#they have more of the kind of content that I'm looking for than other platforms
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daisywords · 1 year ago
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if youtube is going to insist on having that many ads, they should at least give me the option to do them all at once at the beginning. interspersing the ads throughout is wrong and evil. So is making them play at the end (if you do this they should be ones that don't have sound. blease.) Anyway this environment is absolutely inhospitable to someone here to listen to ambient music while working (me) or stuff specifically designed to fall asleep to. to, you know, fall asleep to (also me).
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monzabee · 7 months ago
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mr. big (social media au) - cs55
masterlist ||
Summary: The one where there he was, wearing armani on a sunday, your boyfriend, Carlos.
Pairing: carlos sainz x romance writer!reader (model used: random people i found on pinterest)
Warnings: none other than some cursing? carlos being an old money dream as always
Request: "For a smau, would love to see romance writer!reader with Carlos (he is just Disney prince vibes) where fans aren’t quite sure how they got together but the influence him on her work is greatly appreciated" by my lovely @percervall
Author note: OKAY JUST REALISED I AM A CARRIE AND BIG APOLOGIST, WHO WOULD'VE THOUGHT (i might be freaking out about them, but i will always be a charlotte girl)!!! (might honestly turn it into a series because who doesn't love a satc x old money crossover???)
Please also note that all of my works are protected under copyright, and not available for reposting on other platforms.
yourusername
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Liked by carlossainz55, yourbestfriend, readersdigest and 438,927 others.
yourusername: busy, busy, busy bee.
user: thank you mother for feeding us with another hot billionaire novel
yourusername: you are more than welcome
user: how is she not only one of the best romance authors, but also a fashion icon??
user: can't wait to read what carlos inspired this time!!
carlossainz55: you are not wearing you glasses again, cariño
yourusername: why don't you come put them on yourself??
user: oh, they are so cute it's sickening
user: GIVE US THE MANUSCRIPT AND END OUR SUFFERING
view all 2,387 comments.
user: how did they get together again??
user: i think he ran into her at one of her book signings in madrid?
user: i thought it was when she went to the paddock for some good old r&d?
user: i heard somewhere that a friend set them up
yourusername posted a new story!
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carlossainz55 posted a story!
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yourusername
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Liked by carlossainz55, landonorris, goodreads and 682,928 others.
yourusername: life lately & "between love and loathing" out june 23rd.
user: we love the romantic getaway, and a new book!!
user: we're being fed in more ways than one, and i am not complaining at all!!
user: oh shit, we're about to read the best romance novel of all time
view all 13,726 comments.
carlossainz55: i'm so proud of you, you have no idea
yourusername: way to make me cry
yourusername: i love you though
carlossainz55: te quiero más
user: I CAN'T BELIEVE THEY ARE THE OLD MONEY COUPLE WE NEEDED ALL ALONG AND WE DON'T KNOW HOW THEY STARTED DATING
user: it will remain forever a mystery
user: but at least we have content to keep us going through these hard times
carlossainz55
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Liked by yourusername, scuderiaferrari, charles_leclerc and 977,520 others.
carlossainz55: one of us made the pancakes, and one of us stood there looking pretty.
yourusername: hey, it was your turn to make breakfast
carlossainz55: and i loved every second of it
yourusername: even doing the dishes?
carlossainz55: especially doing the dishes
user: this is by far the most romance book thing this man has done
user: i still don't understand how they started dating, but good for them i guess
view all 35,726 comments.
landonorris: hey, i didn't get any pancakes, did you? @charles_leclerc
charles_leclerc: didn't even know we were having pancakes, where are our pancakes @carlossainz55
landonorris: and cooking in a towel?? how is that sanitary??
charles_leclerc: he's breaking at least a dozen health codes
carlossainz55: i hate you both
yourusername: you are all a pr nightmare
scuderiaferrari: i agree
user: damn he got lucky
yourusername
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Liked by f1wagss, carlossainz55, sarahjessicaparker and 736,928 others.
yourusername: and there he was, wearing armani on a sunday, carlos sainz.
user: SHUT UP!!! SHUT THE FUCK UP!!
user: what kind of an iconic cunt slay is this
user: and just like that... they became the coolest couple on the internet
user: NEW NOVEL IDEA, SEX AND THE CITY RETELL WITH CARLOS
user: girl wtf
yourusername: no let her cook
yourusername: you might be onto something here
user: don't know if i want to be her or be carlos
view all 44,736 comments.
user: everybody say thank you mom for blessing us
carlossainz55: amor
yourusername: amor x2
user: oh she's working overtime god bless you
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berlynn-wohl · 11 months ago
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okay so I was watching a video about videos and decided to write about writing (specifically, fanfic)
Typically I don't share my thoughts on fandom as a subculture and how it's changed because I don't have the stomach for the kind of things that can happen when one posts their opinions on social media. But I'm gonna give it a go today because I watched this:
You don't have to watch it, I'll tell you the thing that got me: it was about how on YouTube, people are likely to be fans of specific channels, and if you subscribe to one, you could probably, if asked, discuss what you like about that channel/creator with others. But the way TikTok's feed works (turning you into a passive consumer of an endless stream of short videos), it's more difficult to differentiate who the creators are, even when you subscribe to them. You're more likely to just say, "I'm a fan of TikTok" (...or "I'm addicted to TikTok"). This is evidenced by the fact that at a recent VidCon, TikTokers who had millions of views and hundreds of thousands of subscribers faced empty lines at the meet-and-greets, because their content was just part of a blur of content their subscribers passively put their eyeballs on every day.
And I had a thought: Has AO3 done this for fanfic? Of course AO3's content cannot be passively consumed; you have to enter search terms and use filters to find what you're looking for. But once you have entered such a search, you could well be faced with thousands of results, which you begin consuming by opening tab after tab after tab. If you were not in fandom before 2012, I cannot stress how ludicrous this amount of fanfiction is. Before AO3, unless you were in a MASSIVE fandom (like HP or LOTR), you eagerly awaited the arrival of new fics because there just weren't that many -- and even if you were in a massive fandom, if you shipped one of the less popular pairings (or preferred Gen), you still could not necessarily count on even one new fic a day that was to your tastes.
And in those days when fics were fewer and farther between, and when fandoms were more siloed, you got to know fanfic authors. You recognized their styles. When someone posted a new fic, you were excited because you knew what you could expect based on what you already enjoyed about that author's talents and inclinations. In a small fandom I was in long ago, where only about ten people wrote fic, we once sat around and brainstormed which popular music act's vibe corresponded with which each author's style! (I was The Clash.)
Compare that to now, where many readers in fandom have the opportunity to just click-read-click-read-click-read, not just as a reward at the end of a long day, but on the bus or anywhere. I don't think it's a coincidence that fics get fewer comments than they used to, and there's far less discussion of individual authors. There's no incentive to linger on something even if you enjoyed it, when the next fic is waiting in another tab.
Now perhaps it's better that the structure of fanfic culture has changed such that we have less potential for BNF drama. But it also means that whenever I see newcomers to a fandom asking for recs, most of the responses are "Have you read [the fic with the most kudos and comments on AO3]?" It's not just that this response is a bit superfluous, as the newcomer has probably already sorted the AO3 results by kudos/comments -- to me it also indicates that folks get so much fanfic from The Fanfic Website and so little community from The De Facto Fandom Platforms that it becomes difficult to remember individual fics, what you enjoyed about them, or how an individual author's style might make them a better match for a certain reader. (Yes, I am aware that AO3 has histories/bookmarks for people to refer back to, but when one accumulates 1000 bookmarks and then someone asks for a rec, most likely the bookmark holder is only going to remember, off the top of their head, That One Crazy Outlier Fic That The Entire Fandom Lost Their Shit About Seven Years Ago.)
I dunno, this is all I got in the way of thoughts. I'm not saying I want to go back to the way things were 10 or 20 years ago, but I sure do wish I could a-la-carte it a little, you know?
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olderthannetfic · 21 days ago
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How do we feel about the "Um just so you know the person you reblogged this from is an [insert undesirables category here]"? When it's some random meme or otherwise uncontroversial post, and not some elaborate political opinion post with a bunch of dogwhistles in it.
Because I just got it from a fandom acquaintance/friend and it felt really fucking unsettling.
Aside from the mutuals that I know from fandom and interact with, most of the other content I interact with on Tumblr is more about what it says than about who said it for me. I don't ever pay attention to who wrote what or which other Tumblr users they had beef with or whatever, I just read the post itself and decide if I like what it says or not. If someone posts something I REALLY dislike, I block them and move on, more in the hopes of seeing less of that sort of thing than with the intention of somehow eliminating that specific person. I never pay attention to who my mutuals are reblogging from and if I note that one of them reblogged something featuring a poster who's famously unhinged, I just assume they don't know and move on because I know my mutuals are reasonable people generally speaking. I like the anonymity of Tumblr and the focus on the content of the posts and not on specific people. It's why I hang out here and not on one of the platforms that are all about influencers and the like.
So today I was going through the blogs of a couple of people I don't follow to find a specific post and in the process I saw a fairly uncontroversial post I liked, reblogged it, and moved on. Then less than an hour later I was met with a wall of text in my DMs accusing that poster of having questionable political opinions and describing the beef they had with another person where they threatened them etc. etc.
TBH I felt incredibly uncomfortable with the level of scrutiny implied in paying attention to who I reblog random shit from, as well as the level of presumption in coming to my DMs and lecture me about it. I know nothing about the blogger they were talking about, have never interacted with him, and will probably never even have the opportunity or the desire to interact with him. He wasn't even the AUTHOR of the post, it was just on his profile. It makes me want to never post anything ever again.
I just... don't see the point of this sort of behaviour in general? "You shouldn't be giving [bad people] a platform" - look, I genuinely don't think that reblogging a pretty landscape from someone who turns out to be a TERF or whatever is platforming those beliefs in any way. I'm sorry, but I just don't see how my behaviour leads to any material harm to anyone. Even if I follow the person, the moment they start talking about TERF-y shit I'm gonna unfollow and/or block. The probability of me throwing all my well-developed political opinions down the drain and getting radicalized through the slippery slope of reblogging "CATS ARE SO CUTE WHEN THEY SWAT AT THINGS" from someone with a dogshit take about Palestine is literally zero. If it's the content of the post that's wrong, just explain why to me, or point out the dogwhistles or whatever. I'm open to being wrong in my opinions. I'm not open to my online friends acting like the fucking Stasi.
Maybe I'm just too old for these newfangled social politics but it just feels like either pointless catty high school drama or an attempt at social control that I can't help but interpret in a hostile manner. Even if it's followed by - as it was in my case - something along the lines of "obviously I'm not accusing YOU of anything!! I'm sorry it came off that way!!" when I pushed back against it. It feels like 1950s conservative housewives making sure you're not even greeting any of the town Undesirables at the grocery store, because you wouldn't want to be Morally Tainted by saying Hello to a divorcee!
It's kind of similar to the whole issue about people still writing HP fic. Am I interested in HP fic? TBH not at all - the author had soured it for me with her behaviour even before it was obvious how much she hated trans people. Do I think the people doing it are somehow harming anyone or putting money in JKR's pocket? I honestly can't see how, and so far none of the people adamantly against it have managed to explain it to me in a satisfying way, so I'm just gonna let it slide off me as another random internet hobby I don't get or care about.
--
My reaction is "Do you understand how Tumblr works? Do you?"
We have enough trouble with people reblogging barely-hidden anti-kink or homophobic shit. Who has time for cootie-based problems?
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lady-raziel · 7 months ago
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long reaction to the update
ok. so they put out an update video! since i've been commentating for the last three days i might as well subject you all to more of my thoughts today.
main takeaway: this was a good apology video. i mean it. short and to the point, no overproduction, heartfelt and honest (and not a ukelele to be seen. thank god.) they took ownership of the situation, apologized, and restated how much they value their relationship with the fandom.
their solution is to make the watcher tv platform into kind of an iteration of patreon where content is available for early access before it is released onto youtube later. this is clearly a better option than paywalling everything for everyone. i'm not sure what the relative breakdown of costs turns out to be when you compare how much they were making on patreon after the platform took their cut VS how much it costs in overhead to run and maintain their own platform (how much it costs annually to contract via Vimeo, essentially). but i'm sure that's part of the calculation.
all things considered, that does seem like the best option out of all the alternatives. it allows them to not completely abandon any of the pans they have simmering over the fire for the time being. i don't think i ever thought they were going to just say "oops, forget about the streaming thing! let's pretend that never happened!" because at this point they've invested quite a lot of time and money into it, and i don't disagree that keeping it in some iteration may help them make up some of the funds they're lacking.
i would say, it's fine to keep the streamer. this is one of the ok outcomes, all things considered-- but if they're going to do it, they've GOT to do it smart from this point forward. listen to both the fans and the consultants intimately. both are going to have valid points, and both are going to be right. listening to too much of either side will sink this thing because each has motives and expertise that the other doesn't. if the fans say $6 is too much, listen to them-- but have conversations with business consultants about how much you realistically need to charge to make things work.
also, i'd use this whole situation as a learning experience. watcher is a young company, and it's literally inevitable that mistakes will happen. what's different is that the watcher crew haven't really been in a position before where they've been on the receiving end of the internet-angry-justice-hammer to this extent. it's one thing to watch it happen to others, but it's a position of extreme privilege (and a bit of hubris) to think "but that won't happen to me, because i'm built different." naw, man-- two things in life are inevitable: death and fuckups. the callout posts get us all in the end.
what's really important is that they use this as a wakeup call that even the most loyal fandoms will only follow you so far to the cliff's edge, and you don't want to push that. you have to strike a balance between the passion projects that you think are worthy and the stuff that maybe doesn't excite you as much anymore but the people want to see. a little fanservice keeps the lights on, as unfair as that might seem. i'm gonna make 50 markiplier choccy milk memes just so i can make one niche political joke once and a while for 6 likes. it is what it is.
i'd also use this as a chance to take a very careful look at company structure and finances. it's not fun to do and nobody likes it. trust me-- this is hard whether you're a single adult trying to pay the bills or the freaking US government (speaking from experience on both-- i have to read the president's budget for work frequently). but you all have to ask hard questions about the ratio of creative staff you take on VS staff for administrative and other business roles, as well as the costs and benefits of everything you spend money on. how many staff members are essential to location shoots? can this video be shot with 2 cameras instead of 3 and thus you don't need another cameraperson? you might even have to come to the decision that instead of pitching a new show it makes more sense to use those funds to hire your essential non-creative roles or contract firms or freelancers.
paying staff a fair wage with benefits speaks highly of what watcher wants their values to be. it's hard to find such a position in a creative role and still actually get to work on things you care about. but it would be much worse if watcher didn't make realistic decisions about finances and it lead to the death of the company and everyone losing their jobs. the whole watcher company can work, in my opinion, but not without some sacrifices. they're going to have to run it more like a business and less like a youtube-channel-turned-business in the future if they want to survive.
last thing i'll add is that while i do think this was a good apology video, i still think they hurt themselves by not putting out some sort of statement on Friday or Saturday just to say that they were formulating a response. As i've said in other posts, it's ok and in fact beneficial to not make a kneejerk reaction, but it's also very important to communicate that you SEE what's happening. you SEE what people are saying and THAT'S why you need more time to respond. saying nothing and leaving the angry public to wonder if you dropped your phone off the Hoover Dam or just don't care? that's a fumble. it's a common mistake companies make in a crisis, but that doesn't mean it doesn't erode trust fast.
this could have been handled better in many ways. we see that, and i'm glad watcher says they see that too. crucial going forward is taking all this and patching the errors that caused all this to fall apart and learning from the experience.
tbh at this point what i'm most sad about is that the watcher crew have probably been too stressed out and upset to appreciate some of the absolute bangers people have been laying down to clown on them. i think if it wasn't about them they might be touched by the collective attitude and creative spirit. /j
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flowerandblood · 9 months ago
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Glass Cuts Deepest Epilogue
[ professor! • Aemond x student! • female ]
[ warnings: sex content, smut, angst, trauma, mention of sexual harassment and panic attacks, the power of fluff ]
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[ description: Aemond and Wright have a year of their relationship behind them, full of joy, but also difficult situations for them, related to demons from his past. Despite this, they find their own ways to live normally and happily. Aemond, jealous that Cregan is now her professor, decides to find out if the girl who changed his life still loves him. Sexual tension, childhood traumas and sweet fluff. ]
This oneshot is the events that take place one year after Glass Cuts Deepest Series. This is a special chapter written to celebrate my one year on this platform, which falls on March 22.
* English is not my first language. Please, do not repost. Enjoy! *
My other works: Masterlist
_____
When a year had passed since he and Wright had officially announced that they were together, he was relieved to find that his panic attacks had almost disappeared, and if they did occur, they no longer involved vomiting and convulsions, causing only discomfort and a feeling of tightness in his stomach.
Wright was perfectly capable of recognising its symptoms, spotting instantly when he froze or turned pale, not touching him at the time, just asking quietly if he needed a moment alone or if he would like her to embrace him.
More and more often he wanted to simply cuddle up to her, so he would then ask her to let him, but not to touch him herself. He would then draw her close and sink his face into her neck, taking in her wonderful scent, listening to her breathing until he calmed down.
"− I'm sorry −" He mumbled then, ashamed that, as usual, he thought he had got it over with, that it was so good after all. He fought then against the grim thoughts that he would never be normal, that she had to live with someone who didn't cope, who was constantly afraid.
"− don't apologise −" She whispered softly, resting her cheek on his head, playing with the fingers of her hand, waiting patiently for him to be able to function normally again.
"− I'm glad that now when you feel unwell, you don't feel discomfort when I'm close − it's very important to me −" She said warmly, kissing his hair, and he felt his muscles relax slowly − the fact that she never made sudden movements, never tried to embrace him against his will, made him feel safe.
She respected the fact that he knew for himself what was good for him and what he needed, and she never forced him into anything − on the contrary, she always carefully studied his barriers.
Once when she showed him a picture of a nightgown, finding it lovely and pretty, white, lacy and strapless, of slippery, shiny material − he turned pale and shook his head quickly, looking away, seeing her enter his room then, what she was wearing was all too similar in his mind, a cold sweat on his back.
"− oh, I'm sorry − I won't show you this kind of things anymore − I just − I'd like to buy myself some nice pyjamas − the kind you'd like −" She muttered, looking up at him, turning on the couch − he sighed quietly, rubbing her bare legs that rested on his thighs.
"− I like it when you wear my Tshirts − nothing turns me on more −" He hummed, looking at her out of the corner of his eye, seeing her blush as she lay dressed in his black shirt covering her thighs − he knew she had nothing but panties underneath, just the way he liked it.
"− oh −" She mumbled quietly, embarrassed, pretending to scroll something further on her phone.
Since he had left the university and focused on his own studio, he felt that the immense frustration that had been with him all those years, of having to deal with strange women, having to constantly explain his decisions and apologise for the way he was, had left him.
In his new workshop, more spacious and brighter than the one he had worked in before, he felt free, and the only girl who was allowed inside was Wright.
Sometimes he couldn't help himself and would ask her how Cregan was doing in his job, seeing that she was progressing more and more each month, jealous that now someone else was her professor − she was spending a lot of time in class which was hard for him to come to terms with after they had spent so much time in each other's company up to that point.
"He is a really good teacher. He has a lot of patience and explains complicated things so that they seem simple, or he shows us something by doing it himself and we can watch." She said lightly, standing beside him, helping him cut out templates for his new commission, which he was working on with some of his former students he had hired. He hit the side of her cheek with the tip of his tongue, impatient for some reason.
"That's good." He replied dispassionately, feeling her cast him a quick glance upon hearing the tone of his voice, leaning lower to bend forward and look at his face.
"Are you jealous, Professor?" She hummed softly and he pressed his lips together, recognising that he hadn't given a shit, that he'd wanted to do this for a long time.
She squealed quietly as he grabbed her by the arm and turned her around facing the backlit table − his hands slid her panties down in a swift, sure movement, leaving her in a state of shock, his hand on the nape of her neck forced her to bend over. The material of her dress lifted slightly, revealing her naked buttocks − he noticed out of the corner of his eye her puffy entrance, glistening from her wetness.
She was his Eve, and although neither of them had ever completely undressed, and he wasn't sure he would ever be able to do so or endure such a sight without the memories overwhelming him, the sight of her partial nudity no longer frightened him, for her body was his temple, pure, warm and safe.
"− I've been thinking about this ever since I met you − you don't even know how many times I've stood over you barely restraining myself from fucking you good on a table like this −" He breathed out, quickly unzipping his trousers, lowering them a tad once with his boxers, not waiting a moment, forcing the swollen head of his cock between her swollen, weeping folds.
"− wider − that's it − fuck − are you okay? −" He muttered, casting her an uncertain look after he thrust deeper into her, sliding all the way in, her tight walls resisting him as he hadn't prepared her for this as well as usual.
"− y-yes − keep going − just − take it slow −" She mumbled softly, and he hummed under his breath, leaning down, placing his hands on either side of her on the backlit top of his table on which he usually cut glass, his lips pressed against her long, perfumed neck as his hips began to rock slowly inside her, barely sliding out of her without any rush, letting her walls get used to his size.
"− so warm − fuck, baby −" He gasped out, hearing her first shy moans, feeling his cock slide into her with increasing ease, slick with her moisture, her muscles began to throb around him, squeezing him − he looked down, watching as he opened her wide with deep, sure thrusts of his hips.
"− please, Professor − please −" She mewled and he sighed loudly; she knew how it affected him, she knew how much it aroused him − he involuntarily picked up his pace, his thighs began to slam against her buttocks with loud splats, all around them just their panting and the sticky clicks of her leaking wetness.
"− you have no shame − begging for your Professor's cock − is this how you got good grades at university? huh? − you like it when they fuck you well? −" He sneered, clamping his hands over her bare buttocks, letting go of control completely, allowing his subconscious to take over him and his movements, his pushes faster and more aggressive, rubbing her where she needed it. She leaned back on her palms against the table top, responding to his thrusts by rocking her hips, her hot, wet muscles sucking him inside with her moans of delight.
"− n-no − I work so hard −" She muttered frightened, as if some part of her really believed he could think that about her − he chuckled under his breath, running his hand through her hair, pounding into her so fast and deep that he was no longer sliding out of her with loud slaps of skin against skin.
"− I can see how hard you're working − how much it costs you to fit it in −" He scoffed, and she whimpered at his words, responding more and more eagerly to his thrusts, his knee spreading her thighs wider, forcing her to bend over again with her loud gasp of exertion.
"− I-I'm sorry − I promise I'll be good already, I promise, I promise, I promise −" She mewled, moaning low as he felt her muscles begin to throb in orgasm, her body arching backwards. He embraced her around the waist, his other hand gripping her cheeks, his lips pressed against hers in an aggressive, greedy, hot kiss as, after a few sloppy, messy thrusts, he came deep inside her with a heavy sigh of delight.
"− I know − my sweet little girl, am I right? −" He gasped, panting loudly along with her, embracing her tightly from behind, nuzzling his cheek against hers, her hands clasped around his arms, stroking them steadily, his half-hard manhood still twitching deep inside her.
"− yes −" She mumbled, burying her face in his cheek, as she always did after their rapprochement, needing his closeness and the tenderness he never denied her.
"− you don't think of him that way, do you? −" He asked quietly, ashamed of his insecurity, of his own fear and imaginings, of the fact that someone else, someone better could easily take his place at her side when he needed her so much, loved her so much.
"− oh, no, silly − I never felt anything like that before you − I think I was in love with you long before I realised it −" She said warmly, glancing at him out of the corner of her eye, a sweet, girlish smile full of tenderness on her lips that melted his heart, his confirmation that all was well.
"− yes − yes, me too −" He murmured, leaning lower, placing warm, wet kisses on her face. He began to wonder intensely if the ring he had chosen for her, which lay tucked deep in one of his drawers where he kept his designs was still there, and if he would be a complete idiot to propose to her now.
After a moment he decided that yes, he would be a complete idiot and sighed quietly, smiling involuntarily under his breath, sliding out of her gently. He helped her put her panties back on over her buttocks, then zipped up his trousers, looking at her out of the corner of his eye − she turned to face him, all red from exertion, her eyes big, her breathing still slightly accelerated.
"Take me today to the church where you first saw the stained glass windows. You told me that story once, I think you mentioned that your father took you there." He said softly and she blinked, curious, cocking her head, leaning her palms against the edge of the table.
"Alright, why not, Professor. Where did you suddenly get this idea?" She asked cheerfully, excitedly, and he snorted under his breath.
"You'll see."
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frodothefair · 6 days ago
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The United States of Fanfiction vs. Project 2025
Hello, friends!
I happen to be passionate about free speech, and fandom in particular, and since I've been seeing a number of posts to the tune of "Project 2025 is going to ban (and potentially criminalize) fanfiction," I’ve decided to take a deep dive into the issue over the last 24 hours. I’ve done a decent amount of research between other tasks, and I've asked my spouse – who is more politically aware than I am – to explain an embarrassing number of things to me like I'm five. The following is a result of my efforts, and it pertains to Project 2025 as it may affect freedom of speech as well as fandom.
This is not a diagnostic, or a clairvoyant look. I will get some things wrong, and so will anyone else who attempts to predict the future. But feel free to conversate with me, correct me, and contribute your own takes.
The tl/dr version of this article is as follows:
Project 2025 is an ethos and a "wish list" put out by a conservative think tank. It is not a law, a bill, or any kind of concrete action.
No content will become illegal that isn't already.
The IS a concrete law called KOSA that's been making its way through the federal legislature for the last 2-3 years. It is meant to require for-profit platforms (aka not AO3, but yes Tumblr) to funnel certain "harmful" content away from their users who are minors. If you support free speech and the actual safety of kids online, you should OPPOSE this bill. That is a concrete thing you can do. But again, no content is suddenly being outlawed or banned.
For those who want to know more, without further ado... Brace yourselves, this is going to be long.
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Unsurprisingly, there seems to be a decent amount of misinformation on this issue.
I'll say right off the bat -- Project 2025 is a huge problem and it is scary, because it aims to dismantle a lot of the freedoms and government structures we take for granted. 
But here is what Project 2025 ISN'T.
It is NOT a law, and it is NOT a bill. 
Rather, it is a broad, 900-page "wish list" put out by an ultra-conservative think tank called The Heritage Foundation, which has existed since the 80's. A lot of actual conservatives consider it frankly crazy. 
There are a number of staff from Trump's first administration who have joined The Heritage Foundation over the past several years. At least one of those people, Trump has hired back. Outside of that, he has gone back and forth about his views on Project 2025, as he does on most things. 
Now, what are think tanks? They're exactly what they sound like. They think. And they put out really long documents aimed at influencing policymaking. They do not actually make the policies, but they aspire to carve their ideological pathways into the minds of those who do.
Now, how are laws actually made? Laws are proposed in the House of Representatives or the senate. By representatives and senators. They then take a really long time and a lot of back and forth to pass. The president, his cabinet, and various other stakeholders such as think tanks and lobbyists (people with lots of money who make it their business to hassle lawmakers) can influence the legislative process. Then, once laws get passed after much trial and tribulation, they may get challenged in various courts as unconstitutional. Trump in particular can influence the legislative process by appointing judges who will make decisions aligning with his ideology. (Think what he has done to the Supreme Court).
Now, back to Project 2025, the section everyone in fandom seems to be worried about runs as follows:
"Pornography, manifested today in the omnipresent propagation of transgender ideology and sexualization of children, for instance, is not a political Gordian knot inextricably binding up disparate claims about free speech, property rights, sexual liberation, and child welfare. It has no claim to First Amendment protection. Its purveyors are child predators and misogynistic exploiters of women. Their product is as addictive as any illicit drug and as psychologically destructive as any crime. Pornography should be outlawed. The people who produce and distribute it should be imprisoned. Educators and public librarians who purvey it should be classed as registered sex offenders. And telecommunications and technology firms that facilitate its spread should be shuttered."
Take note of the language. Its tone is that of incendiary rhetoric, not law. It tells its readers (which it assumes are Trump loyalists) that the end-goal is a total crackdown on pornography – whatever it decides that is. But these pie-in-the-sky discursive acrobatics simply don’t land. They are a what without any semblance of a how. And while that vagueness is inherently terrifying (because a lack of firm definitions always suits those in power), please do not lose sight of the fact that the Project 2025 lays out Napoleonic plans without any hint at how they will be accomplished. 
Law, and actual legal documents go into excruciating detail as to who, what, when, where, and how will be affected. They make at least some attempt to describe what is and isn’t under a law's jurisdiction. 
While Project 2025 indeed sets an frightening ethos, it does not give a blueprint. What is lost in the terrifying vision it proposes is how hard it would be to implement their ideas on the mass scale they are proposing.
That being said, we absolutely need to be vigilant for any initiatives that align with those views. Because chances are, if we do nothing, the freedoms will erode gradually, similar to a "frog in the pot" phenomenon, where the temperature goes up one degree at a time until the frog is cooked. 
There are concrete things to worry about. And some of them are lost in the blinding Mercury effect that is Project 2025. One of them in particular already has a head start.
I am talking of course about KOSA (the Kids Online Safety Act), which is making its way through the federal legislature and has been... for the last 2-3 years. Many people have identified it as a "Censorship Bill in Disguise" that mandates for-profit websites to "protect" their underage users from certain "harmful" material. 
What does this mean in practice? That is tech companies are aware that a user is a minor (there is some info floating around that this will be done by government ID's, but that's not actually written into the law), then they will be required to funnel certain material away from them. ***Specifically, algorithms and other design elements will not be allowed to suggest certain content to minors, though that content will still be hostable and searchable.***
The obvious problem is that what's "harmful" may be broadly defined, and there is concern that kids will not be able to access information about LBGTQ+, mental health, reproductive rights, etc. 
But again, here's what NOT happening. Unlike the language of Project 2025, nothing is being criminalized for creators. In other words, no, you will not go to jail for writing fanfiction, and fanfiction will not be illegal, no matter what it’s about. Nothing that is of an "adult" nature will actually be illegal that isn't already. The law is a mandate on the tech companies to funnel it away from their underage users. ***Importantly, they are not required to delete or "block" any content -- they just can't suggest it or push it to underage users via algorithms or other "design features." Of course, this is easier said than done, and the tech companies may in fact short-circuit compliance by changing their TOS to avoid hosting certain material to begin with, and they may still delete content, and no, none of this is good or even "not that bad," but this does not translate to an automatic, blanket ban.***
Critically, as the proposed KOSA law is written now, nonprofits like AO3 are exempt. But tumblr is not, tiktok is not, instagram is not. So fandom will be affected, but not universally.
(That is, AO3 is exempt for now. There is a bill in progress called HR 9495 that would allow the government to strip organizations of their nonprofit status without any due process - that's scary too).
But here's the other thing. KOSA has been around since 2022, and it keeps getting blocked and rewritten in Congress. It was endorsed by Joe Biden himself -- way before Trump, before Project 2025, before all of it! In the most recent session of the House of Representatives, it stalled again before the House went on recess for the election. There is a decent amount of opposition to KOSA from the tech lobby (unsurprising) as well as from Republicans themselves, who fear that it will block kids from seeing anti-abortion rhetoric (ironic).
However, the KOSA example gives an idea of how slow the legislative bodies are to get things done. It also highlights the difference between Project 2025's extremist and incendiary language, and what is actually happening and how it happens.
So: what can we do?
The most concrete thing you can do right now is to work to stop KOSA. Part of the reason why it didn’t pass the first two times was because people protested. To this end, you may call your representatives, email them, write to them, protest peacefully if you want to. This bill is actually dangerous, and a wolf in sheep's clothing, because "protect the children" is always an easy sell to someone who's not looking closely. And you can click here to fill out a form opposing it: https://www.stopkosa.com/ 
But there is more!
KEEP CREATING!! We are all fundamentally creative people. Creativity awakens the senses. We will not find victory by being numb and leaving creative energy on the table. So draw. Compose. Hit publish. Hit send. And hit one another up when you’re feeling down, or when you think that your friends might need a good hello. And to my fellow writers, KEEP DYING! KEEP WRITING IT DOWN! (That’s the words of CK Williams, by the way). We are the multitude, and the more we make our voices heard the harder it is for those who would silence us to pretend it will be easy.
I’ll leave you with a few quotes from a famously bizarre French philosopher whose works Mr. Nisilë and I I ran into in college. His name was Gilles Deleuze, and he very much believed that corrupted power only works when the people on the bottom give up by giving way.
“A concept is a brick. It can be used to build a courthouse of reason. Or it can be thrown through the window.”
“If you're trapped in the dream of the Other, you're f-cked.”
“Bring something incomprehensible into the world!”
“Writing has nothing to do with meaning. It has to do with land-surveying and cartography, including the mapping of countries yet to come.”
@possiblyreallyme (You wanted to get tagged, I believe?)
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protagaster · 2 months ago
Text
Hello, all! My hyper-fixation and maladaptive daydreaming scenarios are currently centering around the fantastic EPIC! the Musical, created by the amazing Jorge Rivera-Herrans!
However, because I have a female main character bias, I tend to imagine the songs as if they were sung by my current best girl: Penelope.
Thankfully, two artists went ahead and drew this into reality: @vioofc and @too-much-flynnolium. Inspired by their works of perfection, I have gone and wrote the first of many vignettes based around this Warrior Penelope AU!
There is also a version on Ao3, if you prefer that platform over Tumblr!
EDIT (10/7):
Hello all! I'm in the process of heavily editing this AU in order to have it:
A) Make more sense
B) Fit the timeline better
You'll notice some changes here and there in the story! Some of the content was cut, but don't worry! I'm gonna add it into a fic of its own in the future, so look out for that! ;)
(Credit to @w3ndytheraccoon for an excellent idea of theirs I included in this AU! You'll see it towards the end!)
A King with no Queen (EPIC! Swap AU)
Odysseus is trying to cope with many things. 
His failure forced his beloved Penelope to fight the Trojan war in his stead, leaving behind all she ever knew and what she thought herself to be. In turn, the King was left to run his kingdom and raise their daughter all by himself. 
This is how things have been for the past 12 years. And now, to make things even harder, the first of his suitors have made themselves at home in his palace…
~
Odysseus is a rare kind of man. 
In fact, it was not uncommon for the King of Ithaca to be compared to a single drachma coin. There seemed to be two completely opposing sides driving him:
On one end, Odysseus was the alluring, cunning, quick-witted man that achieved many impressive feats throughout his life. 
He was deemed ready and crowned King of Ithaca at the young age of 13, despite his father being very much alive. He passed her challenge and was gifted the guidance of the Goddess of Wisdom herself, something he very much boasted to all who would listen.
He even fell in love with a Princess of Sparta!
And, despite the warnings of those closest to him, she too fell in love and accepted his hand, regardless of how small and lacking his humble Ithaca was compared to the grandiose and luxurious Spartan kingdom. 
Yes, despite being relatively smaller and having considerably less strength when compared to his fellow Greek man, Odysseus was a warrior with an arguably more valuable and sought after prowess: a warrior of the mind. 
So why, even with these innate talents and gifts of intellect, was it not enough to keep him from harm during that first year of war? 
Why was it not enough to keep her, the only person whose life he desired more than his own, to have to pay for his hubris? 
That was where the other side of Odysseus’ drachma came into view, a side of despair. A side of longing. A side that waited… 
~
“Your Majesty…”
Eurylochus waited for a moment, staring at the king from the double-doors of his bedchamber balcony. 
… 
Nothing. 
“Odysseus…” Eurylochus tried again, if not for a response then hoping for at least some form of acknowledgment.
… 
Still nothing. 
Eurylochus was unsure of what to do. 
It was far too early for his liking; the sun was still in the oceans’ embrace, the sky a dark indigo with only a few streams of orange light penetrating its serenity. 
The day was only just beginning. Any other morning Eurylochus would most likely still be asleep, albeit prepared to wake once the early light illuminated his dark and lonely bedroom. 
However, this day was not like any other. 
And so, with great reluctance for more than one reason, Eurylochus woke early to fetch his king. One of his best friends. His brother. 
And this made him nervous. 
Not to wake the other, mind, as Odysseus always woke within the first instances of Helios’ light. 
No, Eurylochus was nervous because of what the day represented. 
And so, in an act that could have been either futile avoidance, petty rebellion, or a sad mix of both, Eurylochus allowed his brother to have this one moment of disassociation. 
Meanwhile, on the other end of the balcony, Odysseus continued to sit peacefully in his kline. He had chosen not to respond to the call of his name, despite knowing the urgency behind Eurylochus’ visit. 
Instead, Odysseus chose to stay true to his personal morning ritual: sitting in silence with morning’s first light.
He had honored this custom for more than a decade; he did not want today to be the one time he disturbed his routine, nor did he want to leave the comfort the balcony’s kline brought him. 
Every morning he sat in silence, waiting. Every morning he sat in his designated seat, the left side of the kline, soothed by what it represented. 
After all, it was Penelope’s very first contribution when brought to her new home. 
Odysseus remembered when the young couple had picked out the kline upon their first week of engagement, with Penelope first to declare that the right side belonged to her. Odysseus remembered laughing, saying that it made sense "considering she is always right". 
The kline was placed on the left side, on the farthest corner of their bedroom balcony. In this place the loveseat had a perfect view, with Ithaca’s beaches on one side and the villages of the common folk on the other. Penelope always loved this spot, for if she wanted she could see the sky kiss the ocean and embrace the beaches from above, or the hustle and bustle of her people, satisfied and content with their lives, down below. 
At first Odysseus did not understand why Penelope would subject herself to wake so early in the morning simply to gaze upon the rising sun. Now, only after she had been forcefully sent away, did he understand how something as simple as the day’s first light could bring an instance of happiness to an otherwise age of despair. 
And thus led to his daily ritual, one he has promised never interrupted no matter what.  
Every sunrise for the past 12 years, starting from the moment he woke, the King of Ithaca would spend a few minutes staring at the various views outside his bedroom balcony; it was never too long, but the minutes always lingered with a heavy sense of despair and longing.
...
How long has it been, Odysseus couldn’t help but wonder, since he last saw his wife lounging in their kline. When was the last time she beckoned him to join her with a wave of her delicate hand, appreciating the open air whilst the kingdom was in a state of silent calm and peace. 
Too long, Odysseus concluded to himself. 
“Ody…” 
Odysseus flinched, knowing the other only called him by that name when all other options failed. 
Finally turning to acknowledge his visitor, Odysseus saw Eurylochus leaning against the door frame. His best friend, his brother, was watching him with a sad look in his eyes. 
“It’s been 3 years,” Eurylochus' voice was sad, betraying the attempt of stoicism in his eyes. “They aren’t coming back-”
“You don’t know that.” Odysseus yelled out sternly. Unfortunately, he immediately regretted it when he saw Eurylochus let out a heavy sigh with his shoulders slumping in unison.  
“Eury… I-I’m sorry-” 
“It’s okay, Ody,” Eurylochus said with a smile that was not at all genuine. “I know.” 
Odysseus wanted to kick himself. After all, he and Eurylochus were stuck in the same horrible situation. 
Both men waited, longing for someone that was no longer by their side. Both men woke alone inside their isolated, dark, empty bedchambers, at one point naively unaware of how large a bed could be until that fateful day 12 years ago. 
Both men waited, longing for the return of their wives: Queen Penelope of Ithaca and her best friend and second in command, Princess Ctimene.  
It had been 13 years since the Trojan war officially began, a petty debate between the Gods leading to Helen’s abduction. Menelaus and Agamemnon drafted Helen’s suitors to help in her rescue, using Odysseus’ proposed oath to defend her husband against those who would dare to challenge him. 
Odysseus had tried to avoid this draft through various means, but each attempt ended unsuccessfully. He was required to fight in this war, forced to take with him only the best of his Ithacan warriors. He remembered his tearful goodbyes to Penelope and Telemachas, filled to the brim with sorrow at having to leave his beautiful wife and newly-born daughter. 
From then on, since he first set foot on Trojan soil and every subsequent battle thereafter, Odysseus would pray to the Gods to find a way to end his term in the war. Anything to return back to Ithaca as quickly as possible. 
The Gods were quick to grant his wish. 
That first year of war no one could have expected things to turn out as they did. 
The men had secretly infiltrated the Palace of Troy using various spies, successfully sneaking Helen out and tucking her aboard the first ship back to Greece. Unfortunately, the Trojans were quick to discover her disappearance. 
The Trojans took their revenge the next night. The Greek army, beyond ecstatic that their primary goal had been achieved, went to sleep that night with their bellies filled with meat and cups poured with more wine than water. 
None of them noticed the dead quiet of the nature surrounding them. 
The Trojans, with their own spies implanted in the Greek army, had found their hidden camps. Before the men of Greece realized it, they were too late. They were struck without mercy, the etiquettes of war no longer a priority.  
The Greeks, despite their night of festivities, put up one hell of a fight. The battle took hours, lasting from the darkness of night up until the early crack of dawn. 
The Trojans quickly retreated once early light hit. However, the damage was done.
In the struggle Menelaus and his closest brothers-in-arms were taken prisoner, held as a form of ransom. Odysseus was the only one in Menelaus' circle to avoid this capture, for Eurylochus and the rest of his Ithacan crew refused to allow the Trojans the glory of kidnapping their king whilst under their watch.
Though there were few deaths, the Greek men were maimed and damaged beyond repair. 
The lucky ones had escaped the confrontation with more scars and wounds littering their bodies, though they were the ones likely to return to combat after a short time of recovery. The unlucky ones, the majority of the men, had been struck deep in the flesh. Their injuries sustained left no meager scars or wounds, but permanent physical hindrances to their limbs and muscles. 
Odysseus was speared in his left shoulder. Though the gash had closed and relatively faded 12 years later, he could no longer maneuver his arm as easily as before. Without his weekly massages and leather brace, which he wore only when surrounded by those he trusted, he couldn’t even wield his bow as effortlessly as he once did. 
Eurylochus was sliced in his left eye, leaving him permanently blind from that view. He had also been struck in his leg, though it was not as severe as his previous injury and had already come to a full recovery.
Regardless, the state of the current Greek army was too grave to ignore. 
A few handfuls of the men, those deemed fit and well enough to continue combat, were left behind to hold down the front lines. The rest, consisting of practically their entire army, were sent back home to recover and sustain what little dignity they still had. 
Though he had been permanently damaged, Odysseus couldn’t help but see a small silver lining. Even if it wasn’t how he expected, the Gods had granted his wish. Now, he was able to stay by Penelope’s side and raise their daughter together. 
If only he had known then what he knew now. 
Even though the men could no longer partake in battle, Greece still needed an army. And of course, for the sake of their own petty interests, this is when the Gods intervened. 
Almost immediately after he had returned home, the God of War himself stood before them with his signature spear in hand. However, he was not there to speak with the King. 
He was there to make a demand of the Queen. 
Ares ordered his student, Penelope, and her unofficial sisters-in-arms, women trained in combat with the blessings of the God of War and Goddess of the Hunt, to fight in the war against Troy on his behalf. All of this was to “make up” with Hera, after first siding with the Trojans on Aphrodite’s request. 
Odysseus remembered how he pleaded, begging to return to the battlefield in his wife’s place. Pride and flesh be damned! 
Odysseus knew what Penelope’s life would look like in Troy, having experienced it himself for the past year. Even if she had sufficient knowledge in the art of combat, trained by her life as a Spartan and student of Ares, she was still a traditional woman who enjoyed traditional womanly activities. Fighting and killing in the name of the Gods as a woman had never been heard of before that point! 
And then there was Telemachas, their beautiful baby girl who was only a single year old. What would her life look like, growing up without her mother to guide her through the trials of womanhood? 
Unfortunately no amount of begging and pleading, nor the King’s friendship with Athena, could spare his wife of her mentor’s decree; neither could it spare the many other women trained in the art of defense. 
Within the next two month a portion of Ithaca’s women, those of age and combat experience, boarded the ships to war. 
The next 12 years consisted of a mixed flurry of emotions. 
Of those 12 years it took 9 before the war came to an end. Helen, once nothing more than a damsel in distress, proved her strength to everyone with her contribution to the war. After rescuing Menelaus and the other captive men, the royalty of Troy were killed off to the last drop of blood. Rumors circulated within the Greek world that Penelope had a great hand to play in their victory, but the specificities were never clarified. 
Eurylochus, along with the people of Ithaca, recalled the look of pure joy in their King’s eyes when the messenger gave them the news. Many thought their King’s happiness was due to his wife’s battle prowess being praised by all who could speak, but those closest to Odysseus knew the truth.
Odysseus was ecstatic that his wife was finally coming home. 
Penelope would once again be inside his arms! Her warmth, her voice, her scent, they all would no longer be reduced to a distant memory. The people of Ithaca would once again have their Queen, and Telemachas could finally meet and learn from the mother she had heard so many wonderful stories about. 
That’s how things should have been by now. And yet, 3 years after the war’s end, the wives and daughters of Ithaca had still not returned. 
Many held out hope in the beginning, thinking that the womens’ delay was only a momentary setback. They believed it would not be much longer, that the women would return any day now. 
However, days turned into months. And those months quickly became years. 
With their hope dying alongside their wives and now presumed to now be widowers, the husbands and fathers of Ithaca reacted in very different ways. Many remarried, desperate to once again have their homes filled with the comfort of a wife and care of a mother. The rest could not bear the thought of remarriage, taking up vows of celibacy in honor of their fallen wives and praying to the Gods that their love alone would be good enough for their children. 
The one thing they all had in common: they had lost hope of their wives ever returning to Ithaca. 
This was where Odysseus differed from them all. 
His people, Eurylochus, and now even Polites had tried telling him how likely it was that Penelope perished at sea. They reminded him that as the King of Ithaca it was his duty to find a new Queen. The kingdom needed a female role model alongside the male, to help him rule and lead their kingdom to prosperity. This was the standard procedure for royalty in Greece.
But Odysseus was never one to follow the standard procedure. 
“Some of our… visitors… are making themselves at home in the throne room.” Eurylochus finally broke the silence once again, reminding Odysseus of the very thing he was trying to disassociate from. “They’re asking when you’ll go to see them.” 
Odysseus couldn’t mask his frustration. 
3 years. That’s all those selfish dogs had given him to “mourn” for the love of his life, for the mother Telemachas never had the chance to know. 
And now that the 3 years were up, they expected him to move on just like that. 
“Already?” Odysseus commented as he rose from his left seat, almost feeling impressed with the desperation of his so-called guests. “Helios hasn’t even finished placing the sun in its morning spot.”
“C’mon, you and I know human nature better than anyone.” Eurylochus scoffed, having to turn his head to get a proper view of the palace yards beginning to pack with various women and their guards. “Who would ever resist the chance to obtain more power?” 
Odysseus let out a scoff of his own as he walked back inside his bedchamber, practically identical to Eurylochus’. Though his expression was quick to change into one of concern. 
“What of Telemachas!? Is she-” 
“She’s still sleeping. I went to check on her before coming to get you.” Eurylochus answered calmly to Odysseus’ growing anxiety. “I knew you’d ask, so I figured I’d get it out of the way.”
Odysseus let out a sigh of relief. Eurylochus was one of the very few people he trusted with the keys to his palace, which meant he was one of the only few with the ability to open the doors of the royal bedchambers. 
If Telemachas was still asleep, then that meant she would be spared of the wrath and judgments of the “guests” below. For now. 
He would have to check in on her later, for both their sakes. 
Meanwhile, for the sake of maintaining peace, Odysseus had a duty to greet his guests and show them hospitality. Even if he didn't want to. 
And he really, really didn't want to. 
~
Odysseus, now wearing his royal chiton and elegant gold crown, walked down the halls of his palace with his head held high. Eurylochus walked by his side, hand strategically placed near the handle of his broadsword, ready to protect his King from strangers with ill intent. 
It did not take long to make their way to the palace throne room. Given how small Ithaca was as a kingdom, it made sense for the royal palace to look smaller in comparison to neighboring palaces. 
However, even with the relatively small structure, both men shouldn’t have been able to hear commotion within the throne room from 4 halls ahead. This was an immediate indication to Odysseus of how many women were already vying for his kingdom. 
Once the two men stood close enough to the throne room’s closed doors they were able to hear the muffled voices from before much more clearly. 
“What’s the hold up!?”
“We’ve been waiting for hours!” 
“Why can’t we find the King ourselves?!” 
They all sounded feminine. And very annoyed. 
“Ladies, please!” A man's voice, Polites’, called out from the other side of the doors. “The King will arrive in just a moment! So, in the meantime, why don’t we all conduct ourselves in a polite, orderly fashion?” 
A chorus of exasperated groans; if there were any words spoken then they were undecipherable due to the sheer loudness of the crowd. 
Odysseus saw Eurylochus toss him a look, one that had “I told you so” written all over it. 
Nevertheless Odysseus let out a deep breath, praying to the Gods above that he looked much more confident than he felt. With a nod to the other, Eurylochus made his way to the double doors of the throne room. 
He threw the doors open, attracting the attention of every guest within the throne room. Welcome or otherwise.
Eurylochus’ booming voice could be heard from every corner of the large room:
“Presenting His Majesty, Odysseus, King of Ithaca!” 
Everyone within the throne room, friend, suitor, or guard, either kneeled or bowed at the sight of the luminous King of Ithaca. 
Odysseus paid them no mind. He opted to stare straight ahead, looking at nothing in particular. He sat on the left throne, despite royal customs declaring he sit on the right. The right seat belonged to Penelope and Penelope only. 
He would make sure every suitor in his palace remembered this. 
Meanwhile on the opposite side of the room, while Odysseus prepared to address the crowd, Polites was slowly inching his way to Eurylochus’ side. Eurylochus did not notice the younger approaching him, only realizing when Polites had placed a hand on his shoulder. 
Polites gestured to the third member of their friend group, mouthing a silent “Is he okay?”. 
Eurylochus blanked, unsure of how he should answer, before opting to shrug his shoulders; Not necessarily disagreeing but not entirely agreeing either. 
Polites understood. Odysseus was somehow both managing and not. 
Polites couldn’t help but grow somber. He could sympathize, but never fully understand. He will never fully understand the pain his best friends shared when it came to the misfortune caused to them by the Trojan war. 
Polites was one of the lucky few spared of permanent injury on that fateful battle 13 years ago. Any wounds and scars he attained had long since faded, their only proof of existence reduced to mere memory. Meanwhile, Odysseus and Eurylochus had sustained injuries that would affect them for the rest of their lives. 
Odysseus and Eurylochus were also victims to the whims of the Gods, for the divine ordered their wives to war in their stead. How must it feel, to know the love of your life was forced to act as your replacement simply because you allowed yourself to be moved by premature pride? 
Even though it was painful to Eurylochus, Polities knew it was pure agony to Odysseus. He had lost both his younger sister and wife due to a rash victory party… 
Odysseus suddenly shot his best friends a look, silently indicating to them that he was ready for his speech. 
Polites and Euylochus stood straight and gave him their undivided attention. They were ready to lend him their support, regardless of the difficult decision he made. 
“Greetings, my friends.”  
Odysseus took mental note of the amount of women littering his throne room. 32 in total, so far.
“I am delighted to see so many new, cordial faces in our humble kingdom on this day,” 
The suitors weren’t stupid. They all knew Odysseus did not mean a word of what he was saying. He was just spouting flowery nonsense for the sake of appearances. 
However, it mattered not what he felt. All that mattered was his submission to the expectations of Greek royalty.  
That included his remarriage. 
“Now, let’s not beat around the bush.” Odysseus gave everyone an easy, nonchalant smile. “You all want to know who I will take as my new Queen.” 
That threw everyone for a loop. 
Those who knew Odysseus, his guards, servants, and slaves, were surprised at how readily he addressed the issue he tried so desperately to avoid. 
The suitors, along with their guards, were also shocked that he was willing to address the issue without hesitation. Were the rumors about him and his loyalty to his wife all false? 
Polites and Eurylochus, who had known Odysseus for practically their entire lives, couldn’t help but feel a semblance of worry with his words. Odysseus was not one to just give up so easily, especially in matters concerning his heart. 
Just what was he planning? 
Odysseus, for his part, did not betray a single one of his thoughts with that easy smile of his. He stood still, waiting for the commotion to cease, before once again speaking to the crowd. 
Polites and Eurylochus, along with one mysterious suitor, were the only ones to notice the mischievous glint in the King’s eyes. 
“However, in respect of honoring the deceased, I regret to inform you all that I can no longer discuss the matter anytime soon.” 
“WHAT!?” 
A chorus of angry voices were quick to make themselves known at the end of his declaration. Two or four voices quickly became 31, each one demanding to know why he couldn’t choose a new wife right then and there. 
Again only one of them was silent, leaning against the side of the wall with her arms crossed. She watched the King with an intense stare. 
Odysseus raised a single hand, prompting the angry voices to silence themselves. 
“As I was saying…” The King’s smile dropped, replaced with an expression of stoicism. “I plan to honor and respect my wife in death as I did in life. And so, in her memory, I will carve a wooden statue in the form of the late Queen. This will be done carefully and with precision, achieved by my hands and my hands only.” 
Another chorus of annoyed and angered groans sounded from the women. They all knew it was bound to take a long time before the statue was even close to completed. 
Eurylochus and Polities were a mixed bag of reactions, one impressed with the cunning of his friend and the other filled to the brim with worry. They both knew Odysseus was talented in the art of carving; As a symbol of his long-standing love to Penelope, he had made her a bridal bed from the inside of a long-lasting tree. However, that was before his injury to his arm. How long would it take, to carve out a wooden statue that could rightfully honor the beauty and grace of Penelope of Ithaca, all with a bad shoulder, a kingdom to run, and a child to raise? 
It was the perfect plan. 
Odysseus had been scheming ever since he heard talk of his “inevitable” remarriage. The king knew he had to delay choosing a new wife, if not for his fidelity and loyalty to Penelope then for the sake of his daughter. 
Who knows what would happen to her if he remarries, for what Queen would allow the daughter of her predecessor to take the throne? 
No, he needed to be smart and tactical about this. He needed to use the gifts of quick-thinking and feeling calm under pressure bestowed to him by Athena. Telemachas was already 13, well on her way to 14. All he had to do was keep his suitors at bay for a few more years, until the Princess was deemed ready to be Queen. Then Telemachas would be allowed to ascend to the throne without any complaints from his adversaries. 
This statue was the perfect excuse. He will spend as much time as he needed carving it, forever if he had to. 
He could do this. He will find a way. For himself. For Telemachas. For Penelope. 
~
Odysseus was so caught up in his thoughts he didn’t notice how one of his suitors was looking at him. She stared at him quietly, intensely, glaring at him from the moment he walked into the throne room. 
She couldn’t look away from his body. His tanned, toned, delicious body. She noticed the way Odysseus’ chiton stuck to his waist, showing off his firm, fit figure. 
When he lifted his hand to silence the crowd, the fabric of his clothing was forced to rise up; his naked body, only briefly displayed, was shown to anyone standing at a certain angle. She was the one lucky enough to stand at this angle. 
She could see his torso from where she stood. She saw his v-line fade into his abdomen, some single stray beads of sweat drip down in that path. She saw a set of prominent abs, mild but still very much there, that shuddered with each breath he took. And finally, before he lowered his arm and his torso was covered once more, she was able to see his pectorals in full view. They were flat, but still round; oh, what must it feel like to take a bite of that flesh, to watch as the man underneath was fully marked and claimed?
There was no doubt about it. He was beautiful. He was perfect. 
He was hers. 
Based on what he just declared, accompanied by rumors circulating the palace, it appeared that he planned to make his remarriage a difficult process for his suitors. 
That was fine.
She can be patient. 
No matter how long it took she’d find a way to force him to accept her, even if she had to hold him down and take him by force.
After all, she was blessed by Zeus himself. Though not his child, and by definition having no divine blood, one would be forgiven for assuming differently based on her ability to look forever young despite her age. The King of Gods gave her this gift, saying he knew her to be a kindred spirit. 
The point was anything and everything she ever wanted would belong to her.  
Ithaca. 
The Right Throne. 
Odysseus.
No matter what it took, no matter what she had to do, one day all of it will bear her name. 
Calypso.
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theabigailthorn · 2 years ago
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Surely with how popular you are you would have had a few cancelling attempts, but you're drama free. How? I thought you'd be target number 1 with TERFs.
So the thing is, people on the internet have and do try to wreck my life! But it's true that I get less of it than a lot of other women, and I often ask myself (and them) this same question. I think it comes down to a few factors. In no particular order:
I'm white and thin
I don't post selfies very often
The Philosophy Tube Jutsu: I never use my platform to say anything bad about individuals, so I don't make enemies
I'm British
I don't put my pronouns or the word 'trans' in my bio. I mention it if it it's relevant but to a casual troll looking for someone to go after there are more obvious targets
My brand: in terms of online content, my brand is 'Educational and Compassionate.' I try to be even-handed and listen to all sides and never be angry, and people are maybe a bit reluctant to get mad at someone who does that? In terms of acting, my brand right now is 'I'm Trying Hard and I'm On My Way Up!' which I guess people like?
I have a posh accent
I don't make online content about video games
I'm pretty enough that men like looking at me but not so hot it makes them angry
I transitioned in private before I came out publicly. I knew that when I did I'd get a lot of backlash, so I pre-emptively muted LOADS of words in my comments section and wove a kind of digital safety net
I'm so busy that I often miss whatever the discourse du jour is and don't get involved. As a wise woman once said, 'Do Not Tweet.'
I deliberately dress and present myself as 'classy' in public-facing stuff
Most of my content is scripted, so by default it attracts people who like to sit down and listen
Philosophy Tube is literally all about critical thinking and not taking things at face value. So if a typical Philosophy Tube Subscriber sees a post that says 'I saw Abigail Thorn kicking a puppy down the street!' they're more likely to stop and think, 'What's the evidence for this?' This means that when there are hate campaigns and lies spread about me (and there are, from time to time) my core audience sees through it and sticks around
I have very good mods! Big shout out to all the lovely people on r/philosophytube and all the people who moderate my livestream chats!
I have a social media manager who can look out for hate and pre-emptively guard against it
I don't hitch my brand to other people. I sometimes do little collabs or appear at events with other creators but for the most part I fly solo. That means if another creator blows up or posts something awful I minimise my chances of cancellation-by-association. I'm friends with lots of creators but for the most part I keep it behind the scenes (Learned this one the hard way!)
I'm not a sex worker. Those people get hate like you wouldn't believe - the sex workers I know are the toughest folks I've ever met!
I'm not very fun to bully! I do get death threats and hate campaigns and people make fake porn of me and libel me and all that stuff - literally every day - I just never talk about it publicly so trolls don't get the satisfaction of seeing me get upset. I just mute and block and move on silently. When I have to talk to a lawyer or the police about someone causing a problem, I handle it behind the scenes
Platform size. When TERFs in British media go after someone they tend to pick on people smaller than them, cause they're bullies.
I built my platform slowly, so I've had time to adjust and get used to how it impacts my life
People have tried to cancel me in the past and it's blown up in their faces, e.g. the Trump Transition Tweet Incident and the B*ck A*gel Affair.
To be absolutely clear, a LOT of this is luck and privilege. I'm not trying to blame the victims of online harassment: yes, some of these factors are things I choose to do but not everyone is able to make those choices. It's also the unwinnable game of respectability politics: yes I might get less hate because of the way I dress or whatever, but fundamentally that won't protect me if I get arrested and sent to a men's prison. These things aren't a substitute for a more just distribution of power. There's also this final possible factor:
It just hasn't happened yet.
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spdrvyn · 8 months ago
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I loved your post about Miguel x autistic reader and I really want more pleease
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overwhelmingly peaceful
summary: you found your place in spider society, but that didn't take away from the fact that it can get intensely noisy. you don't hesitate to turn to where you know for sure you'll be safe.
tags: fluff. suggestive joke/s. autistic reader. reader is gender neutral. hobie's here too i guess. author doesn't know how to write british slang.
notes: i'm really glad that you guys enjoyed the autistic reader drabbles i posted so i'm more than happy to write this request! projecting even more in this one, thank you for letting me self-indulge <3
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The mere existence of The Spider Society was always enough to astound you. You thought that people didn't Miguel enough credit for basically building the place from the ground up, not to mention how many times he's had to travel to different universes to recruit all different kinds of Spider-People.
Of course, you were more than honored to be one of those people. There was a very good chance that you just got lucky to be on his team, Miguel caught you in that one moment where your abilities were at their peak and your light was really shining through. Luck or skill, you didn't care. This was the result of it, you were content with that.
Unfortunately, the society has its downsides. Considering the sheer amount of spiders that pass through, the hustle and bustle is too hard to ignore. You can't exactly carry around headphones every time you're there because where would you leave them just in case you'd be tasked to another mission? So you just tried to avoid the noisiest places, even then, it's hard to get any semblance of quiet.
"Oh my god," you mumbled to yourself, as you silently glared at the cafeteria table next to you. Charisma was just a natural trait to any spider, with that came very boisterous laughter from other people too. Surely, they were nice people, but in front of your salad? Really?
"You good, mate?" Hobie intervened, he leaned his head to the side to get a better look at your face, a small grin came onto his features. "Lads beside you 've always been that noisy. Can get them to shut their traps if you want."
An inaudible sigh left your lips as you shook your head, combing the hair out of your face. You gazed down at your untouched food for a moment, you liked hanging out with Hobie. He understood you and he was funny, but you weren't quite sure if you could handle being in an environment like this right now.
"No, no- it's fine." He raised a brow at your lie. "Okay, it's not. But you don't have to do that for me," you picked up your small take-out box of salad and juice, "The canteen is just too much right now for me, sorry."
Hobie shrugged, picking up a fry and expertly throwing into his mouth. "No problem, always got my drummer to bother. You going to hang with your boyfriend now, eh?" His smile turned more cheeky and you stared at him meanly to take away from the fact that your cheeks warmed at his comment.
You huffed and stomped away, "Oi, you didn't deny that!"
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Miguel's office (a.k.a man cave) was dark and decrepit. For some odd reason, also liked a smell of any kind. You designated each area of the headquarters with a scent, but his area lacked any of the sort which you enjoyed. Not to mention, silent.
It wasn't like he really allowed any loud noise anyway, he had a strange list of items that were prohibited from entering his corner. Bells, blenders, on occasion, phones but that was from one time Gwen forgot to shut her alarm off and she got a small lecture on being considerate because the acoustics caused every sound that passed through to reverberate and increase in volume.
That means it would only make sense for Miguel to also hear your footsteps from a mile away, his platform already lowered for you to hop on and he's hunched over his desk. Sparks fly (not just from the sight of him, I swear) from the spot that he worked on and if you're not mistaken, there's a band wrapped around his head which meant he was wearing goggles.
You set your lunch tray down on the one empty spot on his desk before approaching slowly, you bend down to rest your hand on his shoulder and to lean your head against his. "What are you working on now, beautiful?"
Miguel put down the small soldering tool and took off his goggles, putting the freshly made panel closer to his eyes. "People submitted suggestions to make the wrist devices less bulkier," he blindly wrapped an arm around your waist, pulling you onto his thigh as he pressed a kiss to your cheek. "Why are you here?"
"I'm an assassin, I've come to take your life." You spoke lowly, ominously. When Miguel doesn't turn to face you, you pout. "The noise in the cafeteria is overwhelming," you shift and properly situate yourself on his lap.
"I was just about to head out for lunch," Miguel sighed, before placing the panel in a small container.
"So... back to the cafeteria? People are sure to go speechless from catching a look at you," you joke, but there's a somber fry in your voice that he doesn't ignore. His warm breath tickled your neck as he pressed brief pecks down the column of your throat, the low hum he let out vibrating against your skin. "Are you that hungry, hermoso?"
"What I meant was," he paused, brushing more hair out of your face, properly tucking it behind your ear. "I was going to head up to my place for lunch. Where there's no people?"
You breathe a small 'ohhh' and Miguel chuckled, "That checks out, actually." You nodded. "Obviously there's no people, would've been weird to have anyone there two nights ago when we–"
"Okay, that's enough." Miguel cut you off, nearly smiling from ear to ear. "Get your lunch, mi sol."
"My hero."
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ivysangel · 5 months ago
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listen, i think smut is great. i read it, i write it, i think about way more than is probably considered healthy, but i don't think it should be as readily accessible in bookstores as it is right now, and especially without warnings.
i went to barnes & noble with my friend a few weeks ago and in the front of the store was this humongous romance section that had hundreds of those booktok romance books that was trending now. i wish i had a picture to show you guys just how big it was, because there were like six or so book cases and then this big table with some "romantic summer reads".
naturally, because it's what's trending right now, so many of the books had those really cute cartoon couple drawings. you know the one's where the two mc's are standing next to each other, or back to back, or hugging or smth (ykwim) and all of them were completely innocent looking and not marked as having adult content in any way. this isn't my first rodeo or anything, so i know that a really good chunk of these books have graphic sex written in them despite having no warnings or indicators of such content. and sure enough as me and my friend are flipping through them we're seeing all of the graphic depictictions of sex that if you were just reading the blurb on the back you would not know existed in the book.
the rationale i've seen from a lot of the authors and readers of the book are that they want something "inconspicuous" that doesn't draw attention to the fact that they're reading smut in public or whatever. and while i understand the sentiment, there's got to be some kind of regulation for this kind of thing. because some kid who's just looking for a cute romance book accidentally picking up smut is actually very bad and shouldn't be normalized in the slightest.
and i always see people saying, "well their parents should be checking the stuff they read anyway" or "i read smut when i was young so i don't see what the problem is" which pisses me off so bad because:
A) i know that when i was younger my mom didn't monitor what i read because the books i was reading were never misleading. both the covers, blurbs, and warnings (if there ever were any) were in line with the content of the books i read and there was no reason to be worried. i'm almost 100% sure that when most parents go to the bookstore with their kid and their child picks up a book with a cute cover, and the info about the plot on the back says nothing about it being anything other than a cute relationship, they don't think anything of it. maybe if it was one of those harlequin novels with the shirtless guys and the ladies with their boobs spilling out of tight dresses they'd tell them to put the book down but because the covers of new age smut books are designed to decieve, that's exactly what they do. decieve. and if it works on your friends and family and everyone around you, why in god's name wouldn't it work on someone's parent.
and B) it's no secret that kids have been reading smut well before they should for ages. i read smut as a kid, some of my friends read smut as kids, lots of people have and will continue to do so, the difference is that it wasn't as mainstream and easily accessible as it is now. not that you had to scour the internet for it, a quick search on wattpad would give you a million results, but it wasn't something that wasn't so publicly advertised, and sold. in my experience, it was the kind of thing that you heard about from a friend who heard about it from another friend not fucking tiktok. the biggest social media platform rn.
i'd also like to point out that if you read smut when you were younger and grew up to not understand how harmful it is, even going as far to encourage kids to read it, you're a huge fucking weirdo. i'm only 18, still very much a "child" by some people's standards, and i get chills when i remember how young i and some of my friends were when we created our first wattpad accounts. which is probably why i care so much about this topic, i don't think children should be exposed to that kind of stuff at all, and i don't like how now anyone of any age can walk into a bookstore and either knowingly or unknowingly pick up some freak nasty sex because a bunch or horny people on tiktok can't understand how harmful it is to have these books in so many places without any warnings whatsoever.
also: this had already gotten so long but i forgot to mention that there's a rising interest in "dark themes" and those books DEFINITELY need a warning. i wrote an essay once on how unregulated darker themed media has contributed to the idealization of toxic relationships in young people, and i'd like to say that right now i think booktok is one of the biggest contributors
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bogkeep · 1 month ago
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[now entering: the OPINION ZONE]
the way i feel about Booktok(tm), as a phenomenon, or maybe more as a weird miasma that is seeping through every bookstore i enter, is that we don't see eye to eye. i'm sure it's got a lot more variation and diversity than whatever weird takes bubble up to the surface for my tiktok-less self to stumble upon - mostly i just feel like my motivation for reading books is different than theirs. there is the occasional overlap in the Books I Enjoy / Big On Booktok venn diagram (which makes me feel very weird about those books but that's for me to sort out), but i cannot personally Trust a booktok recommendation, if that makes sense. either way, it's none of my business what other people like to read, and i think me and booktok can peacefully coexist in each our own spheres. (if all of this is completely incomprehensible to you i salute you and envy your peace of mind.)
anyway, a very fascinating discussion that keeps showing up recently is the phenomenon where popular booktok influencers admit to skipping paragraphs that are too long, or only reading the dialogue of a book, or performing shock at a printed book containing Too Many Words Per Page. what fascinates me is not so much that it is happening (though it DOES fascinate me), but how much people reacting to this struggle to explain exactly Why it's so aggravating.
like, i feel like the obvious takeaway is that these people are monetizing their alleged joy of reading, and then... don't? even like to read? that the consumerist aesthetic of Being A Reader is more profitable on a video platform than doing the due diligence of reviewing books properly? that the content machine marches on and if you're too slow you'll fall behind??
INSTEAD the discussion seems to center around the good old "oohh nooo people read BAD BOOKS instead of GOOD BOOKS and IT'S IMPORTANT TO CHALLENGE YOUR BRAINNN or else the MEDIA LITERACY....." and i'm sorry but i think this has been a moral panic for as long as we've had literature. media literacy has never had a golden age that i'm aware of. there's always been trashy romances that authors pump out on the monthly for easy consumption. capitalism is gonna value profit over quality for as long as it's in charge. people who read for fun are gonna read what they're gonna read, and they're gonna read it in the way they enjoy reading. i agree that reading Good Books is deeply fulfilling! but that is my personal and subjective experience that not everyone is going to share.
i think the reason i feel weird about the insistence that you Must, at least occasionally, Challenge Yourself while reading is that... i'm exhausted in my brain. too exhausted to challenge myself for fun. maybe it's a burnout thing. i really really get looking at a paragraph and finding it simply too much to absorb right now. my main method of getting through books these days is in audio format, even if i would personally prefer to read them visually (they'd stick to my brain better, i would see how names are spelled, sudden POV switches between paragraphs would be less confusing). but reading a book in text form is taking me weeks at best - unless it's a special kind of book that i can't help but devour immediately, sleep schedule be damned (which is another toll to pay). some books are just too complex and need too much focus for me to enjoy right now, so i keep having to goldilock my way to what feels Just Right. some books, i'm sure i'll get back to later. some i've made my peace with never picking up despite the fact that they feel Obligatory (my apologies to lord of the rings. i've Tried and i just can't do it). so like i GET IT. sometimes reading is too much.
what i Wish the discussion was more about, was instead finding ways to read that's enjoyable for you. there is literature and screen plays that are Only Dialogue. there's graphic novels. there's audiobooks and e-readers that let you change the font sizes. there's lots and lots and lots of fanfiction that's literally just banter and smut. there's no shame in reading what you enjoy! there's no shame in spending months on the same book! but i suppose it's not as ~Aesthetic~ as purchasing 10 editions of the same book series on amazon dot hell!!!!
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alatushours · 8 months ago
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☆ CRYSTALFLIES, feat. xiao — he didn’t ask for much, just to spend precious time with you.
contents. gender neutral reader, fluff, rewritten + reposted from wp. inspired by xiao’s 2021 birthday letter. ♡ word count. 648
notes. this is a rewrite of the xiao oneshot i wrote + posted on my wattpad (link in about on pinned) back in 2021! omg the old version was so cringey and xiao was super ooc so i hope this is better, i hope you enjoy <3
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SPRING HAD SPRUNG in liyue, and you were enjoying the lovely weather. golden leaves fluttered along a gust of wind as you sat next to the statue of the seven at qingyun peak, looking down at the natural scenery below.
swinging your legs over the edge of the floating platform, you gazed towards the mountains beyond, lost in your own thoughts.
it had been a few days since you had seen the guardian yaksha, and somehow you found yourself missing him. you were pretty sure he only tolerated your presence whenever you were around him, but over the past few months you had found yourself taking a liking to him. he was aloof but silently caring, protective, and certainly quite handsome too.
his voice echoed in your head, the way he always said he didn't care a bit for mortals, but you had a sneaking suspicion that he enjoyed your company.
as you whispered to yourself, a sudden gust of wind blew past, and xiao appeared before you. his arms were crossed, a look of slight concern in your eyes. "you called my name?"
"oh!" you hadn't realized that you had said his name in your ramblings. "sorry, i was just thinking out loud about some things and i suppose i must have said your name on accident… sorry for disturbing you, i know you're busy."
embarrassed, you started to pick up your things, getting ready to head back to liyue harbor. "i was just about to leave anyway, haha…"
"wait, y/n," xiao called after you. "don't leave, you didn't bother me at all. in fact…" you turned back around, curious, and found the adeptus standing in front of you with his hand outstretched. a small velvet pouch lay open in his palm, full of beautiful sparkling crystalflies.
"i, uh, had nothing to do today," he started quietly as you stared at the crystals in wonder. "so, i decided to find a crystalfly for you… to put in your hair. i thought that… it would look nice."
you smiled, taking the pouch from his hands as he continued. "before long i had caught more than i expected… i hope you do not mind." he turned away, about to leave, but you grabbed his wrist.
"xiao, these are beautiful. thank you so much!" your smile was like the sun, and he looked away, blushing.
"there's no need to thank me, i was just repaying your kindness." his voice wavered, but he continued, "i do not care much for birthdays or other mortal celebrations, and i do not wish to be around large crowds of people. just spending time with you is enough."
your mind wrapped around on particular word in his sentence. "wait, birthday? don't tell me… is it your birthday today, xiao?"
the yaksha coughed into his fist and turned away, face flushed, before nodding.
you squealed. "why didn't you tell me sooner?"
"i suppose there was never really a reason too…"
you took his hands, feeling even more excited than you were before. "well, you should have! i'm really glad you came to me today, xiao. i know you probably find me tiresome, but i really enjoy your company. i want to help you with whatever you might struggle with. so don't be afraid to come to me if you need anything, 'kay?"
xiao sighed, but it wasn't one of exasperation. "i don't require your assistance, but i appreciate your concern. however… if you want to visit the inn more often, i wouldn't be against it."
you laugh, "i guess i'll hold you to that offer then!"
as the sun began to dip into the horizon, you invited xiao to sit with you, asking him to weave the crystalflies into your hair. "i don't really need to go to the harbor until tomorrow morning," you tell him, "so why don't we just spend some time together?"
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end notes. i hope you can tell the improvement LMAO but anyways xiao was the first character that i received a birthday letter from (i started on april 9 2021) so he has always held a special place in my heart, if you can’t already tell <3 please look forward to april 13th, when i’ll be posting the next one!
© alatushours 2024. please do not copy, modify, or translate my work in any way, nor upload to any other platforms. in the meantime, if you enjoyed, please like, reblog, and comment! it helps a lot ♡
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mostlysignssomeportents · 1 year ago
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Big Tech’s “attention rents”
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Tomorrow (Nov 4), I'm keynoting the Hackaday Supercon in Pasadena, CA.
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The thing is, any feed or search result is "algorithmic." "Just show me the things posted by people I follow in reverse-chronological order" is an algorithm. "Just show me products that have this SKU" is an algorithm. "Alphabetical sort" is an algorithm. "Random sort" is an algorithm.
Any process that involves more information than you can take in at a glance or digest in a moment needs some kind of sense-making. It needs to be put in some kind of order. There's always gonna be an algorithm.
But that's not what we mean by "the algorithm" (TM). When we talk about "the algorithm," we mean a system for ordering information that uses complex criteria that are not precisely known to us, and than can't be easily divined through an examination of the ordering.
There's an idea that a "good" algorithm is one that does not seek to deceive or harm us. When you search for a specific part number, you want exact matches for that search at the top of the results. It's fine if those results include third-party parts that are compatible with the part you're searching for, so long as they're clearly labeled. There's room for argument about how to order those results – do highly rated third-party parts go above the OEM part? How should the algorithm trade off price and quality?
It's hard to come up with an objective standard to resolve these fine-grained differences, but search technologists have tried. Think of Google: they have a patent on "long clicks." A "long click" is when you search for something and then don't search for it again for quite some time, the implication being that you've found what you were looking for. Google Search ads operate a "pay per click" model, and there's an argument that this aligns Google's ad division's interests with search quality: if the ad division only gets paid when you click a link, they will militate for placing ads that users want to click on.
Platforms are inextricably bound up in this algorithmic information sorting business. Platforms have emerged as the endemic form of internet-based business, which is ironic, because a platform is just an intermediary – a company that connects different groups to each other. The internet's great promise was "disintermediation" – getting rid of intermediaries. We did that, and then we got a whole bunch of new intermediaries.
Usually, those groups can be sorted into two buckets: "business customers" (drivers, merchants, advertisers, publishers, creative workers, etc) and "end users" (riders, shoppers, consumers, audiences, etc). Platforms also sometimes connect end users to each other: think of dating sites, or interest-based forums on Reddit. Either way, a platform's job is to make these connections, and that means platforms are always in the algorithm business.
Whether that's matching a driver and a rider, or an advertiser and a consumer, or a reader and a mix of content from social feeds they're subscribed to and other sources of information on the service, the platform has to make a call as to what you're going to see or do.
These choices are enormously consequential. In the theory of Surveillance Capitalism, these choices take on an almost supernatural quality, where "Big Data" can be used to guess your response to all the different ways of pitching an idea or product to you, in order to select the optimal pitch that bypasses your critical faculties and actually controls your actions, robbing you of "the right to a future tense."
I don't think much of this hypothesis. Every claim to mind control – from Rasputin to MK Ultra to neurolinguistic programming to pick-up artists – has turned out to be bullshit. Besides, you don't need to believe in mind control to explain the ways that algorithms shape our beliefs and actions. When a single company dominates the information landscape – say, when Google controls 90% of your searches – then Google's sorting can deprive you of access to information without you knowing it.
If every "locksmith" listed on Google Maps is a fake referral business, you might conclude that there are no more reputable storefront locksmiths in existence. What's more, this belief is a form of self-fulfilling prophecy: if Google Maps never shows anyone a real locksmith, all the real locksmiths will eventually go bust.
If you never see a social media update from a news source you follow, you might forget that the source exists, or assume they've gone under. If you see a flood of viral videos of smash-and-grab shoplifter gangs and never see a news story about wage theft, you might assume that the former is common and the latter is rare (in reality, shoplifting hasn't risen appreciably, while wage-theft is off the charts).
In the theory of Surveillance Capitalism, the algorithm was invented to make advertisers richer, and then went on to pervert the news (by incentivizing "clickbait") and finally destroyed our politics when its persuasive powers were hijacked by Steve Bannon, Cambridge Analytica, and QAnon grifters to turn millions of vulnerable people into swivel-eyed loons, racists and conspiratorialists.
As I've written, I think this theory gives the ad-tech sector both too much and too little credit, and draws an artificial line between ad-tech and other platform businesses that obscures the connection between all forms of platform decay, from Uber to HBO to Google Search to Twitter to Apple and beyond:
https://pluralistic.net/HowToDestroySurveillanceCapitalism
As a counter to Surveillance Capitalism, I've proposed a theory of platform decay called enshittification, which identifies how the market power of monopoly platforms, combined with the flexibility of digital tools, combined with regulatory capture, allows platforms to abuse both business-customers and end-users, by depriving them of alternatives, then "twiddling" the knobs that determine the rules of the platform without fearing sanction under privacy, labor or consumer protection law, and finally, blocking digital self-help measures like ad-blockers, alternative clients, scrapers, reverse engineering, jailbreaking, and other tech guerrilla warfare tactics:
https://pluralistic.net/2023/01/21/potemkin-ai/#hey-guys
One important distinction between Surveillance Capitalism and enshittification is that enshittification posits that the platform is bad for everyone. Surveillance Capitalism starts from the assumption that surveillance advertising is devastatingly effective (which explains how your racist Facebook uncles got turned into Jan 6 QAnons), and concludes that advertisers must be well-served by the surveillance system.
But advertisers – and other business customers – are very poorly served by platforms. Procter and Gamble reduced its annual surveillance advertising budget from $100m//year to $0/year and saw a 0% reduction in sales. The supposed laser-focused targeting and superhuman message refinement just don't work very well – first, because the tech companies are run by bullshitters whose marketing copy is nonsense, and second because these companies are monopolies who can abuse their customers without losing money.
The point of enshittification is to lock end-users to the platform, then use those locked-in users as bait for business customers, who will also become locked to the platform. Once everyone is holding everyone else hostage, the platform uses the flexibility of digital services to play a variety of algorithmic games to shift value from everyone to the business's shareholders. This flexibility is supercharged by the failure of regulators to enforce privacy, labor and consumer protection standards against the companies, and by these companies' ability to insist that regulators punish end-users, competitors, tinkerers and other third parties to mod, reverse, hack or jailbreak their products and services to block their abuse.
Enshittification needs The Algorithm. When Uber wants to steal from its drivers, it can just do an old-fashioned wage theft, but eventually it will face the music for that kind of scam:
https://apnews.com/article/uber-lyft-new-york-city-wage-theft-9ae3f629cf32d3f2fb6c39b8ffcc6cc6
The best way to steal from drivers is with algorithmic wage discrimination. That's when Uber offers occassional, selective drivers higher rates than it gives to drivers who are fully locked to its platform and take every ride the app offers. The less selective a driver becomes, the lower the premium the app offers goes, but if a driver starts refusing rides, the wage offer climbs again. This isn't the mind-control of Surveillance Capitalism, it's just fraud, shaving fractional pennies off your paycheck in the hopes that you won't notice. The goal is to get drivers to abandon the other side-hustles that allow them to be so choosy about when they drive Uber, and then, once the driver is fully committed, to crank the wage-dial down to the lowest possible setting:
https://pluralistic.net/2023/04/12/algorithmic-wage-discrimination/#fishers-of-men
This is the same game that Facebook played with publishers on the way to its enshittification: when Facebook began aggressively courting publishers, any short snippet republished from the publisher's website to a Facebook feed was likely to be recommended to large numbers of readers. Facebook offered publishers a vast traffic funnel that drove millions of readers to their sites.
But as publishers became more dependent on that traffic, Facebook's algorithm started downranking short excerpts in favor of medium-length ones, building slowly to fulltext Facebook posts that were fully substitutive for the publisher's own web offerings. Like Uber's wage algorithm, Facebook's recommendation engine played its targets like fish on a line.
When publishers responded to declining reach for short excerpts by stepping back from Facebook, Facebook goosed the traffic for their existing posts, sending fresh floods of readers to the publisher's site. When the publisher returned to Facebook, the algorithm once again set to coaxing the publishers into posting ever-larger fractions of their work to Facebook, until, finally, the publisher was totally locked into Facebook. Facebook then started charging publishers for "boosting" – not just to be included in algorithmic recommendations, but to reach their own subscribers.
Enshittification is modern, high-tech enabled, monopolistic form of rent seeking. Rent-seeking is a subtle and important idea from economics, one that is increasingly relevant to our modern economy. For economists, a "rent" is income you get from owning a "factor of production" – something that someone else needs to make or do something.
Rents are not "profits." Profit is income you get from making or doing something. Rent is income you get from owning something needed to make a profit. People who earn their income from rents are called rentiers. If you make your income from profits, you're a "capitalist."
Capitalists and rentiers are in irreconcilable combat with each other. A capitalist wants access to their factors of production at the lowest possible price, whereas rentiers want those prices to be as high as possible. A phone manufacturer wants to be able to make phones as cheaply as possible, while a patent-troll wants to own a patent that the phone manufacturer needs to license in order to make phones. The manufacturer is a capitalism, the troll is a rentier.
The troll might even decide that the best strategy for maximizing their rents is to exclusively license their patents to a single manufacturer and try to eliminate all other phones from the market. This will allow the chosen manufacturer to charge more and also allow the troll to get higher rents. Every capitalist except the chosen manufacturer loses. So do people who want to buy phones. Eventually, even the chosen manufacturer will lose, because the rentier can demand an ever-greater share of their profits in rent.
Digital technology enables all kinds of rent extraction. The more digitized an industry is, the more rent-seeking it becomes. Think of cars, which harvest your data, block third-party repair and parts, and force you to buy everything from acceleration to seat-heaters as a monthly subscription:
https://pluralistic.net/2023/07/24/rent-to-pwn/#kitt-is-a-demon
The cloud is especially prone to rent-seeking, as Yanis Varoufakis writes in his new book, Technofeudalism, where he explains how "cloudalists" have found ways to lock all kinds of productive enterprise into using cloud-based resources from which ever-increasing rents can be extracted:
https://pluralistic.net/2023/09/28/cloudalists/#cloud-capital
The endless malleability of digitization makes for endless variety in rent-seeking, and cataloging all the different forms of digital rent-extraction is a major project in this Age of Enshittification. "Algorithmic Attention Rents: A theory of digital platform market power," a new UCL Institute for Innovation and Public Purpose paper by Tim O'Reilly, Ilan Strauss and Mariana Mazzucato, pins down one of these forms:
https://www.ucl.ac.uk/bartlett/public-purpose/publications/2023/nov/algorithmic-attention-rents-theory-digital-platform-market-power
The "attention rents" referenced in the paper's title are bait-and-switch scams in which a platform deliberately enshittifies its recommendations, search results or feeds to show you things that are not the thing you asked to see, expect to see, or want to see. They don't do this out of sadism! The point is to extract rent – from you (wasted time, suboptimal outcomes) and from business customers (extracting rents for "boosting," jumbling good results in among scammy or low-quality results).
The authors cite several examples of these attention rents. Much of the paper is given over to Amazon's so-called "advertising" product, a $31b/year program that charges sellers to have their products placed above the items that Amazon's own search engine predicts you will want to buy:
https://pluralistic.net/2022/11/28/enshittification/#relentless-payola
This is a form of gladiatorial combat that pits sellers against each other, forcing them to surrender an ever-larger share of their profits in rent to Amazon for pride of place. Amazon uses a variety of deceptive labels ("Highly Rated – Sponsored") to get you to click on these products, but most of all, they rely two factors. First, Amazon has a long history of surfacing good results in response to queries, which makes buying whatever's at the top of a list a good bet. Second, there's just so many possible results that it takes a lot of work to sift through the probably-adequate stuff at the top of the listings and get to the actually-good stuff down below.
Amazon spent decades subsidizing its sellers' goods – an illegal practice known as "predatory pricing" that enforcers have increasingly turned a blind eye to since the Reagan administration. This has left it with few competitors:
https://pluralistic.net/2023/05/19/fake-it-till-you-make-it/#millennial-lifestyle-subsidy
The lack of competing retail outlets lets Amazon impose other rent-seeking conditions on its sellers. For example, Amazon has a "most favored nation" requirement that forces companies that raise their prices on Amazon to raise their prices everywhere else, which makes everything you buy more expensive, whether that's a Walmart, Target, a mom-and-pop store, or direct from the manufacturer:
https://pluralistic.net/2023/04/25/greedflation/#commissar-bezos
But everyone loses in this "two-sided market." Amazon used "junk ads" to juice its ad-revenue: these are ads that are objectively bad matches for your search, like showing you a Seattle Seahawks jersey in response to a search for LA Lakers merch:
https://www.bloomberg.com/news/articles/2023-11-02/amazon-boosted-junk-ads-hid-messages-with-signal-ftc-says
The more of these junk ads Amazon showed, the more revenue it got from sellers – and the more the person selling a Lakers jersey had to pay to show up at the top of your search, and the more they had to charge you to cover those ad expenses, and the more they had to charge for it everywhere else, too.
The authors describe this process as a transformation between "attention rents" (misdirecting your attention) to "pecuniary rents" (making money). That's important: despite decades of rhetoric about the "attention economy," attention isn't money. As I wrote in my enshittification essay:
You can't use attention as a medium of exchange. You can't use it as a store of value. You can't use it as a unit of account. Attention is like cryptocurrency: a worthless token that is only valuable to the extent that you can trick or coerce someone into parting with "fiat" currency in exchange for it. You have to "monetize" it – that is, you have to exchange the fake money for real money.
The authors come up with some clever techniques for quantifying the ways that this scam harms users. For example, they count the number of places that an advertised product rises in search results, relative to where it would show up in an "organic" search. These quantifications are instructive, but they're also a kind of subtweet at the judiciary.
In 2018, SCOTUS's ruling in American Express v Ohio changed antitrust law for two-sided markets by insisting that so long as one side of a two-sided market was better off as the result of anticompetitive actions, there was no antitrust violation:
https://papers.ssrn.com/sol3/papers.cfm?abstract_id=3346776
For platforms, that means that it's OK to screw over sellers, advertisers, performers and other business customers, so long as the end-users are better off: "Go ahead, cheat the Uber drivers, so long as you split the booty with Uber riders."
But in the absence of competition, regulation or self-help measures, platforms cheat everyone – that's the point of enshittification. The attention rents that Amazon's payola scheme extract from shoppers translate into higher prices, worse goods, and lower profits for platform sellers. In other words, Amazon's conduct is so sleazy that it even threads the infinitesimal needle that the Supremes created in American Express.
Here's another algorithmic pecuniary rent: Amazon figured out which of its major rivals used an automated price-matching algorithm, and then cataloged which products they had in common with those sellers. Then, under a program called Project Nessie, Amazon jacked up the prices of those products, knowing that as soon as they raised the prices on Amazon, the prices would go up everywhere else, so Amazon wouldn't lose customers to cheaper alternatives. That scam made Amazon at least a billion dollars:
https://gizmodo.com/ftc-alleges-amazon-used-price-gouging-algorithm-1850986303
This is a great example of how enshittification – rent-seeking on digital platforms – is different from analog rent-seeking. The speed and flexibility with which Amazon and its rivals altered their prices requires digitization. Digitization also let Amazon crank the price-gouging dial to zero whenever they worried that regulators were investigating the program.
So what do we do about it? After years of being made to look like fumblers and clowns by Big Tech, regulators and enforcers – and even lawmakers – have decided to get serious.
The neoliberal narrative of government helplessness and incompetence would have you believe that this will go nowhere. Governments aren't as powerful as giant corporations, and regulators aren't as smart as the supergeniuses of Big Tech. They don't stand a chance.
But that's a counsel of despair and a cheap trick. Weaker US governments have taken on stronger oligarchies and won – think of the defeat of JD Rockefeller and the breakup of Standard Oil in 1911. The people who pulled that off weren't wizards. They were just determined public servants, with political will behind them. There is a growing, forceful public will to end the rein of Big Tech, and there are some determined public servants surfing that will.
In this paper, the authors try to give those enforcers ammo to bring to court and to the public. For example, Amazon claims that its algorithm surfaces the products that make the public happy, without the need for competitive pressure to keep it sharp. But as the paper points out, the only successful new rival ecommerce platform – Tiktok – has found an audience for an entirely new category of goods: dupes, "lower-cost products that have the same or better features than higher cost branded products."
The authors also identify "dark patterns" that platforms use to trick users into consuming feeds that have a higher volume of things that the company profits from, and a lower volume of things that users want to see. For example, platforms routinely switch users from a "following" feed – consisting of things posted by people the user asked to hear from – with an algorithmic "For You" feed, filled with the things the company's shareholders wish the users had asked to see.
Calling this a "dark pattern" reveals just how hollow and self-aggrandizing that term is. "Dark pattern" usually means "fraud." If I ask to see posts from people I like, and you show me posts from people who'll pay you for my attention instead, that's not a sophisticated sleight of hand – it's just a scam. It's the social media equivalent of the eBay seller who sends you an iPhone box with a bunch of gravel inside it instead of an iPhone. Tech bros came up with "dark pattern" as a way of flattering themselves by draping themselves in the mantle of dopamine-hacking wizards, rather than unimaginative con-artists who use a computer to rip people off.
These For You algorithmic feeds aren't just a way to increase the load of sponsored posts in a feed – they're also part of the multi-sided ripoff of enshittified platforms. A For You feed allows platforms to trick publishers and performers into thinking that they are "good at the platform," which both convinces to optimize their production for that platform, and also turns them into Judas Goats who conspicuously brag about how great the platform is for people like them, which brings their peers in, too.
In Veena Dubal's essential paper on algorithmic wage discrimination, she describes how Uber drivers whom the algorithm has favored with (temporary) high per-ride rates brag on driver forums about their skill with the app, bringing in other drivers who blame their lower wages on their failure to "use the app right":
https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4331080
As I wrote in my enshittification essay:
If you go down to the midway at your county fair, you'll spot some poor sucker walking around all day with a giant teddy bear that they won by throwing three balls in a peach basket.
The peach-basket is a rigged game. The carny can use a hidden switch to force the balls to bounce out of the basket. No one wins a giant teddy bear unless the carny wants them to win it. Why did the carny let the sucker win the giant teddy bear? So that he'd carry it around all day, convincing other suckers to put down five bucks for their chance to win one:
https://boingboing.net/2006/08/27/rigged-carny-game.html
The carny allocated a giant teddy bear to that poor sucker the way that platforms allocate surpluses to key performers – as a convincer in a "Big Store" con, a way to rope in other suckers who'll make content for the platform, anchoring themselves and their audiences to it.
Platform can't run the giant teddy-bear con unless there's a For You feed. Some platforms – like Tiktok – tempt users into a For You feed by making it as useful as possible, then salting it with doses of enshittification:
https://www.forbes.com/sites/emilybaker-white/2023/01/20/tiktoks-secret-heating-button-can-make-anyone-go-viral/
Other platforms use the (ugh) "dark pattern" of simply flipping your preference from a "following" feed to a "For You" feed. Either way, the platform can't let anyone keep the giant teddy-bear. Once you've tempted, say, sports bros into piling into the platform with the promise of millions of free eyeballs, you need to withdraw the algorithm's favor for their content so you can give it to, say, astrologers. Of course, the more locked-in the users are, the more shit you can pile into that feed without worrying about them going elsewhere, and the more giant teddy-bears you can give away to more business users so you can lock them in and start extracting rent.
For regulators, the possibility of a "good" algorithmic feed presents a serious challenge: when a feed is bad, how can a regulator tell if its low quality is due to the platform's incompetence at blocking spammers or guessing what users want, or whether it's because the platform is extracting rents?
The paper includes a suite of recommendations, including one that I really liked:
Regulators, working with cooperative industry players, would define reportable metrics based on those that are actually used by the platforms themselves to manage search, social media, e-commerce, and other algorithmic relevancy and recommendation engines.
In other words: find out how the companies themselves measure their performance. Find out what KPIs executives have to hit in order to earn their annual bonuses and use those to figure out what the company's performance is – ad load, ratio of organic clicks to ad clicks, average click-through on the first organic result, etc.
They also recommend some hard rules, like reserving a portion of the top of the screen for "organic" search results, and requiring exact matches to show up as the top result.
I've proposed something similar, applicable across multiple kinds of digital businesses: an end-to-end principle for online services. The end-to-end principle is as old as the internet, and it decrees that the role of an intermediary should be to deliver data from willing senders to willing receivers as quickly and reliably as possible. When we apply this principle to your ISP, we call it Net Neutrality. For services, E2E would mean that if I subscribed to your feed, the service would have a duty to deliver it to me. If I hoisted your email out of my spam folder, none of your future emails should land there. If I search for your product and there's an exact match, that should be the top result:
https://www.eff.org/deeplinks/2023/04/platforms-decay-lets-put-users-first
One interesting wrinkle to framing platform degradation as a failure to connect willing senders and receivers is that it places a whole host of conduct within the regulatory remit of the FTC. Section 5 of the FTC Act contains a broad prohibition against "unfair and deceptive" practices:
https://pluralistic.net/2023/01/10/the-courage-to-govern/#whos-in-charge
That means that the FTC doesn't need any further authorization from Congress to enforce an end to end rule: they can simply propose and pass that rule, on the grounds that telling someone that you'll show them the feeds that they ask for and then not doing so is "unfair and deceptive."
Some of the other proposals in the paper also fit neatly into Section 5 powers, like a "sticky" feed preference. If I tell a service to show me a feed of the people I follow and they switch it to a For You feed, that's plainly unfair and deceptive.
All of this raises the question of what a post-Big-Tech feed would look like. In "How To Break Up Amazon" for The Sling, Peter Carstensen and Darren Bush sketch out some visions for this:
https://www.thesling.org/how-to-break-up-amazon/
They imagine a "condo" model for Amazon, where the sellers collectively own the Amazon storefront, a model similar to capacity rights on natural gas pipelines, or to patent pools. They see two different ways that search-result order could be determined in such a system:
"specific premium placement could go to those vendors that value the placement the most [with revenue] shared among the owners of the condo"
or
"leave it to owners themselves to create joint ventures to promote products"
Note that both of these proposals are compatible with an end-to-end rule and the other regulatory proposals in the paper. Indeed, all these policies are easier to enforce against weaker companies that can't afford to maintain the pretense that they are headquartered in some distant regulatory haven, or pay massive salaries to ex-regulators to work the refs on their behalf:
https://www.thesling.org/in-public-discourse-and-congress-revolvers-defend-amazons-monopoly/
The re-emergence of intermediaries on the internet after its initial rush of disintermediation tells us something important about how we relate to one another. Some authors might be up for directly selling books to their audiences, and some drivers might be up for creating their own taxi service, and some merchants might want to run their own storefronts, but there's plenty of people with something they want to offer us who don't have the will or skill to do it all. Not everyone wants to be a sysadmin, a security auditor, a payment processor, a software engineer, a CFO, a tax-preparer and everything else that goes into running a business. Some people just want to sell you a book. Or find a date. Or teach an online class.
Intermediation isn't intrinsically wicked. Intermediaries fall into pits of enshitffication and other forms of rent-seeking when they aren't disciplined by competitors, by regulators, or by their own users' ability to block their bad conduct (with ad-blockers, say, or other self-help measures). We need intermediaries, and intermediaries don't have to turn into rent-seeking feudal warlords. That only happens if we let it happen.
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If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
https://pluralistic.net/2023/11/03/subprime-attention-rent-crisis/#euthanize-rentiers
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Image: Cryteria (modified) https://commons.wikimedia.org/wiki/File:HAL9000.svg
CC BY 3.0 https://creativecommons.org/licenses/by/3.0/deed.en
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dawnbreakerluna · 16 days ago
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Here's my biggest complaint: I think Infold missed a huge opportunity by not making Love & Deepspace an action, open-world RPG game compared to a mobile otome game. While I do understand the safer route it takes and how it can appeal to a certain audience for the better of profit and accessible marketing, it's becoming a bit overwhelming with how broad the lore is becoming and how the storytelling is incredibly multilayered. And while I'm always for the method of irregular storytelling to leave more mystery and opening room for interpretation / discussion with other players, I think there is only so much that Infold can actually maintain on a mobile platform.
I've spoken countlessly about how L&DS shares elements similar to that of the modern Final Fantasy games and Devil May Cry (particularly DMC5 since it's the most recent). While I initially thought this was just for the character design and the design of the combat system, I'm soon realizing that the amount of theories I see about the story are beginning to venture towards a bigger platform.
I think even Infold themselves is realizing this big oopsie they did because I feel like after the big release of Sylus's debut, there's beginning to feel like a strong lack of focus and care towards the main story. I thought Zayne's story branch was going to be bigger than it was when the trailer dropped... only to feel really underwhelmed at the end? I've restrained myself from playing Rafayel's latest branch for this reason because I don't feel as excited like I used to and I'm unsure of what I'm going to get since Infold's lost my trust as they're in a cash-grab cow era at the moment!
But in truth, if Infold isn't going to change this up soon, the game is just going to get boring. I think player burnout is more prevalent now because of the overwhelming amount of content and the announcement of a new quad banner. I'm not the only player who is being vulnerable about the difficulties of being f2p compared to those who can afford pulling for every banner and spending beyond $1k on this game.
That's the thing, as well. The controversial thing I believe is that Infold would've made the same profit, if not more, by making L&DS an RPG. It would still have the same effect, and fans would still be making the same kind of lewd content. You think hack-and-slash games are free from the perverted freaks of fandom? Absolutely not, LMAO. Here's an example of how this could've gone:
The main story as the open world exploration, as the main quest the player can engage in. MC is still customizable entirely in the functions it has now, but if for an open-world RPG, I would suggest adding the option for more diverse body types. I would love to see the Hunter HQ and Linkon City as open spaces to walk around and explore. Imagine how sick the N109 Zone would look.
There can be MULTIPLE ways to attain the Memories. In my opinion, with this format, all the perma-banner Memories are attainable. You can get Memories by completing boss fights, side quests, or unlocking them by doing secret quests. It's like basic game achievements. As for the limited Memories, Infold could STILL program codes for temporary events, collabs, DLCs, etc. Ex. Final Fantasy 15 did this for something related to Assassin's Creed, and by participating in that event, you would unlock the event outfits permanently for the whole party. THAT is how it should be for the limited Memories. By completing the event's tasks (can be with any LI of choice), you unlock the Memories, the outfits, and so on. If players want the limited event content after, they can and should be purchased with IN-GAME CURRENCY.
Abyssal Chaos can still be a thing with the same reward system. This would be a great way to complete challenges and encourage people to improve their combat play style. However, there could be more missions beyond Tobias' story to complete. More levels of difficulty too, that way the challenges are bigger and it gives people ample time to actually prepare if they're trying to 100% everything even on the hardest difficulty.
The additional base game outfits that are perma-available to unlock with Chocolates, etc. should be able to be unlocked with leveling up your character. No payments. I said what I said.
Oh, also, conclusively, the main story would be finished. It's just that it would take a VERY long time to complete the game and on top of wanting to get all the achievements, it would take you even longer. I know certain people prefer a canon ending, but this type of game and story format would benefit from a choose-your-own-path type of path. I'm not even sorry, LMAO. Plenty of games in this format have done this, and once again, it gives you more incentive to play the game more if you want to achieve all four endings with each LI or something. You'll be fine, you'll live!
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strangebiology · 1 month ago
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"How do I do your job as a side hustle?"
[Excerpt from Authors of Nonfiction Books in Progress]
Recently I talked to someone who wanted to get good at social media. When I told her I have 315k followers across platforms, she said, “How do you do that!? Teach me your ways!” She was interested in making money from social media. I was also invited to lead an online course on social media or book writing as a side hustle.
It reminded me of all the times I’ve heard, “How do you find so many bones?” or “How did you get that award?” or “How do you get a book deal?” or "How do you make money from writing?"
I LOVE talking about this stuff. I WILL talk about these topics for hours. And I LOVE the implication in the conversation that I'm good at something.
I also really respect the positivity in general that comes with someone asking if they could do that. It is good to ask how someone does something rather than resigning yourself to "I'm not good at that stuff." (AND the people who ask me are polite and respectful of my time! So no hate at all!)
BUT! I realized that people aren't liking the answers I give.
I used to enthusiastically give detailed tutorial answers to "how do you do that?" I often got interrupted when I did that. “Yeah yeah yeah, I don’t have time for that!” People don’t have 60 seconds to hear a summary of steps of how to do something, but they think they have time to learn to do it well? It can take years.
I realized people expect me to advise some quick tips they can employ over the weekend, and they’ll have the skill/award/grant/contract in a couple of days with no previous relevant experience. Or maybe there’s a website where they can download these skills, like in The Matrix.
Now I try to find one-sentence answers that imply a huge amount of homework for them. How do you get a book contract? “Build a writing career.” How do you get a lot of followers? “content is king, audience is queen.” How did you get that award? “Do something that would win that kind of thing.”
(Also, I don't make much money on social media, so I don't have advice for making it a side hustle.)
I asked other science writers if they often get asked how to make their career (science writing, book writing, social media, etc) into a side hustle, wondering if I'm wrong to say "I don't recommend it as a side hustle." The professionals I talked to agreed that they would say the same thing. Some said they feel it's a bit ignorant and disrespectful to think someone else's career is something anyone could do, and profit significantly from, after a 1-minute conversation and little work.
Even people who have been writing for years are struggling to find work in this field. It's hard. I have an MS in Science Journalism that I will likely never finish paying for--I'm not saying everyone needs that, or even that it's very common in this field. It's not. But geez, if science writing were a skill you could get in a 60-second phone call, I would have done that!
Imagine if I said to you, "I've got some free time on Thursday, I think I'll start doing your job on the side. How hard could it be?"
It can certainly be worth it to learn these things, and there are some things you, personally, might be 90% of the way to achieving! So, maybe a 10-minute conversation can help you start the process of capitalizing on your existing skills! I just encourage you to realize the answer to “how do you achieve X” is almost always “a ton of work and practice.” 
Maybe ask more specific questions after you've already done significant Googling. For example, “What’s the title of the award again so I can look for it?” “What science writing communities do you recommend?” I can answer those.
PS. I'd love to hear if you've had similar or different experiences! *Is* your job something you recommend to anyone as a side income? Or are you constantly battling that assumption?
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