#they deserve their happy ending damn it

[jadeluz-official]

Beetlejuice and Lydia Deetz are going down in enemies to lovers history and I'm living for it

[softiedingo]

It still irritates the hell out of me how well Sylvie seems to have accepted Loki's absence. I mean, come on, Loki SACRIFICED himself so that in the end she could come back and live her happy life the way she wanted. But in this scene she seems to be talking about the fucking wind, they ruined her so much in this second season.

While Mobius seems SAD AS HELL. ALONE in a new life that he still doesn't know how to deal with and that he didn't ask for, without the presence of the person he liked most. He looks so devastated, like someone came and destroyed his favorite jetski, when in fact the only thing destroyed was his and Loki's chance to ride that damn jetski TOGETHER.

[skettibun]

I see a lot of people also draw fanart for this amazing movie, so I thought I'd join! :) I remember bawling my eyes out like a literal baby at the end of the movie, so now my eyes burn when I think of it and Madeline's theme is on my saved list for sure-

somehow I related so so much to a computer who became sentient from spilled champagne-

Also also is it just me or, like, when I see the "AI who just wants to love" trope I get so happy??? I dunno, I love it sm! very relatable to feel the want to connect despite differences preventing so! even though they can easily just like,,, take ONE glance at an internet forum and see they have people lining up to kiss their flat face they do NOT need to be acting up like they get no game????

[trashinyourpockets]

Irony.

“Silly?” Edits/sketches below. Ofc, general warning for horror

Unironically biggest wake up call for anyone struggling with being a pushover/people pleaser . People are gonna get hurt by your inaction/action and you’ll eventually get hurt to. You can not fix it.

[royaltea000]

I’ve never felt so conflicted about a franchise in my life but at least this dude was hot

[fiorewashere]

thinking about mean girls for more than 2 mins is always so sad, like, none of these teens were truly 100% happy . like :(((

[sylvieserene]

Fixing history using the power of editing and my editing skills!!

For today we have, New Titans (1980) Issue #100

✨ Wedding Special ✨

@robstarblog @robstaryeah pinging yall just in case so that this doesn't get lost in oblivion (It'd be painful since I worked 5 hours non stop on it lol)

I think the most time was taken by the final panel and adding in the finishing touches since I pretty much had to change everything to the pixel level, quite literally lol (I'm serious, I did)

Welp I hope the results were worth it! And with that, another one gets a good ending!!

I kinda didn't add sleeves in the first two panels of the final page because it didn't look good and looked janky with how I was editing it so yeah please ignore that-

[beanghostprincess]

A very interesting AU concept would be swapping Sanji and Pudding, hear me out:

It starts with 9 year old Sanji at G€rma. In one way or another, his modifications partially activate. He is still weaker than his siblings, but its enough for J@dge to not imprison him even after Sora's death. (He still gets berated tho) Living like this slowly makes Sanji lose his emotions. He doesn't have a will to to live, yet he can't die.

Meanwhile, at Tottoland Big Mom is furios at a 6 year old Pudding because she just can't awaje her 3rd eye. She calls her a failure, punishes her for nothing, and tells her that she isn't her favourite daughter anymore. Hearthbroken, Pudding decides to run away like her big sister Lola did by hiding in the hold of a ship. She ends up in the east blue and after the ship wrecks, she meets Zeff. They are both stuck on an island fir 80 days, but he sacrifised his leg because he could never let a lady go hungry, its just wrong. Later they are saved and end up opening the Baratie.

Zeff raises Pudding as his precious daughter. She is already great at baking, but he teacges her how to make other dishes and cuisine. Everybody loves her, and anyone who even lays a finger on her will die.

Then Luffy arrives. While Pudding's real dream is to learn about the 3 eye tribe, she tells everybody that is to find the All Blue for her old man (she still covers her eye, Zeff is the only person who has seen it). After the events of the Baratie arc, she joins the crew as the cook.

The rest of the story would be similar. Pudding is now a pirate who uses her leg fighting skills and smarts to get by. (As well as an idden power thats connected to her 3rd eye) The marines gave her the epithet "chocolate leg Pudding". Im not sure if she already has the memo-memo no mi... I'm gonna assume she does and its very useful for her.

The first change in the plot is at Thriller Brak. Pudding notices her sister, but she is scared to face her at first, since that woukd mean telling her friends about her true lineage. For most if the arc, she deribetaly tries to hide herself and even wears a disguise. In a final moment in the arc, she asks Lola to talk to her privately. We don't see what happens yet, but we will one day.

The rest of the story is the same, until Whole Cake Island. When she is kidnapped by the Big Mom pirates. When her bounty poster is changed to "only alive". When the invitation to the wedfing of the 3rd son of the V!nsm@ke family and the 35th daughter of the Charlotte family are handed out. When Big Mom decides to claim her disowned child to give her up in an arranged marriage as part of a coup. Threattening to hurt Zeff and her friends if she doesn't comply.

I love this so damn much you don't even know-- I've always been saying that Pudding's story is basically Sanji's but like, with the bad ending because she never got to escape when she was little but Sanji did. And now that you mention this AU, it's just perfect to show their similarities but also to turn the stories around and,,, It's amazing.

Starting with Sanji, I adore that the approach here is that he's emotionless. I don't think he'd be like his brothers in a narcissistic, egocentric way. I think that after being abused constantly he just loses all will to leave and shuts down completely even if there is still empathy within him. The whole thing with the Vinsmokes is that they were all raised to be powerful killing machines and that's why they act like this, not because they actually are emotionless. And Sanji in this context isn't either, he just seems like he is because he just... Gives up. So I imagine a black-haired Sanji with some blond, completely shut down and just taking the abuse and living with it and serving the family without anything else.

But there is still some type of connection in him to like, animals and women, I think. It's small but it's there. He's not our sweetest boy but he won't harm women the way Niji does and he will help and feed animals because he is strangely attached to them and cooking. But Judge doesn't really say anything about it anymore because at least the kid gets the job done and doesn't seem like he's going to rebel or anything. He's kind of like in a Reiju position? Where he understands their situation and has his own emotions but just shuts down? Except that he's well, extremely depressed and mean and she's concerned for him. I think she still protects him though, she's the only one Sanji doesn't push away. Typical "they sit in silence and she hugs him and even though he stays expressionless it's obvious that he likes it with her".

And Pudding... I love that she gets her happy ending here. I've been saying Zeff has girldad energy and it just makes sense that he'd be extremely protective of her while teaching her to cook and fight on her own!! He raised the most gorgeous, sweetest, and yet ruthless cook of all seas! I think he'd be such a great dad for her because he would help her stand up for herself and also take care of her in their early years together when she is still having trouble adapting to a new, healthy environment. Of course, she still has nightmares and trauma responses when she grows up, and he helps her anyway, but she gets better at some point.

I love that he's the only one who sees her third eye!!! That'd be like, such a good plot point too for her to join the strawhats... Also, her dynamic with Luffy would be hilarious because despite being sweet, I wanna desperately keep her mean personality and she would be SOOO done with Luffy. Their relationship would kind of resemble Lusan's a lot, imo. And Nami would be sooo happy to have another girl in the crew so early!!! I also think she'd hate Zoro but not because of like, parallels with Zosan or anything, I just think their personalities clash too much-- And she'd have a soft spot for Usopp but that's because, you know, everyone does. Also, I like having a girl in the crew that isn't part of the coward trio. She actively fights and I love it. Then Vivi and Robin join them and y'know, I am starting to think another girl in the crew would be literally amazing hahahaha (I've been saying this for so long). So I am guessing everything stays the same except that during Thriller Bark she reunites with Lola but yeah, she doesn't tell the others about it. Because that's what WCI is for!

Then WCI happens... And I am losing it because I really, really, really want her to have the biggest breakdown about it and sacrifice herself Sanji-style (don't you just love how you don't even have to change the plot because they're literally parallels??? I will never understand how some people can hate Pudding lmfao she's literally Sanji). So she's forced to do the exact same thing she does in canon if she wants to save the ones she loves, but she doesn't want to kill Sanji?? Like at all?? And then you have Sanji who literally gives zero fucks about what's going on. I think he'd be forced to act politely and like a gentleman when he literally doesn't care about all of this-- And probably Pudding finds out and he's mean to her, yadda yadda yadda.

And y'know I would absolutely love if Sanji knew they're going to kill him but couldn't care less about it because perhaps dying is better than whatever life he's living, and when Pudding realizes what's going on she makes him want to live just... A little bit. Something awakens inside Sanji and suddenly he's scared and he doesn't want to do this. Sanji sees Pudding's third eye... Pudding finds out about Sanji's mother... They actually won't stop arguing at first, Pride & Prejudice style, and then Sanji sees her with a different perspective and all of a sudden he starts acting more protectively and sweet to her? So she's confused as hell and still tries to argue but uhhhh complicated relationship they've got there, but at least they help each other out.

And idk perhaps we have the Viinsmoke sibs having the same scene they have in canon and helping Sanji out but the crucial part is Reiju paralleling the original scene in which she helps Sanji escape. And he finally does and he leaves with the strawhats because I need them to have a happy ending. So he's still dealing with, you know, trying to express his emotions and wanting to live but he'll get there someday because at least now he's safe. Nobody kisses and forgets anybody because I will not allow a sad ending here, thank you.

[respectthepetty]

The Alan Scale cannot measure my anger toward Earn.

Thank goodness that everyone in the show is pissed off at her.

And thank goodness Lada has the bestest best friend.

He deserves to cry more than Earn!

This is such a tragedy. Lada and Eng should be together, but instead they are fighting . . .

over her

*takes off my glasses* I've seen enough

[shijiujun]

“Now, no one can tell me what kind of person I am anymore.”

- Till the End of the Moon | 长月烬明 (2023) - EP. 30 -

[girl4music]

I really don’t ask for too much. I don’t think it’s asking too much to have a self-inserted version of me in TV art/entertainment that not only lives, but has a decent endgame. Maybe not necessarily a happy ending but at least some kind of ENDING that doesn’t include death for either me as my self-insert character or the character of which I love. It’s not asking too much.

It’s not asking too much to be allowed to exist and have a main narrative that’s properly concluded.

It’s not.

[gabichanwrites]

Imagine you have a character, a broken, vicious man who bites and spits venom even at a person he loves the most, who pushes the buttons of his love just because this toxic familiarity is all he knows, just because it's all he feels safe doing. And then his love finds another person who brings out such a different part of them, a part this character never could or maybe just long forgot how to do. He drowns in jealousy, in his bitternes, he hurts his love, he hurts his love's beloved, their crew... And finally gets what he wanted. Finally has his Blackbeard back, finally can forget about the part of Ed he can no longer reach... But suddenly Blackbeard is unpredictable even to this character.

And suddenly everything changes as he slips and can no longer even enjoy the familiar toxicity because he saw something better and kinder and selfishly wishes for it too, despite it all. And suddenly he understands people around him, people who never saw the evil in Edward, and suddenly he realizes it's his fault. All of it, just a part of it - doesn't matter. He caused this and nobody is happy, not even him.

And then, despite everything, others start to care for him. They tell him "We think you're in a toxic relationship" as if they didn't know it was him who brought Blackbeard back and they hug him tight as if he wasn't the once to sentence them to this horror and they hold his hand when he panics. They experience kindness and hope in a miserable place, maybe a glimpse of what made Blackbeard so soft for a moment there. And when everything falls apart, when he takes the final tumble in this horrible dance he has with Blackbeard, somebody is there to hold him up. Somebody is there to criticize his drinking and make him a new leg and call him their unicorn. The character is "their bastard", he is part of them. He is part of something kind and accepting and he shyly embraces the new familarity-that-might-be, even when he still insults and retreats and bottles stuff up because maybe if he seems fine he can help others, maybe in the end he can be loved in a way as kind as theirs. Maybe he can have a family.

So once they are again in danger he takes the chance and speaks boldly and captures the ominous attention of the enemy. He takes a risk for them. He takes a bullet for it. He rests in the arms of his love and tells him he's sorry even when he could never accept the other's apology. He never gets the chance to try more and forgive more and try to be forgiven more. He can only ever serve as a tool for another character, can never evolve to existing on his own, to healing on his own.

You are Izzy Hands. You are drowning in your mistakes and the toxic familiarity you're too afraid to get out of. And once you dare to try...

The show would rather have you die than give you a chance at healing and happiness.

Your death doesn't prove a point and it doesn't mean anything. It's just cruel.

[longmaxsilvarg]

will forever have a soft spot for chloe cause yeah dawg i get it we can try to avoid becoming attached out of the overwhelming fear of being abandoned again but miserably fail together

[anonymous-chicken-was-taken]

I Am Rattling The Stans Around In My Brain Aggressively Like A Maraca

[loveyourhate]

some durgles ( durge doodles)

[titanicnerd-blog]

Chapters: 1/3 Fandom: Timeless (TV 2016) Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Garcia Flynn/Lucy Preston, Jiya & Lucy Preston Characters: Future Lucy Preston, Garcia Flynn, Future Jiya (Timeless), Connor Mason, Denise Christopher, Anthony Bruhl Additional Tags: Mentioned Rufus Carlin, Timeless AU, Rittenhouse (Timeless), Time Travel Fix-It, recreating the time team, no wyatt here, Future Fic, Garcia Flynn Deserves Better, Pre-Garcia Flynn/Lucy Preston, Soft Garcia Flynn, Endgame Garcia Flynn/Lucy Preston, POV Lucy Preston, Lucy Preston's Journal, Badass Lucy Preston, timeless season 1 AU, Mason Industries (Timeless), this isn't sao paulo, ok it is but it isn't, turning timeless on it's head, Sad with a Happy Ending Summary:

Garcia Flynn: “There's a room at Mason Industries, it's in the basement, almost forgotten, but Lucy showed it to me one time. It’s full of documents, photos, letters, all the times that other Lucy's and other Garcia's found each other, some with time travel and Rittenhouse involved, others without any of those elements. It was her way of telling me, of showing me, that we belong together, in every way, in any time and place. There were some common times: 1937, 2014, 1893, 1912, and some common places: São Paulo, Paris, New York, Chicago, Manchester, NJ, and Stanford. Lots of accounts show us meeting in a bar, and the journal is a common theme.” Flynn cleared his throat. “We... we are married in almost all accounts.” At this, Lucy suspected he was blushing, although she couldn’t see him clearly in the dark. “Sometimes there are children, sometimes not. The other Lucy said that we were once one being that became separated, and this was why we always seem drawn to each other.”