go on a big ass essay that strays from your main question and of course everything listed here is opinions but with some anime/manga references to back up my thoughts. As a response to my coatless Shin post, that was just me being silly LOL. However this totally gives me an opportunity to talk about characters and I am all about that shit

A summary of my essay though: there is a moral code implied, but there's nothing specifically stated, and it's not so specific that it's about clothes and perviness and stuff. Every Supreme Kai (in canon) has a different idea of how to honor their position and their personal morals can be inspired by their duty but it doesn't mean they are one to one. Everything else is up in the air and are just personal conclusions (like, Supreme Kais all dress a specific way so it's totally possible this is a requirement, but there is nothing in canon about this) How someone treats the Supreme Kai role depends on the person though; some are way more relaxed and others are very uptight. Interestingly, sin IS mentioned in at least one of the English translations of the manga. (right to left)

Much like religion IRL though there are people who will use these codes and behaviors, meant to spread goodness and honor, to be toxic assholes. I actually kind of hate the general description of Supreme Kais in the DB wiki honestly because it goes with the assumption that every Supreme Kai (and adjacent role) is a good person when I don't think that's really true, it's just that all of them have similar jobs and their culture encourages politeness. Quite frankly, most of them kind of have a pole jammed up their ass and look down on others all too frequently (which like, they're gods, but in the context of the series they are SO UPPITY HOLY SHIT). Let's look at Gowasu, Elder Kai, Zamasu, and of course Shin. I think they're a good spectrum of the behavioral code in my opinion

Gowasu

Gowasu is one of the oldest acting Supreme Kais in the current canon. He is very polite and proper, good-natured, but has relaxed a lot over time and also just wants to have fun (bro wants to be a Godtuber in his retirement). I think because of his introduction, we kind of see that the standard for Supreme Kais is that they are mellow, like drinking tea, and tend to look at the little things. They very much have normal lives and might even teeter on the more "nothing ever happens" side, but time and peace can introduce them to ignorance just as much as inexperience can, leading Gowasu to make lapses in judgment about who he chooses as his successor.

Gowasu is honestly one of the most grounded Supreme Kais we've been introduced to because he is reflective of his mistakes and even remorseful, receptive to criticism and even questions the foundations of the god hierarchy in Dragon Ball Super. He also doesn't react much when approached casually by mortals, which shows that he doesn't believe himself to be above others even though, cosmically, he is. He is also, like, the only Supreme Kai we see actively get along with Shin as an equal even though age and experience lends him to be the "superior" one

Overall, Gowasu is experienced and looks at the good side of everything, but he is also casual and likes to be goofy. He very much understands that life is important but what use is that if you don't get to be a silly goober sometimes?

Elder Kai

Elder Kai is more on the extreme end in which him getting shit done is more like... an exception rather than a rule, he much prefers the lazy lifestyle that being so high on the cosmic ladder offers and he's not really afraid to show it. He is experienced (though we don't know if he was THE Supreme Kai of his time) but he does not give a shit about any moral standards, very much on the extreme end of the "life's about having fun" line

Elder Kai is openly a pervert-- in the original DBZ he says he uses his abilities to watch women from afar, he has nudie mags, eagerly accepts Goku's request when Goku promises him he can grab Bulma's boobs (I think this ended up getting dubbed out later lol). He believes in honoring age, which he shows when berating Shin for their difference in wisdom, but also in taking responsibility to give himself up first after Shin offers his own life to save Goku's.

He is not a bad person and holds respect for what it means to be a Supreme Kai, but he is no stranger to being a creepy fuck. He's a good example in that a Supreme Kai (past or future) does not really have to be what is considered "pure" to do the job and they have the free will to enact what they feel is the proper thing to do.

Zamasu

Elder Kai's all about having fun in life, while Zamasu goes to the opposite logical extreme: life is about perfection, and anything less does not deserve to be at all. I think Zamasu shows where this same behavioral code can go, because by all means he kind of checks all the boxes: he's polite, shown to respect his superior, takes his position as apprentice very seriously and similarly intends to take his role as Supreme Kai very seriously. He finds himself to be the most pure, but this idea is something he is so attached to that he ends up being one of the most corrupted of them all.

Similar to Gowasu, he is not above questioning the status quo-- he doesn't really put much heart into the Gods of Destruction and believes that holy beings such as the Supreme Kais should be in control of everything. In the manga, Zamasu views Shin and Kibito very highly at first because he thought that they were the ones that defeated Majin Buu. Of course, Shin corrects him and puts all credit to Goku & gang, which confuses the FUCK out of Zamasu because he believes Supreme Kais to be, well, the most supreme. Shin reflects in that the job should've been for the God of Destruction (in the manga here they loosely do imply that Beerus was asleep), but Zamasu is like "nah lol"

Zamasu weirds the fuck out of Shin by implying anything that exists is unnecessary, but kind of brushes it off because well that's Gowasu's thing to deal with LOL. (Sidenote this is why everyone should read the manga because they actually involve Shin in a very much Supreme Kai centric plot and it is actually nuts to me they don't do this in the anime. The anime arc is def my favorite arc in Super but they still kinda do Shin dirty)

I say all this to say that Zamasu's train of thought isn't exactly uncommon because the Supreme Kais are kind of in this culture where they are the most supreme, but most of them do have an understanding of nuance and understand why, despite being "the best", they serve a role and that role does not serve them. Zamasu doesn't have this nuance and we see where that goes as he makes Goku('s body) to be the exception to the unnecessary beings rule in his head

As an honorable mention, I want to say that Kibito isn't too different in this train of thought: he definitely finds himself to be superior to others, but he values Shin's authority so much that he is much more receptive to that nuance than someone like Zamasu, who eventually dismisses Gowasu's teaching. The worst Kibito would not be anywhere close to Zamasu because Kibito still believes in goodness outside of himself.

Shin

Shin I think is the best example of a Supreme Kai with a pure moral code that, in turn, is also not corrupted by that idea of purity. Similar to Zamasu, he's polite, shown to respect his superiors and his elders, and he takes his role very seriously. Shin is (from what I understand) the youngest Supreme Kai and also the newest, which also might be why high morals is so important to him in the current canon.

He respects Elder Kai as his ancestor, but is also horrified to learn about Elder Kai using his powers to be a creepy fuck, openly berates him for this, and reacts in disgust when Elder Kai tries to gift him a nudie mag (as Kibito Kai). Shin also states he's worried about how Kibito views the mortals, but believes him to have a good spirit and puts a lot of importance in that-- it's why Shin goes out of his way to meet Goku, and in the future timeline, why he goes out of his way to meet Trunks.

Shin is similarly disgusted by Zamasu when he reveals his true spirit and condemns him in the manga, believing that Zamasu broke the line of what it means to be a Supreme Kai at all. His values very much align with the Supreme Kai's job to preserve life and at the same time understanding that destruction is part of that sacred cycle. Shin deeply respects the current god hierarchy and doesn't question it; he just wants to do the right thing.

Though Shin takes his responsibility as Supreme Kai very seriously, he is pretty receptive to the fact that his universe has mortals more physically powerful than him and he is even thankful for this. He takes no offense to how casually he's treated by Goku & gang and listens to them. Shin, unlike other Supreme Kais we've seen, views himself explicitly as a servant to the universe; his life is just one part of it and if he has to give it up or to knock himself down a few pegs then that's what he'll do. I think we can even say he is a little too passionate about this idea, since he's literally offered his life to preserve another's at least 2 times now (one for Goku in Buu saga, another one in the Moro arc in the manga) to Beerus's dismay lol, and this doesn't count all the times he's gone out of his way or put himself in the way to save others from danger

One of my favorite Shin moments that I think captures who he is at a whole is at the end of ToP where it's just Universe 7 and Universe 11 left, and he leans over to say hello to Khai. I don't think this is a Supreme Kai thing, this is a Shin thing. He doesn't say hello because it's his duty to always be polite, he says hello because it is giving kindness in a tense situation.

in a nutshell

The different Supreme Kais (and adjacent roles) might have some similarities and I think their upbringing can give them a proper attitude, but ultimately they're all very different people and have different ideas of what it means to be a Supreme Kai at all. I'm sure there's a Supreme Kai out there in history that was always naked or a piece of shit or something but actually totally kicked ass at their job

Thank you for reading LMAOOO I just wanted to talk about them. Hope u enjoyed

[saintsenara]

You mentioned fanon turning barty crouch jr. into an uninteresting character. I don't know much about what the new fanon characterisation has really done with him, but I'm curious for your thoughts on why he's a canonically interesting character. I agree that he is, but it sounds like you might have some interesting thoughts on it that are already fleshed out.

thank you for the ask, @jamesunderwater, and i'm sorry for taking so long to drag myself around to answering this.

as you may have gathered if you’ve read my views on jegulus or wolfstar, the common fanon interpretation of marauders-era characters and i don’t really get on.

this is not a new development - me and goofy fanon sirius have been beefing for over a decade at this point, i fear - but our enmity has taken on a new form since [roughly] 2020, when the emergence of what we might call the modern marauders subfandom brought with it a whole series of expectations about characters, ships, personalities, and appearances in first war stories which - let me state my position immediately - have absolutely nothing to do with the characters as they are in canon.

i could talk about sirius or regulus or james or snape or lupin until the cows come home - as, i’m sure, could many of us - but i also dislike the expectations the marauders subfandom has around its supporting cast. these characters - who largely fall under the categories of women, slytherins, or both - have names that we might recognise from canon, but they are - to all intents and purposes - original characters.

to do some marauders fan defending, i do understand the rationale behind this. hogwarts is a school, and it needs to be filled with the sort of incidental characters that lightning-era writers can pull from the canon text [shoutout to ernie macmillan, the mvp]. if you’re writing about lily, then she needs friends - why not have them be alice, marlene, dorcas, emmeline, pandora etc.?

[well, because dumbledore isn’t running a child army. it makes no sense for the entire order of the phoenix to be in the same school year - and the idea that alice is probably around ten years older than lily, that pandora is around the same age as narcissa malfoy and isn’t a pureblood, and that marlene, dorcas, and emmeline are hard-nosed ministry bitches in their fifties who can have mad-eye moody quaking with just a look is something which can be prised from my cold, dead hands.]

and if you’re writing about the epic highs and lows of high-school football going to school during a sectarian conflict, then you need some antagonists. which is to say, you need some slytherins.

the issue i have is that the three key slytherins who seem to have been elevated to principal cast in the marauders pantheon - regulus black, barty crouch jr., and evan rosier - get what can only be called the smol bean treatment. that is, that three teenagers who all canonically join a terror organisation are turned into soft and tiny babies who thought lord voldemort was just feeling silly when he said, "my aim is the eradication of the muggleborn population through violent means."

and even fics which do acknowledge that the three willingly become terrorists often go out of their way to provide justifications for this which don’t contextualise their decision [something which is important - you can’t write about snape becoming a death eater without acknowledging the way that poverty, loneliness, and a sense of hopelessness make someone an easy target of radicalisation] but which minimise it. sometimes, their violence is turned into romantic vengeance - i’ve seen a fair amount of suggestions that barty goes to torture the longbottoms because frank was the auror who killed evan. sometimes, authors imply - or even outright state - that there’s no need to see these boys as aspiring villains: voldemort is right; the class system is good and should be maintained; and purebloods [usually james, sirius, regulus, barty, evan and maybe a token woman or two] should stick together while the half-breeds and the mudbloods go hang.

this - like all aristocracy wank in this fandom - annoys me enough with regulus and evan. but it’s particularly grating when it comes to barty crouch jr. because - unlike evan, who is literally just a name in the text, and regulus, who isn’t much more - he actually has a canon personality.

and it’s fascinating. indeed, i would even go so far as to say that barty crouch jr. is the greatest villain in the harry potter series.

[my apologies to lord voldemort.]

after all, even though he’s been imprisoned under the imperius curse for over a decade, barty is still so lucid and powerful that he is able to:

produce magic capable of tricking the goblet of fire, which is treated by all the adult characters involved as unprecedented.

pull off a year-long impersonation of a man whom dumbledore evidently knows extremely well without being clocked until his mission has been successful, even though his opportunities to observe the real moody can have been virtually non-existent. he is in character within seconds of his ambush on moody’s home - after the intruder-alert dustbins are set off - and is able to persuade ministry personnel who can be presumed to have met moody personally [including both amos diggory and arthur weasley, who appear to know him not only personally, but well] that he is the real deal. he maintains his performance even under close scrutiny from the teaching colleagues he has to interact with daily at hogwarts, despite the fact that he presumably can’t get a great deal out of the real moody, since he’s having to be kept deliberately weak and docile under the imperius curse.

manipulate multiple people into become accessories to his crimes, without ever being suspected of doing so. with the hindsight of knowing who he is, the first defence against the dark arts lesson in goblet of fire, in which "moody" deliberately distresses neville by using the cruciatus curse directly in front of him, before swooping in to be the person to cheer him up so that he can plant information which will help harry win the triwizard tournament and deliver him to voldemort, is chilling. he just gets unlucky that harry has the biggest martyr complex in human history.

commit murder on hogwarts’ grounds without ever being suspected of wrongdoing.

execute lord voldemort’s plan to kidnap harry and use him in his resurrection ritual flawlessly. the plan itself may be convoluted - but dark lords are allowed to have a flair for the dramatic, as a treat - but, crucially, it works, and barty succeeds in every respect.

but, i concede, we’re talking about the adult barty here. perhaps he was once a sweetheart who went unfortunately off the rails after his father sent him to prison and then - in effect - drugged him for years. that wouldn’t be a ridiculous suggestion.

except for the fact that - canonically - the teen barty was just as clever, sly, manipulative, and - above all - ardent in his support for voldemort as his adult self.

at his trial in the early 1980s, young barty gives the performance of a lifetime. he screams, he shakes, he looks terrified of the dementors, he is pale and weak and harmless-looking, he begs his mother to help him, he pleads with his father for mercy, he maintains his innocence as he's dragged off to his cell. he gives off the impression of simply having been in the wrong place at the wrong time so well that harry is almost certain that his conviction is illegitimate. so too, it is implied, is dumbledore.

indeed, barty plays the part of the wrongfully imprisoned so well that - as canon tells us - he not only influences public opinion to be broadly in favour of his probable innocence [or, at least, his diminished culpability - sirius suggests that the widespread view was that he was probably there, but that he only ended up involved in what was clearly bellatrix’s idea because of his father’s failure to relate to him properly], but also changes public opinion against the government’s anti-death-eater strategy entirely.

following his imprisonment, his father - a man who never met an extrajudicial punishment he didn’t like, and whose ruthless approach to dealing with the death eaters in the first war [such as his use of internment for suspected terrorists and his order to aurors to shoot to kill] was, we are told, enormously popular with the wizarding public - is forced to resign in disgrace from his role as head of the department of magical law enforcement. crouch sr. is quietly shuffled off into a boring bureaucratic position, his ambitions to be minister in tatters, and his only way forward to free his son from the prison cell where he is languishing for the crime he very literally did.

[as an aside, i do think that we are supposed to read bellatrix as the ringleader of the torture of the longbottoms. but, all too often, that gets reduced to her doing everything while rodolphus, rabastan, and barty just stand there gormlessly. they were clearly performing the curses too!]

now, barty’s unusual cunning can - of course - be explained by narrative reasons. the text needs to conceal that he’s the villain [since, as with philosopher’s stone, it wants to imply that the dark lord’s faithful servant at hogwarts is snape] until the very end - and this naturally requires dumbledore to not think too hard about whether his good judy alastor is behaving even more strangely than usual.

the text also needs to suggest that he's innocent in order to properly stick the landing on the narrative role of his father - barty crouch sr. as with dolores umbridge in order of the phoenix, crouch sr. exists to show harry [and the reader] that the rot in the wizarding world was not caused by - and will not stop with the defeat of - voldemort. his ruthlessness and inflexibility, his lack of respect for due process, his astonishingly cruel treatment of winky [brutal beyond even the standard way in which wizards abuse their enslaved elves] all serve to teach harry that the anti-voldemort cause can become just as easily corrupted as the disillusioned young men in voldemort’s orbit. the suggestion that crouch sent his own son to azkaban without good reason, simply because he would not deviate from his beliefs, is an important lesson to harry about what "justice" actually means.

but, despite this, barty is also able to pull off his deception because he’s spectacularly talented. it’s not all just narrative.

and his talents are caused by characteristics which aren’t good or bad in and of themselves. he’s clearly very intelligent [he got twelve owls, the series’ benchmark for genius]. he’s hyper-observant, creative, adaptable, good under pressure, and possessed of nerves of steel. he shares these traits with other villains in the series - voldemort above all - but he also shares them with plenty of the heroes. harry, for one.

which is to say that all of his personality traits could be put to non-criminal uses. but - as with harry, who is capable of being quite sinister when he wants to be [for example, when he manipulates slughorn into giving up the horcrux memory] - they would give a non-criminal barty an edge. and this doesn’t seem to be present in his standard fanon persona - as sweet and goofy as all marauders-era men - to any great extent.

finally, there is another aspect of barty’s character which is absent from his fanon version - that he clearly has some sort of childhood trauma, but that this does not excuse any of what he does.

even though crouch sr. is right to send him to azkaban, he was clearly also a cold and distant father, who had absolutely no idea how to relate to his son.

[as another aside, this emotional negligence is bad enough without it needing to be written as having been accompanied by extreme physical and/or sexual abuse. there seems to be a real tendency in fanfiction - not only in marauders-era stuff, although the exaggeration of orion and walburga black into despotic villains is one example of this - to make childhood misery "worse", in order to justify a character’s later actions.]

voldemort demonstrably uses barty’s terrible relationship with crouch sr. [and his absolutely flagrant daddy kink] to groom him into taking the dark mark [not least because there’s otherwise no explanation for why he cheerfully informs him that he too is named after his dad], which he may very well end up taking when he’s still at school. my reading is that he’s recruited to inform on his father - since voldemort would undoubtedly wish to keep the head of the department of magical law enforcement under constant surveillance - and that this is why the dark lord pays him the attention he is so obviously lacking.

but, as with snape and regulus and draco malfoy and all the other young death eaters, barty also colludes in his own radicalisation. voldemort is a master at ensnaring recruits, sure, but he’s also a busy man. he only bothers to make the effort because the clever, creative, cunning, manipulative young man - who wishes to avenge himself on the father who never paid him attention [sound familiar?] - he finds before him is very much determined to become a spectacular part of his terrorist organisation. and stories which feature him owe it to him to give him that dark complexity of character

show the series’ best villain some respect.

[beanghostprincess]

I wanna know who your favorite vinsmoke sibling is so bad actually please tell me 👀✨

My friend and my brother laughed at me when I told them my favorite Vinsmoke is Niji, and I genuinely was embarrassed that day because I didn't really know much about him at the time (I think I had only watched a few eps of WCI) and it's pretty clear in the show that he's, uh, the worst of the Vinsmokes. And by "the worst" I mean: The one who's portrayed as the worst because he's the most active one when it comes to abuse and supremacism within the family line. Unlike Ichiji (who's more serious) and Yonji (who's more playful, somehow) Niji is the one who has to actually fight for a role in his family and that's why I think he's so fucking annoying all the damn time. I hate him. I love him. I want to hug him. But also I wouldn't mind punching him very, very hard. I have mixed feelings, but yeah, Niji is my favorite Vinsmoke. And you haven't asked why, but I feel the need to do some sort of mini argument about this because I am a very resentful person and I want to show my friend and my brother that Niji is actually a very interesting character!! And my fiancé thinks I just like him because he's hot, and she's right but only like a 20%. Maybe 40%.

I will try to put my thoughts into words, but it's pretty difficult because I have a lot of things to say about this blue evil gremlin.

I like Niji the most because I think he is, between the three brothers, the one who shows feelings and ambitions outside their emotionless selves the most. I know they technically are the same, but I don't think so (btw, please assume I'm not including Reiju in this text because she's canonically different from them and I'm just referring to the brothers).

As I mentioned before, I think Niji is the one brother who is the most annoying and evil because he feels the need to stand out. Ichiji is serious, and calculative and has a secure place in the family. He is the number one, even if Reiju is the oldest (I would like to talk more about how Reiju, being a woman, even if she's the oldest, she's the number 0. Because she is the oldest but she's a woman, so she obviously doesn't and would not be able to wear the number 1 like a man would. She is the oldest and yet, she has less significance in the family line than Ichiji. But, yeah, this is something that has nothing to do with Niji, sorry). Ichiji, like all of his siblings, wants recognition from his father, but he doesn't have to try as hard as the others to be impressive because he is, after all, the oldest. The typical "older sibling in an abusive household who has to deal with all the bullshit to protect their siblings"? That's something Reiju took over. That's Reiju's responsibility as the oldest and the woman. Ichiji literally doesn't have to do anything besides leading the team and being the evil, emotionless machine his father created. That does not mean that I don't think he could be able to develop more feelings, because I think he could and I love the concept of him being the first one to protest against Judge's behavior, but you get me. When you're the oldest brother with an even older sister, your responsibilities are pretty limited. So he doesn't have to be anything but there and himself.

Yonji, on the other hand... He is the youngest. Even younger than Sanji. He doesn't have to try, because Niji and Sanji should be the ones to do so. Little siblings are not expected to do much besides existing because irl parents are usually tired of raising children and they end up either getting neglected or seen as decoration. As a little sibling myself I can confirm that these things affect really badly to your brain growing up, but I got a more Sanji treatment so I can't speak for Yonji here. The thing I can say, though, is that in comparison to Niji, Yonji is just there. He's silly and goofy. He's funny. He's dumb. He has the excuse of being the little one to act that way. Getting lost eating or doing whatever. Even the fact that his powers are more physically focused instead of power/intelligence centered shows that he can just punch away his issues. He's the gym bro of the siblings. Don't expect much from him. <- Thing that's often said about little siblings, btw, and affects real fucking badly in early teenage years. The fact that he's portrayed like that is so on point tbh but after all, they don't have high expectations for him, so little to no effort is everything he does.

Then there's Niji, of course. My favorite. Love him. Hate him. Whatever. Niji is the middle child. And God, do I have to say things about middle siblings.

The thing about Niji is that he actually has to try and make a name for himself in the family because otherwise he'll probably get forgotten. I often wonder if he had that fear of becoming the next Sanji once he "died" (he's the only one genuinely asking if Sanji died on them before Yonji and Ichiji say they don't care) because his role is not as noticeable as the others. Reiju is the woman, Ichiji is the successor, Sanji is the weakling getting bullied (being technically one of the little siblings but still being in a limbo of middle/youngest because the little one is Yonji), and Yonji is the little one. Then... What's Niji?

Niji needs Sanji way more than he's willing to admit, and I love that. I absolutely love how he's written because he constantly shows that he needs Sanji, through both words and actions. He needs him because without Sanji's existence -without Niji being his bully- Niji is nothing but number 2. And there's nothing more frustrating than being the number two when it comes to family hierarchy. Not going to mention every little thing he does, but as I said, I love how well-written he is. He's the sibling Oda uses the most to show the abuse Sanji went through, but that's only because Niji is the only one who needs to do that. Niji is the one to talk to Sanji first, all the damn time. He gets angry when Sanji doesn't respond. He gets angry because Sanji can't be bullied anymore. He gets angry out of fear, in my opinion, because if the weakling can't get abused anymore, then he's not worth anything. If Sanji isn't the third, the second one is left alone. 2 can't fight 1 because 1 has the protection of starting the line. And 2 can't fight 4 because there's a missing link that keeps 2 from 4. So Niji is mad at Sanji because Sanji isn't the same weak crybaby he used to be, and he can't use him anymore to be secure and safe.

That's fucking horrifying when it comes to family hierarchy.

I like Niji because, despite being an asshole, he has reasons to be like that. First of all, because his father literally made him this way. But also, the little feelings he has (selfish emotions, yes, evil. But they're feelings, anyway. Urges. He's supposed to be emotionless and yet he knows how Sanji feels enough to use that to his advantage) are used as a way to feel superior and safe because he feels inferior. I think he's the one showing more emotions out of the three, even if those emotions aren't healthy or good and it's just him being angry all the time. That means that if he has urges and needs like that, even if he doesn't fear his own death, he could end up developing more and more empathy. His type of empathy comes from a place of fear. He feels what Sanji feels. And it's not that he doesn't care (I mean, I am aware that he technically doesn't, but let me dream) but it's just convenient for him not to care and keep bullying him to secure his place in the family.

Also pointing out that I like Niji because, being the one who says he hates Sanji the most, he's the one to protect him with his own body when that scene of the siblings helping Sanji escape happens. The others only clear the way, Niji stays with him. There's a really cool post about this on Niji's tag somewhere!!! I personally think he does this because, as that post said: Niji keeps seeing Sanji as weak, instead of believing in him enough to just clear the way. He protects him because he thinks he can't protect himself. Because he's weak.

And yes, it might sound offensive and emotionless and it doesn't make Niji a better person. But it makes him an older brother. Believing in Sanji would be great, but thinking that he's weak and needs protection after years of projecting on him only shows that the weak one is Niji. That he wants and is willing to protect his brother, too. If he didn't care about his well-being he would've just cleared the way for him, not caring about what could've happened to Sanji. But he goes all the way to help him out and protect him longer than the others did. Idk. I find that a very beautiful way of ending their relationship.

All of this being said, I have to be honest with you: When I said I liked Niji for the first time I only did it because people around me kept saying he was the worst one and it bothered me because I found his design pretty fucking cool. And tbh when he started being an actual character? I loved him even more. Because during WCI he's a fucking asshole but the way he acts towards Sanji is wanting to get a response from him, and I just find that so curious and complex... Like, if he just wanted to be evil he'd be more the Doflamingo type. But Niji looks for a response in Sanji's eyes. He wants to feel powerful because he knows he isn't.

And also, well, he's very cute and I like his hair a lot and he makes me furious sometimes which is great because if a character doesn't make you want to punch him at one point, is he really a good character? Look at him! He deserves to get slapped in the face. But also, I would love to kiss him afterward. What's that Olivia Rodrigo lyric? Ah, yes: "I wanna break his heart, then be the one to stitch it up. Wanna kiss his face with an uppercut." That's how I feel about him.

I really hope it's obvious, with all of this, that "Succession" is one of my favorite TV Shows, because I could go on and on and on (and nobody would listen but idc) about how the Vinsmokes are just the Roy family. Both One Piece and Succession deal with family in which hierarchy is crucial in a very specific and accurate way. It makes me sick. I love it.

Anyway, have some pics of my blue idiot:

I want to hit him in the head with a baseball bat.

[chaxiu]

growing sideways

pairing: kuroo tetsurou x fem! reader

summary: kuroo tetsurou is all grown up. you think you might have to learn to let him go. or: an exploration of love, and loving things.

note: sorry that it's been so long!! college has been so silly funny goofy (derogatory) but i'm on break now and pretending that i dno't have to go back in a week.

sort of spoilers for occupations (kuroo, kenma, yaku) post-timeskip! (but also doesn’t really follow canonical futures… sort of a mess, to be honest.) my attempt at reconciling what i’d hoped for him and what he becomes.  title taken from a noah kahan song of the same name that has next to nothing to do with the actual fic.

cw: mention of throwing up (doesn’t actually happen, though)

___

When Kuroo Tetsurou gets scouted to a professional team in Russia, you’re the last person he tells. Technically, he doesn’t tell you at all – it’s Kenma who does, blinking up at you from behind a curtain of his hair.

“I thought he’d told you already,” he says, voice as apologetic as you’ve ever heard it, which is to say apathetic, as always, but with a dash of sympathy mixed in.

“No,” you say, because there’s nothing else left you can say. “He didn’t.”

Kenma doesn’t say anything, shifting his focus back to his game. You take the moment he offers you to exhale, quietly. To resituate yourself around this new hurt in your chest.

“Does everyone else know?” you ask. Kenma lifts one of his shoulders up, a half-shrug.

“Maybe not his mom,” he offers. This is poor consolation, and both of you know it – Kuroo hasn’t talked to his mother beyond stilted platitudes in years, not since she uprooted her life and his sister and half his chest and taken it with her, leaving a husband, a son, and a house with too many rooms.

“So he’s gonna take it, then,” you say. Kuroo is a lot of things – mercurial, bright, a pain in the ass when he puts his mind to it – but everyone knows that first and foremost, he’s a volleyball player. You’d realized it for yourself, back in your first year of university, when one of your friends had dragged you to a match and you’d spotted him, arms outstretched, fingers splayed and braced as if he thought he could hold a sun in his hands. When he’d landed, you’d caught sight of his grin, almost too large for his face.

Ah, you’d thought. So this is what it means to love something.

The next morning, at your eight-thirty introductory economics lecture, you’d shuffled in and put your head down on the desk, drifting closer and closer to sleep every second. 

Then the person behind you had poked you, hard, and you’d let out a half-scream, jolting up in your seat in a way that made every single person in your lecture hall, including your professor, look at you.

The person behind you had started laughing – an ugly laugh, cackling like a hyena, the kind of laugh that made you want to join in, despite your burning embarrassment. You’d swiveled around to face him as the professor resumed his lecturing.

“What is wrong with you,” you’d hissed. It was the boy from yesterday– the middle blocker with the awful hair.

He’d raised his hands up in surrender, although there was still a crooked grin on his face. “Sorry, sorry,” he’d said. “Just was wondering if you had a pencil.”

“You know,” you’d said, fishing one from your bag. “There are easier ways to ask people for a pencil than giving them heart attacks.”

You’d passed the pencil to him, and he’d given you a jaunty little salute with it, one that made your lips curl up despite yourself. “I’ll keep it in mind,” he’d said, and you’d turned back around again, and that was that.

Except the next lecture, you’d arrived at your usual seat to find a disposable cup of coffee there, likely from the little cafe downstairs. You’d turned to the boy behind you, raising your eyebrows.

“As a thank you,” he’d shrugged, leaning back in his chair in a way you’d suspected was meant to be cool and casual. “And also so that you don’t keep falling asleep in lecture.”

“How do you know I’ve been falling asleep in lecture,” you’d said, a little grumpily, pulling the cup towards you and taking a sip nonetheless. It wasn’t your usual order, but it was drinkable, and if you were being honest, you’d need all the caffeine you could get.

He’d watched you take a sip of the drink, a pleased smile playing on his face. “I sit right behind you. I’ve seen you take a nap at your desk every single week.” 

“I’ll have you know that that’s just the posture I learn best in,” you’d sniffed.

“What, drooling?”

“I do not drool,” you’d said, haughty. “And even if I did, how would you even know? You’re such a stalker.”

“Harsh,” he’d whistled, although the smile didn’t leave his face. “I’m just observant.”

You’d rolled your eyes at him, swiveling around to face the front of the room as the professor began his lecture. And if you’d managed – for the first time this entire semester – to make it all the way through without falling asleep, well, that was nobody’s business but your own.

The next week, another cup was waiting for you. 

“You know,” you’d said, “I think you’ve repaid your debt from the pencil in full.”

“Oh, this isn’t about the pencil,” he’d replied. “I didn’t get the right order for you last week, did I? I wanted to try again this time.”

You’d blinked at him. “I don’t even know your name.”

“Kuroo,” he’d said. “Kuroo Tetsurou.”

“Well, Kuroo Tetsurou,” you’d said, “did you ever think about just asking me for my order?”

“What’s the fun in that?” he’d asked.

The drinks kept coming, every week, without fail, ranging from plain to ridiculously extravagant. He still hadn’t gotten your order, although at some point during the semester, he’d migrated from sitting behind you to sitting right next to you, passing you stupid notes and doodling all over your notebooks.

The last lecture’s drink was wrong, again, although you kept drinking it anyways. “You should come hang out with me and my friends sometime,” he’d said, sudden, and you’d nearly choked.

“What brought this on?”

“I dunno,” he’d said, uncharacteristically shy, looking away from you. “You know when you meet some people and it’s just like, they’re meant to be in my life, so you have to try really hard to not let them go?”

“So making a girl scream during lecture is your idea of an ideal introduction,” you’d said, and he’d rolled his eyes, leaning over to lightly push at your shoulder.

“You know what I mean.”

“I saw one of your volleyball matches,” you’d told him. Suddenly you’d wanted him to know. “At the beginning of the semester. Before we’d met.”

He seemed to understand what you were trying to say.  “What’d you think?” 

“You must really love it,” you’d said. “Playing volleyball.”

“I do.”

“Well, then, Kuroo-kun. I’ll come meet your friends, under one condition.” He’d raised his eyebrows at you, expectantly.

“I get to tell you my coffee order,” you’d said. “Some of these drinks are becoming downright disgusting.”

“You drink them anyway,” he’d replied. “But I suppose that’s a fair trade.”

You’d grinned at him, and he’d grinned back, and it’d all gone from there. 

You’ve known since you started talking to him that Kuroo is a natural at getting people to orbit around him. He draws people near – crooked grin, warm eyes, quick wit – and then holds them there, at arm’s length, never quite letting them get any closer. You’d thought, perhaps, that you could be an exception to this. That he’d seen something in you that was enough for him to want to let you in. To pull you close. The thing is this: in your heart of hearts you are a romantic, and to you Kuroo has always been a little like the sun, like tilting your face towards the golden wash of afternoon and remembering, soft and gentle like falling into something, So this is what it is to love.

“I don’t know,” Kenma says, and you look at him looking at his game. He is, out of anyone, the most likely to understand how you feel: the air knocked out of you, leaving you gasping and breathless . But he has the reassurance of more than a decade of friendship behind him, built on neighboring houses and the squeak of shoes on a gymnasium floor. Some days you feel like what you have with Kuroo is fragile and insubstantial, playing-card houses on a precarious surface. Like if he left he’d take it all with him.

“Of course he’s going to take it,” you say past the lump in your throat. “He’d be an idiot not to.”

Kenma doesn’t say anything, but the little sound effects from his game pause. He blinks up at you through his bangs.

“We should throw him a party,” you say. “Or something. To celebrate.”

“If you think that’s a good idea,” he says, noncommittal. 

There is an ache in your chest and you think that once you leave Kenma’s apartment you won’t be able to stop yourself from crying. “Of course it’s a good idea. You know how much Kuroo loves having everyone he loves in one place.”

“That’s exactly the thing,” Kenma murmurs, but you don’t hear him, already pulling out your phone to make a list.

“Invites, decorations, food… Oh! Kenma, do you think Kuroo would like it if we made him saba? Or went out to a restaurant that specializes?”

“Probably,” he says. The game resumes. “He’s always going on about doca-something acid.”

“Docosahexaenoic acid,” you correct absently, scrolling through a list of nearby restaurants. Kuroo’s talked about it enough – and despite your better judgment, you’ve listened to his rants enough times – for you to remember the name in full. 

You miss the look that Kenma gives you, exasperatedly fond.

It turns out that Kuroo knows a lot of people. Even more than you’d thought. There are the guys that he plays with on the volleyball team, of course, but then there’s also his other business major friends and the other undergraduates who work in the same lab that he does in his free time (because of course he’d be the type of person to do that.) Then there’s the neighbors he’d had freshman year and still miraculously keeps in touch with, and the ones from sophomore year. Then Kenma casually mentions that Kuroo still frequently talks to everyone from his volleyball team his third year of high school, and you have to beg him to let you use his phone and ensure that everyone from there will be able to attend.

Then there’s the issue of getting enough food: you know from prior experience that volleyball players can eat, and there’s a part of you that worries that the budget you’ve scraped together from whatever your friends managed to donate won’t be enough for one of them, let alone the stampede you’re about to invite into your apartment. And besides, there’s decorations to think about, and maybe a present for Kuroo, and maybe it would be cute if you could get one of those places that rents out cats to send over a couple – do those places actually exist or was the whole thing just a stress-induced hallucination? Either way, the stress of budgeting is enough to make you understand why Kuroo had succumbed to his base capitalistic tendencies and become a business major. You’ll never be able to make fun of him for it again.

Kenma solves this problem readily enough, extending a credit card towards you with barely any hesitation when you mention it in passing.

“Stop stressing out,” he mutters. “It’ll be okay. Kuro’s not the kind who’d care about things like that.”

You blink at him. He determinedly avoids your eyes. “Kenma,” you say. “You know what I have to do, don’t you.”

He sighs, setting down his game. “If you must.”

You launch yourself at him in a bone-crushing hug, and although you hear him click his tongue at you, you can also feel the way his hands come up to rest on your back, soft and steady. 

“He asked me if I’d seen you around recently,” Kenma mentions when you separate.

“What did you say?”

“Said you seemed busy. He said he hadn’t seen you and was worried he’d done something.”

There isn’t much to say back to that. You busy yourself by picking at one of the threads in your shirtsleeves.

Kenma says your name. 

“I know,” you say. “I know. I just – I don’t know.”

Kuroo has many smiles, you know. There’s the one when he’s trying to get a rise out of someone, lazy and lean. There’s the one when he sees a cute animal or a small child or the old lady you always run into the market, the one that reminds him of his obaa-chan. There’s the one he gets when he sees you, sometimes, and doesn’t realize that you’re seeing him back, small and fond in a way that makes you a little afraid, sometimes. At the enormity of it. At how fragile it seems, some days. At what it could become, if given the chance.

And there’s the one he has when he’s playing volleyball, the one that makes his eyes go all squinty; the one that’s a little too large, just on this side of feral, because he’s so happy that he doesn’t remember to think about things like presentability and not scaring the people around him, both on his side and the other side of the net. The one he has when he hits a kill block, or a no-touch ace. 

You don’t think you could stand to take that from him.

“I’ve just been busy. With the party planning, and all,” you finish, meekly. You know he knows you’re lying. Still, Kenma doesn’t push.

“If you say so,” he hums, turning back to his computer. “It seemed like he missed you, though.”

You hate yourself for the small spark of want that blooms in your chest. 

Kuroo Tetsurou, in another life, could probably be yours. You’ve seen the way his ears turn red sometimes when you press a little too close, thighs close enough to be touching at one of the tables of your favorite izakaya. You know he knows your favorites the same way that he knows his own, know that in his head there’s a file of nothing but his knowledge about you, filled to bursting. You know that there are days, hours, moments where his touch lingers on your wrist, your cheek, the back of your arm – never long enough to presume, just long enough for you to notice.

In this life, you’ve seen the way he plays volleyball clearly enough to know that he loves it. That in terms of paths, this is probably the most natural one for him, as easy as breathing. That the world is so big and he deserves to go out and see it, that he’s growing up and some days you feel in your bones that he’s leaving you behind, in the same way that you’d left behind the yellow rubber rainboots you’d adored as a child, outgrown and overworn.

You busy yourself with party planning, so that at least everyone except Kuroo knows that you have a valid reason for ignoring him. Once the budgeting crisis is averted, things go surprisingly smoothly: money really does make the world go round, you think, in a rare moment of reflection between arguing with the caterer and double-checking that you have enough chairs in your apartment.

It’s good, to keep busy. Drowns out your heartbeat in your ears. He’s leaving, he’s leaving, he’s leaving. He’s leaving and you’re not gonna even ask him to stay.

The day of the party is bright and clear, because the universe loves Kuroo in the same way that you do. Bokuto – one of Kuroo’s teammates, and one of your favorites out of all of Kuroo’s teammates (although you’ve long maintained that it would be difficult for Bokuto not to be anyone’s favorite) – is tasked with distracting Kuroo for the day, then leading him to your apartment. This is a good plan because Bokuto is, himself, easily distractible, and Kuroo is, more often than not, perfectly willing to go along with Bokuto’s distractions. However, this is also a bad plan because Bokuto is, out of everyone you’ve invited, perhaps the second-most likely person to spoil the plans for the party. (The first being Lev Haiba, naturally.) To counterbalance that, you’ve asked Akaashi Keiji, one of your juniors, to go along – he has a natural talent for keeping Bokuto in check, more so than anyone you’ve ever met. But you’d feel bad, leaving Akaashi alone to deal with the two of them like that, so to ensure your plan had the greatest chance of success possible, you convince (read: bribed) Kenma to go along with the three of them. Odds are good that he won’t do much to curb Kuroo and Bokuto, but you’re willing to hope that his presence will keep Kuroo from doing something completely insane.

Back in your apartment, you’re adding the last finishing touches to the streamers hanging in the doorway. Yaku, next to you, squints at the streamers. “They’re a little crooked,” he says.

You bite back your immediate response, which is to tell him that if you had a stepladder tall enough that he could reach you’d gladly go get it for him so he could fix them himself. Instead, you ask, “How is it, over there, Yakkun?”

“In Russia?” he asks, and you nod. He pauses, considering. “It was rough, at first.”

“But you got through it,” you say, voice coming out a little more desperately than you’d like. “You like it there now.”

“Yeah,” he says. “It won’t ever be Japan, but I think I can make it home. And Kuroo’s always been able to land on his feet, wherever it goes. I don’t think you need to worry about him, even if he does decide to take the offer.”

“Of course he’s going to take the offer,” you say. “Why wouldn’t he –”

Your phone buzzes in your pocket. You take it out to read a text from Akaashi. Heading back, it says. Be there in three.

Hurriedly, you jam your phone back into your pocket. “Okay, everyone, places!” you call, watching with a critical eye as everyone tucks themselves away.

“Lev, that’s not gonna work. Hiding behind the lamp’s not gonna do much.”

“Idiot,” you hear someone – Yaku? – mutter, and you laugh a little despite yourself. Your phone buzzes again. In the elevator, you read, and hastily you dive underneath a table with one of Kuroo’s kouhai from high school – Fukunaga, you think – to hide yourself, just as you hear the sound of a key in a lock. 

“I just don’t understand why she’d ask you to take care of her plants,” Kuroo says as he steps through the door, sounding a little bemused. “I mean, I love you, bro, but I still haven’t forgotten what happened that one time –”

Three, two, one, you mouth silently, holding your fingers out where everyone can see them, then –

“Surprise!” you call out, stepping out of your hiding place. The others all scramble to follow, adding their own voices to the chorus.

It is, to your delight, one of the few times you’ve seen Kuroo properly surprised, enough that he actually staggers back a step, eyes wide. 

“What – how – when – what is this for?” he asks, directing his question to you, standing right in front of him.

“To say congratulations, Kuroo,” you reply. Suddenly your throat is a little dry. “On getting the offer.”

This time his eyes widen with realization – and maybe a little flash of guilt. He covers it quickly, though, and you’re left a little uncertain, like stepping on uneven ground. 

“So you didn’t actually ask Bokuto to take care of your plants,” he says instead, and you laugh. The sound is a little brittle in your ears.

“Of course not,” you say. “I haven’t forgotten that one time when he –”

“Did I mention we have cake?” Bokuto swoops in. “I picked out the flavor myself and everything. You gotta come see it. The lady at the store was so nice, though I don’t think she understand exactly what I was asking her to put on it at first –”

With a wry eye roll to you, Kuroo lets himself be dragged away. The rest of the partygoers take it as their sign to start mingling, and you let yourself fade into the chatter, becoming nothing more than background noise. It fits uncomfortably, now, where before it might have been a little more natural. Kuroo has always been good at creating space intentionally, whether it be for you or anyone else: a sly smirk for your eyes only, a joke directed towards you and you alone. It’s one of the reasons why you think everyone feels like they can fall into his orbit more effortlessly. 

Kenma appears by your side, unobtrusive as usual. “You should talk to him.”

“And say what?”

“Whatever you want.”

There is a want in your throat and it chokes you. I want you to stay. I know you should go. I’m terrified that I’ll never see you again, either way – if I made you stay and you resented it, if I let you leave and you loved it. 

“I’m worried that he’s getting bored here,” you say instead. “Like it’s not challenging him enough. Like he wants more.”

There are things that you’re willing to admit you can be slightly paranoid about: like putting too much of your heart on the table, like finding someone who loves all of you but the worst parts. Like loving someone and watching them start to resent you, like wanting to learn how to love in the right way but really only learning how to suffocate. And you know it’s possible that in this could be a combination of all those things, that rationally Kuroo knows better than anyone what’s his to keep and what’s his to give away. But you’ve known him for so long now, and there’s a part of you that likes to think you know him better than almost anyone in the world. It’s that part of you that insists you can see Kuroo Tetsurou getting tired, a little bit. He walks off the court with his head tilted back, eyes closed against the glaring lights on the gymnasium, far above. When he looms over the net, you think of it as less a state of being and more of a conscious action: a weary sigh. Another day at work. 

Kuroo Tetsurou, you think, is learning to want new things. To love new things. And that’s okay – that’s more than okay. There’s just a selfish part of you that wishes you could be there to see him through it. 

Kenma hasn’t said anything, staring at you patiently. You think you might throw up.

“I have to go,” you say, limp, and spin on your heel to slip out the back door. Somewhere behind you, Bokuto’s cheers rise above the din, followed by Kuroo’s cackling laugh. It makes your chest ache a little, but at the very least it provides you with some cover.

Your little apartment building stands at an intersection between two streets. Turn right and you’ll get to the park with the stray cats, the ones who’ve started coming around more frequently now that Kuroo has started showing up (now that Kuroo has started bringing them treats, although he denies it every time you bring it up.) Turn left and walk far enough and there’s a little embankment that slopes down to a river. Sometimes in the mornings joggers will pass through the area, but in the dead of the night like it is now the grassy slope is deserted. You sink down onto it, ignoring the way the cold sinks into your skin.

Part of you wants to cry. Most of you is glad you aren’t: can’t, maybe, or won’t. 

You tell yourself the grand lesson in this is that you have to be better at letting go. That there is a lot that your hands could hold – a lot that your hands could want to hold, given the time. Given the opportunity – but not all of it is meant to be held by you. That there is a whole world out there and tonight it feels like it’s slipping through your fingers.

Perhaps the grand lesson is just this: that loss exists. That wanting perseveres.

“Hey,” a voice says from behind you. You know without turning who it is, fingers tightening in the grass.

“Hey,” you say back.

“Can I sit?”

You wave a hand listlessly at the space beside you. “There’s space available.”

He settles in next to you, close enough that your thighs could brush if you were a little more careless, if you hadn’t been holding yourself strung tight and stiff.

“Why aren’t you in there?” you ask finally, when it becomes clear that he has no intention of saying anything, that he’s planning on waiting until you start first. “It’s your party.”

“Why aren’t you in there?” he counters. “You planned it.”

“It was a little loud,” you offer. “Was getting a little sleepy.”

“You weren’t there anymore,” he says. “Kenma said he saw you heading out.”

The words stick in the hollow of your throat, between your collarbones. You can feel them lodged there. “Kuroo,” you say, careful to not let your voice shake, “you can’t say things like that.”

There’s a hand on your knee, long fingers and broad palms spreading over your skin easily. His hand is warm. You direct your gaze down to it. His hand is big enough that it nearly covers your knee.

“Why not?”

“It’s not fair,” you say. “I know you’re not that stupid, Kuroo. You can’t go saying things like that when you’re about to leave.”

He says your name, sharp and soft.

“And of course I’m happy you’re going. I know you’re not happy – not as happy here as you could be. I know it’s an incredible opportunity. I know you deserve it, and you deserve every incredible thing that comes your way. Or at least – I want to be happy for you, Kuroo. I want to be able to give you that much, at least.”

He says your name again. It sounds fond enough that you gain the courage to look up at him. He’s looking right at you. The hand on your knee reaches for your jaw, instead, cradling it tenderly.

“I think I’m gonna stay,” he says. “And I’m sorry for not telling you about the offer earlier. I just – I didn’t want you to think I was leaving. I wasn’t even sure if I was, at first. But then I kept coming back to it – the fact that I didn’t want you to think I was leaving. Not at all, not even a possibility. It made me realize that – well. Russia would be incredible. But I think – I know – I would rather stay.”

The words take a moment to sort themselves out in your brain. Then:

“Kuroo, you can’t,” you choke out. “This is your dream.”

“It was,” he says. “For the longest time, it was. And I thought it was something I had to keep loving. Something that I had to pursue. Like I would be doing a disservice to the me I was when I was little, if I decided I didn’t want to follow the path I’ve wanted since I first started playing volleyball.”

You say nothing. There is a sun rising in your throat. You are afraid to let it go.

“But you know,” he says, thoughtful, “I think there is a difference between loving something and being in love with something.”

“Yeah?” you say. He reaches for your hand, flipping it over from where it rests in the grass so that your palm is facing upward. Slots his fingers through the gaps between your own.

“Yeah,” he says, squeezing once, twice, three times. “Like – I love volleyball, you know.”

“I know,” you say, because you do.

“But I’m in love with it here. With Japan. With the connections I’ve made, with the people who keep me here.”

“I’m glad,” you say, because you are, selfishly so.

“And,” he says, hesitant in a way that you’ve only ever seen once before, back when he was just the boy with the awful laugh and the ugly hair and who kept getting you coffee and getting it wrong, “I’m in love with you.”

And the sun, blooming over the horizon.

[inbarfink]

Okay, you know what, let's talk a little bit more about Simon Petrikov's ears

I already made a silly little post pointing out how the Winter King is drawn with visible ears, while Mainverse Simon is always drawn without them.

And I've gotten a few replies on that post saying that it's probably just a difference in hairstyle. Y'know, the Winter King tacks his hair behind his ears, Simon doesn't. But... I don't think that works if you look at Simon's design. I mean, it does seem to be the case if you look at this one screenshot I here - but usually....

Simon Petrikov's little glasses are very helpful here, because they literally form a line with where his ears should be, and you can see that his hair typically ends just above that point and no matter how much he turns his head there are no ears.

In a back shot you can even see where his glasses handle end, and there's no ears anywhere to actually hold them.

(this is also true when he's Ice King btw)

It's kind of a Whole Thing. The Adventure Time artstyle has some general guidelines of how to draw humanoids' face, but it's fully willing to break them to make someone more goofy and distinctive. Like, some characters having noses or more detailed eyes or even lips. And ears are already kind of a Weird Subject considering how many AT characters wear hair/hats in a way that hides their ears anyways.

Princess Bubblegum is another earless characters, but it's actually pretty hard to notice because most of her hairstyle obscure her Perfectly Spherical Head.

But she's like, Made of Gum, so it's less Weird for her to be earless compared to Simon Petrikov who's meant to be a Perfectly Normal Human Man.

(although Prince Gumball somehow does have ears. Even when he IS in his Magic Candy Form)

(Which is like... lowkey Weird. But still, Magic Candy People's physiologically can be whatever)

Meanwhile, ears IS something pretty consistently drawn for human Adventure Time characters. So it is pretty weird Simon doesn't seem to have them. It's probably a matter of, like, Simon being one of the first not-Finn Human characters added to Adventure Time and with the aforementioned matter of most characters not having their ears/lack of ears visible either way they weren't really sure of how Humans should look in the AT style at that point.

Or maybe they wanted to keep it consistent with Ice King's "Loyalty to the King" look and decided that a Magic Evil Crown that makes your ears fall off is a step too far. Or maybe having his ears hidden by his hair is what was originally intended in his design, but was misinterpreted as being straight-up earless so consistently by the shortboarders and animators it eventually just became his canon look.

But I think also... characters having certain non-typical facial features on Adventure Time is generally an indication that they're particularly prominent. So characters who are drawn with noses generally have large noses. The smaller a facial feature is, the more likely it is to get simplified into nothing.

Therefore, looking at it from an in-universe perspective, I think the most logical conclusion is that Simon Petrikov is not straight-up literally earless - he just has weird freakishly-small ears

And the Winter King was so insecure about them he literally enlarged them with magic.

[outboundskelliebros]

OUTBOUND AU

Introducing the official Mascots for the Mimimuta YT Channel! Outbound Sans and Papyrus! This is just a mega information post on them to know everything you need to know!

REFERENCE PICS

Sans (Classic (w & w/o over shorts) and Swap Form)

Papyrus (Classic and Swap Form)

PERSONALITIES

In general, the bros are pretty goofy, silly, mischief makers. They love both puns from the Papyrus slash Underswap Sans mode leaning more on them and both love practical jokes from their Sans slash Underswap Papyrus modes leaning more on those.

They do kind of have a nihilistic view on things knowing that everything that makes up their multiverse is made of a bunch of greater humans that could just decide to erase any of the universes they created. But at the same time, they realise that that doesn’t really matter. What could they do to stop them anyway? They’re made from duplicates of code that’s torn off from universe codes, so the original universes being deleted won’t delete them. (Wait till they realise they were created too but anyway) But they don’t use this new ‘Nothing matters! No one can stop us!!! *blowhorn*’ view to cause bad chaos, just chaotic good to neutral chaos. So when they do eventually interact with the Aus, they’re mostly just goofing around with the characters and lowkey fangirling since they HAD been watching the Aus from a distance from a while so that kind of made them feel parasocially connected to them. But also won’t interfere with actually important events since that’s not their place to do so.

They also experience slight memory issues. Not quite amnesia, just sometimes having random snippets of memories from a random Sanses and Papyri. Like, imagine Outbound Sans talking to Underfell Papyrus after having gone to Underfell a few times with his Papyrus and joking about an event then Underfell Papyrus being confused as hell why this Sans knows about something that happened in private with him and Underfell Sans and having Outbound Papyrus being like, “... BROTHER, I BELIEVE THAT WAS ONE OF THOSE... DEJAVU MEMORIES.”

Sans just blinks blankly for a moment before laughing it off, “... OH! MY BAD! FORGET I SAID THAT, LMAO.” and Underfell Papyrus is just confused.

SANS

Older brother, a bit of a terror of an older brother that loves messing with his younger brother. Lovingly.

Little mischief gremlin, does stuff randomly cause funny, also likes sarcasm

More observant than his silliness let’s on

Laughs slash appreciates at any joke Papyrus does, regardless of if he’s in Swapped or Classic mode cause he finds anything he’s bro does as endearing as a proud big bro

Slightly more unstable than Papyrus since there’s more Aus of Sans exist, especially negative ones. Has moment where the abundance of bad Sans AU codes in him make him either slump into episodes of deep depression or irritation to outright rage. Has learned to block out the worst effects of these codes but can't stop it entirely and hates it

SWAPPED exclusive trait: Hyper little energy ball, whizzes around a lot (Because people kept misinterpreting Blueberry as Canon Swap Sans, blueberry does influence him too)

CLASSIC exclusive traits: Sleepy narcoleptic, though half the time it’s because he’s pretending as a prank. Also drinks condiments because of how prevalent this headcanon is, half because he likes seeing people uncomfortable for funsies like OG Sans does, half because he likes it like everyone headcanons Sans does.

PAPYRUS

Younger brother that is so done with his older brothers antics but still puts up with it cause even he can admit it’s funny sometimes

More friendly and tenderhearted but can be pretty hot headed

Typical younger brother attitude, so it generally more immature and slightly more willing to give the benefit of the doubt to others, not out of naivety but optimism, than Sans is

Don’t let him acting annoyed with his older bro’s antics fool you, he can be just as much of a silly billy as Sans can be

Unlike Sans, he doesn’t experience irritation or depressive moments like he does, since Papyrus in Aus is very rarely depicted as... I guess antagonistically is the best word to use as Sanses are. That doesn’t mean he doesn’t feel some levels of depression ever

Autism haver, tends to fidget, a little bit socially awkward but optimistically and confidently pushes his way through it. Randomly becomes hyper fixated on different things.

SWAPPED exclusive traits: smokes special magic sticks, doesn’t actually do anything to him except make him look cool. Influence from the many swap Papyruses version makes him feel the urge to but has no real need for the effect smoking would actually cause.

CLASSIC exclusive traits: Go getter, pretty cocky even compared to Swapped Sans since he’s been pretty hyped up by Sans

How they switch? Usually it’s just a random thing that happens with a slight glitch but they can make it happen manually, usually if they just feel like relaxing (SwapPapi and UTSans) or go exploring (UTPapi and SwapSans)

BROTHER DYNAMICS

OG Papyrus x OG Sans

Pretty similar to original game

Swap Papyrus x Swap Sans

Similar to canon Swap

Sans is more protective of Papyrus than Papyrus is of Sans, unlike how many people seem to think otherwise, but Papyrus is still pretty protective of his bro

OG Papyrus x Swap Sans

THE ABSOLUTE GREATEST MOST MARVELOUS BROS EVER (as claimed by them

Energetic, always on the go and doing things

Surprisingly, Sans is more hyper and energetic than Papyrus so Papyrus has to keep up with him more than Sans has to keep up with him

Swap Papyrus x OG Sans

They just chillin’

Sans is typically more laidback than Papyrus and sleeps more than him but otherwise, they’re just vibing

[carriagelamp]

By and large I was very satisfied with my books from this month. Read some books that were Goofy As Fuck (affectionate) this month, as well as some excellent nonfiction

Beware of Chicken

I get to kick this month off by being a hater. I was really disappointed in this book. A friend completely loves the series and was convinced it was right up my alley, so I'd gotten it on really high recommendation. The concept is right up my alley (protagonist lives in a cultivation setting, decides he actually hates all the violence and fighting involved in cultivation and instead fucks off to become a farmer… however his rooster then becomes a cultivator in his stead, hilarity ensues!) but the execution… woof. This is the sort of parody that rubs me the wrong way, the sort that comes across as lazy and clumsy and too mean-spirited to be appealing. 

The main character is isekai’d (another trope I don’t love as a rule) and he is just… unpleasant. He is a very Standard OP Main Character where everything he does goes well and everyone loves and reveres him with no actual work put in. The way female characters are handled sucks. The only bits I really enjoyed was the rooster’s POV and even that began to feel repetitive pretty quickly. I did not finish this book, there are better options out there.

The Disabled Tyrant’s Beloved Pet Fish v1

Now, speaking of better books that lightly parody cultivation and isekai stories: tada! This series is ridiculous. It is very very very stupid. The writing is nothing to (hurr hurr) write home about. And I have definitely fallen in love with it, it’s good-hearted and silly in a way that feels perfect right now.

The main character, Li Yu, wakes up in a webnovel setting but rather than in the body of a character he is… a fish. The mission he’s given is to become the “tyrannical” fifth prince’s beloved pet and help him become a better person than he was in the canonical story. This whole book is some Saturday morning TV slapstick nonsense and it rocks. Li Yu is trying to be Very Sneaky And Cunning and fails it at every possible step. He is very obviously Not A Fish... however it just so happens that his new master knows so little about fish or pets that he’s just shrugging and going along with things. I’m very much looking forward to continuing the series.

Escape from Incel Island

I was in a independent book store and this was sitting out on a shelf. I was physically incapable of walking by this and not buying it. So here we are. This is the most deranged little novella you could possibly ask for, and I read it out loud with my girlfriend (while waiting in traffic) and later with my brother. It’s impossible not to laugh.

This story follows Manslaughter Jones, ruthless mercenary, and Dr Morrison who have been sent to the notorious Incel Island to retrieve lost government data. Along the way they team up with a group of Nice Guys, need to fight their way through dangerous forests and hordes of enemies while surrounded by a continual and extravagant spray of blood. What sort of people who were lured to an island prison with the promise of their very own woman upon arrival? You'll soon find out! This is obviously a parody of online incel culture and guns-blazing action movies, with just enough societal commentary to make it feel worth reading.

Honestly, if you want a book that jumps the shark from page one and is unapologetic about it, it's a very fun read. Highly recommend finding someone with a sense of humour to read it aloud with.

The God & the Flightless Messenger

A cute little manga that I was gifted. It’s set on a mountain where gods come and go, inhabiting the various peaks. They’re cared for by winged messengers, who tend to their needs and ensure they aren’t contaminated with chaos. Shin is a messenger whose wings never grew in properly, who can’t fly and doesn’t have a god to serve — until now. He’s sent down to the lowest mountain peak where a strange, new furball-of-a-god has appeared, one that seems to not just attract chaos to it but which seeks it out…

An Illustrated History of Urban Legends

A very chill nonfiction book about different aspects of urban legends, from ghost stories to cryptids to aliens. Written for a younger audience in mind, this is mainly just an introduction to the concept, but it’s well-written with a reasonably skeptical bend that points out conspiracy theories plainly. As an adult I found it worth reading just to enjoy the art that fills every page!

Old Wounds

This novel was… fine. Erin and Max, two trans teens, are determined to drive west to California, where they can attend college and live a more open life than they do in their small hometown. Things begin to go wrong though when they find themselves stranded in rural America, surrounded by not just small town bigots but potentially something much more deadly in the woods.

This is billed as a fairly classic “townsfolk sacrifice outsiders to the local monster” type of story, which I enjoy, but it fell short on the actual horror elements. There was no point where I was actually scared or worried for their well-being — it was fairly obvious that these two were safely shrouded in plot armour. However the story itself wasn’t bad. If you’re interested more in an interpersonal drama with a dash of light peril and horror elements on the side, you might enjoy this. If you want something that’s actually scary, try something else.

The Poison Squad

Absolutely phenomenal nonfiction, contender for my favourite book this month. This book delves into the history of the American FDA, and looks at the absolutely nightmarish landscape that existed when companies were allowed to put whatever the fuck they wanted into food completely indiscriminately and without telling anyone about it. All those people who want unpasteurized milk? Wanna know how they used to preserve it long enough to ship to the cities? Fill it with formaldehyde and some chalk powder to make it look white. Enjoy!! There was something very satisfying about watching such a dedicated fight for stricter regulations and consumer protection, mixed with just enough horror at what was being shoved into foods.

It has since been making me side-eye both a) food, and b) absolutely anything that tries to weaken governmental food regulations. Considering the political landscape, it really just makes this book all the more worth reading. On top of the fascinating topic, Deborah Blum has a very enjoyable, narrative writing style that makes it a very easy and enjoyable read (coming from me, who isn’t overly fond of nonfiction in general).

The Poisoner’s Handbook

After finishing Poison Squad I wanted to read more by Deborah Blum and found this. You can definitely see how Poison Squad grew out of the initial research that must have gone into The Poisoner’s Handbook. This nonfiction book is set during the Jazz Age, all around the time of Prohibition, and follows Charles Norris who becomes New York’s first appointed Chief Medical Examiner who pioneers the field of forensic medicine. He plays a pivotal roll in showing how rigorous scientific testing can be used to discern toxicity in humans, solve crimes, protect innocent people from wrongful accusations, and campaign for better safety regulations of poisonous substances. Not quite as well-written as Poison Squad imo, but a very compelling topic.

Sadako and the Thousand Paper Cranes

Read in honour of Rememberance Day. This is a book I vaguely remembered reading in elementary school, and decided to revisit. It’s just a tiny little chapter book, about a twenty minute read if even, but it hits hard. I remember sobbing as I read it as a kid, and I didn’t fare much better as an adult. It’s a fictionalized account of a real Japanese girl, Sadako, who was born just after the bomb was dropped on Hiroshima. It follows her eventual diagnosis with leukemia and the slow death that follows. A very powerful anti-war story, superb if you want to traumatize any young children in your life ♥

The Scum Villain's Self-Saving System v4

The final book of the Scum Villain Self-Saving System series, though the main story concluded in book 3. This book was entirely filled with additional “bonus stories” and honestly it’s just convinced me that more series should do this. There was something really fantastic about getting to neatly wrap up the series in book 3, but then still having some extra adventures, both pre-, mid-, and post-canon. Some of my favourites included the story that focused on side characters Shang Qinghua and Mobei-Jun and how their relationship evolved over the course of the series, some additional lore for my boy Zhuzhi-Lang, as well as a very amusing “de-age” story in which Luo Binghe finds himself in a child’s body though with all his usual memories and feelings. Shen Qingqiu has to deal with a pseudo-toddler who is capable of wholesale destruction — one who Is Not Happy about being mistaken for Shen Qingqiu’s child, and who wants people to stop propositioning this “single father” already, he is right here!!! These stories were mostly fun and silly with a few heart-wrenching ones mixed in for good measure.

The Swiss Family Robinson

A children’s classic that I’ve always meant to get around to. It was published in 1812??? I had no idea it was actually that old! Though man, once you start reading it You Can Tell...

For those who somehow don’t know the premise, The Swiss Family Robinson is about a (Swiss) family (named Robinson) who are shipwrecked near a deserted island. They then have to make their way to shore and figure out a way to survive. You see them meet all sorts of animals, scavenge for supplies, and build up a home on their island paradise.

Now, as far as it coming out in 1812… I can see why this would appeal to people at the time. It was a power-fantasy set during a time when sea exploration was The Hot Thing. There were all sorts of exotic animals! It tried to offer up what was probably New And Exciting Science! Unfortunately, from a 2024 lens, it is all completely insane and wrong. Kangaroos, buffalos, ostriches, jackals, elephants, vultures, anacondas… the entire world is condensed onto this singular island! Don’t even get started on the plantlife! And every single animal here is destined to be hunted and shot. We are very gun-happy in this book. 

My other main condemnation of the book (because let’s be honest, the science can be forgiven when the time period is taken into account) is that it is profoundly boring. There are no big problems. There is no difficulty. If a problem arises, it’s easily and perfectly solved by the father within the same paragraph. It makes for a slightly surreal reading experience and not one I'm eager to repeat. I've heard the Disney version at least includes pirates so I might try watching that, just so this boring as fuck colonialist narrative can get spiced up a little...

When Women Were Dragons

Hands down the best written book I’ve read this month which I was not expecting. I’ve seen this book’s name get bandied about, but always with pretty mixed reviews. Well, after finishing the book and diving into the goodreads comments to see what the heck people are going on about, I’ve concluded that the reading comprehension on this site is worse than I imagined.

So, from the top, let me make it abundantly clear: this is not a fantasy adventure. It will not read like a fantasy adventure. It is, arguably, not even fantasy! Despite the dragons! This book is 100% an example of pure, uncut magical realism and it has to be read allegorically. If you are reading this literally, I’m sorry but you are reading it wrong and I wouldn’t be surprised if you didn’t enjoy it.

This story is set during the 1950s, in a time surrounding an event known as “The Mass Dragoning” when thousands of women suddenly, spontaneously, transformed into dragons and flew away. The story follows Alex Green who was a child during this event. Her aunt transformed. Her mother didn’t. Both of these things have profound impacts on Alex as she grows up, and a woman’s role in society, a woman’s anger, her joy, her desire are all questioned and explored. What does it mean for someone to stay, for someone to leave, and for someone to be left behind? What does the transition between first and second wave feminism look like? It is a heavy book but beautifully written and incredibly poignant. So many times I was left in speechless awe. This is really a masterpiece, and if you like dissecting literary works I can’t recommend it enough.

This Months Notable Absentee:

Whoops, I was doing Dracula Daily and completely forgot about it during the long slow section after the October whammy, so I did not end up finishing it on time.... 🫠 expect that on Decembers book round up!