#they are no long anonymous

[chappybird]

[canisalbus]

What kind of dog is Machete?

He's troubled but he's trying his best.

[ghosted-jazz]

Did Cosmo and Wanda have a fairy Timmy back in the day? I hadn't watched A New Wish yet but iirc their relationship was strained by Timmy, I think because of the whole "no one aged for 50 years" thing in Timmy's Secret Wish. So would that mean Timmy messed up their marriage?

Yep! Timmy was Cosmo and Wanda's first fairy!

Cosmo and Wanda were newly weds with no support systems thus miserable enough to get their own fairy!

For the first few years, the three of them were perfect but Timmy overstayed his welcome, none of them wanting to lose this new family they created. Timmy used his magic to try and force a magic solution to make Cosmo and Wanda happy again, to varying levels of success.

New fairy management notices that Cosmo and Wanda seem to be getting more miserable despite having Timmy, so they get assigned a new fairy:

Chloe is here to fix all of Timmy's mistakes. But their happy little family isn't going to be separated so instead of being replaced, Timmy and Chloe end up as coworkers.

But even with two fairies, Cosmo and Wanda keep getting more miserable. With a fresh new set of eyes and someone to talk to, Timmy finally admits that the Fairywinkle-Cosmas might be better off without him since most of their conflict does seem to revolve around magic. So both Chloe and Timmy resign, erasing Cosmo's, Wanda's, Poof's Peri's and Sparky's memories of magic.

That day, the Fairywinkle-Cosma's pet goldfish, the one they got when they got their first house, dies. The whole family is very torn up about it, crying even though they don't know why they feel so strongly about losing this goldfish.

As for the whole 50 year time loop thing:

After granting that accidental wish, Timmy does not come clean about it for 50 years in fear of getting into trouble. A swap version of Timmy's Secret Wish does happen and undoes the time loop but yep, that wish absolutely contributed in the decline of their marriage. Not that Cosmo and Wanda would remember it anyways

[dunmeshistash]

I have been thinking about this for a while but can someone explain or their own interpretation of the relationship between Kabru and Milsiril? I have been seeing people post their thoughts about them and I'm really interested in seeing other people's opinion about them

I think understanding Milsiril is important to understanding her relationship with Kabru. But Kabru's relationship chart pretty much says it all "Overprotective adoptive mother"

Milsiril from what I understand is an outcast among other elves, since she was bullied by them before, as her bio says in the adventurer's bible, she seems to have very negative feeling for her own race.

So she has a preference for other races and likes to raise orphans which can be considered an act of altruism (and it is obviously something positive that she's helping children with no home)

But, just like other elves it seems she doesn't really respects their individuality. In this one she wants Kabru to consider the sweet from his hometown the elven one.

Even other Elves (like short lived species lover Otta) have a bad interpretation of what she does

But I think in the end of the day she just wants a family and someone to love, while a little misguided I believe she's doing her best. Meanwhile Kabru is a rebel son that doesn't want to be smothered by her love (and he's right, I'm glad he confronted her to get what he wanted). And he does call her mother (although it's the more formal version) so I believe he considers her family, there's even an extra where he asks her to take him to a family reunion.

I think they're a great representation of a type of family I don't see often in fiction. I think its great Milsiril isn't a perfect adoptive mother and I love that they're still family despite it all.

This might have been way longer than you expected but I had to jump on the opportunity to share about Milsiril.

[incognitopolls]

We ask your questions so you don’t have to! Submit your questions to have them posted anonymously as polls.

[peace-hunter]

I like the idea that the Matrix was said to contain "The wisdom of the Primes" and while it kind of DOES, what he actually got was the ability to commune with the Primes, and while everyone expects them to be a well of wisdom they're kind of just normal people and tell Optimus that Megatron's a glitch.

He's basically just got 13 older annoying siblings.

some times collective wisdom means knowing how to build and lead an entire army while restructuring your entire society after decades of oppression.

others it means knowing that mixing the cybertronian equivalent of vodka and tequila is a Stupid Idea and you will definitely regret it oh my god-

and being the youngest of fourteen sometimes means knowing that and doing it anyway lmao

but yeah that's basically it! that's kinda the point of the au! yeah they were wise and intelligent and almost divine but they were still people! and the concept of wisdom can be very subjective when there's thirteen of you and you have thousands if not millions of years of Opinions™ aklsjdlalds

haunted au

[askchuuyanakahara]

poor dazai he's just worried

Dazai: "Just stick with your old man speech."

Chuuya: "Old man- oi! I'm not that much older than you!"

Chuuya: "I assume you're not gonna eat before coming over, right?"

Chuuya: "You're already freeloading off me, so you're gonna eat what I give you!"

Dazai: "Why didn't Chuuya let me know he wanted me over this morning?"

Dazai: "I've never been to Chuuya's with an invitation before."

Chuuya: "And I'm a bit too busy to do that right now."

Dazai: "I guess we can't say no, huh?"

[racheldrawsthis]

Hiiii ! I'm not sure if anyone ever asked, but i was wondering, how do you feel about people drawing nsfw of yours ocs? No pressure to answer, I'm just really curious

EVIL!!! how could anyone DO such a VILE and DISGUSTING thing!!! send me links so i know how i can definitely avoid them haha

[monstersmashorpass]

SMASH OR PASS: Falin, Dungeon Meshi

Propaganda from Mod Curse: *gestures wildly* MY (and marcille's) WIFE! If she's anything like her brother, you know she knows how to eat ( ͡° ͜ʖ ͡°) *ahem* Anyways, I feel like this speaks for its self:

[specialagentartemis]

godddddd i have disliked becky chambers' work since long way to a small angry planet and I agree that that fish scene is SO much of what is wrong with contemporary SFF especially queer SFF. refreshing take, great review, thank you. would love to hear what authors or works you think of as the antidote to that sensibility.

The thing is, I enjoyed The Long Way to a Small Angry Planet when I first read it - it was a fun, light adventure, clearly a debut novel but I was excited to see where Chambers would go from there. And I actually really do think the sequel, A Closed and Common Orbit, was good! It did interesting things with AI personhood and identity.

... and then Chambers just kinda. Did not get better. She settled into a groove and has a set number of ideas that I feel like she hasn't broken out of, creatively. And they I M O kind of rest on an assumption that "human nature" = "how people act in suburban California."

As an antidote to that sensibility, I'd say... books where people have a real interrelationship with the land they inhabit, a sense of being present, and reciprocal obligations to that land; books that recognize that some things can never be taken back once done; books with well-drawn characters, where people have strong opinions deeply informed by their circumstances, that can't always be easily reconciled with others, and won't be brushed aside; books where these character choices matter, they impact each other, they cannot be easily gotten over, because people have obligations to each other and not-acting is a choice too.

And it's only fair that after all day of being a Hater I should rec some books I really did like.

Piranesi by Susanna Clarke - A man lives alone in an infinite House, over an equally infinite ocean. Captures the feeling that I think Monk & Robot was aiming for. Breathtaking beauty, wonder at the world, philosophy of truth, all that good stuff, and actually sticks the landing. The main character's love, attention, and care to his fantasy environment shows through in every page. (Fantasy, short novel)

Imperial Radch by Ann Leckie - An AI, the one fragment remaining of a destroyed imperial spaceship, is on a quest for revenge. Leckie gets cultural differences and multiculturalism, and conversely, what the imposition of a homogeneous culture in the name of unity means. (Space sci-fi, novel trilogy)

Machineries of Empire by Yoon Ha Lee - An army captain's insubordination is punished by giving her a near-impossible mission: to take down a rebelling, heretical sect holing up in a space fortress and defying imperial power. She gets a long dead brain-ghost of a notorious criminal downloaded into her head to help. Very, very good at making you feel like every doomed soldier was a person with a past, with a family, with feelings, with hopes and dreams and frustrations and favorites and preferences and reasons to live, right before they brutally die in a space war. Also very much about the imposition of homogeneity of culture as a force of imperialism. (Space sci-fi, novel trilogy)

The Fortunate Fall by Cameron Reed - Maya Andreyevna is a VR journalist in high-tech dystopian future Russia, and she decides to investigate the truth that the government doesn't want her to. She might die trying. It's fine. Also has digital brain-sharing, this time in a gay way. It's bleak. It's sad. It feels real. Not making a choice is a choice. Backing out is a choice. And choices have consequences. Choices reverberate through history. About responsibility. (Cyberpunk, novel)

The Vanished Birds by Simon Jimenez - Nia Imani is a spaceship captain, a woman out of time, a woman running from her past, and accidentally adopts a boy who has a strange power that could change the galaxy. Spaceship crew-as-found-family in the most heartbreaking of ways. Also about choices, how the choices you make and refuse to make shape you and shape the world around you. How the world is always changing around you, how the world does not stay still when you're gone, and when you come back you're the same but the world has moved on around you. About how relationships aren't always forever, and that doesn't mean they weren't important. About responsibility to others. It's a slow, sad book and does not let anyone rest on their laurels, ever. There is no end of history here. Everything is always changing, on large scales and small, and leaving you behind. (Space sci-fi, novel)

Dungeon Meshi / Delicious in Dungeon by Ryoko Kui - A D&D style fantasy dungeon crawl that stops to think deeply about why there are so many dungeons full of monsters and treasure just hanging around. Here because it's an example of an author thinking through her worldbuilding a lot, and it mattering. Also because of the characters' respect for the animals they are are killing and eating, their lives and their place in the ecosystem, and the ways that humans both fuck up ecosystems with extraction and tourism, but also the ways that you can have reciprocal relationships of responsibility and care with the ecosystem you live in, even if it's considered a dangerous one. (Fantasy, manga series)

Stories of Your Life and Others by Ted Chiang and How Long 'Til Black Future Month by N. K. Jemisin and Everyone on the Moon is Essential Personnel by Julian K. Jarboe - Short story anthologies that were SO good and SO weird and rewired the way I think. If you want the kind of stuff that is like, the opposite of easy-to-digest feel-good pap, these short stories will get into your brain and make you consider stuff and look at the world from new angles. Most of them aren't particularly upbeat, but there's a lot of variety in the moods.

"Homecoming is Just Another Word for the Sublimation of the Self," "Calf Cleaving in the Benthic Black," and "Termination Stories for the Cyberpunk Dystopia Protagonist" by Isabel J. Kim - Short stories, sci-fi mostly, that twist around in my head and make me think. Kim is very good at that. Also about choices and not-making-choices, about going and staying, about taking the easy route or the hard one, about controlling the narrative.

The Murderbot Diaries by Martha Wells - Security robot with guns in its arms hacks itself free from its oppressive company, mostly wants to half-ass its job but gets sucked into drama, intrigue, and caring against its better judgement. This is on here because 1) I love it 2) I feel like it does for me what cozy sff so frequently fails to do - it makes me feel seen and comforted. It's hopeful and compassionate and about personal growth and finding community and finding one's place in the world, without brushing aside all problems or acting like "everybody effortlessly just gets along" is a meaningful proposal. also 3) because it is one of the few times I have yet seen characters from a hippie, pacifistic, eco-friendly, welcoming, utopian society actually act like people. The humans from Preservation are friendly, helpful, and motivated by truth and justice and compassion, because they come from a friendly, just, compassionate society, and they still actually act like real human beings with different personalities and conflicting opinions and poor reactions to stress and anger and frustration and fear and the whole range of human emotions rather than bland niceness. Also 4) I love it (space sci-fi, novella series mostly)

[ide4m4chine]

streamer au antics

[ckret2]

What's your stance on Ford as a person? Honestly, I believe that for thr majority of canon he is a bad person. But I believe he grew. Still not great though XD

(Love him anyways obvs)

I disagree entirely! I think he's equally as good a person as any of the other main cast.*

*Except Mabel, who, as we all know, is always right about everything.**

(**This is a lighthearted joke. For the love of god, I don't want Mabel discourse in my inbox.)

His biggest sins in the show:

After telling his brother that he was thinking about changing their shared life plans, and then discovering that his brother had gone to the high school that night for no good reason and gone to the science fair for no good reason and messed around near Ford's science project for no good reason and broke it and didn't tell Ford about it... Ford believed Stan did it intentionally and held a grudge for it. You know what, it WOULD be pretty damn hard to believe it was an accident.

Hilariously ill-equipped to cope with Fiddleford's mental health. A guy who responds to "I have anxiety" with "have you tried yoga, it helps me" isn't a bad person, he's clueless. "Character cheerfully enacts a bad idea while a loved one in the background goes NO PLEASE DON'T DO THAT" describes half the episodes of Gravity Falls.

Was successfully manipulated by a professional manipulator into believing his best friend wished him ill. Man, what a terrible person Ford is for being manipulated by a manipulator and saying cruel things to somebody he'd been genuinely convinced was trying to harm him.

??? Didn't say thanks to a guy he was still mad at after the guy fixed a problem he himself had caused. This is a solitary example of stubborn bad etiquette, jesus christ. There's half a dozen different reasons why it makes perfect sense Ford wasn't in the right mindset to feel grateful, this is not something worth indicting his entire character over.

He had high ambitions, which everyone seems to lambast him for, but high ambitions that wouldn't have required doing anybody harm! (Until the professional manipulator started manipulating him into harming the people around him, but we are going to demonstrate some reading comprehension and not blame Ford's underlying morality as a person for things he never would've done if not for Bill's bullying, con artistry, and outright lies.) Like, what is it that he wanted to do with his life? Use his talents to get rich and famous? Shit, that's exactly what Stan wanted to do with his life. It's what Dipper fantasizes about doing with his life. Even Mabel, who thinks about her long-term future the least, dreams big with her art & performances and is already making big money off cheap-ass commissions. What terrible people they all are, for—let me check my notes here—uhhh... unrealistically fantasizing about achieving success in life by doing the things they're good at.

When their dad accuses Stan of lying as a child, Ford puts his entire summer on the line to defend Stan even though he knows Stan is a habitual liar and has no reason to believe Stan is telling the truth this time.

When his new college roommate he barely even knows gets laughed at for proposing an outlandish scientific theory, his first emotion is outrage at this injustice and he drops everything to convince his already-despondent roommate that he was right and help him prove it beyond a shadow of a doubt.

When he moves to a new town, he tries again and again to befriend his new neighbors, and fails not because he's rude or a jerk, but because he's awkward as hell, tells terrible jokes, and sucks at identifying phoenixes.

When Fiddleford gets hurt around him, he cares about it, feels guilty about putting him in that position, doesn't want it to happen again, and tries his best to help even though he's bad at helping.

When he gets kidnapped by a weird holiday folklore creature, he concludes without even thinking about it that he's now in charge of protecting and rescuing the kidnapped kids. Yeah, then he immediately starts hollering at the folklore creature for trying to impose his religious beliefs on Ford and the kids—but like, Ford was right tho, he just had bad timing.

When he discovers that the Northwest family committed atrocities against their poorer neighbors a century ago, his first instinct is to march up to their house, find the first Northwest he can locate, and give them a piece of his mind for it. Like, this won't even FIX anything. He's just THAT OUTRAGED over the injustice.

When he sees what he thinks is a fortune telling fraud conning the people, he attempts to debunk her because he's mad to see someone cheating other people with lies—and when he can't debunk her, he just leaves her alone rather than harass her about it. Typically, if assholes think somebody's doing something wrong but don't have any proof of it and fail to get proof when they look, they decide they're right anyway and keep giving that person shit. Ford doesn't give her shit. That's the opposite of an asshole move.

When he discovers his Portal To Knowledge (And Fame & Fortune) is actually a Portal To Doom (But Still Possibly Fame & Fortune, Maybe Even Godly Power), he isn't tempted for a second to keep working on it anyway. There is no moment where Bill manages to tempt him. No matter what Bill offers, no matter how long Bill offers, never, at ANY point, does Ford have a SECOND of "but what if I did make a deal with the devil?" the way so many heroes in similar situations often do.

You ever notice that? So often moral moments in the show are presented as choices the characters make. Will or won't Dipper give Bill a "puppet" in exchange for knowledge. Will or won't Stan fight a pterodactyl to protect Mabel's pig. Will or won't Mabel hand Bipper the journal. Ford is never given a "will or won't he" moment over Bill's threats, offers of friendship, or offers of infinite power—he steamrolls straight past them without a second of consideration—because, to him, the selfish, cowardly, easy choice ISN'T EVEN AN OPTION. He doesn't even SEE it as making a choice because the possibility of doing the wrong thing is invisible. A character who wavers first before turning Bill down would look more noble for "overcoming" temptation—it's harder to notice just how much stronger Ford's moral compass must be to not even feel temptation in the first place.

Greed and pride never tempt him to join Bill's side. Exhaustion, despair, and fear never tempt him to give up. He bears up under weeks, possibly months of extreme sleep deprivation, physical torture, psychological torture, emotional torture, threats of death, threats of brainwashing, threats to his family. He doesn't hold up so that he can pat himself on the back for being a hero—if that was all it was he would've gone "screw it, this isn't worth it and nobody would know I'm the one who gave up" a week in—he does it because he simply knows it must be done and because he's so isolated (half because of Bill's influence!) that he believes he's the one who must do it, all alone.

Thinking he has to do it by himself isn't egotism or pride; it's helplessness. He thinks no one else stands a chance. He thinks he's alone.

And, when he discovers his Portal To Knowledge is a Portal To Doom, he immediately feels guilty. No trying to deny the situation to protect his ego. No shuffling the blame off to someone else. No "maybe the apocalypse could have a silver lining!" No locking the door and trying to ignore the problem. He blames himself for being fooled—he IMMEDIATELY takes full responsibility for his actions—and he CONTINUES to take responsibility FOR THE NEXT THIRTY YEARS.

He takes more responsibility than is even warranted—he treats himself like he's an idiot for believing in an APPARENT GOD who's been practicing manipulating humans for thousands of years and who had never given Ford reason to believe the portal was anything but what Bill said it was. He beats himself up to no end every single time his past with Bill comes up. He even keeps beating himself up thirty years later when he's shoving warning notes to future readers in Bill's evil unkillable book!

When he falls into the multiverse, he dedicates his entire life NOT to finding a way to rescue himself, but to finding a way to permanently stop the CHAOS GOD who's still at the threshold of destroying Ford's world and countless others. He makes himself a hated criminal in the process, just to stop Bill. He's ready to spend the rest of his life trying to protect a world he doesn't think he'll ever see again. He does it because, as he sees it, somebody has to stand in between the children and the obnoxious folklore cryptid menacing them, and he's the only adult in this damn cave with the skills and knowledge for the job.

When he gets home, he doesn't tell his family about Bill and his quest because he's afraid that doing so will get them involved and endanger them too—and because he's too deeply ashamed of himself and his mistakes to stand the thought of his family knowing about the horrible things he's done (AGAIN, WHILE BEING MANIPULATED BY THE GOD OF MANIPULATION).

He loves his great-niece and great-nephew the second he lays eyes on them; he nevertheless tries to steer away from them to keep them safe from Bill; and yet he caves to the very first temptation to emotionally bond with his great-nephew he gets, because in spite of his noble "keep them safe" intentions, he wants so so badly to be close to his family.

As pissed as he still is at Stan and even though neither of them can look at each other without hissing like cats, he still makes an attempt to start bridging their divide by inviting him to play DD&MD.

When the apocalypse happens, he immediately puts his life on the line to try to kill Bill.

And when he's captured, isn't fazed for a second by Bill's offers or threats... until his family is threatened. The exact thing he'd been trying to avoid & prevent from the very start.

And when he's reunited with Fiddleford, his immediate reaction is to point out that Fiddleford's well within his rights to hate him—which isn't a new revelation, it's not like Ford had to do any soul-searching to reach this conclusion, he'd concluded that 30 years ago the instant he realized Bill had played him and that he'd been lied to about Fiddleford.

And then he tries to kill Bill again.

And then he's ready to sacrifice his own life to kill Bill—and the only reason he doesn't is because he has a metal plate preventing him from making the sacrifice... but, Stan doesn't have a plate. If Ford hadn't had the metal plate, he would have gladly done the exact same thing Stan did—and he would have thought it was right for him and only him to make that sacrifice, because it's VERY clear he feels (and has felt from the start) that this is all his fault and he's obligated to fix it.

Over and over and over, these are Ford's two defining character traits: getting so pissed off at injustice that his common sense shuts off and he goes into terminator mode until he's righted this wrong as best he can, even when he can't actually do anything about it; and feeling like he's Atlas, weighed down with the full responsibility of fixing everything he's done wrong and made to believe that, for everyone else's sake, he has to do it all alone. Even when doing so puts himself in harm's way, even when he has to put his entire life on hold for it, even if it might cost him his life. Scrape off his awkward social skills, his loneliness, his nerdiness, his endless curiosity, his zealous love of the strange, his starry ambitions, his yearning for recognition and success—scrape his personality down to the bone and that's what you're left with. A man who believes in defending the exploited so strongly that it makes him a little stupid.

I'm gonna go out on a limb and assume that you probably don't think Stan's fundamentally a bad person, and that you probably think that isn't even worth questioning. Stan's made a whole career out of swindling people, conning them out of as much money as he possibly can, stealing, lying, committing a long list of goofily-named crimes, and attempting douchy pick-up artistry on women; and to cap it all off, he held the safety of the entire universe hostage to demand a goddamn "thank you." Don't send me any "But he had reasons—" "But it was only to—" I don't need it, I don't want the essay, I'm not arguing that Stan's a bad guy, it's fine.

But. You can look at Stan's moments of cruelty and unkindness, his uncharitable thoughts, his character flaws, and think, "that doesn't define him. He's more than his cruelest moments and worst mistakes. He's imperfect, but he cares so much and his heart's in the right place, and beneath all the flaws his core is good."

And if you can't do the same for Ford, it's not because he's a worse person. It's because we got two seasons with Stan and five and a half episodes with Ford—and while we saw Stan yearning to fish with the kids or encouraging Mabel to whoop Pacifica's butt at minigolf or crying over a black and white period drama or punching zombies to save his family, we only saw Ford at the worst moments in his life and under the stress of a prolonged apocalyptic crisis—and, it so happens, all the moments he was pissed at the guy we spent two seasons learning to love.

Ford's got moments of cruelty and unkindness, uncharitable thoughts, and character flaws. But, at his core, he's a good person, and he always has been, and he still is.

[kidovna]

your Viktor looks a lot like your Will

i mean…

[yanmuffins]

asks 2.

context.

here are some more asks i'm replying to in a bulk about phineas and ferb reader!!

my favorite part in dc. vs vampires is when reader comes together with damian and damian to build a silly machine that un-vampifies people in like half a day so they can defeat the vampire king. it is canon.

@amethystjellyfish

perry really is reader's number #1 stan. they're his family, reader's had him since he was a small platypus baby!

he does his best to keep reader safe, which is why he doesn't like the batfam much. he keeps it professional on the rare occasions they go on missions together, but that's it. he hates how dismissive of reader they are in the beginning, and he hates them later on when they star showering them with attention because they found out about their inventions.

not tired, anon! i love seeing people enjoy my concepts and interact with them!! ദ്ദി(˵ •̀ ᴗ - ˵ ) ✧

and i'm sure this has happened. more than once, actually. the power of coincidence is strong with reader. the life-saving laser beam comes from a situation involving reader's latest machine they built and tested with the help of jon.

unfortunately, one of his lasers richochets on the machine during testing, not only causing it to save batfamily's life, caught in a dangerous situation in a completely different location, but also destroys the machine so there's nothing to link it to reader.

ah, well. they'll just have to keep looking.

reader, seeing them run past her: oh! there's perry :)

i love how we have established tim is terrified of this platypus. nevermind the other pets in the manor, it's the platypus with its googly eyes that drives him insane. they don't get it, he got up to drink water at 3 a.m. and the thing was just there, looking at him. menacingly.

jason would though. meanwhile, perry is wishing he could just go back to metropolis. he didn't have to deal with reader's siblings in metropolis. he doesn't get enough hazard pay for this.

hm... good question!

i like to think that, much like with phineas and ferb, luck is on reader's side most of the time, so i don't see reader getting injured by their own inventions.

but, let's suppose they do: it's a nice sunday afternoon, the batfam has decided to gather around the living room and hang out, watch a movie, lots of popcorn and soda. they don't have to think about criminals or fighting, tim and damian are bickering, jason is around, peace reigns the manor.

until they hear an explosion. they run to the garage only to find reader on the floor, unconscious, bleeding, and an assortment of destroyed metal components to a machine they can't decipher. damian doesn't even feel good about reader finally being busted.

later, when reader is back home, awake and out of risk but with a bandage around their head and their leg in a cast, they're in for the biggest (and probably first) scolding of their entire lives. reader tries to play it off. it wasn't that big of a deal, they're fine, aren't they? and they're genuinely optimistic about it. but the entire family is talking over each other at first, until bruce signals for everyone to shut up and leave the room. he has a very serious talk with reader, and makes it very clear they're not to come near a toolbox ever again.

but he understands. it's partly his fault for not being attentive. he won't make that mistake again.

ofc reader is really upset. dick comes next, then stephanie, then cass, then duke, then barbara and they all try to convince reader in a much more amiable tone that hey, it's fine. who needs to do all that whacky stuff to have fun? just hang out with us. they can get another hobby, and this time they can make it a family thing! how's that sound? not fun? don't be like that... they're sure reader will come around.

tim is pretty much the only one who congratulates them for being awesome pulling all those stunts, one per day, it's impressive. but now it's time to step back a bit. who knows? try being careful and bruce will let you work with a welding tool again. one day. maybe.

damian and jason's reactions are more similar to bruce's. in other circumstances, damian is on reader's side and helps them sneak around to continue their shenanigans, but in the case of reader getting hurt he just wants them to not do that. any of that. ever again. and jason has to hold himself back not to snap and ask them what the hell were they thinking?! they could have died! he ends up just telling them to quit it. they're just a kid who shouldn't be messing around with that sort of stuff.

anon, i wouldn't go as far as say he'd use venom against them, but he's bit batfam before. as stated, he does not dig their vibe at all!

anon, that's a great idea! though i think p&f! reader is much too motivated by the creative process and experience that their inventions bring more than just willing them to come to life.

they have the power to create whatever they want, but what's the fun of it? what about hte process? the building? the friends they make along the way? the memories? i think reader would find the ring awesome at first, but the novelty would wear of in less than a week.

anon...

because i dig the idea of reader being friends with dipper and mabel. reader talks about their crazy inventions, and loves hearing about all the cryptids they came across during vacation.

reader invites the twins to the manor, they share their most recent summer memories. reader talks about that one time they built and drove a massive monster truck with their brother damian, but jason only comes into the room in time to hear about dipper and mable talk about the weirdmaggedon. he has several question marks around his head. aren't those kids a a little too old to be making shit up? or maybe... no, there's no way. or is there? no... he would have heard about this... but weirder things have happened. but what if...

@randomlyappearingartist

you are so right. to be honest, i don't even think the batfam would even know of his existence, since he's pretty much a very minor villain acting in metropolis. after perry joins the league, or in the rare occasion of dr. doof teaming up with another minor gotham villian like condiment man, is when they get to know he exists.

and since perry seems to have him under control, they don't even acknowledge the guy.

i love love love this sm!

they assume it's just flash mobs. it's got to be. flash mobs with really weird themes, like an entire musical number dedicated to the squirrels in damian's pants. that was strange. bruce patrolling in the middle of the night and this new crime lord just burst into a song with a band and hired back dancers, because it's apparently a new trend a minor villain in metropolis started.

and what about that one time dick took damian (and reader) to the library and some guy just started singing about how he doesn't have rhythm? and damian just started playing a trumpet? and reader started singing? i mean, it was a bop and he started dancing, but it was weird anyway.

but now i'm thinking of damian and reader singing the "summer" song together (he sings the "it's noticeably warmer" and that's it) though! wholesome.

@lazyandannoyng

not annoying at all! you're good ⸜(˙꒳​˙ )

i have this little idea in my head that reader doesn't take the wayne name when find out bruce is their dad and move to gotham, and bruce is pretty secretive about this new kid of his for purely privacy and safety reasons. so when reader does their networking, it's often not obvious they're a wayne. not sure if this will make it into the fic, but it really resonates with this concept!

it's also funny to think that a lot of people don't even know reader and the waynes are related. even if they do know reader is related to the batfam, nobody really talks about them by name (just "your sibling"), and all of those little details like never asking about where the gloves came from (because why would he) or the misunderstandings where one party means one thing and the other assumes it's another (dick has many siblings! too many!) just end up helping reader not get caught. and i just think that's neat.

[dunmeshistash]

why did the demon put cunty new evil outfits on marcille and laios when they became dungeon lords?

The real answer is that clothing inspires confidence the real real answer is that he wasn't gonna let them go outside dressed like that.

[canisalbus]

Building on the favourite animal ask, another Very Important Question: favourite PREHISTORIC animal? And why? (I've always loved gorgonopsids and pterosaurs like anurognathus, but a new favourite is aquilolamma the eagle shark. They're just very cute).

I feel like my top favorites are pretty pedestrian, but I like prehistoric deer a lot!

Megaloceros giganteus aka Irish elk

Sinomegaceros ordosianus & Sinomegaceros yabei

Eucladoceros dicranios

Cervalces scotti