#they can't just do nothing

[cherrywhite]

hey silt verses? I just want to talk

[little-pup-pip]

Cosy day in!!

[m-for-now]

Idk they give me the vibe of like,,, not yet thinking about kids when they're living together and then they meet this random kid who doesn't have a place and they kinda go "well, we can't just leave them here" and then that's how they adopt kids (or pets honestly)

[lotus-pear]

the dialogue choices in this game should be more diabolical

[sacchiri]

volume 1 sketches part 2

[smileyobrien]

To the best crew any captain ever had. ✧.*

[a-most-beloved-fool]

tos jim kirk is very funny to me because he is so bad with children. you'd think he'd be good with them, but he isn't. i think he probably likes them well enough, he just. doesn't know how to talk to them. not one bit. has no idea how to interact. kids can tell he's trying, but he's bad enough at it that they don't really like him more for it. type of guy who you'd hand a baby to, and he'd hold it out in front of him with stiff arms. like, um. what do i do with this. he could be coached on proper holding technique, but he'd still look visibly uncomfortable the whole time.

tos spock is Not Much Better. i think that he feels more clueless around kids than kirk does, but kids also like him more. he doesn't have it in him to be mean to a child ever, so all the awkward kids adore him, and he spends the whole time with them sending desperate looks to other crew members, being like, 'help, i am ill equipped for childcare' and everyone around him is like, 'nooo, you're doing great!!!' while the child has a blast and he is wishing desperately to be Anywhere Else. however, he does refuse care of babies. somehow, he is even worse with babies than jim is.

bones, though - he's a kid guy. he loves kids and babies. he adores them, they adore him, it's a win win. and he looks over at kirk and spock Struggling and he laughs and laughs and laughs. (the kids, of course, think this is hilarious, and they join in on making fun of kirk and spock, even if they don't really know what they're making fun of them for.)

[benevolenterrancy]

("Always. Continuously. With increasing apprehension, and decreasing hope. I will love you if I never see you again, and I will love you if I see you every Tuesday. I will love you as a corpse loves the beak of the vulture. I will love you no matter what happens to you, and no matter how I discover what happens to you, and no matter what happens to me as I discover this." -- paraphrased from The Beatrice Letters, Lemony Snicket)

[the-crooked-library]

does anyone else think about Spike and Giles looking at each other and seeing a personification of the most despised and vulnerable aspects of their own past or is it just me

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[knownoshamc]

I've never made a vampire.

–

You'd like to be one of us? They always think they are different. Stronger, superior. Until the loneliness comes in. You'll be a monster. Will you eat humans like you eat your apple? One a night. No pity for the child, for the mother, for the invalid? How will you choose whom to kill? And when the last remnants of your era are gone? The cars, the hairstyles, the beliefs? How will you go on? How will you survive eternity?

[bixels]

The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.

[prinsomnia]

smitten 🦋

[poorly-drawn-mdzs]

Assisting Acquaintance Acquired.

[First] Prev <–-> Next

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[cherrywhite]

Silt Verses protagonists // Returning Home