#they did manage to score some of the best guest stars though
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the-writer-nerd-ro · 1 month ago
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Happy arbitrarily assigned birthday Hunter! Everyone except Hunter and Sara is my OC, credit to @thestrangecarrotcake for pretty much the whole premise of this fic
If you're reading this feel free to leave me suggestions for Sara and Hunter fics in the notes bc I may write them! No guarantee
Also there's another fic set way before Hunter meets Sara which you can read here, that one is sad!
Muffins and Mini-Golf
Sara did not believe in her ability to pull off birthday cake, she was a baking novice and had burned more than she’d baked. But she felt so strongly that she could manage muffins, and no one deserved a sweet birthday surprise more than Hunter.
Hunter had surprised Sara with a double date to Sara’s favorite karaoke bar for her birthday back in June. Now Sara was determined to pull off something just as fun and romantic, though karaoke wasn’t really Hunter’s style.
Marian, Hunter’s cousin and best friend, had admitted that Hunter never really did much for her birthday. Especially since Maddox’s birthday was nine days later, so it was easiest to just lump them together for a birthday dinner. Hunter usually let Maddox pick the specifics, not wanting to make a big deal of it.
That wasn’t good enough for Sara, though. Maddox was about to be 20 and deserved a unique and special celebration and Hunter…
Well Hunter deserved all the stars in the sky, but Sara would have to settle for muffins and mini-golf.
The plan was simple, start the day with muffins and end the day with mini-golf, with Hunter’s Aunt, Uncle, and cousins. And Petunia, who had also come to Sara’s birthday celebration.
Sara didn’t mess around with her party planning, either. She made sure everyone’s schedule was clear before looping Hunter into the plan. Hunter was not the kind of girl who liked surprise parties. Sara still had some surprises planned, but she made sure Hunter was on board for the main event before booking them the course for a few hours.
Then she memorized the muffin box front and back, determined to make the world’s best lemon poppyseed muffins.
Her third surprise, though, was a little more ambitious than breakfast. She’d ordered ten custom t-shirts that read “Hunter’s 33rd Birthday!”
She’d only needed eight but if she ordered ten she got a discount and she figured she could sleep in the other two. She’d had to be pretty secretive about the shirts, though, hand-delivering them to each party guest before October 12th.
Everything she did from the moment she woke up that morning was meticulously planned. She got up as quiet as a rat to let Hunter sleep a little longer and snuck into the kitchen. This was her Super Bowl, and she was gonna score a touchdown.
Hunter woke, groggily, to the smell of lemon.
“Morning, Hun, Happy Birthday!” Sara cheered, presenting the plate of slightly lopsided but otherwise delicious muffins.
Hunter smiled up at her flour-dusted angel and accepted a muffin.
“Mm, it’s warm,” Hunter said, her smile never wavering. Not everyone got to see that smile, Sara would have done anything to see it for the rest of her life.
“You deserve the best,” Sara said, settling in next to her and eating a muffin.
“I don’t need the best, I just need you.”
Now Sara’s skin felt warmer than the muffins. “I love you.”
“I love you too. This is already the best birthday I’ve had in years.”
Sara knew that was true, and she knew why, but she allowed Hunter to decide whether or not she was going to elaborate. Instead, Hunter ate another muffin, which was a perfectly acceptable response.
“Tonight is going to be so much fun,” Sara promised.
“Oh, I know.” There was a competitive gleam in Hunter’s eye, “I’m gonna destroy Maddox.”
Mini-golf had been a safe bet for a celebration because it allowed the Richardson family the one thing they loved the most, friendly competition. Sara had gone to six Cousin Game Nights and each was its own unique flavor of merciless. She hadn’t even known you could be competitive about creating D&D characters, but Hunter and Maddox had managed.
So Sara was definitely interested to see how competitive mini-golf got, since as far as she was concerned it was a game that no one was good at.
Hunter hadn’t wanted to take her birthday off when there were funerals to plan, so Sara agreed to pick her up from work before they headed over to the mini-golf course.
When Hunter was gone, Sara changed into her new shirt and decided what overshirt to hide it with. She was not necessarily a flannel girl, but she had one. For a second she considered it and then imagined Hunter looking at her and not recognizing her. The way she had hardly recognized Sara on Christmas when Sara had tried to dress to impress Hunter’s extended family.
That same family had accepted her with open arms, and Sara didn’t have to hide any part of herself to be around them, or to be with Hunter. So she chose a color-blocked hoodie in red, pink, and blue and threw it over the vibrant t-shirt. She had one last element of the surprise in store, hoping to live up to Hunter’s expectations.
Hunter had no expectations and only the glimmer of hope that she'd get at least one hole-in-one and impress her girlfriend. She did notice, though, that Sara had something tucked away in her purse, and she smelled the faint but familiar scent of Sharpies.
Finally, they pulled up to the mini-golf course, where everyone else was already waiting.
The first thing Hunter noticed was that everyone was wearing a lime green t-shirt. Then she saw “Hunter's 33rd Birthday” in neon magenta lettering. When she looked back over at Sara, Sara had shimmied out of her hoodie and was wearing the same shirt.
In a moment of intense clarity, Hunter understood what was tucked away in Sara's purse, and why Sara was now smiling like the villain in a horror movie.
“Put this on over your dress,” Sara said, passing her the shirt.
Hunter immediately noticed that her shirt was a little different than everyone else's. Her shirt was covered in Sharpie, little notes wishing her a happy birthday from Uncle Shaun, Aunt Dee, Petunia, Marian, Morgan, Maddox, and of course, Sara.
“This is so thoughtful,” Hunter said as she pulled the gaudy shirt over her delicate black lace dress.
When she stepped out of the truck her family cheered, even Maddox, and she felt strangely emotional. She'd never been much for declarations or speeches but she felt like she had to say something now.
“Thanks, everyone, for coming to celebrate with me. I appreciate all of you so much. And Sara… Thank you so much for putting all of this together and getting us t-shirts.”
“How did you know that was me?”
“It's very you.”
Sara beamed. “We have two extra at home so you can have one that doesn't have writing on it, too.”
“Can I sign yours?” Hunter offered.
“That's such a good idea!” Sara pulled out a Sharpie from her purse and passed it to Hunter.
Hunter had her own Sharpies and had been planning on tagging whichever hole was the most infuriating, but she accepted the marker from Sara.
Then she leaned forward and gently caressed Sara’s chest, writing in her imperfect script: “To Sara, who makes every day a celebration. Here’s to another wonderful year of loving you.”
Sara read it upside down and threw her arms around Hunter. “I’ll love you every day of every year.”
“Alright, you saps,” Maddox said after giving the couple a moment, “Who’s ready to lose at mini-golf?”
Hunter didn’t bother letting go of Sara, but she looked away long enough to roll her eyes at her cousin. “You’re going down.”
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bookgeekgrrl · 3 years ago
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Myy media this week (3-9 Apr 2022)
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📚 STUFF I READ 📚
😍 Light of My Life (Bane of my Existence) (justanotherStonyfan) - 57K, no-powers AU, pre-serum Steve - James is an ambassador's son, in the Hamptons for the summer, & Steve owns a café - really good examination of the realities of living with multiple disabilities and what that looks like in trying to build a relationship
Grizzly Bear Conflict Manager (John Scalzi) - short story
😍👂 As You Wish: Inconceivable Tales from the Making of The Princess Bride (Cary Elwes & Joe Layden, authors; Cary Elwes + others, narrators) - absolutely delightful, nothing but warmth and good vibes - 80% CE's recollections, 20% everyone else & they all do their own narrations
🥰 sidereal (girlbookwrm, author; verbalatte, art) - 67K, Stucky canon-divergent soulmark AU - some of the best soulmark worldbuilding in any fic
😍 Peter Cabot Gets Lost (The Cabots #2) (Cat Sebastian) - just felt like another reread of this perfect grumpy/sunshine (sorta)enemies-to-lovers road trip tale
💖💖+150K of shorter fic so shout out to these I really loved 💖💖
Think I'm Finally Clean (fuck_me_barnes) - MCU: Stucky, 4.6K - "In which sub Bucky wishes for rougher handling by normally gentle dom Steve, and gets probably more than he bargained for." [reread, absolutely love this one]
📺 STUFF I WATCHED 📺
New Girl - s2, e9-25; s3, e1-13
Queer Eye - s6, e2-3
Hot Ones - Dan Levy
Hot Ones - Idris Elba
Hot Ones - Margot Robbie
Sense8 - s1, e7-10
🎧 PODCASTS 🎧
Twenty Thousand Hertz+ - Mind the Gap
Hit Parade - Killing Me Softly
You're Dead To Me - Mansa Musa
You're Dead To Me - Justinian and Theodora
The Atlas Obscura Podcast - Corpus Clock and Chronophage
Shedunnit - An Encounter With Father Brown
Ologies with Alie Ward - Echinology (SEA URCHINS & SAND DOLLARS) with Rich Mooi
The Atlas Obscura Podcast - Sinchi Warmi Amazon Lodge
The Atlas Obscura Podcast - Chemin de la Mâture
Unexplainable - Making Sense: How sound becomes hearing
Song Exploder - Peaches "Boys Wanna Be Her"
You're Dead To Me - Stonehenge
The Atlas Obscura Podcast - Lake Natron
🎶 MUSIC 🎶
Low-rider Oldies
Harry Chapin
Soft Rock Hits Playlist | Best Soft Rock Songs From The 70s 80s 90s
Presenting Joni Mitchell
Roberta Flack
Penned By: Ester Dean
Peaches
Presenting The Isley Brothers
We've Got It Covered
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imsfire2 · 3 years ago
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Thoughts on “Rebels”
I’ve been having a “Star Wars Rebels” rewatch in recent weeks and have been struck all over again by what a terrific piece of work this series is.  With the exception of “Rogue One” I don’t think any of the other more recent SW canon content captures the look, tenor and all-round feel of the OT quite so perfectly.
OK, so it doesn’t exactly capture the look, because it’s animation rather than live-action-plus-SFX; the difference of medium inevitably makes for visual differences. But it has the same quality of jumping from domestic-level scenes to scenes on a huge scale. 
Glorious stars and planets and the vast expanse of deep space are drawn and lit superbly, and alien worlds evoked and made real.  And within the limitations of a cartoon it manages to make these worlds look lived-in and grubby; the rough freshness of Sabine’s graffiti art, the muddled bedding in Ezra’s bunk, the dents and scoring on spacecraft hulls and Chopper’s chassis, the scratches and worn paint on Kanan’s mask.  And not forgetting Rex and Co’s gorgeous, wheezing, rattling walking castle in “The lost commanders”, stomping straight out of a Studio Ghibli film into the sands of Seelos.
“Rebels” gets the tone right; it has the same mixture of moments of high drama and daft humour as the original films; dramatic battle, intense emotion and the lull between storms, and dad-jokes and corny droid slapstick.  And just as with the originals, the humour is character-based and situation-based.  It never feels stuck-on, much less as though it was added to gratify the creators or to make us aware they think they’re superior to the story they are telling.  
And much of the drama likewise is character-based and character-driven.  The protagonists get convincing flaws and strengths, and credible arcs, they grow and develop, and we get to see them deal with the results of their actions; we see them grieve over their losses, suffer in the aftermath of failure and disaster, face up to the past, work out how to move on.  On occasion we see them fail; they try to recover, try to change, don’t always succeed.  I came to care for the Ghost crew to a degree that I would never have expected to care for animated characters.  To root for them, not just in a superficial way, swept up in the story, but with real emotional connection.  I love the relationship between Kanan and Hera, the steady strength of their loyalty, the unspoken love that is so deeply-rooted in friendship and common goals. I am exasperated by Ezra’s follies, I root for him in his struggles, I’m moved by his growth, his self-acceptance and eventual self-sacrifice.  I howled my eyes out several times over this show. They’re cartoons! - they’re not real people, they’re not even real actors, but they make me cry just the same.
There are moments that simply give me shivers, they are so perfectly right; scenes that hit the exact same emotional buttons as the original Star Wars films did for my teenaged self, all those years ago, sitting in the Odeon squeaking in excitement.  Kanan’s lightsaber moment in “Spark of rebellion”, and the scene near the end of “Path of the Jedi” when the kyber crystal gifts itself to Ezra. Pretty much the whole of “Fire across the Galaxy”.  “Legends of the Lasat”!!  The entire Maul arc is packed with these heart-stopping moments, from Maul’s first appearance (I yelled at the tv) to the almost Kurosawa-esque classicism of the final lightsaber duel.
And as well as a wonderful cast of rounded, believable protagonists, and some terrific recurring and guest characters (Hondo!  AP-5!  The Bendu!!), “Rebels” also has some of the best villains.  The Inquisitors sit perfectly in the space between “bog-standard darksider” and Darth Vader.  The Imperials are realistic; bastards, bureaucrats, hypocrites, smarmy career officers treading on everyone below them.  Thrawn is truly splendidly evil, but he’s well-rounded as well, and genuinely formidable because of his intelligence and ruthlessness, not simply because he can smash things up with the Force.  And of course with Agent Kallus we get one of the best-executed redemption arcs I’ve come across in a while.  The combination of good scriptwriting, decently-thought-through character motivation, and David Oyelowo’s beautiful voice-acting make it a real treat to watch that particular storyline play through a second time.  It’s an object lesson in how to create a strong villain and then have them turn to the good side believably.
In short, I love “Rebels” and I love the Rebels themselves, and I love how emotional I get as I follow this now-familiar story, through triumph and disaster, through the funny days, the days of hard slog and the days when your heart breaks in two.  It’s like a gem, cut from the best matrix, shaped and polished with exact skill, neither too grand nor too small but perfect in and of itself.  It’s brilliant.
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lilyvandersteen · 3 years ago
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The Christmas Guest: Epilogue
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Author’s Note: This is the promised epilogue, short but sweet. Thank you so much for following along as I was posting this multichapter and leaving me comments and likes - your support means the world to me!
Read Chapter 1, Chapter 2, Chapter 3, Chapter 4 and Chapter 5, the Interlude, Chapter 6, Chapter 7, Chapter 8, Chapter 9 and Chapter 10 here on Tumblr, or read the story on AO3 or FF.net.
Epilogue
“So this is the famous Kurt, huh?” Cooper boomed, walking towards Kurt with a blinding smile and open arms. “I’ve heard so much about you!”
Kurt got a big hug and kisses on both cheeks, and needed a second to recover from Cooper’s enthusiasm before he managed to say, “All good, I hope?”
“Oh, definitely. He admires you more than me, can you imagine? His own brother, and so successful! But no, it’s always Kurt this, and Kurt that. Like this…”
Cooper made heart eyes and imitated Blaine’s voice and mannerisms. “Did you hear that Kurt scored the lead in an Off Broadway play? Did you hear that he’s making a dress for Rihanna to wear at the Met Gala? Did you know Kurt will be the youngest person to ever achieve EGOT status?”
Kurt laughed. “I wish! Nothing so impressive has happened just yet, but go ahead and make up whatever grand future you picture for me, and I’ll try to make it happen.”
Cooper grinned and slapped him on the shoulder. “That’s the spirit!”
Mr. and Mrs. Anderson’s faces were far less exuberant than their son’s, but they too advanced and held out a hand for Kurt to shake.
“Pleased to meet you,” said Kurt. “And may I say, your house is beautifully styled. So light and so open, and yet you get an instant homey feel.”
The praise earned him a genuine smile from Mrs. Anderson, and soon they were discussing light fixtures and throw pillows and accent walls as if they’d known each other forever.
Mr. Anderson took some more time to win over, but by the time they were eating dessert, Kurt had hit upon the right topic: cars. Apparently, Mr. Anderson loved Top Gear, and was more than happy to discuss the program with Kurt, and after that the classic car he’d restored with Blaine, taking Kurt to the garage to show it to him.
By the time Kurt and Blaine left, they had scored another dinner invitation, and Mrs. Anderson had stage-whispered to Blaine, “I really like him, honey bee!”
As they drove off, Blaine glanced at Kurt, shook his head and chuckled.
“What?”
“That was quite the charm offensive. I’m impressed.”
Kurt grinned. “I learned from the master.”
K&B
Seven Christmases after the first one they spent together, Blaine and Kurt were once again hands deep in dough as they prepared a festive brunch together. For the first time, they would be hosting the family get-together instead of Burt and Carole.
After graduating, they’d started looking for a house or an apartment they could share. Having your own place came in handy when you had a fight and needed some time to cool off, but for day-to-day living, it was very inconvenient. No matter how efficient you became at packing the essentials for a sleepover, there were always things you forgot.
As Kurt didn’t want to move into Blaine’s shoebox apartment (“I need room for my clothes, Blaine!”) and Blaine wasn’t any more interested in sharing Kurt’s loft (“I don’t want to get up at four in the morning to get to work on time!”), they searched for a place to live that they both liked. As much as they liked New York City, it was clear from the start that they would have to expand their horizons to find a place they both liked and could afford.
They ended up in New Jersey, within a reasonable commuting distance for both of their jobs.
Kurt still worked at Vogue part-time. The rest of his time was devoted to his successful line of accessories and shoes.
Blaine had worked as a music therapist at a children’s hospital at first, after graduating from NYU. Then, one of Blaine’s college buddies had suddenly soared to fame as a Broadway playwright, penning two hit musicals back to back. For the second musical, Blaine helped write the music, and when the male lead ended up in hospital after an accident, he took over the role to rave reviews. Before he knew it, he’d become a Broadway star, often playing lead with Rachel as his character’s wife or love interest.
“Rather you than me!” Kurt had said with feeling the first time Blaine announced he was going to play opposite Rachel.
Blaine nodded with a wry grin. “You’re right. She can be a bit much sometimes.”
“A bit?!”
Blaine laughed. “She’s a diva, yes. But nothing I can’t handle. And she is a loyal friend, a hard worker and always stays professional. Remember that Harmony girl who kept groping me?”
“Ew, yes. Okay, point taken. Rachel’s the lesser evil.”
Rachel had married Jesse St James and moved to New Jersey too. Both couples took turns hosting dinner on Friday night, and Kurt and Blaine were godfathers to Rachel and Jesse’s daughter Anna.
The St Berry’s would be coming for brunch, too, and Blaine had bought a mountain of presents for Anna.
Kurt rolled his eyes when Blaine arranged them all under the Christmas tree, but didn’t notice a small blue box nestled underneath, with a tag that said KURT.
Before long, their guests started to arrive. Anna squealed when she saw all the presents awaiting her, and made a beeline for the tree.
“No, no, poppet,” Jesse chuckled, sweeping her up into his arms, “wait until everyone’s here!”
Half an hour later, the living was strewn with wrapping paper, and still Anna was gleefully running to and from the tree handing people presents and tearing open her own.
And then, there was only one left, small and half hidden under a branch.
Anna spotted it, though, and brought it to her father. “For me?”
“No, poppet, this one’s for Uncle Kurt.”
Anna handed it over to Kurt with a pout.
“Thank you, sweetie,” Kurt said absently, fiddling with the One Plus Watch his parents had given him and not really looking at the present he’d been handed.
A throat clearing made him look up, and what he saw took his breath away.
Blaine had plucked the little box from Kurt’s hands, opened it and was now holding it out to him, on one knee and smiling tremulously.
“Kurt… You were my Christmas miracle seven years ago, welcoming me into your family when mine dropped the ball. I felt at home with you from the minute we met. It was as if I remembered you from another life, and always knew that we belonged together, you and me. And I’ve been wanting to ask you this for ages, but I wanted to respect your choice to wait until we were both 25 and established in our careers. You probably still don’t feel old and wise enough to make this decision, but sweetheart, just look into your heart. Can you see me there, next to you, for the rest of our lives?”
Kurt, his hand over his mouth and a tear trickling from his eye, nodded.
Blaine beamed up at Kurt. “Then I’m going to finally make this official. Kurt Hummel, will you make me the happiest man in the world and marry me?”
Kurt, full-out crying now, nodded again. “Yes. Yes! Yes!”
Blaine slipped the ring on Kurt’s finger and kissed him thoroughly. Around them, there were cheers and applause, but Kurt and Blaine didn’t notice.
When they came up for air, Blaine whispered, “Best. Christmas. Ever!”
Kurt giggled. “You say that every year.”
“And every year, it’s true.”
Kurt and Blaine accepted a glass of champagne from Jesse, and toasted to their future happiness with their family and friends.
And Kurt knew Blaine was right. There was not a shadow of a doubt in his head or his heart that the two of them were going to make it.
“Merry Christmas, Blaine. Here’s to many more!”
“And each one better than the last. Merry Christmas, everyone!”
THE END
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kingstylesdaily · 4 years ago
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Why Harry Styles Just Scored His First No. 1 Song
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Like any boy band alumnus, he first had to overcome radio’s bias against teen heartthrobs.
Late summer is a great time for sleeper hits: songs that have been hanging around the charts for months and finally hit their stride. Four years ago, in August 2016, Sia’s “Cheap Thrills” reached No. 1 after knocking around the charts since the prior winter, getting its final boost from a Sean Paul remix. In September 2018, Maroon 5’s year-old “Girls Like You” slipped into the top slot after wafting around the Top 10 for more than four months, with a Cardi B verse putting it over the edge. Last year around Labor Day, Lizzo finally topped the Hot 100 with “Truth Hurts,” a song that was two years old and had been rising gradually on the chart since the spring.
This year’s sleeper hit is “Watermelon Sugar,” a wisp of a song by boy bander–turned–self-styled rock star Harry Styles. With a name inspired by Richard Brautigan’s hippie-era, post-apocalyptic novella In Watermelon Sugar, Styles’ lackadaisical tune is not only a sleeper but a grower, the sort of hit that sneaks up on you—I wasn’t sure it even had a fully written chorus the first time I heard it, and I’m pretty sure I’m not alone. Indeed, the whole nation took its time deciding that this quirky ditty would give the starriest, most eccentric member of One Direction his first-ever U.S. chart-topper.
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“Watermelon Sugar” is the third single promoted from Styles’ second solo album Fine Line, which was released last December. That alone is remarkable, given the challenge in the digital age of generating chart interest in anything other than an album’s first couple of singles. Generally, in an era when all of an album’s songs are available to be consumed the day the album drops, you need a remix or a special guest of some kind to gin up chart action months after the song first hits streaming. “Sugar” has none of those. To be sure, there was some gimmickry fueling the song’s leap to the top, albeit of an old-fashioned kind: The song had its best week of sales ever thanks to an assortment of limited-edition vinyl and cassette singles that came bundled with a digital download. Those sales got “Sugar” the last mile on the charts, but Columbia Records wouldn’t have put the physical goods on sale if the song wasn’t already a radio smash—“Sugar” currently has the second-biggest U.S. airplay audience—and they knew they had an opening between current hits by Taylor Swift and a pair of lascivious female rappers I’ll almost certainly be writing about in this space next week. So, fair play to Team Harry: They took advantage of an open chart window, a tactic as old as the Hot 100 itself.
As “Sugar” leaps from No. 7 to No. 1 on the Hot 100 this week—essentially switching places with his ex-girlfriend Taylor Swift’s “Cardigan,” which falls to No. 8—Styles scores only the second-ever chart-topper by a member of One Direction. That includes all of the hits by 1D itself. In its five years of recording, from 2011 through 2015, the band never scored a Hot 100 No. 1. This despite topping the Billboard 200 album chart with its first four studio albums, the only group in history to launch a career with that haul. So … what was that other 1D-affiliated Hot 100–topper I mentioned? It was by ex-member Zayn Malik, the only member to break from the crew while it was still active. Zayn’s smoldering, Weeknd-esque boudoir jam “Pillowtalk” debuted at No. 1—and spent a solitary week there—in the winter of 2016, fueled by blockbuster streams and downloads ginned up by 1D superfans still mourning his departure the prior year and the group’s resulting, presumably permanent hiatus.
Explaining how the top-selling boy band of the 2010s could shift so many CDs and downloads but generate only two No. 1 singles means briefly recapping the fraught history of boy bands and the charts. Selling albums has never been hard for pinup pop groups, since the days of Meet the Beatles! and More of the Monkees. And in the ’70s and ’80s, such precision sing-and-dance troupes as the Jackson 5, the Osmonds, and New Edition managed to generate both gold albums and chart-conquering singles. In 1989, New Kids on the Block had the year’s second-biggest album and four of the year’s top singles, including a pair of No. 1s. But starting in the ’90s, as U.S. radio networks consolidated (fueled by the 1996 Telecommunications Act) and programmers more narrowly targeted specific demographics, radio stations shied away from maximalist teen-pop that appealed primarily to under-18 audiences. By the end of that decade, even as boy bands were enjoying a new wave of TRL-fueled popularity, radio became a chart handicap for them. The Backstreet Boys and ’N Sync had the top-selling albums of 1999 and 2000, respectively—the diamond-selling Millennium and No Strings Attached—but only scored a solitary Hot 100 topper between them, ’N Sync’s “It’s Gonna Be Me.” (Backstreet never hit No. 1: The deathless “I Want It That Way” peaked at No. 6.)
This radio bias against boy bands has persisted into the 21st century. And ever since the Hot 100 went digital about a decade and a half ago, teen-pop’s chart placements have been the result of a battle between rabid downloaders and radio gatekeepers—massive digital sales compensating for modest radio play. For example, radio was what kept the Jonas Brothers from scoring any chart-topping hits during their original wave of teen idoldom; their biggest hit of the ’00s, the No. 5 hit “Burnin’ Up,” sold 2 million downloads but only ranked 55th at U.S. radio. By the ’10s, the same fate befell one-man boy band Justin Bieber. In this long-running Slate series, I have chronicled the blow-by-blow between Justin Bieber and radio programmers that swung from Justin as hit-starved teen idol in the early ’10s to dominant young-adult chart-dominator in the late ’10s. In the early ’10s period, Bieber was a YouTube and iTunes demigod with not a single radio smash to his name. He could sell a half-million downloads of “Boyfriend” in a week and still fall short of the No. 1 spot, thanks (no thanks) to radio.
For One Direction, the chart patterns were the same. A Frankenstein’s monster that Simon Cowell famously threw together in 2010 on his televised competition The X Factor from five solo competitors—Niall Horan, Zayn Malik, Liam Payne, Harry Styles, and Louis Tomlinson—1D continually found its singles dragged down on the Hot 100 by radio, even as the band sold truckloads of albums. The pattern was set in fall 2012 when “Live While We’re Young” debuted with a staggering 341,000 downloads but could only get to No. 3 on the Hot 100, thanks to its 50th-ranked radio airplay. In the summer of 2013, the slyly Who-interpolating “Best Song Ever” became 1D’s highest-charting hit ever, debuting at No. 2 with record video views and near-record downloads, but at radio it never got past No. 53. “Story of My Life” (No. 6, 2014), “Drag Me Down” (No. 3, 2015)—no matter how many downloads sold or videos viewed, 1D could never top the Hot 100 so long as its radio spins remained limited.
The reason I’m running down all of this granular chart data is it reveals the hurdles both 1D and its post-breakup soloists had to overcome to top the Hot 100. Like Justin Bieber, they had to become credible radio fodder with adults as well as kids. With his early break from the group, Zayn was the first to pull this off. Though “Pillowtalk” debuted at No. 1 largely due to massive sales and streams, the carnal song did eventually become a No. 4–ranked airplay hit. Cleverly, Zayn had chosen a then-current EDM-inflected R&B mode and dropped his debut while the Weeknd was between albums. Other former 1D-ers have had their share of solid radio hits, including Liam Payne’s hip-hop–inflected “Strip That Down” featuring Quavo of Migos (No. 10 on the Hot 100, No. 4 on Radio Songs) and Niall Horan’s softly bopping pop jam “Slow Hands” (No. 11 Hot 100, No. 2 Radio Songs).
And Harry Styles? He decided to make things harder on himself. His 2017 debut album was chockablock with old-school classic rock. This would be like launching a career in 1964 with big-band jazz. While Styles’ fame ensured a big launch for his Bowie-esque single “Sign of the Times”—it opened, and peaked, at No. 4 on the Hot 100, fueled by strong downloads—radio showed only moderate interest. It eventually reached a modest No. 21 on the airplay chart. Later Harry singles like the twangy “Two Ghosts” and the thrashy “Kiwi” missed the Hot 100 and had little radio profile beyond a handful of pure-pop stations that were loyal to Styles from his 1D days. One admired Harry for following his artistic muse—more Joni Mitchell than Justin Bieber—but as a pop star, he arguably squandered his momentum coming out of One Direction.
What has made Fine Line, Styles’ sophomore album, such a clever left turn is he retained the rock flavor he naturally gravitates toward but converted it into mellow California-style surf-pop, and he let his production team—Tyler Johnson and Thomas “Kid Harpoon” Hull—fashion the songs into percolating radio jams. Each single has opened the door a bit wider: “Lights Up,” a No. 17 last October, is lightly strummed beach music with ethereal backing vocals. And “Adore You,” a No. 6 hit in April (for my money, still Styles’ best single), is thumping electropop. “Adore” in particular served as Styles’ entrée onto radio’s A-list—it reached No. 1 on mainstream Top 40 stations and No. 2 on Radio Songs by early summer.
With this beachhead established, Harry was finally free to let his freak flag fly with “Watermelon Sugar,” which is simultaneously his oddest single and his most infectious. The chorus consists of nothing more than the line “Watermelon sugar high” repeated a half-dozen or more times, with emphasis on the “HIGH.” (TikTok users have keyed into this idiosyncrasy, sharing videos in which the “high” gets its own video edit of the user playacting her best stoner face.) Last November, when Styles did double-duty hosting and singing on Saturday Night Live, “Sugar” was one of the songs he performed, and in that indoor setting, it came off as willfully quirky and seasonally incongruous; the song’s first verse line is “Tastes like strawberries on a summer evenin’.” Now, timed for 2020’s beach season—complete with a video filled with beautiful people on the shore, shot just before the pandemic and, according to a title card, “dedicated to touching”—it’s sitting atop the hit parade.
In short, Harry Styles finally has a profile on the radio and on the Hot 100 that matches his profile on magazine covers, and he achieved it on his own schedule and something like his own terms. Like John Lennon in the ’70s—the founder and nominal leader of the Beatles but the last former Fab to reach the toppermost of the poppermost as a solo artist—Styles just had to find his own way. As that onetime teen heartthrob sang, “Whatever gets you to the light, it’s all right.”
source: Slate
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forevfangirlwrites · 4 years ago
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I'm obsessed with the actors au! first date/kiss for that au?
Part 1: Here (Part 2: Here)
The best thing about Percy’s life is that he has managed to score a date with The Annabeth Chase.
The worst thing about Percy’s life is that he has no fucking clue how he’s supposed to pull this off.
She’s a famous actress. So it’s not like he can just take her to Olive Garden and he does not have the budget for something super fancy and oh, did he mention, she’s famous, so going out in public is going to be an issue and—
He calls Grover.
“I can’t tell if you’re joking,” Grover says in utter disbelief over the line.
Percy groans as he plops down on his couch. “I almost wish I was, this is too stressful. I can’t do it, why did I even say anything?”
Luckily, Grover is his best friend and completely used to rambling that’s usually just a tad dramatic.
“You just need to play to your strengths.”
“Did you just quote a sports movie?”
“Do you want my help or not?”
“Yes, please, sorry.” Percy's too desperate. “Continue.”
Grover sighs. “As I was saying, it seems like she just wants to spend some time with you--though I'm still having a hard time believing that you actually scored a date with Annabeth Chase, are you sure it was her?"
"Grover!"
"Sorry, just making sure. Anyway, you should do just that: spend some time with her. And do what you do best.”
“Which is?” he asks, but he thinks he knows the answer. His oven is already on.
“Don’t play dumb, I have no doubt you’re stress baking cookies right now.”
“Okay, okay, but…” he trails off, another thought coming to him. “What if she doesn’t like baked goods?”
“Oh my god Percy, it’s baked goods, who doesn’t like them!”
Grover makes a fair point. (Plus, he’s pretty sure she’s posted stuff on her Instagram that was baked goods.)
So, miraculously, with some help from Grover and the okay from Cali, he manages to pull together something that he hopes is at least halfway decent.
The small, cramped café is already cute, but Percy hopes that by drawing down the blinds and lighting some candles and lamps he’s made it cozier. (He even bought a table cover for one of the two lone tables at the place.)
The bell rings just as he’s finished setting out some plates and his head snaps up as Annabeth Chase, in all her dark jeans and crème blouse glory, walks in. (Seriously, jeans never look that good on anyone and what probably really famous designer thought it was a good idea to have off the shoulder blouses because he might be choking a little right now).
“Hey,” she says softly while he stares.
She laughs and crosses the distance between them to smile sweetly. “Percy?”
“Huh? Yes? Hi, Annabeth, you came, I mean, of course you did, have a seat.” He gets the words out all in one breath and turns towards the counter where he’s laid out some food.
A hand on his arm stops him and forget Jason Grace’s eyes, her touch is electrifying.
“Percy,” she says slowly and he’s afraid he’s fucked things up and the date hasn’t even started. “Does it help to know that I’m nervous too?”
What?
She offers a small smile. “Believe it or not, I don’t normally do this, and I don’t know what’s going through your head but right now, I’m just a girl on a first date, and I’m nervous too. So,” she takes a breath, “let’s just be nervous together, okay?”
He wants to slap himself in the face for being an absolute (insensitive) idiot. But he doesn’t think that would help the situation, so instead he nods.
“Yeah, okay, sorry. Can we start again?”
Annabeth smiles, her first real true smile so far and Percy feels a warmth in his chest. She nods and he thanks every deity in the world
Squaring his shoulders, he turns properly towards her, taking in her appearance with a wide smile, and takes her hand. “You look beautiful,” he says, raising her hand to his lips. “And thanks for, you know...” His brain kinda short circuited when he kissed her hand, but he tries to power through anyway, “joining me tonight.”
She giggles as he pulls out a chair for her. “You look pretty cute too,” she replies with a wink and Percy tries not to have a heart attack.
“You’re cuter,” he argues back, as she slips into her seat. She makes a face and he shoots her a grin as he turns around to get the food.
“I don’t know about that, my view is pretty great,” she calls, and he almost drops the dish of enchiladas he’s made.
He tells his brain to come up with a quick and witty retort. His brain returns an image of Annabeth kissing him that is entirely unhelpful to the situation.
Turning back around with the dish firmly grasped in his hands, all he can manage is making the same face as she did fifteen seconds ago. But at least he doesn’t drop the food. Baby steps.
She laughs and he places the dish in between them, maneuvering around the drinks he’s already set out.
“Clearly you haven’t looked in a mirror,” he retaliates.
Annabeth rolls her eyes and smiles. “How about I call a truce and say that the food looks the best out of all of us. Did you make it?”
 And the nervousness is back as some heat flares up to his cheeks and his hand comes up to rub the back of his neck. “Yeah, sorry if it’s not the best, it’s my first time making them, really and—“
“I’m sure they’re going to be good, now please sit down and have some too, I’m feeling kinda lonely here,” she jokes, but he catches the look behind her eyes. 
He quickly sits down, wiping the palms of his hands on his jeans. Nodding towards the food, he aims for the casual that he had lost the moment he had served the food. “Well? Don't leave me hanging.”
Truthfully, he had already taste tested (he couldn’t serve something bad) and from the little he had, it seemed pretty okay. But that doesn’t stop him from anxiously looking over at her as he serves himself.
Annabeth's eyes widen as she chews and he hopes that's a good sign. “Percy," she says as she finishes up her bite. "This is so good! There’s no way you made them for the first time!”
He blushes again and wonders when he went from being 26 to 16 again. “I had help, my best friend Grover makes it even better.”
“Still. Do you like to cook?” she asks, taking another bite.
“Yeah, but I like to bake even more.”
Seeing her questioning face, he laughs, the tension finally easing from his shoulders. “Yeah, you’ll get to taste some of that later.”
She beams at him. “I can’t wait!”
“What about you? Do you like cooking?”
It’s kind of bizarre to be talking about cooking with Annabeth freaking Chase, but if there’s one thing he’s learned, she’s only human (an amazing, beautiful, talented human in his eyes, but still just human) and he needs to get over himself.
“I wish, I am horrible in the kitchen though.”
“What? No way? You’re telling me the guest star on Cooking with Dionysus can’t actually cook?” He jokes back.
She groans, leaning back in her chair. “Oh my god, that was so nerve wracking. Thankfully, I had a recipe and some help, even if it was snarky help.”
He leans forward. “Is he actually that snarky?”
Annabeth shrugs, her exposed shoulders rising and falling, and he represses a sudden urge to kiss the freckle on her right one. “Hard to tell. I don’t think he hated me though.”
“It must be tough, being around all these famous people, must be a lot of drama.”
She sighs. “Yeah, I mean, it’s a tough industry, but there are some really good ones out there.”
“Like Jason.”
“Like Jason,” she agrees. “I’m glad he told me about this place.” Her eyes wander the room and the nervousness about his choices crops up again.
“I hope you don’t mind,” he blurts, causing her focus to shift back to him.
“Mind what?”
Well now that he’s talked himself into a hole, he has to talk himself out of it. Nervous together, that’s what she had said right?
“That our date is here, I didn’t think being out in public would be the best so I tried to make it as private as possible and this was the only place I could think of that—”
For the second time that night, she cuts him off. “Percy, it’s perfect.” She lays a hand on his across the small table. “You’ve clearly put a lot of thought into this and I really appreciate it, thank you.”
He smiles, the anxiety slowly melting away. “Good, I’m glad, I was just kinda worried about it, you know, and I’m glad that you don’t mind this, so um, thank you,” he ends lamely.
“Don’t worry,” Annabeth assures, squeezing his hand, “I’ll make sure to plan the next one.”
“Next one?” Internally, he’s dying a little, but he has to play it cool you know. So naturally, his voice totally definitely doesn’t crack.
“We’ll see, depends on the baked goods,” she teases back.
He shoots her a conspiratorial smile. “How do you feel about cupcakes?”
As it turns out Annabeth Chase (like most people, as Grover would say) loved the cupcakes and Percy Jackson loved the way the frosting tasted in her mouth when he stole a kiss.
A/N: Thank you for sending a prompt! This AU is the most requested one that I get so I’m glad I was able to write a little first date bit to establish it a little more! I hope you liked it and thanks again!
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Stardust and Starfish ~ Chris Beck x Reader
A/N: Hi my lovelies! I hope you’re all doing well in these crazy times. I hope you are staying safe and healthy.I apologize for the radio silence. I’ve had a lot going on, and I haven’t been able to really write anything. But I’m trying to chug along, and I’m focusing on finishing out my WIPs, so hopefully I’ll have more to share with you soon. 
Without any further ado, this is a fic for my Whippersnapper Daughter @captainscanadian​ ‘s CBC 1K Writing Challenge, which I was supposed to complete a million years ago, but I didn’t quite manage it. So here you are love, I hope you enjoy. This is my first time writing Chris Beck. I’ve never seen the Martian. I literally only know that he’s a fluffy space nerd (at least based on fics), so hopefully this is okay. 
Enjoy!
Prompt:  “Hey we kissed once in kindergarten but I haven’t seen you since and I couldn’t remember why you were so familiar.”
Rating: T 
Warnings: Language, I think that’s it. 
Word Count: 3251
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Ahh graduation. A time of endings. A time of beginnings. A time for throwing caution out the window and kissing boy you’ve had a crush on all year.
You were clutching your diploma as you dodged around the other graduates looking for one classmate in particular. You finally spotted him munching on a handful of goldfish by the refreshment table.
“Hi, Rocket!”
“Hi, Bubbles!”
“Oh there you kids are. Come on. Get close. We need a picture.”
“Smile, Chris!” his dad coaxed before shuffling the two of you together.
“Big smiles!”
You each threw an arm around the other grinning wildly.
“Say, I’m ready for first grade.”
“I’m ready for first grade!” you both chorused.
“Well, we should get going. We’ll go get your stuff. Say goodbye to Chris, sweetie.”
“Okay, Mom!”
You hugged him tight.
“I just wanted to say that I really like you and I really like your book of stars.”
“Thanks! I really like your book about the ocean!” He grinned, blue eyes lighting up.
Before you could chicken out you leaned forward and pecked him on the lips like you’d seen your mom do with your dad whenever she said goodbye.
Chris squeaked in surprise and went rigid and red as a tomato. Before either of you could say anything your mom returned with your backpack.
“Y/n, honey, time to go.”
“Okay. Bye, Chris! Have fun at camp! See you next year.”
“See you,” he waved absent-mindedly, still wide-eyed.  
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“Come on, we’re gonna be late,” your best friend whined as she waited for you to finish feeding your starfish.
“We’ll be fine. The talk doesn’t start until five.”
“It’s four-fifty.”
“Seriously? Shit okay. This is the last tank.”
You tossed in the mix of their food, scrubbed your hands before following AJ out of the lab.
You raced to the auditorium halfway across the campus, grateful for the reserved seats Casey had promised you. You looked around for the postdoc in question once you’d settled in, and you spotted her at the edge of the stage chatting with the distinguished speaker, Dr. Chris Beck.
“You’re staring,” AJ whispered. “Are you crushing on the guest speaker too?”
”He just seems really familiar,” you muttered back, squinting.  
“I mean he has been all over the news for the past few years.”
“No, it’s like I’ve met him before.”
“Maybe you saw him during your sting at Yale?”
“Maybe,” you shrugged.
You weren’t totally convinced but it made the most sense, even though you were pretty sure that your times didn’t overlap.
Before you could think too much more about it, the dean of the medical school started introducing him. Not that he needed it.
You, and nearly everyone else, were completely captivated by Dr. Beck. When it was announced at the end of the talk that Dr. Beck would be taking the equivalent of a sabbatical at the university and teaching a short seminar series starting in the Spring the excitement was palpable.
“I can’t believe astro-hottie is joining the faculty,” AJ giggled.
“I know right. That’s going to be fun.”
The crowd was slow to exit the auditorium, and you were surrounded by excited chatter.
“So do you want food first or should we try to score an intro?”
“Food. I’m sure he’ll be swarmed for a while. Besides, Casey is his host, I’m sure she’ll get us a chance to talk to him.”
“Perks of being friends with astrophysics postdocs.”
“True.”
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After the formal dinner with the grad students and postdocs, Chris was enjoying himself so much that some of them continued the evening at a pub just down the road from the campus. He had been happily listening his company discuss some of his more interesting results when he happened to notice you walk in. You had changed into a short black dressed and donned a deep blue leather jacket against the cold.
Casey noticed his distraction and silently cheered. Clearly the newest faculty member was interested in her friend, and judging by your reaction to him at the reception you were interested as well, so she excused herself to join you at the bar.
“Hey, Case. How’s it going?” You greeted her.
“Good. Didn’t expect to see you two here tonight.”
“We were supposed to go to the new restaurant down the street, but they lost our reservation,” AJ explained.
“So, we decided to keep it low key,” you continued.  
“Gotcha. Well, do you want to join us?”
“Who’s us?”
“A few of the ones who went to dinner and Chris.”
She glanced over her shoulder and you and AJ followed her line of attention.
“Oh, so it’s Chris now?” you smirked, though it faltered when he caught your eye and smiled.
“He told us to. He’s really chill actually. You should come hang out,” she pressed.
“We’d love to,” AJ answered for you.
“Great. Grab your drinks and come over.”
She happily flounced back to the table, rejoining the conversation.
“AJ,” you hissed.
“What? Are you gonna tell me you don’t want to hang out with hunky space doctor you made goo goo eyes at all afternoon?”
“I did not make goo goo eyes at him.”
Your best friend rolled her eyes.  
“Yes you did. Y/n, come on. Live a little. It’s just a few beers with a bunch of grad students.”  
You looked at them, listening intently as he spoke. It looked more like a study group than anything which put you at ease.
“They’ve been talking for like five hours. I’m sure it will break up soon and then we can just hang out with Casey.”
“Okay. That sounds good.”
“Good,” she grinned before leaning on the bar to order your drinks.
You discretely checked out your hair in the mirror behind the bar and swiped on a bit of lip gloss.
“Don’t think I didn’t see that,” AJ smirked as she handed you your gin and tonic.
“Shush.”
You bumped your hip against hers as you made your way to the table.
There was a pause in the conversation as you approached.
“There you are. Come sit.”
AJ had already taken the one open seat next to James, the med student she had been crushing on, which left you to join Dr. Beck on the bench seat. He scooted over to give you more room when you sat down.  
“Thank you.”
“No problem,” he smiled shyly.
You momentarily got lost in his eyes.
“Did you three meet earlier?” Casey asked, breaking you out of the moment.
Heat clawed up your neck in embarrassment. Though you were relieved to see Dr. Beck seemed equally flustered. He cleared his throat twice as he bobbed his head in the affirmative.  
“Yes, Y/n and AJ right?”
“Yes. So, Dr. Beck, what were you all discussing?”
“First of all, please call me Chris. And second, we were discussing my research on the effect of zero gravity on muscle development.”
“Fascinating.”
You were easily caught up in the conversation as he explained his results and discussed data sets. His passion for research seemed to pour out of him. The discussion was lively, although you found yourself dominating the conversation. It contrasted nicely with your own research on technology for deep sea research. You were so invested that you didn’t notice the others leaving. At least not until they rang the bell for final call and you actually paid attention to your surroundings.
“Umm, when did everyone leave?”
Chris looked as confused as you were.
“I have no idea. I guess I am boring. I hope they don’t do that when I start lecturing next semester,” he chuckled.
“I’m sure they won’t. You’re an excellent presenter. Probably they got tired of me monopolizing you. Sorry about that,” you sighed as you played with a straw wrapper.
“Please don’t apologize. I was actually hoping to get a chance to talk to you.”
“Really?”
You wanted to smack yourself for the hopeful tone.
“Yes. I was disappointed when you left the reception early.”
“Oh, well, one of the octopuses next door escaped and that’s no good for anyone in the department.”
“I can imagine.” He smiled crookedly as the few patrons remaining started to pay their tabs.
“I guess we should go,” you pointed out reluctantly.
“Yeah. We should,” he agreed.
You both closed out and exited the bar.
“So, do you want to split an Uber?” he offered.
“I don’t live far. I was actually going to walk it.”
Chris looked appalled.
“It’s three in the morning.”
“I’ve done it before,” you argued.
He appraised you closely, trying to determine how stubborn you were. The conclusion… very.
“Can I at least walk you back then?”
“You don’t have to,” you assured him.
“I’m not going to be able to sleep tonight if I don’t know you made it home safely. Please?”
He pouted at you. Who could resist those blue eyes?
“You really don’t…”  
“I want to,” he admitted. “I uhh I’m not quite ready for the night to be over.”
Your answering smile was wide.
“In that case, I could use the company.”
“Excellent. Lead the way,” he offers you his elbow.
You looped your arm through his and started walking back towards your apartment.
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You made the five minute walk in companionable silence. The feeling of familiarity had deepened over the course of the evening and you felt like you were walking with an old friend.
“Well, this is me,” you sighed, not ready to say good night.
“It was really nice getting to spend time with you, Y/n.”
“You too.”
“I know it’s late, and I’m sure that you want to get to bed, but would you mind terribly if I waited inside for my uber. I’m not sure how long it will be to get someone willing to go all the way to Hartford.”
“They have you staying in Hartford while you’re here?”
“They offered me a hotel room in New Haven, but I opted to stay with my folks. Wasn’t planning on closing down a bar after my talk,” he smirked.
You debated for a moment.
“I have a guest room. You are welcome to stay if you like. I have to go to Hartford tomorrow, so I could drive you back if you want.”
“I don’t want to impose.”
“You’re not. I promise. You’re never going to get an uber that far this late.”
“If you really don’t mind. That would be great.”
“Come on in.”
You unlocked the door and flipped on the lights, leaning on the edge of the couch to take off your boots.
“Are you hungry or thirsty?”
Before he could respond, your stomach growled for an embarrassingly long time. He bit back laughter.
“Well apparently I am.”
You looked at your stomach as if it were a traitor.
“I could eat.”
“Alright, let’s see what I have. It’s been a while since I went food shopping.”
Chris smiled as he took in the warm surroundings, and he found himself drawn to the art on the walls next to your desk. He could hear you rummaging around in your refrigerator while he tried to figure out why he recognized the image.
“So I threw in a frozen pizza and I’ve got Oreos.”
You shook the pack at him as you planted yourself on the couch.
“Excellent.” He grinned, joining you on the couch and taking a cookie. “That print is amazing. Where did you get it?”
“It’s figure 3A in my Nature paper. I had it blown up when it made the cover.”
“That’s why I recognize it. That was an excellent paper.”
“Thank you. It certainly has been a highlight of my career so far.”
“So what drew you to marine biology?”
“I was obsessed with the ocean as a kid. And adventure books. I wanted so desperately to explore the part of our world that’s so vast and unknown. I wanted to work on a submarine or at least at sea.”
“So how did you end up in a lab on land?”
“I did a semester at sea which was amazing but permanent spots on research ships and subs are few and far between. But I am also working with the engineering department on deep sea equipment.”
“Hence your expertise in muscle mass in high pressure.”
“Precisely.”
You chewed on an Oreo thoughtfully as you regarded him.
“So, why did you become a space doctor? It’s not the most traditional job in the world,” you mused.
“I suppose it isn’t. Well I wanted to be astronaut first. Like you, I was obsessed with space from really early on. But as I got older I grew to love physiology and anatomy over engineering for example. For a little while, I thought I’d have to give up my dream. And then I realized they had flight surgeons.” He smiled at the memory. “So I worked my butt off and ended up actually going into space.”
Chris shifted leaning his head back and looking up as if he could see the stars through your ceiling. You propped your head in your hand as you leaned on the back of the couch.
“Is it surreal being back on earth?”
“That’s a good word for it.” He let his head loll to the side to look at you. “I’m glad to be home, but it’s so strange. Sometimes I spend all day in my room because I forget I can leave. And noises of the city – that’s trippy after months in space.”
“I bet.”  
Your conversation flowed easily as you scarfed down the pizza. The sun came up and you were still talking.
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You’re not sure how or when, but you must have fallen asleep talking, because you woke up tucked under a blanket on your couch to the smell of pancakes.
“Good morning,” Chris called, when he saw your head pop up.  
“Morning. What time is it?” you asked, rubbing at your eyes.
“A little after eleven.”
“How long have you been up?”
“Since around eight.”
You stopped mid-stretch to stare at him.
“We didn’t fall asleep until like 5.”
“I’m still used to really short sleeping shifts. I hope you don’t mind. I made breakfast.”
“I do not mind at all.”
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After washing up and changing into some fresh clothes, you enjoyed breakfast together.
“So what do you have to do in Hartford?” he asked, taking the clean plate from your hands to dry it.
“Going to visit my sister and my favorite baby nephew.”
“Aww. How old is he?”
“Four. So not actually a baby, but…”
“I get it. What time do you need to leave?”
“Around one.” You shrugged. “We’ve got time.”
“Thank you for letting me stay. Last night was wonderful,” he added, quietly.
“Yes, it was.”
“This might sound strange, but I feel like I’ve met you before.”
You froze, water spilling off the plate.
“Sorry, that was weird,” he mumbled quickly avoiding eye contact.
“No. No, it’s not that.” You dropped the plate into the sink and turned off the water. “I thought the same thing when I saw you.”
“Oh thank god.”
“AJ was convinced it was just because I’d seen you on the news. But if you feel it too…”
“But where we would have crossed paths?”
He crossed his arms as he considered it.
You spent the next twenty minutes trying and failing to find a single place you might have run into each other.
“Junior Leadership Conference?”
“In D.C. in 2014?”
“Yeah.”
You racked your brain.
“It must be that, right?”
“I can’t think of anywhere else.”
“Huh.”
You both watched each other, not quite believing it, but also unable to come up with a better answer. You let it stand as you got ready to drive to Hartford.
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“Do you mind grabbing the books off the front table?” You grabbed your keys and your bag. “I don’t want to forget them.”
“Sure thing.”
He shuffled through the pile of children’s books, smiling when he came across the National Geographic First Big Book of the Ocean as you walked to your car.
“Oh these books were awesome.”
“Which one?”
“Big book of the ocean.” He held it up for you to see. ”I had all of them, but the space one was my favorite when I was a kid.”
“I’m shocked,” you deadpanned as you started the car.
He mock glared at you.
“No but seriously, I took the space one with me everywhere. I was obsessed. In kindergarten, the other kids started calling me-“
“Rocket,” you murmured.
“Good guess.”
“Not a guess. I know how we know each other,” You announced, desperate to look at him, but keeping your eyes straight ahead. “You went to Aldrin Elementary for Kindergarten didn’t you.”
“Yeah. Wait,” He looked at the book in his hands before opening to the back cover.
“Rocket and Bubbles,” he hummed, running his fingers over the crayon scrawl. “I can’t believe it. It’s you.”
You glanced at him at a stoplight. He had a fond look in his eyes.
“I knew you were familiar. But I don’t remember your name being Chris. Even before we started calling you Rocket.”
He bit his lip rocking slightly in embarrassment.
“I convinced my mom to let me go by my middle name Richard, which I made into Ricky, because there were four other Chris’ in our class.”
“Oh my god. That’s right. You were Ricky the Rocket. We thought we were so funny.”
Neither of you could contain your smiles.
“What happened? Why did you leave?”
“My dad had to move to Boston for his job. We didn’t find out until like a week before school.”
“I thought about you for the longest time. I was so bummed when you didn’t come back.”
“I was too. I cried all the way to Boston.”
“And now, all these years later.”
“Together again.”  
You reached over and took his hand, and he twined your fingers.
You were both quiet for the rest of the ride, lost in thought. You only spoke to ask directions to his parent’s place, which you remembered quite well.
“Can I take you to dinner sometime?”
“I would love that. Tomorrow night?”
“I’ll be there with bells on.”
You bit your lip as you both hesitated, before you leaned across the armrest and kissed him. His eyes went wide and his cheeks turned pink, and you suddenly didn’t know how you ever failed to recognize him.
“You looked the same way the first time I kissed you,” you giggled.
“Not my fault you keep surprising me.”
“You’re cute when you’re mmf.”
You were cut off by his lips on yours. The kiss was passionate and you felt yourself melting into it as his hand cradled the back of your head.  
“You were saying…” he smirked at you when you both pulled back panting.  
You started to respond when you looked over his shoulder.
“That your mom totally just saw us making out in my car.”
He glanced over his shoulder before letting his head drop in embarrassment when his shocked mother turned on her heel and hurried into the house with her groceries.  
“On that note. Six o’clock tomorrow?”
“You’re on, Rocket.”
“See you, Bubbles.”
He pecked you once more on the lips before getting out of the car, whistling his way up the walk.
You smiled to yourself as he waved from the porch and you drove off.
This was going to be an adventure. Your biggest yet.  
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A/N: Yeah, so this ended up very differenlty from how I planned, but I hope you all enjoyed! I had fun writing Chris Beck. Congrats again on the milestone that was like 3 milestones ago lol. Love you @captainscanadian​
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enithinggoes · 3 years ago
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The witch’s teachings, lesson 7.1- Leave something behind
I followed the witch’s plan, driving the cart we’d commandeered to a small nearby village and going with my companions to buy the required supplies, including wooden stakes, torches and lamp oil. But something in the back of my mind, call it an intuition, made me ask the witch for some time to visit the local church, to wich she raised an eyebrow and commented “huh… didn’t think you were the religious type, still, if you need to make peace with god, be my guest, just don’t take too long.”
When I got to the church, it was dark and there was a lone priest attending to it, almost bald but for a few grayed hairs forming a circle around the sides of his head, when our eyes met, his kind gaze turned to one of shock that, to his credit, he did his best to hide when he asked “what brings you here?”. Still, I was unconfortable with the way he looked at me and now something about the crosses and symbols bearing down on me seemed threatening so I merely said “5 coins for a bottle of holy water, please, and 3 more to not ask more questions” as I handed him the money.
Seems that was enough, as the priest quickly grabbed a bottle with a cross drawn on it and handed it to me without a word, maybe he wanted me to leave as much as I did. As I got out, I really felt that now, for better and for worse, I’d permanently moved from one side of the veil to another, and I wouldn’t be welcome back.
Next  we took off towards the capital, now more aware of the dangers of being seen closely I brought down the brim of my hat, thankfully the cover of night would protect me until we got close to the center. With my crossbow at my side and the clarity of the watcher, I honestly felt more confortable her on the road, with the company of the night and the forests and the creatures they would hide than I would with the stone and people of the towns, especially our current destination.
Nevertheless, duty called, and by 3 in the morning, we were at the entrance to the castle, it was decorated with drapes of red and purple and large, bright torches, like the eyes of a terrible monster with the large gate as its maw, I untied the horses, at the end of the day, they had nothing to do with this, so they were free to run if the bloodshed started sooner rather than later.
I rapped at the wooden gate, yelling “delivery from the inquisition!”, in just a few seconds two heavilly built and armored men opened the door, coming out and inspecting the wagon, their faces were covered by large helmets, clearly made to be imposing, painted red and purple much like the castle itself, there were only two thin slits for the eyes and I could not see anything inside. Nevertheless I could sense their intent, they saw through me easily, these wagons are never to be driven without security accompanying them, and all individual drivers are registered and known.
  That was fine and expected, the plan was never for the ruse to go very far, I hit the wood of the wagon as hard as I could and yelled “Go! Now!” as I dove behind it for cover, Morgana and Lyssa busted out, ready for battle, they fought the guards, though maybe outmatched in raw physical strenght and weight behind their attacks, they could beat them in agility and swordplay, Morgana gripped the middle of her blade tight with her off hand to move it with precision into the slit from which he saw and Lyssa used a distraction I created with a crossbow bolt to strike where the main part of her opponent’s armor connected with the helmet, taking advantage of the need for a joint for flexibility, master likely advised her on fighting oponents in plate armor during the ride.
The three of us headed deep into the castle, it was dark and surprisingly empty of any guards or servants, must have been because of “feeding time” as Morgana said, she asked me to try and “sense” the vampire through the many walls and rooms, and I could definetly feel something at the center of the building. “figures,” she snarked, “I could have guessed he’d want everything built around him,” we moved as efficiently as possible through the catacombs and soon came to a tall metal door with a heavy black padlock on it, with two men, also in heavy armor, holding halberds straight up, still as stone.
We engaged them in combat, though Lyssa and Morgana did most of the heavy lifting, these seemed even stronger than the last guards, when she saw an opening, the witch dove between them and gripped the part of the padlock that connected it to the latch, I saw the inside of her hand glow red-hot, in less than a second the metal had dissapeared and she turned to us, ordering “stay here and fight them until I come back!” and moving into the darkness.
Lyssa and I were capable of holding our own against the knights, but scoring a killing blow seemed almost impossible with them covering each other’s openings, she turned to me and said “you’ve gotta go ahead or she’s going to die. I’ve got it here.”
“Wait what? What do you mean?” I asked, too focused on dodging a halberd strike to look at her.
“Are you kidding me? Telling us to stay behind, purposefully not telling us how she’s going to fight him, trying to tell you you didn’t need her anymore before we came here? Come on Cato, I don’t need weird eye powers to figure out her intentions here, she wants to die killing that vampire.” She half-scolded.
“Will you be alright?” I asked, preparing to find a way to get past the guards.
“Just. Trust me with this, ok?” She turned to me and gently smiled before charging forward with a battlecry.
In that moment, while she attacked one of the guards, I focused my mind on the other and managed to stun him with a psychic attack before dashing between them, yelling back “Stay safe and don’t die!”, to which Lyssa answered “You too!”
 As I ran in search of my master, I could sense where she was before being even close and watch the battle through her eyes until I got there, in front of her there was a man, he wore a powdered wig and had arresting red eyes and a devilish smile, as he looked at Morgana, his eyes didn’t meet hers, but were fixed above her, like he couldn’t be bothered to confront her directly, he was lazily holding a golden scepter with a purple sphere on the top, “isn’t it nice when your inconveniences come straight to your door asking to be dealt with? Now, before we begin, do you have anything you wish to say to me?”.
Morgana didn’t answer, she just stared at him with killing intent, untill she extended her hands towards him, spouting flames in his direction, he lept upwards into the shadows of the high ceiling, laughing as he taunted “very well then.”
He moved unbelievably fast, attacking the witch from all directions, she was able to keep him at a distance by firing short bursts of flame whenever he swooped close,  but I knew it hurt her to use those powers for long.
Eventually she switched to using her shortsword, barely able to block his strikes with the scepter, after a few skirmishes she quickly stepped back, dodging an attack before slicing the vampire’s hand off, unfortunately he didn’t even flinch, just clenching his other fist and punching inhumanly hard straight at Morgana, she had just enough time to try to defend herself with her off hand, knocking her into the wall at the back of the room.
She did her best to get up as Lucius nonchalantly walked towards her, clapping with a hand that was already growing back as he moved, “Most people would have been splattered on that stone right now, you’re strong, too strong.” He grabbed her by the neck, pushing her agains the wall, “I don’t like it.”
"Still, is that all? You came into my home, with the intention of killing me, with this?” his laugh reeked of venom as he tried to quickly choke the life out of her.
I could hear a powerful thought in Morgana’s mind, “Oh I’ve got a lot more to show, I just needed to get us close to the far wall before I did this, I’m only getting one shot, sorry Cato.” And her arms started glowing again, white and bright like a star as she held onto the vampire’s arm tighter, tighter, she’d make sure he wouldn’t survive this by releasing all the power she held at once, blowing both her and the tyrant to smithereens.
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jumukus · 4 years ago
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A3! Event: Bridal Concerto Chapter 6-10 Translations
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Translations under the cut.
Izumi: (Before we know it, the Wedding Fest day is here already.)
(I ended up getting here late due to all the paperworks I had to fill out… I should hurry and join the others.)
Itaru: Oh, there you are, Director-san.
Izumi: Itaru-san, hello. It must be hard on you, right? You need to help run the event too.
Itaru: Well, yeah. They let me prioritize the performances though, so I'm not that busy.
Izumi: I see… that's great to hear.
I'm glad the weather is nice today, a favorable weather for a festival.
Itaru: Though last night, I heard there would be a sudden rain today. I hope it's wrong.
Izumi: Oh, really? That's surprising, since the sky is so clear now.
Itaru: The others are currently preparing in the dressing room. You can go there first. I'll join you later.
Izumi: Got it. See you later, then.
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Citron: You're finally here, Director!
Izumi: Hey guys! Wow, that suit looks good on you, Citron-kun.
Citron: Thanks!
Izumi: So Juza-kun will go on stage in that attire?
Juza: Yeah. Considering the theme I'm assigned to, they said it's best for me to wear this.
Azuma: Fufu, going on stage in a jersey feels somewhat fresh.
Izumi: Huh? Azuma-san, that outfit…
Azuma: Oh you noticed? This is Orin's costume.
Izumi: It's certainly the perfect costume for your role this time.
Azami: It's too impressive, though.
Izumi: The makeup is perfect too. I expected no less from Azami-kun.
Huh? Where's Muku-kun?
Azami: He's receiving an explanation from the staff at a different room now. He said he's gonna return soon.
Izumi: Oh, okay. Is he at the waiting room over there? I'm going to go take a look.
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Muku: Hmmm, the dressing room should be over here I believe…
(I still can't believe my costume is a dress…)
Leila: Oh my? Are you perhaps Citronia-sama's…
Muku: Ah… Hello.
Leila: Now that I think about it, I haven't introduced myself. My name is Leila.
Muku: I'm Mu… Kurumi Sakisaka*.
Leila: Nice to meet you, Kurumi-san.
By the way… your dress is so lovely. It suits you so much.
Muku: Ahaha… thank you…
(She seems like a very polite and affable person… Am I really going to compete with this person…)
Leila: ...Just letting you know, I'm not going to hand over Citronia-sama to someone fresh from the country like you.
I've been in love with Citronia-sama much longer than you…
Muku: ...Uhh… can I ask you something?
Leila: What is it?
Muku: How did you meet… Citron-san?
Leila: …
I first met that person…
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...And that is why I'm not going to let you win this battle.
Muku: --.
Leila: Oh my, it's about time for the contest.
Let's fight fair and square. See you.
Muku: …
Izumi: Oh, Muku-kun! So you're here!
Muku: Ah… Director-san.
Izumi: I heard you were in the participants' waiting room, so I went there but I didn't find you. It made me wonder if something happened.
Muku: I'm, I'm sorry. I was about to go back to the dressing room, but I got lost halfway.
Izumi: Oh, I see.
Muku: …
Izumi: ...Muku-kun?
Muku: N-No! It's nothing!
Izumi: ?
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Juza: ...Muku… Muku?
Muku: Eh?
Ah, what's the matter?
Juza: No, it's just… you've been spacing out. What's up?
Muku: No, it's nothing.
Itaru: It's almost time for us to go onstage. I'll be counting on you all.
Azuma: Okaay.
Citron: Fighting!
Muku: ...
T/N: 1. Instead of 向坂 which is his real family name, Muku used 咲坂 here. Both read Sakisaka. 
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MC: Let the game begin! We shall open the curtain to the highly-anticipated event, "Best-of Three Bride Contest"!
We have a gorgeous lineup of participants here, such as a guest from that Kingdom of Zahra.
Let's give round of applause to them along with the dresses they adorned in!
*applause*
MC: Now, please welcome the ones who are going to help the participants act out all kinds of situations!
Members of MANKAI Company!
Juza: Hello.
Itaru: It's an honor for me to able to be everyone's co-star.
Azuma: I really can't wait to see how the beautiful brides will correspond to my dialogues.
Spectator A: Chigasaki-san, you're so beautiful…!
Spectator B: That man is sturdy and cool! Damn, I should have participated in the contest.
Spectator C: The one wearing kimono is a guy, right!? He's really pretty…!
Citron: As expected of Itaru! He's really popular among the company's staff members.
Azami: Looks like Juza-san and Azuma-san are gaining popularity too.
Izumi: I'm looking forward to see their performance as the participants' partners.
MC: Let's move on to the first round right away! The situation you're going to act out is…
"Showing appreciation to your husband who has just returned from work"! Your partner for this round will be Chigasaki-san!
Itaru: I'll be in your care.
Spectators: Kyaaa!
Izumi: (What a refreshing smile… That's Itaru-san for you…)
MC: The first contestant for this round will be… our special guest from Zahra Kingdom, Leila-san!
She seems to be really fluent at Japanese, so we sure are wondering what kind of performance she will show us!
Well then, start!
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*applause*
MC: Thank you very much! That was a wonderful performance!
Even the spectators are giving nice reaction~.
Azami: Heh… that person did quite a good job.
Izumi: She sure did.
(She carried herself in a regal way despite being on the stage. She has courage…)
MC: Let's move on to the next contestant, Kurumi Sakisaka-san who looks beautiful in dress!
Muku: I-I'll be in your care!
Itaru: ...Muku? You good?
Muku: Y-Yes! I'm fine!
MC: Let the performance begin!
Itaru: "I'm home."
Muku: "Welcome home. You must be tired today."
Itaru: "Yeah, thanks."
Muku: "I've prepared your bath, and cooked your favorite pork ginger for dinner tonight."
Itaru: "Really? Just when I wanted to eat that… Thanks, I'm happy."
Muku: "You've been busy with work these days, after all… I'm sure you'll feel better if you eat a lot."
"Fufu, I've prepared some desserts too. Look forward to it, 'kay?"
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Spectator A: That was so cute and healing!
Spectator B: I like how she gives off the vibe of an affectionate and devoted wife!
MC: Oooh! She got such a high score, even surpassing Leila-san's score!
Looks like Kurumi-san's classic response is getting good reviews!
Azami: Nice, it seems like... we're receiving high opinions for now.
Citron: We don't have to worry about Itaru's performance too~.
Izumi: Yup, I'm glad that we could get a high score. But…
(Is it just me or is Muku-kun not being his usual self today…)
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MC: Alright, the next situation you're going to act out is…
"A way to dodge mother-in-law's cutting remarks well"!!
The one who's going to be your partner for this round is by no means this person!
Azuma: Fufu, pleasure to working with you.
MC: I'm looking forward to see his performance as mother-in-law~.
Now, please welcome our first bride for this round!
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*applause*
MC: That was amazing! Coming from the Kingdom of Zahra, Leila-san managed to receive such a high score with her impressive manner!
She's currently taking the top spot!
Spectator A: It was so beautiful and cool!
Spectator B: Totally! I don't know whether I was unconsciously enchanted by them, or I just couldn't take my eyes off them!
Azami: They took a strong interest in Azuma-san's performance…
Izumi: I expected no less from him…
MC: Our next bride will be Kurumi Sakisaka-san!
Azuma: Good luck, Muku.
Muku: Y-Yes…!
MC: Well then, start!
Azuma: "Oh my… do you have a moment, Kurumi-san?"
Muku: "Y-Yes, mother."
Azuma: "Isn't the flavor of this miso soup… too strong? You cut the ingredients way too big, and they look messy now."
Muku: "I-I apologize…! I'll be careful next time…"
Azuma: "And just letting you know, I feel like you're doing a sloppy job in cleaning the corridor."
"There's still dust remaining in the corner. Can you even clean a room?"
Muku: "My apologies… I'll clean more carefully and thoroughly next time."
"I'm… really hopeless when it comes to cleaning and cooking, huh. I truly am just a worthless cloud of dust…"
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MC: Hmmm, even though our bride showed realism in how she felt small under her mother-in-law…
Unfortunately, it did not leave a nice impression to the spectators and therefore she didn't receive a good score.
Muku: --.
Azami: Muku-san doesn't look too good.
Izumi: Yeah… I wonder if he's all right…
(Leila-san scored much higher in this round. We'll lose if we can't turn the tables in the next round…)
Citron: …
Azami: Putting that aside… It's getting darker here all of sudden.
Izumi: Yeah… I have a bad feeling about this.
*rain pours down*
Azami: Whoa, it's raining.
Citron: Come here, Director, Azami. You'll get wet.
MC: Our apologies! Due to the heavy rain, we're going to halt the contest!
To all the participants, please exit the stage and go inside the building!
Izumi: I'm worried about Muku-kun. Let's go meet the others at the dressing room.
Azami: Yeah.
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Itaru: Seems like it's just a temporary evening rain. We're gonna continue once it stops raining.
Juza: Okay.
Muku: ...Sorry!
I didn't do well in the last round... so we couldn't get a high score….
Itaru: Well, it's fine. There's no way one would not be nervous in a contest.
Azami: Not to mention Azuma-san's performance as mother-in-law was too realistic.
Citron: It was truly amazing!
Azuma: Fufu, I'm so happy to hear that.
Izumi: But… I do think you don't look too good today, Muku-kun. Did something happen?
Muku: The truth is… I exchanged some words with Leila-san before going on stage.
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Leila: ...I once went to the Zahra palace during childhood. The palace is just so big I ended up getting lost.
At that time, the one who found me, pulled my hand and played with me was… Citronia-sama.
After playing in the palace together, he made a beautiful bouquet of Jasmine and gave it to me.
I had a lot of fun being with him due to his kindness, and I was so happy when he gave me that bouquet.
I just couldn't forget about Citronia-sama even after several years have passed, so I decided to personally come forward as his fiancee candidate.
Muku: So that's what happened…
Leila: In order to become his bride, I've been attending marriage preparation class, but I never had the chance to meet him afterward…
Then, Citronia-sama went to Japan.
Even though he's now in a faraway country and is no longer in line for the throne, my feelings for him haven't changed.
I love Citronia-sama.
...And that is why I'm not going to let you win this battle.
Let's fight fair and square. See you.
Muku: …
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Citron: --.
Muku: ...It was a very beautiful story.
I was like, "I couldn't believe the story that usually happens in shoujo mangas and drama series happened in real life too…"
But when I thought such a thing, I started to feel conflicted whether or not I was doing the right thing…
Izumi: I see… so that's why you couldn't concentrate on your acting.
Muku: However… If I end up losing in the next round, Citron-sama may be returning to his country.
I absolutely can't let that happen.
Besides, it's rude of me to fight Leila-san half-heartedly like this.
For that very reason… I will not make the same mistake again. I will perform my part perfectly for sure!
Citron: Muku…
Muku: I'm sorry. I was the one who accepted the challenge, but I ended up feeling lost.
Citron: ...Don't sweat it.
In the first place, it was my fault that you all got involved in my problem.
But you all helped me… I'm very happy to know that Muku and you guys were willing to cooperate.
Muku is a really good kid, huh, you even considered your opponent's feelings.
Muku: Citron-sama…
Citron: Besides, I remember something thanks to Muku!
Muku: Eh? What is it--.
*knocks*
Staff: Excuse my intrusion. We're going to resume the contest since the rain has stopped. Please get ready.
Azuma: The rain really did stop fast.
Juza: Muku, can you go?
Muku: Yes!
Itaru: I think you should also stand by on the stage with us, Citron. Your turn is about to come, after all.
Citron: Okey dokey!
...I'm counting on you, Muku.
Muku: ...Leave it to me!
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MC: Now, since the rain has stopped, we shall resume the competition!
This advance of evening surely provides the right atmosphere for the climax…!
I shall announce the last theme…
It's "Nursing your sick husband"! He's the one who will play the husband!
Juza: I'll be in your care.
MC: Without further ado, let's begin the first performance!
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*applause*
Spectator A: That was good~. It was like you were nursed by your kind wife.
Spectator B: IKR!
MC: I expected no less from Leila-san! With her consistent delivery, she received another high score!
Azami: Her score is really high. Do we have to surpass it...
Izumi: Yes. I'm sure Muku-kun can do it…!
MC: Last but not least, the one who will grace this competition is… Kurumi Sakisaka-san! The time is yours!
Muku: "Are you okay? Your fever has gone down a lot, but…"
Juza: "Yeah. Sorry for causing you troubles."
Muku: "Don't say that. ...Here, I made some rice porridge for you. Can you eat?"
Juza: "Thanks."
Muku: "This is a special porridge, you know. I put in eggs, natto, small fish, yogurt, cheese, aojiru*, chilli peppers, pork, citrus and apple. It's very nutritious!"
Juza: "What!?"
Muku: "Now, eat it…! You will be reborn as Super Great Man if you eat this porridge…!"
"Juuust kidding. Fufufu, I'm just joking! But it's truly nutritious."
Juza: "Jeez… It was funny, though."
Muku: "It's still hot so be careful, okay? Fu… fu… alright, aaahn. open your mouth."
Juza: "T-Thank you, but I can eat it myself."
Muku: "No need to hold back. You can act spoiled at times like this."
"Besides, you always work hard… I want to be of help to you."
Spectator A: I feel warm inside…! Her mischievous side is also cute!!
Izumi: (That was a very Muku-kun-like performance. Even the audience's response was great. I'm sure we can win at this rate…)
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*applause*
MC: Now that all contestants have delivered their performances, let's see the accumulated score!
Receiving the highest score among the contestants, the winner of this contest is…
Kurumi Sakisaka! Congratulations!!
*cheers*
Izumi: Thank goodness… Congrats, Muku-kun!
Azami: Nice! As expected of Muku-san.
Muku: --.
...Thank you so much!
MC: Now... let's welcome MANKAI Company's Citron-san, who will escort our winner Kurumi Sakisaka-san.
Muku: …
Citron: ...Please come this way, Muku.
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Muku: ...Yes. Thank you, Citron-sama.
Citron: Me too. Thank you.
I shall escort you perfectly, princess.
T/N: 1. Aojiru is a Japanese vegetable drink most commonly made from kale or young barley grass.
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MC: We are now preparing for the ending ceremony! To those who are expected to appear--.
Leila: …
Citron: ...I want you to wait.
Leila: ...Why?
I have fought fair and square and lost. I will not approach you anymore.
I will also give you the reward money.
Citron: << No… I don't need the reward. I just wanted to talk with you. >>
Leila: << Eh--. >>
Citron: << You're that little boy from before, right? >>
Leila: << ...So you remember? >>
Citron: << Yes. I couldn't tell at first since your appearance has changed so much. >>
<< I've never thought we will meet again in this way. But I'm glad. >>
Leila: << ...If you said so, maybe coming here was worth it. >>
Citron: << From the start, you never intended to bring me back to Zahra, right? >>
Leila: << ...I just wanted to bother Citronia-sama for a bit. >>
<< In order to be your fiance candidate alone, I crossed the gender boundaries and attended marriage preparation class--. >>
<< The person in question will absolutely not meet me, after all. >>
Citron: << That… I'm sorry. >>
Leila: << But I could see the results of that through this match... >>
<< Thank you for going along with my futile effort. I've made up my mind now. >>
<< And please pass on my apology to that girl… I mean, boy. I think I might tease him a little bit too much. >>
Citron: << Huh? So you noticed it? >>
Muku: --Ah, Citron-sama! It's about time.. ah.
Leila: Oh my--.
Muku: Eh, uh… My, my apologies! I'm actually a boy…!
Uhh… I'm sorry for seemingly tricking you!
Leila: …No matter what your reason and circumstance were, I still lost to you. I don't intend on saying anything now.
And thank you for fighting me fair and square.
Muku: Leila-san…
Citron: ...Me and my precious friends are going to perform a play after this. If possible, I want you to watch it.
Muku: That's right! Please watch it!
...Oh, Citron-sama! It's about to begin!
Citron: Oh, you're right! Let's go, Muku!
Muku: My real name is Muku Sakisaka!
I'll do my best for the performance! We'll be waiting for you!
Leila: …
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Itaru: Ah, they're here.
Citron: Sorry for making you wait.
Izumi: Are you ready, guys?
Juza: Yeah.
Azuma: Me too.
Azami: Alright, let's go.
Muku: Umm!
I'm sorry for bringing this up just before showtime, but there's something I want to do…
Izumi: ?
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Azami: "This is my first time coming to a wedding fair, but I'm glad I could experience many things."
Juza: "Agree. We could wear this kind of tuxedo and get to know things like the ceremony, the direction and the food."
Azuma: "We're able to picture our own ceremony."
Muku: "Yup, it feels like our horizons has widened."
Itaru: "Say, what kind of wedding do you want to have, guys? Like, the direction you want to go."
Citron: "I want to know too. I want to gather references."
Azuma: "Since I'm a cook, I want to treat the guests to my own cooking at the reception."
"My girlfriend also likes cooking, you see. I think it'd be nice if we can cook together and share the first bite."
Juza: "Damn, that sounds awesome."
Muku: "It's really beautiful! I'm sure the ceremony will be exciting and lively!"
Azami: "I'm doing martial arts, so I think it'll be nice if me and my friends perform a martial arts demonstration during the wedding."
Itaru: "Why don't you create a story in which you save the bride, then?"
Citron: "I'm all for that! When the bad guys appear like this, you will protect the bride behind your back…"
Azami: "Haa! Take this!"
Azuma: "So cool…! I'm sure the bride will fall in love with you more."
Azami: "How about you? What kind of wedding do you want to have?"
Juza: "My hobby is drawing. That's why, I want to go all out and make the welcome board myself."
Muku: "That sounds great. The board that was displayed today was adorable too. I like it."
Citron: "Besides, it can be a good memento. It sure makes you want to cherish it forever."
Azuma: "How about you? Do you have any image of your wedding in mind?"
Itaru: "After giving it much thought, I do want to ride limousine at my wedding."
Muku: "Limousine!"
Itaru: "I also think it'll be nice to have a wedding overseas. Reserving an amusement park or planetarium sounds great too."
Azami: "Wow, that seems gorgeous…"
Juza: "But it will be an unforgettable wedding for sure."
Azuma: "It feels kind of romantic to have your wedding at unusual places. I think the guests will have a great time too."
Citron: "As for me, I want to perform a rendition at my wedding, since I like singing and dancing. Just like this."
"♪~♪~"
"Then I will extend my hand in front of the bride and say this: May I have this dance?"
Itaru: "That's not fair. It's too cool."
Muku: "I feel like even those who watch it will have butterflies in their stomachs…!"
Azami: "That'll be like a scene in a movie."
Juza: "How about you, then? What kind of wedding ceremony do you want to hold?"
Muku: "As for me…"
"I want to present the bride a flower bouquet."
Itaru: "A flower bouquet?"
Muku: "Yes. The truth is, my girlfriend is my childhood friend. She has loved flowers ever since she was a child."
"She's always pleased with the wild flowers bouquet I made…"
Azami: "Ooh.. what's with that heartthrobing episode?"
Muku: "Hehe. There was also a time when we couldn't meet ever since I moved to another city."
"Even though we were apart, my girlfriend has always been supporting me."
"My girlfriend is also a hardworking person, you see. That part of her is so charming and cool."
"I want to give her a fragrant, white flowers bouquet that will suit her dignified appearance in the wedding dress."
Azuma: "How lovely…!"
Juza: "I agree. I'm sure your girlfriend will be happy."
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*applause*
Izumi: Good job, guys!
Azami: Nice work. We did well in the changed part.
Azuma: Yup. I'm glad the audience was enjoying it too.
Itaru: Thanks so much for today, guys. Let's change our clothes now…
Leila: …
Juza: --.
Muku: Ah…
Izumi: Leila-san…
Muku: Did you watch it?
Leila: Yes. ...It was so beautiful. Both Citronia-sama and the others.
Especially you, Muku-san… I was drawn in your acting. I was deeply moved.
I HAVE BECOME... YOUR FAN!
Izumi: Eh!?
Leila: Muku-san, would you like to come to Zahra with me? Don't worry, I'll provide for you.
Muku: E-Eh…!?
Juza: ...Sorry, but we can't allow that.
Izumi: Leila-san, calm down!
Itaru: I can't believe she just switched from Citron to Muku.
Azami: Is this really happening?
Azuma: Fufu, that was surprising.
Citron: Oh! What kind of development is this!?
< Chapter 1-5 | Masterlist | Epilogue > 
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discovisiondreams · 4 years ago
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Top 15 First Watches of 2020
I’ve never been good at staying current on pop culture, and that became especially pronounced in 2020. A year where most of the anticipated theatrical releases were pushed to VOD (and the price nearly tripled) meant that a lot of flicks I was excited for got added to the end of the “Maybe Someday” watchlist. 
But in this strange year, I did manage to watch 245 movies- and 195 of those were first-time watches. Some were new, only available on the (virtual) festival circuit. Some were Criterion mainstays, films I’m horrified to admit I hadn’t seen before. But this year, when movies cemented themself as my biggest joy, I began to really track what I watched- including a “top 5 first watches of the month” roundup for every month. These top 5s weren’t ranked, and weren’t even based on technical ability, strength of dialogue, or critical acclaim. They were just the 5 I loved the best. 
So without further ado, here are my top 15 of the year- one selected from the top 5 of each month, with some bonus entries thrown in as well. As a general rule, I only included features on this list- I was fortunate enough to catch shorts that streamed at Chattanooga Film Fest, Celebration of Fantastic Fest, and more, but to add them to the running would have made writing this listicle absolutely impossible. 
HONORABLE Honorable Mention: The Holiday. Inspired by the fine folks at Super Yaki, I finally watched this Nancy Meyers classic. Why is it two and a half hours long?! Why is that two and a half hours so significantly lacking in Jack Black?! The scenes that Black is in, though, really shine. This one is going to be a Christmas mainstay in the Disco household (and not just because I spent money on the DVD).
15: The Love Witch (Honorable Mention, April). This one came highly recommended to me by friends of all sorts, and like most of my 2020 first watches, I’m deeply embarrassed that it took me this long to get to it. Upon finally watching it, on a rainy Sunday, I described the movie in general (and the color palette, specifically) as “sumptuous,” which is one of the most complimentary visual descriptors I can bestow upon a movie. The plot felt a little convoluted at times, but I still found The Love Witch incredibly enjoyable and am hoping to explore more of writer-director Anna Biller’s filmography in 2021.
14: The Guest (Honorable Mention, October). The Guest is one of the few movies I watched multiple times this year- and the only one I watched twice in one week. From the sultry industrial soundtrack selections to the numerous visual nods to Halloween III: Season of the Witch, The guest was Extremely My Shit. The casting here is truly tremendous- especially Maika Monroe, who was similarly brilliant in It Follows. Also of note: Lance Reddick, one of my current favourite character actors. 
13: The Fast and The Furious (Honorable Mention, May). 2 Fast 2 Furious (and its bespoke theme song, Act A Fool, by Ludacris) came out when I was in the 6th grade. Do you remember the music and movies that entered the world when you were in 6th grade? Do you have an inexplicable zealous love for them? 2F2F was the only film in the Fast Cinematic Universe I had seen for a long, long time. Then I saw Fate of the Furious. Then I bought the series box set, as a joke?? And then, slowly but then also all at once, I genuinely started to love this franchise. Some of them are truly ridiculous. Some of them are genuinely bad. But the first one? The Fast and The Furious (2001)? Timeless. Point Break updated and adapted for the early-aughts, The Fast and the Furious walked so The Italian Job (2003) could run. Without The Fast and The Furious, Paul Walker would just be “the guy from Tammy and The T-Rex” to millions of casual cinemagoers. The cultural impact of The Fast and The Furious simply cannot be denied!! 
12: Come to Daddy (Top 5, July). Honestly, this is the exact flavor of bonkers bullshit I’ve grown to expect from Elijah Wood, and that is not an indictment. Wood’s genuine love for genre film is evident here, in what can only be described as an uncomfortable film of family, reunion, and redemption. The tense and abrasive first half gives way to a surprisingly relieving wave of violence and exposition in this critically-acclaimed flick. 
11: The Stylist (Top 5, September). The feature-length debut of writer-director Jill Gevargizian, based off her short of the same name, is female-led horror that pays homage to genre mainstays like Maniac and Psycho while still being decidedly singular. Not only shot in Kansas City, but set in Kansas City, The Stylist made my midwestern heart happy. This is one that I really, really would have loved to see in a crowded theater auditorium, were this year a different one. 
10: In The Mouth of Madness (Top 5, March). Despite being the beginning of pandemic awareness, March was a slow month for me, movie-wise (even though it’s not like I had anything else going on??). But I finally made time for this Carpenter classic, and I’m so happy I did. I’ve long been fascinated by stories about stories, and the people who find themselves trapped within those stories, and this one is truly, in the most basic sense of the word, horrifying. Sam Neill proves that he belongs in horror here, making his role in Event Horizon seem like a natural fit. Also a highlight: noted character actor David Warner, best known (to me) as “Billy Zane’s bodyguard guy in Titanic,” who never ever fails to be unsettling. 
9: Profondo Rosso (Top 5, April). Before this year, my only Argento exposure was Suspiria (which is phenomenal), but Deep Red goes off the deep end in all the best ways. The score (by frequent Argento collaborators Goblin) is truly groovy. The number of twists and turns the plot takes is kind of mind-boggling, but also delightful. Daria Nicolodi (RIP)  is at the top of her acting game here. This quickly became one of my beloved background movies- if I opened Shudder and Profondo Rosso was playing on one of their live-streaming channels, it stayed on while I was cleaning or cooking or paying bills. Profondo Rosso is a must-watch for those hoping to get into giallo.
8: Crimson Peak (Top 5, November). This one was definitely not what I was expecting, but it was GORGEOUS. I loved the world immediately (a Del Toro trademark, to be honest). As a longtime Pacific Rim stan, it made my heart happy to see Charlie Hunnam and Burn Gorman reunited under Guillermo Del Toro’s vision. 
7: Palm Springs (Top 5, August). I am not typically a time-travel movie enthusiast- but I am a sucker for witty repartee and Andy Samberg. This one made me ugly-cry, which I should probably be a bit more ashamed to admit. August had a lot of really great first watches, but the Hulu exclusive takes the cake due to its novel premise, some truly heart-wrenching reveals, and the amazing casting (is there anything JK Simmons cant do?). 
6: Scare Package (Top 5, May). Is there any format I love more than the horror anthology? While there have been so many over the years (Creepshow, All the Creatures Were Stirring), Scare Package might be my favourite of them all. A variety of fun and inventive stories combined with a genre-lovers dream of an overarching narrative make this one a must-see- in fact, it was the whole reason I bought a pass to this year’s online version of Chattanooga Film Fest. There’s a cameo here that absolutely knocked my socks off (and continued to do so even on repeat viewings). While the scares here are honestly minimal, Scare Package is a great love letter to the genre at large.
5: Do The Right Thing (Top 5, June). Yes, it took me until 2020 to watch Do The Right Thing for the first time. The palpable tension, the interwoven stories of Bed-Stuy’s residents, all seem timeless. Giancarlo Esposito is, as always, a joy to watch. 
4: Knives Out (Top 5, February). “It’s a Rian Johnson whodunnit, duh,” states the SuperYaki! T-shirt famously worn by Jamie Lee Curtis, star of Knives Out (2019). This one has received worlds of critical acclaim, I truly do not know what I could even hope to add to the conversation. I want more old-school murder mystery cinema.
3: The VelociPastor (Top 5, January). It should be testimonial enough that The VelociPastor beat out Miss Americana, Netflix’s Taylor Swift documentary, as the top pick for January- but in case it isn’t, let me end 2020 the way I began it; by evangelizing the HECK out of this movie. Written and directed by up-and-coming triple-threat (Director/songwriter/prolific cat-photo-poster) Brendan Steere, The VelociPastor is a true love letter to genre cinema, complete with a big wink to the criminally underloved Miami Connection. Alyssa Kempinski shines as Carol, a doctor/lawyer/hooker with a heart of gold. The VelociPastor premiered in 2019 but gained tons of attention in 2020 (thanks in part to YouTube sensation Cody Ko)- attention that it truly deserves. A sequel is rumored to be in the works, but mark my words, anything to come from the imagination of Brendan Steere will be worth a watch. 
2: Dinner in America (Top 5, October). I genuinely feel sorry for the other movies I watched in October (there were a lot) (they were all SO GOOD). Dinner in America, which I caught during the Nightstream hybrid festival, was not at all what I was expecting. While the other features were all very solidly genre flicks, this was…. A comedy? A modern love story?? I’mn honestly still not exactly sure, but I do know I loved every second of it. I laughed. I cried. I threw my hands up in the air exuberantly (in front of my laptop, looking like a true fool). I did not shut up about this movie online for weeks. I told anyone and everyone that Kyle Gallner is the most underrated actor of my generation and I still believe it! Dinner in America, the story of a punk band frontman who unwittingly takes refuge from the police in the home of his biggest fan, was an unexpectedly heartwarming tale of family, young love, and arson. Watch it as soon as you can. 
1: Promising Young Woman (Top 5, December). This last-minute debut from Emerald Fennell, originally scheduled to hit theaters in April of this year, finally made its way to the big screen on Christmas Day, and became the 2020 entry on my annual “Christmas Day Trip to the Theater” list.* Carey Mulligan is an icon and deserves all of the awards for this. The soundtrack is sublime. The casting choices are truly incredible. While I have no doubt that the general themes of the movie will be polarizing, I absolutely loved this one- I sat in my car in the theater parking lot for a WHILE, considering just buying a ticket for the next showtime- that’s how badly I felt like I needed to see it again immediately. I look forward to writing its inevitable Criterion essay.
*Nobody else in rural iowa was interested in seeing this movie at noon on Christmas Day. I’m shocked.
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marvelousmatt · 5 years ago
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The Accidental Comedy of Matt Berry
The star of IFC’s detective-series spoof ‘Year of the Rabbit,’ famed for his booming voice and over-the-top faces, never set out to be funny
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Matt Berry as Detective Inspector Rabbit in 'Year of the Rabbit.'  Ben Meadows/IFC
If you know Matt Berry from his most famous roles — such as The IT Crowd’s idiot boss Douglas Reynholm, Toast of London’s pompous struggling actor Steven Toast, or the preening and lascivious vampire Laszlo on What We Do in the Shadows — talking to him over the phone is sort of like meeting his un-evil twin. Where his characters are outrageous and inappropriate, Berry is circumspect and gentlemanly. While they pronounce every word as if they’re doing Shakespeare in the Park, with a ponderous theatricality, his signature rich baritone comes over the line from London sounding muted by comparison. It’s as though he’s playing the straight man in a sketch of his own life.
Whatever absurd and profane notions he has rattling around in his head, Berry saves them for his work. His latest offering, IFC’s Year of the Rabbit (a collaboration among Berry, producer Ben Farrell, and writers Andy Riley and Kevin Cecil), is a send-up of the period detective shows that are a staple of British television. Set in Victorian times, it centers on his titular character, Rabbit, a cranky copper who bumbles through every episode but slyly solves the whodunit in the end — a kind of gruff, English Columbo in a waistcoat. In the “why not” fashion typical of Berry’s comedy, the character is missing an eyebrow (a trait the show repeatedly explains away with the intentionally unconvincing line that it was chewed off by a dog last Christmas). He’s named Rabbit — his actual first name, with no surname — not because of any correlation with, say, the Chinese calendar, but because… well, just because.
“His father couldn’t be bothered giving any of the kids any normal names, so he just named them after animals and then left them outside a church,” Berry says matter-of-factly, as if Rabbit and his father are real. Pressed on the matter, he adds, “We have a huge history over here of these shows, Agatha Christie and stuff, and they all have these names, Inspector This and That. I just wanted to do something stupid with that — give him an animal name and not anything else. So he really is as earthy as you can get in that way. There’s nothing fancy about him at all.”
Rabbit is an inveterate boozehound with a colorful vocabulary. He beats up a schoolteacher on career day to demonstrate interrogation techniques to the children. He tells his rookie partner that the way to keep warm during a wintertime stakeout is to piss himself. He describes the London of his day as “a rat eating its own babies. Babies made of shit. And once it’s eaten its own shit babies, it shits them out again.” He is paired, reluctantly, with two bright-eyed and bushy-tailed colleagues to form a crack investigative team, a juxtaposition which only underscores his baser qualities.
“He’s basically trying to hide the fact that he’s incredibly hungover and not firing on all cylinders,” Berry says. “Whereas his younger sidekicks won’t be, because when you’re that young, you know, you get over a hangover by like 10 o’clock in the morning. I wanted him to be dull, in terms of reactions to things, but effective.”
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Robert Bathurst, Matt Berry, and Harry Peacock in Toast of London. Photo Credit: Kuba Wieczorek/IFC/CH4
Ineptitude and buffoonery are much more the calling cards of Steven Toast, whose massive ego blinds him to his own failings. He is an oblivious object of mockery at the hands of his voiceover producers, a pair of douchey hipsters named Clem Fandango and Danny Bear, and his mistress, Mrs. Purchase (wife of Toast’s acting nemesis Ray “Bloody” Purchase), looks eternally bored during their trysts. His long-suffering agent has to force him to become a laxative pitchman, yet he complains that she’s not scoring him Oscar-caliber roles.
If Toast is the character closest to Berry’s heart, it’s for good reason. Despite a brand of humor that seems firmly rooted in the British tradition — the surreality and silliness of Python, the cartoonish prurience of Benny Hill — Berry, 45, maintains that he wasn’t especially interested in comedy growing up. He cites as his primary influence not comedic greats such as Peter Sellers or contemporaries like Steve Coogan, but “straight actors, people that normally weren’t trying to be funny.” The more “mannered” and “self-important” the star, Berry says, the funnier he found them. The line to Toast is clear — especially in his puffed-up diction and bizarrely exaggerated pronunciation of ordinary words (such as his praise of guest-star Jon Hamm’s “charismaaaaaaaeeeeeee”). Imagine the famous outtakes of a drunk Orson Welles filming a Paul Masson wine commercial, and you’re on the right track.
Berry’s career in comedy came as a complete surprise to him. He grew up in the hamlet of Bromham in Bedfordshire, about two hours north of London, in a wholly unartistic family who had “normal, decent jobs,” he says. “My mom was a nurse, my sister went into law — nothing like what I ended up doing.” Still, his parents were totally supportive — worried, but supportive — as he stumbled through temp gigs and patches of unemployment as a young man.
He was far more interested in painting and music — and, in fact, today is an accomplished musician who’s recorded eight studio albums (prog rock-ish, inflected with funk) as well as the scores and themes to numerous TV series, including Toast. That show’s frequent musical interludes, gonzo song parodies a la Crazy Ex-Girlfriend, speak to Berry’s true comedic beginnings. In between stints at the London Dungeon — a haunted-house experience where actors play figures from gruesome corners of the city’s past, like Jack the Ripper — he managed to book solo gigs as a singer-songwriter. But he found that spiking his performances with humor won over a crowd.
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Natasia Demetriou and Berry in What We Do In the Shadows.  Byron Cohen/FX
“I was playing before comedians, and the gigs just seemed to go quicker and better if I put some comedy into the songs or the bits in between the songs,” Berry says. “I only did it so I’d fit in with what was going on after. Then I really got to like it.”
Fellow performers Richard Ayoade and Matthew Holness noticed his act, and cast Berry in a horror/sci-fi spoof they created called Garth Marenghi’s Darkplace. From there, his television career exploded, with recurring roles in several series before his breakout in 2007 with The IT Crowd. Despite a nomination for “best newcomer” at that year’s British Comedy Awards and a 2015 BAFTA for Best Male Performance in a Comedy for Toast, Berry insists he doesn’t have any particular aptitude for the form, and draws a blank when it comes to defining his style. Mostly, he chalks it up to timing (“Whether it’s music or comedy, that’s the most important thing for me”) — as well as a lack of training.
“I’m not held back by any sort of rules and regulations in terms of performance,” he says. “I’ll just do what feels natural, and because nobody’s said in the past, ‘Well you can’t really do that, because of this,’ you just do it. If it works, it works, and if it doesn’t, you just try something else.”
He does acknowledge one foolproof stylistic flourish that may be deeply ingrained: a true relish for the scatological and sophomorically sexual. See: Laszlo’s vulva topiaries, or the preposterously elastic faces Toast makes while he’s shagging Mrs. P (“Hang on — my balls are about to fizzzz!”) or pleasuring himself to old-timey images of women in military uniforms. A key moment in Rabbit involves the inspector having a pocketful of dog poop.
“I suppose that’s the British toilet humorist in me,” Berry admits. “It doesn’t matter where you go in Europe, toilet humor is enjoyed by all. Being from the U.K., it’s in you, like, from birth. You know, if you’re little and people are laughing at something all around you, it kind of sticks. If it’s something that my granddad laughs at and my dad laughs at, there’s a good chance that I’ll laugh at it, too.”
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stevecanmakeanythingnerdy · 4 years ago
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Battle #21
Arcadia: So Red The Rose ( Side One )
Vs.
Roxy Epoxy and The Rebound: Band-Aids On Bulletholes ( Side Two )
Arcadia: So Red The Rose ( Side One )
Arcadia were a new wave British group formed in 1985 by Simon Le Bon, Nick Rhodes, and Roger Taylor of Duran Duran as a side project during a break in that band's schedule. The project was only active during 1985 and 1986 for just one album, So Red the Rose, which was certified Platinum in the United States and included a number of charting singles. Arcadia is not the only Duran squared spin-off. The Power Station also falls into that category and also had hits. So any doubt of Duran Duran’s hit making ability (not that there should be any) can suck a D...uran. Simon Le Bon himself described So Red the Rose as "the most pretentious album ever made," while AllMusic called it "the best album Duran Duran never made". I must say that I have to agree wholeheartedly with the latter. To say that this album in ANY WAY sounds different than Duran Duran would just be lying to yourself. I mean, they didn’t even try to be different. It did have some big scoring hits though, such as the lead off batter “Election Day”. I am sure you would recognize it dips you heard it, and it is an election year so...maybe it’ll make a comeback. All the candidates are like this song, right? ‘85? (#seewhatididthere). The 80s rock continues with “Keep me in the Dark” which was another charting single although not quite as high. With “Goodbye is Forever” it is especially hard to escape the Duran comparison. Le Bon’s voice is just so recognizable and present. Honestly the comparison is NOT a slam in any way. It’s maybe the highest compliment actually. Mid tempo rocker and these tunes are all good.
“The Flame”is essentially as the Duranx2 song “View to a Kill” from the bond movie went rogue and formed its own band. Their SONGS are doing spin off bands!!?!?! I keep waiting for them to announce at the end of the song that they actually are D-squared and this has all been a joke. “Missing” is the final track and contains the quiet solitude and meditation moments of zen. A good slow down, but still true to the du-roots du-roots and it’s aaaaaa looooooooooonnnnnngggg ssssoooonnnnnnnggggg. Actually this is the most diverse they have been from the former. As in straight up rock band and less new wave. The guest stars on this album is pretty phenomenal too. It reads like a who’s who of 1985. Herbie Hancock, David Gilmore (Pink Floyd), Sting... but yeah this is the lost Duran Duran album for sure. It’s actually the very reason I own it.
Roxy Epoxy and The Rebound: Band-Aids On Bulletholes ( Side Two )
Roxy Epoxy, the soul and front woman of this band is often associated with such fierce and striking artists as Karen O, Siouxsie Sioux, and Chrissie Hynde. Roxy Epoxy made a lasting impact on the punk and indie community in her former band, The Epoxies. At the end of 2007, the Epoxies decided to call it quits, but Roxy wasn’t finished yet. She decided to pull her own songs out of hiding and start fresh. She began writing new songs and found some talented musicians to follow her into the studio. The result was Roxy Epoxy and The Rebound. Now, freshly rejuvenated and ready to tackle the music industry with both fists and a great set of pipes, Roxy embarked on the next chapter of her musical career with her newly-minted band. Whereas The Epoxies focus was often on androids and science fiction themes, this new band was really just an extension in sound and style, but lyrically more challenging and based in traditional themes. Don’t mistake that as bad. They are just more cohesive songs that speak of dark subjects and more mature things. It’s basically a new wave power pop rock band and they are amazing! Unfortunately this and a solo EP by Roxy are really all that exist. This band is now considered defunct as well. But what an amazing output for the one album!! “Svengali” starts it. It’s a reference to the fictional character who tricks and exploits a young girl. The word "svengali" has come to refer to a person who, with evil intent, dominates, manipulates and controls another. Not sure if there are implications outside of the song, but it’s a rocker! New wavier than a lays potato chip and just as delicious!! And this rocker is on Side two! “Fun” has those punky new wave keys please! Roxy has a voxy range that’s nearly unbeatable! “Lola’s Vision” sides more on the indie rock status symbol and has the tick tick of a clock, slower in stature but subtle in subject. “The Spider and the Leach” May well be the most memorable song, if only for the story it tells. Has that wonderful eerie sound and really helps define the difference between the former Epoxies and the current events. Metropolis anyone? Intricate keys and melodies, all over monotone vocals that are perfectly suited to the task. It’s a great juxtaposition on the story time vivid lyrics happening. “Unnamed” is a straight up punkity punk punk rocket. Discordant and dangerous. Lastly, “Watch Me” has those meaty beats to crush your skull and is anti-authoritarian. Overall this record is equally dystopian and Bauhaus as it is poppy and Flock of Seagulls. Again, the key difference is the depth and song-smithing. If Missing Persons were just a straight up punk band...or the movie Blade Runner decided to write music.
Sidebar: I know the title of this whole thing I do is RANDOM record workout, but sometimes there exists some similarities and cohesion in the matchups. For example, possibly the band’s share a member or something as simple as each band plays “7 songs” or whatever. It could be related artwork or any number of things, but there becomes this weird theme developed. Today, the theme was side projects in a sense. I just find it amusing. That is all.
So today it was Arcadia with their roses so red who tried to out Duran themselves. They burned 147 calories over 22 minutes and 5 songs. They averaged 29.40 calories burned per song and 6.68 calories burned per minute. They earned 11 out of 15 possible stars. Roxy Epoxy was on the rebound and put band-aids on her bullet holes. They played for 18 minutes and managed to burn 122 calories over 6 songs. That is an average of 20.33 calories burned per song and 6.78 calories burned per minute. They earned 15 out of 18 possible stars. They may be on the rebound but Roxy Epoxy and Company take the crown today!
Roxy Epoxy and the Rebound : “Unnamed”
https://youtu.be/UgZBH1Ub0OA
#Randomrecordworkoutseasonseven
#Randomrecordworkout
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victoodles · 5 years ago
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Fleur Sauvage
yeehaws but softly. back again, read it on AO3 and i hope you enjoy
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Arthur is uncomfortable.
The sleeves of his stupid tuxedo are too tight and the cotton of his stupid bowtie is too itchy against his neck. But mostly, it’s because he’s surrounded on all sides by pompous displays of how the other half live.
Arthur has been encircled by wolves before, ravenous beasts of varying shapes and sizes. Unfortunately this time around he can’t shoot his way through the pack. If he had a say in the matter, he would take fangs and claws over coiffed hair and expensive suits any day of the week.
But he doesn’t. He rarely does, so here he stays.
The air is heavy with cigar smoke and foreign chatter. Arthur always presumed other languages would have an essence of beauty to them. Though as he overhears these gentlemen prattle on, cackling at their own self-proclaimed witticisms, he finds it to be extremely grating. Dutch insists though, as he is prone to do, that they continue to meet with the true master of Saint Denis.
Angelo Bronte.
A man with all the charm of a cottonmouth snake and twice as deadly. Every word that falls from his mouth is dripping with so much venom, Arthur is surprised listening to him hasn’t been fatal. Among those words is the promise of money; a key to freedom from the shackles of a modern word.
Now Arthur is the one to insist that Dutch reconsider his faith in this “parasite", as Arthur so fondly described. Dutch disregards it, telling him that home is just “one more score” out of reach. Arthur thinks that these grandiose fantasies are going to get them in over their heads more so then they already are. Hosea shares the sentiment but their unconditional loyalty has them tethered to this plan for the time being.
Angelo cackles from his perch on the manor’s balcony. He finds himself (both literally and figuratively) above the party-goers and that seems to fill him with malicious glee. They are merely bugs under his expensive shoes, and he’ll go well out of his way to stomp on them.
He sorts through the crowd one by one, expressing his contempt and expansive knowledge of Saint Denis’ denizens. Each one has a filthy secret that Angelo pours forth like fine wine. A jeer follows every name until his gaze falls upon a certain young lady, arm secured around Hosea’s.
“And who is this? I’ve never seen her before,” Angelo turns to his men with a smirk, “I’d certainly remember one so pretty.” Arthur tracks Angelo’s leering gaze to you, and his ire is sparked like flint. Taking a step forward to act, he aims to silence this lecherous cretin permanently.
Unfortunately, he is promptly stopped by Dutch’s hand, a silent plea to contain himself. It’s a small one and Dutch hopes Angelo doesn’t notice, they’re already on thin enough ice. Thankfully, he doesn’t.  
“Is she one of yours?” It’s posed as a question but Dutch knows he expects an answer - the right answer.
“Yes,” he answers immediately, “she’s like a daughter to me.” Dutch is careful not to give out too much information but still emphasizes you are no part of their meeting. “Just wanted to show her a good time away from the debauchery of our lifestyle. We think she deserved it, didn’t we Arthur?”
Every muscle in Arthur’s body is wound tight, ready to fight if you’re put in Angelo’s crosshairs. He clenches his jaw and manages to grit out an affirmation.
Another smirk spreads across Angelo’s lips. “Is that right?” He says something in Italian to his men, most likely a derogatory comment, before turning his attention back to the outlaws.
“It’s quite a crime to keep a flower like that out of reach. Such a beauty should,” he pauses to take another drag of his cigar, licking his lips lasciviously afterwords, “be enjoyed by all.”
Angelo seems to revel in the heat of Arthur’s rage; he’s garnered what you mean to him by reactions alone. Arthur’s trigger finger is suddenly restless; he wishes he had the sense to conceal a weapon. Dutch speaks again before Arthur sets this whole party ablaze.  
“We shall keep that in mind, Signore Bronte. Now, if you’ll excuse us,” Dutch begins to lead Arthur back inside.
“Yes, yes go! Enjoy, my friends!” He says with a dismissive wave before he returns to his own festivities. Angelo wears a mask of gracious host but Arthur can see the cracks in it, revealing the true monster underneath.
That doesn’t matter right now though. Arthur needs to get back to you.
As the two of them head back downstairs (Arthur a little more briskly in contrast) Arthur starts up with Dutch. “I told you bringing her along was a bad idea,” he growls. It’s clear Dutch doesn’t have the patience to placate Arthur right now.
“And I told you that we needed her! She still can speak their pretentious language. Discover leads that we couldn’t with our “barbaric” intellects.” Dutch says sardonically, paired with a roll of his eyes.
“Dutch,” Arthur warns but is once again interrupted.
“I will keep her safe, son. As I have done for all of us.” Dutch smiles fondly then. “You’ve got yourself quite a woman there, a true sheep in wolf’s clothing. I gather she won’t need much assistance from either of us.”
Arthur is momentarily rendered speechless. It was true, you were beyond capable of fending for yourself. But he still did not want to take any chances.
A man who held the world in the palm of his hand? What could someone with that type of power do to a woman closely associated with a (potential) enemy gang?
Arthur didn’t think himself overly imaginative but he could picture possible outcomes vividly. Too vividly.
One of many servants opened the main doors before those thoughts could evolve into more grotesque nightmares. Arthur is cruelly reminded of the events transpiring just beyond. However his racing mind is thankful for the distraction. He finds on the other side a dapper Hosea and Bill, looking even more miserable than himself.
But no you.
Arthur opens his mouth to inquire and Hosea has the answer before he can ask. It seems everyone’s in the habit of cutting Arthur off tonight.
Hosea tilts his head towards the courtyard. “Down there. She’s getting a head start on the mingling,” he informs his frantic son. Arthur’s feet carry him so fast he barely catches Dutch’s request to stay out of trouble. Wishful thinking but he’ll try his best regardless.
To Arthur, you stand out amongst the throng of people, clear as day. Your pink dress (you tell him it’s peach) compliments you completely. From the way it hugs your waist to the roses embroidered along the skirts. How fitting of a design, a wild rose with her own kind.  
An array of golden hair pins - courtesy of Miss Grimshaw’s heydey - keep your complicated braid in place. They shine like stars in the lamplight, twinkling faintly with every turn of your head. Your decolletage is bare of any jewelry, save for some cream colored lace along the sleeves of your gown. Arthur is oddly more distracted, eyeing the exposed skin hungrily.
Your beauty doesn’t hold a candle to any of the satin clad or feathered fan socialites. You are elegance personified and he aims to immortalize that within the confines of his journal later.  
Arthur makes his way forward, drawn to you as he often finds is the case. Obstacles in the form of other guests stand in his way and he wades through them. He doesn’t mean to push and shove; he is quite colossal when next to these dainty women. An apology comes in the form of a flute of champagne as to not stir up any more trouble before he presses onward.
Your company is being enjoyed by the mayor himself and his entourage. The gentlemen are enraptured by whatever it is you’re regaling them with. Hanging onto every pretty word and starring at you like you hung the moon. Arthur finds himself in the same position more often than not.
Laughter, airy and delicate, tugs at Arthur’s heart as he approaches. It envelops him; it’s a warmth he still isn’t accustomed to, especially in his line of work. But you coax him into it, and he learns his hands are still capable of gentleness.
You notice Arthur, a grin playing on your lips, and you stop mid-sentence to acknowledge him.  
“Oh Tacitus, my darling,” You coo, waltzing up and wrapping your arms snugly around Arthur’s neck. He fights to contain his guffaw at your act: the high society primadonna. It’s your favorite role to play whenever Hosea needs you for a swindle. And you play it exceptionally well.
A kiss is placed on his cheek, tantalizingly close to the corner of his lips. It’s a promise of more to come.
The mayor and his colleagues chuckle at this impromptu display of affection. “It seems your new bride is quite taken with you. What a shame for us, eh gentlemen?” The mayor asks, feigning disappointment which earns him a wave of laughter. You titter yourself, finding a new place around Arthur’s arm this time.
Arthur looks at you bemused, but humored. You take that as your cue to subtly fill him in on your little game. You smile affectionately at Arthur before turning attention back to the mayor. “I’m terribly sorry my good men, but my heart utterly belongs to my Tacitus,” you keen, dramatically casting a hand over your chest. If he wasn’t an actor in this play, Arthur would quite enjoy watching the performance.
"Mon coeur, it is broken!” The mayor jests and you playfully swat at his hand.
“Ne sois pas bête!” You tease back.
This French tit for tat goes right over Arthur’s head but he does understand something. Dutch was absolutely right in bringing you along. Not even an hour later and you already have a major city official wrapped around your finger. Color Arthur impressed (and slightly jealous). But then he remembers he is your “husband” after all, and the petty emotions are assuaged.
“And,” the mayor finally turns his focus to Arthur, “whose pleasure is it to have this delight of a woman for a wife?” Arthur sheds his skin of an outlaw and adapts, following your lead.
“Good evening,” he says smoothly, extending a hand out. “Tacitus Gilgore.” The mayor seems pleased at the gesture and eagerly shakes Arthur’s hand. You’re beaming at Arthur’s side at the interaction.
“Well it certainly is a pleasure Mister Gilgore. Henri Lemieux, mayor of this fine city.” There’s a hint of disgust in his words; Arthur doesn’t blame him. Henri gestures to his surrounding accompaniment and begins to introduce them. Arthur tunes it out - they don’t matter. Finding the mayor was his goal, not these buffoons.
Though his attention does perk up at the mention of a familiar name. “And this is Monsieur Evelyn Miller.”
“Like the writer?” Arthur inquires, earning another giggle from you.
“Yes darling,” you chirp enthusiastically. “He wrote all those books your father positively adored.” Your conversation takes a turn. “Tacitus is the sole inheritor of his father’s oil company,” you inform with a coy smile. A few of the men raise their eyebrows, impressed. The mayor included.
“Ah an oil proprietor?” Henri inquires. “Well, congratulations are in order. A beautiful wife and a flourishing business? You sir, are a very lucky man.” He reaches out and takes Arthur’s hand firmly in his.
“I look forward to speaking more with you, Monsieur Gilgore. But for now,” he relinquishes his hold on Arthur, “why don’t you and your young bride enjoy yourselves?”
Arthur places his now free hand on the small of your back. The satin feels soft under his calloused palms but he yearns more for skin to skin contact. Time and place, unfortunately.
“I think we will. Thank you for your hospitality, good sir.” Arthur takes his leave with a tip of his head before he escorts you away from the crowds. He thinks he deserves some semblance of peace for now. While the excess of unwanted company isn’t ideal, as long as you’re there he feels calm.
An impressive gazebo at the apex of the courtyard is devoid of any guests. It seems the majority of them strive to be in the limelight of this affair for reasons Arthur can’t seem to care about. Regardless, he is grateful for the temporary isolation as he leads you there.
The crowd begins to progressively wane much to Arthur's delight. A few still linger and you placate them with your arsenal of bonjour's and merci's. Once again Arthur finds himself grateful for you. He's reached his "mingling" threshold for the night a long time ago. Your's on the other hand seems to have just begun as you keen and wave to every passing sir and madam. It's rather amusing and Arthur chuckles lightly.
"Another minute there and I think he woulda' handed you the key to the city," Arthur teases. It's a rare occurrence for his bark have no bite, just playful nips You welcome it eagerly.
"That would've been ideal. I could have given it to Dutch so he can sell all of Saint Denis for a few mangoes." You respond back coolly. Arthur snorts.
"Seems like a fair trade."
You nudge him for his cheekiness. "Mind your tongue, Gilgore," you jab. He concedes to your wishes (as always).
"My apologies to my lady." Arthur's inner gentleman (the one he vehemently refuses is there) is showing. You want to say something, acknowledge the sides he wants to reveal. 
But now isn't the place for him to sink into that place of vulnerability. The predators here are too hungry. So you continue on as if it were a game still, keeping things lighthearted.
Placing a finger to your chin, you pretend to mull his words over. "I suppose," you begin, twirling out of his arms and swiftly dashing up the gazebo's steps. "I can forgive you," you spin around a column, "if you come sit with me for a moment?" You plop down on one of the many benches facing the river, tapping the empty space next to you. 
Arthur finds your impishness endearing, but now isn't the time. There's work to be done, people to mislead, men to k-
You can practically hear the discordance in his head. "Just for a moment," you plead, hoping it will alleviate some of his tension. It does, and he wordlessly complies as he sits down with you.
While Arthur doesn't claim to be an expert on the finer things in life, he is awestruck at the view. The gazebo seems to be on its own wooden isle in the middle of the water, surrounded on all sides by flowers. Gentle waves lap at the platform and it creates a steady, lulling rhythm. Petals drift lazily along the river, continually cascading down from the gentle push of an evening breeze.
The swamp he detests is transformed into an ethereal landscape as the lanterns’ reflections sparkle on the water’s surface. It appears that the rich can even buy the better parts of nature as well. Who would’ve thought.
The two of you are settled in comfortable silence, admiring the picturesque scenery as the party’s twittering becomes mere background noise.
Arthur speaks first. “So,” he begins bashfully. In this suit, he looks as awkward as he feels. A familiar hand on his knee, while slightly flirtatious, is a kind reminder he can be himself. It’s a freedom he still has trouble getting accustomed to at times. He lets his shoulders relax, “You think yer folks are around ‘ere somewhere?” It’s a question made in jest and you answer with a dry laugh.
“My parents wish they could be invited to a mayoral affair,” you say with a scoff. “Would’ve tried to sell me off twice as young if it meant they could eat the leftovers.” Though you try to hide it, Arthur picks up on hurt in your voice.
You hear it too, and you turn your head away from him for a moment. On instinct, you look out to the shoreline and see the manor you once called home. It's the same despite the ten years that have gone by: imposing and grand. You wonder if mother and father are awake, scornfully starring over at what they have continually failed to achieve. A jovial party serving as a painful reminder. The irony makes you feel a little bit better.
Walking up to that house every day for sixteen years had instilled fear into your core. Now, it was just an ugly scar across Saint Denis. The pain wasn't permanent, but you would always remember it. You're regarding the house apathetically, not being able to bring yourself away.
Arthur notices and begins to worry. “Hey,” Arthur begins gently, tracing circles over your knuckles. His voice summons you back and you look at him expectantly, gaze tender. You render him speechless; he’s ensnared and the simple control you exude over him has his nerves singing.
Arthur manages to compose himself and finds a way to bring your smile back. “What will people think if they see my beautiful wife so upset?” Again you laugh, this time sincerely. He finds himself smiling back, "They'll say I'm a beast of a man."
Tears threaten to spill from his sincerity. You try to shoo them away. “Oh lovely Tacitus,” your accent is back full swing. “You are just the kindest husband. How in this cruel world did I find myself so blessed?” While the titles are just pretend, he’s finding himself addicted to their honied sweetness. He wants more and your lips have the power to temporarily quell his want.
Leaning closer, falling further in love.
His lips are a whisper away, practically feeling the heat of your blush radiating off you. There’s a crowd of people just beyond a few white pillars but he doubts anyone is paying them any mind. And if they do, well, Dutch didn’t specify his distaste for getting into an upper class brawl.    
“I ask myself that question every day,” Arthur says reverently, a hand coming up to rest on your cheek. Your eyes flutter shut as his places his lips against your own with a gentleness reserved for you. This is a song and dance he is pleasantly more accustomed to, moving against you effortlessly. Each pass of his lips draws a sigh from you satisfied than the last.
Inhibition rears its ugly head again once Arthur thinks he actually has the luxury to enjoy himself. He pulls back slightly, much to your dismay but you don’t pursue. Like a deer, you don’t want to startle him. Instead you wait, a patience that Arthur is grateful you provide.
Arthur almost forgot why they’re here, and loyalty has always come before his happiness. “I gotta,” he mumbles. “Gotta do something for Dutch. I-” his words fall short when you silence him with another kiss. It appears chaste, but there's a fire behind it that’s nipping at his lips as the tip of your tongue traces over them.
Your poor cowboy would deny himself everything, so long as Dutch said the word. So you took some of the weight off his already bad shoulders for him.
Arthur’s eyes go comically wide as you withdraw from him, hand sliding down between your breasts. Realization (and relief) sweeps over him when it returns with a small envelope in tow, labeled "Classified".  
“What? How did you-”
“I wasn’t just talking to those old men for the caliber of their conversation,” you simper, tucking the envelope securely back into your bosom. “Managed to pilfer these documents pertaining to Cornwall off poor Monsieur Lemiux,” you purse your lips in a faux pout. Arthur continues to stare at you in awe.
You may have been planted in a gilded garden, but you had uprooted yourself, new roots digging their way deep into the forest floor. Growing thorns and blooming within the wild: free and untamed.
Wolf in sheep’s clothing indeed.
“So,” Arthur’s musing is ceased by you. Let him enjoy himself, as many this night have told him do. Yes he was on a mission, but let him have a moment to breathe. With you.
“Worry about what you ‘gotta’ do for Dutch later. But for now-” you lean in and purr against the shell of his ear, “let’s just be.”
The softness of your words is paired with a clap of man-made thunder cutting through the sky followed by a brilliant array of colors. Fireworks begin to dance across the night and gasps of wonder fill the air. The stars are met with blooms of blues, greens, and yellow to rival them. It's quite the spectacle; Arthur had never seen fireworks before. He had only heard Hosea' numerous tellings about taking Bessie to see them. The concept fascinated him; gunpowder igniting but instead of death, it brings magic.
But as they continue to burst, casting vibrant shades of gold and red across your face, Arthur thinks he’s found a new kind of magic to believe in.  
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thenovelartist · 5 years ago
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Disruptor Designer and her Model, day 6
<Previous  Next>
6. Working Together
“How did we come to this idea?” Marinette asked, looking at a wickedly smirking Adrien.
“Because you said so yourself,” Adrien returned, not taking his eyes off the road as he drove. “You could walk into any designer brand store and walk out looking like a fashion disaster.”
“Yes,” Marinette agreed. “Some three weeks ago.”
If she thought about it long enough, she would realize that that meant she’d been dating Adrien for just over two weeks. Which… well, it floored her. She could care less about dating a model, particularly since she knew horror stories about models and dealing with them. But Adrien was so genuinely sweet and humble that she felt like she just scored in the boyfriend department.
And the fact he didn’t look half bad didn’t hurt, either.
“But it’s a really funny idea,” Adrien said, grin splitting his face.
“We could get kicked out,” she said. “I’m kinda on your dad’s hitlist. I know I’m on several other’s since the party, particularly of one Audrey Bourgeois.”
Adrien cringed. “Yeah, that article on you… not your most flattering.”
She snorted a laugh. “She called me an egotistical, arrogant, petty bitch. Nice to know that ends up in the ‘not flattering’ category instead of the ‘articles written to ruin you’ catrgory.”
He was slow to respond, his mouth open as if he wanted to say something but couldn’t.
“Yeah, that’s what I thought.”
“I mean,” he said, fingers drumming the steering wheel, “hopefully none of your followers believed it.”
“Maybe a few,” she said. “But I didn’t recognize a hit in my numbers or anything.”
“I think your response to that article was what sealed it in for you,” Adrien said. “You didn’t respond in anger.”
“Oh, trust me, I was plenty angry,” she said. “But you have to learn to let things go.”
Adrien glanced over before reaching a hand over the console to grab hers. “I’m proud of you,” he said, giving it a squeeze.
Marinette had been handling situations like that long before Adrien came into her life again, but still, hearing him say that filled her with a warmth and security that she did the right thing. “Thank you, Adrien.”
And then those warm feelings faded when he parked in front of a Gabriel brand store.
“Your dad is going to kill us.”
“Yeah, but it will be fun while it lasts. Now come on, let’s go.”
“You’re sure we can film in here?” Marinette asked.
“Well,” Adrien returned with a grin. “I am the son of the owner. I do have rank here.”
Marinette sighed again while she pulled out her camera. “Your dad is going to kill us.”
Adrien smirked. “My dad will kill me for guest starring in one of your videos. Trust me, I’m in deep trouble no matter how you look at it.”
“Then why am I agreeing to this?”
“Because I’m twenty-four and my father can’t really ground me. So come on, let’s do this.”
This time, Marinette finally raised the camera, ready to start filming. “Hey everyone, Ladybug here. Now, as you can see I’m here with a rather special guest today, M Adrien Agreste!”
He gave a smile and a wave.
“Now, today, we’re gonna do something a little bit different than the usual. Actually, we’re gonna do the direct opposite. Today we are in Gabriel’s, which… Adrien, I’m pretty sure your face is all over the store, modeling half these clothes and looking rather put together doing it.”
“That is kinda the point of modeling,” Adrien said. “To look as nice as possible. But it gets overrated after a while, don’t you think?”
Ladybug giggled. “Well, just what do you propose we do about that?”
“Well,” he said, a wicked smirk growing across his face. “I’m thinking it would be fun to see just how big of a fashion disaster one can become in such a high-fashion store.”
Ladybug turned a wild grin on him, and he had to fight to keep standing. “I think that’s a fantastic idea.” She turned back to the camera. “So Ladybug-gers, stick around as we try to make the worst fashion style we can with clothes right here from Gabriel’s, and at the end, vote in the comments about who you think wore it worse.”
She then turned back to Adrien. “You ready to go?”
He grinned. “My lady, I was born ready.”
She giggled. “May the best style win.”
Marinette was going to be forever banned from stepping foot into another high-end fashion store. But even though the whole day was ridiculous, as well as nerve-wracking because the manager nearly kicked the two of them out before Adrien stepped in and said that they had a right to be there, she had a blast.
Now, she was sitting in her office with Adrien at her side while she finished the last bit of pre-posting work. “Are you ready for this?” she asked. “Because once this goes up, it’s never coming down.”
He grinned. “I’m ready for any consequences I face. It will all have been worth it for the opportunity to work together with you.”
She blushed bright red before turning back to her computer and hitting the “upload” button. Hopefully, this video wouldn’t get him in trouble because she really hoped she’d get to work with him again.
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kevkesblog · 5 years ago
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Translation: Kai Havertz portait in ZEIT newspaper (January 2019)
NOTE: Hey guys! This time I tried something new. I translated an exclusive portrait the german weekly newspaper DIE ZEIT did with Kai in January. They interviewed him as well as Kai’s family. Its very candid and has alot of details. I hope you guys like it, since DIE ZEITs writing is usually very difficult - even for germans. And I apologize for spelling errors as usual. 
The original text in German
Kai Havertz: the peace itself
 (January 23, 2019)
People praise Leverkusens national player Kai Havertz, 19, for his serenity with the ball which put him on the radar of many European top clubs. His parents start to realize that he is likely becoming world famous.
By Jörg Kramer
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The most promising german football talent these days picked a table very far behind in an restaurant somewhere in Cologne to order himself some spagetti gnocchi – inconspicuous.
There is no star posturing with Kai Havertz. The 19 year old could even go through as a normal university student; with his bright hoodie and somewhat cheap and not even special occurence.
And with his voice, which has this typical regional dialect, without the typical empty phrases that young football player use to often in order to cover up their meaningless sentences. But people know his face by now. So thats why he doesnt sit right next to the entrance.
He belongs to the celebrities of the football scene. European top clubs are scouting the young men in stadiums, team mates from Bayer Leverkusen praising him and forecasting him to have the potential to become a world star.
He already scored nine goals this season, decided some games by his own and played his first games for the national team. Havertz became the centre of his clubs game by playing at the centre midfield. His role only changed slightly and the importance of his role not at all, since Peter Bosz took over as head coach. He views this very relaxed and talks in an restaurant somewhere in the Belgian Quarter of Cologne about Leverkusen being the „perfect place“ in order to develop as a young player. And thats where he wants to give his all for the last half year ahead. Ooops!
His last half year? That was a slip of the tongue of course, he meant to say the next half year. Because his contract with Bayer is still running until 2022 without an exit clause. But things now are developing in a rapid way which runs parallel to his explosive performance currently. Its just a matter of the perfect timing that someone like him will end up going to Barcelona, Manchester or at least Munich – a choice between summer 2019 or summer 2020 maybe.
Havertz walks over his misspelled sentence like nothing happend. Once in Nuremberg in the middle of a turmoil of an rainy game, it seemed as if he stopped – as if he was reconsidering the situation with him having the ball. Like if somebody pressed a ‚Stop‘-button. And he chiped to ball in an cool and unemoitional and scored.
Coaches and team mates are citizing his body language, he says. So he works on looking more aggresive. He even participates on useless discussions between his teammates and referees after controversial decisions on the pitch, in order to get a penalty for the other team or some revenge. But it doesnt really look good him when he does it, he admits – even after a though tackle or when going after the ball. „I’m a player that shines with his tranquility.“ A nice sentence that gives away his elegante style of play.
Havertz remained an artist on the pitch. Every foul is a sign of weakness. Everytime he gets the ball, which is his job as an offensive player, he never runs into his opponents – he anticipates. „I try to imagine, which options my opponent has, what he would do if I were him.“ He then runs with a planned pass way and he gets the ball.
Havertz learned in the past almost two and a half years all systems and tatics of modern football. Starting with a radical system, almost a raid-strategy under coach Roger Schmidt, by which the goal keeper kicked the ball high and it flew wide over the pitch – almost always directly aimed at Havertz‘ head – because he is 1,88 meters tall.
Then the mixed system under Heiko Herrlich. He always had to look for his team mates before he passed. Now with Bosz, a planfull offensive style with flat passing. He runs through all the chapters. The first began on October 15, 2016.
It was a Saturday. A day where the Havertz family from Mariadorf near Aachen still couldnt realize that their youngest son, will probably end up living off football and perhaps even become famous. They cant really believe it up until today, says Anne Havertz, his mother.
On that day – October 15 – Kai was a youth player, in a big house next to the woods in Mariadorf having breakfast – when suddently coach Schmidt called. Lars Bender, professional Bayer-player who was supposed to play against Werder Bremen that evening, got injured and had to quit. Kai had to come to Bremen, immidiately! His mother drove him to Leverkusen. A special shuttle took him to Bremen. His whole family was sitting in front of the TV that night.
Kai was sitting on the bench as expected. Then, during the 83th minute, the commentator saw already more than the viewes and said: now we are experiencing a debut. Kai Havertz was ready to get subbed. In the real Bundesliga. Anne Havertz said: „Oh my god!“.
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(Credit: Instagram: kaihavertz29)
Kai’s mother, who worked as a lawyer until she got pregnant with her eldest son, came to the restaurant in Cologne one day after Kai to talk about life as a family of an future world star. She brought her husband – Kai’s father, and her daughter Lea, Kai’s sister. The sister is studying marketing and digital media in the city.
People can reach his father in an emergency by dailing 1-1-0. He is a police officer working at the police station 3 in Cologne-West. He says he is really impressed, about how cool and routinely his football playing son manages post-game interviews and how we stays cool when people recognize him in public and everybody is watching,
The Havertz family is still perplexed about a football world where colleagues of their son, order their own cooks to cook for them at home. And whenever he puts his legs into an special bag in order to regenerate. Almost the whole family – except his oldest brother and the dog – are having apple pie and salate and looking back at the stages of his career, which started at Alemannia Mariadorf. Kai skiped two age-groups. He then played with older players than actually intended. Then he transfered to Bayer Leverkusen. All because the scout was tough but not intrusive like the other scouts. By the age of ten, Bayer drove Kai to training sessions three times a week.
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4 year old Kai Havertz (Credit: kicker tv)
He was still among the smallest players in the team by the age of 14. Then suddently - a growth spurt which resultet in issues with his knees and his back. They were responsible for Kai loosing his fixed spot on the team. This was also the hard time because he left home and moved to Leverkusen. The club doesnt have an academy so he stayed at a guest family – the family of the stadium announcer from Bayer, together with two other players. A year later he moved into an apartement with his older brother, until Jan had to move to Nuremberg – he has a marketing job at adidas now.
A lasting memory: endless discussions within the Havertz family about the overarching question: does the boy need a german high school diploma (Abitur)? Will he pass the tests when he is travelling around with his professional teammates?
Kai Havertz attended the Landrat-Lucas-Gymnasium. An elite school of sports where he could skip classes in the morning for training. But he always had to catch up school stuff from the day. Once he played with Leverkusen at the DFB-Cup at Sportfreunde Lotte. He was subbed late, it went into penalities and after the team was eliminated from the cup he arrived home late – at 3am. At 8am he had an English exam.
The family became a team. His mother and sister helped him with biology exams. One day the young football player said to his family, he has no power left anymore. „But he never said: I want to quit!“ his mother insists. This was a breaking point by which his parents thought about quitting and stop pursuing the Abitur. But suddently coach Roger Schmidt intervened and said Kai should pull through. The whole Bayer team will support him.
The Abitur became a factor of will power, a test of life. The school supervisor of Bayer, a former athlete herself, said something memorable: it will shape his whole life if Kai quits school now. Whenever something becomes difficult, if something goes beyond your pain barrier, he will always have this option to quit in his head, that you can just give up.
Kai Havertz choose the pain, the Abitur. Now he will always choose the hard way if the theory of his supervisor holds.
On this January afternoon in Cologne, he is being asked what other job he would have picked if it wasnt for football. He likes the job as a barber, for men’s hairstyle. He smiles. Some curls are hanging on his forehead from left to right. A Barber. He wouldnt have needed an Abitur for that.
He is a genius at football. He won the German junior championship with Bayer and scored 19 goals in 29 games. He got awarded as a Under-19-player as the best of his age with the Fritz-Walter-medal from the DFB. Kai made it onto second place on his position after Marco Reus from Dortmund in a list of the football magazine „kicker“ which they publish every half year – but seven spaces in front of Munich’s Thomas Müller.
Coach Heiko Herrlich says Havertz reminds him of Toni Kroos. Football critic Reiner Calmund compared him to Franz Beckenbauer. His head goals remind him of Michael Ballack. Mesut Özil was always Kai Havertz idol, because of his tranquility with the ball and his ability to read a game. Sometimes Kai misses the final conciseness in front of the goal, which was visible after the recent 0-1 loss against Borussia Mönchengladbach.
Having the ability to remain calm, even when you get tackled is the result of a deep confidence in your own strenghts: screen your surrondings – in short time if necessary – and then make the right decision. Joachim Löw praises Havertz „good orientation“, something he said about Özil years ago. What he means is a certain sense of space on the pitch – an inner compass. Something that has to do with attention and memory. Havertz, who is a master of navigation, doesn’t even need practice. Some creatures have special senses and are able to find orientation on earth through a magnetic field – like migratory birds for example.
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Kai Havertz likes watching Champions League games. And while watching them, there is always a wish inside him to participate as well whenever the big games of the quarter- and semifinals are on. „I think you can only reach that level by going to a top club at some point“ he says.
Mother, father and sister Havertz say, they don’t expect things from him. Something they never did in his career. But if someone asks them, who will follow Kai in a foreign country to get used to everything – they start to think about it. They would alternate. One week his mother would visit, next week his sister and then his grandmother maybe.
Kai Havertz still has a room back home in Mariadorf. Back in the day he used to have posters from FC Barcelona. So it could happen maybe one day, that youngsters in Barcelona will have posters with Kai Havertz on them.
++END++
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blackpinkofficial · 6 years ago
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On a modest stage inside a tent in downtown Los Angeles, the four members of the South Korean girl group Blackpink assume a diamond formation and aim their fingers like guns at the audience as they launch into the chorus of their breakout hit, “Ddu-du Ddu-du”: “Wait till I do what I ... Hit you with that ddu-du ddu-du du!”
It’s the afternoon before the Grammys at Universal Music Group chairman/CEO Lucian Grainge’s annual showcase, where he presents the company’s prospective superstars to a crowd of record executives and industry types. (Past performers have included Ariana Grande, Halsey and Shawn Mendes.) With their intense choreography, dance-heavy beats and Clueless-esque high-fashion looks, the four women offer the kind of bells-and-whistles pop production that makes them an anomaly not just on today’s lineup, where rappers like 2 Chainz and Lil Baby abound, but also on the charts, where women like Grande serve up their divadom with an extra dose of realness.
The showcase marks Blackpink’s first stateside performance, though the band made history long before: “Ddu-du Ddu-du” became the highest-charting single by a Korean girl group on the Billboard Hot 100 when it peaked at No. 55 last June, and this April the act will be the first Korean girl group to play Coachella, before embarking on a North American arena tour. “Ddu-du Ddu-du,” sung mostly in Korean, is a boastful warning to those who underestimate Blackpink, with a hook (meant to imitate the sound of bullets flying) that’s also a canny invitation to non-Korean listeners -- anyone can sing the words. The buttoned-up UMG crowd seems a little unsure, but also intrigued: Just as Blackpink’s Jennie -- soft-spoken in person, but onstage a fierce singer and rapper -- slides into a rat-tat-tat flow in the second verse, more and more audience members whip out their phones to capture video.
There’s no longer any question that K-pop is happening in America. BTS, the seven-member South Korean boy band, scored two No. 1 albums on the Billboard 200 in 2018 and became the first K-pop group to sell out an American stadium when it played New York’s Citi Field in October. Yet despite the group’s visibility here, K-pop remains somewhat detached from the mainstream: It receives relatively little top 40 airplay despite fan-army pressure on radio stations, its artists rarely tour with non-K-pop acts, and outside of its intensely passionate fan groups, K-pop stars hardly drive the wider “conversation” that someone like Grande can dominate with a single tweet.
Blackpink represents Korean music’s latest, greatest hope at breaking out of the American K-pop box. The group believes its multinational identity gives it global appeal: Sweet-voiced Jisoo, 24, is a South Korean native; buoyant rapper Lisa, 21, is from Thailand; guitar-playing Rosé, 22, grew up in Australia; and Jennie, 23, was born in South Korea but spent some formative years in New Zealand. “You don’t have to understand Korean to understand the music, the visuals, the vibe,” says Jisoo, through a translator. (Rosé and Jennie are fluent in English; Lisa alternates between English and Korean during our interview.) “We’ve got so much Korean culture and so much Western culture in us,” adds Rosé, her Australian accent still pronounced.
And though occasional English lyrics already pepper their tracks, Jennie notes that recording all-English songs is something they “definitely want to do” in the future. (They’re focused on making their debut album first.) Even their sound -- an omnivorous fusion of fist-pumping EDM and booming hip-hop beats with flashes of house, ’80s pop and harmonica-driven folk -- seems conceived for the widest possible audience. “I was immediately drawn to their fierce and empowering energy,” says Dua Lipa, who asked the group to guest on last year’s bilingual banger “Kiss and Make Up.” “They are not just giving you hit songs -- they are sending a message that resonates beyond the lyrics.”
Last fall, Blackpink signed to Interscope Records, which will serve as both a creative and business partner to YG Entertainment, the group’s Korean home and one of South Korea’s three main music companies along with SM Entertainment and JYP Entertainment. These companies serve as label, management firm and production studio, controlling almost every aspect of their artists’ careers. Interscope chairman/CEO John Janick says that YG’s leadership -- Hyunsuk “YG” Yang, its founder, and Teddy Park, Blackpink’s main producer and creative director -- “runs the show,” but the relationship is collaborative: Sam Riback, Interscope’s pop-rock A&R head, has made multiple trips to YG’s Seoul headquarters and “has been sending them lots of different ideas,” according to Janick. “Our goal,” he says, “is to amplify what YG has been doing globally.”
If Interscope can help turn Blackpink into a truly global superstar act, the partnership could become a model for other labels looking to invest in K-pop and even pave the way for joint imprints. “This deal could be a benchmark,” says YG’s Joojong “JJ” Joe, who heads the company’s U.S. operations from a small house near Los Angeles’ Echo Park. It will also confirm Interscope’s foresight about K-pop. In 2011, the label signed the group Girls’ Generation during one of the earlier waves of K-pop imports, when artists like BoA and Wonder Girls worked with Western producers and companies.
At the time, those artists barely made a dent on the mainstream charts, and their backers took a hit: Despite high-profile promotional appearances, Girls’ Generation’sThe Boys LP sold only 1,000 copies in the United States during its first week in 2012, according to Nielsen Music. Since then, however, streaming platforms have made it easier for fans to discover and support Korean music, while the growth of social media has also allowed them to forge deep connections with artists everywhere. “In this era, people find their music and their talented artists on the internet,” says Susan Rosenbluth, senior vp at AEG Presents/Goldenvoice, who helped book Blackpink’s North American tour and notes that K-pop’s stateside audience “does not follow along ethnic lines.”
To Janick, the success of Luis Fonsi and Daddy Yankee’s chart-topping Latin hit, “Despacito,” aided by a Justin Bieber remix, made English-speaking listeners more open-minded in general to music in other languages. “We’re going to have hits from all different territories -- more of them, and more often than we’ve seen in the past,” he says.
But the onus isn’t just on listeners to embrace Korean music -- it’s on industry gatekeepers too. At the UMG showcase, the reaction to Blackpink is enthusiastic, but it feels muted compared with the rousing ovation the crowd gives classic-rock revivalists Greta Van Fleet, whose 2018 debut album was notoriously panned by some critics as derivative. The response to Blackpink’s Interscope deal, however, suggests that attitude could change.
“So many artists on our roster started calling, saying, ‘I want to work with these girls.’ Radio stations were asking when new music was going to be out,” says Interscope executive vp business development Jeremy Erlich, who facilitated early conversations between the label and YG (he and Joe attended business school together). “The industry’s ready. When the music comes out, I don’t think there’s going to be many people saying, ‘This is just a fad.’”
The day before the showcase, the ladies of Blackpink are ensconced in a hotel suite high above downtown L.A. Lisa, dressed in a gray fleece and a checkered coat, spies the Hollywood sign through a corner window and bounds off a couch for a closer look. Her bandmates, cozied up in brightly colored sweatshirts and cardigans, admit they weren’t expecting Los Angeles in February to be so chilly. During some rare downtime the previous day, they went shopping in Santa Monica. “It was supposed to be for fashion,” says Jennie, “but we ended up just grabbing anything that was warm.”
This is Blackpink’s first trip to L.A., but it has been almost a decade in the making. The group’s members came to Seoul from all over the world starting in 2010 to take part in YG’s rigorous recruitment and training process. The company and its competitors hold tryouts both within and far beyond Korea (Rosé traveled to Sydney from her home in Melbourne), seeking recruits who are typically preteens or teens, ethnically Korean and fluent in the language, though these qualities are not mandatory. Lisa, who auditioned in her native Thailand in 2010, didn’t speak any Korean when she began training in Seoul in 2011.
For all four women, joining YG meant enrolling in a kind of full-time pop-star academy that Jennie calls “more strict than school” and that Rosé likens to The X Factor with dorm rooms. For 12 hours a day, seven days a week, the future members of Blackpink -- along with, by Jennie’s estimate, 10-20 other aspiring singers who cycled through the project -- studied singing, dancing and rapping, taking part in monthly tests designed to identify their strengths and weed out subpar trainees. “Somebody would come in with a piece of paper and stick it on a wall, and it would say who did best, who did worst, who’s going home,” recalls Jennie, whom YG initially steered toward rapping because she spoke fluent English. “You get a score -- A, B, C,” Lisa explains. “Lisa would always get A’s for everything,” adds Jennie with a laugh.
The process was lengthy. Before Blackpink debuted in 2016, Jennie spent six years in training, Lisa and Jisoo five and Rosé four. For the members who had left behind life outside South Korea, the pace of training on top of the culture shock was sometimes tough. “I’d call my parents crying,” recalls Rosé. “But as much as it was hard for me to cope with all of that, it made me more hungry. I remember my mom would be like, ‘If it’s so hard for you, just come back home.’ But I’d be like” -- she mimics a surly teen’s glare, much to the others’ amusement -- “‘That’s not what I’m talking about!’” Lisa credits her future bandmates with easing her transition. “Jennie would speak English to me, and Jisoo helped me out with my Korean,” she says. Rosé was the last of the bunch to enter training, but she remembers the four of them bonding during an all-night jam session when she arrived. “We just clicked,” she says.
That’s clearly still the case: Rosé sometimes puts her hand on Lisa’s knee when translating for her, and at one point Jennie and Jisoo huddle close together to silently adjust one of their necklaces, displaying the intimacy of close friends. “We don’t really have a day off,” says Lisa. (Once every two weeks, Rosé clarifies.) And because their families are so far-flung, they often spend their time off with each other anyway. “We’re stuck together,” says Rosé, laughing.
While K-pop companies have a reputation for packaging groups assembly line-style, Blackpink’s members insist they have plenty of creative input, despite having no official writing credits on their tracks. Park plays them music he’s working on and “really tries to put our thoughts into our songs,” says Jennie. “He really gets his inspirations from us.”
“It’s important as recording artists that they actually truly own their songs,” says Park. The women all make suggestions about who should sing what, and if a part doesn’t feel right to someone, he will make adjustments. “He doesn’t just bring us a song, like, ‘Go practice,’” says Rosé.
Besides, the members of Blackpink have another creative outlet: Last fall, YG announced that they would all release solo material, starting with Jennie, whose debut single, “Solo,” topped Billboard’s World Digital Song Sales chart in December. Though the music is still created and put out by YG, the idea that group longevity and solo success aren’t mutually exclusive is a radical development in girl-group history -- one that Janick says only “makes the brand stronger.”
Stars who come through companies like YG are called “idols” in Korea and have historically been expected to maintain a squeaky-clean image. When Blackpink debuted, Jennie says YG was very selective about its promotional appearances: “We were trained to be a little more...” “Closed in?” Rosé suggests.
“Closed in” is exactly what the outspoken women ruling the U.S. charts now, from Grande to Halsey, are not -- they make deeply personal, even raw, music. But while Blackpink may well find success catering to an audience craving its kind of TRL-era pop spectacle -- Interscope’s Erlich calls the group “the modern Spice Girls” -- lately the band has been less concerned with appearing perfect, both onstage and off. “We always wanted to be out there, to be more true to ourselves and a little more free,” says Jennie. “Even we can get things wrong sometimes. We want to just show them the real us.”
Jennie and Lisa do just that when I ask how they expect to be received as rappers in America. Lisa lets out an embarrassed groan, withdrawing into her fleece. She has loved hip-hop since childhood and is obsessed with Tyga (“I love his swag,” she says, blushing). But she and Jennie seem well aware that a group of Asian women adopting a style pioneered by black American artists might be a hard sell for some stateside listeners who are keenly attuned to debates about cultural appropriation.
“Me and Lisa don’t talk about it out loud, but I know we have this big pressure,” says Jennie, who adds that she studied artists like Lauryn Hill and TLC when she first started rapping. She looks across the room at Lisa: “She’s going to kill it.” Lisa just scrunches up her face.
That kind of vulnerability may be what ultimately endears Blackpink to an American pop audience. “The artists that are the most successful in these situations are really authentic with how they can relate to a coming-of-age experience” in their music, says Goldenvoice’s Rosenbluth. “There’s a certain amount of authenticity to Blackpink that I really love. The dedication is heartfelt.” 
Back at the showcase, the band finishes its set with the reggaetón-tinged “Forever Young,” featuring an intricately choreographed, hair-flipping dance break. As the beat reaches its booming climax, the bandmembers whip toward each other and strike a statuesque pose with their hands on their hips, just in time for the music to stop. They hold still for a moment as the lights dim, then drop their arms and turn toward each other, catching their breath and grinning like four young women who can’t quite believe they’re here.  
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