#they give us ALL THAT

[tariah23]

White people are miserable, racist losers period. They’ve even been getting mad at Japanese people for correcting them about Yasuke as well.

[evgar]

i need them badly

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[bet-on-me-13]

The cult of...Danny Fenton?

So! Way back when Danny first moved into his new neighborhood in Gotham, he had some trouble controlling his Powers. The different Types and Levels of Ectoplasm in the air when compared to Amity had thrown off his control.

He was used to being in places where his Ectoplasm meshed well with the Atmosphere, like a Water Balloon in a Pool, but in Gotham that analogy would be closer to a Water Balloon in the sewers. It was too different from what he was used to to fully control his Powers.

So it's understandable that he messed up a few times and his neighbors found out about his Abilities.

They took it well at first, Danny wasn't going to go Rogues or anything, and he never used them maliciously, but eventually they got curious.

They asked what his limits were, how he got them in the first place, and what the hell the Ghost Zone was. The answers "None Really", "I died and was reborn", and "A Collective of every Afterlife at once" did spark some interesting reactions from them.

Most importantly, a few of them joked about him being an Eldritch God that they needed to worship. He was good enough friends with them that at that point they felt comfortable pranking eachother, so they did just that.

Danny woke up one day on his birthday, and saw all of his friends and neighbors surrounding the makeshift Throne they had made and put him on while he was asleep. The entire day they chanted stuff like "The Great One requires Ms. Smiths Apple Pie for his day of birth!" And "The Great One Wishes for us to sing the Ritual Song! Happy Birthday to You! Happy Birth-"

After his birthday, they kept up the joke.

It didn't help that his powers had evolved Again! And now he could bestow abilities onto his friends. The jokes they made about their God granting them Supernatural Powers to rule the world with were insufferable.

Then, one day while he was just resting at home, watching a movie on his TV, he felt a Pull at his Core. The same kind of Pull whenever he was being summoned. But why would they summon hi- Oh Shit! It's Mr Jenkins Party today! He was supposed to meet them at the Warehouse they used for special events an Hour Ago!

He quickly accepted the Summoning, but was met with a suprising sight. His Neighbors all tied up in a pile to his right, a spilled table of party food to his left, and right in front of him, Batman and his Family watching him with wary eyes.

Slowly, he opened his mouth. "...so, did you come for the party or..."

[sanyu-thewitch05]

Honestly, this. This, this, this.

Especially with Agatha’s excuse of “it was the 1920s!” sounds so similar to how white people respond to reparations (“It was 400 years ago! Get over it.”)

[noodles-and-tea]

Little Stan getting manipulated by Bill has excellent angst potential but consider.

Stanley just, keeps tricking Bill. Because Bill would definitely massively underestimate Stanley and how far he’ll go to protect Ford (like in the actual show). We also know Stanley has the street smarts between the twins and could absolutely tell Bill is full of it.

And because Bill would absolutely loose his mind if he kept getting foiled by a snot nosed eight year old that isn’t even supposed to be here

I like to think that he doesn’t even try that hard he just does not even care about bill

[iamanartichoke]

I don't know who needs to hear this, but as a creator -

I am fine with "the audience" -

downloading my fics

printing my fics

copy/pasting or screenshotting my fics

sharing your saved copy of my fics with anyone else who might want them in the unlikely but never impossible case that my fics are no longer available on ao3

making a book of my fic(s) and running your fingers across the pages while lovingly whispering my precioussss

doing these things with anything I create for fandom, such as meta, headcanons, au nonsense like 'texts from the brodinsons,' etc

I am not fine with "the audience"

doing any of the above with the purpose/intent of plagiarizing my work or passing it off as their own in any capacity

feeding my work into ai for any reason whatsoever

Save the fandom things. Preserve the fandom things. Respect the fandom things.

Enjoy the fandom things.

[anonymousdandelion]

A general tip for students who are sending those dreaded Religious Absence Emails to your professors: Rather than asking permission to take the day(s) off, politely let them know that you will be taking the day(s) off.

In other words, consider not saying this:

"May I miss class on [date] so I can observe [holiday]?"

It's not that there's anything wrong with the above, per se. But because it's phrased as a request, it risks coming across as optional — a favor you hope to be granted. Problem is, favors are not owed, and so unfortunately asking permission opens the door for the professor to respond "Thanks for asking. No, you may not. :)"

Instead, try something along the lines of:

"I will need to miss class on [date] because I will be observing [holiday]. I wanted to let you know of this conflict now, and to ask your assistance in making arrangements for making up whatever material I may miss as a result of this absence."

This is pretty formal language (naturally, you can and should tweak it to sound more like your voice). But the important piece is that, while still being respectful, it shifts the focus of the discussion so that the question becomes not "Is it okay for me to observe my religion?", but rather, "How can we best accommodate my observance?"

Because the first question should not be up for debate: freedom of religion is a right, not a favor. And the second question is the subject you need to discuss.

(Ideally, do this after you've looked up your school's policy on religious absences, so you know what you're working within and that religious discrimination is illegal. Just in case your professor forgot.)

[hinamie]

spiraling

[crumb-crumblet-s-crumbington]

both ethan winters and ashley graham were born in 1984, so i swapped their places

redraw

alt version with pants!

[egophiliac]

was this anyone else's first thought, or

[hairmetal666]

Steve wins the bat plush at a fair when he's seven. He doesn't care about bats, but it's the prize for making all five baskets in the basketball game, so he gets the little bat. Its eyes are a little crooked and one wing is slightly smaller than the other, but it being lopsided sort of makes it cuter.

He and his dad, they're supposed to be going on rides now, but his dad's pager keeps going off. He puts Steve next to a funnel cake stand, tells him not to move, and goes in search of a pay phone. Fifteen minutes pass, and Steve is bored under the flashing lights and tinkling music. He wants to play not sit and wait.

Eventually, he drifts back towards the midway, watches the people rushing by, searches for a sign of his dad's return. His attention is caught by another boy at the basketball booth. He has to be about Steve's age, with a mop of dark curls on top of his head and a jean jacket that's slightly too big, sleeves flopping over his hands as he lines up his shots.

This boy, he's terrible at basketball. Every shot is too high or too short or goes wide, but he's trying. Even from this distance, Steve can see how hard he's trying. He uses up his five balls, fishes into his jacket pocket for more money, and gets five more.

He misses every shot. This time, when he goes back for more money, he comes up empty. Steve thinks he sees his lip shaking.

A man, one in a leather jacket and boots that Steve thinks look mean, comes up to the boy, drops a heavy hand on his shoulder. He's too far away to hear the conversation, assumes the boy asks to play again and the man's response is a shaken head and a tight smile. They walk away from the games, right towards Steve, who slinks back to the side of the midway, not wanting to be caught staring.

"What was it you wanted? That stupid bat? Just another piece of trash you wanna bring in my house." Steve hears as they pass.

The boy nods, but keeps his eyes down and to the side.

He feels bad then. Felt bad before, but now he looks at his own bat, at its funny eyes and poorly attached wings, and wishes he could hand it over to the boy who really wants it. Steve almost does, then, makes to go after them, but his dad appears, dropping a hand to Steve's shoulder and saying, "ready to hit those rides?" And he knows the opportunity is gone, knows his dad will say it's too soft, not what men do.

Steve manages to lose himself for a while in the swirling lights and funhouse music and carnival rides, forget about the little bat in his back pocket and the boy who wanted one so desperately. But then his dad's pager goes off some more, he goes back to the pay phone, and Steve ducks into the low brick building that houses the bathrooms.

His eyes immediately land on the same boy from the basketball game. His eyes are red, face damp, obviously from tears, and Steve just--

"Here." He shoves the bat into the boy's chest.

For a second, the brownest eyes Steve's ever seen widen at him, before narrowing in a harsh glare, the boy's teeth barred.

"Why?" He snarls.

Steve thinks he may regret every choice that led him to this but he says, he says, "Because I want you to have it."

The boy blinks a few times, hand reaching out to gently pinch the bat's smallest wing. "You sure?"

Steve nods and the bat is slowly withdrawn from his grasp.

"No takesies-backsies?"

"It's yours."

The boy looks at the bat in awe, and Steve says, "see? It already looks happier with you."

The boy's beaming smile is cut-off by a voice calling from the door, "you in there,? I ain't got time to be waiting for your boohooing."

"Coming!" The boy carefully tucks the bat into an inner pocket of his jacket. "Thank you," he whispers, eyes big and glistening and happy, before he disappears out the door.

---

13 years later, give or take a few months, and Steve stands in the cracked shell of a bisected trailer, rummaging through what remains of a life well-lived, searching for anything whole. He's already found a few undamaged mugs and clean hats, but this room--it took a lot of damage. The brunt of it, really. Some sick sort of joke, after everything.

It's mostly rubble in here, scraps of fabric; slivers of notebook paper, magazine, poster; crumbled shards of vinyl and cassette plastic. A few times he comes across the disembodied limb of one of those dnd figures, and something weird happens to his throat.

In the far corner there's half of a dresser collapsed into itself, and he shuffles through the debris to see what he can find. There's something, soft and black, just the edge of it, peaking out from under half of a drawer face. He pulls it out, careful as can be and it's--it's a plush bat. It's a little dirty, but unharmed, though its eyes are a little wonky, and one wing is smaller than the other.

He holds it and he stares and he has to brace himself against the wall. It can't be--it's not the same one--but he remembers those big brown eyes and the curls and--

"Harrington," a warm, rich voice calls from what's left of the hallway. "You get lost in there?"

Eddie shuffles in, slow, careful with his crutches. And it--it took so long, months and months of convalesce and physical therapy, still physical therapy, but he's here. He's alive. He's perfect. And the something blooming between them, it's not spoken yet, but it's there, growing, and now, now--

"Oh my god, you found Lilith! I thought she was toast."

"Lilith?" He's still cradling the little lopsided bat in his hands, but moves closer to hand it over to Eddie.

"Yes, Lilith." Eddie takes the bat, presses it to his chest. "The first boy I ever loved gave her to me."

His heart turns over in his chest and when he swallows his throat clicks. Eddie doesn't notice, he's smiling softly at the bat, at Lilith, but then, "why are you looking at me like that?"

"First boy you ever loved?" He says. He thinks he sounds normal.

Somehow, Eddie's smile grows even softer. "Yeah. Roan County Fair, years ago. Tried to win her, but--" he clicks his tongue--"never had great hand-eye coordination. And then this kid just gave her to me out of nowhere. I used to think I was going to marry him."

"And now?"

Eddie laughs. "I grew up, Steve."

And for a second, he doesn't know what to say, but then, "I was right then, huh? That she'd be happier with you."

He stares at Steve, those same big brown eyes, wide and glistening. "Steve that was--Steve?" Eddie presses a hand over his mouth, overcome, before launching himself into Steve's arms. The crutches clatter to the floor, but Steve has him, will always have him, no matter what.

"I can't believe you kept her," Steve whispers.

"God, I carry her everywhere. She's Corroded Coffin's mascot, and you--Steve, I can't believe that was you."

"Surprise," he bumps Eddie's forehead with his.

They hold each other in the center of the destruction, but none of that matters right now, not when it feels like every moment since they very first met as children was leading them to this.

From the other half of the trailer, they hear footsteps, chattering, Wayne and Robin and Dustin, but Steve wants this to last a little longer.

"So, marriage...that still off the table?"

Eddie laughs softly, nuzzles his face against Steve's neck. "Are you kidding, sweetheart? No way I'm letting you go."

[fincherly]

my gf was looking through wesker's wiki page (as you do) and sent me this

and i lost my shit bc it just seems like they're looking at him like girls look at a weird bug

[ayo-edebiri]

So it's okay when you go to other times, and you save people's lives, but not when it's me saving my dad.

DOCTOR WHO (2005 - ) I 1.08 - 14.01

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.