#they have all the good tropes

[ryanxross]

The Pitt literally has everything. Socially awkward and highly competent autistic coded character. Sarcastic asshole with a heart of gold. Nervous white boy with the saddest eyes you’ve ever seen. Nepo baby child prodigy. Milf with a mysterious past. Noah Wyle. Need I say more

[lonicera-caprifolium]

I keep seeing "Aziraphale chooses to present as a gay man" come up, and I don't think that's quite it for me?

I think it's closer to Aziraphale exists in a certain way, and that is perceived by humans as "gay man", and he has no reason to care about that perception.

Like it's not like Aziraphale saw a gay man and said "that! I'm going to be like that!" cuz he predates humanity, but he just is the way he is, and humans make assumptions and why would he care what humans think of his possible sexual habits, or change his entire being to fit human standards to change that assumption.

So I guess my thought is that Aziraphale has mannerisms that are just him, not specifically a choice of presentation, if that makes sense.

(not shitting on the hc, if you enjoy it/it brings you comfort, that's great! just explaining where I'm coming from personally so we can understand each other better)

[mollysunder]

Sky and Viktor's relationship is such a horror movie to me. You've got a man who was frustrated by the limitations placed on his life that were out of his control, like his class, mobility, and general health. Despite everything, he manages to rise beyond his station and avoid being an assistant for the rest of his life.

Then you've got a woman from the same background who admires him and all that he's accomplished in spite of the similar class based prejudices they faced all the while she's his assistant. She works up the courage to take leap of faith and reach out to him with her own research to show what's possible if they worked together as equals. And then he gets her killed!

Sky's death isn't the end of it because while it affects Viktor it is in no way meaningful to Sky's life or value as a person whatsoever. Even the pendant he wears in her memory is based on the design of her notebook, but that was just her notebook's cover, she probably bought it from a store and the design itself is probably mass produced. Why not use Sky's signature that was in her letter and in the notebook, the thing part if the notebook with real value?

Then Sky's brought back in s2 and she really only exists to be Viktor's assistant again, who he kills, again! But this time it's different because this time Viktor's making a conscious decision to look Sky in the eye and kill her... to prove he's changed.

In the middle of all this, in no way has Sky's death been mourned by her family or anyone else who could have known her. Jayce wasn't affected by the reveal, he didn't think it was important to tell Heimerdinger, or anyone who knew her. Nothing about her life, death, or disappearance has spurred any emotional reaction or even curiosity about what happened to her.

Sky's new life was also extremely isolated because she became further tied to him (in some ways you could say she was defined by him). Viktor never mentioned Sky to anyone in the material plane during his commune arc, so she only exists to him and she has no way to communicate with others, she's just there for Viktor's sake.

Then in the finale we learn this all a part of a big time loop where Viktor actively set the wheels in motion to have him and Jayce create hextech together, but if everything follows as is, that means Sky is violently killed in those timelines too. That means Viktor weighed the costs and decided over and over and over again that Sky was expendable enough to let her die for his plan to work eventually. How is that not murder at this point?

What's worse is that post-finale Sky's humanity is a point of dispute amongst the fandom, the VAs, and the writers themselves. Sky's the hexcore manipulating Viktor. No, Sky's a manifestion of Viktor's guilt. No, she's actually supposed to represent his humanity/conscious made physical. And in none of these arguments do they discuss Sky as a person, she's just an object meant to serve Viktor both in the narrative sense and literal sense as his assistant.

The most absolutely maddening part is that with Viktor's new bio on the League site, not only have most traces of Viktor had been scrubbed by Piltover's archive, but Sky's life has been completely wiped. Her death was implied to have been swept under the rug, and only described as the "loss of life" consequence from his Hexcore experiment.

Viktor was afraid of dying a senseless death (created by the conditions Piltover condemned his birth to) in obscurity and then he turned it into Sky's destiny.

[houseofmarcella]

dear god Albus Potter do you utterly haunt my thoughts

Just… Albus in the cursed child, for as mixed as people seem to be on it… Albus as the certified middle child who doesn’t have the cloak, doesn’t have the map, who doesn’t even have a family name?

Can you imagine little Al (not yet Albus because that’s a name he truly goes by once he has Scorpius) tucking himself into the cracks of the door as he hears his parents talking, hears his dad say it would have been better to know they were having two boys so they could have just called him Sirius

Al, getting teased by his invisible brother, yet seeing so distinctly that his father chose James over him for their family legacy

Al, who grew up on the filtered advice of a distant, out of reach mentor who he could never live up to. Not like James with his fun, his humor, or Lily with her love and her girlhood.

(Albus, who will hear Cedric called the spare and understand far too well what it’s like to be of secondary importance)

Al, who out of all his siblings looks the most like his father, a reflection to every family friend of what harry went through and an eternal reminder to himself and the world that he will always be his father’s legacy (he will look in the mirror for most of his adult life and see his father before he sees himself)

Al, age 11, seeking comfort on the train platform as everything changes around him and getting another lecture about bravery that he doesn’t feel he has

Al becoming Albus on that train, when the boy who would become the most important person in his life actually asks him, asks him what he wants to be called

Albus, under the sorting hat, struggling but thinking about who he wants to be outside of his family’s legacy and getting put in Slytherin for it

Albus, who grew up on war stories and hogwarts hyjinks staying up half his first night because he’s afraid of his peers, but doesn’t want them to know that because he so desperately and conflictingly wants to both fit in and stand out

Albus, who is bad at flying, humiliating himself in front of his peers, because he isn’t harry but isn’t Quidditch player Ginny either… Albus, who all the adults see as Harry’s extension; Albus, who struggles with charms like Lily never will, who can barely make his matchstick silver under the blue eyed portrait in the room, who struggles to parse through the moving and unequal words of wizarding textbooks, who attracts bullies like flies and doesn’t yet have his mother’s hexes to fight back

Albus, struggling to write that first letter home, to tell his parents and little sister that he’s different from them; Albus who doesn’t even get to tell them because James tells them first

Albus, who doesn’t get a green scarf and hat until after the first snow, unable to parse if it’s the color, the fact that he’s the second born, or maybe just that it’s him that made it come later than James’ had

Albus, who goes back home for Christmas and faces his father’s disapproval for befriending a Malfoy, his father’s distrust and attempts to assure his morality for befriending someone harry assumes cruel and antagonistic

Albus, having to hold awkward conversation with Rose and Ron and Hermione, because neither of the kids want their parents to know they’re not talking (they find out eventually, and though they’re nice about it, Albus knows they’ll always put Rose’s feelings first)

Albus, who is suddenly assumed more malicious and problem causing than he ever was before, who suddenly is seen as a prime person to scot the blame off to when things go wrong

Albus, who gets chosen after his sister (“just like her mother!”) during the family quidditch match; who gets meaningful looks from his Uncle Percy; whose Christmas sweaters are no longer red but never green; who suddenly cant seem to talk to his uncle ron anymore, someone who used to understand what it was like to be James’ brother

Albus potter who stradles the line of too Potter for Slytherin and too Slytherin for his family.

Albus Potter, who’s ambition has been squashed out by bullies and disregard and distrust, struggling to find his identity in a house and world that is still in the midst of undoing decades as an indoctrination machine…

[ganondoodle]

botw2 (totk rewritten) ganondorf design (+some story) post

Mummy version what link and zelda discover beneath hyrule castle when investigating the failing shiekah tech and discover a cave system that leads to several abandoned shiekah research/security sites and ultimately lead to a cave in which ganondorf is still sealed away by the ancient queen of hyrule; after the initial sealing (or capture rather) her descendant and the shiekah, who were rapidly advancing their tech at the time, build around it, both to keep the seal secret and safe (as the actual sealing was a short but intense battle between him and the queen that wasnt intended to happen like that, in the middle of the throne room that got broken and both ended up in the underground, the only survivor being the young princess of hyrule from that time- since all involved parties except for her died little was known as to how and why but the stories were spun regardless and ultimately the final narrative was in hyrules favor) and to use ganondorfs immense spiritual power and magical skill- eventually becoming one of the main power sources for all shiekah technology (ouch)

the chamber is all shiekah built (post sealing) and similarly secured like the monks in shrines (though visibly decaying and failing)- once disturbed the remainder of the ancient queen fused into zeldas hand (with seemingly no effect but temporary pain, perhaps she will hear voices from the past telling her not to explore any further .. still working on that) ganondorfs body falls to the ground but then springs back to life, somewhat clumsily but fiercly attacking zelda and link, the shock from being in this horrendous condition between life and death for thousands and thousands of years and suddendly being thrust back into his decayed and used up body still fresh

the mastersword is broken and links arm destroyed, both link and zelda start to flee from the crumbling cave, zelda dragging link behind her in panic (and as he is hurt)- after which link gets his shiekah tech arm (and the arm stays gone) and the world changes

mid game fight- this game is not as free in progression as botw, you can do alot when you want but some things will remain locked, the mid game fight can only happen once the 4 main regions problems have been dealt with (very different to canon totk, but that is for a different post) and the castle, which fell into the underground shortly after the intro, is made accessible (specific way how still in work) the interior is both broken castle, rooms previously blocked, and shiekah tech- since beneath the castle was a whole, giant array of tech made to secure the castle, including reserves of ancient energy specifically for the royal family and the entire mechanism behind the rising pillars filled with guardians-

at the start of the dungeon link is grabbed by malice/miasma hands and dragged into the castle, seperated from zelda and the mechanics she introduced (crafting/reparing weapons and more), theres no way out, teleports are blocked; after getting further in alone, zelda finds you again, and nothing seems out of the ordinary (unless you have a keen eye, she only uses her left arm and would walk past things she usually wouldnt) after a certain amount of progression, without warning, as soon as zelda is out of the cameras view she will attack you relentlessly, not speaking a word and with changed eye color- after fighting with her/beign chased into the main throne room, the real zelda breaks through a wall, her friends in tow (yunobo, teba+tulin, riju, sidon, which she went to to ask for help, explaining the time gap), and ganondorf drops the disguise, a fight with him (mummy version) ensues, though he is very much back to his senses

at the end of the fight he shows (or forces her to see) zelda his last memory from when he lived, the confrontation with the ancient queen to his sealing (since she doesnt know/is in denial of her families role in both all this and the sonaus (zonais) extinction (as well as the betrayal and persecution of the shiekah later on), and his beef is with her specifically, link is just her guard dog after all) (i wasnt sure to include a direct scene from the past, but this one scene is very self contained and gives alot of context while still letting most of the past be a mystery- as i want to keep it as feeling ... removed and unknown as much as possible from the world you know)

(after which he leaves the scene as zelda tries to understand what she just saw)

post revival Ganondorf (beginning of end fight cutscene and phase 1.) only appears at the end (excluding the possible cutscene in the mid game fight, which shows him in his time, alive, which is a different design than this that i will make for a cutscene/story post)

the end of the game is in/on the forgotten plateau (it ends were botw began :) ) perhaps it rose higher and revealed an entrance after more game progression (at least one more dungeon, master kogas, and the restorations of the master sword via deku tree dungeon and sword quest involving the dragons; how much of the past you cared to explore within caves, which ARE the underground- its in several bigger and smaller, harder to access caves, each being somewhat to very unique and reveal more context, is largely irrelevant, it mostly serves to give YOU more context and make you think)

the dungeon is within the plateau, once to the end there is a longer cutscene of zelda trying to talk with ganondorf, now in his, largely, restored form (largely as in, not exactly as he was in past, clothing difference etc), her having come to understand what her legacy is and wanting to take responsibility for it; he listens calmly and talks to her for a bit (but the tension is very high, he knows what threat he poses and his goals, zelda is visibly trying to keep it together) and for a bit it might look like she can avoid this conflict

but he makes it very clear then, that she cannot undo anything, there is no possible price she could pay, he has suffered at hyrules hands for generations, having seen the world that was his home grow into myth, see his own people forget him, and how the history was remembered, not as it was, but as they wanted it to; he is forever changed, ripped from his time and all he ever held dear (there are clues and a mention of him having had two daughters, a little boar figurine, carved from wood of trees now extinct, hangs from his belt even now)- he wasnt a perfect king, but well liked and kept his country to stay strong against hyrules schemes .. until he fell- he is not truly alive, he is in a strangers world and this world hates him, it is anger and hatred, rage against all that happend, guilt for having failed his own, feeling betrayed by them yet, even if not truly their fault as no one knew what really happened except him, but he was imprisoned, with no breath to speak nor air to scream

he does not care for this world and his only goals now are to disrupt as much as possible, be the unstoppable force that hyrules always been, be the monster they wanted him to be, do as he wants until someone stops him ...and kill zelda to end her rotten family- but even if she gave up her life willingly he wouldnt take it, she will have to fight and make her own hands dirty and she does not want to die.

your friends arrive, and the battle begins.

(rough examples of his weapons are further below; he fights with one arm only in phase 1. then reforms his missing arm with malice, borrowed from the boar appearance, though it is not usable enough to truly replace it, it acts more like beasts claw and to copy some of links abilities, like the hookshot)

Beast Ganon(dorf), normal appearance (phase 3)

at the end of phase 2 he knocks out your friends, changes into beast form and attacks you, zelda using her magic to shield both her and link so he cannot bite through, instead smashes them both through stone and dirt all the way to the surface of the plateau on which the fight continues, this time only link and zelda

(his movement isnt a senseless rage, but a graceful being, he moves and jumps, floats and swims through the air as the ground in an almost dragon like way, he still wields magic, not all malice, but lightning and perhaps even more too, it is still him, just a different form)

Beast Ganon(dorf) while charging magic (phase 3)

Ganondorf phase 2 + Ganondorf phase 4 (slightly out of order but the boar wouldnt fit on one picture with other forms)

at the end of phase 3 (beast) it seems like you have beaten him, he is down and zelda takes charge, ready to do as she did to the dark beast she faced before (dark beast ganon in botw) but as she raises her hand a sword slash cuts off half her right hand- he is not done yet and refuses to be dealt with like that again, not by her hand again-

the final phase is a mix of all, including his appearance, this is the final struggle, to give every last drop of strength, the hole in his chest is open, malice eyes staring from within, it keeps him alive yet still-

zelda is disabled for this fight, she has been taken to safety by your friends, this fight is all on link to finish; while this is his most desperate and vengeful form, he is not senseless either, he summons his sword to attack you with as he did in phase 2, then throws it at you, quickly conducting lighting to it and while you are busy dodging lunges like in beast form (to paint the picture a little), this fight is supposed to be truly challenging.

(heres a rough example for his weapons)

(not fully sure of the ending scene, but there is supposed to be a short view into a timeskip in which zelda also has half a prosthetic hand made from shiekah tech)

[lazycranberrydoodles]

i do not remember the plot of scum villain because i read it in 2020 and it feels like a fever dream now so my characterization is entirely based off of the fanon on my dash.

hualian are my favorite but i do feel that bingqiu deserve the win. tgcf is VERY yuri, but svsss has gender as a main theme and both characters keep getting compared to maidens. overall there are more explicit references to women regarding bingqiu.

[dollypopup]

I get why people would think it but

Colin is NOT a rake. Colin is a young man trying to figure out his identity and what he likes sexually and trying to understand what the men of his society talk about and do. He's not out here messing around with women just to string them along and then leave them. He's trying to fit in and has been made fun of for being a virgin so yeah, he rectifies that by having sex, but just because he slept with a few women, that doesn't make him a rake? You wanna know who an actual rake in the series is?

Fife.

Because what the fuck happened to Miss Goring? I think about her sometimes and my heart aches for her. Her first season out, she's an 18 year old woman, and an older, titled man of her society who she assumes to be a proper gentleman makes her believe their relationship can actually be something, messes around with her the entire season, and then fucks her in a linen closet at a ball only to....what? Come back the next year with absolutely no mention of her whatsoever. Did she get pregnant? Was sent off in disgrace? Have to marry someone else?

Fife is a 30 year old man who has a bad habit of hounding after young, vulnerable women in his society. He fucks them and leaves them. He's a rake. Colin? Colin is not even close to that. Say what you will about the brothel scenes, but that IS the responsible place for a man of his time to go to for sex. Please stop demonizing sex work. Yes, many of these women are in that line of work because of less than savory reasons, but Colin is not taking advantage of them. He is paying for a service and they are providing that service. It is transactional, and he is the LEAST of their concerns in terms of clientele. A kind, handsome man who pays well and is discrete? Yeah, they're fine with him.

Colin has a history of respecting women. He respected Marina all throughout their courtship, and even after. I know some people sneer at him coming to see Marina, but please keep in mind she is a woman on her own who married a stranger far away from ANYONE who knew her. Colin was worried about Daphne when she came to him, asking if anything happened when she was away and clearly ready to fight for her, so of course he's worried about Marina. Partly he visits her for his own closure, but also like....y'all that's a WELLNESS visit. He's concerned that she's unhappy, but ultimately leaves because she's not hurt and that she tells him to. Colin listens to 'no' from the women around him. He asks for permission from them. He waited for Penelope's consent sexually, but he also didn't even get into the carriage until she allowed him. He even asks "Please, let me in".

Colin lives in a time when women do not have many rights, and he listens to the women around him even more than the men. He is the only one of his siblings to ask for his mum's advice and immediately takes it and takes action. He brings Eloise back a feminist text from his travels, even after she's besmirched as a radical, because he supports her pursuits. In season 2, he also knew of her going to the printers and didn't say anything. He has always respected and cared for Penelope. He hasn't insulted a single woman in his vicinity. He doesn't make the women he flirts with feel bad about themselves, or feel less, but compliments them, all whilst keeping respectable distance so as not to make them think he's interested in marrying them. He doesn't dance with any woman but Penelope in that season.

Colin isn't a rake. He's not a fuckboy. He's trying to act like he is, emulating the circle of his society, but that doesn't mean he is. I swear people just WANT to misinterpret him because that's the easiest way, but Colin is a character who doesn't lend well to surface level readings. He's a nuanced, gentle hearted character who has been looked down on for his sensitivity. He's a deeply relatable person because who of us haven't pretended to be accepted? Especially if we've been bullied or excluded. I know I have. Put on a persona for the sake of survival. And he does so for what? A few weeks? That does not a fuckboy make.

Just say you don't want to understand him and move along because those of us who get him GET HIM. And I'm grateful for a character like Colin.

He's the best man in the series by an entire mile and you can't change my mind about that.

[sundry-whovengerslocked]

love the trope "not necessarily codependent but devotional to the point that it's almost toxic"

give me more. please. I am but a touch starved queer-

[jonsnowunemploymentera]

And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....

Oh yes he would!

One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014

GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017

In fact he already has ☺️

[luguangs]

We are alive. And we will continue living. So long as you remain by my side.

[guardianhyren]

Eldritch Nika!!! I’ve always been fascinated with this idea ever since reading those fics where Nika is a separate entity (that may or may not have a an agenda of his own) and slowly influences Luffy to being a facsimile of himself. The You are my Sunshine and At the Gallows… are my favorites of Luffy being… slightly off and uncanny due to Gear 5/Devil Fruit. And all those “Gear 5 at Marineford” fics where everyone is horrified at the reality bending he does (Time Moves Through You being my favorite) are fantastic and big inspiration.

[syrelivesforptj]

"That isn't enemy's to lovers, that's just Bully x victim!" Okay. Maybe that's what I'm aiming for. Maybe that was my goal. What if I like Bully x victim? Hm? What if I like the trope where someone torments the other because they have the hots for them? HM?

[eshithepetty]

Thinking about Mob and contradictions today.

About how he's seen as this emotionless, unemotive person, yet he has all these strong emotions whirling on inside him. How he's seen as gullible and air-headed, yet he thinks every little thing through, and only is so easily taken advantage of cause he doesn't value himself. How he's seen as unintelligent, especially academically, yet he becomes so emotionally intelligent over the course of the series. How he's seen as this endlessly kind, endlessly patient and forgiving person, but as we find out in confession arc, he has a deep well of resentment growing inside him that ends in him near-killing his friends out of that anger. How his eyes are red, symbolising both love and passion and rage and danger at once. How his form can change from a monstrous black hole to an innocent, ordinary middle schooler at will. How his hands have both been used to spill blood and gently hold.

And they're not contradictions, really. It's just that he contains multitudes. It's just that he's human.

And he's loved not despite, but precisely because of it. We all are.

[yourplaceinaugust]

i saw a thing where it's Aaron cheating on Katelyn with Kevin and i propose a better idea. Katelyn and Aaron in an open relationship and Katelyn is hooking up with Kevin but she hasn't told Aaron yet bc she's worried bc Kevin is Aaron's best friend and she's trying to find the right moment but every time she tries something happens and she has to postpone. meanwhile Aaron is also hooking up with Kevin and knows Katelyn is too. he just assumed they both knew this and just didn't talk about it

[starry-bi-sky]

pouring one out for luo binghe in my disciple SQQ fic, poor guy has taken a backseat here. we're nearly 30k words deep and he hasn't even shown his face once. it'll be much longer before he even actually talks to Shen Qingqiu.

(i say im pouring one out but in reality im sitting in my director's chair chewing on a cigar and wearing a beret as he tearily and unsuccessfully pleads with me for more scenes with Shen Qingqiu)

[swordscleric]

I can't stop thinking about the post from a few days ago about how Critical Role has been great at doing personal faith but didn't put the necessary work in to discuss the religious/god angle of c3 in-depth. Like the fact that Cardinal Respa was linked to both the Dawnfather and the Chained Oblivion is, on a personal level, very interesting (fallen/corrupted priest goes hard) but like does that mean that there's a Papacy somewhere in Exandria dedicated to the Dawnfather? If so, are there more cardinals who ordain the bishops of the Dawnfather? Are there Conclave-level intrigues going on in the Dawnfather's Sistine Chapel? Why is the Dawnfather so Christianity-coded in vibes alone if there's no actual outline of his religious organisations? With Downfall the Dawnchild/Dawnfather thing makes the allusions to Christ as Son of God co-existing with the Father textual - was there a Dawnfather Schism around whether the Dawnchild was a separate mortal? Was there a Reformation about how the Dawnfather's Pope kept selling indulgences? Is that why the priest of the Dawnfather Grog & Pike offer a drink to doesn't partake because of a cultural shift between Protestant-Temperance-League-coded and Catholic-coded Dawnfather congregations? Why do I have so many questions about the religious organisation of one of the most important Prime Deities in Exandria and to Critical Role's 3 campaigns? How on earth were the cast (and us as the viewers!) meant to care about the gods if all they had were "really tall kings" instead of interrogating how religious organisations provide both a place of healing and community to a wide range of people and also a place of horrific harm and abuse for a wide range of people?