#they just didn't love daughters enough to care

[phoenixfire-thewizardgoddess]

Okay but consider this...

Lillith did not, in fact, order Alastor to go to the hotel or protect Charlie (per say)

In fact, she might have slapped the exact opposite order on the deer, because she knew what a nightmare he could be.

It would be inifinitely more fun to have her reveal that when she drops in for a visit.

"So you sent Alastor here to protect me?"

"My dear, I told him explicitly not to fucking come here in order to protect you. But he's a wilful bastard and I should have known better." Lillith sighed, rubbing her eyes.

"So why did you come here?"

"Why, pure spite and a desire for entertainment my dear. Why not?"

"...if that's true, why didn't you ask for my soul in our deal? I... would hope my mother would trade it for your own."

"She may have, she may not have. She could just force me to release it to her too, you know that's in her power."

"That didn't answer my question..."

Lillith laughs, "Darling, I think you actually endeared yourself to the Overlord when you fought that horrid mantis woman on television. He genuinely enjoys that level of chaos... and the fact he remained against my many subtle attempts to have him leave, means perhaps the stubborn deer might actually like you."

"Preposterous, it's mere entertainment..."

"Like Rosie? Like Vox? Are they entertainment? You let her hug you and didn't even try to bite Charlie once. Oh don't get steamed, deer, I'm just yanking your tail... it's not a bad thing to care for someone. And my-... Our darling daughter..." here she winked, having scryed the initial song battle between Alastor and Lucifer, grinning widely. The two were so similar when it came to theatricality, and yet, so different in terms of everything else. "here is just the sort of creature that no one but the bleakest of fools could fail to care for."

"...how dare you imply I have any emotions, you wretched diva." The tone was mock offence and joviality, and only Lillith's echoing laughter stopped Lucifer from defending her majesty's honour.

"Oh, you do, and I'm sure you're quite fawn'd of Charlotte, you antagonistic anachronistic ancient artifact." She bounces back, airily.

"Ho, I know one should never ask a lady her age, but I don't think there's a number high enough for you to provide in answer."

"I missed these little banter sessions, Bambi, it got quite boring without someone mocking my every waking moment."

"And your husband is a poor substitute for your cruel wit, Siren, and yet... we made do with what we had. Now, how are you here? I thought Adam's little nonsense kept you pinned in place?"

"I believe Niffty took the pest out on my behalf and snapped the threads binding me there. Do get her something pretty from Rosie's and put it on my account, I know the demonic doll will adore anything from her boutique."

"Hello, can I get a word in edgewise?" Lucifer has this too-cheerful grin on his face, waving his hand like an eager student aiming for the attention of the teacher. "Hi, your husband, hello. Quick question, what the fuck are you talking about? How do you know the bellhop? How is Adam involved in any of this? And again, what the FUCK is going on here?"

"Oh... did I not say, my love?" Lillith coos, a trembling note that she knew angels used between one another to help settle ffrazzled nerves. It was always a delightful amusement to see Lucifer's ruffled feathers settle. Intriguingly, the little ex-orcist does to, and then looks confused about it. "Why, I was trapped in Heaven with my boorish first fool of a 'husband', to prevent more 'rebellion nonsense'. I had to make a rather clever deal to help Alastor get back to Hell, and I technically own his soul... but we've been friends for decades, dear. You've met twice..."

Ah, that might be why Alucard was so pissed to be dismissed, Lucifer realises. Wouldn't be the first time he'd forgotten a face.

"Charlie was abooooout ten at the time, in terms of age, my dove..." Lillith prompts. "The television sinner was there too? Do you recall that?"

"...no. But a lot of those decades were a foggy mess." Lucifer admits, trying to work out how he forgot a guy with a tv for a head. Wait, he remembered the guy with a tv for a head. "Did the television have a yellow sweater on and I kept subtly asking how the fuck he managed to get it on given the neckhole didn't seem that stretchy?"

Audience applause played from the air. "That's the one. The secret was, of course, velcro down the back. He'll say he used his powers to put it on, but he didn't have that ability back then." Alastor explains. "I do believe it was a vaguely productive meeting, even if you were only physically present, your Lowness. Why, I recall we'd taught deer Charlotte at least four new swear words by the time we left..."

Charlie, whose eyes were wide as she Recalled Something, felt her mouth fall open. "Oooooh, so you're the ones who taught me to say [very long and complicated series of words that seem to be sending Lucifer into a state of rage as yet unattainable to sinners with every syllable]... right? I said that to dad when he told me it was bathtime and I didn't want to, and he had to go set something on fire before he came back to talk about 'good words and bad words'."

Vaggie looked horrified, and snapped a glare at the radio demon.

Alastor's grin was WIDER than it should be possible to get. "Are you telling me, my dear Charlotte, was that his Majesty's tantrum was the reason that half of pentagram city was burned to the ground shortly after we left that day? Oho, that's just... delicious."

"Well I shouldn't have said it..." Charlie agonised, "I'm sorry Dad. I mean, it was a while ago,but..."

"Oh, you're not to blame Char-Char... this fucker is." Lucifer launches for Alastor, whose tendrils are manifesting... and then a startled bleat escapes as Lillith yanks him practically into her lap by the collar.

"Hold, Luci, there was no harm done in the long run. And you know I found it hilarious, in the aftermath." Lillith waves it off. She turns to the Overlord trying to right himself. "And you, you terrible influence, I do hope you haven't taught our darling anything worse while I was away?"

Charlie, caught back on the bleat sound, is watching on with stars in her eyes. She blinks. "What? No, he hasn't... well, unless you count [a strange warbling static came out of her mouth as her lips moved in what seemed like words]?"

Alastor's ears went flat in shock. "I promise you I didn't teach her that... I had no idea she could even hear that frequency, nuch less verbalise it!"

"I heard you tell Vox he should-..."

"DO NOT REPEAT THAT!" Alastor just about begged as static spilled about the room. "Do you WANT your parents to reduce me to atoms?"

Charlie blinked. "No? It was a pretty creative threat, but it wasn't that bad..."

Lucifer was pulling at a mental thread from the conversation. "Hold on, can we back up to the part where the deer was in Heaven...? How did that happen?"

Angry static filled the room until it was oppressive. Vaggie clutched at Charlie's arm whilst also putting herself between Charlie and the Overlord.

"Enough of that..." Lillith murmured and tugged at an antler. She received an indignant noise that Alastor wouldn't ever admit to with a gun to his head. "They were going to find out eventually you overdramatic cervine... might as well out with it."

The ears pinned flat. "No."

"Fine, I will... this canibalistic mass-murdering psychopath somehow got accidentally redeemed whilst fending off angels during an extermination. I strongly suspect it was because, even though they had just been fighting to the death, he still put himself in the way of those who would have killed Vox..."

Charlie was flickering between shock, anger, confusion and something that looked like it wanted to be weepy and affectionate. Hopefully she didn't settle for the latter because Lillith and Lucifer would have to pin the deer in place to avoid Alastor throwing himself out a window to avoid the whole mess.

"You... you knew it was possible... and you didn't TELL ME?!" Charlie yelled, settling on Anger.

Alastor grins, "Well, you never directly asked, did you?"

Charlie steamed, then pivoted in the old Charlie Fashion (TM) to joyful. "It's possible?!"

Lillith also adds, "From what I have heard around Heaven, it may not have been the first time... they just keep it quiet. And... well, if someone gets up there who starts doing things like, say, eating Cherubs because they were furious they were trapped there... they usually just killed them off. Unless, of course, they had the Queen of Hell there who could convince them to try another way."

"You ate CHERUBS?! They're like CHILDREN?" Lucifer is aghast.

"They are infuriatingly too-positive little nightmares with no common sense or ability to accept anyone else's viewpoint. Yes. they were delicious."

"...well, okay they're a bit of an experience but eating them?!"

"Most of them are centuries older than myself, they had enough time to learn to back off. I warned them, they persisted, I got to try angelic veal..."

Vaggie looked like she wanted to throw up. "Don't. ever. say that phrase again."

"What, angelic ve-...?"

"You stop taunting my future daughter in law or I order you to let them pet your tail." Lillith warns. It's an empty threat, she was a major proponent of bodily autonomy (anyone who'd been trapped with Adam would be) but Alastor didn't need to know that.

"You wouldn't dare!"

"I would. Now, shall I continue? Lovely. We made a deal, with Adam cosigning because I was under his contract, to allow Alastor to return to Hell as a Sinner... with a few rules that the oaf created. Particularly the one around not raising an army against Heaven, and some poorly worded nonsense about not sharing the secrets of angelic steel and implying he should not be 'fucked with' which we took to assume meant no fighting the fool. Because he certainly made passes at both of us."

Lillith's mouth turned down in distaste. Alastor looked like HE was going to be sick.

Lucifer's expression flickered demonic. "If he wasn't dead, I'd kill him again..." After everything Lillith went through in the Garden, to be trapped with a man who could never learn from his mistakes, was blind to making them. Revolting.

"Didn't want to take the Dickmaster for a spin, Bambi?" he snipes, distracting himself with the casual patter of argumentation with the overlord.

"Why, your majesty, I was busy with your wife... although comparatively, I do have good time management skills, I suppose I COULD have managed if I tried..."

"You did WHAT?!"

Lillith was trying so hard to keep a straight face as she threw a pseudo seductive expression at Alastor. "Oh darling, he's not ready to know about that..." she purrs. She sees her husband attain an almost orange colouring. "We're joking, dear... I promise."

"Dad? Try counting to te-... fifty-seven." Charlie intervenes.

"One, two-... wait, why 57?" he says, colour settling again.

"Because the number was so unusual you'd get curious about it and drop out of your funk to ask."

"...you really are so clever, Char-Char, we really made something amazing when we created you."

"Daaaaaaaaaaad, please... not in front of Vaggie." she flushes.

"Unclench, your Lowness, your wife is aesthetically pleasing but we are but friends." Alastor shrugged.

"Because you liked Vox, right?" Lucifer was awarding himself a mental medal because he REMEMBERED bits of the conversation. Wasn't that sad?

Alastor snarled. "Hardly." Oooh, that seemed like a sore spot. Time to press.

"Didn't like you back, huh? Fair. I can't fucking stand you, and-..."

"Lucifer, leave it." Lillith said. It wasn't harsh or sharp, but it conveyed that she knew something about why the Overlord's expression had fallen behind that smile, even as he forced whatever emotion that meant back into a box and reasserted the mask. "It's complicated, and now is not the time for that conversation. Suffice to say, no one slept with Adam outside of his exorcists, but I did manage to get Alastor back to Hell as swiftly as I could in order to have him covertly assisting Charlie."

"How? If you wouldn't let him at the hotel, then how does that help?"

"Destabilise the Overlords, be more lenient about the souls on his chains trying out the hotel, spread information about the place in a covert manner that wouldn't get a target on you, so many underhanded things my dear. Though, I am glad he disobeyed... I hadn't realised how little you understood of management and staffing."

"Heh, yeah... it was the best we had."

"Charlotte, you could have ordered palace staff to come and help at the hotel, you were always too kind."

"Oh, I dismissed them when you left with Charlie..." Lucifer adds, sheepishly.

"It seems there is a lot I need to do in the interim, then." Lillith sighed. "Alastor, would you be open to helping me manage these tasks, even without the deal in place?"

"...I kept the last hotel together with magical duct tape and elbow grease, it's a matter of pride now to continue in the role." Alastor shrugs, as if unconcerned. The collar shatters with a snap of elegant pale fingers. "Thank you... now, what was it you needed seen to? I will need to schedule in a few hours to go and tear the Vees limb from limb, but outside of that, my calendar's quite open."

"Wait, we need to discuss everything we just learned! I have questions!"

"Later, Charlotte. Now is the time for action..." Alastor replies, radio dial eyes flaring, already planning on how he would prepare the Vees for dinner.

"How dare you talk to our daughter that way, Alastor, deer?" Lillith teases, tugging at his ear and laughing as he snaps his teeth at her fingers. "Oh, don't fight in front of Charlotte, she'll end up with a complex or something..."

"On top of her glaring daddy issues you mean?"

Alastor doesn't like the way Lucifer's expression goes from furious to cold, cruel delight in a heartbeat. "Well, it's on you to fix now as well, bellhop... seeing as you claimed her too. So, how about some..." the world seemed o slow down like a horror movie, "Family... therapy...?"

"...If you'll excuse me, I'm going to beg Vox to kill me."

Charlie leaps for him, "No, he's kidding!"

"So am I, Charlotte... do take a breath. Your parents are apparently comedians this afternoon, and I think we'd all best steer clear of them until whatever madness has swept over them, passes. Now, would you like to come and watch me dismember an overlord? You and Vagathat could even tag-team Velvette if you wished..."

Vaggie looks like she might pass out.

His ears flatten. "Ah, I believe I hit another slang term and I'm not going to like what it really means... am I?"

Lucifer curls half his wings around the Overlord, as one might companionably sling an arm over their shoulder if they were at comparable heights. Clearly having decided that he can torment the other better if he REALLY leans into this madness between them all.

He steers the deer towards the corridor as Lillith follows behind, unwilling to miss the fuss.

"Well, you're gonna love this, Al... husbando nuero uno, honey, deerly beloved, blood moon of our life..." Laying it on thick, but Al looked ready to claw his own ears off with each passing endearment. "...but tag-teaming used to mean fighting in tandem, and now it means-..."

The door clicks shut, but seconds later every radio in the c=vinciity blasts an air raid siren and something that sounds mysteriously like a clown falling down the stairs.

Charlie counts to ten, breathing hard.

"What the fuck is my life...?" she whispers.

Vaggie consoles her as best she can, tossing up if Charlie outweighed the insanity of her family enough to propose. She blanches, momentarily, imagining having to ask Lucifer and Lillith and Alastor's permission, before catching herself.

Sure just the first two, right?

Right?

But then she recalled the look in the royal couple's eye, and their infamous penchant for committing to the bit... and resigned herself to like, dragging a sinner home and offering it to the deer for his blessing. Or something insane like that.

"No matter what, I love you, Charlie..." she murmurs externally. "Let's go take a walk in the garden to calm down, okay?"

"...yeah, I could use fresh air after all this."

There'd be so much to talk about later, so much to ask... but for now?

Charlie needed cuddles and connection.

And, based on the sounds downstairs, someone needed a first aid kit or a priest... so they'd be taken the back staircase to avoid all that. The smoke alarms began to blare.

Vaggie tugged Charlie away from the choas just a little faster.

----------

no idea where this was going, it spiralled on me

it could be funny tho

[prettyboysdontlookatexplosions]

medialog august-december 2k24

i was like, should i just abandon this and start fresh in 2025... but no. also i'm putting this behind a cut bc it is long but it's shorter than it sounds bc LOL working 7 days a week is not conducive towards having the brain space to interact with a bunch of new art!!

watched

ponyo - THIS IS THE CUTEST MOVIE IN THE WORLD!!! miyazaki/ghibli is a big blind spot for me bc as a kid i was like "but i want anime to be pretty, like sailor moon..." so i never got into kiki or totoro (very stupid but again i was: A Child) and then as an adult, this is embarrassing, i tried to watch spirited away and just literally didn't get it. i was like, i am so confused about what is happening and what emotions i am supposed to be feelings. and i know that spirited away is a movie for children and this makes me stupid. but i have never pretended not to be stupid. anyway i would die for just about every character in this movie and when i watched it a second time to make nick watch it i was so full of tenderness for how lovingly it captures what it's like to be a small child who has a small creature to take care of that i felt like i could explode!

deadpool & wolverine - i think if i had been in a better mood when i saw this movie i would have disliked it more but as it was i was in a HORRENDOUS mood and, basically, had a good time. funny to watch this, the Superhero Movies Isabel Has Never Watched Cameo Show (literally i had never watched an x-men other than first class, in which wolverine only appears to say fuck off, or either of the two deadpools), and still get to experience the same OMG IT'S HIM rush as everyone else did, but for matthew mcfadyen. the guy next to me was like "i love channing tatum" when channing tatum showed up and like, same.

trap - great movie to see with a group of like 10 people with whom to giggle the whole time. josh hartnett understood the assignment and his dad-vibe era is soooo much hotter to me than his twink years ever were (not always the case for me! but between this and how hot he was in oppenheimer i've really warmed to him...). i think it's nice that m. night shyamalan loves his daughter so much. ladyraven has a ballad with the line "faustian trade-offs" which caused me and no one else in the theater to laugh real loud. her music is pretty bad but tbh in an era when people want to put chappell roan on the A-list i'm not even mad. it was funny trying to figure out her niche though because like the vibes are obviously supposed to be taylorish (the cabin onstage... lmao) but the music was giving... idk, ariana? also it's just inherently funny to make a movie premised on the fact that it would be really easy to narrow down who the serial killer is by identifying the adult men at a pop girl concert + this movie REALLY captures the vibe during the opening act no one gaf about a pop event concert, like i saw 5SOS open for 1D and that's exactly what it felt like

popstar: never stop never stopping - rewatch, duh. is this the funniest movie of all time? it's gotta be up there, right?

josie and the pussycats - also a rewatch, duh. love everything about this but most of all the soundtrack, the songs are legit incredible, no fictional band has ever had better music (rip adam schlesinger who contributed some songwriting!!!). first time rewatching this movie since figuring out some Stuff and understand now that rachel leigh cook needs to be on the Oh Those Were Gay Feelings. That's What That Was list. (rosario dawson too, but i already got there with her.)

vice - really incredible to think it would be possible to fuck up a movie about how dick cheney is basically satan but somehow mckay managed. christian bale is a professional though, i feel like we don't appreciate enough that no matter how bad the movie or how stupid the writing he's out there giving an absolute top tier performance every single time.

aliens - sorta half-watched this one but idk i feel like me and james cameron just don't vibe. not as incredible-looking or cool as the first one.

godzilla minus one - really really cute!!!!!!

jurassic park - rewatch on the big screen, still slaps the hardest of almost any movie ever

twentieth century - this is i guess nominally a screwball comedy (howard hawks, 1934, for those of you for whom that means something) but it's about these two toxic theater people who are horrible for and obsessed with each other and it's... darker... than my experience of that genre has usually been. in a way that sort of works in its favor partly because it just gives it a certain interest and partly because the gender politics of screwballs can be so dark themselves so it's kind of a relief that this one lacks the cognitive dissonance of pretending this all isn't horrible? idk. it's a weird one. but i liked it, on balance. there's a (pretty funny tbh) running gag about suicide threats and a really bananas third act plot that comes out of nowhere... great performances across the board and some real bangers dropped into the screenplay!

the substance - i didn't, like, love this, and i think a lot of common criticisms of it are right, but some are also very silly (guys i think the director knows nothing about the morning exercise show makes sense... i don't think she was going for a realistic depiction of 21st century celebrity...), and i did have a good time for the most part (the last 30 minutes is gross in a way that doesn't do it for me... but i know it does it for some people and those people deserve movies too...) and respected its commitment to its own bit, as well as the fact that it's basically a fairy tale (a woman who lives in a tower makes a bargain with a force she doesn't really understand to regain her beauty...). oh also i liked that the thing that drives the back half of the plot is essentially the idea that you simply cannot have a 22 year old's body without also having to contend with a 22 year old's dumb dumb stupid ass piece of shit idiot brain. haven't seen a lot of people comment on that aspect of it but it was like my favorite part!

female trouble - people throw out the word iconic a lot but like what else is there to say? rude, disgusting, occasionally genuinely offensive, mostly (for me) delightfully so... really great to watch with a crowd that would whoop and cheer for I'M SO GLAD I HAD AN ABORTION and THE WORLD OF THE HETEROSEXUAL IS A SICK AND BORING LIFE... also like it's really key for the way this movie functions that divine is a fat drag queen that most people do not consider the pinnacle of beauty but it's incredibly clear that john waters and this movie does... like divine's constant proclamations of her own gorgeousness are in a kind of inherent tension with the average american's disagreement with that sentiment but in a way where it's like, if you disagree you are an idiot and this movie is not yours. she's so hot in this it's crazy!!

michael clayton - i wanted to watch a talky thriller-ish movie and the men of the ringer podcast network literally never shut up about this one so i gave it a shot and it delivered! clooney predictably great but i had no idea tilda swinton & tom wilkinson were in it and they are both also awesome, as is merrit weaver in a small but very well cast role

venom - you can sort of glimpse the movie this movie would be if it weren't shackled to What A Superhero Movie Is Now / loosely to the MCU even though it pretends it's not, and i bet that movie would be a lot of fun!

black christmas (1974) - perfectly done urban legend horror with an interesting little pro choice streak, great cast, camera work so perfectly spooky and tense even i noticed how well it was done, makes good use of the cinematic potential of christmas lights. i really liked that this movie is short and a slasher but all the characters in it feel very well drawn even though we don't spend much time with almost any of them... reminded me that this is actually possible to do and i should be harder on movies that don't do it!

black christmas (2006) - nowhere near as good as the first one, but it is, uh, absolutely bugfuck crazyass bananapants start to end. my favorite of many deranged writing choices in this movie is that the sorority mother makes them all open their secret santa every year with a gift for the murderer who killed his family years ago in this house and then when one of the girls' townie boyfriend is like "this is the house that used to freak us out when we were kids" the sorority mother is like, "why?" ?????????? ok!!!!!

heretic - hugh grant is a fucking movie star. i love sophie turner and the other girl was good too. sort of loses steam once the "actually" scary stuff happens because horror movie shenanigans are hard to make as scary as the situation of two young and not very experienced girls slowly realizing they are trapped in a house with a man who just keeps pushing the boundaries of the social contract a little further, but i had fun

the apprentice - not a good movie but a great viewing experience for those of us who have reblogged in our lifetimes approx. 1 million combined gifsets of sebstan and jerbear... like yeah those are my guys and my guys did great :) i think my favorite thing about it as a movie (other than the way the "look" of it updates with technology, which is a cooler idea i wish had been used for a... better movie?) is that it really beats home the aspect of trmp wherein he has no social skills at all and has never felt authentically comfortable in a group of people in his entire life, which is something i think we should culturally be meaner to him about

gladiator - dumb (affectionate) movie magic. russell crowe has so much movie star charisma while looking so much like Just Some Guy it's literally crazy. when he kisses the little dolly of his wife who's about to die ;_;

raising arizona - miracle movie, can't believe i'd never watched this before. the coens' control of their tone is so incredible to see so early in their work (still gotta watch barton fink one of these day). incredible cast, gorgeous colors, so funny, so weirdly sweet, when it finished i felt like i'd watched a magic trick

erin brokovich - watched this for the first time since high school and like what else is there to say but Queen Icon Legend Slay? i am speaking of course about steven soderbergh but julia is pretty fucking incredible too.

conclave - i'm gonna be real i feel like the hype got to me a lil with this one because it's not as bitchy and fun as i feel like i was led to believe... also requires more buy-in re: the moral direction of the catholic church than i anticipated. however it does have its moments and it's nice to see some of our best actors being good at their jobs and it looks great!

the philadelphia story - i found this movie so delightful to watch that for a moment i really thought she might run off with jimmy stewart at the end and not get back tamed with her abusive ex..... but such was the power of the hepburn/stewart chemistry in that one drunk garden scene that i found myself totally incapable of actually integrating the gender politics of this one into my feelings towards it... like i just couldn't be mad at a movie that gave me a scene that made me want to scream JUST KISS!!!! the most anything has since the first time i watched "cooler"... do you know what that is? for me to bust out "cooler" as a comp? my god... i understand why my friend has been like that about hepburn our whole lives and am also now fully baby jimmy stewart pilled

gladiator ii - the consensus is right on this one: not as good as the first, paul mescal is no russell crowe, but denzel really ate. my friends and i laughed out loud at almost every single denzel scene. we're so lucky to have him.

wicked - bad movie of a bad musical, fundamentally misunderstands the function of songs in a musical and thus shoots every single musical number abominably, as ugly as you've heard, we are not advanced enough technologically for me to emotionally invest in CGI Goat Voiced By Peter Dinklage, but ariana deserves an oscar. the prettyboy was pretty good too. orivo can really sing but her acting was kinda giving Distressed Pixar Mom for me although i'm happy to add this to john m chu's many crimes.

out of sight - the romantic premise of this movie is CRAZY but george clooney kinds of sells it actually because and not in spite of the fact that he's one of those curious Incredibly Handsome But Not Very Sexy actors... like you believe that she wouldn't really hold a grudge against him locking her in a trunk with him, because, what, clooney's gonna act untoward? no... not him... j. lo joins andie macdowell as an actress out of whom soderbergh somehow coaxes a much better performance than experience would lead you to believe she is capable of. shockingly stacked cast of pros doing great, INCREDIBLE production design - banner movie for characters costumed to match or complement their interiors!!!

burlesque - dr. sam from new girl fucks stanley tucci in this movie... i literally can't stop thinking about that. xtina maybe has the all time highest ratio of vocal chops to charisma, she has the screen presence of a recurring character on a cancelled WB drama and then she opens her mouth and you're like, damn. i would watch an 8 season HBO sitcom of cher and stanley tucci running a failing burlesque club. at one point i said out loud "chekhov's air rights." great time

logan lucky - "what if steven soderbergh made a heist movie but decided to put his coen brothers hat on and, also, cast channing tatum as a divorced dad who wants to support his daughter's dreams but is seriously wigged out by pageant culture?" yes please. absolutely. adam driver almost never acts in movies i actually want to see but he really is one of the real ones.

babygirl - one of those movies where i can understand lots of things that didn't work for people but i, personally, was completely rapturous the entire time because i wanted a movie where i could walk out saying "nicole kidman did that" and i got that AND ALSO (a) a story about a perfectionist who hates herself and (b) sex scenes that are funny and weird and awkward and warm and human. that's so many things i love happening at once, i will happily forgive and overlook any flaws. i really just loved how much the two of them are actively figuring this thing out as they go and how that's embarrassing and goofy and also sweet and fun. plus nicole kidman really did do that, i mean, like, my god... my god....

fantasmas - you have to watch fantasmas... why haven't you watched fantasmas yet... i really struggle to imagine the person who would follow My Dumb Blog but not be into fantasmas... "the gay ones don't draw dicks, they draw eyes"... julio torres is the voice of a generation

the franchise - not quite as much of a banger as i wanted to be but likable enough, & i'm a sucker for showbiz jokes (jokes about insecure actors, etc.), although i think chris ryan had a point on the watch pod when he was like, the thing about the satire elements of this show are that if you know anything about the actual production stuff on superhero/franchise movies it's hard to satirize because like, the real stuff is actually just that crazy... there's a running thread about the overworked VFX guy and it's kinda funny but also like, well this lines up more or less with what those teams have actually said... anyway. i want to say i'm a lil bummed it didn't get renewed nonetheless but also i forgot until i was typing up the list of things to document here that i had never gotten around to the season finale, so i guess i can't really honestly claim to be that bummed lol. (watched it while washing dishes - pretty good!) did love daniel bruhl as a sensitive artiste director being soul-crushed by the studio machine though! that guy's great.

read

r. o. kwon, exhibit - this one's tough. ultimately, there were actually a lot of things i liked about this book. it had some moments that felt really human and well observed (when the protagonist says something about how usually orgasms aren't worth the guilt and then says she knows she's letting us down and her paramour says who's us and the protagonist says all women... that's funny and real and not unrelateable to me for different reasons!). the bones of it were i think ultimately solid - like yeah she's terrible at communicating but ultimately the book is about her running away from the hard fact that her husband wants a baby and she doesn't and the psychology holds water throughout, i think. (also a funny paragraph about how she knows how to cook but mostly subsists on like handfuls of nuts and bread dipped into olive oil or whatever and then she's like "and you thought i could raise a child?"... also relateable...) i REALLY related to the idea of being a person who simultaneously has the memory of experiencing the loss of faith in god as genuinely, actually traumatic and also being like "btw my family might be cursed by vengeful spirit, it's a whole thing, but i gotta try to talk to her before i do this because she kind of gave me the idea," and i really liked that the book didn't spend any effort on reconciling these two things because... i mean iykyk, like i really can't explain beyond "sometimes that's what it's like" - AND i also liked the ultimate reveal of that storyline and how it tied into the core character work of the main plot. plus the whole thing is like the "trying stuff out sexually as a vehicle/metaphor for owning your whole self" thing that i (a) have enjoyed writing in fanfiction and (b) really loved watching in babygirl lmao. unfortunately the writing was the most annoying tryhard I Get It You Have An MFA ass prose i have ever encountered... i complained about this at the time but it's craaazyyyy to use the word "mirific" three times in a ~200 page novel lmao. deranged. calm yourself. i also felt like the dialogue was really bad although i guess i can't totally rule out that this is a book about artists and artists actually are that annoying? idk though... it didn't feel stylized it just felt weird... who says "tippled"... so, ultimately i couldn't say that i "liked" this even though it had elements i admired or enjoyed.

naomi klein, the shock doctrine: the rise of disaster capitalism - as i mentioned at the time, very enamored of its framing device in a very popular nonfiction/thomas friedman lite kinda way, but when it's not doing that (which luckily is most of the time), this is an informative and well explicated accounting of the horrors milton friedman has unleashed upon the world. i liked her fundamental argument that you can't politicize along economic grounds horrors committed under communism but not do that for capitalism, which has sort of seeped into general internet leftist thought (a testament to the success of this book) but which i appreciate more having seen how she builds her case.

the red nation, the red deal: indigenous action to save our earth - read this for a mutual aid book club that never happened lol. at the end of this book they're like "well probably none of this is new in the climate justice conversation but we don't think things have to be new to be valuable" and like... on the one hand true... on the other hand if you're even vaguely aware of climate justice discourse... not a lot here is new. i also, perhaps unpopularly, have become kind of a... idk... i mean when people are like "we can't solve climate collapse without dismantling capitalism" these days my reaction is basically "well one of those things might happen in the next two hundred years and it's not dismantling capitalism." i'm not like a tech-zealot but a... tech-realist? idk. this is not what i want to be true but it is my honest accounting of the situation. so, any argument that's like "step one: dismantle capitalism" is... it's just not where i'm at these days.

patrick radden keefe, say nothing: a true story of murder and memory in northern ireland - there are no doubt quibbles or political issues to be had with this book, a story of the troubles focused largely on a particular group of IRA members operating in west belfast in the early 70s - as an idiot coming into this subject basically cold, i would have appreciated slightly more grounding in the political situation leading up to the swelling of violence in this period - but, damn, this book is fucking mesmerizing. keefe really brings the people involved to life, particularly the young IRA members at the heart of his chronicle, and while it's clear he doesn't condone all their actions, my own sense was that he was more interested in truly understanding and making clear their own understandings of their motivations & understanding of themselves & ethical framework than he was in passing judgment (and i also definitely felt like he had a certain admiration for the integrity of someone like brandon hughes or dolours price, who were always willing to own what they did and why they did it, and a genuine disdain for how fucking crazy it is for gerry adams to rebrand as a peacenik when literally everybody knows he spent the early 70s telling people to plant bombs lmao). (also having read empire of pain... he definitely holds the sacklers in lower esteem than the IRA, lol.) the final chapters of the book also touch on the really fascinating difficult question of how you morally reckon with the revolutionary violence you did if the revolution you did it for never came to pass - this is the heart of why his fellow ex-IRA comrades feel so betrayed by adams, who has left them to shoulder the burden of that guilt alone while pivoting to the compromise they once agreed would not suffice which was part of the reason for all the violence, and it is something i think about a lot as someone who would not self identify as a pacifist and thinks the historical record leaves no doubt that sometimes violence is necessary for change but nonetheless feels very reluctant to endorse specific acts of revolutionary violence in theory. thrilling and thorny, ultimately i would say deserving of all the accolades i learned after reading it has apparently received lol.

patrick radden keefe, the snakehead: an epic tale of the chinatown underworld and the american dream - not quite as tremendous-feeling as say nothing, but that's mostly because that's a crazy high bar; this is a really fascinating look at the human smuggling trade (& other organized-ish crime) in NYC's chinatown in the 80s/90s, including the middle aged woman who was at the heart of much of it. contains: some totally deranged gang warfare stories; a really fascinating look at the weirdness of chinese immigration policy in the 90s, when china's one-child policy pushed normally anti-immigration republicans to switch on this issue for pro-life reasons (the one child policy... maybe the one thing every american politician shares the same view on, for different reasons?); interesting background on fujian, the high-outmigration region of china from whence many of the principles in this story came; an accounting of an insane boat journey gone so wrong that at one point after the would-be migrants have been trapped in a harbor off the coast of africa (i forget which country), when they finally leave, two of them decide to stay because the chinese restaurant they've opened is doing so well. i keep thinking about the fact keefe highlights that of the hundreds of doomed migrants on this hugely traumatic journey who wound up deported after crash-landing, nearly all of them eventually made their way back to the US.

kazuo ishiguro, nocturnes - my first ishiguro since my teen ishiguro phase (a concept that should really be regarded the way that teens getting into heavy metal and grunge is in pop culture e.g. a sign to check in on their mental health lmao). didn't love these but i can't tell if that's because i prefer ishiguro as a novelist or because i'm just bad at reading short stories... also to be fair there were at least 2 ishiguro novels i read back then and was like "the fuck was that" lol. some very funny moments and a lot of like, amusing portraits of unlikable people, and i do love his style, which is like, a pathologically conversational first person that years of reading since has taught me is much more technically difficult than it looks, but ultimately it felt pretty slight.

naomi klein, doppleganger: a trip into the mirror world - klein takes on, like, "the wellness to alt right pipeline" is an oversimplification but topics in that neck of the woods, inspired by the wack ass shit constantly being tweeted by Other Naomi (wolf), with whom klein is frequently confused on twitter. this is an inherently very funny premise for a book and a lot of what klein says is in my view pretty accurate, and some of her literary/theoretical musings on dopplegangers as a Thing are interesting to read, plus the whole thing is on topics of interest to me, aka Alt Right Derangement And Weird Shit People Are Up To Online. however..... so klein says that she herself was very offline until covid happened, basically, and so if you have been online longer, and especially if you have been actively reading stuff about Weird Shit People Are Up To Online, then this book is basically a smart person catching up with topics you yourself already know a lot about. so in a funny way i found this a more enjoyable read than the shock doctrine, because it's less of an unrelenting fucking bummer about human evil and suffering, but it was also less enriching, because she didn't really bring any new insight to topics that, again, are probably in the top 5 of Post Headlines I'm Most Likely To Click On. like yeah, deranged alt right types are using the language of social justice and inequality and bodily autonomy to further their various causes... tru... i mean it is tru... i also think the fact that her default is a Not Online person who only changed her vibe after covid makes her a bit more of an internet doomer bc she doesn't viscerally get the nontoxic value possible to find in Online through diligent curation lol. but i do think it was a solid accounting of the subcultures and and ideologies she explores so like i said i basically liked it and if you're less tuned into weird internet radicalization currents than i am you will probably find it informative!

suzanna clarke, piranesi - i don't even know what to say about this one, probably tied with tender as my favorite book i read last year (strong fantasy year for me i guess). it's so crazy that suzanna clarke wrote jonathan strange & mr. norrell, the most perfect book of all time, and then did this, which is also the most perfect book of all time, in a completely different way. her gift for atmosphere and voice is second to none and in this one she uses it to draw us into caring so deeply for a narrator who can't even remember his own past - the book in some ways is a mystery and the doling out of information is perfectly paced but the reason it works is because we just love this guy because of how much he loves the universe. the final chapter expresses something about survival & upheaval & change (&, sure, trauma, if you want) that, as i said before & will come as no surprise, is so so so precisely keyed into an idea so deeply important to me... ahh! just sublime!

v. c. andrews, flowers in the attic - book club!! this book is CRAZY but there's only two real things i want to say about it: (1) a lot of what's totally deranged about it is that on the one hand, it has the most gothic novel ass set-up ever - horrible incest house of dark secrets and shame, children literally living in an attic, physical decay, etc. etc. - and on the other hand in all other respects its sensibilities are the most american 70s suburban ass thing, so that it's like, a gothic novel where the evil mother goes to secretary school and the kids watch sitcoms and cut construction paper in the secret attic... like, the tonal clash is soooo crazy, it's incredible; and (2) ok so like by the time it happens you 100% want those siblings to fuck. like. you just do.

suzanna clarke, jonathan strange and mr. norrell - counting this as last year even though i read the second half in january lol. ummm best book in the world. third time through and i genuinely think it gets better every time. most purely pleasurable reading experience of all time.

stephanie mccurry, confederate reckoning: power and politics in the civil war south - ditto re timing (technically i have like a couple pages of this one left and a few more quotes to post lol). i picked this back up as a comfort reread after the election and it slaps so hard it's crazy. love to read about how a bunch of war-losing loser traitors lost in no small part because it's hard to wage war as a modern state committed to resisting the tides of modernity!!!! sucks 2 suck!!!!!

listened

maude latour, sugar water - i'm kind of obsessed with maude latour not in terms of being obsessively in love with her music, although i think she's very good, but because she's my go-to example of someone out here doing girlpop toiling away in the spotify minds unremuneratively who i would easily and even gladly swap fame-wise with basically any of the pop girls in our current rising class (thinking of olivia/chappell/sabrina... none of whom are like terrible - well ok i have yet to hear a chappell roan song i think is actually good lol but i guess she can sing and it's nice that she's gay - but also alleged newcomers like tate mcrae? addison whoever? madison beer? these are not real people stop trying to act like they're real people! ladyraven ass pop girls...). she just makes really solid, well written, inventive but still catchy pop. i returned to this short album a lot more than i expected to, often thinking i wanted to hear just the first song (a standout) and then realizing i was happy to let the rest play through. also gay stuff, if you care about that.

sabrina carpenter, short n sweet - like it's all very competent and espresso deserves its flowers but who cares? who could possibly ever care? i've been SUCH an antonoff apologist and please please please is the first song where i felt like i was hearing him as his haters hear him, it sounds like shit. there are better moments and worse moments, some ok lines, she can sing, etc., but where's the vision? where's the personality? nothing to grab on to.

beabadoobee, this is how tomorrow moves - beabadoobee is obviously talented and intelligent and her music sounds enough like a kind of music i like that i always feel like i should like her more... but i think she's a little too stripped down and sophisticated for me. that said "ever seen" was one of my top songs of 2024, total absolute BANGER

charly bliss, forever - doesn't quite live up to the heights of young enough, but given that young enough is a strong contender for my favorite album of the past decade, i'm not really sure it could. this one is pop-punkier and very hooky lots of fun, and i just love eva's taffy-pull voice and wanna listen to her sing anything. also it has a song that sounds so much like a pop punk version of a kesha song it's legit uncanny to me.

pom pom squad, mirror starts moving without me - big step up from their last album, IMO, and i liked that a lot too! ambitious in an interesting way but also lots of fun. this one also has a song that at points sounds so much like a kesha song it's crazy, as does a 2023 album i was recently listening to by underscores... i feel like we're living in a big post-kesha moment and i don't know if anyone is appreciating it enough...

pale waves, smitten - i agree with pale waves that "what if avril lavigne got really into shoegaze and was also gay" is a great idea for an album. really pretty production on this one!

070 shake, petrichor - my friend dave was like "this album might be bad but i'm obsessed with it" and i listened out of solidarity and was like, i don't like this but i can understand why you specifically would. friendship!

charli xcx, brat and it's completely different but it's still brat - i never really listen to enough albums to justify having an album of the year but something about the release of the remix album really opened up the whole project to me and i was completely obsessed with it for a while and still love it. track by track most of the remixes are not quite as good as the original track (although some, like caroline polacheck's gorgeous turn on everything is romantic, are definite upgrades), but something about the spirit of generosity that infuses the project, the way it makes it all feel like a project more than an album, the sense that charli has thrown this party and she's invited up and coming spanish rapper bbtrix alongside ariana grande, the way it's less disciplined than the album proper but more expansive, at some points grimier and clubbier and at other points more emotive and romantic... idk. feels like a whole world. the so i remix alone, like - releasing a sad song about your friend who died, and then releasing a faster song about all the fun shit you used to do, that sounds more like a song your dead friend would have produced, is one of the most loving acts i have ever seen committed through art and it made me cry even though i never connected with SOPHIE's music bc i'm not really cool enough to be into hyperpop. rooting for charli at the grammies even though i know it's not gonna happen lmao.

other

jenny holzer at the guggenheim - there was a jenny holzer installation at the guggenheim!! it was really cool!! i finally understood something @rgr-pop said years ago about how it matters that she is a visual artist and her words (incredible as they often are as words) appear physically in a space. it is in fact Different, to see them in a space. in addition to The Classics (i got so fannishly excited spotting IT IS IN YOUR SELF INTEREST TO FIND A WAY TO BE VERY TENDER lmao), the installation also included a lot of her more recent and more overtly political stuff, some of which engaged specifically with the bush ii administration & iraq/afghanistan, which made for intense viewing given that i happened to go right around the time i read the shock doctrine (as did spotting the one about how mothers who have a reason to cry should do so in public....). jenny holzer is great! so glad i could experience that!

[eveningspirit]

We got skills, baby!

I think this was my favorite episode to date. Almost all characters had nice moments and writing feels solid across the board. Save for Santos, that is.

I can't decide if she's just that kind of "person", or if writing for her is weak, but she feels so one-dimensional. I thought I would like her, because characters who seem unlikeable tug at my heartstrings. They must have some redeeming qualities, though, meanwhile she's... just mean. And self-important. Idek. Judgment is still out, but if they don't make some sort of plot twist with her very soon, I'm gonna go with "bad writing".

Mel was awesome helping Whitaker with his blister guy. Self assured and upbeat. She knew what she was doing, kept her cool, stayed on top of things and did it all with such an air of someone who's right where they belong. Loved it! And I love her.

With the old lady, and especially her caregiver daughter, she came off too stiff, though, and technical. But I guess, when it comes to emotional connection with patients, she's not going to excell.

The way, say, McKay does. The way she approached her patient, sharing just enough of her own life story to get that woman to open up -- that was amazing. McKay is growing on me with each episode. Indeed, like Langdon said "Cassie, she's great". Even her putting Victoria in her place felt right. A bit raw and pain-filled, but she course corrected, because, well, Victoria is still learning. And she has a lot to learn -- mostly things she won't find in books.

Speaking of doctors connecting with patients, Dr. Mohan was her usual caring self and it's so heartwarming. Btw, the wives were wonderful too. It's rare to see someone suffering the way Joyce is with sickle cell, and at the same time having a good life, being loved, having everything to live and fight for. No, her illness doesn't define her. She's a "mom" to a "bougie bitch", she loves Ondine. Their story is one I'm most interested in among the patients, and I hope we see her improving by the end of the shift.

The interaction between Dr. Collins and Dr. Mohan was pretty great too. And here's where I can confidently say that writing for this show is very good (and that's why I'm still rooting for character development of Dr. Santos). The way Collins apologized, and told Mohan to "never change" and "you do you, Dr. Mohan" -- that was true character growth. And we've known those characters for six hours! We never witnessed their animosities, or Collins giving Mohan that nickname "Slow-Mo". Nevertheless, that scene had impact.

Finally, I would be remiss if I didn't mention Langdon. Each scene where he and YoYo (Dr. Garcia) argue and bicker brightens my day. As did the one in this episode, when he finally didn't let her "crice" and instead McGyvered intubation with Dr. Robby's help. I'm a sucker for his entusiasm and joy he gets from his work.

I loved his scenes with Robby's son Jake, too. They had such a big brother / little brother vibe. Or two twelve-year-olds fooling around, lol. That warm welcome and their whole interaction made me wonder how long had Langdon known Robby. Because it certainly doesn't feel like four years of residency. There's more history there (no, not that kind, eeeeww)

Yeah, I think that's all I wanted to say about this episode. Looking forward to the next one. :)

[otmaaromanovas]

The Lost Grand Duchesses part 2: Alexandra Pavlovna

When she was born at 7:40 in the morning in 1783, the baby Grand Duchess Alexandra Pavlovna was instantly viewed as second class. Her grandmother, Catherine II ‘the Great’, wrote “I infinitely more like boys than girls”, and told her staff that she found the newborn to be very ugly. She called the baby “a very ugly creature.” This dislike of Alexandra continued into her toddler years, when Catherine continuously compared the young Alexandra to her baby sister, insisting that little Elena was much more charming and intelligent than Alexandra.

Despite this, Alexandra adored her grandmother, who wrote that the little girl would do “anything just to please me.” Alexandra and Elena were painted together as a gift to Catherine, and the two little girls lovingly hold up and caress a diamond encrusted miniature portrait of their grandmother.

By the age of four, Alexandra’s education had begun, and her intelligence in languages (being fluent in four) and writing made Catherine finally pay more attention to her, but for entirely different reasons.

As soon as the little girl turned eleven, Catherine wrote that the little girl who loved to dance, draw, and play music, was now to be “considered an adult”, and be made to marry. “It is time for the older one to get married” she concluded, not even mentioning Alexandra’s name.

A long and embarassing debacle followed, in which the child was left at the alter. Catherine admitted that the young girl, not yet a teenager, often adopted a “confused look” when having to meet with potential husbands, and did not want to speak to them.

Catherine died in 1797, temporarily putting Alexandra’s fate in limbo. She returned to her daily life as an unmarried girl, and even published anonymous articles that she had translated in French under the pseudonym ‘A’. However, in 1799, the prospect of an Austrian-Russian alliance was apparently too attractive to pass on, and the thirty-year-old Archduke Joseph of Austria, the Palatine of Hungary, travelled to Russia to meet the thirteen-year-old Alexandra.

The marriage was finalised, and Alexandra was forced to leave Russia - and her family - in order to move to Hungary with her new husband. Joseph wrote a letter to his brother in which he stated he was “convinced that with this marriage my domestic bliss is assured for the entirety of my life.”

Alexandra, on the other hand, was miserable. Countess Varvara Golovina, a lady at court and potential lover of the Tsarina Elizaveta Alexeievna, wrote in her memoirs that Alexandra was sad, and did not want to be forced to leave Russia. Her father, Pavel I, constantly said that he would “not see her again” and that she was “being sacrificed.” Despite this, Pavel could have prevented the marriage at any time. A single lock of golden hair fashioned into a flower was all that she left behind.

Although Alexandra was popular in Hungary among all classes, she was deeply depressed. Her friendly and charming personality had been replaced by a new temperament which was “always serious and sad”. Alexandra especially did not get on well with her mother in law, the Empress Maria Theresa of Hungary, who was intensely jealous of the young girl’s popularity. Maria Theresa intentionally antagonised the teenager, and sought to treat her badly.

In 1800, Alexandra fell pregnant, and was struck with health problems. Her mother-in-law ordered the hiring incompetent doctors (known to her to be incompetent) and insisted that the doctors obey her orders, rather than present their own educated solutions. Orders from Maria Theresa included cooking meals which Alexandra would not be able to eat, making her weak and frail.

In March 1801, Alexandra gave birth to a little girl, named Alexandrine of Austria. The pregnancy and labour had been incredibly difficult, and the baby sadly passed away within a few hours of birth. Alexandra, depressed at having been forcibly taken from her home and after having to endure cruel treatment by her mother-in-law, said: “Thank God that my daughter was now with the angels, without experiencing the miser that we are exposed to.”

Alexandra contracted puerperal fever. The doctors misdiagnosed her poor health after the birth several times, treating her for gastric diseases and typhoid rather than ‘childbed’ fever. She succumbed to the disease aged just seventeen years old.

Alexandra was not buried until two years after her death due to disagreements in the Catholic Austrian court over where to bury a Russian Orthodox. In 1981, thieves broke into Alexandra’s Mausoleum, looting her coffin and taking jewellery and clothing from her remains. Due to the vandalism, she was reburied with the deceased wives and children of her husband in the crypt of Buda Castle, which went against her wishes to be buried in an Orthodox Church. In 2004, she was reburied at the Üröm Mausoleum, in a small park surrounded by a moat. Inside the tomb, Orthodox icons line the walls, a reflection of Alexandra’s beloved faith, and her deep connection with Russia, which endured even after being “sacrificed”.

[tackykachowch]

Idk if I'm gonna get jumped for this but....Iiii don't know if it's really appropriate to call Vander Jinx's dad. He definitely was her guardian, with huge uncle energy for sure, but dad? Like, dad is something really personal and requires a high level of closeness, and they didn't seem to share that bond. Out of all the kids Powder seemed to be the most removed from him and share very little traits/interests with him, and after growing up we don't see Jinx care about him at all. So, idk, to call him her dad seems more like a fanservice to me rather than what can be confirmed by the show.

He's defo her dad in the au, tho, because there he would spend a lot more time with her and because of Vi's death pay more attention to her, therefore tightening their bond.

UPD: I mean, Vander isn't even a part of her hallucinations. Now, you could argue that it's too traumatic for her even to remember him as is seen in season 1 ep9, but I think it's the opposite, actually. Knowing Silco he probably yapped about Vander all the time (and he literally does this in ep5), so Jinx definitely remembers him and thinks of him to some extent. But why then his hallucination appeared only once? Well, I think it only happened because Jinx was under extreme pressure already, plus she recently had a shimmer operation, which could've worsened her mental state, hence Vander appearing as a hallucination. Again, this is just how I see it, I may be wrong, but I do think this view of their relationship is rational enough.

[schmweed]

[full-time-femboy]

Goat bros, the guys 🐐

Ted Spankoffski, smoke club graduate

[ilovecoffeeandchemistry]

ooooh i woke up in a bad mood and it's so hard not to be a bitch about it

[dangoulains-devotion]

yuffie has many interesting elements to her but people refuse to move past "i find energetic kids annoying" and it makes me sad

[coolspacequips]

My unpopular opinion abt the new Castlevania series ig is that I just don't have any care or sympathy for these little church goons that they were trying to humanize this time around... Like Olrox revenge kill go off, I watch u kill that boys mom minute 1 but I'm still in ur corner bbygirl! I see ur thru line.

But then his little shitty church bf sanctioning and standing by all the actions of the church and also we don't talk about the homophobia he's supporting while also being gay and also sleeping w a man his church would have (and did) sanctioned the genocide of several times over... I'm supposed to think the way he shut Olrox down was anything worth feeling bad for, I just rolled my eyes at his self righteousness. Walk away from that man, Olrox!! We saw where this manic Christian love leads, and it's what ur Abbott did (who I also don't give 1 fuck about him or his white xtian guilt especially after That LOL)

I guess I can tentatively respect that the church guard's storyline is gonna potentially be about deprogramming him, but I hate that they seemed to be posing him as correct in accusing Olrox of having no soul, when we as the viewer know it was an act of love that he didn't think he was capable anymore, after what was done to him at the hands of ppl that the church guard. To me all i felt was the heartache from his POV so common in these communities where u thought you have a Good Christian that saw you, but he still sees you as the monolith of his imaginary enemy the second push comes to shove, even though your actions have shown again and again that there's nuance to be had

[keets-writing-corner]

Thinking a LOT about Lucifer in the latest Hazbin episode. Idk what I was expecting but not this??

As I was watching my immediate thought was just "huh... Lucifer is kinda of weird..." but as the episode went on I realized the issue

the dude is off the chain depressed, like he says it as a joke but holy cow it is SO BAD

He's manically just creating rubber ducks cuz his daughter really like it that one time but it's empty, it's never good enough but he keeps doing it, maybe cuz he doesn't know how to pass the time otherwise.

like I get the feeling he HAS better things he SHOULD be doing than making rubber duck after rubber duck. At first I was like, "Bruh why isn't the king of hell doing anything?" aaaaand then it became clear...

The dude is disassociating so bad he can barely hold a conversation let alone remember information. He clearly WANTS to, he wants to be involved with his daughter so bad, he wants to care about the things she's doing so bad, but his depression keeps interfering. It's like he can only hear every other word and he grasps onto the ones he does hear semi-out of context. Like you can see every time he catches something that he hadn't before and he just "well shit I didn't catch that part"

and that's why he reacts so weird when people talk to him. He is struggling so bad to engage with the conversation he's only getting 50% of it

does that look like the face of a man who knows what the hell the conversation is even about??? he is STRUGGLING

like Charlie spent so long telling him about the hotel, and he STILL didn't understand what she wanted. Yeah it comes off as ditzy but literally I've been in that position where your brain just "nope, not doing this right now" and nerfs your conversation comprehension. So as someone who's BEEN in that position, to me it feels exactly like what he's dealing with. He's sorta engaged with the conversation, but only as much as his brain will allow

For example, when I'm dealing with this, this is what someone talking to me feels like this where the crossed out parts are what I missed and bold is what I catch, "Hey! You know I was thinking for dinner we could either make some chicken with rice? But if you don't feel like cooking, pasta is super easy and you love that right? What do you want to do?" you can kinda get that someone is trying to talk to you about dinner, and towards the end you get the impression that they asked something that needs your input so you can decently put 2 and 2 together and try and pass off, but crucial bits were left out, I would have no idea that either chicken or pasta is in the conversation only having heard "rice". When someone is just talking at me, I can decently pass off as being engaged but the second I'm required to participate in the conversation I'm screwed. Seem familiar? At which point I have 2 options, try to give a bullshit answer, or admit that I missed what they were saying and ask them to repeat

Lucifer, unfortunately, is trying so damn hard to hide that he's dealing with like 24/7 dissociation, so he can't admit that he's missing entire chunks of the conversation, hence his really weird replies. He does eventually get the full picture and then he and Charlie start having the real conversation

Also, the Alastor/Lucifer rivalry was hilarious but also really indicative of more of what Lucifer is dealing with

Alastor is, unfortunately, really good at picking up people's insecurities, and thanks to Charlie's description earlier and watching Lucifer clearly trying to overcompensate, he immediately picks up on the fact that Lucifer KNOWS he struggles to be a good dad (we know cuz it's cuz of the depression, hard to be engaged when your brain keeps turning off) and decides to rub salt in the wound by pretending he's been acting as a surrogate father to Charlie. Now why Alastor decided to pick a fight with the king of hell is beyond me, I do not understand Alastor (and I LIKE IT) (maybe it's cuz Alastor thinks he's hot shit and was expecting Lucifer to at least have heard of him but Lucifer just treats him like a nobody? who knows)(why would Lucifer listen to radio anyways when he can't even pay attention to a conversation it'd just be white noise)

But yeah I just was expecting someone who oozed either charisma or presence and instead I got a depressed dad who's dissociating so bad he can barely function and be present in his life. The only thing it seems he CAN do is make rubber ducks cuz his daughter really liked it that one time

Idk Lucifer is tragic to me. Whatever the full details of what heavan did to him absolutely broke him and he can't deal with it. He's aware of it, and he doesn't know how to fix it, so he tries to over compensate and sorta makes an ass out of himself but no one says or does anything cuz this guy is supposed to be THE king of hell

Suddenly it's making a lot more sense why he just rolls over and lets heaven do what it wants and even told Charlie to go in his place the start of the show. He's not in any headspace to hold a basic conversation let alone negotiate! He didn't even know who Alastor was, he's been so out of touch

idk I like him, he seems sweet, I hope Charlie brings some light back into his life. He really needs to get out of that rubber duck room

[bunny-jpeg]

i have this little thought bouncing around in my head! single father simon. (a drabble)

*shrug*

simon ends up with his daughter winnie after her mother abandons her at his doorstep. he was the father, it was his turn to take care of her. simon could handle warfare, he could handle guns and sweat and metal. he could handle blood and bruises.

but a fussy newborn was a little too much for him.

enter you, it was your summer off from university and you were making extra money by babysitting for parents who couldn't afford weeks of posh summer camps. it was decent work and you were pretty good with them! so being concerned for your neighbour, simon's well being, you offered to watch winnie.

simon very well fell in love with you the moment you took the baby girl into you arms. winnie instantly got settled into your grasp, almost like you were her mother.

"what a lovely baby girl." you cooed, you looked at her with such affection already. you looked at simon and smiled, "she looks too cute to be yours." a playful jab.

you watched winnie while simon was at work. you didn't know what he did for work, but you tried not to ask too many questions. all you knew was that the checks didn't bounce when you cashed them.

but being with winnie for so many days had gossip go through the apartment building. you had a baby with simon? why were you in two separate apartments? where did the lovely newborn sleep? she SHOULD be sleeping with her mother (you).

when you tried to correct them, simon always said, "ah don't worry. we'll be havin' our own place soon enough!" his large hand snaked around your waist.

you just looked down at winnie who was sound asleep in her stroller. she couldn't care less who her mommy and daddy were. it wouldn't be hard to be the mother she'd otherwise be without, right?

that was the angle that simon too.

you'd make the most perfect mrs. riley. you were already taking care of winnie, but also him when he came home. you shouldn't be the nanny, you should be winnie's mama.

"she really loves you." simon remarked when you went with him to the pool.

you were in a one piece swim suit and you were making sure that the baby was out of the sun and had sunscreen on. you didn't want her to get sick or burned.

currently she was resting on your chest while you were in the shade. in your free hand you had a book in it and the other was on winnie's back. you said, "i don't know what you're talking about." as if you hadn't heard the comments from the little old ladies about how sweet you two looked.

"look like a real mama."

you looked to him and raised your eyebrows, "i thought i was the babysitter, mister riley."

simon placed a hand on your thigh then rubbed up and down, "nah."

it didn't take long for you and simon to get intimate. he asked you to stay because winnie had been having trouble sleeping. you two shared a glass of wine and then you found yourself face first into simon's bed. the scent of him filled your head as he fucked you into the comfortable mattress.

he loved the sound of your pussy as he fucked you without much abandon. the thickness on your hips would only grow once he made sure his next child was inside of you. you'd be such a good mama, unlike that previous bitch who left him.

maybe there was a good reason why she left him.

cum clung to the fuzz on your pussy lips and was a bitch to clean in the shower come morning.

he woke you up and said, "she needs her mama. she gettin' fussy, doll." then watched you stumble around to find clothes to wear while you checked on winnie as if the little girl was your own. his hand was wrapped around his cock. he wondered how many more times he could finish in you before you stumbled back to your apartment.

the answer was four.

it wouldn't be easy carrying for a sprouting little baby plus the baby boy you were currently pregnant with. you've put school off for a little while and moved in with simon, your due date was in the middle of the semester. now you were trying to figure out what food was good for a teething winnie while also trying to manage the riley son that was occupying your womb.

you were making dinner for your growing family with a cute little maternity dress of. simon was at the table with winnie. he knew that one day he'd have to tell her that you weren't her actual mama. but you were raising her and her little brother too.

"see there's mama." simon said in that grumbled voice of his, pointing in your direction.

you didn't imagine that you would've ended up as a stay-at-home mother to two children who were than a year apart. but as you felt the shift of your 'second' baby inside of you, you smiled.

you heard winnie make a little noise to get your attention. you checked on the pot of sauce on the stove before you turned away to check on your little girl.

[marvelstan0905]

"She's so tiny!"

Kenji Sato X Wife!Reader [afab] (short oneshot)

DadAU!

TW: newborn/fluff/Emi referneces/new dad au/cheesy dad moments

©all rights reserved. the modification, translation, and plagiarism of my work is strictly prohibited.

This is really just came to my head. It's kinda short. I'm sorry! 😙

Here she was Kenji's little baby. An actual human this time. The baby was beautiful. The apple in Kenji's eyes. She was perfect, his little Emiko. His thoughts drifted off to Emi, his first baby. He wonders what she'd do when she saw an a human baby or if she'd grown alot since the last he'd seen her.

As he stood by the balcony of his home admiring his newborn as he held the sleeping infant. Kenji couldn't help but reflect the long journey he's had. No doubt it was unique and crazy but here he was. A father once again. This time around more permanent but Emi would always be in his heart. Kenji glanced at his sleeping wife as he walked back into the house. God, he was so grateful to her. She brought him, his greatest blessing and his greatest gift. His tiny, Emiko.

"You know..I didn't think I'd be able to handle you. I thought that human babies would be alot harder than kaiju babies. "Kenji murmured as he spoke to his little princess. His pure copy. Those mauve, blue eyes. Those dark raven locks and a nose just like his. His little twin. "Looking at you now..after 9 long months..I think I worried too much. You're such a sweetheart and you're so perfect and tiny. I promise-no, I ultra promise I'll be strong enough for you"

The baby cooed as she woke up. A cute little yawn escaped Emiko's lips as she fidgets in her swaddle.

"Good evening, princess Emiko. Ready to eat, tiny girl? I wonder if you'll like fish" Kenji joked before pecking his child's face and walking into the kitchen. Kenji placed a breastmilk filled bottle into the microwave and waited for it to cool after taking it out. Kenji took the time to gently remove the swaddle from his daughter chasing her to do the cutest little stretch "Adorable" Kenji whispered whiles gently tickling his daughter's tummy.

"You know..Emi used to vomit if I did that. She puked all the time" Kenji chuckled to himself and his little daughter as fond memories of Emi clustered through his mind. "I wish you could meet her"

The baby cooed and since she was a calm and sweet baby, she didn't fuss too much as Kenji swiftly changed her diaper whiles singing softly. "B-I-N-G-O..B-I-N-G-O..and Bingo was his name-o"

Kenji grabbed the bottle and checked the temperature before he started feeding his daughter whispering sweet promises.

"I promise that you'll never go near a boy or girl romantically when I'm around"

"I promise I'll never ever neglect you and I'll take excellent care of you and mom"

"I promise I'll be the best dad and I'll teach you all the baseball skills so you'll be better than me"

"I promise to love you forever and ever"

[ennobaka]

Hearing about rich people is actually my villain origin story

[nemesyaaa]

sweet babyface // toxic!bbydaddy!rafe x reader

summary ; rafe was decided to make your little one, a kook princess. and if it means to spend a million of dollars on a diamond swarovski tiara just to see it on the head of his daughter, you can be sure he's gonna do it.

warnings ; basically fluff but i would add +18 bc of a little bit of suggestive content but not real smut. mention of breeding kink. kind of toxic relationship. a bit of stalking. financial dependence. be aware of the warnings.

author's note ; i just wanted to mention @princessbrunette for the bbydaddy!rafe verse. you can check it on her account <3

even if you tried every time to keep him away, push him away, avoid him or chase him, rafe always came back. you could be cold, distant, suspicious and even cruel, he didn't care. by the way, he was better than you at that game anyway? it wasn’t for nothing that you always lost trying to fight him. he was winning while you were just exhausting yourself out. sometimes you wonder why you let him into your life, why you thought it would be a good idea to have a baby with him when everyone on the island told you he was unstable and uncontrollable. some even laughed at your situation, saying it was like giving something to the devil and hoping he doesn't use it against you.

you couldn't say rafe was a bad father. your daughter had always been outrageously spoiled. he always gave her the biggest and greatest gifts. nothing was ever good enough for his princess. he always thought big when it came to his baby. even if you were a pogue, he wanted to raise her as a fucking kook.

and sometimes you wondered if he did all this out of pure fatherly love or out of narcissism or ego.even if you hated him so much, he absolutely needed to make sure your child was on his side. every time he was there, it was like you no longer existed. the house was full of "dad," "daddy, “ or “ papa, " and babbling and laughing. it was always his name, she never called you. and you always felt a pang in your heart every time he grabbed her in his big veiny arms, making her the happiest little girl before taking her away from you to go on some weekly trips.

even when he was not at home, it was always with the toys he gave her that she played, the dresses he gave her that she wore, the hairstyles that he validated by facetime that she asked you to make, the meals he delivered that she wanted to eat. she was truly daddy’s girl. even in her facial features.

so no matter how much you tried to ignore him, he was still there somehow . through the demands of your daughter, the hundreds of deliveries a day to your door, the objects in this house and even its walls because he was obviously the one who paid for it.

you didn't need to work. you had access to all his cards. at first you spent tons of money on unnecessary expenses hoping it would drive him crazy but the next day you saw that even more money had been added to the bank account.

but rafe cameron didn't give you access to his banking data out of pure kindness and affection alone. he was also looking for a way to control you, and stay in your life. then, with that, he could also stalk you and do inappropriate things like when you bought lingerie and he received the bill. he couldn't stop himself from sending you a message. “don't want to see me, but you dress yourself like you want me to give you a second baby ;) ”

the only rule was that you were forbidden from going to see another man and even less from inviting him to the house. he manipulated you by saying it was for your daughter's mental balance but it was purely out of jealousy. and you knew it very well. you weren't the stupid naive girl he had gaslighted in the past and who he could lie to so easily anymore.

one day, you were giving your kid the extremely expensive cupcakes rafe had bought for her breakfast, trying not to comment on the ridiculousness of the prices but especially the situation, and there was a knock at the door. when you saw through the blinder that it was him, you stepped back discreetly, swallowing hard to not clench. your heart was beating fast in your ribcage as you were trying to silence your stepfoots.

“I know you're here.” you had heard his loud firm raspy voice through the door. “baby, i can hear you breathing and backing up from here. come on, i thought we both get over the time i scared you. ”

he continued to knock on the door until your old neighbor called you claiming that a crazy madman was in front of your house and didn't want to leave.

you had been forced to open up to him which made you even angrier.

but that didn’t stop him from smiling at you, the insatiable white colgate smile. his clean and fresh mullet was long enough that hair brushed the back of his neck. he was wearing one of his perfect black suits with the sleeves rolled up to show a glimpse of his nice shirt. a Rolex was tight around his veiny wrist, and the same rings he always wore were wrapped around his fingers.

he had his ear pierced recently with your daughter. you had been against it, but she still wanted to do like her father so you had no authority over the sweet monster. but you had to admit that the jewelry suited them both so well. especially on rafe, you couldn't help but think about kissing his ear, but especially biting his earlobe while caressing the silver piercing until it's wet and rolling against your tongue. all this perhaps while thinking of having a baby again.

“I should be allowed to come here whenever I want. " he had sworn under his breath, staring at you with his evil blue eyes.

“tell me what you have to say or I’ll call the police.” you replied shortly.

"I want to see my girl. I mean, the one who likes to call me daddy. "

“It’s not funny and she doesn’t want to…”

you hadn't had time to finish speaking before your babyface's little footsteps were running on the floor to come into the hall.

“daddy! " she exclaimed before being carried off the ground to snuggle into her father's strong arms, her little frame being hidden by the size of his biceps.

“that's my little girl.” he welcomed her with a kiss on the cheek, making her chuckle.

"I missed you! please, stay !" your kid had asked with bubbly face and pleading eyes, her childish pout so irresistible to say no.

“of course, I’m staying.”

“raf…” you started but he ignored you, walking in the house without your permission into the living room.

“I have something for you, peaches. ”

he took a present out of his bag and you rolled your eyes. you already knew it was going to be something crazy like the giant dollhouse he built in her bedroom, or the huge dinette in the playroom, or a scary tall comfort teddy bear that she couldn't even carry in her tiny hands. sometimes you wondered what he could offer to her because she already had everything. he had literally built her a heaven.

your daughter's eyes widened in surprise, while a smile floated across her lips in excitement. she opened the gift and took out a silver tiara set with diamonds and stunning crystals signed by Swarovski.

“she’s a baby, rafe…” you commented.

"no, she's a princess. " he corrected you and fixed your little one's hair before putting the tiara on her head, and placing a smack on her forehead. “ don't you see that kook babyface ? ”

she giggled before wrapping her hands around his neck to thank him.

“we need to talk.” you said.

"later. i have a princess to honor for now."

you wanted to fight back and kill him but you couldn't resist your daughter's face. she was happy to be with her father. and you knew it was important for girls to establish a strong bond with their father. and there was this bright spark that shone in her eyes every time she saw him that made you melt.

so you let him stay at home. he stayed with her all day. she managed to make him do whatever she wanted, and that's how he found himself playing with dolls, watching the princess and the frog, doing karaoke to barbie songs, serving as a client for a makeup session, and judging all of her princess dresses while she was making him a haul.

No matter how angry you were that he showed up like that and decided to stay, you couldn't deny the fact that he was damn good, that in the moment, you couldn't find any reason not to like him, even when he caught you spying on them and sent you a smirk to remember that you had no control.

you had decided to do some cleaning, to leave them both for a bit until the end of the day. after a long moment, rafe decided to leave her alone for a bit.

you were downstairs, and you were making food. he raised an eyebrow when he saw you. “don’t forget me.”

“no I’m sorry, I’m cooking for two and you’re not included in it.”

“I was included in this pussy to make you a baby so you can include me in this meal for one night, baby. ‘s nothing. ” he shouted back, chewing some gum arrogantly.

“don’t be trashy.”

"you used to like this..." he carefully said, because he knew he was treading on sensitive ground.

he stood in front of you, picking a taste of the ranch sauce from the bowl before putting it in his mouth. you watched him do it, glaring at the smile on his so fucking evil lickable lips.

“ taste's good. ”

“I want you to leave. “

"We should ask every part of your body if they're okay with this. Maybe it would put you back into your place to feel betrayed by your own self. "

“You’re not good for her.” you confessed.

“I am her father. And from what i know, she's very happy with me. You're the one to have a problem with my presence here. ”

"Please, leave the house. I don't want to call the police."

“exactly, baby.” he moved to stand behind you, rearranging a strand of your hair, his breath hot on the back of your neck. “you don’t want to do it. And you're not forced to do it…” he caressed your hand, slowly putting the knife away from your fingers.

“Step back.”

"I want to stay here tonight. Just this night. She really wants me to stay and would it be cruel to make her sad? You don't want to be the villain, right ? "

“don’t try to manipulate me.”

" mmh, just telling the truth and it makes you mad. you can hate me if you want but she needs me. i'm her dad and you know if I wanted to, I could make her come with me but I love seeing you together. you're a great mom.”

"you will sleep on the couch. and that is non-negotiable. you don't try anything with me, is that okay?"

“Come on, we can sleep together. We are mature and consenting adults.” he replied. "There's nothing I haven't seen before, baby. I know all that lingerie as well as that body hidden behind it."

“about that, stop stalking my bills.”

"Mine , baby. you mean, my bills. these are my cards that you use for your pleasures so I have the right to have an eye on them. even more so when I receive bills for sex toys. you should call me instead of handling it? yourself.”

"After trying them, I'm not sure that you're big enough now. “

jesus, you knew how to provoke him and it worked. he had sniffed the air loudly, trying to contain himself because honestly, he only wanted one thing at the moment, a strong urge that was to fuck you dirty on that counter until he was sure to see your hole tearing to death and dripping to get his cock in. jesus, yeah, he would give anything to see you grimace because it will never fit in but prove you wrong by giving you a second baby.

his jaw was tense and his nostrils were flared. he was forced to clench his fist to avoid touching you. " the day when your babygirl will want a little sister or brother, you better be begging on all fours on my fucking doorstep to convince me to give you another baby. so better to start now and stretch that hole very hard before it's happening because i'm gonna make sure to be breeding you enough to change your whole dna. ”

“ aren't you tired of thr…”

“mom, dad, what are you talking about?” the little girl burst into the kitchen, still with her tiara on her head. a smile appeared when she saw that her dad was still there. because it was rare for him to stay that late.

you warned rafe with your eyes, slashing violently at pieces of vegetables with the knife back in your hand.

“ we were thinking that i could stay tonight. what's your thoughts on this, little one ? want daddy to stay ? ”

“ yes ! i don't want you to leave. stay foreveeeer with me. ”

“ but you know, he can't. he's a businessman. ” you replied.

“ what do you mean, baby ? my only business is right here. ”

” Rafe. ” you said.

“ Baby ? ” he replied with a cocky smile. “ Why don't you tell us what you're cooking ? Seems delicious. Maybe we could get a taste. ”

“ Sweetie, can you go to your room for a second ? I need to talk with your dad. It's not gonna be long. ”

She pouted but agreed after Rafe promised her something if she was listening to her mom.

“you know you can’t stay. "

"All I know is that there is my name in the papers of this house, on your bills, and even on your documents. If I can't stay, you can't escape. So what's better ? ”

[dilf-docs]

You're a Daydream, Stay A While

joel miller x younger!reader

summary: you're jackson's designated bartender. well, your dad is, but after the arrival of a new face in town, maybe the inspiration to finally step up to your obligations kicks in.

warnings: 18+ (minors dni), age gap, smut, p. in v., oral (f. receiving), fingering, foreplay (mostly breasts), creampie, breeding kink (kinda), angst/comfort, insecure!joel (love touch etcetc starved), needy!joel, pov switch mostly joel (he's down bad as well), collected shitty puns from across the internet like thanos collected the infinity stones

word count: 6,136 words

side note: yk what's worst than simping for old men? simping for old men who don't exist. since y'all know, tlou II trailer dropped, which got me searching for joel's ***** to brace/prepare myself. umm so, why did no one tell me jackson!joel is the hottest thing ever? can´t wait to see pedro being senior citizen level of hot and dying (again) on his bday month! 😍 anyway, this is based on this request and well, yes! i too would flirt with an old ass if he looked like that™ hope u like it bc for some reason I'm not sure of it JSJDLKDFK also 400 followers GUYS STOP (pls don't) IT'S TOO MUCH (give me more) HELP!=="))??! (that i do need tysm)

The truth is simple: you hate working.

An apocalypse later, you figure there are more important things. But on Jackson, it feels like the world before fungus and violence, and everyone's got a role to play. As the daughter of Tipsy Bison's owner, yours is to help around the bar, something no matter how much your dad scolds you, you don't seem to care enough to even do a decent job.

Of course, it could be worse: patroling, keeping the cattle or crops, but not even then you're moved enough to give a shit about it.

Enter Joel Miller.

He, who made sure his arrival in Jackson didn't go unnoticed, making heads turn at it, not only because of his emotional reunion with Tommy, the little girl with him, or the fact that he left yet still returned. But also (mainly to you) because he was hot. Very hot.

Joel was the type of handsome that was rough in the edges, his closed-off demeanor and overall mystery adding to the thrill. His face seemed to be in a perpetual state of grief and darkness, sprinkled with grey and wrinkles, that in your opinion, didn't mean about age but just something that made his features all the more attractive.

It was a lie to say there weren't any boys your age in Jackson, good-looking too, yet you felt yourself gravitate towards Joel's musky presence. Yes, he could be your dad, but again, it's the apocalypse, and there are plenty of things to worry about than some age gap.

That doesn't stop the talking, anyway. It may be the end of the world, but gossip is just like cockroaches: it never dies.

The Tipsy Bison owner's daughter is in love with Tommy's older, much older, brother.

It didn't bother you, thought. You were pretty open about it, giving Jackson more to talk. Whenever Joel arrived at the bar, all heads would turn in your direction, ready for the shameless flirting and compliments you showered the oldest Miller in.

Maria had warned you, of course. She was the closest you had to a friend―sometimes being like a big sister, and she seemed to know what he was up to before, at the QZ in Boston, thanks to Tommy. Safe to say, you didn't care, despite listening to every word she had said.

Joel could break your heart, yet in a dying world, you weren't afraid to live.

Which is why now, as he enters the bar, you offer your dad to take his place.

"Go rest, I'll take this client" you offer with kindness, but he knows better. You're his daughter: in the end of the day, he's aware Joel is here, your shift in attitude warning him about Miller's incoming presence.

"If you will take this client, take the rest too" and before your dad can throw a speech about everyone being equal in Jackson, you're accepting to do the job properly, despite your grumbling and lack of interest to anyone who isn't Joel.

"Joel" you greet as soon as he sits, one of the many flirty smiles you have for him only adorning your face. He nods, avoiding your eyes that look at him like he could give you the world. He can't, so he keeps focused on the glass you're pouring in front of him.

"See? Didn't even need to ask. I already know" you seem proud of it, and the ghost of a smile brushes his lips.

"Well" he raises the glass, "it's an easy drink"

You feign hurt, "is that how you treat your bartender? I could poison your drink" Joel now truly smiles, knowing you could never, "or I could just strip you of your my favorite customer rights"

Now he feigns hurt, playing along for the first time in ever.

"Copied" he raises his arms in surrender, not before taking a gulp. You watch hypnotized the way his adam's apple bobs, the liquid sliding down his throat until it looses itself in the peak his two buttons undone give, of what looks to be a broad soft upper body, blessed with a patch of greying messy hair.

"Have they ever complimented you before, Joel?"

You. He refrains from answering, scared as to where little encouraging had led you and your shameless mouth to. He can feel the rest of the people behind him whispering, holes burning his neck. He can't let you win again: make him seem a pathetic excuse of a man who can't say no to a sweet doe-eyed delusional girl.

But you don't stop, despite his silence and the growing pit on your stomach.

"I'll take that as a no. Wanna know why?" he takes a much needed sip, "because all the good pick-up lines are taken"

This he can handle, Joel thinks. It's silly, proper of your age-

"But you aren't"

Ah, of course. Hasn't he learned?

You have the nerve to laugh, free as a wind chime softly carresed by the wind. His face burns, and even thought he's heard plenty of worse from you ("No pen, no paper but you still draw my attention", "Well, here I am. What are your other two wishes?" "You must be a dog person because you look fetching"), nothing had affected him this much.

Which is why he tries to pull the mask that had accompanied him since he first knew what grief was, so no feeling would ever made him weak again in a world hardened with pain. He's so good at it, wearing it like a second skin that doesn't scrub off no matter how much he wastes Jackson's water supply away, he sometimes sees the way your face is crestfallen at his indifference.

But you're young and stubborn, as so was he, before all the suffering and broken dreams.

So you won't listen to the past or doubts: the moment he stepped a foot into the community, you knew it was over, beating so loud you could barely hear your own breathing or him, when Maria introduced you and he shook your hand with his much bigger one.

"Joel" he'd said, with the sexiest voice you'd ever heard. His hands were covered in gloves, but despite that and the cold winter, the warmth that pooled from his palms had spread across your cheeks and chest. It had taken you a while to realize you hadn't said anything.

"Y/n" you hate the way your voice sounded small.

He nods, a way of saying Nice to meet you in his withdrawn nature. Then walks away, with Tommy and the girl, who looks curiously at you, Joel completely oblivious of how he's just turned your world upside down.

"Welcome to the museum!" you had said.

He tilted his head in confusion, Ellie's stare intense. "I thought this' Jackson?"

"This is a museum, because you're a work of art"

The tip of his ears instantly reddened, and the laugh Ellie was containing bursted like a bottle of champagne.

"Look at you, old man!" she laughed at him, making you wonder their relationship and how closer they seemed to be, despite initial assumptions. "Can't believe a girl gets the big, grumpy, scary Miller to blush like a boy"

You think that's the reason behind his apathy towards you, barely reacting to your pick-up lines or "subtle" flirting. It's probably not a reason as childish as that, but you'd rather be wrong than accept he may never feel the same way you do.

Because for a moment, despite the times you lived in, life made sense.

So no matter the stares, Joel's guarded posture and lack of reciprocation, you'll always be there, waiting: riding the roller coaster, enjoying the high.

The speed brings you closer, even if that means you'll crash.

Unfortunately for Joel, he knows who you are.

He's not even ten patrolling jobs closer to owning a bottle of whiskey of his own (he thinks earning it is bullshit, hasn't he done already enough?), so he's forced to go to the only place where he can get it.

And of course, there's you: a name and face he couldn't place upon his arrival, even if you had introduced yourself with your shitty line (which made him blush and Ellie laugh, so maybe it was a grudge what made him bent on removing you from his head) yet now is ingraned into his mind.

He doesn't know what's worst: your flirting or the fact that you seemed genuine about it. Or maybe it's the fact that he can tell you apart from the rest now, with a face full of life, always ready to give him your best smile and serve his glass the way he likes.

He needs to be the bigger person in this mess and stop it, Joel thinks. He isn't one to care about the talking, years of being brutal hiding any possible feeling that isn't rage. But then Ellie smuggled her way in his life, he found Tommy again, and Jackson was a reminder of old days when he would allow himself to feel anything else. So, in a way, he's become a bit susceptible to the talking behind his back.

How could he entertain a girl that could be his daughter? hushed, behind his stool. But then your fingers brush "accidentally", and his dick twitches between his legs when you bite your lip, pronouncing a Sorry like no one has said before: a tone so low and sultry, he's convinced wasn't even possible. Then you bat your eyelashes, and laugh (a sound both as delightful as addictive) before you're saying: "Don't mind them. They're just jealous you've got all my attention" and for a brief second, Joel let's himself believe he's special and worth of your time.

It's now a while since he's been there in Jackson, slowly settling into a life that doesn't involve running and fear.

If he thought your little crush was a phase, he's wrong.

You're still giving him time.

He's not supposed to get attached to you, Ellie, Tommy and Maria (future nephew in the way) more than enough. But then, when he's alone in a house too big for two people, Joel misses the way your loud voice fills the eerie silence that's followed him since death has been tracking his every step. Or how your interest on his life doesn't seem an act, listening to every word he says with tender eyes and soft smile, sometimes even making the effort of bringing things he's said before into new conversations; remembering. His heart flutter at your compliments, no matter how dumb they are, probably because he's not used to that stuff. As he lays awake at night, brain clogged with wounds too deep to bear, he finds comfort in things he has a feeling he's too old to get worked up about.

"Joel" you had said one day. God, he loved his name on your lips. The way you say it so sure, as if you'd follow him wherever he'd go.

He coughs. "Yeah?" and you smile, because at least he's looking in your direction.

"The chance of meeting a person like you is the only reason I talk to strangers"

The way your tone was straight, not flinching or faltering scared him. How something akin to sincerity dancing in the sparkles of your eyes, that now seemed to waver not out of whimsy but out of vulnerability, perfectly hidden in what could pass as another one of your attempts to woo him, but Joel's lived and seen enough to know it means much more.

So now, whenever there's darkness, he finds light on replaying those small moments on his head.

Dear God. What's he become? Ellie can't find out or he'll never hear the end of it.

But this things you don't know. All you see is a wall, and you're getting tired of hitting it.

The few words he spares your way are now a punishment you endure, cruel reminder that it's all you'll ever get.

Could you be in love forever? Could you even love?

It was a new feeling. Foreign, in fields of inexperience, but familiars in others. You may have never felt it, but the way your beat was steady when he showed up, worn out boots against the wood creaking under his weight, makes you believe when you know, you know.

"Hello, Joel" your father greets before you speak. Today, no matter how much you tried to shoo him away, he stayed.

You send a small smile his way, but he doesn't return it. You feel small, like a kid, undeserving of his attention. There's a bit of relief knowing your dad's there, so you let him take Joel for you.

There's always a first, and when both your dad and Joel notice, the latter feels a little sting on his chest.

But he's caused this, he thinks. It's what he wanted, after all: for you to stop chasing a man with scars in and out, bearing sins and blood where you had innocence and love.

"We're having a party tonight" he comments, making Joel quirk an eyebrow as he sips.

He gives you a brief glimpse, lost in the curve of your ass in those tight jeans, you giving him your back. He dryly scoffs on instinct at your deliberate choice to ignore him.

"Why's that?"

"My daughter's birthday"

He sees your body tense in the corner of his eye, wiping the glass in your hand with a bit too much force.

"Happy birthday" Joel speaks up, and you mutter a weak Thanks.

That's all he gets? No smile, no looking his way. Just a dry thank you that sounds more like something he would say.

Oh.

Was this how you felt?

"Time sure flies by" your dad sighs nostalgic, completely oblivious to the whole thing. "I feel if it was yesterday we came home from the hospital with you"

You smile, but it doesn't reach your eyes, despite the obvious adoration for your dad.

"Don't get sappy on me" you sound embarrassed.

"I don't care. Twenty-one years later and an apocalypse in the mix, you're still my baby"

"Dad!" your cheeks heat up, and Joel almost forgets he's there, his body back to life when your face goes back to its normal color and happiness.

"Which means" your dad goes back to Joel, "you're invited"

Your laughter dies and Joel's chest tightens.

"You need to stop saying that. All Jackson is invited" you respond, making him flinch. The bite is obvious.

You're not special, is what you try to say in between lines.

"I'll be there" tone daring, and your father feels something has shifted in the air.

You don't answer after that. What are you supposed to say? Don't come? I hate you for making me feel small? He doesn't owe you anything, but it still hurts.

"It's at seven" there's a sharp edge to your tone when looking at him.

"I'll be there" he repeats, still, but it sounds more like who he really is trying to convince is himself.

Joel is there, as promised. You don't know why, but after what happened earlier, for the first time ever, seeing him brings you dread.

He catches you in a corner, sipping on some drink.

"Hi" it's soft, the tone new, and it doesn't help the pit in your stomach.

"Hey"

"Why are you here?" he's curious., "ain't this supposed to be your party?"

It's funny, really. The way everyone else mingles around you, laugh and talk, yet here you are, bitter inside the shadows of your corner.

You raise your glass and chuckle dryly. "Well, cheers to that"

"You shouldn't be here" he insists, and you roll your eyes. Then, his voice goes soft. "Is... Is this because of me?"

You scoff, venom falling out of your bitter laugh. "Wow, big ego you got there. Newsflash: the world doesn't revolve around you"

He's so used to your pinning, it's hard to bear the change.

"I wasn't saying that, I just-"

"Please don't" you cut him off. "Don't ruin my birthday more than you already have, thanks"

You decide to walk away, but Joel won't let you.

"I don't want that" he insists, blocking your steps. "I want you to be happy"

"Don't bullshit me" your tone is icy, cutting like daggers. "Please, leave me alone"

"Not until you're fine"

You scoff at his incomprehensible behavior.

"Oh, now you care? Drop the act; you're just angry I'm not stroking your ego anymore like a lovesick puppy. Truth is, you don't owe me anything, Joel"

He looks like you've slapped him across his face.

"I know" his voice darkens, filled with tension. "But-"

You get tired at Joel's sudden insistence, overwhelming you with confusion. This is the same guy that has uttered less than fifty words your way, indifferent to your flirting and special treatment. Of course, it may have been a little silly of you to expect so much from a guy older even than your dad, but his apathy was borderline rude, and that you can't excuse. Or understand. Or let go.

So yes, you're being petty. And yes, it also feels good to have him begging to have your attention, the roles reversed.

"But what, Joel? Is there anything you can say, really? It's not that serious" you empty the glass in a chug, feeling dizzy. "Live a little and stop being so obssesed with me"

He shoots you a look hard to decipher. There is hurt: from all the emotions available, he chose the one thing you didn't think he'd be capable of feeling. Hell, he looked rather more like the cause than the affected on the other end. But then auburn fires flash behind his eyes, and the circle repeats itself, the danger and rage Maria warned you about.

"Obssesed with you?" his eyes carry a wild light in them. "If anyone is obssesed, well, it ain't me"

"I need air" you push past him, done with his shit.

"I'm sorry-"

The cold wind hits your face as you storm outside the bar. Is this a lesson to be learnt? Was this how heartbreak felt? The only thing you know is you need to get the farthest you can, even if your footsteps feel heavy with the weight of the snowed streets and frigidness of your heart.

"Y/n, wait!"

You turn around. Unbelievable: Joel Miller is running after you.

"What the fuck is wrong with you, Joel?!" you shout, "why can't you just leave me alone?!"

"Because I-"

"There's nothing for you to say" you counter, pinching the bridge of your nose in frustration. "If this is some sort of guilt thing, I need you to let it go. What I did- I mean, you should probably forget about the whole thing. It's my fault, and I'm sorry my reaction is immature and what not, but I should've known to read the signs. You're simply not interested in a girl who hasn't truly lived or known what pain is"

After you confession, you hear a laugh. You raise your eyes, anger and hurt flashing in tears.

"And you have the nerve to fucking laugh?! Fuck you, Joel" you want to walk away to save yourself from further embarrasment yet your feet seem to be stuck.

"Oh, sweetheart. I'm not interested?" you roll your eyes, but he pins you by your shoulders, as if knowing you'd walk away. "Listen, I need you to know somethin': I'm not who you think I am"

"I don't care" you interrupt, defiant. "You're right, I don't know who you are. But I want to. Who you where outside this walls... It doesn't matter, not to me. You did what you had to do to survive, and that brought you here. Jackson... think of it as a second chance. You can still be happy, you know?"

With me, dies in your throat, not wanting to give more of yourself away.

"It's better this way" Joel insists, "hell, you'll even thank me one day. There's plenty of young boys here who'd love to be with you, trust me"

"I don't want them, Joel. What's so hard to understand?" what makes you get closer to him, you don't know, but in a sudden rush of force, you find the courage to look at him, body standing still as you exhale, fears condense in the air. "I only want you"

"You don't" you should roll your eyes again at his stubborn character, but his voice comes out so small, almost as if resignated, that it tugs your chest.

"I do" you reply firmly, cupping his cheek with tender care. He leans in your touch, despite it revealing his true desires when it comes to you.

"Why me?" Joel whispers, bigger hand covering yours, as to prove it's real and the warmth isn't a joke. "Why not a younger, charmin', happy boy your age? Why a broken violent older man?"

His voice breaks after the admission, quietly seeping into heavy silence that falls like the snowflakes in his hair.

"Joel" you call his name softly, making those sad brown eyes look at you. You gulp, nervous at the storm of emotions inside them, "is it so hard to believe you can be loved?"

Your words make him falter, his grip loosing strength as he tumbles back.

"Love?" he repeats with disbelief, as if you'd just say some kind of tale. "There isn't love in this world left for me. Men like me don't deserve good things, especially if they comin' from a pretty girl as yourself"

You shouldn't be blushing at times like this, but the maroon splash on your cheeks betrays you, warm as the drink from before and red as the dim lights casted by Jackson's Christmas tree in the middle of the town.

"Joel" you call again, and he's surprised you're still there. That you hadn't turn your back on him, or looked into his eyes and saw the monster in him, running away to never come back.

"If you let me" you hold his hands to steady him even as they tremble, "I could"

I could love you.

The promise hangs unspoken in the air, the wind now barely above a humming.

"You'd take me" his voice falters, "with all I've done, knowing I've hurted people?" Killed people, but he can't bring himself to say it when you look at him like that: like he could learn to love you.

"Yes" your voice doesn't waver a bit, "every part of you"

"And you'd take me knowin' that I'm years ahead in hurt, age and life?"

"Yes, Joel" you giggle. "Are you making me do an exam on your life? Because that's not fair, you've barely spoken to me, or anyone else for the matter!"

He chuckles, shaking his head.

"I s'ppose life ain't fair, sometimes"

"But it could be" the moonlight of the now clear sky shines over your eyes, and Joel is sure that the stars would be jealous.

"It could" he repeats, as to believe it himself.

Silence settles again, but it doesn't feel suffocating anymore.

"You know, we should probably get inside"

You dissmiss his words. "Nobody has even noticed we're gone"

"What about the cake?"

Your chest feels warm at his concern. He may not believe it, but the old-world Joel, the one who was a contractor in Texas and had a daughter, is still there, somewhere.

"Jackson is real, but miracles not" you laugh, "we don't have those. The party really is just an excuse for dad to drink with his friends during labor hours"

"And yours?" Joel inquires, "where your friends at?"

"Left early" then you lean to his ear, hot where skin meets cold. "I told them to"

He tries, but all words die on his throat.

"Wanna know why I did it?" your fingers wander to his tense jawline, tracing your sharp nails until they descent to his neck, sprinkled with loose hairs from his beard.

"Why?" voice barely above a whisper, his cock painfully hard between his legs. That you don't know: just the glint of dark on his hazel eyes.

"Why don't we find out?" and your hand takes his to lead the way. When he doesn't move, you try other way.

"I'm the birthday girl" you tease softly, but your orbs sparkle with something akin to dangerous. "You better make it up to me"

You've walked this road so many times, yet it's never felt longer.

The house is alone, you'd say, and Joel followed you because well, he'd follow you anywhere. He notices you said 'house', an indicator you still live with your parents. He wonders if you're embarrased, but by the way you smile, inviting him inside, to a part of you intimate and unknown until today, he knows he's chosen right.

When you open the door, cold creeps in through the cracks of warmth. You lead the way to your room, and once you're inside, he thinks it's very you.

"Very me?" you giggle, taking a seat in the bed. Joel watches from the doorframe, his bulky arms crossed. "What is that supposed to mean?"

"It's cute" and you think it's not a frequent word in his vocabulary, thanks to the pink dusting his cheeks.

"I'm cute?" you repeat delighted, and the shade of pink turns darker.

He just nods, avoiding your gaze.

"Joel" you call, then pat the spot next to you "why are you so far away? Are you scared?"

He grumbles something under his breath before walking over to where you showed. The bed creaks under his weight, and now that he's closer, you hear the wavering beat of his heart and ragged breaths.

"You are scared" you repeat, a statement now. He thinks you're mocking him, until your sure hand grabs his. "It's okay"

Before he can add on that, your face is too close, your breath tickling over his nose. He feels the moist of your lips press over the brigde of it, with a tenderness that brings ghosts of tears he has since long shade to his eyes.

Then they smoothly move to catch him in a kiss. He lets out a shaky gasp against your mouth, letting himself loose on the whiskey drops inside, an intoxicating mix against his own. His hands find your waist, gripping the soft skin with calloused fingers, refusing to leave it. He squeezes your curves while infiltrating your mouth with his tongue, until he pulls to breath, making you whine.

"Fuck, sweetheart" he nips your lower lip, "ain't you the sweetest thin' to ever exist?"

The kiss gets more heated, his hands now traveling to your face as they hold onto you for support, rough digits meeting peachy skin. Just the mere act of kissing makes him groan against you, too old to be shameful about the needy sounds coming out of his mouth.

"Joel" you whimper his name. He stops and takes the time to bore his gaze over your flushed face, your own dazed eyes mirroring his.

His fingers find their way to your hips again, pulling you closer. The moment caughts you and the bed off guard, the furniture creaking while your eyes move to the hardness visible on his worn-out jeans. You move your head to free your mouth to talk, but that doesn't stop Joel, who hungrily kisses the trace of your jaw and the road starting in your neck and finishing on your collarbones.

"Is that because of me?" Joel whines against your lips, yet you can't stop staring at the very big silhouette. "Oh, happy birthday to me"

Joel whines when you tear way from him, his hands loosing grasp on your body. You move up against the headboard, spreading your legs for him to put himself in between them.

You take off your clothes, and his eyes don't leave your body as if it's a show for him. He can drool at the sight of your breasts, rosy skin waiting for his tongue and teeth to sink on it. He leans closer, eyes looming at moles he could beg to kiss.

Now you, your expectant eyes plea. Joel's posture adquires a guarded air, as he grows self-conscious.

"Stop staring at me like that" he nervously chuckles.

"Is there something wrong?" your sweet voice inquires, laced with concern. He gulps, kind of afraid and embarrased of what you would say.

"I'm..." his voice comes out strained, "I just-"

His mind briefly wanders to Tess, how she never said anything, rather busy seeking the warmth of his body without commenting about it. The act mattered over the feelings, which where in her eyes but not his heart. But now, his heart beats in a different sound, one where he wishes you won't judge a body crossed with the roughness of scars yet the softness of extra weight.

"M' just warnin' you, doll" the nickname brings butterflies in your stomach, "this body's seen better days"

He removes the layers of clothing: flannel first, and then tight white long sleeved shirt. He's left in his jeans, unbuckling his belt that falls to the floor with a thud. His breathing turns to panting, afraid to meet you in the eye.

"Joel" you repeat his name, bringing him back to reality. "Look at me"

He's killed people, faced raiders as much as infected, and other countless things, so he dares himself to look up, breath hitching when he finds you eating him with your eyes.

"Fuck, Joel. I didn't know you were so pretty under those dirty ass flannels"

You knew he'd be handsome; that's literally the reason why you chose to flirt with him. But now that he's completely stripped off his layers of warm clothing, it's even better. You can't stop your hungry eyes from roaming his body, lingering on the soft swell of his stomach, hanging over the waistband of his underwear. A scar that looks deep is near his belly button, and you wonder if he'll ever tell you why. There's a patch of hair over his soft chest your tongue wants to lick. And of course, his strong arms packed with broad shoulders that make you want to scream.

"Stop lying" he chastises, but there's a smile adorning his features. A true smile on Joel fucking Miller's face. What a rare sight; you need to see it more.

"W-where your condoms?" he asks, nervous.

That catches you off guard, too busy cooing over how a man so big and sturdy could fold that easily, looking and sounding small.

"I'm not sure. I mean, maybe on my parents room but I-"

You cut yourself. Joel's concerned gaze finds you. "Yes?"

"I want you, Joel" the intensity of your stare terrifies him. "All of you"

He falls closer to you, forehead against your own. He can't bring himself to look at you, so he closes his eyes and dares to ask:

"Are you sure you want this?"

Are you sure you want me?

"Don't you trust me?" you're all smiles, even if your voice is soft. "I want you. I truly do"

He's hiding his face into your shoulder until you feel his lips pressing against your now bare skin, making you shiver.

"Where you want me, birthday girl?" he says between kisses. "Tell me, sweetheart. I'm all ears"

"Please, Joel" you unhook your bra, letting your breasts free. His lips begin to kiss his way to your breasts, tongue teasing the skin before nipping it. Joel's teeth catch the hardened nipple, grazing it lightly.

"S'pretty" he sounds drunk, and you love the way he looses himself in the pleasure haze.

He continues kissing your breasts before positioning himself right so he can hover above you. The kisses turn wet and sloppier, as if all his energy was to be spent into the rosy skin.

"Can I taste you, sweetheart?" he lowers his head to your entrance, already soaking wet with your arousal. "Fuck me, if this ain't a meal"

"The best in all Jackson" you joke, but the laugh dies in your throat when Joel's nose ghosts over your throbbing pussy.

"I- fuck, Joel" you moan when he licks your folds, his tongue an expert. For a brief moment, you think of who came before you, and if this is what they got or you're getting the best version. His saliva mixes with your dripping juices, making you whine as his tongue licks your swollen folds. His fingers then slowly inserted themselves inside at the same time, moving in and out of your puffy walls. His groans mix with the sound of your whines and the furniture creaking, the sounds obscene and feeling so far from the outside world.

"You're so good at this, baby" his sweat mixes with the blush on his face because of the nickname, nose pressed against your clit as he keeps up the ministrations. "D-don't stop"

"This pussy's so pretty" he says, "and s'only for me, yeah?"

"Yes, Joel. Only yours" you whine, your orgasm approaching. All of your body feels on fire, every touch inching the burn in your stomach closer as his head remains between your legs, tongue insatiable. You come all over his face, your hands digging into his damp locks as you scream his name to the air.

Joel raises his head to capture your lips on a wet kiss, the taste of you inside your mouth and dripping from his coated beard.

"Ain't you sweet" you open your legs further. "You're such a tease, sweetheart. Gon'be the death of me"

"I just like seeing you like this" you admit.

"Means?"

"So fucking needy"

A borderline primal grumble births from his throat. "You've a filthy mouth on you, sweetheart" he chuckles while wrapping your legs around his waist and lining himself up. Joel's tip runs up and down your folds, grazing your clit long enough to make you gasp.

"And you're s'fuckin' tight" he mumbles under his breath. You gasp for air as you try to adjust yourself to the huge size of his girth, afraid you bit more than what you can chew. His pace starts slow but gradually picks up a rougher and quicker pace. Joel grunts between thrusts, yet takes his time to make sure his lips kiss every mole sprinkled across your face and chest, his favorite just above your left eyebrow.

"I want ya' to come first, like a present" blush crosses through his face again. He leaves teasing kisses against your face, as you wail, finally hitting you.

"I'll wait for you" you whisper, your hips aiding you to sustain his sloppy thrusts, "want you to come too. Inside"

You feel his softening dick twitch, suddenly rock hard again. Oh, so he was into that.

"Don't worry, I have a pill" you explain. "So go ahead, pretty boy. Show me if the size matches the talk"

"Bet" his voice acquires a darkness to it. "Gonna fill you with all of it, until you milk my cock dry. Gonna fill this pretty pussy until it's full of my seed and it leaks for days"

He follows right after, groaning into your shoulder, where he bits the skin. His tongue wets the area, to relief the pain, yet you like it. Thick ropes of cum paint your puffy heat creamy, Joel panting as he stares down at you.

"What?" you chuckle.

Maybe Jackson was a safe haven. Heaven incarnate. Maybe second chances were real, and for the first time in years, he feels safe.

"I don't deserve you" he voices his thoughts, forehead pressed against yours as he tries to even his breathing, yet each breath seems more labored than the last.

Your hands travel to his face, cupping it with tender hands. He leans on the touch, because despite his crimes and past dawning upon him, he's a man: one seeking comfort on a pretty face and anything that'll remind him of distant emotions that can still exist despite what the world has become. Joel's hands travel to yours, thumb brushing skin free of scars and pain. He envies and loves the beauty in your face, eyes full of something akin to affection looking back, blurring the pain mirrored on his own. You kiss him again, and he can feel the emotions in the tip of your tongue.

"You're wrong" your voice holds a quiet determination. Time was a precious gift, but in Jackson, time could be, and the resolve longing tells him you'll be there. I'm not going anywhere, Joel. Not without you. "We all deserve love, Joel"

Joel Miller is a man who finds it hard to trust, yet, when he takes a look at your eyes―warm as coffee, he allows himself to believe in you.